:00:11. > :00:17.I tell you what, I'm feeling incredibly cult toured tonight. Is
:00:18. > :00:22.that because Dame Helen Mirren is on the show? One of the reasons, but
:00:23. > :00:26.the main reason is Lang Lang's here. You crack on and we'll start the
:00:27. > :00:39.rest of the show. See you later. See you!
:00:40. > :00:48.Hello. Welcome to the One Show with Alex Jones. And Matt Baker. Today we
:00:49. > :00:54.are joined by Royalty, Lang Lang, who will perform later, for day two
:00:55. > :00:59.of the One Show music festival. First, we are joined by the Queen of
:01:00. > :01:04.stage and screen, it's Dame Helen Mirren.
:01:05. > :01:08.APPLAUSE Welcome, Helen. Welcome to the outside of the
:01:09. > :01:12.studio. Very American. Helen. Welcome to the outside of the
:01:13. > :01:16.studio. Very We thought it was such lovely weather and make the most.
:01:17. > :01:19.End of the summer. As we were saying, we have incred Kibble
:01:20. > :01:24.classical music and you were brought up with a real appreciation for it?
:01:25. > :01:28.My dad was a classical musician and he played the viola and one of my
:01:29. > :01:36.early memories is of my dad practising. My parents, or at least
:01:37. > :01:40.my mum, would not let me listen to rock'n'roll music. I used to listen
:01:41. > :01:48.to radio Luxembourg. Did you like that? I loved it. It was very much
:01:49. > :01:54.disapproved of in my family. I listen to classical music, as my
:01:55. > :02:01.music of choice. Indian classical music I love. Right. And obviously,
:02:02. > :02:09.European too. I'm not knowledgeable at all. I don't know my Mozart from
:02:10. > :02:14.my Beethoven. But I love it. Speaking of Indian classical music,
:02:15. > :02:18.your film is based on an Indian family and we thoroughly enjoyed it.
:02:19. > :02:22.We'll talk about that later and show you in action. Yes. If ever there
:02:23. > :02:32.was a film to make you hungry, in one is it. Helen has won awards
:02:33. > :02:37.during her arrear, Emmys, BAFTAs and Golden Globes and an aS core. There
:02:38. > :02:47.is one that you will never win -- never ever going to get the award.
:02:48. > :02:56.It's called the carbunkle Cup. There's an air about the archers. It
:02:57. > :03:02.is hard to believe how one critic described St Paul's, this great
:03:03. > :03:06.building, back when it was first built. Architecture is an industry
:03:07. > :03:11.that will heap praise on you if you get it right, but if you get it
:03:12. > :03:15.wrong, it will name and shame. Building exien magazine's the
:03:16. > :03:22.Carbunkle Cup has a shortlist of six. The Chancellor's Building in
:03:23. > :03:28.Bath. Trinity Square in Gateshead and the other are all in London. --
:03:29. > :03:33.others are all in London. One reading of the magazine described
:03:34. > :03:38.Unite's Stratford One in East London, "If I was a dictate O, I
:03:39. > :03:43.would be very -- dictator, I would be very proud of this building." A
:03:44. > :03:48.bit harsh. This is the favourite to win the Cup and this is what a
:03:49. > :03:53.former councillor had to say, "An obstacle on Woolwich's road to
:03:54. > :03:56.recovery and I regret my role as its midwife." Ouch!
:03:57. > :04:03.This looks like telly buBy land around the outside of -- telly tubby
:04:04. > :04:07.land around the outside. People say it's one of the you wiliest
:04:08. > :04:15.buildings in Britain? It's not true. I like it. I wish to be there. Is it
:04:16. > :04:19.attractive? No, it's a monstrosity. The Vauxhall Tower is the jewel in
:04:20. > :04:25.the crown here and another contender for the title. Some critics have
:04:26. > :04:29.said that this side of the Thames with the towers is beginning to
:04:30. > :04:37.resemble Mordor from The Lord of the rings' films and I can see what they
:04:38. > :04:43.mean. I like to see more natural products involved. Not just glass
:04:44. > :04:50.and steel. Beautiful? What is beautiful about it? I build it. Were
:04:51. > :04:57.you a building on it? Yes. The last of the offenders is given as an
:04:58. > :05:02.example of the gross overdevelopment around Arsenal's Emirates Stadium.
:05:03. > :05:08.The QN 7 flats in north London. The winner will be announced tomorrow.
:05:09. > :05:16.This is an industry in which beauty is in the eye of the beholder.
:05:17. > :05:20.We'll cut from that section of London to this beautiful section.
:05:21. > :05:26.There were some horrors in there. Yes. Absolutely! Can you imagine
:05:27. > :05:30.being on that list? There are so many changes with time and very
:05:31. > :05:34.often you have the shock of the new. I'm not saying necessarily any of
:05:35. > :05:37.those buildings were that, but it is very often and I think that's a
:05:38. > :05:42.tough thing with architecture. They have to have a vision for the
:05:43. > :05:48.future. Do you have a favourite building? I love the MI5 building.
:05:49. > :05:54.It looks magical and strange. There is another lovely building I love in
:05:55. > :05:58.the City, I call it the Witchy building. It's modern and it has
:05:59. > :06:04.pointy roofs on it. I agree with the guy who was saying why is it always
:06:05. > :06:11.glass? What about natural materials? I do agree. Wood and stone. There's
:06:12. > :06:15.no glass buildings in the new film. It is shot beautifully out in
:06:16. > :06:21.France. Tell us about where it was shot and what the story is. It was
:06:22. > :06:24.shot in an area north of Toulouse and incredibly beautiful part of
:06:25. > :06:30.France. I had never been there before. Amazing Medieval villages,
:06:31. > :06:35.talk about architecture. It's very, very beautiful and it looks exactly
:06:36. > :06:40.like it looks in the film. It's a fantasy of France. It's the light.
:06:41. > :06:45.It's the light. The little markets, and they look like that. And it's a
:06:46. > :06:50.film about food. It's absolutely about food, about the appreciation
:06:51. > :06:58.of food, about the making of food. It's about food as a cultural
:06:59. > :07:04.signifier and a sig -- signifier, and a signifier of family. It's not
:07:05. > :07:08.serious. It's enjoyable. Not to be watched hungry. Make reservations in
:07:09. > :07:15.a restaurant or go and find one you like and go there after the movie. I
:07:16. > :07:19.think you'll have a great time. We were absolutely starving. We went to
:07:20. > :07:23.the screening and we were a bit late and they'd laid out all the lovely
:07:24. > :07:30.food that we missed. You had to rush past. We were eating our own arms
:07:31. > :07:35.coming out, we were there hungry. You say it's not serious, but
:07:36. > :07:40.there's a lot of messages in there. I found it emotional. It's about
:07:41. > :07:47.family and about immigration and issues in Europe in general. Why did
:07:48. > :07:52.this film particularly appeal tow, because your character, she is quite
:07:53. > :07:57.hard? She turns, though, doesn't she? She does. That is always a nice
:07:58. > :08:02.thing. You look for that in a character who starts off Oneway and
:08:03. > :08:09.finishes up another way. You see the softening and the sweetness in her.
:08:10. > :08:14.I love France and I wanted to do a French film. It's not French, but
:08:15. > :08:19.it's American, but I love pretending to be French and of course it was
:08:20. > :08:25.produced by Steven Spielberg. You never turn that down. We'll look at
:08:26. > :08:34.you in action, the moment that your character's tastebuds tell us
:08:35. > :08:42.something. This is flavour that is fighting against the chicken. I I
:08:43. > :08:49.added some spices, sauce and coriander and vegetables. Why change
:08:50. > :09:01.the recipe that is 200 years old? Because, madam, maybe 200 years is
:09:02. > :09:04.long enough. APPLAUSE
:09:05. > :09:09.It's a version of the Bake Off. You must have been treated to some
:09:10. > :09:16.lovely food. Somebody told us that Om Puri did some home cooking while
:09:17. > :09:21.you were on set? He did and he's Indian and he cooked incredible
:09:22. > :09:25.Indian food which is not easy to find in France, especially in a
:09:26. > :09:32.small town. It's the food that I miss when I'm abroad is Indian food.
:09:33. > :09:39.Do you go very, very spicy? I like spice. Not everything, but I like
:09:40. > :09:44.it. What more could you want from a Film Set, beautiful surroundings and
:09:45. > :09:49.gorgeous food? I know, sometimes you think that you're a very lucky
:09:50. > :09:54.person and I do feel that. It was very nice to watch. The Hundred Foot
:09:55. > :10:00.Journey is out next Friday, 5th September. Sorry, this Friday. In
:10:01. > :10:05.this digital age you might think that the old exraple of -- scam of
:10:06. > :10:10.turning a car mileage clock back was a thing of the past. We have
:10:11. > :10:16.discovered it's anything but. Car clocking's on the rise. It's
:10:17. > :10:21.reckoned one in every 20 cars on Britain's roads has fake mileage.
:10:22. > :10:28.HPI check the vehicles all over the UK and they've recorded a massive
:10:29. > :10:34.increase with cars with bogus mileage. It masks the fair wear and
:10:35. > :10:39.tear that a car may have done, so when you wind it back, the danger
:10:40. > :10:45.that you are putting not only the occupant the car, but every other
:10:46. > :10:53.road user at, is phenomenal. It's a problem right across the country.
:10:54. > :10:59.But PI believes -- HIP believes the West Midlands -- HPI believes the
:11:00. > :11:02.West Midlands is the capital. We called seven firms offering a
:11:03. > :11:07.mileage correction service, but we didn't want them to fix a faulty owe
:11:08. > :11:14.Dom teR, which would be legal. We told them we wanted to wind back the
:11:15. > :11:18.mileage before selling it. Five refused, but two were more than
:11:19. > :11:22.happy to do the work. This is the car they're going to be clocking.
:11:23. > :11:26.It's done more than 120,000 miles, but it's not in bad shape. If we can
:11:27. > :11:32.half the mileage, the value is going to rocket. Time to go undercover. We
:11:33. > :11:36.rented this house in Birmingham, rigging it with secret cameras and
:11:37. > :11:43.invited the mobile car clockers to work on our car. First up, this guy.
:11:44. > :11:53.His name is Jason and he works for a company called Dr Dashboard. When we
:11:54. > :11:56.ask our motor medic to knock 30,000 miles off our car, he doesn't need a
:11:57. > :12:08.second opinion. Jason scrubs up and gets to work on
:12:09. > :12:10.our motor. He's a busy man and it seems this particular doctor's
:12:11. > :12:33.always on call. With the doctor's work done, our car
:12:34. > :12:40.now have 97,000 miles on the clock. But can we get it any lower? On to
:12:41. > :12:43.mileage correction firm number two. This time it's Tony from Midland
:12:44. > :12:51.Mileage Correction. Just like Jason, Tony's more than
:12:52. > :13:12.happy to turn a blind eye. Watch what happens when we ask for a
:13:13. > :13:16.receipt for the ?100 fee. Yeah, probably best not to have a paper
:13:17. > :13:20.trail when you're breaking the law. In a little more than two hours, we
:13:21. > :13:26.have almost halved the mileage on our car, adding hundreds to the
:13:27. > :13:32.selling price. Time to find out what the experts think. Gerald Taylor is
:13:33. > :13:37.motoring guru at the Trading Standards institute. I want him to
:13:38. > :13:41.look at the fat oodge. Why have these broken the law? You've gone to
:13:42. > :13:45.them and you've told them specifically that you want to clock
:13:46. > :13:52.the vehicle to sell it and I don't think that any court in the land
:13:53. > :13:57.would not convict them on the evidence. The One Show contacted
:13:58. > :14:02.both firms, who are not connected to any companies with similar names.
:14:03. > :14:07.Jason from Dr Dashboard maintains they did not think what he was doing
:14:08. > :14:12.was illegal, but the company say they've stopped the service. As for
:14:13. > :14:18.Tony, he didn't respond but the company he worked for, Midland
:14:19. > :14:25.Mileage correction told us that Tony thought he was fixing a faulty
:14:26. > :14:29.odometre. Beware, car clockers are still around and if you're thinking
:14:30. > :14:40.of buying a car they might well have you clocked.
:14:41. > :14:45.scenes look older than the milage... -- it's tricky when the car looks so
:14:46. > :14:50.good. We were just saying that you like to do stunts in your films. I
:14:51. > :14:55.like too, if I can. I once had to drive a car in a prime suspect
:14:56. > :15:03.episode, and the camera was in the car. I've had to drive very fast
:15:04. > :15:06.down a set thing and I'm completely forgot that the camera was mounted
:15:07. > :15:14.on the side of the car, and I'd took a corner and smashed the camera off
:15:15. > :15:17.the car. I'll arrived back going, I'm really sorry, I'm afraid I've
:15:18. > :15:23.destroyed your camera! That was embarrassing. But I'd like to drive.
:15:24. > :15:35.The quickest you have ever gone in a car? In Germany, I was and driving,
:15:36. > :15:38.but probably 140. It was unbelievable. Fantastic.
:15:39. > :15:41.In the 100 Foot Journey you play a French woman and this week it's
:15:42. > :15:49.the One Show Music Festival and we thought we'd combine to the two.
:15:50. > :15:52.Over here we have Alexa Sage, an expert French accordion player.
:15:53. > :16:07.She's going to play a burst of a song that has a connection to you.
:16:08. > :16:25.We can chat while the music is going on. This song had a profound effect
:16:26. > :16:32.on you? It did. I heard it on radio Luxembourg, with my ears squashed up
:16:33. > :16:36.against the radio. And I had never heard anything so sexy or so
:16:37. > :16:41.incredible. The first time you hear Elvis, if you have never heard him
:16:42. > :16:47.before, the first number is heartbreak Hotel, so beautiful and
:16:48. > :16:51.sexy. Very memorable to me. On we go.
:16:52. > :17:11.Slightly tenuous, this one. It refers to Queen, and is it right
:17:12. > :17:18.that you are reprising the role of the Queen soon? I am in, and I do
:17:19. > :17:27.want to break free! But I cannot for while. I am still joined at the hip
:17:28. > :17:31.to Her Majesty, at least until June next year. I am doing it in New
:17:32. > :17:35.York. That will be great on Broadway. How will it be received? I
:17:36. > :17:40.don't know. It is very much about British history. But the Americans
:17:41. > :17:46.that saw it in London absolutely loved it. They wanted to do it in
:17:47. > :17:52.America, so we will give it a whirl. But from that point on, never again.
:17:53. > :17:55.Much as I've respect, I am sure she wants to be rid of me as well. Will
:17:56. > :18:00.that woman ever stop?! It's time for a bit of
:18:01. > :18:20.Lionel Ritchie with Say You Say Me. Go, Alexa. Now, is this correct?
:18:21. > :18:29.This reminds me of my husband. He used Lionel Richie in one of his
:18:30. > :18:35.movies, which movie was at? Whiteknights, exactly. But he had
:18:36. > :18:40.used him before, in a film before that. It seems incredibly romantic.
:18:41. > :18:49.You very romantic together? Not at all! Now, we never go out for a
:18:50. > :18:52.romantic evening. We never give each other valentines cards. I'll
:18:53. > :18:59.occasionally get a bunch of flowers if irony bully him into it. That
:19:00. > :19:07.makes me feel a lot better! -- if I really believe. Thank you very much,
:19:08. > :19:14.Alexa. Well done, once again. I love address as well. That was lovely.
:19:15. > :19:17.I'd bought an accordion at an auction a couple of weeks ago is
:19:18. > :19:19.that you will have to give me a election. -- a lesson.
:19:20. > :19:21.Yesterday we told you about the wildlife project that's
:19:22. > :19:24.attempting to reintroduce a rare bird of prey to parts of Europe.
:19:25. > :19:28.It all started in Scotland but has spread its wings of far as Spain
:19:29. > :19:37.Just over three weeks ago, 11 osprey chicks were safely taken from nest
:19:38. > :19:43.in Scotland to be transported to a new home. As in Britain, this bird
:19:44. > :19:47.of prey was persecuted in Spain. Until there were no breeding pairs
:19:48. > :19:49.left in the north of the country. At close to the city of Bilbao, all of
:19:50. > :19:54.that could be about to change as close to the city of Bilbao, all of
:19:55. > :19:58.that could be these Scottish chicks are part of a plan to create a new
:19:59. > :20:04.breeding population. And now they are ready to be policed in the
:20:05. > :20:08.Basque country. -- ready to be released. The birds have been well
:20:09. > :20:14.looked after in large cages since their arrival. This is so that they
:20:15. > :20:19.forget any memory of Scotland and now regard what they are looking at
:20:20. > :20:24.as their new home. At seven weeks old in the wild, the birds fledge
:20:25. > :20:30.from the nest. So the Spanish project leader is keeping a close
:20:31. > :20:34.eye on the chicks to look out for the tell-tale signs that let him
:20:35. > :20:39.know that they are ready to leave. First, they begin flapping. That is
:20:40. > :20:44.the first signal. Then when they jump onto the perches, that is the
:20:45. > :20:49.second signal. And the last signal is when they begin to grab onto the
:20:50. > :20:55.mesh. When we see that they are grabbing, we know that we have to
:20:56. > :21:02.release them in three days or so. Roy Dennis, who pioneered the return
:21:03. > :21:05.of ospreys, has spent the last couple of years helping Spanish
:21:06. > :21:09.conservationists decide the best place for their new home. This
:21:10. > :21:17.estimate is just superb. It fills up with water and it is full of grey
:21:18. > :21:21.mullet. The coast is a great place to try to get ospreys to breed
:21:22. > :21:31.again. Tomorrow morning, two of the birds will be released into their
:21:32. > :21:36.new home. It is almost 6am on liberation day. The team are just
:21:37. > :21:39.about to open the front of the cages, and hopefully, as the sun
:21:40. > :21:43.rises, they will come to the front and take their maiden flight. It
:21:44. > :21:50.does not get much more exciting than this. Lo and behold, the sun is up
:21:51. > :21:55.and Dawn is happening. The birds have come to the edge straightaway.
:21:56. > :21:59.Once the lead is down, they will come out like that. The birds have
:22:00. > :22:04.already been satellite tagged so when they do fly off, the team can
:22:05. > :22:09.follow them here and when they migrate to Africa. But it is taking
:22:10. > :22:15.longer for them to fly from the cages than I anticipated. Two and a
:22:16. > :22:20.half hours later, we're still waiting for them to leave. But the
:22:21. > :22:24.longer we wait, it is actually good news. This is much better. Give them
:22:25. > :22:28.plenty of time. The most important thing is that when they do their
:22:29. > :22:35.first flight, they stay in this area and they do not get lost. After
:22:36. > :22:45.three hours of waiting, this looks promising. It's gone. It's gone!
:22:46. > :22:49.Look at that, its first-ever flight. After a survey of its new home, it
:22:50. > :22:53.perches in a tree. A good sign is that it has not flown off. Five
:22:54. > :22:59.minutes later, the second one takes to the air. How does it feel, Roy,
:23:00. > :23:04.seeing it flying? You plucked this bird out of the nest a month ago.
:23:05. > :23:10.Well, I feel very personal. From Scotland, with love. Absolutely.
:23:11. > :23:13.Once the birds are released, they will stay here for around one month
:23:14. > :23:19.before they begin the long migration south. They will spend the next two
:23:20. > :23:23.years in West Africa before hopefully returning right back here
:23:24. > :23:29.and being among the first ospreys for decades to breed back in the
:23:30. > :23:35.Basque country, thanks to a little bit of help from Scotland. I think
:23:36. > :23:36.Mike is no after a trip to West Africa.
:23:37. > :23:39.We've migrated from the sofa to the stage to meet
:23:40. > :23:52.the superstar of classical music, it's Lang Lang everybody!
:23:53. > :23:55.It is lovely to be this close to the piano.
:23:56. > :23:59.You've sold out venues all around the world but when you were
:24:00. > :24:02.young, growing up in a small bedsit in Beijing, your neighbours weren't
:24:03. > :24:29.I was practising, scales, and my neighbours knocked on the door.
:24:30. > :24:33.Stop! And it all started when you are incredibly young, two or three.
:24:34. > :24:39.How did you parents know that that was the thing for you? I was
:24:40. > :24:43.watching a Tom and Jerry cartoon, and they were playing piano, flying
:24:44. > :24:50.around. Remember that Tom had fingers like spaghetti. And I was
:24:51. > :24:57.like, wow, that's cool! Had a little piano, about the size of his piano.
:24:58. > :25:03.So since then, you have kind of wanted to be Tom, inspiring children
:25:04. > :25:06.all over the place. There will be children watching you doing that,
:25:07. > :25:12.thinking, let me have a goal. That is part of the reason. Are you
:25:13. > :25:19.musical, Helen? I am completely not musical. My father was a musician,
:25:20. > :25:22.professionally. But I did not inherit that gene. I think it is
:25:23. > :25:28.very much inherited. And I think it is also a profound talent, that you
:25:29. > :25:34.are actually born with in the way that Lang Lang was. And it comes up
:25:35. > :25:39.very early. That kind of artistry is born within you. But you still have
:25:40. > :25:47.to practice and learn. These books could be helpful. There is a whole
:25:48. > :25:51.course out. I am a big fan of you and think everything you do is
:25:52. > :26:05.amazing. Actually, I have preferred a book for you, level two. Thank you
:26:06. > :26:10.very much. Fantastic. Wonderful. Have fun with the piano. That's it,
:26:11. > :26:13.have fun. You watch little kids playing and they do not know what
:26:14. > :26:19.they're doing but they just having fun. That is the way to start.
:26:20. > :26:23.Absolutely. Thank you. And were we talking earlier about you having an
:26:24. > :26:31.orange either side of the piano? Explain that. When you are learning
:26:32. > :26:36.the piano, you need to be holding an apple or an orange, as the basic
:26:37. > :26:43.shape. That is the basic handshake. You need to come up, round, and hold
:26:44. > :26:57.it. I've realised that there was a Pita Akhi play with an orange. --
:26:58. > :27:04.there was a piece I could play. Amazing. Thank you. Genius!
:27:05. > :27:06.Thanks also to Helen Mirren, her new film The Hundred Foot
:27:07. > :27:11.Lang Lang is going to play is out with Prelude in E minor by Chopin.
:27:12. > :27:14.And you can watch Lang Lang's full set by pressing
:27:15. > :27:17.the red button straight after the show. Take it away, Lang Lang.
:27:18. > :29:35.They have fun together. Play. They play.
:29:36. > :29:44.And I like them because they're really funny and they don't care.
:29:45. > :29:48.He kind of tells adventures. He tells stories. Yeah.