:00:18. > :00:19.Hello and welcome to The One Show, with Matt Baker...
:00:20. > :00:28.We met them 10 weeks ago and later we'll catch up with
:00:29. > :00:32.the Wrights and find out how much weight they've lost as a family
:00:33. > :00:39.Also, the fascinating story of the adopted daughter who cared
:00:40. > :00:47.for her birth mother, but kept her own identity a secret.
:00:48. > :00:54.Ireland's biggest family band are back - The Corrs are here!
:00:55. > :00:57.Our very own family member, turned Strictly sensation, Anita Rani
:00:58. > :01:07.APPLAUSE You give them a bit of music and
:01:08. > :01:11.they can't stop dancing, can they? And, on the sofa now, a family man
:01:12. > :01:14.with four sons, who was also He is now starring in a play
:01:15. > :01:32.about the ego-driven battle between You are leaving here and going
:01:33. > :01:38.straight on stage, aren't you tonight? Jumping on a taxi bike off
:01:39. > :01:43.to the Trafalgar studios. Have you a fizz in your body? I will when I
:01:44. > :01:48.leave here, I'm worried about being later. My cost umm up is a man's
:01:49. > :01:53.suit much I will do a change of the hair and stuff. It's about family
:01:54. > :01:58.tonight. We have a lovely picture of you and Martin here, as little boys.
:01:59. > :02:04.Ah. Look at you there. My hair was wet with sweat, I had been playing
:02:05. > :02:08.football in t playground I remember. There was an incident where you
:02:09. > :02:14.tried to make Martin sweeter? When he came home from hospital he was in
:02:15. > :02:18.a cot, I was jealous. I got a tin of golden syrup in the kitchen and
:02:19. > :02:22.pouring that on you are face, followed by a bag of sugar. Covered
:02:23. > :02:29.his face. I remember seeing air bubbles popping up through the
:02:30. > :02:33.sugar. My mum ran in. Now, it's a yearly condition! He's sweet enough.
:02:34. > :02:36.That is why he's so good-looking! We will talk as we go through tonight's
:02:37. > :02:43.programme. You may have seen in the news today
:02:44. > :02:47.the story of the very brave Lee Their incredible courage has
:02:48. > :02:50.benefited two other people's lives after she became Britain's
:02:51. > :02:52.youngest organ donor. To help combat a decline in donors
:02:53. > :02:55.a new system, which has been successful in Europe, was introduced
:02:56. > :02:57.in Wales yesterday, in which everyone will have to opt-out or
:02:58. > :03:05.they're automatically opted in. A big change here in Wales. If you
:03:06. > :03:09.are over the age of 18 it's assumed you are happy to be an organ donor
:03:10. > :03:15.unless you've opted out. So what do people here in Cardiff make of the
:03:16. > :03:19.new law and what have decided to do? I'm hitting the street with a list
:03:20. > :03:26.of organs people can donate and I have a tablet to sign them up here
:03:27. > :03:31.and now. Organ donation has changed in Wales. Best thing ever. Why? My
:03:32. > :03:36.dad had a kidney transplant. The law has changed? Good. Everybody should
:03:37. > :03:41.do it. Would you be persuaded to do it now, I don't want to pressure
:03:42. > :03:48.you, only if you feel comfortable? No, that's fine. If I can help
:03:49. > :03:57.someone live longer it is all right when I'm gone. I don't want to be an
:03:58. > :04:01.organ donor. My boy is ill. Anyone could save my son's life. Would you
:04:02. > :04:07.donate all of these organs to somebody? Not really. My kidneys are
:04:08. > :04:12.my kidneys, my heart is my heart. Everyone is opted in unless they
:04:13. > :04:16.opt-out? I think it's good. Do you? People won't get off their lazy back
:04:17. > :04:22.sides. Don't go on Facebook and moan saying we need this and that unless
:04:23. > :04:26.you do something about it. On most occasions I object to being opted
:04:27. > :04:30.in. I prefer the choice being mine. In this case I'm fine with it. Are
:04:31. > :04:36.you signed up? Am I? I don't think so. I don't think so. It takes two
:04:37. > :04:40.minutes if you would like to opt-in here and now? OK. Is that something
:04:41. > :04:44.you have been meaning to doo-doo for a while? It is. I never get round to
:04:45. > :04:48.doing it. Today you have the One Show to thank. Is there anything on
:04:49. > :04:53.there you wouldn't want to to donate. My skin and bone. I would
:04:54. > :04:59.give him my kidneys if they have to. He can have everything if it's worth
:05:00. > :05:05.having. Other than my eyes. I find that too personal. The lot. Kidneys,
:05:06. > :05:11.bone? Yeah. Lungs? My lungs are shocking, I smoke. No point giving
:05:12. > :05:15.them them. Only Wales doing this so far, but the organs will go to treat
:05:16. > :05:21.anyone in the UK? That's not fair, is it? If its saves somebody's life,
:05:22. > :05:26.we shouldn't look at it that like. If it is Wales it should be
:05:27. > :05:29.restricted until the same thing is applied across the board. Pull your
:05:30. > :05:34.finger out, England, Scotland and Northern Ireland. That is what I
:05:35. > :05:38.say. You tell them. Gary, are you in favour of this new opt-out system I
:05:39. > :05:43.think it's a good idea. I would. I've been lazy enough or not thought
:05:44. > :05:49.about it and put my name down. If people are concerned they will
:05:50. > :05:54.opt-out as opposed to opt-in. The rest of the UK and how it will work
:05:55. > :05:59.with Wales? There is only one organ donor register. It's a UK one. Any
:06:00. > :06:03.point you can opt-in or out. Anyone can go online or call up the NHS
:06:04. > :06:08.Blood and Transplant and do it in two minutes. Very easy. If you don't
:06:09. > :06:12.opt-in and out like Gary. If you live in Wales and you are over the
:06:13. > :06:18.age of 18 you will be automatically enrolled. That doesn't happen in the
:06:19. > :06:22.rest of the UK. So in Wales it will be presumed deemed consent will be
:06:23. > :06:25.presumed that you are happy for your organs to be donated. When you die
:06:26. > :06:30.your family will be approached on that basis. Those organs do spread
:06:31. > :06:38.across the UK then it's not just Wales? Yes. As you saw in the film.
:06:39. > :06:43.An organ donation register for the UK not just Wales. How much
:06:44. > :06:47.difference is that going to make to organ donor numbers The law changed
:06:48. > :06:53.yesterday. Up until that point 34% of people in Wales had opted in. 3%
:06:54. > :06:58.of people had opted out. That left 63% who had done neither. OK. Those
:06:59. > :07:03.people are effectively now on the register. If you look at it in those
:07:04. > :07:06.terms, 97% of people are theoretically on the register in
:07:07. > :07:10.Wales. I would say the most important thing in all of this is,
:07:11. > :07:13.not just to make a decision, but talk to your family you don't have
:07:14. > :07:16.to be on the register. If you are not on the Regster your family will
:07:17. > :07:20.be asked what your wishes were. In this case you might be for it, but
:07:21. > :07:24.if you haven't spokenen to your family and you ask them, or they are
:07:25. > :07:31.asked in the event of your death what you wanted - They might be
:07:32. > :07:37.precious about it? They might. In situations where people can donate
:07:38. > :07:40.43% of families say no because they didn't know the wishes of their
:07:41. > :07:44.loved ones. Talk to your family and make them aware. The run-up to that
:07:45. > :07:47.potential donor is key. That is why you need to have people on the
:07:48. > :07:52.register. They have to find a potential match in the last few
:07:53. > :07:55.days? There are teams of special lists in every hospital working hard
:07:56. > :07:58.and doctors and nurses who will work with the families. Families are
:07:59. > :08:03.consulted on the decision. In terms of those families making the right
:08:04. > :08:09.decision, ones they are happy with, make it easy for them. Tell your
:08:10. > :08:13.family what you want. It's the best way of making sure your wishes -
:08:14. > :08:18.It's better to be on the list? If you are in Wales and automatically
:08:19. > :08:27.enrolled and die in England you are not on the register. The Welsh law
:08:28. > :08:31.doesn't apply in Scotland or England. -- apply. The UK is lagging
:08:32. > :08:35.am we are not one of the best in Europe at this. Spain is leading the
:08:36. > :08:36.way. We have a lot to do. It will be interesting if this makes a
:08:37. > :08:40.difference. Joe thank you very much. For more information
:08:41. > :09:02.on organ donation head to Ed Roller Derby is gaining momentum
:09:03. > :09:10.over here. We have skaters outside the studio tonight. They are padded
:09:11. > :09:14.up. Angellica is with them. Right now the North Cheshire Victory
:09:15. > :09:20.Rollers are playing against Rainy City Roller Girls Bet Lynch Mob.
:09:21. > :09:25.Courtney, are responsible for (loss of sound)... I certainly am, yes.
:09:26. > :09:28.Right now the North Cheshire Victory Rollers are playing against the
:09:29. > :09:31.Rainy City Roller Girls Bet Lynch Mob. I'm joined by Courtney. You are
:09:32. > :09:37.responsible for bringing the game over to the UK. Tell us what it is
:09:38. > :09:41.about in a nutshell? The game is a full contact sport played on roller
:09:42. > :09:47.skates. There are two teams on the track. Watch out. One girl from each
:09:48. > :09:52.team is the jammers much they will try to score as many points as they
:09:53. > :09:57.can. It's a full contact sport with body slams and action and jumps.
:09:58. > :10:02.Everyone is getting involved. Why is it so popular? It's a unique sport.
:10:03. > :10:06.Where can ladies get their aggression out and play full contact
:10:07. > :10:10.sport. It has a cheeky fun attitude to it. I like it. Join us later to
:10:11. > :10:14.find out what the score is. This is interesting. It's a way to get
:10:15. > :10:22.aggression out. Does this appeal to you? No. About 20 years agricultural
:10:23. > :10:29.my son I took to buy rollerblades. I thought I will be a cool dad and get
:10:30. > :10:34.a pair too. That evening he had to sit with me in Accident Emergency.
:10:35. > :10:38.I came off and broke a wrist! I'm off of those. Fail. As we said you
:10:39. > :10:44.are heading off to the theatre tonight because you are in Harold
:10:45. > :10:49.Pinter's Homecoming. It's one of his most popular plays, it's about a
:10:50. > :10:55.struggle within a family. Give it to us in a nutshell. 1965, the mother
:10:56. > :10:59.died a few years before. It's an old man, the dad, Max, and Lenny, one of
:11:00. > :11:06.the sons, and Joey Andreas uncle Sam. They bicker the whole time. In
:11:07. > :11:11.a funny way. Hysterical way. I come home after six years. I have gone to
:11:12. > :11:16.America. I'm an academic trying to get beyond this family. I bring back
:11:17. > :11:21.this amazing looking woman, Ruth, who is my wife. They don't know
:11:22. > :11:26.about her. She ends up running the house by the end, pretty much in an
:11:27. > :11:32.extraordinary way. I don't think that is giving too much away. It's
:11:33. > :11:36.quite a cast you are on stage with. Quite a cast. Lovely photos. Gemma
:11:37. > :11:43.Chan is my wife, Ruth. Beautiful girl. Amazing, great actor. Ron Cook
:11:44. > :11:52.is the old man. That is me at the back. John Simm, we know John. And
:11:53. > :11:57.Keith Allen who is... John Macmillan. You feel a real
:11:58. > :12:05.connection with Harold Pinter and his past? I loved Pinter growing up.
:12:06. > :12:07.I loved his dialogue and making working-class languaged and
:12:08. > :12:11.heightened it and got the rhythms in it and the humour of it. I tried to
:12:12. > :12:20.put it on, actually. A friend of mine, when I was 18, we borrowed
:12:21. > :12:27.this set from the Young Vic we set up in a church hall. How old were
:12:28. > :12:30.you? 18. Very driven. There is a dumb waiter who played the dumb
:12:31. > :12:38.waiter. It has to be operated by someone. Steve Norman, who is from
:12:39. > :12:44.Spandau Ballet. He would operate the dumb waiter. It was warm in there.
:12:45. > :12:49.He fell asleep in there. It didn't deliver the food. We had to kick it.
:12:50. > :12:52.It was a great thing to do. I loved being part of that that play and
:12:53. > :12:55.this language that he has. It's wonderful. Listening to the audience
:12:56. > :13:00.enjoying it every night is fantastic. It seems inevitable
:13:01. > :13:04.really that you have had this part because years agricultural, back in
:13:05. > :13:11.the 90s, is it right that Gary Oldman suggested that you and him
:13:12. > :13:14.should both be in this play My ex-of wife was working with Gary on
:13:15. > :13:19.Dracula. He suggested it would be a good role for him as the Lenny part
:13:20. > :13:23.and me as Teddy. I never thought anything of it, it never happened.
:13:24. > :13:30.25 years later here I am playing Teddy. You think of you being on
:13:31. > :13:40.stage with you being up for being an actor at 18. Was was music get in
:13:41. > :13:44.the way? I started off as child actor, I worked with Phil Daniels,
:13:45. > :13:48.and Cathy Burke. Then I got into music. There was a conscious moment
:13:49. > :13:55.when I left that and went into music. I wanted to go back there. I
:13:56. > :13:58.got the Kras and the Bodyguard. I don't prefer one to the other, but I
:13:59. > :14:05.do prefer performance. I think being on stage, whether it is as an actor
:14:06. > :14:12.or musician is the best part of both jobs. I'm lucky to have have done
:14:13. > :14:15.both. You can feed off the audience Every night it's fresh, different
:14:16. > :14:21.story every night. Let us hope tonight goes well. If you would like
:14:22. > :14:24.to go and see Harold Pinter's Homecoming it's at the Trafalgar
:14:25. > :14:28.Studios until February next year. It is.
:14:29. > :14:32.Time now for the incredible story of a woman who spent 25 years looking
:14:33. > :14:35.for her birth mother and then a further 24 years looking after her.
:14:36. > :14:47.All the while keeping her true identity a secret from her.
:14:48. > :14:51.when she was left at an orphanage. She was told nothing about her
:14:52. > :14:56.mother and was later adopted by a local Catholic family. What was life
:14:57. > :15:01.like with your adoptive parents? They were kind but I never fitted
:15:02. > :15:08.in. There was lots of secrecy around the adoption and I was told both my
:15:09. > :15:14.parents died of TB. I was only young and I had to believe what they said.
:15:15. > :15:19.In her mid-20s, a trained nurse and with children of her own, she set
:15:20. > :15:24.out on a journey to find her mother and had a breakthrough after months
:15:25. > :15:31.of detective work. Suddenly after having nothing I had her name and
:15:32. > :15:34.address and she was alive. Her birth mother Bridget Mary Larkin was not
:15:35. > :15:40.only alive but living in the same City. There was something else, her
:15:41. > :15:43.long lost mother was a chronic alcoholic, a troublemaker well known
:15:44. > :15:51.to the police. Locals called vertebrae Mary Mary. None of this
:15:52. > :15:56.put Phyllis of meeting her but she decided to go in her nurses uniform
:15:57. > :16:03.as if she were a professional rather than her daughter. -- Tipperary
:16:04. > :16:07.Mary. When you were about to meet your mother for the first time how
:16:08. > :16:12.were you feeling? Extremely anxious, it was surreal. Did it feel
:16:13. > :16:16.different being in your nurses uniform? I felt as though I was
:16:17. > :16:23.protected being in my uniform and it helped me to hide behind that.
:16:24. > :16:28.Phyllis was finally going to come face-to-face with the mother who had
:16:29. > :16:37.given her away as a baby. That is where I first met my mother. Here?
:16:38. > :16:41.Yes, each step she was taking I thought, my gosh, my mother is
:16:42. > :16:49.getting closer. The door flung open and there she was. What did she say?
:16:50. > :16:53.She did not seem to care who I was, just wanted to talk to someone.
:16:54. > :16:57.Within minutes she mentioned Phyllis, the little girls she had
:16:58. > :17:02.given away. I felt moved I was so important to her. Why didn't you
:17:03. > :17:10.tell her the truth about who you were then? I wanted to tell her so I
:17:11. > :17:14.could take the pain away. It was one of the hardest moments, not to tell
:17:15. > :17:20.her. I had a family I had to consider. I was torn between them.
:17:21. > :17:25.For the next eight years she visited as a nurse, never quite finding the
:17:26. > :17:33.right moment to tell her the truth. I added it to my rounds and
:17:34. > :17:37.officially and cared for her. Due to the alcoholism, she could not cope.
:17:38. > :17:43.Bridget would often ramble about the baby daughter she had given up. She
:17:44. > :17:48.said she always intended to come back for me but it was never going
:17:49. > :17:53.to happen. How did you manage not to tell her that you were her daughter?
:17:54. > :17:58.The alcohol affected her behaviour. As much as I wanted to tell her, I
:17:59. > :18:04.was conscious that I couldn't have it disrupt my life. She was too
:18:05. > :18:09.damaged? That is a good way of putting it, sadly she was. That is
:18:10. > :18:15.the awkward part. I could only have her in my life on my terms. With her
:18:16. > :18:22.mother 's mental state deteriorating Phyllis made the decision to reveal
:18:23. > :18:26.her chew identity -- true identity. I sat her and I held her hand and I
:18:27. > :18:31.said, I'm Phyllis, the daughter you gave away. I thought, she does not
:18:32. > :18:38.seem to be taking it in and I realised, mentally, the alcohol had
:18:39. > :18:43.taken its toll to the point where she had got dementia. I should have
:18:44. > :18:48.told her sooner and it was sad I left it so long. Soon after
:18:49. > :18:52.Phyllis's mother was taken to a nursing home suffering from severe
:18:53. > :18:57.dementia. Phyllis continued to visit her for 13 years until her mother
:18:58. > :19:03.died, never realising that her loving nurse was really her long
:19:04. > :19:08.lost daughter. Thank you, Wendy and Phyllis is with us now to talk about
:19:09. > :19:13.this more. What a remarkable story, adventure that you went on. Going
:19:14. > :19:17.through those trips and meetings with your mum. You must have learned
:19:18. > :19:24.so much about yourself and discovered so much about your past.
:19:25. > :19:28.Certainly. It was a very special relationship that we developed.
:19:29. > :19:33.Because of the situation, I was a nurse and I was able to care for her
:19:34. > :19:36.and I learned to love her as my mother in a way I would never have
:19:37. > :19:40.been able to had I not been a district nurse at the time. We heard
:19:41. > :19:45.that she struggled with alcoholism but were their qualities, lovely
:19:46. > :19:53.qualities that you thought, I can see myself in her now. She really
:19:54. > :20:00.was likeable. I took to her straightaway. A very lively and
:20:01. > :20:08.eccentric character. Very loud. She liked talking a lot and I'm quite a
:20:09. > :20:14.chatterbox. Are you? ! We made that connection very quickly. Possibly
:20:15. > :20:18.because I was a nurse I had that understanding of her vulnerability
:20:19. > :20:23.and I was able to pick on that and really warmed to her that way. I
:20:24. > :20:26.really just wanted to help her and make a difference to her life
:20:27. > :20:32.because she had had such a hard life. It made me realise how hard it
:20:33. > :20:35.was for her and what she had done, leaving me in an orphanage when I
:20:36. > :20:38.was eight months old because she felt it would give me a better life
:20:39. > :20:44.because she knew that she was addicted to alcohol. She must have
:20:45. > :20:47.realised she had a dysfunctional life and she was struggling to bring
:20:48. > :20:54.me up so she felt the best way would be to put me somewhere I would be
:20:55. > :21:00.safe. She did her best. She did have my interests at heart but she was
:21:01. > :21:03.torn because she wanted to keep me. Thinking back before you actually
:21:04. > :21:06.went up to the house and the reasons you wanted to do it and what you are
:21:07. > :21:11.letting yourself in for and your family as well. They would be
:21:12. > :21:16.affected by it. Was it the right decision and would you do it again?
:21:17. > :21:22.It was the only decision because of the condition she was in, any other
:21:23. > :21:26.way, I would never have had chance to meet her because the relationship
:21:27. > :21:30.would have broken down because of the problem is that she had and
:21:31. > :21:33.because I had a family at the time that were young, obviously my
:21:34. > :21:39.husband, I had to put their welfare first. Her dysfunctional life would
:21:40. > :21:43.have caused problems. The relationship would not have worked.
:21:44. > :21:49.I feel that that would have been hard for her to accept. Phyllis,
:21:50. > :21:52.thanks so much for sharing this with us and it has been wonderful to meet
:21:53. > :21:55.you. Phyllis has turned her story into a
:21:56. > :22:02.book, Finding Tipperary Mary, that Word has it that you have been
:22:03. > :22:07.approached about making the story into a movie. There is certainly
:22:08. > :22:14.interest there, so that is quite exciting. Ridley Scott, potentially.
:22:15. > :22:20.He is just one of them! We will have you back next year to talk about
:22:21. > :22:28.that. It will be great. Moving away from families, we have a film about
:22:29. > :22:33.wildlife now. When it comes to small, well, it is the best at
:22:34. > :22:37.capturing its prey. The title of the most effective hunter in the animal
:22:38. > :22:43.kingdom does not go to a shark, bird of prey or even a big cat. Twice as
:22:44. > :22:48.effective as the most celebrated apex predator there is one animal
:22:49. > :22:53.that hunts with a staggering 95% success rate. The dragonfly.
:22:54. > :22:56.Dragonflies are evolution three marbles, capable of performing
:22:57. > :23:03.almost any aerial manoeuvre. Hovering, gliding, somersaulting,
:23:04. > :23:07.and flying close to 40 mph, their prey does not stand a chance.
:23:08. > :23:12.Analysing a dragonfly in-flight is an alien possible with the naked eye
:23:13. > :23:16.so I am hoping to film one in super slow motion. First I want to
:23:17. > :23:23.understand what makes them so much faster than their prey. Simon Walker
:23:24. > :23:28.is an expert in aerodynamics. The problem with wings, like on a
:23:29. > :23:33.helicopter, aeroplane or insect, beyond a certain speed vibration
:23:34. > :23:37.causes the aeroplane or insect to fall from the sky. The obvious
:23:38. > :23:41.solution is to slow down but then you would not catch your prey. What
:23:42. > :23:45.is interesting is that dragonflies have their own way of solving this,
:23:46. > :23:50.a concentration of mass at the front of their wing, near the wing tip.
:23:51. > :23:54.Without this they would not be able to fly as fast and obviously for
:23:55. > :23:59.dragonflies that is important because they are aerial predators.
:24:00. > :24:02.To film a dragonfly we first need to catch one and it's no wonder they
:24:03. > :24:11.are hard to catch, they have been perfecting their skills for 300
:24:12. > :24:16.million years. That is true, they were a lot larger back then. But to
:24:17. > :24:21.60 centimetres across. I'm not sure this would be good enough! We are
:24:22. > :24:32.going to need a bigger net. Soon we have locked eyes with our target. He
:24:33. > :24:41.is thinking about landing. Did you get it? Yes! Good catch. Good
:24:42. > :24:48.skills. Well, this is a southern water dragonfly and it is one that
:24:49. > :24:52.hunts its prey in the air. It is time we got this back to the lab.
:24:53. > :24:57.Dragonflies don't survive for long in captivity so most of these are
:24:58. > :25:02.conducted on wild dragonflies, this one will be returned after filming.
:25:03. > :25:05.The animal flight group at Oxford University Works with cutting-edge
:25:06. > :25:11.cameras to better understand flight in the natural world. Adrian
:25:12. > :25:16.Thomas, a professor of biomechanics will help to analyse the wing beats
:25:17. > :25:21.in super slow motion. How does this help us? These cameras are recording
:25:22. > :25:26.4000 frames per second will stop slowing everything down 160 times.
:25:27. > :25:33.If it works I should be able to see the flight of a dragonfly. For the
:25:34. > :25:40.cameras it needs to take off in a specific direction. But that's
:25:41. > :25:50.easier said than done. Then on the fifth attempt...
:25:51. > :25:57.Each wing has an individual set of muscles which pull it down and up
:25:58. > :26:01.and twisting and changing, the curve of the wing. They have total
:26:02. > :26:08.control. It's flapping its wings out of phase. And then they start
:26:09. > :26:13.flapping at the same time. It switches into that mode. They can
:26:14. > :26:17.switch from one to another and that is why they are so agile. They are
:26:18. > :26:21.unpredictable in the sense they can change what they are doing within a
:26:22. > :26:25.wing beat butterfly, when you see them in your living room, they don't
:26:26. > :26:31.go in smooth circles but circles with corners but dragonflies, you
:26:32. > :26:36.can predict how it will turn and it will cut the corner. They are not
:26:37. > :26:42.evolved to the peak of performance in terms of catching prey but in air
:26:43. > :26:47.to air combat over territory. That's the secret, over engineering allows
:26:48. > :26:52.the dragonfly to almost always catch prey, but then again it has had more
:26:53. > :27:00.than 300 million years to perfect its deadly aerial agility. You
:27:01. > :27:06.cannot beat footage like that! Wasn't the summer lovely? I can't
:27:07. > :27:10.even remember now, it seems like ages ago.
:27:11. > :27:12.Here are two more movers, shaking up the competition on this
:27:13. > :27:28.Please welcome quarterfinalists Anita and Gleb. You obviously look
:27:29. > :27:33.very happy, are you satisfied with a quarterfinal place? I can't believe
:27:34. > :27:38.we have come so far, when I started obviously I thought it would be
:27:39. > :27:42.great, let's learn to dance, but I did not appreciate how hard it would
:27:43. > :27:51.be and everyone is so good. We want to go as far as the British public
:27:52. > :27:57.wants us to go. How far! I feel as though we have this wave of public
:27:58. > :28:06.support and they have got behind us. The girl from Countryfile is doing
:28:07. > :28:12.what? ! You had never danced before? Yes, this is totally new and it's
:28:13. > :28:22.thanks to this guy. I have to say it is difficult sitting between these
:28:23. > :28:29.two! I feel sorry for Alex! Carreon! Let's have a look at the
:28:30. > :28:36.competition. You, Helen George, Jay, Katie Derham, Georgia and Kellie.
:28:37. > :28:40.Out of them, who is your stiffest competition? All of them are
:28:41. > :28:48.brilliant. You are not going to get anything out of me. I am my own
:28:49. > :28:50.stiffest competition. As a choreographer, Gleb, you are be
:28:51. > :28:55.asleep trying to create routines that the public will love. You have
:28:56. > :29:02.done Strictly all over the world, how does Britain compared? It's the
:29:03. > :29:08.best. This programme is broadcast all over the world! Carreon. It is
:29:09. > :29:15.the same concept in every country but little things are different, the
:29:16. > :29:19.production is different. For example in America we are allowed to do
:29:20. > :29:27.lists in pretty much every single dance. -- lifts. You have to learn
:29:28. > :29:33.the technique and the steps. Don't give away our tips! We just ring up
:29:34. > :29:38.the pluses and cover up the minuses and that's what we do every week. He
:29:39. > :29:43.brings out the best in me is what he is trying to say. It is hard because
:29:44. > :29:47.people who have trained have ways of focusing on a point in the room and
:29:48. > :29:57.I have none of that. What is the thing that you struggled with and
:29:58. > :30:00.overcome? The dancing, period! It is hard to learn from scratch every
:30:01. > :30:04.week and it's a different dance every week, where to place your
:30:05. > :30:09.feet. If you don't know how to point, turn, spot turn coming you
:30:10. > :30:16.just have too, whatever Gleb teaches me and I do on Saturday. This is
:30:17. > :30:19.your highest score? Yes, you get into character very well and that is
:30:20. > :30:25.the most important thing on the show. I imagine you would be good at
:30:26. > :30:32.the paso doble, Gary! I don't think it would suit me, actually!
:30:33. > :30:38.Somehow I found this, I love getting into the character. I notice that.
:30:39. > :30:42.Your face is so powerful in everything you do. It's important.
:30:43. > :30:48.We learn the technique. Oh, yeah, look at that. So dramatic. What a
:30:49. > :30:55.finish. Spectacular. What about this week then? It's musical week, isn't
:30:56. > :31:02.it this week? What are you doing Talk about character, we are doing
:31:03. > :31:07.Chicago and cell block Tango. It's the Argentine Tango. That will be
:31:08. > :31:12.done beautifully. Look how full of life she is because of this show.
:31:13. > :31:15.There is rumours of a Spandau Ballet musical, is there not People have
:31:16. > :31:19.been muting the idea. It's about the story. You have to find a good
:31:20. > :31:23.story. The songs are, I'm sure they will work. People will sing-a-long.
:31:24. > :31:27.Unless you string them along with a good tale they don't really work.
:31:28. > :31:38.Maybe our viewers could help. Email in your thoughts. It's interesting
:31:39. > :31:42.because I have this calendar it's telling me it's the Chris office
:31:43. > :31:48.party season. While we have Gleb here. We will get thoughts on how to
:31:49. > :31:53.style it out on the dance floor. It might feel awkward. We will put
:31:54. > :31:59.music on to help out. Don't take your shirt off. You are welcome to
:32:00. > :32:07.get up and show us. Well, just be cool. Put one hand in the pocket.
:32:08. > :32:11.Just feel the music. Feel the music. Pretend. If you don't know how to
:32:12. > :32:19.dance, pretend you know how to dance. He looks like Tony Hadley.
:32:20. > :32:25.And the look. Give a look. There's the camera. YEAH! We hope that helps
:32:26. > :32:33.to all the people at the office party. The chances are Gleb won't
:32:34. > :32:38.stop doing this. I think everybody enjoyed that little egg meant there.
:32:39. > :32:44.Gary you are due on stage in 30 minutes. Lovely having you here
:32:45. > :32:53.tonight with us. Thank you. Good luck with the play tonight. See you
:32:54. > :32:59.soon. Is -- segment. Anita, we are about to play the first of two your
:33:00. > :33:02.two films you made with us. As if dancing isn't enough, you have made
:33:03. > :33:07.programmes for the One Show as well. Will you do the honours.
:33:08. > :33:20.On average, ?377 billion is transferred around the globe each
:33:21. > :33:23.year via money transfer facilities, here are just a few stories
:33:24. > :33:33.It's another busy day of trading. We send money all over the world.
:33:34. > :33:38.Westgreen Road is an area of huge ethnic dies versety. Like many of
:33:39. > :33:41.our cities across the UK, alongside the pound stores and betting shops
:33:42. > :33:48.money transfer agents are bringing up on high streets. People with
:33:49. > :33:53.families overseas turn to them. Every transaction tells a story. I
:33:54. > :33:59.send money to my mum back in Hungary. This is the equivalent of
:34:00. > :34:04.what they earn in one month. The money is to support the funeral. The
:34:05. > :34:09.money will go to my grandmother's medication. Money sent in this way
:34:10. > :34:17.is known as remittances. The number of transactions we do yearly I would
:34:18. > :34:24.say is over 50,000. We transfer over ?5 millionberg year. Today's rate is
:34:25. > :34:28.180.55. We click on send and within a matter of minutes the money is on
:34:29. > :34:31.the other side of the world. Sometimes the receiver will be at
:34:32. > :34:40.the location in the queue, that is how quick it is. The amounts sent
:34:41. > :34:48.home vary. Some may send home ?400 to ?500 a month. Other tran actions
:34:49. > :34:54.are smaller. I had somebody who wanted to send ?6 money for lunch or
:34:55. > :35:00.bus fare. Despite the small scale of transactions in 2014, an estimated
:35:01. > :35:06.?377 billion worth of remittances were sent globally. ?16 billion sent
:35:07. > :35:16.from the UK. Britain is the fourth largest sender after the US, Saudi
:35:17. > :35:23.Arabia and the United Arab Emirates. Two men who use this shop regularly
:35:24. > :35:30.are Daniel and Arden. Daniel left with the intention of sending money
:35:31. > :35:33.home to Romania. He does a variety of labouring and maintenance jobs.
:35:34. > :35:40.Whafrp he can find. We joined him working as a removal man. Loft
:35:41. > :35:43.conversions, plumbing, electric, tiles, plastering, painting.
:35:44. > :35:49.Building work. Everything that involves the hands and the brain, I
:35:50. > :35:58.do everything. London it OK. A nice city. It's green, trees, parks. They
:35:59. > :36:04.have to work to pay their rent and bills. He manages to sent home ?2 in
:36:05. > :36:07.every ?3 he earns. In contrast to Daniel, three years agricultural
:36:08. > :36:12.Arden moved to the UK from den Kenya with his English wife. They live
:36:13. > :36:19.here in the leafy suburbs of North London with their two children. He's
:36:20. > :36:27.three-and-a-half. He was born in Kenya. And his brother is 18 days
:36:28. > :36:33.old. He was born in Whiting don Hospital in London. Arden workses as
:36:34. > :36:37.a programme manager. He held a similar job back in Kenya. This is a
:36:38. > :36:43.picture of the town where I was born. There is a lot of poverty.
:36:44. > :36:47.Very poor. Despite the demands of a newborn baby he sends a quarter of
:36:48. > :36:53.his monthly salary to his family all of whom are still living in Kenya.
:36:54. > :37:03.My brother, the money that I send to him is essentially to support his
:37:04. > :37:07.university fees, ?400 per semester. I have to support the people without
:37:08. > :37:13.the means. Instead of spending his wages on nights out life for Daniel
:37:14. > :37:18.is spent watching TV and relaxing before another hard day labouring. I
:37:19. > :37:21.miss my family, country and friends. I haven't seen my son in
:37:22. > :37:29.four-and-a-half years. He is growing up without his father and he doesn't
:37:30. > :37:34.know me. When I go home I'm scared he doesn't recognise me. It's the
:37:35. > :37:37.last Friday of the months. The busiest period for the money
:37:38. > :37:42.transfer shop. As local workers receive their pay and come in
:37:43. > :37:54.straightaway to send some home. Daniel and Arden are transferring
:37:55. > :37:58.money much-needed by their siblings. I'm sending a message to send him
:37:59. > :38:05.the code number so he can collect it tomorrow from the branch in Nairobi.
:38:06. > :38:12.Sent. I'm happy. Why? I help my sister. I feel good I'm sending him
:38:13. > :38:17.the money. It's for my family, not for somebody else. Do stay tuned to
:38:18. > :38:23.see how far that money goes. Fascinating. We follow it back to
:38:24. > :38:26.Daniel's and Arden's home countries. Angellica is out there with the
:38:27. > :38:31.ladies outside. What is the score so far? The score is that the North
:38:32. > :38:36.Cheshire Victory Rollers, in yellow, and the Bet Lynch Mob have 53. It's
:38:37. > :38:41.fast and furious and there is all to play for. We will give you the final
:38:42. > :38:48.score at the end of the show. I would go Bet Lynch Mob. What a great
:38:49. > :39:06.name that is. Massive earrings. The animal print.
:39:07. > :39:08.But don't worry, in just a moment we've got Ireland's
:39:09. > :39:10.most sucessful family band, The Corrs, gracing our sofa.
:39:11. > :39:13.But now, a family who we met 10 weeks ago.
:39:14. > :39:14.The Wright family from Wolverhampton.
:39:15. > :39:17.They opted to take part in a council-funded scheme to lose
:39:18. > :39:24.With 70% of people in Wolverhampton either overweight or obese, the City
:39:25. > :39:25.Council decided enough was enough and launched a healthy living
:39:26. > :39:30.programme targeting entire families. Yes. It's an apple. Is it a thumbs
:39:31. > :39:34.up. The Wrights were signed up to the five-star family scheme after
:39:35. > :39:40.twins were flagged as technically obese by their school nurse. It's a
:39:41. > :39:47.big opportunity to make life a lot healthier. Ten weeks on I'm here to
:39:48. > :39:51.find out how they have got on and whether the council's gamble in this
:39:52. > :39:56.time of austerity has been money well spent. How are you? Fine, thank
:39:57. > :40:01.you. Look at you. I don't need to ask if it's working? It's working
:40:02. > :40:04.very well. Thank you. You have lost a lot of weight? Over three stone.
:40:05. > :40:08.Fantastic. You must be really pleased? I am very pleased, thank
:40:09. > :40:17.you. Let us see what is happening tonight? Let's go. Come on then. Why
:40:18. > :40:21.it's a welcome side affect weight loss isn't the be all of the course.
:40:22. > :40:26.Families learn about exercise, nutrition and portion control. Have
:40:27. > :40:29.you been surprised at how relatively easy you have found it? Very. I
:40:30. > :40:35.didn't think it would be as easy as it is. I was sceptical when I first
:40:36. > :40:39.started much I thought I would struggle, especially getting the
:40:40. > :40:45.children to change their habits much I didn't manage I could do it, but
:40:46. > :40:49.they have done well. Helen helped to develop the scheme. Having someone
:40:50. > :40:53.who really wanted to do it but presumably not every family is like
:40:54. > :40:58.that? No, it is really, really difficult much they need to do - to
:40:59. > :41:01.want that themselves. If they feel a change in themselves they feel
:41:02. > :41:05.healthier, happier, they will want to do it. How difficult is it for
:41:06. > :41:09.people when theyth programme stops and then they are out there and they
:41:10. > :41:14.have to motivate themselves? That's when the real work starts. There is
:41:15. > :41:19.no doubt about it. But we are up for it in Wolverhampton. The course
:41:20. > :41:24.costs the council ?139 for each family. Ten weeks agricultural seven
:41:25. > :41:29.other families were lined up alongside the Wrights, two have
:41:30. > :41:34.since dropped out. Even so, it's money well spent, according to
:41:35. > :41:38.Wolverhampton's Cabinet member for Health and Wellbeing, Sandra
:41:39. > :41:41.Sammuals much we can't crack it on our own as a local authority. We
:41:42. > :41:44.need schools and workplaces to encourage individuals. We have to
:41:45. > :41:50.make some impact. We will do. We will do. The course has made an
:41:51. > :41:55.impact on the Wright family's daily life. They now walk to school and
:41:56. > :42:00.have yoga sessions led by big sister. A major change, learned on
:42:01. > :42:06.the course, is mum Heather's simple way to ensure he is not overloading
:42:07. > :42:11.the family's plates at meal times. These are the children's hands. Each
:42:12. > :42:14.centre of these is a portion size. That portion size, did that come as
:42:15. > :42:20.a bit of a surprise to you? Yeah. It did. Having this now as a guide is
:42:21. > :42:24.easier than just piling it on and thinking - that looks right, when
:42:25. > :42:29.it's not. Even dad, Stuart, has seen an improvement. I think I've lost
:42:30. > :42:33.about a stone since I've been doing it. Can you see a difference in the
:42:34. > :42:40.children? Yeah. They seem to be more lively. A little bit more energy.
:42:41. > :42:46.They enjoy it. Go for it. That's it. How confident are you that you can
:42:47. > :42:51.keep it going into the future? I'm very confident, it's working. I need
:42:52. > :42:55.to keep it going for them really, for their health, their future. The
:42:56. > :42:58.schemes have been a success. 50 new groups are being started in January.
:42:59. > :43:06.Good luck to everybody who takes part.
:43:07. > :43:13.Now from 1990 to 2005 one group of Irish siblings were regularly
:43:14. > :43:15.topping the charts with some of the most beuatiful,
:43:16. > :43:30.# Leave me breathless # I have run away, yeah, yeah
:43:31. > :43:44.# Because we are so young now # We are so young, so young now
:43:45. > :43:47.# And when tomorrow comes we can do it all again... #
:43:48. > :43:59.We are singing every word. It takes us back.
:44:00. > :44:14.I am so delighted that you are back together. Thank you! A ten year
:44:15. > :44:18.break, who instigated the restart? That was me. I personally wanted to
:44:19. > :44:23.do some music again together and I called everyone up and planted the
:44:24. > :44:30.seed. Everyone was enthusiastic. Were you sensing that it was going
:44:31. > :44:35.to happen all were use a prized? It felt right, when Caroline made the
:44:36. > :44:41.call it felt like the right time. For us, you know, we had an amazing
:44:42. > :44:46.career. We wanted to have children, and we have done that and we have
:44:47. > :44:51.eight gorgeous kids between us at this stage. That took up the
:44:52. > :44:55.intervening ten years. There is something very organic about music
:44:56. > :45:00.and being family and what we do. It felt like the right time. It is
:45:01. > :45:08.lovely. Really great. When you listen to the new album you
:45:09. > :45:11.instantly know it's the Corrs. It is taking us back again. You were
:45:12. > :45:16.worried that the spark may have diffused? Did it happen naturally
:45:17. > :45:23.again or did it come easily, or was it tougher? Fortunately it did flow
:45:24. > :45:25.from the beginning but I suppose there was a bit of anxiety because
:45:26. > :45:32.you never know. Writing is mysterious. In that you don't know
:45:33. > :45:37.if you will be inspired, between you, will you still have the magic?
:45:38. > :45:42.Fortunately we realised pretty quickly that we did. Was the writing
:45:43. > :45:46.process like it used to be or did you find others were coming up with
:45:47. > :45:52.different ideas, you never used to come up with ideas, what's going on?
:45:53. > :45:58.! Well, we just brought ideas that we had to the table and started
:45:59. > :46:07.working on them. We were inspired pretty much straightaway. Including
:46:08. > :46:11.Ellis Island. We have a good working relationship and we all work on the
:46:12. > :46:17.songs at the end of the day. It's been great fun. Very relaxed this
:46:18. > :46:21.time. That was important. There is a lovely dedication to your parents on
:46:22. > :46:24.the back of the album, they have sadly passed away now. How
:46:25. > :46:31.influential were they and how hands-on were they ten years ago?
:46:32. > :46:36.Well, mum and dad... Man has been gone longer than that now, but we
:46:37. > :46:42.grew up with music and mum and dad had a band together. It was their
:46:43. > :46:50.passion, music was their passion. Their band was called the Sound A
:46:51. > :46:54.Fair, like a love affair. We grow up with month taping songs from the
:46:55. > :46:58.radio that they used to sing at the weekend around the local clubs. We
:46:59. > :47:02.were in the bin this without thinking it was different. Dad
:47:03. > :47:07.taught us piano and we went on to different instruments. -- we were
:47:08. > :47:14.surrounded by this without thinking it was different. Musically they did
:47:15. > :47:17.tell us to chase our dreams. Am I right in saying that you first
:47:18. > :47:24.perform together at your dad 's funeral? Obviously that was an
:47:25. > :47:28.incredibly emotional time. We felt we needed to do it for him and
:47:29. > :47:34.certain songs that we wanted to play. And we did it for him. There
:47:35. > :47:41.is a song on the album called Gerry's Real. It has a lot of Irish
:47:42. > :47:48.rhythm. Is that how you put it together? It kind of has his
:47:49. > :47:52.personality but you react in different ways to loss. One of our
:47:53. > :47:59.big reactions was defiance, in a certain way. You know, rather than
:48:00. > :48:03.being melancholy, the record obviously has had a huge impact on
:48:04. > :48:06.the songs that we have written. The record on the whole is really life
:48:07. > :48:15.affirming actually. In the face of the loss of... Grab it while you
:48:16. > :48:25.can, kind of thing. Gerry's Real does have that. The new album White
:48:26. > :48:27.Light is out now and the Corrs will be performing at the end of the
:48:28. > :48:30.show. Now, as we have
:48:31. > :48:32.a world famous family right in front of us let's meet family number two
:48:33. > :48:35.on The One Show Advent Calendar. The calendar will be made up of
:48:36. > :48:38.One Show viewers, expecting an Andrea, please can you introduce
:48:39. > :48:45.who's behind door number two? Joshua's proud parents,
:48:46. > :48:52.James and Suzanne from Nottingham, say he is the best early Christmas
:48:53. > :48:56.present ever because he wasn't due He's one week old today
:48:57. > :49:03.and is still in an incubator Despite being nine weeks premature,
:49:04. > :49:08.James and Suzanne say he is doing Although he may not be home
:49:09. > :49:11.in time for Christmas, it will still be a very special time
:49:12. > :49:17.for all the family. So a very happy One Show Christmas
:49:18. > :49:20.to the Hayden-Harle family! If you've got a reason why Christmas
:49:21. > :49:23.is going to be particularly special email us at the usual address
:49:24. > :49:33.and you could make up this year's Are you going to get some
:49:34. > :49:41.roller-skates for Christmas after seeing what's going on outside? They
:49:42. > :49:46.are still battling out there in the roller derby, it is a full contact
:49:47. > :49:54.sport which is growing rapidly. Surely the carnage is now coming to
:49:55. > :49:59.an end. Come on over, girls, let's find out the final score. North
:50:00. > :50:08.Cheshire Victory Rollers 78, the Bet Lynch Mob 95. Well done! Tell me why
:50:09. > :50:11.you love playing this sport. It is empowering for women to play an
:50:12. > :50:16.aggressive game and you can take your kids along. It's really
:50:17. > :50:20.inclusive and you have people of different ages and sporting
:50:21. > :50:25.abilities and it's really good fun. It's not just for women but men as
:50:26. > :50:30.well. Men are starting to get in on the action but women are still
:50:31. > :50:37.dominating the sport. We hope we have inspired you and if you would
:50:38. > :50:40.like to find out there is a documentary currently on BBC iPlayer
:50:41. > :50:46.and tell the 19th of December. Well done everybody and thanks for being
:50:47. > :50:47.here! That is brilliant. There you are, next time they get together I
:50:48. > :50:49.will be there! Earlier we met Romanian-born Daniel
:50:50. > :50:52.and Kenyan born Arden who both work in the UK and send their hard-earned
:50:53. > :51:05.money back to their home countries From north London to the teeming
:51:06. > :51:09.City of Nairobi in Kenya. And to a tiny village in northern Romania. We
:51:10. > :51:18.are following remittance payments from sender to receiver. London
:51:19. > :51:23.office worker Arden has sent ?320 to his brother in Kenya, it is to pay
:51:24. > :51:29.his university tuition fees three times a year. And Romanian handyman
:51:30. > :51:33.Daniel has sent a regular monthly transfer to his sister from London
:51:34. > :51:40.to a small grocery store near her home. TRANSLATION: To be honest it
:51:41. > :51:44.breaks my heart because I know my brother works hard for this money
:51:45. > :51:47.but I really need the money because I have three kids, two are in
:51:48. > :51:55.school. It's important. Ibrahimovic is in the busy district of Eastleigh
:51:56. > :52:02.in Nairobi, the $500 sent from London is a lot of money so security
:52:03. > :52:07.measures have to be put in place. If you put it in your wallet the money
:52:08. > :52:10.will be detected by gangs and you could be robbed. Any time I pick up
:52:11. > :52:17.money, this is what I do. I just keep watching for any suspicious
:52:18. > :52:23.person, they could come from any side. I just act as though I'm not
:52:24. > :52:27.carrying anything. An estimated ?900 million was sent to Kenya in
:52:28. > :52:33.remittances, 30% from the UK. These transfers are crucial to people's
:52:34. > :52:38.livelihoods here and across the continent. Millions of pounds was
:52:39. > :52:50.transferred to sub Saharan Africa, millions more -- 20% more than
:52:51. > :52:55.overseas aid. It keeps him in school. There is a lot of investment
:52:56. > :52:59.to start businesses and it will help people to be independent in the
:53:00. > :53:03.future. Back in Rome any of the first thing Karina does with the
:53:04. > :53:09.money that Daniel sent from the UK is to make sure there is enough food
:53:10. > :53:14.on the table to feed her family. Food prices in remain your are not
:53:15. > :53:20.much cheaper than the UK so spending ?30 today will not last very long. I
:53:21. > :53:27.bought meat, chicken livers, cereal for the children. It should last
:53:28. > :53:30.three days. Food is the first priority but Karina spends the
:53:31. > :53:41.majority of the money builders merchant. Today she is buying three
:53:42. > :53:45.bags of cement. And this is why. Seven years ago Karina and her
:53:46. > :53:53.husband started building their own home bit by bit with the cash sent
:53:54. > :53:57.from the UK. We are very poor. For us, a house is something wholly.
:53:58. > :54:01.It's not just Karina that shares that view, everywhere you look in
:54:02. > :54:08.this small village there are houses being built with cash sent from
:54:09. > :54:12.abroad. Everyone invests in houses. They all build their houses
:54:13. > :54:19.according to their budget, some people build big houses and some
:54:20. > :54:22.smaller, some are just one room. At Kenya university it is Ibrahimovic
:54:23. > :54:35.'s' final year of his business IT degree. -- Ibrahim's final year. As
:54:36. > :54:40.a fee-paying student he thinks his brother paying his these is giving
:54:41. > :54:45.him the best start. It is better to concentrate on your studies and
:54:46. > :54:52.after you finish you can concentrate on getting a job and I am very lucky
:54:53. > :54:59.because I'm getting this education. I can at least make a difference in
:55:00. > :55:02.Kenya. While remittance payments are creating great opportunities the
:55:03. > :55:05.other side of the tale is the heartache which comes with not
:55:06. > :55:10.seeing loved ones for years or decades. We showed Karina and her
:55:11. > :55:15.family footage of Daniel in London and they broke down. They have not
:55:16. > :55:19.seen him for seven years. We get money and can afford a better life
:55:20. > :55:23.but the negative side is the fact that there are many families that
:55:24. > :55:33.break-up, children are abandoned by their parents. Now we see them as
:55:34. > :55:41.desperate people trying to make a future for their children. A big
:55:42. > :55:45.thank you to Daniel and Arden is gave families for letting us follow
:55:46. > :55:58.their stories. That's nearly it. Good luck the quarterfinals.
:55:59. > :56:00.Strictly is on on Saturday. Tomorrow we will have Josh Grogan and
:56:01. > :56:02.Florence and the Machine. But now from their new album
:56:03. > :56:06.White Light - here are the Corrs Let's hope we've always summer
:56:07. > :57:35.Yeah bring on the night, I don't care
:57:36. > :57:40.Turn on the dark, I'm not scared Spirit money to a flame
:57:41. > :57:55.Ask that I'll see you again (that Yeah bring on the night, I don't
:57:56. > :58:03.Wherever it is you left me behind I'll follow you down the path of my
:58:04. > :58:51.Yeah bring on the night, I don't care
:58:52. > :59:05.Wherever it is you left me behind I'll follow you down the path of my