:00:23. > :00:29.SCREAMING Welcome to aville, very loud One
:00:30. > :00:33.Show with Matt Baker... Yes, unbelievable all these people out
:00:34. > :00:40.for us tonight. No, no. The One Show, riding high! I'm not sure
:00:41. > :00:45.they're here for us. Eh! They are here because Shawn Mendes... Shawn
:00:46. > :00:48.Mendes will be performing his number one single, Stitches, before the end
:00:49. > :00:53.of the show. First time on British telly. He will be here shortly.
:00:54. > :00:56.Don't worry. There is a lot more to scream about on tonight's programme.
:00:57. > :01:01.Giving us Goosebumps this evening are four stars of the new children's
:01:02. > :01:12.horror film. It's released on Friday. No, don't open it.
:01:13. > :01:21.You have released every monster I've ever created. Go on without me. Save
:01:22. > :01:31.yourself. OK, good luck. We've seen it. It's good. It's Jack Black,
:01:32. > :01:36.Odeya Rush, Dylan Minnette and Ryan Lee. Good to see you. Nice to have
:01:37. > :01:40.you with us. Good to be here. We have seen the film. We loved. It we
:01:41. > :01:45.will talk about it. You are with us for the next hour, aren't you? Yes.
:01:46. > :01:49.It's amazing you can hear people screaming outside. Are you used to
:01:50. > :01:54.that! They are right there. I didn't realise. It's single glazing here,
:01:55. > :01:58.Jack. They can't believe the guest list tonight and all the stuff we
:01:59. > :02:03.will get through. # Oh, oh... #
:02:04. > :02:10.Where will we start At the beginning, my first memory... ! It
:02:11. > :02:14.was in the womb. That's impressive. A good one that. We try to bend the
:02:15. > :02:17.show as best we can. We are starting with ambulances. That is perfect.
:02:18. > :02:23.Cool. Every time an ambulance takes a patient to hospital it costs the
:02:24. > :02:26.NHS around ?150. With an average of over 23,000 call-outs a day, that of
:02:27. > :02:31.course is a lot of money. But there is a GP in Sussex who thinks that he
:02:32. > :02:38.has come with the answer. He's bought his own ambulance and Lucy's
:02:39. > :02:42.been to meet him. It looks like an ambulance. But this is an ambulance
:02:43. > :02:47.with a difference. Instead of rushing patients to the A, this
:02:48. > :02:54.ambulance is all about keeping people out of hospital. It belongs
:02:55. > :03:00.to Sussex GP, Dr Jim Oliver. He bought it to ease the pressure on
:03:01. > :03:05.his hospital. It's not for 999 calls but other types much urgent and
:03:06. > :03:12.clinical care. It cost him and his partners at the practice ?1 ?15,000.
:03:13. > :03:17.Why did you come up with the idea? We are in a rural position. 15 miles
:03:18. > :03:22.from any A We had had a couple of instances where we had to wait for
:03:23. > :03:25.long ambulance times. It got us thinking we should do something
:03:26. > :03:29.about it. A lot of patients don't need to go to casualty. We have the
:03:30. > :03:35.facilities here, you don't need to go to hospital. Local businessman,
:03:36. > :03:38.Peter Oates helps out with the funding and driving. I joined him on
:03:39. > :03:42.his first patient pick-up of the day. Why have an ambulance? You
:03:43. > :03:48.could send them in a car? You could send them in a car. We are sending
:03:49. > :03:52.out a proper robust clinical environment out to the patient you
:03:53. > :03:58.wouldn't have that equipment in the back of a car. There is a lot riding
:03:59. > :04:03.on its success. We would like to prove over a period of six to 12
:04:04. > :04:08.months it's a viable project and we managed to keep enough patients out
:04:09. > :04:12.of hospital and then maybe we can attract some funding to make sure we
:04:13. > :04:16.keep the service going. Ready and waiting at a local care home is
:04:17. > :04:23.88-year-old Jeffrey Williams. He needs minor surgery to remove a skin
:04:24. > :04:26.tag and with him is his care assistant. If this ambulance wasn't
:04:27. > :04:31.available today how would Jeffrey have got to the surgery? I would
:04:32. > :04:37.have taken him down in my car. They are not very mobile you have to help
:04:38. > :04:42.them in. Get the wheelchairs in, the zimmers in. Something like this is a
:04:43. > :04:48.good idea. Jeffrey, is it nice to know that the surgery has this
:04:49. > :04:52.facility? Yes. It would be helpful certainly if I had anything more
:04:53. > :04:56.serious. Whether it is cost effective for the surgery I wouldn't
:04:57. > :05:00.like to say. Do you think this is a mechanism that releaves pressure on
:05:01. > :05:06.hospital beds? I think so. Yeah. If they go into the surgery and have
:05:07. > :05:13.little operations like Jeff has to have it saves blocking beds. It's a
:05:14. > :05:16.good idea. In the past year a record 1.59 million hospital days in
:05:17. > :05:21.England were lost to bed-blocking. Caused by delays in getting patients
:05:22. > :05:27.who were well enough to leave out of those valuable NHS beds. It's a
:05:28. > :05:30.problem Dr Jim believes GP ambulances like his can help solve.
:05:31. > :05:37.If you look at the money that's saved, it's actually a no brainer.
:05:38. > :05:40.If you think about Jeffrey, that process and aftercare would come to
:05:41. > :05:44.less than ?80. How much would it have been in a hospital? If you have
:05:45. > :05:49.to take someone like Jeffrey to hospital you have probably got at
:05:50. > :05:56.least two hospital visits. Each will be a minimum of ?300. You have
:05:57. > :06:00.surgical procedure, which would be near another ?800 to ?1,000. A
:06:01. > :06:06.couple thousand of pounds to sort someone out which we did for a small
:06:07. > :06:10.sum of money. The surgery has two ambulances and today the second one
:06:11. > :06:16.is helping ferry people living with dementia to a weekly meeting at a
:06:17. > :06:21.local pub. Peter Caulder runs the group. What difference does the
:06:22. > :06:26.Ambulance Service provided by the Medical Centre make to you and this
:06:27. > :06:31.group here? It makes an immense difference. Without the service the
:06:32. > :06:38.people you see around us today a lot of them would not be able to attend
:06:39. > :06:41.them live in rural areas because of their medical conditions they have
:06:42. > :06:44.had driving licences withdrawn. Bus services don't exist in rural areas
:06:45. > :06:49.any more. I live three-and-a-half miles away. To get a taxi to and
:06:50. > :06:52.from this venue would be ?17. If you are a pensioner, it's not
:06:53. > :06:57.affordable. The Ambulance Service gives them the ability to get out
:06:58. > :07:00.and about and enjoy life again. Did you think - what am I doing
:07:01. > :07:05.purchasing an ambulance, is this a good idea? No. I was so excited.
:07:06. > :07:09.Every time I see one, I want another one. Maybe we can roll it out to
:07:10. > :07:13.others if there is other budding physicians out there who want to buy
:07:14. > :07:17.an ambulance. It's about trying to change something and make a
:07:18. > :07:22.difference. Introducing new services at a time when everyone talks about
:07:23. > :07:27.cuts to the NHS might seem counter intuitive, but certainly the medical
:07:28. > :07:29.centre here are pretty confident that this represents value-for-money
:07:30. > :07:37.and puts the patient in the driving seat. Thank you so much. Hopefully
:07:38. > :07:42.it won't be long until Jim has a fleet of them Exactly. Could have
:07:43. > :07:48.started something. Inspire other GP surgeries to do do the same. Peter
:07:49. > :07:52.from Lancashire said you should call that Heals on Wheels. Good
:07:53. > :07:58.suggestion. Goosebumps, a lot of people may know the series of books,
:07:59. > :08:02.children's horror written by RL Stine, who you play, Jack. That's
:08:03. > :08:06.right. The trailer has been out in movie cinemas for a while. What can
:08:07. > :08:11.we all expect? Who wants to start? I will start. It's about the author of
:08:12. > :08:17.the Goosebumps series and all of his monsters that he ever created escape
:08:18. > :08:21.from the books and the whole movie is basically them trying to
:08:22. > :08:29.recapture the beasts and put them back in the books. Is that you with
:08:30. > :08:36.RL Stine Yes. It's a sweet guy. He looks mean in that photo. He is
:08:37. > :08:40.quite funny. Had you met with him before you started - I met with him,
:08:41. > :08:44.I wanted to get his blessing. He loved the script heaven has a great
:08:45. > :08:50.sense of humour. That is good. I play an evil version of him. He's
:08:51. > :08:56.not really evil, he's's just misunderstood. He is a little
:08:57. > :08:59.prickly. To say the least, Jack. It's a brilliant premise for a
:09:00. > :09:00.children's horror. All the characters come to life. Let's have
:09:01. > :09:36.a look. Come on, come on! Go! Come on, come
:09:37. > :09:46.on, come on! Ha! Let's see him get through that.
:09:47. > :09:51.APPLAUSE The thing is, right, picture the scene. We were in the
:09:52. > :09:55.cinema, Matt and I on our own in a screening. Matt has his coat up
:09:56. > :10:01.here, you were frightened in some parts. Not a fan of horror. Jumpy.
:10:02. > :10:07.Do you think it's too scary for young kids, have your kids seen it?
:10:08. > :10:12.My boys loved it. My boys love monsters, part of the reason I made
:10:13. > :10:17.it, I wanted a movie scary to thrill, but not enough to give a
:10:18. > :10:21.nightmare. A good balance. He didn't want us to traumatise the kids. That
:10:22. > :10:25.is his audience. He has a kid audience. With the monsters coming
:10:26. > :10:31.from the imagination and computers and what have you after the acting
:10:32. > :10:36.happened. When you saw the premier were you happy with your reactions
:10:37. > :10:42.or did you think - I overreacted or not enough, what did you think? A
:10:43. > :10:45.mix of both. Sometimes it's, man, I didn't think they would be this
:10:46. > :10:54.large, I would have been a lot more scared than I was. The preying
:10:55. > :10:59.mantas, you don't think - I wouldn't have survived, probably. You are
:11:00. > :11:06.heroic when your' not irska of anything. Who was the biggest fan of
:11:07. > :11:11.the Goosebumps franchise? It was me. I read almost all the books when I
:11:12. > :11:15.was growing up. It was a a really big part of my childhood. What a
:11:16. > :11:20.moment when you got the call to play the character that you were? So
:11:21. > :11:24.exciting. It's still surreal. It's been a while since I've seen the
:11:25. > :11:31.movie, being here doing this is reminding me of it all over again.
:11:32. > :11:35.It's crazy. You are a fan of Slappy. There is the Abominabl Snowman, but
:11:36. > :11:39.Slappy is your favourite, Jack, is that right He is the ringleader of
:11:40. > :11:46.all the monsters in Goosebumps. The most creepy. The smallest, but the
:11:47. > :11:52.most dangerous. He's pure evil. He is a dummy. We have a picture of
:11:53. > :11:57.your son dressed as Slappy. Oh, that's my boy. Tommy. That was his
:11:58. > :12:02.idea much he wanted to be Slappy. He is obsessed with him. Yeah, it was
:12:03. > :12:08.like a Hallowe'en-theme premier. Everyone got in costumes. That's a
:12:09. > :12:17.great stare. He's pretty intense. Ryan, is it right that you were
:12:18. > :12:25.discovered by JJAbrams? Yeah. What is the story. I was in Texas
:12:26. > :12:29.auditioning. It ended up being a JJ Abrams movie. I had no idea. He
:12:30. > :12:34.called me out to LA. I was like - yeah, sure, I will come out. I got
:12:35. > :12:39.the part. It's pretty surreal. For sure. Trying to keep it Hoping for a
:12:40. > :12:44.up. Part in the next Star Wars. Exactly. He hasn't called me yet.
:12:45. > :12:48.Early days. It'll come. At least you know he has your number. May get a
:12:49. > :12:53.couple more. This is the first time that many people will have seen you
:12:54. > :12:56.on the big screen. What was it like on set. It must have been weird
:12:57. > :13:00.having lunch with all these people dressed as different characters?
:13:01. > :13:04.Yeah, it was like the opening scene of Mean Girls where they have the
:13:05. > :13:10.different lunch tables and you describe. People hung out with their
:13:11. > :13:14.yliches, the ghouls would sit together. We would sit together. You
:13:15. > :13:20.related with the people that you were dressed up as. We didn't mean
:13:21. > :13:29.for it to happen. It's just the way it was. The ghouls were very
:13:30. > :13:37.clicque. The aliens were all in one pact. Take a cushion. Or a big coat
:13:38. > :13:40.like Matt. Jack you did an advert for a video game. See what you
:13:41. > :13:44.remember about this. We've got it. Is I remember it like it was
:13:45. > :13:48.yesterday. Just last night I was lost in the jungle, surrounded by
:13:49. > :13:55.giant scorpians and man-eating crocodiles. Wow!
:13:56. > :13:59.APPLAUSE You always remember your first gig. I can't remember any
:14:00. > :14:05.lines from School of Rock I remember that whole commercial. Just last
:14:06. > :14:11.night I was losted in the jungle... You haven't changed a bit! Thank
:14:12. > :14:15.you. It wasn't so much man-eating crocodiles that our next video game
:14:16. > :14:23.enthusiasts had to worry about. It was online hack hackers in the
:14:24. > :14:24.virtual world of football. Here is one of Norwich City's biggest fans
:14:25. > :14:36.to tell us more. It is the biggest video game series
:14:37. > :14:41.of all time, the Fifa series has netted EA Bought billions of pounds
:14:42. > :14:45.with the latest release already selling 2.5 million copies, but
:14:46. > :14:50.trouble could be brewing from the virtual terraces. Part of the game,
:14:51. > :14:55.a profitable part, lies in the in game options, allowing gamers to
:14:56. > :15:00.purchase online content, but now it seems cyber thieves making these
:15:01. > :15:05.expensive extras their goal. They are stealing star players from
:15:06. > :15:09.people who have spent good money building their dream teams. The
:15:10. > :15:15.online packs give you the chance of having the likes of Rooney, Ronaldo,
:15:16. > :15:20.Messi, even where's Hoolahan in your team, but costing as much as ?80 per
:15:21. > :15:25.pack, they are certainly not cheap, and there is no guarantee you will
:15:26. > :15:30.get a star player. Last year, high-profile Fifa gamers like these
:15:31. > :15:39.were targeted by hackers. I spent a lot of money, around ?2000! And a
:15:40. > :15:47.superstar players in a expensively assembled teams were stolen. In most
:15:48. > :15:56.cases, the company which makes Fifa 16, EA Sports, refund and the
:15:57. > :16:00.YouTube gamers. But some people were not so lucky. Oliver wrote to the
:16:01. > :16:06.One Show to warn us about this type of cyber theft. I got money for
:16:07. > :16:10.Christmas, and I decided to spend it on packs for Fifa, players like Eden
:16:11. > :16:16.Hazard, David Silva. Goodbye is quite a valuable team. Then what
:16:17. > :16:20.happens? I turn on my PlayStation in the morning, the players had gone,
:16:21. > :16:28.they had changed the team name. Someone had taken your players and
:16:29. > :16:34.changed your team name to LOL, they are laughing at you a bit? Yeah. One
:16:35. > :16:41.of the motivations for stealing a sort of the player is to improve
:16:42. > :16:50.your own team, but they can also be sold for real money. -- sought-after
:16:51. > :16:55.players. Players on eBay like Ronaldo can go for ?50 or ?100,
:16:56. > :17:00.people are seizing this opportunity where money is involved. It is like
:17:01. > :17:05.the wild West, where you can just cause chaos, and there is really
:17:06. > :17:09.nothing anyone can do to stop you. The One Show wrote to EA Sports
:17:10. > :17:14.about breaches of in game security and its refusal to refund all other.
:17:15. > :17:18.In a statement, it said that player security is a top priority, adding
:17:19. > :17:23.that they constantly take steps to protect gamers, including updating
:17:24. > :17:27.account safety advice on their website, but are they doing enough?
:17:28. > :17:31.They are doing an incredible amount to stop people from breaching these
:17:32. > :17:34.accounts. The problem with the industry is that if someone wants to
:17:35. > :17:41.get access to your account, they can be a way to do it. So you think you
:17:42. > :17:44.are that vulnerable? If they'd know your address, your e-mail account,
:17:45. > :17:53.online banking, if someone wants to get access to it, they will find a
:17:54. > :17:56.way, gaming is no different. In Oliver's case, his team had been
:17:57. > :18:02.stolen by a game he knew in the real world. After we got in touch, EA had
:18:03. > :18:08.a change of heart and refund at him. But it has left Oliver nervous about
:18:09. > :18:13.starting again. Will you put so much money in next time? Not so much, I
:18:14. > :18:17.will be more careful. What gets me is the different added Judith that
:18:18. > :18:21.people have to theft online. You would not steal cash out of your
:18:22. > :18:28.friend's pocket, but in the virtual world it seems the rules of the
:18:29. > :18:32.beautiful game there to broken. I thought he was going to kick the
:18:33. > :18:39.ball at the end! That would have been nice to watch. You are the
:18:40. > :18:48.perfect game for this item, because your sons have been wrapped up in
:18:49. > :18:52.this. Yeah, they have discovered the in-app purchases, I gave them the
:18:53. > :19:03.mistake of giving them the password, I can see what is being bought on my
:19:04. > :19:07.phone. Go on, how much? Over $1000. Yeah, I was shocked, horrified, I
:19:08. > :19:12.went home and had to explain what money is. It is not just, you know,
:19:13. > :19:20.video game jewels that he is purchasing. I actually sent a letter
:19:21. > :19:25.to retrieve some of my money back, I got some money back, so I feel OK
:19:26. > :19:29.about it. But I am not a fan of in-app purchases, I feel like an old
:19:30. > :19:34.man, but I remember a time when you bought a game and it was bought! Now
:19:35. > :19:44.you have to keep on buying it! I am with you, he does not get in-app
:19:45. > :19:48.purchases. Have you got a handy analogy? Funny you should say that,
:19:49. > :19:52.I have! If you think about the football game, in the 80s and 1990s,
:19:53. > :19:58.you may have collected stickers, you would want a particular sticker, so
:19:59. > :20:01.you would keep going to the newsagent and buying packs of
:20:02. > :20:05.stickers. You would hope the players would be an appliance, but if not,
:20:06. > :20:14.you would keep buying them. Fifa is still the if you want a better team,
:20:15. > :20:19.you buy packs of random players for ?10 a time. If you do not get the
:20:20. > :20:26.one you want, you keep buying in-app. There is no guarantee you'll
:20:27. > :20:30.get the players. So someone leaving, stealing something really valuable
:20:31. > :20:34.if you have spent a lot of money on this, that is the idea? There is
:20:35. > :20:38.real wealth, you are spending real money, then his real value to these
:20:39. > :20:42.players, and if someone steals that from you, as we saw in the film, you
:20:43. > :20:50.have lost everything you invested. -- there is. You have some
:20:51. > :20:54.extraordinary statistics. For the first time last day, the ONS
:20:55. > :20:58.included online fraud and cyber crime in the crime figures for
:20:59. > :21:04.England and Wales. As a result, the figures more than doubled, they went
:21:05. > :21:10.up by 107%, which is staggering. To give you an idea, we look at online
:21:11. > :21:16.fraud, there were an estimated 5.1 incidents of online fraud, using a
:21:17. > :21:28.stolen and 2.5 cyber crimes, things like hacking, and on average one in
:21:29. > :21:40.22 of us were victims of cybercrime. Everything you say turns into a
:21:41. > :21:49.video game! Do you class yourself as gamers? I am not very good. My
:21:50. > :22:00.brothers, I have six brothers, they are obsessed. They are really into
:22:01. > :22:16.Madden. We are more Monopoly! We like title ties game of life! Gets
:22:17. > :22:19.in a moment we will meet five women who we met last year and who have
:22:20. > :22:26.just returned after rowing across the Pacific Ocean.
:22:27. > :22:32.APPLAUSE First we sent Richard Taylor-Jones
:22:33. > :22:36.for his very own watery encounter. Deep in the south-west of England, a
:22:37. > :22:44.remote corner of the countryside is under 24-hour surveillance. Every
:22:45. > :22:50.square inch is covered by an array of infrared camera traps and CCTV
:22:51. > :22:55.cameras. The slightest movement triggers an alarm system back in a
:22:56. > :23:01.nearby house, where TV screens broadcast any activity that passes
:23:02. > :23:04.the lens. However, this is not a countryside crime story. In fact,
:23:05. > :23:16.this elaborate setup is designed to record the secret life of. River
:23:17. > :23:20.otters are mostly nocturnal and very shy, but the lives of the animals
:23:21. > :23:26.here have been filmed in amazing detail. It is all thanks to be hard
:23:27. > :23:30.work of a local vet, Stephen. I can see from what I am watching here,
:23:31. > :23:35.you have put an incredible amount of work into this, but what is it that
:23:36. > :23:41.got you started? I have always had an interest in wildlife photography
:23:42. > :23:50.and wildlife in general, and I saw some otter sprained by the river.
:23:51. > :23:56.Otters mark their territory with droppings known as spraint. The
:23:57. > :24:02.resident otters have grown to trust Stephen completely. I go to the
:24:03. > :24:06.river every morning, so they have become acclimatised, so what we have
:24:07. > :24:14.now is sensors on the river, and if they go through one, the alarm goes
:24:15. > :24:18.off, I dropped everything and go. Over the last few years, Stephen has
:24:19. > :24:22.got to know the resident female otter particularly well. He often
:24:23. > :24:30.sees her hunting for trout in the fast-growing water. She has been
:24:31. > :24:40.christened Hammerscar because of the scar on her nose. Last year she
:24:41. > :24:55.trusted him another two show him her cubs. -- trusted him enough to. But
:24:56. > :25:02.will she show me? White glowing eyes, otters! We have just seen the
:25:03. > :25:05.otter on the TV screen, and that means we have just got a few minutes
:25:06. > :25:16.to get down to the river before it disappears. I cannot quite believe
:25:17. > :25:23.this is going to happen. Oh, the anticipation is too much. Come on,
:25:24. > :25:27.otter! Fortunately, we are only left waiting for a few minutes. There she
:25:28. > :25:32.is, right in front of us, my goodness, she is out on the bank. We
:25:33. > :25:37.have to be quiet now. Do you think this is Hammerscar? I would put
:25:38. > :25:43.money on it, because she is so relaxed.
:25:44. > :26:00.Oh, Stephen, to see an otter hunting like that with us here, she is so
:26:01. > :26:07.relaxed. To be able to share it with other people is just magical. I
:26:08. > :26:12.cannot thank you enough. Lovely! A big thank you to Richard,
:26:13. > :26:16.how lovely that we all got to witness that. Back in April, we were
:26:17. > :26:21.joined by a team of women who were about to set off on the voyage of a
:26:22. > :26:24.lifetime from San Francisco across the Pacific Ocean.
:26:25. > :26:28.We have been following their progress the whole way, and two days
:26:29. > :26:30.ago they finally crossed the finishing line in northern
:26:31. > :26:35.Queensland. They did all of this in a rowing
:26:36. > :26:39.boat, would you believe? They have flown all the way from Australia,
:26:40. > :26:48.they landed last night, so let's give a very warm welcome to the
:26:49. > :26:52.team! Where do you start with the congratulations?! First of all, we
:26:53. > :26:57.both so pleased that you are back in one piece, because when you told us
:26:58. > :27:04.what you were about to do, we could not believe it. Jack, 257 days these
:27:05. > :27:11.ladies spent on a rowing boat out on the Pacific. Unfathomable! How is it
:27:12. > :27:15.to be back on dry land? Started off a bit wobbly, but it is good now, we
:27:16. > :27:21.are a bit more stable. It is great to be back, see family and friends.
:27:22. > :27:29.Apart from coming into London with rush-hour traffic. The life that you
:27:30. > :27:33.have had for the past 200 or so days, just bobbing around in
:27:34. > :27:37.complete silence, with wildlife as well, the most remarkable wildlife
:27:38. > :27:41.experience, who wants to talk about that? It was incredible, we had
:27:42. > :27:50.Wales breaching meters from the boat, we had a whale circle as four
:27:51. > :27:59.hours, and we got sprayed by their blowhole. We talked about Ben Ando
:28:00. > :28:06.the shark... We did! We met Eduardo, he was bigger and better. Scary! I
:28:07. > :28:10.think we have a photo of Eduardo here, I am interested who was taking
:28:11. > :28:17.the shot, because it is quite incredible, how did you get that?
:28:18. > :28:27.That was me about to hit him with the oar. Did you feel like he was
:28:28. > :28:41.circling for food? No comity was our friend. He came to visit us. When
:28:42. > :28:47.you are back on the piazza in April, you brought the rowing boat, Doris,
:28:48. > :28:52.really pretty, but tiny. I got on board, I went into where the four of
:28:53. > :28:58.you would sometimes be together, how was it living in such close quarters
:28:59. > :29:02.to each other? Pretty cosy! We got to know each other pretty well.
:29:03. > :29:06.Really sweaty, especially when there are really big waves outside and we
:29:07. > :29:13.had to keep all the hatches close, it was like being in a sauna, kind
:29:14. > :29:18.of squashed together. If you needed a bit of quiet time, how did you
:29:19. > :29:22.cope with that, get through the day? We did have a second cab in which we
:29:23. > :29:30.sometimes used at night, but Turing the day it was too hot. Our time-out
:29:31. > :29:36.was when we were on the oars, that was your headspace to get away from
:29:37. > :29:42.it all. Were you able to get e-mail? We had a satellite phone on the
:29:43. > :29:47.boat, and we were able to send e-mails, and we got lots of support,
:29:48. > :29:50.not just from family, but people who have been following our journey,
:29:51. > :29:55.which is really great. It was always a good time of day when we turned it
:29:56. > :30:00.on. Because of the currents and the way the ocean works, at times you
:30:01. > :30:05.must have been going backwards, what was the hardest bit? I think that
:30:06. > :30:11.was the hardest. Was it the doldrums, where we spoke to you?
:30:12. > :30:15.That was pretty tough. It was an incredible journey, Jack, you will
:30:16. > :30:29.love this, we have got your best bits here. The highlights?
:30:30. > :30:36.The main reason to test myself. Life is too short. You have to live it.
:30:37. > :30:42.That's why we're doing what we're doing. . It military 154 days to go.
:30:43. > :30:48.We haven't seen the sun shine for about a If anything that week. Makes
:30:49. > :30:54.mess upset it's always about my family and - what am I putting them
:30:55. > :31:00.through? He's huge. If something was to happen I know that I've had no
:31:01. > :31:08.regrets in my life whatsoever. APPLAUSE I've goosebumps from
:31:09. > :31:14.watching that. You made it back. We know you finished, but you haven't
:31:15. > :31:21.it verified you did actually manage to break two world records. We can
:31:22. > :31:28.confirm this now can't we. Oh! Yes, you have. You are officially the
:31:29. > :31:36.first team to row the Pacific and the first all female team to row the
:31:37. > :31:41.Pacific East to West. Get in! Congratulations. I'm more than proud
:31:42. > :31:47.to be in team colours as well. Very good. Although we crossed our
:31:48. > :31:51.literal Pacific everyone has their own Pacific to cross. Everybody
:31:52. > :31:55.faces challenges. We are doing it for the women supported by our
:31:56. > :31:59.charity. We are still fundraising and donating. If people could follow
:32:00. > :32:02.us and help us that would be amazing. Yeah. I'm sure you have
:32:03. > :32:08.inspierpd the whole country, to be fair. Lovely to see you. Keep in
:32:09. > :32:11.touch with us. Thank you. Jack, you said your career really took off
:32:12. > :32:18.when you combined music and acting. Yeah. Before we talk about - It all
:32:19. > :32:22.sounds so small now I'm sitting next to these heroes. We will move them
:32:23. > :32:28.out of the way. Rowed the Pacific. Anyway, back to me. Why yes, where
:32:29. > :32:33.we were. Let us remind ourselves of those moments when music and acting
:32:34. > :32:35.were combined beautifully. Your highlights Oh, my highlights now. .
:32:36. > :32:52.Military # The show was must go on. ... ...
:32:53. > :33:00.Ah - yeah # There's... There's...
:33:01. > :33:07.# APPLAUSE
:33:08. > :33:18.High pressure --
:33:19. > :33:22.APPLAUSE Tenacious D is in some people's you
:33:23. > :33:28.view, hugely popular, in some people's view a take on rock songs a
:33:29. > :33:32.comedy take. You take it incredibly seriously don't you? It's a combo.
:33:33. > :33:34.Making fun of it and loving it at the same time. It's confusing
:33:35. > :33:38.really, when you think about it. What the hell are we doing?
:33:39. > :33:43.Tenacious D is still a big part of my life. We are,ing on a new album.
:33:44. > :33:52.We have a little animated series we are developing. We do a comedy music
:33:53. > :33:58.festival every year in LA called Festival Supreme. You just make me
:33:59. > :34:05.laugh. What else should I say? That is perfect. Since you came in here
:34:06. > :34:10.and every opportunity you sing. Music is just so ingrained new? It's
:34:11. > :34:16.true. Do you see yourself more as a musician or an all-round performer.
:34:17. > :34:19.We saw there combining the two? I don't really differentiate. I'm an
:34:20. > :34:23.entertainer. I will sing for you, I will act for you, I will put on a
:34:24. > :34:29.show. I like putting on a show. If it wasn't for music I don't thinked
:34:30. > :34:34.I'd have a film career. If you look at High Fee dill was my first good
:34:35. > :34:39.role role. I had a musical number at the end School of Rock, the combo is
:34:40. > :34:44.there. I'm obsessed with comedy and music combination. It's sort of my
:34:45. > :34:48.calling. When the cameras are away and you want to relax, do you play
:34:49. > :34:59.music to chill out? Yeah. The music never stops. All right. At home and
:35:00. > :35:04.my wife is very musical too. The Haden triplets put out an album they
:35:05. > :35:08.sing old country songs. A musical household. Your late brother who got
:35:09. > :35:12.you into music in the first place and shaped your taste in a way?
:35:13. > :35:19.Yeah. Howard. He took me to my first concert. It was Devo, on the Freedom
:35:20. > :35:29.of Choice Tour for people who remember they did that song Whip It.
:35:30. > :35:33.It was theatrical. It started off with a strange movie with these
:35:34. > :35:37.characters they created. They had the concept with the costumes, the
:35:38. > :35:43.weird pyramid hats. It was inspiring to he m. They were trailblazers in
:35:44. > :35:46.the combination of music and thee at Ricks. You talked a lot about your
:35:47. > :35:51.family tonight. Is this a passion you are passing on to them as well,
:35:52. > :35:56.you and your wife, is it a musical household? Yes, our kids love music.
:35:57. > :36:01.They love to listen to different songs. I play them different things
:36:02. > :36:10.I get in trouble my wife says - why are you playing that. You can't play
:36:11. > :36:15.them Kanye. Yeah. We haven't really gotten them into the lessons yet. I
:36:16. > :36:19.want them to want to - To feel it. They will ask when they are ready,
:36:20. > :36:23.won't they? Exactly. What about Shawn Mendes then, are you a fan?
:36:24. > :36:31.You just have to say the name. That's why they're screaming! I
:36:32. > :36:38.thought it was for me. He's my arch rival. It is both. He will be along
:36:39. > :36:42.shortly. I sing, too! Jack, as a songwriter and a fan of music you
:36:43. > :36:51.will know the importance of ending a son properly. Oh, year. It's not
:36:52. > :36:59.always as easy it sounds. Some hits fade away. Songwriters have been
:37:00. > :37:04.faced with a tricky challenge. I've written the lyric, crafted the
:37:05. > :37:08.melody and a killer hook all the ingredients needed for a
:37:09. > :37:13.chart-topping smash hit. There is only one problem - how to end the
:37:14. > :37:17.song. Military an easy answer to this question arrived with the
:37:18. > :37:23.invention of this little device, the fader. For over 70 years this humble
:37:24. > :37:26.slider has provided artists and engineers with a quick and easy
:37:27. > :37:38.solution to ending a troublesome track. It became such a popular
:37:39. > :37:42.technique that in 1987 nine of the top ten tracks ended in a fade. Last
:37:43. > :37:52.year there wasn't one. Why has the Al Fayeded away? Steve, many people
:37:53. > :37:55.der ride the fadeout as a copout? You have to look back to the
:37:56. > :37:59.original recording technology available. 78 had two to three
:38:00. > :38:04.minutes maximum. They got to there and they were still playing there
:38:05. > :38:09.was nothing - They were mid bar. Yeah. Towards the end of the 60s
:38:10. > :38:16.many artists are getting creative with the way they record in the
:38:17. > :38:21.studioth Beatles, Hey Jude that has a long extended fade. It's worth
:38:22. > :38:33.remembering the fade is nearly half of the record. If we move to Elvis
:38:34. > :38:38.Presley, another great example. Suspicious Minds. It fades and comes
:38:39. > :38:45.back up again. # Don't you know
:38:46. > :38:49.# We're caught in... # The fade has gone completely out of
:38:50. > :38:52.fashion? We don't have time limitations. Technology made the
:38:53. > :38:57.fade essential in the beginning. It's your choice now. Steve has
:38:58. > :39:01.given me an idea. What if the One Show could give a classic fadeout
:39:02. > :39:08.track a brand new ending. What better than the soundtrack to a
:39:09. > :39:15.million breakups, 10CC's - I'm Not in Love. Released in 1975, this
:39:16. > :39:23.smash hit catapulted the band to global stardom. Co-writer Graham
:39:24. > :39:27.Gouldman still plays the song today. The fade is a vital ingredient in
:39:28. > :39:33.the song, isn't it? The feeling is we didn't want it to end. It fades
:39:34. > :39:37.and it's a long fade we gently take you out of this mind-set, you know,
:39:38. > :39:40.a song should take you to another How do you world. Feel about me
:39:41. > :39:43.having a go at writing some endings? I would be interested to see what
:39:44. > :39:49.you've got. I have no other comment to make until I hear it. I have a
:39:50. > :39:55.feeling this isn't going to be easy, but I've got a few musical tricks up
:39:56. > :40:00.my sleeve. Steve has kindly lent me his studio to try them out. Here is
:40:01. > :40:04.my endings. First one, if we take the classic idea of an ending, the
:40:05. > :40:15.cliche is two chords to make a kind of what we call a perfect hadence.
:40:16. > :40:22.It heys horrible! It's too normal, isn't it? How about a kind of jazz
:40:23. > :40:32.ending then Let's see what you've got. Kind of... Yeah. And then.
:40:33. > :40:41.Next! This isn't going to plan. Thankfully, Graham's here to help.
:40:42. > :40:49.I've got a couple of ideas. We could go. And, again. One more time. Then
:40:50. > :41:01.do that end. I really like that. That's nice. You
:41:02. > :41:07.can have that one. Thank you very much. Success at last. In truth, I
:41:08. > :41:13.don't think it's possible to top the original's classic ending. It's true
:41:14. > :41:21.what they say, great pop songs don't die, they just fade away.
:41:22. > :41:28.It's gone. There we are. We will have some live music later on the
:41:29. > :41:35.show when Shawn Mendes will be playing us out. Yes.
:41:36. > :41:38.SCREAMING It must be freezing there. I sound like a grandmother again. We
:41:39. > :41:40.would like to play a game with you now, Jack. If that is OK. The game
:41:41. > :41:52.is called The End Game. We think you are going to like it.
:41:53. > :41:55.We hope you are. All you have to do is identify iconic songs by
:41:56. > :42:00.listening to the end bit of the song. I'm not going to be good at
:42:01. > :42:04.this game. We think you will. Let's get the first one going then.
:42:05. > :42:26.This is the end of the song to reiterate. Clearly, The Doors.
:42:27. > :42:35.Come on guys they are basically, The Doors. It was the keyboards. Press
:42:36. > :42:43.play on the next one. This is the end of the next song. This is
:42:44. > :42:47.obviously Nirvana. Smells Like Teen Spirit. Let us rewind and play some
:42:48. > :43:01.lyrics. There you are. That's it. I'm betting at lip syncing than
:43:02. > :43:05.guessing the ending. Let's do the third one then.
:43:06. > :43:23.It's obviously Led Zepplin. Yeah, big finish. I'm going to say, Moby
:43:24. > :43:34.Dick. Go on. No, then I will get two wrong in a row. I have all the heavy
:43:35. > :43:39.metal heads angry at me. I do a cover of that song too. It's tough
:43:40. > :43:43.listening to the end. This last one one, this is really tough. This is
:43:44. > :43:49.the end of the last song - It's been a long time since I rock-and-rolled
:43:50. > :43:56.that's why I forgot. A horrible joke. I'm making it worse.
:43:57. > :44:04.Oh, well lchlt that's Tenacious D Tribute. Let us rewind and hear you
:44:05. > :44:08.sing it. Oh, what if I got that one wrong!
:44:09. > :44:15.Great record as well. Thank you. Thank goodness you got that one. I
:44:16. > :44:22.know. I never would have lived that down. Are you a fan of the fadeout
:44:23. > :44:26.or do you prefer - I do like the fadeout, floating off softly and
:44:27. > :44:32.gently into infinity. It's a lost art the fadeout much I was thinking
:44:33. > :44:38.while watching that bit I would put a fadeout on the new album. You tend
:44:39. > :44:43.to do ends? Big finish. The show March thing. Shawn did you do a
:44:44. > :44:47.fadeout. Sorry, we are not supposed to talk to you yet. What do you say?
:44:48. > :44:52.Sometimes, yeah. I'll do one for you. It's tough. What is tough is
:44:53. > :44:57.doing a fadeout live when you are playing a show. You have to sing
:44:58. > :45:03.quieter. I have one for you. It must be hard for a band, we are going
:45:04. > :45:06.slow, going slow. Is I tell you what - those ladies are not going to
:45:07. > :45:10.fadeout. They will be screaming as loud as they can until the end of
:45:11. > :45:16.the show. Shawn Mendes is up soon. Jack, as you may or may not know, we
:45:17. > :45:27.try to tailor - It stops the screams as soon as my face comes up. No!
:45:28. > :45:31.SCREAMING Just keep cutting. Those are pity screams. You don't have to
:45:32. > :45:37.scream. What were you saying, your train of thought? We try to tailor
:45:38. > :45:43.the films to whoever is sitting on the green sofa. We have gone from
:45:44. > :45:44.Jack Black to Jet Black. We have gone blacker than that. Have a look.
:45:45. > :45:56.Here is Marty. Inside these laboratory lies a dark
:45:57. > :46:07.secret, something so dark it transforms any surface it touches
:46:08. > :46:12.into an apparent abyss. This is a normal piece of tinfoil with the
:46:13. > :46:16.lumps and bumps you expect, until I turn it around, and they disappear.
:46:17. > :46:24.It is like staring into a black hole. This is Vantablack, the
:46:25. > :46:29.blackest black ever created. It seems to remove all the features of
:46:30. > :46:34.the surface it is on. Let me show you just how black it is. I have
:46:35. > :46:41.gathered together a collection of black objects. Crucially, my super
:46:42. > :46:46.black material here. The thing is, if I shine a beam of light onto each
:46:47. > :46:51.of them, some of the light is reflected back to me, until, that
:46:52. > :46:58.is, I go onto my super black material. The beam of light
:46:59. > :47:05.disappears. The reason why it is so black is because it absorbs
:47:06. > :47:12.virtually all light, 99.965%, to be precise. This achievement is the
:47:13. > :47:17.work of a British technology company, Surrey NanoSystems. Ben is
:47:18. > :47:22.their chief technologist. Why create something so very black? We were
:47:23. > :47:26.tasked originally with making a material that had 1% reflectivity,
:47:27. > :47:30.for use in satellite imaging systems. When it is inside a
:47:31. > :47:34.telescope, it absorbs the stray light that comes in, so that more of
:47:35. > :47:41.the target light hits the detector and you get a clearer signal. The
:47:42. > :47:45.secret to the substance's amazing light absorbing properties is the
:47:46. > :47:50.material it is made from, microscopic carbon nanotubes just
:47:51. > :47:59.one atom thick. Imagine these black straws are carbon nanotubes. When a
:48:00. > :48:04.particle of light comes in, rather than bouncing off the surface, it
:48:05. > :48:13.ricochets down between the nanotubes until it is absorbed. But how do you
:48:14. > :48:16.paint something with carbon nanotubes? Ben is going to show me
:48:17. > :48:23.by coding something more complex than they have ever done before. A
:48:24. > :48:29.bronze mask of my face. We are going to plunge it into darkness. This is
:48:30. > :48:32.a real thirst for us, it is an incredibly complicated shape, we are
:48:33. > :48:40.not sure how it is going to come out. First, a black layer of carbon
:48:41. > :48:44.nanotubes is carefully sprayed onto the master's surface. It is very
:48:45. > :48:50.black. That is typically the performance you get from the paint
:48:51. > :48:56.they use inside the space telescope. So good but not exceptional. To make
:48:57. > :49:01.it exceptional, Damascus placed inside a plasma reactor. This breaks
:49:02. > :49:04.down some of the bonds between the nanotubes, allowing the light
:49:05. > :49:11.particles to enter and be absorbed. Ten minutes later, the super black
:49:12. > :49:16.coating is complete. That is very strange indeed! Look at that. You
:49:17. > :49:23.cannot actually see any of the details, you cannot see my
:49:24. > :49:30.moustache, the beard, my eyes are not there. That has come out really,
:49:31. > :49:36.really well. Looking at the mask from the side, I can make out my
:49:37. > :49:41.profile and the outline of my face. As it turns around, it completely
:49:42. > :49:44.disappears. It is only when you look at the ordinary black finish that
:49:45. > :49:49.you realise just how black it really is. I am really impressed with this
:49:50. > :49:55.stuff. This is more than just some sort of clever techie optical
:49:56. > :49:58.illusion. This stuff has enormous practical application, and it could
:49:59. > :50:06.revolutionise the way that we see the universe.
:50:07. > :50:11.Utterly mind-boggling. We were all quiet! If you would like to see that
:50:12. > :50:19.foil self, the mask will be on display at the Signs Museum from
:50:20. > :50:24.February the 12th. -- Science. They have got to send somebody up to the
:50:25. > :50:29.Hubble and sprayed the black paint on the thingies. This is remarkable,
:50:30. > :50:35.because your parents were... Much smarter than me! My mother worked on
:50:36. > :50:39.the Hubble Space Telescope programme. So yeah, she would
:50:40. > :50:46.probably be interested in this blacker than black stuff. I just
:50:47. > :50:54.think of Spinal Tap, blacker than black, nonblack. You can take some
:50:55. > :50:57.fact back home, she will love those. They sometimes use that kind of
:50:58. > :51:05.thing on expensive watches for visual effect, and it can transform
:51:06. > :51:10.3D paper, it appears 2D with that surface on it. We thought you might
:51:11. > :51:20.like these. That is one of the least impressive things it does, it takes
:51:21. > :51:28.3D and makes it 2D! If it turned it into 4D, that would be something! We
:51:29. > :51:38.have got some sweets for you, Blackjacks. Do you have these in the
:51:39. > :51:44.United States? No, I smell a lawsuit, someone is making candy out
:51:45. > :51:55.of my name! They will turn your tongue black. Whose tongue will go
:51:56. > :51:59.the blackest? Anyway, someone has gone stratospheric in recent months,
:52:00. > :52:08.our next guest, who is single, Stitches, here we go, is number one
:52:09. > :52:15.in the charts. Please welcome Shawn Mendes come on in and take a seat,
:52:16. > :52:19.my friend. Congratulations on going to number one. If we could
:52:20. > :52:25.concentrate for just a moment, give them a wave! Your career is quite
:52:26. > :52:35.extraordinary, because you have kind of involved through the internet.
:52:36. > :52:44.Patent as -- how did you start from playing songs in your bedroom to
:52:45. > :52:50.knocking Justin Bieber off? It is Vine, I put 6.5 second up, and
:52:51. > :52:55.overnight they kind of snowballed into something huge, my following
:52:56. > :53:00.was going up 10,000 every week. In the first year, from these little
:53:01. > :53:05.covers I was putting on Vine, full covers on YouTube, my social blew
:53:06. > :53:10.up, Twitter, Instagram and everything. In my first year, I had
:53:11. > :53:14.800,000 followers, even before I released a song or anything. And
:53:15. > :53:21.then obviously my manager got hold of me, I went out to New York, met
:53:22. > :53:29.with labels, wrote some songs. SCREAMING
:53:30. > :53:36.There has been a breach! Martin will sort it out! Stages took 17 weeks to
:53:37. > :53:41.get to number one, didn't it? That is unprecedented, isn't it? It is
:53:42. > :53:46.scary, because we have to have a lot of people on my team having faith in
:53:47. > :53:50.the song to do well. I am really happy. Of course, everybody wants to
:53:51. > :53:57.know where they can see you in the UK. I have been here, I will be
:53:58. > :54:04.doing a show in May at the Apollo, I think it is called, I will be back,
:54:05. > :54:08.hopefully bigger. As this chord you by surprise? Honestly, when I went
:54:09. > :54:15.for those videos in my bedroom, that was for my mum and my friends to
:54:16. > :54:20.see, just a joke. What do your parents make of it? You are huge in
:54:21. > :54:25.the US and here, what do your family make of it? They are great,
:54:26. > :54:30.honestly, my parents had concerns, they still have concerns, when your
:54:31. > :54:34.kid wants to do something as crazy as being a singer song writer,
:54:35. > :54:39.artist, but they saw how passionate I was about it, I kind of had a one
:54:40. > :54:44.track mind, there was no option Rob for me. When I found how much I
:54:45. > :54:51.loved it, and I knew it was a possibility, I went for it, they
:54:52. > :54:54.work behind me 100%. Because of all the screaming, my technology has
:54:55. > :55:04.gone down, have we got time to show this clip? Matt pointed out a link
:55:05. > :55:08.between you two this morning. In Jack's film, the invisible man plays
:55:09. > :55:13.a part, you have got to act with the invisible man. In your video, Matt
:55:14. > :55:30.was like, you almost in the same film!
:55:31. > :55:39.APPLAUSE ?
:55:40. > :55:46.He made a cameo! We did this on purpose! We were talking way back,
:55:47. > :55:51.way back, planning this out. It is one of the great special effects, it
:55:52. > :55:59.is very cost effective. Yeah, it is just... It is absolutely free. We
:56:00. > :56:04.have got something for you, second week at number one, and on behalf of
:56:05. > :56:14.the Official Chart Company... Thank you so much! That is so awesome.
:56:15. > :56:23.That is about it. Thank you to our guests, goose Goose bumps is out on
:56:24. > :56:26.Friday. Do you want me to hold that? Thank you to the residents of Hebden
:56:27. > :56:31.Bridge for making as so welcome last night! If you are in Halifax on
:56:32. > :56:37.Friday, there will be a special fundraiser for victims of the flood
:56:38. > :56:41.at the Victoria theatre, a special preview of Happy Valley followed by
:56:42. > :56:45.questions and answers. If you want to go, details are on the website. I
:56:46. > :56:53.think he is in position! With his first ever live UK television
:56:54. > :56:55.performance, Shawn Mendes with Stitches. Thank you, whenever you
:56:56. > :56:57.are ready! # I thought that I'd
:56:58. > :57:01.been hurt before # But no-one's ever
:57:02. > :57:04.left me quite this sore # Now I need someone
:57:05. > :57:17.to breathe me back to life # But I know that
:57:18. > :57:23.I'll make it out alive # You watch me bleed
:57:24. > :57:31.until I can't breathe # And now that
:57:32. > :57:38.I'm without your kisses # And now that
:57:39. > :57:50.I'm without your kisses # Gotta get you out of my head,
:57:51. > :58:13.get you out of my head # Gotta get you out of my head,
:58:14. > :58:18.get you out of my head # Gotta get you out of my head,
:58:19. > :58:26.get you out of my head # You watch me bleed
:58:27. > :58:28.until I can't breathe # And now that
:58:29. > :58:34.I'm without your kisses # And now that
:58:35. > :58:48.I'm without your kisses SCREAMING
:58:49. > :59:05.APPLAUSE Hello, I'm Elaine Dunkley
:59:06. > :59:07.with your 90 second update. First, the Zika virus and people
:59:08. > :59:10.who've been to countries affected by it will be banned
:59:11. > :59:13.from giving blood for a month. The virus is linked
:59:14. > :59:16.to birth defects.