:00:16. > :00:19.Hello and welcome to The One Show with Alex Jones and Matt Baker.
:00:20. > :00:22.Tonight's guest is an actress and author, probably best
:00:23. > :00:27.known for playing TV's most vengeful ex-wife.
:00:28. > :00:30.To make sure we started off on the right foot,
:00:31. > :00:38.Alex popped down to the green room to see her before the show.
:00:39. > :00:47.Joan, I am so excited to have you on the show and I have dressed for the
:00:48. > :00:50.occasion. What do you want? I just popped down to make sure you got
:00:51. > :00:59.everything you need, like cheese on toast. The caviar I'd trust is not
:01:00. > :01:09.perfect? They told me you just wanted some crisps. I suggest you
:01:10. > :01:17.tread very carefully. It is Dame Joan Collins.
:01:18. > :01:25.What a surprise, you were Diane Carroll. To play opposite Alexis it
:01:26. > :01:32.is such a treat. That was real caviar, but you were not having it.
:01:33. > :01:38.We cannot afford it. We use real crisps. We
:01:39. > :01:44.We cannot afford it. We use real character of Alexis on Donald Trump,
:01:45. > :01:46.is that true? Partially, I wanted to have a businessman's approach to how
:01:47. > :01:50.women would be have a businessman's approach to how
:01:51. > :01:56.toughest businessman at that time was Donald Trump.
:01:57. > :02:00.toughest businessman at that time early 80s. And that and the most
:02:01. > :02:06.glamorous woman I know. But Donald did try to get into Dynasty. That
:02:07. > :02:10.glamorous woman I know. But Donald true? He went to one of the casting
:02:11. > :02:15.directors, one of the top man and he said I want to be in Dynasty,
:02:16. > :02:20.directors, one of the top man and he was after three years. He said, I am
:02:21. > :02:27.not an actor. He said, but I am Dynasty. I cannot remember his name,
:02:28. > :02:31.Gary, he said, I am sorry, Donald, but we are cast. Six month later,
:02:32. > :02:40.whenever, he but we are cast. Six month later,
:02:41. > :02:45.If Gary had not filled the entire cast, we think this is the outcome
:02:46. > :02:57.of what could have been. What is that? It is a bit creepy. He is
:02:58. > :02:58.dressed as a me! That is horrible. That is disturbing.
:02:59. > :03:07.dressed as a me! That is horrible. wanted to play the man, darling.
:03:08. > :03:10.Here is a subject guaranteed to wipe the smile of even a Leicester City
:03:11. > :03:25.fan today. The cost of insuring our cars has
:03:26. > :03:31.accelerated in recent years with one group of motorists hit very hard.
:03:32. > :03:35.The most senior drivers have seen their policies go up by an average
:03:36. > :03:41.16% in the past year, in spite of the fact that we are some of the
:03:42. > :03:45.safest motorists on the road. Research shows we do not suddenly
:03:46. > :03:50.become more likely to have an accident when we pass 60. Compare to
:03:51. > :03:53.other golden oldies, drivers in their 20s have more than twice as
:03:54. > :03:57.many accidents. Why their 20s have more than twice as
:03:58. > :04:03.companies charging so much for our car cover? Using the same address
:04:04. > :04:09.and model of car, we searched online to see how much quotes can vary with
:04:10. > :04:16.age. A 20-year-old with hardly any experience is looking at ?950. A
:04:17. > :04:21.middle aged motorists came in at ?349. But a veteran driver who has
:04:22. > :04:27.never made the claim could pay double that, and eye watering ?735.
:04:28. > :04:31.The car insurance industry argues that elderly drivers cost more to
:04:32. > :04:39.insure because they will cost more to fix if they have an accident.
:04:40. > :04:43.Time for a little experiment. I have come to the Institute of Advanced
:04:44. > :04:48.Motorists were our three volunteers are about to put their driving
:04:49. > :04:54.abilities to the test. We are going to be tested against the advanced
:04:55. > :04:59.driving test standard. It is a short assessment. It looks at the various
:05:00. > :05:03.areas, but the most important thing is keeping it safe and legal at all
:05:04. > :05:13.times. Let's get the show on the road. Here we go. Works, start
:05:14. > :05:23.again. Sean is keeping his expert eye on everyone's driving. The
:05:24. > :05:28.further back you stop from the vehicle, the wider the view around
:05:29. > :05:35.it. That indicator did you need it or did you think you needed it? Then
:05:36. > :05:41.it is back to base for the results. It is over, thank goodness. How did
:05:42. > :05:45.we do? If you are asking me who is the safer driver, age counts for a
:05:46. > :05:50.lot and our winner today would probably be Colin because his years
:05:51. > :05:56.of experience behind the wheel was born today in our drive. Well done,
:05:57. > :06:02.Colin. In what way was he fantastic and better than the rest of us?
:06:03. > :06:07.Hazard planning, sometimes holding back before diving into getting on
:06:08. > :06:11.with it. It is a lifetime of experience that counts. Our
:06:12. > :06:15.83-year-old driver was judged safer on the road and the rest of us. I
:06:16. > :06:21.wonder what the insurance industry has to say about that. I am eating a
:06:22. > :06:25.director of the Association of British Insurers. A lot of older
:06:26. > :06:31.drivers feel they are penalised purely on the basis of age. Why is
:06:32. > :06:37.that? Age is one factor, but it is not the only one. The size of the
:06:38. > :06:41.car, the engine, and where you live. Some people might look at the
:06:42. > :06:47.insurance industry and save a few older people as cash cows. I do not
:06:48. > :06:53.think it is something about the insurance industry penalising older
:06:54. > :06:57.people. It is about giving you if you are older a policy that reflects
:06:58. > :07:01.the risk that you post. If you are older and you are concerned your
:07:02. > :07:07.premiums are going up, you should definitely shop around. So, I am
:07:08. > :07:12.afraid it does not look as if the cost of car insurance for us oldies
:07:13. > :07:19.is going to come down any time soon. Push is to fire and you might price
:07:20. > :07:24.as off the road. Joan, we understand you are in the
:07:25. > :07:30.middle of your own roadside drama at the moment. We have got some
:07:31. > :07:37.pictures. Tell us what is happening. This is outside my flat in London
:07:38. > :07:44.and it is a whole. We have been going on for about three months to
:07:45. > :07:49.get filled. The council said they did make it, but now we have a
:07:50. > :07:55.paddle. And you have taken action into your own hands. I have tweeted
:07:56. > :07:59.a few pictures with my feet. If a taxi stops there, I cannot get out.
:08:00. > :08:05.That is why I started wearing those sheepskin boots. You have taken
:08:06. > :08:12.pictures of your feet. I am not going to go to the Wolseley
:08:13. > :08:14.restaurant in that will stop your book, St Tropez Lonely Hearts Club,
:08:15. > :08:21.it is out in paperback now. This is a brilliant read too hot things up
:08:22. > :08:28.at the swimming pool in the summer. It is quite saucy. Certain parts
:08:29. > :08:34.are. It is a romantic, murder mystery set in St Tropez, set in the
:08:35. > :08:39.four months of the season and there are amazing characters in their
:08:40. > :08:46.loosely based on some real people that I know. Yes, go on. There are
:08:47. > :08:51.several murders and several romances and it is a great book to have by
:08:52. > :08:55.the swimming pool or by the sea and it is coming out on Thursday. The
:08:56. > :09:02.main character is stunningly beautiful and filthy rich. , is it
:09:03. > :09:09.fair to say there is a bit of you in there? I wish! No, not at all.
:09:10. > :09:13.Carlotta is one of the main characters. The other main character
:09:14. > :09:19.who I really love is he is really bad, he is really naughty, but
:09:20. > :09:24.lovable. He is called Fabrizio Zanotti and he is the local stars
:09:25. > :09:29.and gets paid for doing things with certain people, ladies and gentlemen
:09:30. > :09:35.sometimes. But he wants to be a singer and he wants to go on X
:09:36. > :09:39.Factor in Kazakhstan. I don't know whether there is one in Kazakhstan,
:09:40. > :09:44.but he is auditioning for it. He is having an affair with this mad
:09:45. > :09:52.Russian woman who is divorced from a very rich oligarchs and he has to
:09:53. > :09:57.moonlight to go and audition all the time because they do lots of
:09:58. > :10:01.auditions. He is one of the characters. It is based on some of
:10:02. > :10:08.the amazing parties and events that happen in St Tropez. They have the
:10:09. > :10:13.most amazing parties. You live there part of the year? In the summer, I
:10:14. > :10:21.spent quite a bit of time there. I love it, it is the most fabulous
:10:22. > :10:25.place. One of the reasons there are these murders is because somebody is
:10:26. > :10:32.trying to destroy St Tropez, destroy people going there. I do not want to
:10:33. > :10:36.give too much away. When you are writing, could you set the scene? I
:10:37. > :10:41.would like to imagine the scene, what are you wearing? Have you got a
:10:42. > :10:50.cocktail, do you type all right longhand? I write longhand on yellow
:10:51. > :10:54.pads or big exercise books. When I am really feeling it I will get up
:10:55. > :10:58.in the morning and have a cup of coffee and start writing in bed in
:10:59. > :11:08.my pyjamas or nightgown or sweater or shorts. In the South of France I
:11:09. > :11:16.will write by the pool. I want your life! I have a desk, but I do not
:11:17. > :11:22.like writing on a desk. I like to write on the sofa will stop I will
:11:23. > :11:26.have a copy, I drink tonnes of coffee. I will usually have
:11:27. > :11:37.something on television like MTV music. You have written 16 books.
:11:38. > :11:43.Yes. You dedicate the book to your late sister, Jackie. Did you ever
:11:44. > :11:49.swap notes and read each other's work? Did you correspond in that
:11:50. > :11:54.way? It is interesting that you say that because Jackie and I used to
:11:55. > :12:01.collaborate on books when we were very young, when we were teenagers.
:12:02. > :12:06.She was a very young teenager and I was its teenager. Her nieces have
:12:07. > :12:09.just found these books that are all about teenagers, written in her
:12:10. > :12:14.handwriting and illustrated by me because I wanted to be a fashion
:12:15. > :12:19.designer. Jackie would describe all of the characters and what they were
:12:20. > :12:24.wearing and I would draw them. Then we would cut them out and stick them
:12:25. > :12:28.in. It is fascinating. The girls found it about a month or so ago. It
:12:29. > :12:35.would be great to publish that because it was a true collaboration.
:12:36. > :12:40.Says something like the teenagers in France, England and America. She had
:12:41. > :12:45.never been to France and America, but she wrote about them. She wrote
:12:46. > :12:54.beautifully. Four at 12, 13 or 14-year-old she wrote beautifully. I
:12:55. > :13:00.would love to see your drawings. Your book is out on Thursday. We
:13:01. > :13:04.love a reunion and tonight we have got a real treat. Back together
:13:05. > :13:10.after 45 years, three friends who met thanks to a truly magical film.
:13:11. > :13:13.This met thanks to a truly magical film.
:13:14. > :13:16.stellar cast, and met thanks to a truly magical film.
:13:17. > :13:21.storyline. But has it been sidelined in Disney history?
:13:22. > :13:24.storyline. But has it been sidelined one of the three
:13:25. > :13:28.storyline. But has it been sidelined taken in by the witch, played by the
:13:29. > :13:31.storyline. But has it been sidelined brilliant Angela Lansbury. They are
:13:32. > :13:35.joined by David Tomlinson. brilliant Angela Lansbury. They are
:13:36. > :13:43.to amuse and to even unlikely heroes search for the
:13:44. > :13:47.missing components for a magic spell to
:13:48. > :13:52.missing components for a magic spell Britain, aided by a magical bed.
:13:53. > :13:55.missing components for a magic spell Walt Disney Studios in California,
:13:56. > :14:00.the film remains quintessentially British, using the set to recreate
:14:01. > :14:10.iconic London locations like Portobello Road. Portobello Road,
:14:11. > :14:15.Portobello Road # Portobello Road, see where the riches of ages are
:14:16. > :14:16.stowed. Comparisons to marry Poppins are more than just coincidental. The
:14:17. > :14:24.films were set in the same location. are more than just coincidental. The
:14:25. > :14:32.Julie Andrews was even considered for the main part. Because it
:14:33. > :14:42.Julie Andrews was even considered well remembered. My co-stars are the
:14:43. > :14:48.ones to refresh this in the mind of the public. Today we are being
:14:49. > :15:01.reunited. And where else? In a bed shop. I am excited. My little Ron!
:15:02. > :15:07.Finally, we have a chance to reminisce about how it all began. My
:15:08. > :15:14.overriding memory is how well we got on. I do not remember any of us,
:15:15. > :15:18.however young, being naughty. It was a professional engagement and Angela
:15:19. > :15:24.set the tone and we upped our game because of her. She was very much an
:15:25. > :15:29.inspiration. Like a mother. I had never sung before, I could not sing.
:15:30. > :15:38.I was terrible then and I am terrible now.
:15:39. > :15:46.Trying to get me just to do that was really difficult. I will always
:15:47. > :15:51.remember the scene we did when we had no idea about the animation.
:15:52. > :15:58.There's a fish over there, talk to the fish. Fish don't talk. Not too
:15:59. > :16:01.bright, is he? He's me brother. Remember the one where we done that
:16:02. > :16:06.scene and they put the bed nobody and it was brass and -- knob tanned
:16:07. > :16:11.was brass and it changed to pink. We were finding out - how did that do
:16:12. > :16:21.that? They wouldn't tell us. Disney magic. It was magic. Comparisons to
:16:22. > :16:25.poppins aside, it was a success. Where better to bring you a special
:16:26. > :16:29.one show screening, than where we had the premiere. Before the
:16:30. > :16:35.screening, a message from New York comes as a complete surprise Hello
:16:36. > :16:41.everyone, I'm so sorry I was unable to join you today to celebrate the
:16:42. > :16:48.great film we made together. This film is enjoyed by children Britain
:16:49. > :16:51.and the USA, in fact all over the world. I'm thrilled to have this
:16:52. > :17:02.opportunity to celebrate this with you all today. You look great!
:17:03. > :17:10.# Beautiful Bryony sea # -- briney. I'm thrilled to be
:17:11. > :17:14.watching it together. We haven't watched it together for 45 years.
:17:15. > :17:17.They're only animals. That's no excuse for dirty football. It's just
:17:18. > :17:24.like we were there, back as kids again. We ain't going to have no fun
:17:25. > :17:29.no more. Well, still got this, ain't I? It's been an extraordinary
:17:30. > :17:33.reunion for the three of us. Lovely to see the film together. # it's
:17:34. > :17:37.nice to think that the film, which had a huge impact on our childhood,
:17:38. > :17:45.still has a place in the heart of the public. I loved that film. Heart
:17:46. > :17:49.warming. Cup of tea on a Sunday and that, perfect.
:17:50. > :17:56.Let's talk about child stars now. Your stage debut was in an Ibson
:17:57. > :17:59.play a Doll's House. Did you know then that this world was for you?
:18:00. > :18:04.Oh, no. I thought it wasn't for me. I was at a stage school because I
:18:05. > :18:09.wanted to be an actress. I was picked to play a boy, because the
:18:10. > :18:18.director wanted girls to play boys because boys were too ram burning
:18:19. > :18:24.Saddam Hussein and you know what -- rambunctious, but after two weeks,
:18:25. > :18:29.we got so board sitting back stage and -- border sitting back -- bored
:18:30. > :18:34.sitting back stage, we were playing snakes and ladders and we missed our
:18:35. > :18:38.cue. The director dragged us by the scruff of our neck. He took us to
:18:39. > :18:43.the wings and threw us on. We tried to get through our lines. At the
:18:44. > :18:49.end, he said, "Neither of you will ever become actresses. You have no
:18:50. > :18:55.talent and you will never do it." And of course... How wrong was he. I
:18:56. > :19:02.decided not to. I went back to ordinary school. We've got the child
:19:03. > :19:11.stars from some of the most iconic films in British cinema.
:19:12. > :19:18.We were wondering if you could recognise them. We start with loach
:19:19. > :19:29.loach loach's -- Ken Loach's moving drama cause Kes. A film where Billy
:19:30. > :19:33.Casper befriends a kestrel. Come on, Kes.
:19:34. > :19:38.APPLAUSE Billy was played by an actor called
:19:39. > :19:43.Dai Bradley. Can you spot Dai in the audience? Have a look. Is it this
:19:44. > :19:53.gentleman? The cameraman is in the way.
:19:54. > :20:00.I think it's the middle one. Will the real Dai Bradley please step
:20:01. > :20:07.forward. Yes, it is. Come and have a seat next to Joan. You haven't
:20:08. > :20:12.changed a bit. Hi, are you still an actor? Yes, I am. Good, good. Tough
:20:13. > :20:21.job isn't it? It is when you get to my age. Hello. Listen, Dai, young
:20:22. > :20:28.lad from Barnsley. Yes. This film was massive. It was huge. And in
:20:29. > :20:32.1966, coming from a coal mining community and a working-class town,
:20:33. > :20:38.those kind of opportunities didn't arrive. They didn't happen for you.
:20:39. > :20:42.The closest I came to going to being a movie was Saturday morning
:20:43. > :20:47.matinees at the age of 11 and watching the BFI films and things.
:20:48. > :20:52.You weren't prepared then? No, not at all. I did a few school pantos,
:20:53. > :20:59.we weren't a school that was renowned for doing drama. But we
:21:00. > :21:04.were very lucky. The author of the film, who wrote the book, he taught
:21:05. > :21:08.at the school that we see in the film and it was the school I
:21:09. > :21:13.attended too and also was an 11-plus failure school. So all the kids that
:21:14. > :21:20.you see in the film were 11-plus failures. Really? We're going to
:21:21. > :21:24.move on now. Next up, from 1968, it's the hit musical Oliver.
:21:25. > :21:35.It was nominated for 11 Oscars and won six of them
:21:36. > :21:42.Please, Sir, I want some... More? MORE!
:21:43. > :21:52.That was played by a boy called Mark Lester, but where is he hiding? Is
:21:53. > :22:00.this Oliver? Or is this Oliver? Or... Is Dave Oliver? I think it's
:22:01. > :22:02.the first one. Will the real Mark Lester, who played Oliver step
:22:03. > :22:12.forward. APPLAUSE Come and have a seat. Hi
:22:13. > :22:22.Mark. I think we've met before. Maybe once. Lovely to see you. I
:22:23. > :22:26.loved that film. Brilliant. So good. We saw Harry Seacombe there as Mr
:22:27. > :22:33.Bumble. The props department played a trick on him. Ti, was Harry's
:22:34. > :22:37.birthday on that day. We were doing the "more" scene. Harry has to get
:22:38. > :22:41.Oliver and drag him round the room by his ear. The prop department made
:22:42. > :22:47.up a false ear that they put over the top of my ear. Harry was
:22:48. > :22:52.terrified of touching me, I was some delicate thing, I don't know why. He
:22:53. > :22:56.grabs my ear and make sure you firmly grab it. And marches me
:22:57. > :23:05.around the room. He grabs the ear and the plastic thing comes off in
:23:06. > :23:13.his hand and there was shock. Then "cut" everyone sang happy birthday.
:23:14. > :23:17.Very quickly then. Finally 1963 is Day of theTriffids in which a meteor
:23:18. > :23:19.shower blinds nearly everyone on earth and walking plants begin to
:23:20. > :23:39.take over. Janina Faye played Susan who is
:23:40. > :23:48.rescued by Bill Masen. What does he look like now? I didn't really see
:23:49. > :23:53.what she looked like before. That one. Will the real Janina step
:23:54. > :24:03.forward. APPLAUSE I never got a chance to
:24:04. > :24:08.look at the picture. Nice to see you. Nice to meet you. Incredibly,
:24:09. > :24:15.you've been in one of Joan's films. I have. I was very fortunate to be
:24:16. > :24:19.in a film with you called the Sea Wife. Prior to my being cast in
:24:20. > :24:23.various other roles, we were all sent out on little extra jobs. I was
:24:24. > :24:27.an extra. I didn't really have a feature part with you, but nice to
:24:28. > :24:33.work with you. Were you on the boat? I think I was on the boat. I was the
:24:34. > :24:38.nun rescuing you from the boat... I believe so. Such a long time ago. We
:24:39. > :24:44.said you love a reunion and there it is. This is perfect. Maybe you can
:24:45. > :24:49.swap photos. Dai, Mark, Janina thank you.
:24:50. > :24:52.Later this summer, the Pakistan cricket team will return
:24:53. > :24:54.for their first Test series in the UK since the match
:24:55. > :24:58.If you are going to make a film about cricket, you need
:24:59. > :25:01.an all-rounder who knows his gully from his googlies.
:25:02. > :25:03.Adil Ray would have been the perfect man for the job,
:25:04. > :25:15.This film contains flash photography.
:25:16. > :25:25.Hello. This is Mr Khan, let me tell you, it's all kicking off. I'm not
:25:26. > :25:28.just talking about my Citizen Khan tour, no Pakistan are coming this
:25:29. > :25:34.summer to beat the demrish at their own game -- the English at their own
:25:35. > :25:38.game - cricket. I've come to my local club, just down the road from
:25:39. > :25:42.Sparkhill to see if the players and fans are looking forted to it. --
:25:43. > :25:49.forward to it. If they're lucky they might get to see my googlies. Ah,
:25:50. > :25:52.shot! I taught him that. Have you heard, the Pakistan team are looking
:25:53. > :25:57.for a new coach. Yeah, I think they should get one of those 52 seaters
:25:58. > :26:03.with a TV in front. Very nice. Yeah. I could be the Pakistani coach.
:26:04. > :26:06.After we Pakistanis became independent in 1947, we showed the
:26:07. > :26:13.world how good we were at cricket. Look, I need you to be more serious.
:26:14. > :26:19.Your posture's not right. Your attitude, it's all wrong. On July
:26:20. > :26:29.28, 1952, it was here in England that Pakistan was first given Test
:26:30. > :26:43.Match status. Come here. Wasim Khan everybody. All Khans are related.
:26:44. > :26:47.Imran, Wasim... Chakakhan. Are you looking forward to Pakistan coming
:26:48. > :26:50.here? Yeah, first time in six years. How important is the
:26:51. > :26:52.Pakistan-England tour then? Massively important for them,
:26:53. > :26:56.because financially as well Massively important for them,
:26:57. > :27:00.cricket credibility. Pakistani always thinking of money, very good.
:27:01. > :27:03.A very big rivalry between Pakistan and England. Always. Why? Because
:27:04. > :27:06.A very big rivalry between Pakistan the big population of Pakistanis in
:27:07. > :27:11.this country. Who's going to win? We are. Who's we? Pakistan! Are they
:27:12. > :27:16.this country. Who's going to win? We going to win, England are a good
:27:17. > :27:20.side at the moment. The England Pakistani series has never been
:27:21. > :27:24.short of a bit of controversy, whether it's ball tampering
:27:25. > :27:28.accusations, forfeiting a Test Match or a bit of spot-fixing. With
:27:29. > :27:33.Pakistan you can't have a tour without controversy. It's all part
:27:34. > :27:44.and parcel of life, like a Pakistani marriage. Where are they? All right
:27:45. > :27:49.boys, OK, ready for a good game today? Remember the rules. Hit the
:27:50. > :27:54.ball to the boundary four runs. Hit the ball to the boundary no
:27:55. > :28:00.bouncing, six runs. No ball, you get a Rolex watch. Good. What is the
:28:01. > :28:05.real thing we'll be looking forward to, who are the players we should be
:28:06. > :28:08.watching out for? The fact that Amir is back now. He will be a big one.
:28:09. > :28:13.He's been accepted back into international cricket. Now he has
:28:14. > :28:19.his four bedroom house. Five bedrooms. The England-Pakistan
:28:20. > :28:23.series is all set to be very exciting this summer and for the
:28:24. > :28:27.Pakistan cricket team it will feel extra special, as they can't play
:28:28. > :28:31.their matches at home any more. So England will feel like home.
:28:32. > :28:35.Birmingham especially, because Birmingham is just like Pakistan,
:28:36. > :28:38.but with one tiny difference - we've got more Pakistanis.
:28:39. > :28:40.APPLAUSE Any complaints, please send them
:28:41. > :28:43.directly to Citizen Khan care If you want to see more
:28:44. > :28:47.of Adil's comic creation, he is on tour with the show
:28:48. > :28:50.Citizen Khan, They All Know Me Birmingham and Manchester
:28:51. > :29:03.later in the week. We presume that you like cricket
:29:04. > :29:07.because we found this photo. We think this is Bing Crosby. Yes and
:29:08. > :29:11.Bob Hope. They were playing cricket and I went along and said, can I
:29:12. > :29:15.have the bat, I can hit somebody over the head as they try to break
:29:16. > :29:17.into my dressing room. That's all we have time for.
:29:18. > :29:20.Thanks so much to Dame Joan danger Collins, the St Tropez Lonely
:29:21. > :29:24.We will be back tomorrow with Louis Theroux, Lianne La Havas
:29:25. > :29:27.and The Saint himself, Ian Ogilvy.