:00:21. > :00:23.Hello and welcome to a One Show that is jam packed
:00:24. > :00:30.With the ever tuneful Matt 'Ginger' Baker.
:00:31. > :00:36.And, a woman who always hits the right note, Alex Jones.
:00:37. > :00:38.Joining in on the Wurlitzer and one liners, comedian -
:00:39. > :00:43.Canadian - Katherine - with a K - Ryan!
:00:44. > :00:48.Voted Best New Artist, heading for Glastonbury and soon
:00:49. > :00:52.to support Bruno Mars - Dua Lipa!
:00:53. > :00:57.And topping the bill, on vibraphone - he's played with Robbie,
:00:58. > :01:02.A proud Manchester lad at the top of the acting game, Max Beesley!
:01:03. > :01:15.Standing by ready for take-off - at an airbase somewhere in England -
:01:16. > :01:26.the real life Iron Man, Richard Browning.
:01:27. > :01:36.His feet are firmly on the ground now, but they weren't earlier.
:01:37. > :01:39.Join us later, when he'll be taking to the skies live.
:01:40. > :01:45.He will act out all our dreams and be flying. Yeah! We will settle
:01:46. > :01:51.down. What a show this is going to be. Lots lined up. Did you see that,
:01:52. > :01:56.that man is going to fly. He's like a human flying machine. A Rocket
:01:57. > :02:03.Man. Does that appeal to you. Where is that on the let's have a go list?
:02:04. > :02:08.Rocket Man is not number one. I like to fly inside a real flying machine
:02:09. > :02:18.let alone become a flying machine. An aeroplane. Flying machine is what
:02:19. > :02:25.we call it in Canada. I'm not sure of what fancy Welsh word you use. We
:02:26. > :02:30.will talk about your new show, you are playing a rogue. He's a trouble
:02:31. > :02:36.character, to be sure. I was being polite. You were? You have
:02:37. > :02:43.experience of being a rogue, a bit of a blagger? Certainly in my youth
:02:44. > :02:52.as a Manchester chat. Tell us about the Dermot jacket. Dermot, I owe you
:02:53. > :02:55.?100. He wanted a nice specific jacket, tailor-made, I got hold of
:02:56. > :03:00.one for him, I took the money and kept the jacket. I will give you
:03:01. > :03:07.that back, very, very It sounds like soon. A nice jacket for ?100.
:03:08. > :03:11.Beautiful. A long time ago. Plenty more from Max and Katherine
:03:12. > :03:14.throughout the show. Dua Lipa will be performing live later on wither
:03:15. > :03:19.her new song. Looking forward to that.
:03:20. > :03:20.Time to meet an inspirational brother and sister.
:03:21. > :03:23.They are helping schools become more aware of how
:03:24. > :03:25.conditions such as Parkinson's are affecting their pupils.
:03:26. > :03:32.Joe has been to Cornwall to meet them.
:03:33. > :03:40.Hello, I'm Mael and this is Amy, my sister. Hi. This is my dad and this
:03:41. > :03:45.is my mum. She's the one with Parkinson's disease. Four years ago
:03:46. > :03:50.55-year-old Lynn Fearn was diagnosed with Parkinson's disease. It's a
:03:51. > :03:53.condition normally associated with grandparents, not parents and with
:03:54. > :03:57.two small children, who were just four and eight years old at the time
:03:58. > :04:00.it was a shock for everyone. Now, they've kindly invited me to spend
:04:01. > :04:04.the day with them, so I can better understand what it means for the
:04:05. > :04:11.whole family. How did you feel when mum told you? ? I felt quite worried
:04:12. > :04:17.I didn't know what it was and what the affects were? Hi. Is your room
:04:18. > :04:22.next door, Amy? Yeah. How does it affect your mum? Sometimes, like,
:04:23. > :04:27.she can't take me out place ares because she gets really tired. So we
:04:28. > :04:33.can't do as much stuff as normal parents and children can do. Yeah,
:04:34. > :04:39.that makes me feel upset. Where's mum? Mum's not feeling well, so she
:04:40. > :04:47.can't play with me. OK. How do you guys help mum? Then we, like, clean
:04:48. > :04:55.up and we put stuff tidy and we do our bedrooms and, like, Mael's cooks
:04:56. > :04:59.a short dinner for me #57bd myself? What do you cook An omelette or
:05:00. > :05:06.something. Something like that. Is it good, Amy? Yeah. Lynn is one of
:05:07. > :05:10.127,000 Parkinson's sufferers in the UK. With more women having babies
:05:11. > :05:13.over 40, there's an increased risz being of them developing illnesses
:05:14. > :05:18.whilst their children are still young. I first noticed when I was
:05:19. > :05:22.pregnant with my son. I noticed I lost my sense of smell. I was
:05:23. > :05:26.getting very tired. Then I noticed that I couldn't put my foot in a
:05:27. > :05:31.boot and I couldn't turn keys in the lock. Then I started limping. I
:05:32. > :05:36.wasn't in pain, but I was limping. When you got the diagnosis, did it
:05:37. > :05:40.come completely out of the blue? He said, "oh, you've got Parkinson's" I
:05:41. > :05:45.said, "thank you" which sounds ridiculous. I said, "thank you"
:05:46. > :05:53.because I didn't know what else to say. Are you feeling better today?
:05:54. > :05:57.Just a bit tired. OK. Mael I noticed became clingy. He took on the role
:05:58. > :06:01.of someone who was responsible for me in some way. There was one day
:06:02. > :06:08.when I wasn't functioning properly and Mael said to me, "mummy you
:06:09. > :06:15.can't get us to school like this", which was really quite true.
:06:16. > :06:21.The reality is there is currently little support for the children of
:06:22. > :06:26.those affected. Let's take it into the dining room. The children needed
:06:27. > :06:30.to speak to someone and all the literature and all the information
:06:31. > :06:33.that they were getting was all about how grandma and grandad deals with
:06:34. > :06:38.Parkinson's. With that, what they felt was a little bit of a stigma, a
:06:39. > :06:42.little bit embarrassing. They kept saying to me, "are you old mum, are
:06:43. > :06:47.you old?" Do you feel sad at school? Yeah. It's like when you have a mum
:06:48. > :06:50.with an illness, it's like you're feeling alone at school. It's
:06:51. > :06:55.difficult, isn't it, knowing what support to give? Yeah. If people
:06:56. > :07:01.know more about it, it's the best thing? Yeah, they understand what's
:07:02. > :07:04.going on and how they can help. To try and raise awareness, today Amy
:07:05. > :07:10.is going to deliver a speech to the whole school about her mum. Are you
:07:11. > :07:16.nervous, Amy? Erm, no, not really, I'm excited. All the family are
:07:17. > :07:20.going along to support her. Take it nice and slow, in your own time.
:07:21. > :07:25.Nice and confident. You've got a great voice. Good morning everyone.
:07:26. > :07:28.Good morning. I'm not going to do the assembly this morning, I will
:07:29. > :07:35.hand over to my assistant. Amy, would you like to join us? Hello,
:07:36. > :07:38.everybody. Today I'm going to be talking to about what Parkinson's is
:07:39. > :07:44.and how it affects me and my brother. Parkinson's is a disease
:07:45. > :07:48.that affects the brain. They have grown up too fast. They've lost some
:07:49. > :07:52.innocence that they shouldn't have lost. They should be just out there
:07:53. > :07:57.playing and not worrying about mum at home. One day when I was watching
:07:58. > :08:02.TV they told me what Parkinson's was and that made me feel a bit better
:08:03. > :08:05.than I was before. I think, at the end of the day, you know, if
:08:06. > :08:11.children love someone, it's just natural to worry about them. So
:08:12. > :08:16.Parkinson's, basically, can affect every part of everything, really in
:08:17. > :08:22.your life. APPLAUSE
:08:23. > :08:31.I think we should continue that applause. The Fearn family are here
:08:32. > :08:38.now. We have mum, dad and Mael and Amy. Lynn, for you to witness that
:08:39. > :08:41.and, you know, how brave your daughter was in saying what she was
:08:42. > :08:47.and how many children she will help from doing that? It's incredible.
:08:48. > :08:51.The film they made and things. It's very powerful stuff. It's really
:08:52. > :08:55.important to get the message out so people become aware, open up and
:08:56. > :08:59.start talking about neurological disease and not just think it's
:09:00. > :09:04.something that's not embarrassing almost to talk about. Amy, you did a
:09:05. > :09:08.great job. It was a very good speech. It was. Do you feel it made
:09:09. > :09:13.a difference in school? Do you your friends talk about it openingly? I
:09:14. > :09:17.can talk to them and I feel I can talk if I'm worried about mum at
:09:18. > :09:23.school and stuff. That makes me feel much better. Easier with the
:09:24. > :09:29.teachers as well? Yeah. It's made them still understand, but, yeah,
:09:30. > :09:33.they just understand. That's good. Mael for all the other children out
:09:34. > :09:37.there watching this that may be in a similar situation to you guys and
:09:38. > :09:40.your family, what is your message to those watching this and how it does
:09:41. > :09:45.help to talk about it? Yeah. Just tell people that will you and don't
:09:46. > :09:52.keep it inside. Tell people and it helps a lot. Talking is always the
:09:53. > :09:54.key. You have made this short film to help raise awareness of
:09:55. > :09:59.Parkinson's. Do you still think though that there is quite a long
:10:00. > :10:02.way to go in getting people who are not affected to understand what it
:10:03. > :10:06.is that families like ourselves go through? Definitely. The point of
:10:07. > :10:10.the film is to educate the teachers so they can open up and talk to the
:10:11. > :10:16.children as well and recognise when there's a problem and not brush it
:10:17. > :10:22.under the carpet. The title - Listen To the Thoughts - when Mael said - I
:10:23. > :10:25.wish people would listen to the thoughts in my head. It's his title.
:10:26. > :10:31.You have a connection to this story. You have a personal coy NECs with
:10:32. > :10:34.it? My elder brother, Gary, suffers with Parkinson's.
:10:35. > :10:40.He will be 60 this year. He won't thank me for saying that. He was
:10:41. > :10:44.diagnosed five years ago. The onset with my brother is quick.
:10:45. > :10:47.We have talked about the medication involved and you can feel tired with
:10:48. > :10:51.the disease itself. How important it is for your children to be educated
:10:52. > :10:55.and to have a good support network for your partner, for your children,
:10:56. > :11:01.they are going through the same journey, really. As dad here, it
:11:02. > :11:05.must be very difficult for you to see all of this happening and to
:11:06. > :11:10.even hear Amy and what she was saying there to her school friends?
:11:11. > :11:13.It's very painful. Obviously, the children feel - it's a horrible
:11:14. > :11:17.disease. It has many symptoms. It has physical symptoms and it has
:11:18. > :11:23.mental symptoms as well. It's very difficult for the children to see
:11:24. > :11:28.their mum go through that and it's very difficult for me as well as a
:11:29. > :11:32.family to see all that. It's hard to see them feel that they have some
:11:33. > :11:35.responsibility to look after their mum. I guess, mum, you feel very
:11:36. > :11:42.lucky to have children like you've got. You are a great family. Very
:11:43. > :11:47.proud. Thank you for making the film for us as well. That's OK. And
:11:48. > :11:51.popping in to us see. Amy, great sdres! Yeah. Let's end send you away
:11:52. > :11:56.with a lovely round of applause. Thank you very much indeed.
:11:57. > :12:03.APPLAUSE Great fun that.
:12:04. > :12:06.Max will be on our screens later this week in a
:12:07. > :12:10.It's an epic story about the birth of America and the men who built it,
:12:11. > :12:12.produced by the people behind Downtown Abbey.
:12:13. > :12:16.For a start, there's not a Lord or Lady in sight.
:12:17. > :12:28.100 acres each. It's a lot of land. You are taking on a debt to purchase
:12:29. > :12:37.your fine wife. You'll be paid, in labour. As we agreed. It'll be paid,
:12:38. > :12:43.how do you find your woman? She knows work. That is why I picked
:12:44. > :12:46.myself a farm lass. How does she find you? She finds me to be her
:12:47. > :12:49.husband. APPLAUSE
:12:50. > :12:54.There is a lot of excitement about this series. I have seen it trailed
:12:55. > :13:01.quite a lot. Set the scene for us. It's the 17th century? 16 19, 12
:13:02. > :13:07.years after the first British could NUS went over there. The Require yin
:13:08. > :13:14.Company sent British people over in 1607. They found land they thought
:13:15. > :13:18.it would be a wonderful idea to build a colony, become pioneers. Did
:13:19. > :13:23.they send the best or worst of British? Everything. 20% of the
:13:24. > :13:30.people who went over in the ships survived the passage over there. 80%
:13:31. > :13:35.died on the way out there. The starvation period was 16 08 or 09 to
:13:36. > :13:39.10 when I would have been there as one of the elder brothers. They were
:13:40. > :13:44.really drastic times. They built this land on really terrible,
:13:45. > :13:48.terrible ground. They couldn't have picked a worse spot and there's
:13:49. > :13:54.masses of grass around it. They couldn't work out for a long time
:13:55. > :13:57.why the Indian tribes were killing them, you know, until they thought -
:13:58. > :14:07.it's the grass. We will give it a mow. Most of our colony will
:14:08. > :14:13.survive. 1619. Things have been OK. Things are running OK. All of a
:14:14. > :14:17.sudden there is the arrival of of three, very, very wonderful girls
:14:18. > :14:23.who play the actresses in the show. We have 100 maids sent over on the
:14:24. > :14:28.ships to marry, the men pay Forlan their wives to marry their husbands.
:14:29. > :14:35.Is it fair to describe it as, sort of, part western, part costume
:14:36. > :14:39.drama? Jacobean era it's like a Jacobean tragedy. A touch of
:14:40. > :14:44.everything in it, there really is. My part, for instance, is very dark.
:14:45. > :14:50.I came away thinking I was making Game of Thrones every night. . You
:14:51. > :14:53.see beautiful shots with the cinematographers and beautiful
:14:54. > :15:00.dresses and costume and makeup. So, one can look at it as a Downtown
:15:01. > :15:05.type deal. It's in the middle for me. It's edgy. Like I say, those
:15:06. > :15:09.times were really edgy, dark times. So we've got all of that in the
:15:10. > :15:16.writing. Bill Gallagher is the writer. He. He's created amazing
:15:17. > :15:19.scripts, truly. Actors come on shows promoting whatever it is they are
:15:20. > :15:24.promoting I think - it's a bit boring. This is definitely a really
:15:25. > :15:29.excellent drama to be enjoyed by as many people as
:15:30. > :15:36.It is shot in Hungary, isn't it? It is about North America, obviously,
:15:37. > :15:43.but it was shot in hungry in an incredible set. The artists did an
:15:44. > :15:47.incredible job. It is an hour's drive, not good at four in the
:15:48. > :15:53.morning! And then time in her and make up, I need a lot of work,
:15:54. > :15:58.obviously! They built the actual town. The drama is based on reality.
:15:59. > :16:05.Everything had to be done perfectly. When you walk there indoor garb, you
:16:06. > :16:10.are in it, really, you are totally there already. You have come a long
:16:11. > :16:15.way from Burnage in Manchester, where you are from. And you live in
:16:16. > :16:22.LA now. How is life over there" there is only! That's one thing that
:16:23. > :16:26.is different. I like the weather in Los Angeles. I've got a little
:16:27. > :16:30.daughter who was born there. She's been in Manchester for the last
:16:31. > :16:34.three weeks, she's like a little Mancz baby! She loves it, she loves
:16:35. > :16:39.travelling, she likes the hotels. But she's not so good when I'm away
:16:40. > :16:44.for long periods of time so buy cheap misses you? She misses me,
:16:45. > :16:48.that is the pound of flesh, when you are enacted you miss your family
:16:49. > :16:55.quite a bit. I love a lake, and I love California more so. You one not
:16:56. > :17:00.so keen, Katherine? I like a lake, I have been out there quite a lot
:17:01. > :17:04.because I having Netflix by show. However, I like British weather!
:17:05. > :17:08.Look at it out there, it's better for your skin. And you watch where
:17:09. > :17:13.you raise that baby, because you don't want her to be, like oh, my
:17:14. > :17:18.gosh, that, I really need some money! My daughter has a lovely
:17:19. > :17:30.British accent. I do agree with you. My the full Sir Bryn, she's like,
:17:31. > :17:33.dad, can you get me a water -- my little Sabrina. But California as a
:17:34. > :17:35.whole, Los Angeles is the presenter of volatility, because everybody
:17:36. > :17:38.there is trying to do the same thing, which is act. There are over
:17:39. > :17:44.half a million people in that facility. It can be quite horrendous
:17:45. > :17:48.in many ways. You went to America to act? It was New York specifically. I
:17:49. > :17:56.went to New York from LA, because I'd heard that he was coaching...
:17:57. > :18:04.Didn't you like that as well? That was a black as well. Robert De Niro
:18:05. > :18:08.had used -- that was a polite. I knew she was really great and I
:18:09. > :18:14.phoned and said, I am in the New York doing this play with Chekhov, a
:18:15. > :18:19.complete blank, I was lying. I sat at home and she said, come out on
:18:20. > :18:25.Thursday and we will do a fourth birdie session. At the time I was
:18:26. > :18:29.working as a musician, I was playing with George Michael live, and George
:18:30. > :18:34.Benson in the studio. So my music career was great. And I couldn't
:18:35. > :18:38.have... It was a real gamble, you know. But I went for it because of
:18:39. > :18:42.raging Bull, watching that work that Robert De Niro did and I went, I
:18:43. > :18:49.just love the formats, the escapism, you know. Luckily you what a blogger
:18:50. > :18:51.with talent! It worked out well for you, Max Beesley. James Down is on
:18:52. > :18:55.this Friday, 9pm on sky one. I don't know what you tWo
:18:56. > :18:58.are like with heights but, strangely enough, all our regular
:18:59. > :19:00.One Show reporters were unavailable when we offered them the chance
:19:01. > :19:03.to try out the UK's highest outdoor Happily, the ultra-competitive
:19:04. > :19:12.couple John Slattery and Kiera Wheelan
:19:13. > :19:21.came to our rescue. I think we are pretty intrepid,
:19:22. > :19:26.inventory is people. I think that is why we have got the call, we have
:19:27. > :19:29.gone all over the world and done amazing things. They are probably
:19:30. > :19:34.going to ease us into something really simple... This is the UK
:19:35. > :19:39.newest outdoor climbing wall, it is 36 metres high, which is over 3.5
:19:40. > :19:43.times the height of the highest Olympic diving board. And this is
:19:44. > :19:46.Luke Murphy, one of Britain's brightest climbing hopes for the
:19:47. > :19:53.2020 Tokyo games, where climbing makes its Olympic debut. Do you
:19:54. > :19:59.believe he has never timed himself before? Of course he has, he is a
:20:00. > :20:06.bloke, it's what we do! 1.39, the fastest you've ever done! I am the
:20:07. > :20:14.route setup. I go with the drool and put the holes onto the wall. As in
:20:15. > :20:18.the thing he's? You are hoping it is going to take you to the Olympics?
:20:19. > :20:23.Hopefully, you. This is the first time it has been in, it is in all
:20:24. > :20:27.three disciplines. Speed climbing is as it sounds, it is the fastest of
:20:28. > :20:31.the top. Leave climbing is you go up a specific route with the rope and
:20:32. > :20:37.you clip in as you go. Bouldering, it is not a pure form of climbing,
:20:38. > :20:41.it is very gymnastic, a lot of movement. What are the physical
:20:42. > :20:45.effects as you were doing that? You feel it in your forearms and your
:20:46. > :20:49.shoulders, more than your legs, you are struggling to close your hands
:20:50. > :20:55.because you are so fatigued. Who do you think between me and women
:20:56. > :21:00.should go first? Ladies first! Why did you have to be so polite?! It
:21:01. > :21:04.was time for us to make complete idiots of ourselves. Nothing new
:21:05. > :21:10.there then! I'm really, really nervous. We will see how it goes.
:21:11. > :21:20.Keep it up! That's helping, cheers! Go! You built this, Luke, yet? You
:21:21. > :21:24.are. You could have made it easier! How are you feeling? My body is
:21:25. > :21:29.giving up on me. You can see my legs shaking. My hands have just stopped
:21:30. > :21:38.working. I'm terrified! Oh, my hands are gone! Just smash on. I didn't
:21:39. > :21:44.think she would get that far, but she's actually still going. She's
:21:45. > :21:47.only three quarters awake. You just took your first climbing fall, so
:21:48. > :21:52.close. You're nearly there, keep going!
:21:53. > :22:03.I actually did it! 14 minutes 52 seconds. How do you feel? You know
:22:04. > :22:08.something... It was probably one of the worst experiences of my entire
:22:09. > :22:18.life! That was impressive stuff. But I think if I could overcome my
:22:19. > :22:21.nerves I can beat that. Go! He is as graceful as an elephant, basically.
:22:22. > :22:27.How are you feeling? I'm starting to panic a bit now. Oh, that's a long
:22:28. > :22:31.way up, isn't it? You're not even halfway yet. Thanks! I'm beginning
:22:32. > :22:42.to feel it in my arms now. You're nearly there. I won't like he's
:22:43. > :22:53.really well. 3.5 minutes. Oh, bloody hell. Let go and hold on a second.
:22:54. > :22:58.Oh, my arms. It was the most surreal experience, I hated it and I loved
:22:59. > :23:02.it. I didn't think I would do it. I did beat you, I won and I beat you
:23:03. > :23:07.well. What was the time again... What do you think they will make us
:23:08. > :23:11.do next? Hopefully make a film with woodpeckers or something. What would
:23:12. > :23:17.you do with woodpeckers? Woodpeckers the night before last, we did it
:23:18. > :23:20.with Woody! That was massive, that was.
:23:21. > :23:22.Thanks to Kiera and John, who normally work on TV
:23:23. > :23:36.Let's go back to your climbing. How did a massive crime, and when I say
:23:37. > :23:44.massive, have a look at this! Did you sleep on that wall? I slept on
:23:45. > :23:48.it for two nights. It took three whole days in total. I finally got
:23:49. > :23:54.to the top, I'd never been so pleased to feel the ground beneath
:23:55. > :23:58.my feet! I remember we're doing live linkups to you. Why didn't you tell
:23:59. > :24:06.me not to do that? What do you mean?! You slept on the side of it!
:24:07. > :24:10.In like a hammer. That's crazy! You why do is to putting
:24:11. > :24:17.couples under strain, Katherine, because of your new show. It's very
:24:18. > :24:22.entertaining, Your Face Or Mine. Explain that? It has been on before,
:24:23. > :24:27.but this is a brand-new version with you and Jimmy Carr, explain how it
:24:28. > :24:30.works? I love Jimmy Carr. He is known for his sometimes cutting
:24:31. > :24:34.sense of humour, and I'm the same way. This is couples who come on,
:24:35. > :24:38.they choose to come on, they have to rate their partner's looks for cash,
:24:39. > :24:44.or the lie to save their relationship. And it's really fun,
:24:45. > :24:48.because these people think they are tens to begin with, they are
:24:49. > :24:51.charming and we get to know them. But then we play some rounds where
:24:52. > :24:55.we say, is your boyfriend better looking than this man or that man,
:24:56. > :24:59.you can say, of course he is, but they won't win any money. And you
:25:00. > :25:04.know, they really do want to win the money! In this case, is your husband
:25:05. > :25:14.better looking than his brother?! Let's have a look. ?400, Charlotte,
:25:15. > :25:24.who is better looking? Barry or Freddie, who is better looking?
:25:25. > :25:28.Abhors is her fault! -- the pause. What do you mean the sharp intake of
:25:29. > :25:29.breath? You have got eyes in your head!
:25:30. > :25:48.APPLAUSE Shall we have a look. Let's find out
:25:49. > :25:53.who is better looking. I will! So they got the money! This is when we
:25:54. > :25:57.reveal who was the husband. The husband was not the best looking
:25:58. > :26:01.while our audience vote. We know we might be breaking up relationships,
:26:02. > :26:05.but we hadn't considered breaking up a marriage! They've got children and
:26:06. > :26:10.everything, it was quite exciting, that couple. They are really good
:26:11. > :26:14.sports. I'm sure Jimmy doesn't tell, because he is quite cutting. Do you
:26:15. > :26:19.sometimes find yourself squirming, you're the one who tries to patch
:26:20. > :26:26.things up and make it all right? I'm forever saying, oh, what about this,
:26:27. > :26:30.what about his ankles, you know! I try to find... And it's very
:26:31. > :26:34.shallow, but I feel that is whether we like it or not the world we live
:26:35. > :26:38.in, and that's wrong, we're not saying it is right. But in the
:26:39. > :26:41.constraints of this amazing show, it's a safe space, everyone has
:26:42. > :26:47.consented, and they walk away with thousands of pounds. Which makes it
:26:48. > :26:56.absolutely fine! As long as there's money! Millions love roasting, it is
:26:57. > :26:59.language of love to us. You are really great if you show yourself to
:27:00. > :27:02.have a sense of humour and can have a laugh at yourself, you will really
:27:03. > :27:05.love these couples. And they signed up to it, as we say. Max, how did
:27:06. > :27:11.you meet your wife? On a blind date with one of her friends! Was she the
:27:12. > :27:16.emergency call?! There she is, Jennifer. She's lovely. Her friend
:27:17. > :27:19.came and she said, I'm going to be at the bar with ten of my
:27:20. > :27:25.girlfriends because I'm going away somewhere. I went, great, bring
:27:26. > :27:28.everybody! I scoured the room obviously, and then I saw Jennifer
:27:29. > :27:34.walk up the stairs and thought she was beautiful. And I told her I was
:27:35. > :27:39.a geography teacher... No, I looked like a geography teacher but I told
:27:40. > :27:43.her I was a writer. We were in the Skybox. Did you tell her the truth?
:27:44. > :27:48.I couldn't at that time, I was trying to pull her! It did work, now
:27:49. > :27:53.we have a little bambino! We met, she's Minnesota originally. So it
:27:54. > :27:57.was a breath of fresh air from what I'd been used to for a few months
:27:58. > :28:03.earlier in Los Angeles. And, yeah, that's a long time ago now. A long,
:28:04. > :28:06.long time ago. Who do you think is better looking, you all your
:28:07. > :28:10.partner? I think we both look like brother and sister actually, which
:28:11. > :28:13.is quite strange. They say that the longer you are together, the log is
:28:14. > :28:18.about more you end up like brother and sister. Look, I look like a
:28:19. > :28:22.freak, but she is very pretty! Katherine, we have to ask you, you
:28:23. > :28:27.caused a massive Twitter storm. It is all part of this fake news, your
:28:28. > :28:35.brand-new Channel 4 series. Tell us about that? Channel 4 did a one-off
:28:36. > :28:37.called fake news, in response and reaction to the alternative fact
:28:38. > :28:41.happening in the political sphere. It was a success, so we are going to
:28:42. > :28:44.do a whole series. We were tasked with making our own fake news, and
:28:45. > :28:51.whoever got the biggest reaction won. I'm very competitive, so I
:28:52. > :28:59.lied. I lied! And I said that I had a bomb in enhancement. Because I do
:29:00. > :29:11.want one! -- I said that I had a bum enhancement. It is madness! The
:29:12. > :29:19.journalists that believed it... Your bottom... When is your show on? Fake
:29:20. > :29:24.news starts really soon, you can watch it in the spring and summer.
:29:25. > :29:29.And Your Face Or Mine starts on Comedy Central UK from the 17th.
:29:30. > :29:31.As we now know, Max's new drama is about natives
:29:32. > :29:36.Mike's been to the Cairngorms to find out whether Britain is ready
:29:37. > :29:42.for an elusive creature that some want see returned to our shores.
:29:43. > :29:51.Hundreds of years ago a supreme predator stalked the UK, the lynx. A
:29:52. > :29:57.cat the size of a lab are dosh that hunts by stealth. Deforestation, a
:29:58. > :30:00.decline from prey species and human persecution are all thought to have
:30:01. > :30:04.distributed towards the lynx extension in Britain by the late
:30:05. > :30:12.Middle Ages. Now, could the cat be on the verge of a comeback? The
:30:13. > :30:16.potential reintroduction of lynx is being publicly raised in what could
:30:17. > :30:20.be the most ambition rewilding projects ever attempted in the UK.
:30:21. > :30:24.The highlands of Scotland have been put forward as one of the most
:30:25. > :30:33.appropriate places for a reintroduction, but what might it
:30:34. > :30:37.mean in practice. Peter Cairns supports rewilding? There is a more
:30:38. > :30:41.al obligation, in my book. We got rid of the animals. We sit-in
:30:42. > :30:48.judgment over other countries. We ask India to look after their tigers
:30:49. > :30:55.about,, but we are wanting to have large predators here in our own
:30:56. > :30:58.backyard. I think rewilding, as it's often referred to, is about looking
:30:59. > :31:04.forward and setting the clock back in motion. How would lynx
:31:05. > :31:15.reintroduction affect the wildlife in these beautiful pine forests?
:31:16. > :31:22.Lynx prey on roe deer, seeker deer. It reduces the grazing pressure that
:31:23. > :31:25.they bring to the forest. The forest can breathe and regenerate. Will you
:31:26. > :31:30.see lynx back in this for nest your lifetime? It's a tricky question. I
:31:31. > :31:37.would like to think, given time, the public would come to love the animal
:31:38. > :31:41.once they know about it and see the benefits far outweigh the
:31:42. > :31:46.disadvantages. A viable population of around 400 lynx could survive in
:31:47. > :31:52.Scottish Highlands with smaller numbers possible in southern
:31:53. > :31:57.Scotland and in England. Not everyone is convinced. With
:31:58. > :32:04.livestock farmers remain sceptical. I think we should look after the
:32:05. > :32:07.species we have here. Red squirrel, wildcat.
:32:08. > :32:12.We spent a lot of money on the species to maintain them. This is an
:32:13. > :32:16.animal that is shy and essentially aa woodland animal. Your farm, you
:32:17. > :32:20.are grazing open land. If you look around, we have a lot of woodland
:32:21. > :32:27.around our fields. There is nothing going to stop it nipping out of the
:32:28. > :32:29.wood to take sheep. Were the lynx to be reintroduced is there mitigation
:32:30. > :32:34.you can think that might help farmers? Compensation is a complex
:32:35. > :32:38.issue. Although they see it as a simple issue. You know, one dead
:32:39. > :32:44.sheep you compensate for a sheep. That's not the way it goes. I've
:32:45. > :32:48.sheep in this field, 40 sheep, 120 lambs inside the sheep in this
:32:49. > :32:51.field. It might kill a sheep, and that will be three lambs inside it.
:32:52. > :32:56.The rest of them have had a chase around. It might alsos lose their
:32:57. > :33:01.lambs. You don't know that for maybe weeks afterwards. One positive
:33:02. > :33:06.benefit would be a huge potential increase in tourism? Yeah. We
:33:07. > :33:13.ourselves have self-catering properties we benefit from tourism.
:33:14. > :33:17.The lynx is an elusive species and nocturnal how many tourists will see
:33:18. > :33:22.it. It's a complex picture? Yes, absolutely. I heard arguments for
:33:23. > :33:26.and against reintroducing lynx to the UK, but to get an understanding
:33:27. > :33:29.of what it might be like to bring the animals back to our landscapes I
:33:30. > :33:35.need to go somewhere where they have already done it. Next, I'm heading
:33:36. > :33:43.off to the mountains of northern Germany.
:33:44. > :33:51.Part two coming up shortly. Amazing creatures. Not a fan, Katherine? No.
:33:52. > :33:54.Of the great outdoors? We have lots of wild animals in Canada. My sister
:33:55. > :34:00.made the executive decision to move up a mountain. I went to visit her
:34:01. > :34:04.she had a new baby three weeks ago, I was attacked by wolves. Actually
:34:05. > :34:09.attacked by wolves, sounds very dramatic? I was attacked by two
:34:10. > :34:14.wolves. My sister and I wanted to take a selfie on this rock. We
:34:15. > :34:18.exited the van. In the distance we saw these wolves looking at us,
:34:19. > :34:22.coming towards us. We got back in the van. That is scary? It would
:34:23. > :34:28.have been better had they photobombed you? It wasn't much of
:34:29. > :34:34.an attack they didn't get there. If they had! It's a great story. Matt
:34:35. > :34:40.loves the big outdoors he likes music nearly as much. He is over
:34:41. > :34:49.there at the piano. You will give us a Tinkle on? Yeah. We can go... Ah!
:34:50. > :34:58.APPLAUSE Yes.
:34:59. > :35:07.Oh! CHEERING AND APPLAUSE
:35:08. > :35:10.I mean, this obviously comes from a lot of practice and really, Max,
:35:11. > :35:14.your whole life, as you were saying before, was all about music. Where
:35:15. > :35:18.did it all start for you and what kind of musical household did you
:35:19. > :35:24.grow up in? My mother was a jazz singer. My father a drummer, a jazz
:35:25. > :35:33.drummer. He gave me a pair of sticks when I was three. My mum made me
:35:34. > :35:40.play the piano. When I was like five. Then I went to an amazing
:35:41. > :35:51.music school in Manchester. I got some scholarships when I was 18 to
:35:52. > :35:55.four different... Guildhall and the Royal Academy I went off with Paul
:35:56. > :36:01.Weller. It was amazing. That was my first gig. Your plan was to have a
:36:02. > :36:06.life in music? Is Session musician, then writer, producer and film
:36:07. > :36:09.scores. I mean, as you mentioned names there, you played brilliantly
:36:10. > :36:14.and beautifully. We will have a look. Here you are with Robbie
:36:15. > :36:26.Williams at Knebworth. Lovely. Mr Max Beesley.
:36:27. > :36:35.# Will be strong # I Noel' carry on
:36:36. > :36:41.# If there's somebody # Calling me on
:36:42. > :36:43.# She's the one... # APPLAUSE
:36:44. > :36:48.To have a love of music and play in front of that many people and have
:36:49. > :36:52.reaction to see people crying from that performance. What was that
:36:53. > :36:56.like? Amazing. I said to Rob, it's lovely of you putting a banner up
:36:57. > :37:00.with you and me life live. What a lovely gesture. That was the art
:37:01. > :37:08.director kid, I had no idea. It was lovely. We had 135,000, 140,000 a
:37:09. > :37:12.night we did three nights and toured for six months. There is no buzz
:37:13. > :37:21.like it, whether it's piano or drums or whatever it is, live stadium gigs
:37:22. > :37:25.are phenomenal. How did it compare to perm forming alongside James
:37:26. > :37:30.Brown? Mr Brown was another - Rob is a great performer and amazing
:37:31. > :37:34.performer. This was terrifying. I was roasting. We were talking about
:37:35. > :37:38.roasting earlier. There he is. So technical what you are playing
:37:39. > :37:46.there? He is roasting me. Making me blow! He really is. Look at this. He
:37:47. > :37:51.kept going, "hit it again, hit it again." Music never leaves leaves
:37:52. > :37:57.you. Is your plan to perform more, what is the idea? Recently, yeah,
:37:58. > :38:06.I've decided I was going to do an album of movie theme tunes. I wrote
:38:07. > :38:10.a lot of it. I went these top lines, the big string lines, horn lines,
:38:11. > :38:16.they are great top line melody lines. I turn a lot of them into
:38:17. > :38:27.songs. Decided to get the black book out. I spoke to Paul Weller, Chaka
:38:28. > :38:31.Khan. There are loads. Dua, I've been trying to get hold of her for
:38:32. > :38:36.four weeks. She is here tonight I spoke to her. She will listen to the
:38:37. > :38:40.tunes. Which is great, we have, Rob is doing a song on it. I have
:38:41. > :38:44.amazing artists going on it. I will be really proud of it. We wish you
:38:45. > :38:50.luck with that. Ten seconds, what do you want to play us out with?
:38:51. > :38:53.Anything you want. A bit of drums. We have a Canadian in the audience.
:38:54. > :39:01.We can all march. APPLAUSE
:39:02. > :39:10.Impressive man, isn't he? Now it's time to join Tommy
:39:11. > :39:20.and Richard 'Rocket Man' Browning. How exciting is this? We are here
:39:21. > :39:25.with the Rocket Man, tell us, before we go any further. Why? Why have you
:39:26. > :39:31.created a suit like this? To be honest, this started out as a joy
:39:32. > :39:35.filled exploration into what was considered not po possible. We got
:39:36. > :39:39.to something we never thought we would be able to do. The whole world
:39:40. > :39:43.is now interested. You are making headlines around the planet. How
:39:44. > :39:49.does that feel? It's nice to see other people take some of that same
:39:50. > :39:56.enthusiasm we had that fuelled this journey. What about the headlines at
:39:57. > :39:59.home. You are a dad as well? My eight and ten-year-old boys, Oliver
:40:00. > :40:06.and Thomas, they love. It they sat through a lot of testing watching me
:40:07. > :40:13.not as good as I have hype hope to do this season. Their dad is the
:40:14. > :40:19.Flying Man? They are chuffed. They came up with an idea about an
:40:20. > :40:24.electric powered version. A cool Christmas present. You get your kit
:40:25. > :40:29.on here. You can power up. What is involved in what you are wearing
:40:30. > :40:32.right now? So, there are six jet engines. A fuel system on my being
:40:33. > :40:38.back. Electronic control system on my front. This rather snazzy helmet,
:40:39. > :40:42.heads up display tells me everything that is going on. Tells me if it's
:40:43. > :40:47.not working, for instance. Let's hope it doesn't tell me that. That
:40:48. > :40:53.won't happen at all. This can go to quite a high altitude. Tell me how
:40:54. > :40:56.high? Several thousand feet and several hundred miles an hour. We
:40:57. > :41:03.keep it safe. We fly a few feet in the air. Safety
:41:04. > :41:10.is a priority. We will zip around nicely here. Do you want to get it
:41:11. > :41:14.going? It will take a few minutes to fill up. This is function al on the
:41:15. > :41:20.front. It's telling me and my ground crew as to whether it's running
:41:21. > :41:25.right. This is a fallible prototype system. No pressure than doing it
:41:26. > :41:30.live. Live TV. Whilst Richard gets powered up. It's important to point
:41:31. > :41:35.out it will get loud, quite quickly. I will step away. It's starting to
:41:36. > :41:40.pick up. See you in a We are about minute. To witness the Flying Man.
:41:41. > :42:02.Take it away, Richard Browning. -- see you in a minute. We are about
:42:03. > :42:07.to witness the Flying man. Take it away, Richard Browning.
:42:08. > :42:16.It's about to get so incredibly loud. We won't be able to hear
:42:17. > :42:24.ourselves. This is it. This is the moment. Richard Browning flies,
:42:25. > :43:15.LIVE, on the One Show. APPLAUSE
:43:16. > :43:23.It happened, eventually! It happened. All things come to those
:43:24. > :43:31.who wait. There you are. He has had one of the best Indian dinners of
:43:32. > :43:36.his life. He went up, wonderful. People spend millions to watch that
:43:37. > :43:41.on TV. We were glued. Waiting for things to come to an end.
:43:42. > :43:44.The old style ?5 banknote goes out of circulation on Friday.
:43:45. > :43:48.Gyles has been to the Bank of England to meet the woman whose
:43:49. > :43:51.signature appears on every single new ?5 note in the country -
:43:52. > :44:08.Dear Bank of England... I wrote my birthday card. I didn't know there
:44:09. > :44:14.was a whole ?10 note inside. Please could you send me a new one. I will
:44:15. > :44:21.take extra special care of it. Thank you very much. Since 1694, the Bank
:44:22. > :44:26.of England has been producing banknotes made of paper. But the
:44:27. > :44:29.problem with paper note is that they can easily be damaged or destroyed.
:44:30. > :44:38.Whether they are paper or plastic, every note carries the promise to
:44:39. > :44:43.pay the bearer. That means if someone or something has mangled
:44:44. > :44:49.your money, you can return it to the Bank of England. More specifically,
:44:50. > :44:52.the mutilated notes centre, where it ?11 million worth of damage
:44:53. > :44:57.banknotes are sent every year. The One Show has been granted special
:44:58. > :45:01.permission to film inside this highly secure facility. Security is
:45:02. > :45:06.so tight, for their own protection, we are not allowed to show the faces
:45:07. > :45:11.of the people who work here. One employee, whose identity we can
:45:12. > :45:14.reveal, who is in charge of overseeing the 23,000 cases handled
:45:15. > :45:21.here each year, and whose signature is on every note printed by the Bank
:45:22. > :45:25.of England. Chief cashier. Your name, your signature, is on every
:45:26. > :45:33.note. What does that mean? It means that I'm signing that I promise to
:45:34. > :45:36.pay on behalf of the Bank of England, and the Bank of England
:45:37. > :45:41.will always step behind and pay back that ?5. If you have a mangled note,
:45:42. > :45:44.what do you do with that? We ask people to explain what happened to
:45:45. > :45:48.the note and return as much of the note as you have got. We want at
:45:49. > :45:52.least 50% of the note and a serial number. This means people cannot
:45:53. > :45:56.reclaim twice on the same note. What is the biggest claim you have ever
:45:57. > :46:06.had Brazil are the biggest claim was for ?35,000 from a fire in an 80.
:46:07. > :46:10.The majority of the claims, they are from individuals, quite often just
:46:11. > :46:15.for a single note. Incredibly, these are just some of the actual cases
:46:16. > :46:20.they have dealt with. To whom it may concern... My new puppy was really
:46:21. > :46:26.naughty and stole my wallet. He chewed the entire contents. Please
:46:27. > :46:30.can you replace my torn up 20? Dear Bank of England, I accidentally left
:46:31. > :46:32.a ?5 note in the pocket of my jeans when I put them in the washing
:46:33. > :46:42.machine, and now it's completely ruined. Please can I have a new one?
:46:43. > :46:45.I was keeping ?300 safe in the microwave, but by hapless brother
:46:46. > :46:50.switched it on without checking. Now it has turned to cinders. But not
:46:51. > :46:55.all money is mangled by accident. Sometimes it is done on purpose.
:46:56. > :47:00.Andrew Woods is the to rate of the study of money at the Yorkshire
:47:01. > :47:03.Museum. On the table in front of you have 2000 years worth of damage
:47:04. > :47:07.currency. These are the oldest coins, these are from the very end
:47:08. > :47:11.of the Roman empower. At the very end of that empire, the people of
:47:12. > :47:15.Britain took those quaint and started dropping the edges of them.
:47:16. > :47:19.If you take enough off enough different coins you have enough tiny
:47:20. > :47:23.pieces to turn into another groin, which is where we come to this coin
:47:24. > :47:28.on the right, which is a contemporary copy, a forgery made at
:47:29. > :47:33.the time. This has been damaging the currency for hundreds of years? We
:47:34. > :47:37.have this ?10 note, which is really quite a normal thing, with the
:47:38. > :47:44.exception that it has stopped the big EU rip-off written on it, vote
:47:45. > :47:47.Ukip! Goodness, a political message. For either the general election or
:47:48. > :47:50.the European election in the last year or two. This is just an
:47:51. > :47:54.individual who has written this on the note? Yes, this has been
:47:55. > :47:57.happening for a very long time, going all the way back to the
:47:58. > :48:01.suffragettes in the early part of the 20th century, they defaced money
:48:02. > :48:06.with political slogans, right the way through to the IRA in the 1970s
:48:07. > :48:12.he was stamping through the Queen's head with the letters IRA. These
:48:13. > :48:16.paper ?5 notes have been replaced by the more durable polymer ones. More
:48:17. > :48:20.durable or not, if you don't want your money to end up here at the
:48:21. > :48:22.mutilated notes centre, handle it with care, and keep it away from the
:48:23. > :48:34.pets and the microwave. However tempting it sounds, don't
:48:35. > :48:36.put a ?5 note in the microwave! Disastrous consequences!
:48:37. > :48:38.Gyles is here with some breaking currency news.
:48:39. > :48:47.The new ?1 coin, some of them have been emerging damaged. People are
:48:48. > :48:54.worrying about that, thinking they might be more worthwhile to have.
:48:55. > :48:58.The Royal Mint issued some 5 billion Queen's Cup idea. They are 1.5
:48:59. > :49:02.billion phones worth of these ?1 coins. Invariably, a handful get
:49:03. > :49:08.damaged in the striking process, and they are not worth anything very
:49:09. > :49:11.special. But what is special is the highest in nomination of note issued
:49:12. > :49:15.by the Bank of England. This is one of the secrets uncovered when I went
:49:16. > :49:22.to visit the bank. What do you think it might be? Let me surprise you.
:49:23. > :49:28.It's not ?50. It is ?100 million. It is called a Titan. There is a ?100
:49:29. > :49:33.million note. There is a giant as well. That is just ?1 million. They
:49:34. > :49:38.never leave the Bank of England. But if you manage to get hold of one, it
:49:39. > :49:42.would be worth that much. It says, I promise to pay the bearer, and it is
:49:43. > :49:47.signed by the chief cashier. That is what it is worth and it would not
:49:48. > :49:51.that. I don't think my off-licence would! You into gold? There is a lot
:49:52. > :49:57.of gold in the Bank of England. I have seen a few of their 400,000
:49:58. > :50:02.bars of gold worth over ?100 billion. Nine volts looked just like
:50:03. > :50:05.that one. Has anybody ever tried to steal any gold from the Bank of
:50:06. > :50:09.England? Quite a few people have tried over the years. In the 320
:50:10. > :50:14.years of the Bank of England, nobody has succeeded in stealing gold from
:50:15. > :50:18.there. But back in 1836, the directors of the bank began to get
:50:19. > :50:21.anonymous letters saying, I know how to steal your gold. Eventually the
:50:22. > :50:33.directors were persuaded to come to a meeting with this person in the
:50:34. > :50:36.ball. They got there, they saw nobody, then there was a funny
:50:37. > :50:38.tapping noise on the floor. They look down, the floorboards burst
:50:39. > :50:41.open, and out popped the Superman. The man who claimed the sewers at
:50:42. > :50:44.the Bank of England had discovered there was a disused pipe, he worked
:50:45. > :50:46.his way through it. He said, I'm not going to steal anything from you, I
:50:47. > :50:51.want to prove it is possible to steal this gold. They were so
:50:52. > :50:57.thrilled, they gave him a reward for his honesty of ?800. Which would be
:50:58. > :51:04.worth today about ?80,000. So, there is a reward in being honest sewer
:51:05. > :51:08.man. That is the message! Thank you, Gyles, as always, on the money!
:51:09. > :51:10.Earlier, we saw Mike examining the pros and cons for reintroducing
:51:11. > :51:14.Well now he's travelled to Germany, where the animal has
:51:15. > :51:21.already been reintroduced, to see what lessons we can learn.
:51:22. > :51:26.Since the 1970s, links have been reintroduced in several European
:51:27. > :51:32.countries, including Switzerland, France, Poland and here in northern
:51:33. > :51:37.Germany. I am in the hots National Park to look at the impacts of lynx
:51:38. > :51:43.reintroduction and to see what can happen if we were to follow the same
:51:44. > :51:46.initiative back in the UK. Wild lynx or incredibly shy, so realistically
:51:47. > :51:50.the only way I am going to see what is in the closure of the hearts
:51:51. > :51:57.links project. I am under the guidance of project leader. I have
:51:58. > :52:01.to say, it's quite unnerving. Because I know there is a big animal
:52:02. > :52:07.in here that's almost certainly looking at me at the moment. Here it
:52:08. > :52:15.is coming here it is. While! Look at that.
:52:16. > :52:23.Sharpening its claws, the killing weapons. I can't leave how big it
:52:24. > :52:28.is! I'm in awe of that animal. -- I can't believe. It's beautiful,
:52:29. > :52:33.powerful, and it is totally at one with this incredible environment.
:52:34. > :52:36.Since the project began in 2000, 24 lynx have been released back into
:52:37. > :52:40.the world. All that is taking me higher into the mountains, where
:52:41. > :52:45.they roam free. How is the project going since you started? Well, it's
:52:46. > :52:53.doing quite well at the moment. The number of lynx is increasing. But
:52:54. > :52:57.the range of the lynx is also increasing. Lynx has left the hearts
:52:58. > :53:01.mountain already and it is reproducing in other areas. Slowly
:53:02. > :53:07.spreading across northern Germany. -- northern Germany. There are now
:53:08. > :53:11.up to 40 adult links and juveniles in the area. They are clearly
:53:12. > :53:22.finding plenty of Praet in the forest. -- plenty of prey. We have a
:53:23. > :53:27.lynx kill. Wow, look at that! That is a red deer calf. This one has
:53:28. > :53:36.been killed by a lynx. What is their main prey here? The main food is
:53:37. > :53:40.dear, but we have some specialists. This is a big animal to take down.
:53:41. > :53:47.It is much heavier than the lynx. They appear to be thriving here. I'm
:53:48. > :53:52.eager to seek out opinions are those whose livelihoods could be impacted.
:53:53. > :53:56.This man keeps fallow deer close to the hearts mountains and has lost
:53:57. > :54:02.some to lynx. It was hard for me to see all of the dead animals around,
:54:03. > :54:10.but we got in contact with the Hearts project, and we got our money
:54:11. > :54:13.back and got help to build a fence. Obviously you can't put an electric
:54:14. > :54:17.fence around every population of livestock. What other ways can you
:54:18. > :54:22.protect them? If the lynx gets in conflict with people all with deer
:54:23. > :54:29.or sheep, I think we have to control them. It is great to see the lynx
:54:30. > :54:34.backs, but we have to look that we can live with them together,
:54:35. > :54:38.side-by-side. Gaining public support will be the key to any
:54:39. > :54:42.reintroduction back into the UK. In the Hearts Mountains, the image of
:54:43. > :54:47.the lynx is everywhere, it has become a mascot for the area. The
:54:48. > :54:52.lynx's enclosure is a focal point that draws in the tourists. Feeding
:54:53. > :54:56.time is a highlight at the enclosure, and Ola has devised a
:54:57. > :55:05.lynx challenge to help us capture the athletic prowess.
:55:06. > :55:11.Lynx are ambush hunters, attacking their prey from behind cover rather
:55:12. > :55:15.than chasing it down. They are capable of jumping over two metres
:55:16. > :55:19.in the error. But what are the tourists make of this impressive
:55:20. > :55:26.predator living here -- in the air. It is a good idea. It is amazing
:55:27. > :55:30.that we have a big predator back in Germany, I think it is amazing for
:55:31. > :55:34.the Hearts. It shows our good nature here. This project has worked hard
:55:35. > :55:39.to keep people on site. We would have to do the same if we are to
:55:40. > :55:40.have any chance of seeing Britain's lost big cat returned to our own
:55:41. > :55:52.wild places. Well, so far there has been no
:55:53. > :55:56.proposal or even licence application submitted to reintroduce the lynx.
:55:57. > :55:59.We will see what happens. Watch this space!
:56:00. > :56:03.Thanks to our guests, Max and Katherine.
:56:04. > :56:05.Max's new drama, Jamestown, starts on Friday 9.00pm on Sky 1
:56:06. > :56:08.and you can see Katherine in Your Face or Mine from 17th May
:56:09. > :56:15.We can just say very quickly that there is an exclusive. James Down
:56:16. > :56:19.has been recommissioned for season two! -- James Down.
:56:20. > :56:24.Now, to play us out with her latest singe, it's the fantastic Dua Lipa
:56:25. > :56:43.# Floating, weightless, I'm willing
:56:44. > :56:48.# My will keeps bending and breaking, honey
:56:49. > :56:57.# Let me ride in your love all night, babe
:56:58. > :57:04.# I want to die in your love all night, babe
:57:05. > :57:20.# I wanna stay right here all night, baby
:57:21. > :57:25.# Oh, now everything's vivid, vivid
:57:26. > :57:38.# You want it all, nothing's wasted, woman
:57:39. > :57:51.# I want to stay right here all night, baby
:57:52. > :58:28.# I want to stay right here all night, baby
:58:29. > :58:34.# Let's get lost in the light, baby, all night
:58:35. > :58:40.# I want to stay right here all night, baby
:58:41. > :58:52.# Let's get lost in the light, baby #.