:00:08. > :00:13.Imagine a day that celebrates the very best in music. Imaginate set
:00:14. > :00:19.among the most use of full plans from around the planet. Sounds like
:00:20. > :00:37.Eden? It is. Welcome to the one Show with Patrick
:00:38. > :00:50.Kielty... That is awkward, has anybody seen him?
:00:51. > :01:04.Come on! It is OK. We are here. And Brive. You love a subtle entrance.
:01:05. > :01:15.Lovely to be here. We are alive. How nice is this? We have over 2 million
:01:16. > :01:25.plants and 5000 varieties. We've cultivated our own audience! Let us
:01:26. > :01:32.tell you exactly where we are. Let's look at the outside. We are in the
:01:33. > :01:37.Mediterranean Biome, it is like Spain here. It is so hot. It must be
:01:38. > :01:43.the warmest outside broadcast we've ever done. We've almost got a
:01:44. > :01:50.time-share. If it gets chilly we could head over there to the
:01:51. > :01:58.Rainforest Biome. It is 35 degrees. You would get a bit sweaty in their
:01:59. > :02:02.but it is well worth a visit. Via I am looking at the biggest flowering
:02:03. > :02:10.plant ever in the world. It smells of a dead corpse. Then on the
:02:11. > :02:18.viewing platform above the rainforest, which is absolutely
:02:19. > :02:25.incredible. Lots of steps. Wherever rest. It is an unbelievable venue
:02:26. > :02:28.but it is all about the music today. Today is BBC music they and we have
:02:29. > :02:39.three magnificent guests tonight. # It's time to take
:02:40. > :03:09.the pressure off... Please welcome Simon and John from
:03:10. > :03:28.Duran Duran and the fantastic Nile Rodgers. Happy music today. -- happy
:03:29. > :03:36.music day. You are dressing like the ambassador tonight, John, you've got
:03:37. > :03:39.the Ferrero Roche. Isn't it brilliant that the centrepiece to
:03:40. > :03:45.the whole day is happening in this fantastic location? It is amazing.
:03:46. > :03:52.We played here a couple of years ago and it is one of my favourite places
:03:53. > :03:56.to play. This is my first time here. I was saving up a time when I could
:03:57. > :04:08.play a show here and that is what we are doing. It is very special. That
:04:09. > :04:18.is almost a link. It is very Chelsea Flower Show meets Glastonbury. It
:04:19. > :04:28.will not be for much longer. As you can hear in the background, the
:04:29. > :04:34.voice of the BBC Euro 2016 team is playing, Izzy Bizu. We get you guys
:04:35. > :04:41.for the next hour. It is very good news. Up and down the country all
:04:42. > :04:49.day, people have been celebrating home -- how music can bring people
:04:50. > :04:54.together and we will start with one of the most ambitious projects. This
:04:55. > :04:58.one is ambitious because bridges have been bringing people together
:04:59. > :05:02.and communities together for centuries but today over 40 bridges
:05:03. > :05:03.around the UK have been coming together to bring communities
:05:04. > :05:17.together in music. # But I can't seem
:05:18. > :05:48.to find my way over # Wade in the water,
:05:49. > :06:51.wade in the water One bridge that has taken
:06:52. > :06:56.celebrations to the next level is Middlesbrough Transporter Bridge.
:06:57. > :06:58.They've really gone for it. They've taken us through the decades,
:06:59. > :07:07.playing music from a different decade every hour. Angelica is
:07:08. > :07:14.helping them bring that to a crescendo. We will be heading to
:07:15. > :07:21.Glasgow to the famous barren land and chatting to Fran Healy. The
:07:22. > :07:29.attempt is to put a classic spin on Travis's hits. -- Glasgow's famous
:07:30. > :07:34.Barrowlands. We will be going to Stormont for a very special
:07:35. > :07:37.performance of Game of Thrones. First, we know that Duran Duran
:07:38. > :07:45.started out in Birmingham and have been celebrating BBC music in
:07:46. > :07:47.Birmingham, there was a surprise for commuters this morning as Ruby
:07:48. > :07:54.Turner, the gospel singer, turned up.
:07:55. > :08:24.What a lovely way to start your morning. That is what this day is
:08:25. > :08:35.all about. Bringing people together. You guys got together when? 1983. We
:08:36. > :08:45.were at a party in Melbourne and we heard this record, made them play
:08:46. > :08:57.again. We met backstage at Blondie concert. He wanted to meet me
:08:58. > :09:02.because... I had heard the INXS song which was produced by Nile Rodgers
:09:03. > :09:10.and it drove us crazy. We had to have that sound. It was a meeting of
:09:11. > :09:13.minds because at the end of the Blondie gig you ended up playing
:09:14. > :09:18.hide and seek? We were very juvenile that night. Especially and the
:09:19. > :09:28.comedy was a little out of control. That is not like him at all. I
:09:29. > :09:34.remember you to cast a studio 54. -- you to us. I said to John, I want to
:09:35. > :09:41.take you to the studio, you thought I meant the recording studio but I
:09:42. > :09:53.meant studio 54. I like that you are piecing this together. I remember
:09:54. > :09:59.when you brought this charismatic singer into the dressing room, she
:10:00. > :10:07.was chewing gum and flicking it around her finger, and it was
:10:08. > :10:17.Madonna. It was. After that, when did you start working together? It
:10:18. > :10:22.was the Reflex. We were not in the room together but what had happened
:10:23. > :10:28.was the concept of remixes were starting to get popular and they
:10:29. > :10:34.asked me to remix it and I said I could not do it but what I will do
:10:35. > :10:38.is do it as if you called me in the first place. I have re-visualised
:10:39. > :11:16.it. The rest is history. What the song. It's a classic. Is it
:11:17. > :11:26.true that the record company were not fans of that? It was difficult.
:11:27. > :11:33.They did not know what to tell us about it. They kept using words
:11:34. > :11:37.like, a bit too arrogant. They finally said, the record is too
:11:38. > :11:46.black and the band was like, we want to sound like this. I still remember
:11:47. > :11:51.getting a phone call from Nick, he was sort of sad about it. He did not
:11:52. > :11:55.know how to explain it to me. I got really angry and I said, I think the
:11:56. > :12:01.record is brilliant, just put it out. Let's see what happens. Look
:12:02. > :12:07.what happened. The biggest single ever. We know that you've been
:12:08. > :12:13.playing music since an early age and our team of researchers have worked
:12:14. > :12:15.really hard this week. You are going to love this because they unearth
:12:16. > :12:21.this clip. # Slow down, you're
:12:22. > :12:28.moving too fast... # You've got to make
:12:29. > :12:39.the morning last Looking quite shell-shocked. Do you
:12:40. > :12:45.recognise him? I've never seen the actual film. I've seen stills from
:12:46. > :12:49.it. Why did he not go through the interesting harmony notes? He always
:12:50. > :12:58.goes to different notes that you would not expect. He sang the
:12:59. > :13:06.regular song. What happened? I was pleased they sang it in tune! I
:13:07. > :13:14.thought it was very nice. It is time to head to Belfast, where Colin
:13:15. > :13:21.Murray has got into the corridors of power for an orchestral arrangement
:13:22. > :13:32.of Game of Thrones. Colin, what is the craic? What a brilliant Davis
:13:33. > :13:41.says. Me forgetting nostalgic. -- excuse me for getting nostalgic. I
:13:42. > :13:45.used to try and sneak in to Patrick's club with fake ID. Look at
:13:46. > :13:50.you now. What a historic day we have, all these beautiful people,
:13:51. > :14:03.this is just my family. This is the choir. Give me a wave, Ulster
:14:04. > :14:16.Orchestra. Look at our wonderful musicians. Are you all right? Ready
:14:17. > :14:20.to rock. This man cannot stay off the programme. We've got a musical
:14:21. > :14:25.treat for you but first I want to take you away from the madding crowd
:14:26. > :14:31.and into a really quiet part. Patrick Kielty is not allowed in
:14:32. > :14:35.here because he is still on a couple of lists. This is the chamber. If
:14:36. > :14:38.you don't follow Northern Irish politics this is where they come in
:14:39. > :14:47.and agree on everything and have total harmony! You are only allowed
:14:48. > :14:56.one person in at a time, cameraman, you need to leave. Northern Ireland
:14:57. > :15:00.has become a hotbed for TV and film. The daddy of them all is Game of
:15:01. > :15:05.Thrones, filmed just down the road. As a little treat, I've got the
:15:06. > :15:07.Ulster Orchestra sitting in the great Hall of Stormont. I thought
:15:08. > :15:28.I'd get them to do the theme tune. MUSIC:
:15:29. > :16:53.Game of APPLAUSE.
:16:54. > :16:59.So harmonious! A good finish. A big finish! Now, Nile, we heard
:17:00. > :17:04.from a good source, you are a bit of a telly addict. That the Game of
:17:05. > :17:09.Thrones box set is up there with one of your favourites. So we pictured
:17:10. > :17:15.Nile Rodgers had his pants watching Game of Thrones, is that right? All
:17:16. > :17:17.the time. Whenever in Belfast, we go to see
:17:18. > :17:23.the set. What did you think of that, could
:17:24. > :17:28.you add funk? I would not. It like the theme tune the way it is.
:17:29. > :17:36.It is cool. It is a classic that cannot be
:17:37. > :17:44.improved? Well, we could interpret it, we could do, f, f, flex! Well,
:17:45. > :17:50.this show is about the amazing project here at the Eden Project. It
:17:51. > :17:57.is all down to one man. We sent Joe to meet the man himself,
:17:58. > :18:02.his name is Sir Tim Smit. Standing here it is so difficult to
:18:03. > :18:07.believe that 20 years ago this site was just a muddy abandoned hole in
:18:08. > :18:13.the ground. Everything you see here today was simply a dream in the mind
:18:14. > :18:21.of one man. Since its opening in 2001, Sir Tim
:18:22. > :18:25.Smit's creation of a large-scale educational charity and
:18:26. > :18:29.entertainment venue has received more than 18 million visitors and
:18:30. > :18:38.put more than ?1.5 billion into the local economy. So did the man who
:18:39. > :18:42.transformed this quarry, into a moonscape, ever think it would be
:18:43. > :18:47.this way? It is a wonderful feeling. I sometimes pinch myself a little
:18:48. > :18:51.bit. I share the excitement that A the visitors are still coming in
:18:52. > :18:55.drove but also the drive to kick on and do something more. We promised
:18:56. > :18:59.ourselves if we went to this effort and all that was there was a theme
:19:00. > :19:09.park in the hole in the ground it would be a dreadful waste of time.
:19:10. > :19:13.Where did the idea come from? From Arthur Conan Doyle's Lost World. I
:19:14. > :19:19.think that we all love adventures. What I learned is that the bigger
:19:20. > :19:24.you make the idea of an adventure, the more people that there are that
:19:25. > :19:29.think they would love to do that. Did people think it was impossible?
:19:30. > :19:34.Impossible or inappropriate. Too big a success for Cornwall.
:19:35. > :19:38.Eden's success has been terrific. The people doing it had the faith to
:19:39. > :19:44.leap. The fear of being a coward is the biggest of all if you make a
:19:45. > :19:48.leap and don't look aside, things come right for you.
:19:49. > :19:54.This is not the first time Sir Tim Smit had brought hope to a project
:19:55. > :20:04.where there was none. In 1981, part of a group restoring the Last
:20:05. > :20:09.Gardens of Hellegin. We were the first time to tell the
:20:10. > :20:13.story of this stately home, not from the point of view of the lords and
:20:14. > :20:17.the ladies but from the point of view of the ordinary men and women
:20:18. > :20:23.who made it a great place. Am I right in thinking you did not
:20:24. > :20:26.know much about gardening? Often those who know nothing, are the
:20:27. > :20:32.people that should do it, as they don't come to the table with the
:20:33. > :20:38.preconceptions of we have more gardens, more than eve no-one the
:20:39. > :20:50.Victorian times, and why? Because it is fantastic! The success of the
:20:51. > :20:55.Lost Gardens of Hellegin and the Eden Project has spurred Tim on. Now
:20:56. > :21:01.he has his sights set on a third attraction. This is where the new
:21:02. > :21:08.idea could spring from. To you and me it looks like a couple of fields
:21:09. > :21:12.near to a motorway. But if anyone can transform this into an
:21:13. > :21:16.incredible reality it is him. So, you built these project,
:21:17. > :21:20.encourage people to come but when they are here, how do you engage
:21:21. > :21:24.them? I hope that people look at nature in a different way and look
:21:25. > :21:28.more kindly on themselves and their ability to change things. It is
:21:29. > :21:31.about the notion that is deep inside everybody of putting something back.
:21:32. > :21:38.I think that is what we do. I want the kids to think at school that
:21:39. > :21:43.they want to be a farmer, a historicalist, you know what I mean?
:21:44. > :21:49.Well, I reckon that we need to find out more about the project in Devon.
:21:50. > :21:53.You have to spill the beans, Tim. Come on, Tim.
:21:54. > :21:59.What do you want to know? Your plan, when is the opening? Does it have a
:22:00. > :22:08.zip line. Will Duran Duran be playing there? In reverse order,
:22:09. > :22:12.yes, I hope, yes. No. I can't tell you where the new project is but it
:22:13. > :22:18.will be dedicated to nutrition and well-being. That is peddled as
:22:19. > :22:23.hippie. But it will be the change of the whole medical system globally.
:22:24. > :22:29.So focussing on that. We are build in Australia, we are building in
:22:30. > :22:35.Canada, where we are working with First Nation, a local tribe and
:22:36. > :22:40.building a huge Eden Project in China which started just now.
:22:41. > :22:45.So much stuff. But sitting here tonight and listening to the birds
:22:46. > :22:50.and the music outside, is this your greatest achievement? It is a huge
:22:51. > :22:53.achievement by a lot of people. The trouble with these situations is
:22:54. > :22:58.that the media think it is is you but it is not. It is a combination
:22:59. > :23:03.of a lot of people in concert together. Anybody with the good
:23:04. > :23:09.fortune to have the attention of the world on them at certain times is
:23:10. > :23:13.humbled, as by the grace of God, it would be so different if it were not
:23:14. > :23:16.for others. Some incredible things have happened
:23:17. > :23:22.here over the years. Let's have a look at this bit of footage. Halle
:23:23. > :23:26.Berry did not pay the entrance fee but came down through a zip wire
:23:27. > :23:32.through the middle that is one way to get in.
:23:33. > :23:37.Patrick, you know about that. But the biomes are an amazing feat of
:23:38. > :23:43.engineering, the idea came from a mundane task, didn't it? It did. We
:23:44. > :23:50.had a problem designing the place as the foundations were moved by giant
:23:51. > :23:54.diggers. The architects got fed up. A junior architect was doing the
:23:55. > :23:58.washing up and happened to notice how the bubbles settled on the
:23:59. > :24:03.drying board. He came in with a great idea. This is it.
:24:04. > :24:09.Here we are in the bubble. It is the strongest structure in the
:24:10. > :24:14.world. But they are the weakest until the last piece goes in, when
:24:15. > :24:20.it becomes the strongest. It imitates nature. Which of course is
:24:21. > :24:27.what the Eden Project is all about. Now, let's talk about a charity, Big
:24:28. > :24:32.Lunch? We began in 2009. My friend Peter Stuart had the idea to see if
:24:33. > :24:37.we could get people up and down the country knocking on doors to ask
:24:38. > :24:43.them for lunch. We wanted to do it without celebrities. As celebrities
:24:44. > :24:51.sometimes is seen as a fad. Loneliness is not a fad it is about
:24:52. > :25:00.all of us taking responsibility on helping. So last year 70,000 people
:25:01. > :25:03.participated. And last year across the world, 72 million people
:25:04. > :25:08.participated it is happening on Sunday week on the 12th. We are
:25:09. > :25:12.hoping to go past the 10 million. It shares on that Sunday, the birthday
:25:13. > :25:17.of Her Majesty the Queen. So auspicious. So we will disembowl a
:25:18. > :25:23.foul and hope that the portent will be fine! We wish you the best. Not
:25:24. > :25:29.only are you a visionary entrepreneur but you have dabbled in
:25:30. > :25:33.the music business. Not only dabbled, oh, only on a number one
:25:34. > :25:38.hit. Don't you roll your eyes, Simon Le
:25:39. > :25:46.Bon! I'm having job insecurity. This man had a number one hit in
:25:47. > :25:50.questioner many. Check this out... # Eyes for you
:25:51. > :26:02.# Only there for you # Only there for you. He has more
:26:03. > :26:07.hair there! I thought I recognised him when he walked in.
:26:08. > :26:13.A number one is a number one. I should have said you were Holland.
:26:14. > :26:17.Were you a composer? Not of that piece.
:26:18. > :26:24.That is the only video I appeared in. I am sad it happened.
:26:25. > :26:37.You looked great in a yellow jacket. Thank you, I like you too! So, is
:26:38. > :26:53.there a place for Tim in Will Chic? We can make it funky. L.
:26:54. > :26:58.Now, Glasgow's Barrowland Ballroom has been the host to so many bands
:26:59. > :27:03.over the years, The Clash and The Smiths to Muse and Foo Fighters.
:27:04. > :27:08.Earlier we spoke to Fran Healy from Travis as he prepared to hand over
:27:09. > :27:11.the back catalogue to the BBC Scottish Symphony Orchestra.
:27:12. > :27:15.We have been a four-piece for 20 years. This is the first time we
:27:16. > :27:23.have been a 60 piece. I like our sound as the four of us but with a 7
:27:24. > :27:27.of the best musicians in the country behind you, it's taking it to
:27:28. > :27:35.another level. I could get used to it -- 57.
:27:36. > :27:37.You guys, can you come on the road with us?
:27:38. > :27:44.ALL SPEAK AT ONCE Yes! If it were not enough to
:27:45. > :27:49.arrange the songs and turn it into a big thing, we only had a council of
:27:50. > :27:57.days for the rehearsal. I think we are doing pretty good.
:27:58. > :28:01.The Barrowlands is a place, they call it one of the places to do the
:28:02. > :28:05.best gigs. There is something about the venue, how it sounds when you
:28:06. > :28:12.play in it and what it does to an audience. We have never played with
:28:13. > :28:17.an Orchestra, ever. So to play with a an Orchestra at the Barrowlands is
:28:18. > :28:22.just another thing completely. If a band does something like this
:28:23. > :28:28.with an Orchestra, you usually do it over at their bit. Tonight they are
:28:29. > :28:34.doing it over at our bit. They have built out the stage,
:28:35. > :28:39.almost two-and-a-half times more. They would not have been able to fit
:28:40. > :28:44.the Orchestra on, you would have had the classic guy with the violin
:28:45. > :28:49.poking his mate in the eye! The bands rehearse and do a sound check,
:28:50. > :28:55.then come off stage and the Orchestra sound check so we are not
:28:56. > :29:05.#12e7ing on each other's toes. Then we go and do it together.
:29:06. > :29:09.Finding a balance between the Orchestra and the bands, and putting
:29:10. > :29:14.the arrangements together it is using your imagination, I suppose.
:29:15. > :29:22.You are there to give colour and to add depth to the sound of the band.
:29:23. > :29:27.I've not played in the Barrowlands before but I did see a lot of
:29:28. > :29:33.concerts here. Some of the first I came to see were Travis, so I'm
:29:34. > :29:38.really excited. I have two grown up sons and a 13-year-old daughter, and
:29:39. > :29:44.they are jealous as I am now the rock and roll mum.
:29:45. > :29:50.Throughout each album there has been a little orchestral piece here and
:29:51. > :30:00.there. Even in Why Is Always Raining, there are the strings at
:30:01. > :30:02.the start. This is called Why Does It Always Rain On Me.
:30:03. > :30:34.# Why does it always rain on me... That's a keeper. If you're not lucky
:30:35. > :30:40.enough to be one of the thousand people who got tickets, you can
:30:41. > :30:53.listen to us, I've got to check the time... Today on BBC Radio six and
:30:54. > :31:02.from APM. -- BBC Radio six and -- Scotland. I'm a little bit jealous.
:31:03. > :31:08.I love Travis and I would love to be a that gig. We are with some people
:31:09. > :31:13.who've honoured today because of the way they've changed lives through
:31:14. > :31:22.the power of music. You established a children's choir in 2012. Not only
:31:23. > :31:30.hitting the high notes with that choir but raising money for a
:31:31. > :31:34.special project. We've had a very specific dream in our hearts. All
:31:35. > :31:46.the way from 2012 we've had one goal and purpose beside singing and
:31:47. > :31:50.having fun, we get to release so much joy for children. We are
:31:51. > :32:04.building them a school. How is the fundraising going? I had the help of
:32:05. > :32:08.my children and the dream so expansively that this was never a
:32:09. > :32:15.difficulty for them. Within three years we have realised the target
:32:16. > :32:20.and raised more than it. Now we will build them a playground and we have
:32:21. > :32:24.done way more than we would have ever dreamt. I believe you're going
:32:25. > :32:28.over to the school and your husband is going with you even though he is
:32:29. > :32:41.petrified of flying. Patrick, who argue with? You are the man behind
:32:42. > :32:45.Core Music in Hexham. This is why you've been nominated. Mike is a bit
:32:46. > :32:48.of a legend. He's come up with this great idea of making sure everyone
:32:49. > :32:59.who wants to access music can access music. He first came to Core Music
:33:00. > :33:03.and is 14 now, he was eight when he started. Because of his autism he
:33:04. > :33:13.gets very anxious and I was looking for somewhere inclusive. Core Music
:33:14. > :33:18.is exactly that. He is an incredible guy but he is very modest. He needs
:33:19. > :33:24.recognition. How good is that? How does it feel?
:33:25. > :33:29.Brilliant. I don't know what to say. I'm a bit shocked to be honest
:33:30. > :33:35.because I just like to be behind the scenes most of the time. It is about
:33:36. > :33:42.having your moment and we are giving it to you tonight. Somebody else
:33:43. > :33:49.having their moment is Jane, nominated by Tom. You set up an
:33:50. > :33:54.inclusive drumming group for adults with mental health problems. How has
:33:55. > :34:00.this group helped you and what has it brought to your life? In 2008 I
:34:01. > :34:13.was particularly unwell and Jane invited me along. I had never tried
:34:14. > :34:18.drumming before. I kept going, the weeks turned into months, in two
:34:19. > :34:25.years. I turned myself around and I credit Jane with giving me my life
:34:26. > :34:30.back. I am a support worker with the NHS now and I volunteer and it is
:34:31. > :34:46.all down to Jane. It is so humbling to see you all. You have got the
:34:47. > :34:51.choir with the greatest name. It is called aChoired Taste.
:34:52. > :35:03.It is a female choir. A lot of women I knew enjoyed music and I thought
:35:04. > :35:12.it would be a nice social event. It has grown from around 15 to a lot of
:35:13. > :35:20.members. It is important for a lot of them and it is about the music,
:35:21. > :35:26.coming together, who would not want over 100 friends? It is not just
:35:27. > :35:31.about the stars denied, we have more on stage. We have got a great
:35:32. > :35:37.audience here and I'm going to get them to sing a Beach boys classic.
:35:38. > :35:43.50 years ago they released an album that was so influential, John Lennon
:35:44. > :35:45.called it the most influential album ever made. Here is more on the Pet
:35:46. > :35:56.Sounds story. # God only knows what
:35:57. > :36:15.I'd be without you Pet Sounds. It is not an ounce --
:36:16. > :36:20.not a record of animal noises, but is consistently voted as the best
:36:21. > :36:25.album ever made. Bizarre then that not many people have heard of it or
:36:26. > :36:31.listen to it. It fundamentally challenged the idea of what pop
:36:32. > :36:36.music could achieve. It gave the Beatles something to think about. If
:36:37. > :36:42.only other albums could do that. Wouldn't it be nice? Brian Wilson
:36:43. > :36:55.first appeared with his brothers Carl and Dennis alongside Mike Love
:36:56. > :37:01.and Al Jardine. In December 1964, he had a severe panic attack on board a
:37:02. > :37:05.plane. With the pressures of playing live taking their toll the band
:37:06. > :37:09.would too without him and he concentrated on recording something
:37:10. > :37:15.rather special instead. The new project was pet sounds, but to make
:37:16. > :37:19.the record he wanted to make he intentionally turned his back on the
:37:20. > :37:29.formula which had sold millions of records. He was not talking about
:37:30. > :37:34.car and girls. He was talking about his feelings. It took guts. I'm
:37:35. > :37:45.trying to create an atmosphere of love and harmony.
:37:46. > :37:50.The album would showcase symphonic arrangements, elaborate vocal
:37:51. > :37:59.harmonies coupled with bizarre sound effects. All treated with a wall of
:38:00. > :38:06.sound mix. It meant their music sounded fuller and richer than ever
:38:07. > :38:15.before. Throughout 1965, aged 23, he arranged, composed and produced Pet
:38:16. > :38:18.Sounds using session musicians and not his bandmates. When they return
:38:19. > :38:26.from touring he introduced them to the songs. They did not like it. I
:38:27. > :38:32.was confused and could not understand why they did not like it.
:38:33. > :38:37.Then they started liking it. The recording process was hard work and
:38:38. > :38:43.was not easy. We had to adjust to the demands under Brian. I said, we
:38:44. > :38:45.are going to show the world a good love album. I felt it in my chest
:38:46. > :38:54.and in my heart. # God only knows what
:38:55. > :39:11.I'd be without you. I was nervous as hell recording it
:39:12. > :39:19.because I really wanted it to sound good. I wanted Carl to have a chance
:39:20. > :39:25.to sing because... His voice had been hidden?
:39:26. > :39:28.When Pet Sounds was completed it was unfortunately not the hit they hoped
:39:29. > :39:36.for. But he was convinced he needed to make more adventurous music and
:39:37. > :39:43.the next single they released, recorded during the sessions, proved
:39:44. > :39:53.him right. The biggest hit to date, Good Vibrations.
:39:54. > :40:07.Brian comes in... That is pure. After the album he went into a state
:40:08. > :40:14.of physical and mental decline but the album continues to grow in
:40:15. > :40:19.reputation. It is the best album for expressing love we made. He
:40:20. > :40:27.influenced thousands of great artists over decades since. The good
:40:28. > :40:40.news is 50 years later he is still showing the love.
:40:41. > :40:54.Cue the music! Wouldn't it be nice if we were older, then we wouldn't
:40:55. > :41:03.have to wait so long. Wouldn't it be nice to live together in the kind of
:41:04. > :41:11.world where we belong. Now going to make it that much better wouldn't it
:41:12. > :41:24.be nice? Then we wouldn't have to wait so
:41:25. > :41:26.long. Wouldn't it be nice to live together in the kind of world where
:41:27. > :41:53.we belong? Stay forever... We've done those types of things
:41:54. > :41:56.before and actually, the crowd at the Eden Project are probably the
:41:57. > :42:06.best we've had yet! They really were. Stunning. Good news for fans,
:42:07. > :42:10.the Pet Sounds 50th anniversary tour has been extended into September and
:42:11. > :42:18.the album is also being reissued as a special box set. Present for dad.
:42:19. > :42:23.You were just saying how amazing they sound. We did a gig with them
:42:24. > :42:32.and they were extraordinary. They sounded better than before.
:42:33. > :42:40.Obviously they love the beach. Duran Duran, slightly more obscure name?
:42:41. > :42:53.We are just music lovers. Who are you named after? We are at the
:42:54. > :43:03.sci-fi villain from Barbarella. Names are a funny thing. We were
:43:04. > :43:07.talking about Le Freak, not cold that to begin with. It is quite
:43:08. > :43:14.convoluted how that song came about. Take us back to that night. We were
:43:15. > :43:25.invited by Grace Jones to see her show at studio 54. It was 1977 going
:43:26. > :43:30.into 1978. We'd never met her but we spoke to her that one time on the
:43:31. > :43:41.phone and she has a very affected accent so we thought she was telling
:43:42. > :43:44.us how we should ask for her. We knocked on the door and said,
:43:45. > :43:50.hollow, we are personal friends of Miss Grace Jones. He slammed the
:43:51. > :43:58.door in our faces and said to Galway. We said, we are personal
:43:59. > :44:04.friends. He said that he told us to go away. Me and my partner went
:44:05. > :44:22.around the corner, we purchased some bottles of Don Perrin E.ON. We went
:44:23. > :44:32.to the apartment round the corner and we said...
:44:33. > :44:49.Then it changed to freak off. Then we changed it to freak out. And then
:44:50. > :44:56.the world could hear it. We would not have got away with the original
:44:57. > :45:03.lyrics. Your new album, full of meaning for you? It is very
:45:04. > :45:14.important for us because we felt we had to do something meaningful and
:45:15. > :45:20.we took a long time to write it. We finally hit the really rich seam and
:45:21. > :45:31.it is one of the tracks and it is about one of -- it is about modern
:45:32. > :45:38.life and hopefully it is true. Your back working a long time after your
:45:39. > :45:44.single. How has the relationship changed? It is better.
:45:45. > :45:52.fringe I think it is better. We have an amazing tour. It really
:45:53. > :45:56.is the greatest show in town. As Nile said, people leave suffering
:45:57. > :46:02.from hip fatigue, as there is just... . I think I coined that
:46:03. > :46:09.phrase, actually. Sorry, Simon, he does not value his
:46:10. > :46:15.own front man! We are going to talk about your festival Fold Festival.
:46:16. > :46:17.You created it yourself. It is at Fulham Palace. At the end of the
:46:18. > :46:21.month. . Tell us who is head lining your
:46:22. > :46:29.festival. Three nights in a row! We don't call
:46:30. > :46:36.it headlining, even though we play every night. I came up with the
:46:37. > :46:40.concert four years ago, in Switzerland they wanted to honour
:46:41. > :46:45.me. So I called Mark Ronson and a bunch of good friends. I realised it
:46:46. > :46:49.is like what we have, when you see friends playing together it changes
:46:50. > :46:55.the whole vibe of the awedence. It is like we are all in it together.
:46:56. > :47:01.We had 11 hours of dance music. It was amazing. So now with the Fold
:47:02. > :47:05.Festival, I curate all of the people on the show, they are all friends of
:47:06. > :47:10.mine. So there is no bickering. We play every night. It is OK. We are
:47:11. > :47:13.not the headliners, sometimes we open the show, many nights we open
:47:14. > :47:19.the show. We look forward to that. And we have
:47:20. > :47:27.to say we are sorry if anyone was offended by your naughty language.
:47:28. > :47:35.We are apologising for that but also thankful you did not tell the full
:47:36. > :47:39.story with the full vocabulary. Now, we have to send you off as you
:47:40. > :47:44.are performing on the main stage shortly. We will be with you over
:47:45. > :47:48.there. Also, Laura Mvula is performing on the show, she is
:47:49. > :47:54.closing The One Show. We are really looking forward to that. You saw
:47:55. > :47:59.performances from 41 Bridges from around the UK. It is now over to
:48:00. > :48:06.anning gel car, bringing this to a beautiful finale! Hello and welcome
:48:07. > :48:11.to Middlesbrough! Where I am... Thank you! Where I am standing in
:48:12. > :48:18.front of this amazing historical bridge that literally has been
:48:19. > :48:25.travelling through the ages. Since this morning the Tees Transporter
:48:26. > :48:30.Bridge has been carrying musicians and performers here and there. As
:48:31. > :48:35.you said we have been celebrating a different decade every hour. The
:48:36. > :48:39.bridge was built in 1911 up to now. We have had all sorts of music here.
:48:40. > :48:46.And look at these cars, it is brilliant. I love this. A Morris,
:48:47. > :48:50.built in 1923. As you say, we have to bring the celebrations to a close
:48:51. > :48:56.right now. If you see the bridge, it has had a rebrand today. There is a
:48:57. > :49:01.letter missing. So I have the help of the Apollo Street Band who play
:49:02. > :49:06.before every home game for Middlesbrough FC. You are giving us
:49:07. > :49:09.a count down to reveal the missing letter? That's right.
:49:10. > :49:30.Let's do it, come on! CHEERING AND APPLAUSE.
:49:31. > :49:36.Excellent! Now, there is the Y, the Y is down. Brilliant. We have it.
:49:37. > :49:42.Oh, and we have fireworks! Now, I want to talk to you, John, Iverson,
:49:43. > :49:48.you have been working for the bridge for 20 years. Give us a sense of the
:49:49. > :49:52.history it has been a real part of the community since the Second World
:49:53. > :49:57.War? Yes, since the Second World War, a bomb raid hit the bridge and
:49:58. > :50:01.blue up the car deck. After three days of repairs it was back in
:50:02. > :50:05.service for the public. Robert, music is important here?
:50:06. > :50:11.Yes, it is a vibrant scene. Everyone is behind it. I think there is a
:50:12. > :50:17.legacy of Chris Rea and the steel river where we are now.
:50:18. > :50:23.Also a massive thank you to the Military Band up there right now and
:50:24. > :50:28.the Puma Cheer Leaders. If you are inspired by Music Day and want to
:50:29. > :50:35.take up an instrument and get involved in a virtual Orchestra on
:50:36. > :50:43.The Last Night of the Proms, get involved. Now, this is The One Show
:50:44. > :50:48.and Richard Mainwaring is not playing on a musical instrument, he
:50:49. > :50:55.is playing it! The Welsh triple harp... And the Menai Bridge.
:50:56. > :51:00.Now, I've noticed that these two Welsh icons look a little bit alike.
:51:01. > :51:06.The vertical rods on the bridge look like the strings of a harp, which
:51:07. > :51:11.has me thinking... Can I play the Menai Bridge like a giant harp? The
:51:12. > :51:16.people that manage the bridge have given The One Show the special
:51:17. > :51:21.permission to try out a crazy idea. Expert sound recorder, Gary Moyes is
:51:22. > :51:24.helping. First, rerecord the sound of the rods separately to see if
:51:25. > :51:30.they change in pitch. Here is the moment of truth.
:51:31. > :51:34.That is a really interesting sound? It is a medium strand, no
:51:35. > :51:42.recognisable note on that. No. Using musical principles, small
:51:43. > :51:50.rods should be higher and big rods lower? Well, yes but it is not like
:51:51. > :51:54.a harp. Let's try the bigger rods. It should
:51:55. > :52:01.make a difference in terms of pitch. It is exactly the same! It is
:52:02. > :52:07.exactly the same! Is it equal tension on the wires? Would that
:52:08. > :52:16.make a difference like tuning? Yes, you are right.
:52:17. > :52:21.It just sounds like a bucket! Oh, that's a bit better. So the rods are
:52:22. > :52:25.not resonating like the harp strings and there is not much variation in
:52:26. > :52:29.the pitch. But I do like the sounds I'm getting from the bridge. They
:52:30. > :52:35.are dramatic and in keeping with its history. I think there is something
:52:36. > :52:39.that I can do here. The bridge inspires music, the construction saw
:52:40. > :52:45.the village here known in English as Menai Bridge spring up on the
:52:46. > :52:54.Anglesey side of the Menai Straight. For the past 120 years, it has been
:52:55. > :53:00.the home of the Menai Band. Back in 1825, as 150 labourers held the
:53:01. > :53:03.chains into the place, the bands were there throughout the process,
:53:04. > :53:12.helping to keep the men hauling in time. And the Menai Bridge features
:53:13. > :53:16.in Lewis Carroll's Alice Through The Looking Glass, with a debtee
:53:17. > :53:21.claiming it can be kept rust free by boiling it in warm. In reality, the
:53:22. > :53:25.metal was soaked in warm linseed oil. Gary and I are now getting
:53:26. > :53:36.enthusiastic about the sounds we can produce here.
:53:37. > :53:41.It is like a snare drum back... I bet you a pound, I can get a tune
:53:42. > :53:56.out of the Menai Bridge. Wow! I never knew, a Menai Bridge on
:53:57. > :53:59.?1! I call this reverb. It is fantastic, the acoustic properties
:54:00. > :54:04.of the bridge. With the sounds collected it is time to listen and
:54:05. > :54:09.compose. We are going to have to make something that is percussion.
:54:10. > :54:15.In a way, the bridge has told us what to do.
:54:16. > :54:18.I do. I can't believe you have such a complex set of sounds from the
:54:19. > :54:24.bridge. Incredible. It is my hammer! I brought the
:54:25. > :54:30.hammer to the party, you hit it. With the bridge's rich past as
:54:31. > :54:32.inoperation, my composition, using sounds taken only from the bridge is
:54:33. > :54:57.complete... MUSIC:
:54:58. > :55:04.Music of the Menai Bridge. Gary, thank you very much.
:55:05. > :55:09.Well, we made it. Look who we found, Laura Mvula and
:55:10. > :55:19.Nile Rodgers of course, come on! Let's hear it for Laura Mvula and
:55:20. > :55:21.Nile Rodgers! Yes! Nile and Laura, here is our lovely Cornwall
:55:22. > :55:26.audience. CHEERING AND APPLAUSE.
:55:27. > :55:30.We loved your sing song, by the way, fantastic. Really, really good.
:55:31. > :55:34.We have been talking about the importance of music, over the last
:55:35. > :55:41.hour, Laura, it has been a big thing on the BBC today. What has music
:55:42. > :55:46.given you as anything as an artist? This! The privilege of sharing what
:55:47. > :55:50.I write with people, this is what I live for, truly. Coming out to
:55:51. > :55:55.experience live music is the most magical thing on earth. Well, we
:55:56. > :56:00.can't wait to hear you perform. We have to say a big thank you to Simon
:56:01. > :56:05.and John. You can see Duran Duran live at Eden Project at 11.00pm on
:56:06. > :56:09.Sunday night. You can go up to BBC Radio Two to hear the rest of the
:56:10. > :56:13.concert as well. Where are you Patrick? That's it from us, enjoy
:56:14. > :56:23.the rest of the night. So, this woman, we did a record
:56:24. > :56:28.earlier this year called come. Over I was overcome, let me tell you
:56:29. > :56:33.something. Let me tell you something, people, artists like this
:56:34. > :56:41.only come along once in a very short time. Right. It doesn't happen every
:56:42. > :56:47.day that you meet someone like this. When I first heard her, I was blown
:56:48. > :56:52.away. I had to work with her. I met her, I cornered her. I said we had
:56:53. > :57:01.to do something together together. We did Overcome, it was amazing. Now
:57:02. > :57:10.she is going to do her new song... It almost sounds redundant! Because
:57:11. > :57:13.it is call Phenomenal Woman! Laura Mvula! Phenomenal Woman! Check it.
:57:14. > :57:30.Wow! # Nobody ever told her she was
:57:31. > :57:34.beauty # One day she realised she was
:57:35. > :57:43.already free # The colour in her eye was fire
:57:44. > :57:44.# She found a lion on her new horizon
:57:45. > :57:49.# Oh, my # She fly
:57:50. > :57:53.# Phenomenal woman # Oh, my oh, my
:57:54. > :57:57.# Oh, my # She fly
:57:58. > :58:05.# Oh, my, my # Oh, my
:58:06. > :58:16.# She fly # Oh, my, my
:58:17. > :58:21.# Oh, my, she fly # She fly through on every kind of
:58:22. > :58:29.tribulation # Every adventure and imagination
:58:30. > :58:31.# She never listened to no Hayter, liars
:58:32. > :58:36.# Oh, my, my # Oh, my, she fly
:58:37. > :58:41.# Phenomenal woman # Oh, my, my
:58:42. > :58:46.# She fly # Oh, my, she fly
:58:47. > :58:51.# Phenomenal # Oh, my, my
:58:52. > :58:59.# Oh, my, she fly # Oh, my, my
:59:00. > :59:02.# Oh, my, she fly # It don't matter
:59:03. > :59:05.# What people say # Cos they don't know you
:59:06. > :59:10.# Where you come from # Or where you going
:59:11. > :59:13.# It don't matter # What people say
:59:14. > :59:17.# As they don't know you # Where you come from
:59:18. > :59:20.# Where you going # You are
:59:21. > :59:24.# Phenomenal woman # You are
:59:25. > :59:32.# Phenomenal # Oh, my, my
:59:33. > :59:36.Oh, my, my # Oh, my, she fly
:59:37. > :59:42.# Come on now # Oh, my, my
:59:43. > :59:45.# Oh, my, she fly # Phenomenal woman
:59:46. > :59:52.# Oh, my, my # Oh, my, she fly
:59:53. > :59:55.# Phenomenal. CHEERING AND APPLAUSE.