:00:17. > :00:18.Hello and welcome to The One Show with Matt Baker.
:00:19. > :00:26.Now, we've often said we're a bit of a dysfunctional family
:00:27. > :00:30.here on the One Show so tonight's guest should fit right in.
:00:31. > :00:32.Yes, he's the award winning star of films
:00:33. > :00:34.such as Horrible Bosses, Juno and Zootopia.
:00:35. > :00:36.And in the cult American sitcom 'Arrested Development'
:00:37. > :00:39.he was the only sane member of one of the most dysfunctional
:00:40. > :00:54.Why does everyone think I'm scared of girls? Because you are a chicken.
:00:55. > :00:59.Michael had women? , I haven't found the right girl, when I do I will ask
:01:00. > :01:02.her out. Has anyone in this family even a chicken?
:01:03. > :01:19.CHEERING Good to see you, Jason, nice to have
:01:20. > :01:24.you here. Nice to be here. People say Arrested Development is the most
:01:25. > :01:29.funny thing on television. Those of the stone is. LAUGHTER
:01:30. > :01:33.That it was cancelled by series III and now came back via popular demand
:01:34. > :01:37.and now it has a cult status. I don't know how popular the demand
:01:38. > :01:42.was, Netflix was just getting started at that point and they
:01:43. > :01:45.launched House of Cards and Arrested Development in their first year.
:01:46. > :01:51.They wanted to have some original programming on it, so they threw us
:01:52. > :01:55.a lifeline. We were very happy to take it, because we really had a lot
:01:56. > :01:58.of fun doing that show. We are going to start doing some more in about
:01:59. > :02:07.three weeks. Which is brilliant news. A whole new series? Yes, I
:02:08. > :02:13.think 15 of them. The original cast? Yes. That must've been tricky
:02:14. > :02:17.because you have gone off the great thing is, everybody. The show
:02:18. > :02:21.definitely rehabilitated my career and the same for a bunch of the rest
:02:22. > :02:27.of the cast. It kept very busy since then. We will talk more all about it
:02:28. > :02:31.and about Ozark coming your new Netflix offering very shortly.
:02:32. > :02:35.Tonight we are kicking off a whole week living at a very common issue,
:02:36. > :02:41.how many of you at home are currently on your mobile phones,
:02:42. > :02:51.sending a message, updating social media? I have got mine here!
:02:52. > :02:54.According to new figures given to us by Deloitte as part of their annual
:02:55. > :02:56.Mobile Consumer Survey - a staggering 15.5 million
:02:57. > :02:59.people in the UK think they use their phones too much.
:03:00. > :03:03.So if you think you are one of them and you think you should start
:03:04. > :03:06.cutting down, we want your help to create this, The one Show phone
:03:07. > :03:10.plan. If you would prefer capped data, Ltd calls and fewer messages
:03:11. > :03:15.in your lives, then we will be asking for your practical solutions
:03:16. > :03:19.on how to achieve that shortly. It is a good idea, but will it catch
:03:20. > :03:23.on? I don't know. Before that, Alex Riley has met one family who are
:03:24. > :03:30.rarely far from their screens. Meet the farm with family, from Bolton in
:03:31. > :03:35.Lancashire. Grace is 16 and like any typical teenager loves her
:03:36. > :03:40.smartphone. I have Snapchat, Instagram, Facebook, Twitter. Her
:03:41. > :03:44.younger brother Jacob is 13 and almost as obsessed. I get quite a
:03:45. > :03:51.lot of messages, at least one a minute. Dad John relies on his phone
:03:52. > :03:57.for the news. It is pretty boring. Mum Lindsay is a big fan of social
:03:58. > :04:02.media. I am a bit of a voyeur on Facebook. But Lindsay is worried
:04:03. > :04:05.that her family's phone use is getting out of hand so we have set
:04:06. > :04:10.them a challenge to monitor their phone use. We will be over to see
:04:11. > :04:16.how much they have come to rely on them. Thanks, Alex. As well as
:04:17. > :04:19.giving them the handy cam, we have also installed software that will
:04:20. > :04:25.monitor everyone's mobile habits over the next 48 hours and I will
:04:26. > :04:29.reveal the results to them later. Adjusted know where it is going, we
:04:30. > :04:33.are in danger of becoming robots lost in our own world and I don't
:04:34. > :04:37.like it. Exclusive statistics given the The one Show reveal that 15.5
:04:38. > :04:41.million people, around one in three of us who own a smartphone, are
:04:42. > :04:46.worried they are using their devices too much. It is Friday evening and
:04:47. > :04:50.mum Lindsay is already snooping on Grace. Grace, what are you playing
:04:51. > :04:55.at, you are drying your hair, you are on your phone! The person on the
:04:56. > :05:01.phone the most is definitely Grace. Even I agree with that myself, and
:05:02. > :05:03.that says something! She is on her phone when she comes home from
:05:04. > :05:08.school, in the kitchen, in her bedroom. It makes her quite
:05:09. > :05:13.introverted really. It bothers me. You feel like you were doing more on
:05:14. > :05:16.your phone then you are things in reality. But Grace is not the only
:05:17. > :05:23.family member who can't put her phone down. What are you doing?
:05:24. > :05:28.Reading the news. It is taking our phones to bed that is one of the
:05:29. > :05:31.biggest issues with a third of submitting to checking our phones in
:05:32. > :05:35.the middle of the night. Here's another one. It is just pointless,
:05:36. > :05:40.they are keeping up with things that are better on, I think we are better
:05:41. > :05:48.off without phones. But mum Lindsay isn't as innocent as she looks. Say
:05:49. > :05:55.hi, ma'am. Mum, say hi. The Queen's visiting Grenfell Tower. And what
:05:56. > :06:00.about young Jacob? I watch films on Netflix, and it is not addictive,
:06:01. > :06:02.just something to do really. Around two thirds of young people use their
:06:03. > :06:09.mobile phones while walking and Jacob is one of them. Jacob Resch
:06:10. > :06:16.and Mark Jacob! Jacob put your phone away, please. As for family
:06:17. > :06:22.mealtimes, around half of all family meals at home are interrupted by a
:06:23. > :06:25.smartphone use, that is a whopping 20 million a week. It can be very
:06:26. > :06:30.annoying when we go to a restaurant, they want to go on the phones. You
:06:31. > :06:34.are completely oblivious to everything going on. So at the end
:06:35. > :06:38.of the weekend, do the Farnworths realise how much they have been on
:06:39. > :06:44.their phones? I have been watching back the footage with psychologist
:06:45. > :06:52.Dr Lee had Lincoln. We see two concept here, FOMO, the fear of
:06:53. > :06:56.missing out, and the fear of having no access to your phone. You are
:06:57. > :07:00.losing out because you are missing that connection to the internet. But
:07:01. > :07:04.how long have the family spent on their phones? Time to reveal the
:07:05. > :07:10.results, by calling them on their smartphones, obviously. Are you
:07:11. > :07:15.ready for the results? No! I am going to do with them anyway. We
:07:16. > :07:20.start with you Lindsay. I am never on my phone. On Saturday you on your
:07:21. > :07:25.phone for only half an hour. John, you were on the phone three hours a
:07:26. > :07:31.day, does that surprise you? I am not surprised. You were using the
:07:32. > :07:37.phone to speak to people. He doesn't speak to me for an hour a day!
:07:38. > :07:44.Grace, there is an app that released and is out. Snapchat! Gas! You spend
:07:45. > :07:49.six hours a day on Snapchat, how many messages to you think you sent
:07:50. > :07:55.over the weekend? I honestly do not know. 260! I'm horrified! The person
:07:56. > :08:01.who was on the phone the most was Jacob. On Sunday alone, you were on
:08:02. > :08:06.your smartphone for nine hours 52 minutes. LAUGHTER
:08:07. > :08:12.So the final figure for all of you collectively is that over the
:08:13. > :08:19.weekend, you spent 32 hours on your phones. That is over a day. Awful.
:08:20. > :08:27.Phones are going, things are changing at this house. STUDIO:
:08:28. > :08:32.Things are changing, you say. How have they got to this point,
:08:33. > :08:36.Lindsay? You were clearly shocked. Absolutely mortified, watching that
:08:37. > :08:43.footage, I thought I knew my family, but clearly not. We have to say
:08:44. > :08:46.thank you for doing that film because you are doing this on behalf
:08:47. > :08:51.of lots of families would be the same in Britain, so thank you and
:08:52. > :08:55.for being incredibly brave. Do you feel, Lindsay, that you have lost
:08:56. > :08:59.control? I think we have. We bought the phones for our children when
:09:00. > :09:03.they were in year six at primary school. We wanted them to be
:09:04. > :09:07.contactable when they went out to school and going into the teenage
:09:08. > :09:11.phase, and now they don't actually answer the phones or texture when
:09:12. > :09:15.you want them to reply to you. When they have gone off shopping, because
:09:16. > :09:19.they are on social media and doing their own things with phone. That is
:09:20. > :09:23.the thing about a smartphone, they only need a phone to phone you, but
:09:24. > :09:28.because they have the internet it is just so tantalising, and they are on
:09:29. > :09:32.it. It is like a magnet. It is, and one of the big things in controlling
:09:33. > :09:36.it is when you first take out that Harris that you do have some
:09:37. > :09:39.control. Mobile phone packages are sold to you on the basis that you
:09:40. > :09:42.get this and you get that and the other. We all sort of get roaring to
:09:43. > :09:49.that. I think that Israeli important. That you turn things off.
:09:50. > :09:54.You turn the Wi-Fi off at night. You socialise with your kids. Webb you
:09:55. > :10:00.are doing six hours on the phone. Grace. On Snapchat only! That is how
:10:01. > :10:03.lots of people your age communicate these days, but can you see it is a
:10:04. > :10:11.problem and it is having a big effect on your family? Welcoming
:10:12. > :10:18.yes. Just hearing what my mum says. But what is the problem? LAUGHTER
:10:19. > :10:23.Well this is interesting. What if the dinner is quiet and boring at
:10:24. > :10:27.home, and you could check to see if your friends are all right? Or it
:10:28. > :10:30.could be a good conversation starter, oh, Jennifer just got in a
:10:31. > :10:36.car accident, you know, she has always been a bad driver. This is
:10:37. > :10:41.why I don't drive with her! LAUGHTER It is a very interesting point,
:10:42. > :10:46.that, Grace. Do you see it as being a problem, can you put your phone
:10:47. > :10:50.down? I can, but I prefer not to. She is much better when Jupiter
:10:51. > :10:54.Ferndown. We went to the Lake District this weekend with no
:10:55. > :11:01.phones. We were in an area, walking with the door, it was absolutely
:11:02. > :11:05.brilliant. We conversed together! Grace, when you couldn't get a
:11:06. > :11:09.signal, were you panicking, I am missing out? Not really, because I
:11:10. > :11:15.was doing other things, but if there were not of the things going on,
:11:16. > :11:22.then yes, I would. Maybe it is not such a big issue. But you have some
:11:23. > :11:25.stats that do suggest. Early findings from the Lloyd's annual
:11:26. > :11:28.mobile consumer survey says that on average we check our fence 40 times
:11:29. > :11:32.a day and the people of the age of Grace, 16 to 18, that is 90 times a
:11:33. > :11:35.day. That is a lot of stuff you're not doing because you are checking
:11:36. > :11:38.your phone and are fixated on what is going on in that. One in ten
:11:39. > :11:45.years their mobile phone while crossing the road. That is something
:11:46. > :11:49.I do. Almost one in ten 25 to 34-year-olds will admit to using
:11:50. > :11:53.their smartphone while driving, which is dangerous. So what are we
:11:54. > :11:59.going to do about this? We are going to come up with The one Show mobile
:12:00. > :12:02.phone plan. And we want suggestions on what we can do to try and limit
:12:03. > :12:05.our use of mobile phone so that we are in charge of them. So it could
:12:06. > :12:09.be for example not bringing your phones into the bedroom, it could be
:12:10. > :12:13.something like switching them off at a certain time, checking your
:12:14. > :12:18.messages only once an hour. We saw people sat round a table, having
:12:19. > :12:21.meals, and not talking to each other, just looking at their phones.
:12:22. > :12:25.It could be something to do with that, but I don't want to guide what
:12:26. > :12:30.everyone is doing, because the Farnworths have agreed to implement
:12:31. > :12:39.this one show phone plan. Have we? Mum has. Did I? Yes, we have got it
:12:40. > :12:43.in writing, a contract. They will implement this for a week and we
:12:44. > :12:47.will get them to come back and tell us what effect it has had on their
:12:48. > :12:52.lives. Good luck to you and your brother. LAUGHTER
:12:53. > :12:57.He is not going to like it. Sent him a message on Snapchat. Thank you
:12:58. > :13:01.very much. We will allow you the usual phones just for one little
:13:02. > :13:06.text, message anybody alive long as you know and tell them to watch this
:13:07. > :13:10.next film because it contains some really spectacular images. Mike has
:13:11. > :13:12.been the witness a nocturnal metamorphosis, and if you are a fan
:13:13. > :13:25.of gymnastics, you will like this. It is just before 10pm, and I have
:13:26. > :13:30.received a call to come and see one of nature's greatest transformations
:13:31. > :13:34.that's happening right now. It's late May, and this is the time of
:13:35. > :13:38.year when one of our most majestic insects enters the final stage of
:13:39. > :13:44.its life come of transforming from an underwater larvae to the glorious
:13:45. > :13:47.Emperor dragonfly. Initially, they start life hatching from eggs
:13:48. > :13:51.underwater to become what is known as a nymph, and after either one or
:13:52. > :13:57.two years, when the weather is right, they will start to make their
:13:58. > :14:00.way to the surface, to begin the transformation into a dragonfly.
:14:01. > :14:04.This could happen at almost any time, but with luck we are going to
:14:05. > :14:11.capture this final stage, in all its glory. Steve white is passionate
:14:12. > :14:13.about dragonflies, and has been monitoring and filming them here at
:14:14. > :14:20.the National Trust Pintus Field estate in North Somerset for the
:14:21. > :14:23.last five years. And he is convinced that conditions are perfect night
:14:24. > :14:29.for this mini wildlife spectacle. Steve, they are emerging all over
:14:30. > :14:32.the place. Yes, it is very temperature dependent, once darkness
:14:33. > :14:36.falls, and gets woman of colour they get it over as quickly as possible,
:14:37. > :14:40.they will be out and ready by midnight, then maybe an hour trying
:14:41. > :14:44.their wings off, then waiting for first light to fly. Although they
:14:45. > :14:48.can emerge at any time, they prefer to come out under the cover of
:14:49. > :14:51.darkness, as they are vulnerable during this transition to being
:14:52. > :14:56.preyed upon. So far we have spotted nine coming to the surface already,
:14:57. > :15:00.and to capture this metamorphosis, Steve has rigged the pond with a
:15:01. > :15:05.number of cameras, covering this spectacle from all angles. Where is
:15:06. > :15:09.this one going to settle? It is just wandering around, looking for the
:15:10. > :15:13.perfect spot, I presume? Quite a long way, it has come all the way
:15:14. > :15:16.over the wall out of the top. Once they find a spot, they start to
:15:17. > :15:20.swing their abdomens around to make sure they have enough room to hatch
:15:21. > :15:23.out. They have to make sure they have enough space for those wings to
:15:24. > :15:27.expand and get damaged, because if they get damaged in that part of the
:15:28. > :15:31.emergence, then they are in trouble and they would be able to fly. Once
:15:32. > :15:43.happy and secure, the dragonfly starts to break free.
:15:44. > :15:52.By the backflip? The flight muscles are the strongest part. The
:15:53. > :15:56.breakthrough crawler crack the shell, the shoulders come through
:15:57. > :16:00.and the head peels backwards, the whole body comes out backwards. They
:16:01. > :16:04.hang the air until the legs had enough and then they swing back up,
:16:05. > :16:11.hang the shell that they've come out of and peel the end the abdomen
:16:12. > :16:17.through. They start pumping body fluids into them which will harden
:16:18. > :16:23.in preparation for flight. With the morning breaking there are signs
:16:24. > :16:30.that some are ready to take off. Dawn is just around the corner, I
:16:31. > :16:33.can hear the first Robins singing and suddenly the dragonflies have
:16:34. > :16:42.popped their wings out. There it goes. The first one has flown in
:16:43. > :16:48.front of me. Maiden flight. Absolutely brilliant. It's a good
:16:49. > :16:52.job because they will be looking for food right about now. As the sun
:16:53. > :16:59.continues to rise, more and more will take to the ear. Most of them
:17:00. > :17:05.have gone but what a privilege to see them throughout the night.
:17:06. > :17:11.Spectacular night of dragonfly action, really happy to have seen
:17:12. > :17:19.it. The Emperor dragonfly will live for a couple of weeks. After two
:17:20. > :17:25.years of hard effort that is the only evidence of the shed skin. It
:17:26. > :17:35.is flown off and it will come back in a few days to either made for a
:17:36. > :17:47.lay its eggs and start the cycle all over again. That wildlife footage
:17:48. > :17:52.blows my mind. From the transformation of the dragonfly to
:17:53. > :17:59.the transformation of Jason Bateman. We know you for your comedy roles
:18:00. > :18:10.like Juno and Horrible Bosses but you are now doing your darkest role
:18:11. > :18:14.in Ozark. It's a story about a family, the character that I play
:18:15. > :18:19.has made a bad decision with his wife some years earlier to do a
:18:20. > :18:26.short cut on his attempt to grab the peace of the American dream. I don't
:18:27. > :18:31.know why it's exclusive to America, everybody wants to have a house with
:18:32. > :18:45.some money. That is the arrogance of our country. You start with these
:18:46. > :18:51.incredible statistics. Yes, it can force you into a lot of bad
:18:52. > :18:54.decisions. He does a short cut, he's a financial planner, he has an
:18:55. > :18:59.opportunity to launder money for a Mexican drug cartel to make a lot
:19:00. > :19:05.more money. We meet this family eight years later when everything is
:19:06. > :19:10.falling apart and he's going to start paying the bill for that
:19:11. > :19:14.illegal decision. And so we kind of just caught him and his family is
:19:15. > :19:27.trying to negotiate this dangerous world. And Ozark is the name of a
:19:28. > :19:36.place. Yes. There's more sure Elaine banned the state of California. --
:19:37. > :19:43.sure Elaine -- there is more beach than California. He moves down
:19:44. > :19:49.because there's a lot of loose cash. He thinks it would be a good place
:19:50. > :20:01.to launder money. And here's the moment when your character withdraw
:20:02. > :20:08.the money. Where's my money? We cannot tell you. There is two
:20:09. > :20:14.federal agency which means you would not take the chance so if you don't
:20:15. > :20:21.produce it immediately I will walk in the lobby and we will see how
:20:22. > :20:26.long it takes to go viral. If I put all 700 million dollars into a hot
:20:27. > :20:38.tub, get naked and play Scrooge Macduff that is what is my business.
:20:39. > :20:41.Where's my money. Thank you. Jason, there's a lot going on in the first
:20:42. > :20:48.episode and you directed this particular one. There's ten
:20:49. > :20:55.episodes. I directed the first two and the last two. How do you switch
:20:56. > :21:03.to being the actor and then the director? It's not that complicated.
:21:04. > :21:08.These dragonflies are up to much more complicated stuff. I've been
:21:09. > :21:19.doing it for so long, I'm still comfortable doing it. I could see
:21:20. > :21:27.the crane was drifting and I can sense it. You build up a periphery
:21:28. > :21:37.you can incorporate. It's fun to take on more responsibility. And we
:21:38. > :21:46.can all binge on it. Did you binge read? Was that why you chose it? The
:21:47. > :21:51.first two were written and everybody had to base their decision on it to
:21:52. > :21:58.come and get involved. Once they said OK then we had to write the
:21:59. > :22:06.other eight. It is like a ten chapter film. It's one story with a
:22:07. > :22:10.beginning and an end. That allows you to take a different sort of
:22:11. > :22:18.pacing with every piece and you leave little breadcrumbs across the
:22:19. > :22:31.way and you hope it is satisfying as opposed to having typical episodes.
:22:32. > :22:42.How many can you watch every night? I think you can do for Mac. It
:22:43. > :22:50.depends what you are drinking. It starts on the 21st of July on net
:22:51. > :23:00.flicks. It is always nice to start the week with some congratulations.
:23:01. > :23:03.The wedding photos can be added to another photograph which means a lot
:23:04. > :23:12.to them. Here they are trying to recreate it. I knew that we were
:23:13. > :23:17.each other's port in a storm. As you can see, we've only just met and I
:23:18. > :23:28.moved in on him. This is Jeff, my partner. As soon as I saw his flat I
:23:29. > :23:33.thought, this is very nice. It was like the great escape in reverse. I
:23:34. > :23:37.brought my stuff in little bits by little bit. I started with the make
:23:38. > :23:47.up bag then a spare pair of knickers. This is 1983. I was a
:23:48. > :23:55.field actress and I'd started performing punk poetry. I was a bit
:23:56. > :24:06.lost. I'd had an eating disorder. London is so hard when you've not
:24:07. > :24:16.got your footing in it. It had all fallen apart and suddenly Jenny
:24:17. > :24:25.arrived in my life. I saw him tinkering with his Porsche. I needed
:24:26. > :24:29.somebody to put the fruit on the accelerator. Jeff spent the first
:24:30. > :24:37.six months offering to run me back to the bus stop. It was very much
:24:38. > :24:45.MySpace, these alien things arrived. That was when I realised she was
:24:46. > :24:52.about to stay. There was a moment when my daughter stood here and the
:24:53. > :25:02.juxtaposition of me in this photograph had her and I thought,
:25:03. > :25:11.that's weird. It was like home did that. It has been 26 years since we
:25:12. > :25:17.were in this flat. It's quite exciting thinking we are going to
:25:18. > :25:22.have the keys and let ourselves in. Do you recognise it? I don't. Did
:25:23. > :25:31.you live in the middle? Come on home. I recognise that failing, the
:25:32. > :25:37.lino that you put down. They've knocked through to the kitchen.
:25:38. > :25:47.That's a good idea. The bones they are the same. I can't believe you
:25:48. > :25:53.had this entire place. It was the 80s, you had everything. Before you
:25:54. > :26:02.were born it was his study. It was my bachelor pad. Terribly familiar.
:26:03. > :26:10.It is as if we were here three days ago. It is so different. Obviously
:26:11. > :26:30.our work will not be done here. Great picture. Uncanny similarity
:26:31. > :26:37.between Jenny and her daughter. The 4th of July tomorrow. What would you
:26:38. > :26:42.be doing? They are here with me. We are going to Wimbledon. I'm very
:26:43. > :26:49.excited to see that. It's not a big holiday here. Well Mac it is not. We
:26:50. > :27:02.can give you your moment. Wimbledon is a good way to celebrate. Thanks.
:27:03. > :27:10.To Jason. It will be on Wembley soon. Tomorrow will be chatting to
:27:11. > :27:13.Colm Meaney. And we end with a tribute to Barry Norman. The
:27:14. > :27:21.legendary film critic sadly passed away on Friday aged 83. Mac we have
:27:22. > :27:31.Dave Arch from strictly at the piano to play us out with a familiar tune.
:27:32. > :27:43.MUSIC: WISH I KNEW HOW IT FEELS TO BE FREE
:27:44. > :27:48.It's a picture that has been attended by so much hype that I
:27:49. > :27:55.sometimes think I must have been reading about it all my life. Sadly,
:27:56. > :28:01.he did not win the Best actor prize. One trophy he won't have to polish.
:28:02. > :28:05.The parts don't look at small to me. You must have been 15 when that was
:28:06. > :28:16.made. 15-year-olds are not what they were. You're glamorising such
:28:17. > :28:21.people, a murderer, a crook. The gangster has always been glamorised.
:28:22. > :28:24.You were left with the impression there was a more thoughtful film
:28:25. > :28:31.here but at some point the mice got at it. Now it's OK, you can let the
:28:32. > :28:40.tears flowed unchecked. I will probably shed a couple myself as we
:28:41. > :28:41.bow out to the accompaniment of Billy Taylor and the best theme tune
:28:42. > :29:08.on television. You only see really see the true
:29:09. > :29:19.face of the Whoniverse