:00:23. > :00:30.Hello and welcome to The One Show with Alex Jones. And Matt Baker.
:00:30. > :00:37.With us a man who starred in one of the most popular films of all time.
:00:37. > :00:47.Everything is new # And all I have learned has overturned # I beg of
:00:47. > :00:54.you # There's something in the air tonight, his stars are brand it's...
:00:54. > :01:01.Dominic Cooper. You were wincing there, head in hands. It is so out
:01:01. > :01:05.of tune. You looked great. That is the most important thing. How did
:01:05. > :01:11.it feel with the singing? I didn't believe I could do it. I had no
:01:11. > :01:16.confidence in singing, let alone in a musical film. Then I went to see
:01:16. > :01:23.the show and I thought they have chosen the wrong person. I was
:01:23. > :01:28.terrified. But it was good fun. was a high note and you hit it.
:01:28. > :01:33.think Pierce Brosnan was more out of tune. Well he boosted hi
:01:33. > :01:38.confidence. Dock nick has a film out and he will tell us about that
:01:38. > :01:43.later. We had a great response from the film on litter in Hyde Park.
:01:43. > :01:50.Here is what happened when the park stopped picking up litter for two
:01:50. > :01:54.days. Half a tonne was collected in two days. In a corner of the park.
:01:54. > :01:58.We're not going to let this go. Litter is a big problem. We looked
:01:58. > :02:08.for a community in need of help to sort out their streets. We found
:02:08. > :02:11.one in Blackburn. Didn't we? this is the Wally Range area. They
:02:11. > :02:16.have been complaining about a terrible litter problem for as long
:02:16. > :02:25.as they can remember. This is what this street looked like earlier.
:02:25. > :02:30.Filthy, covered in rubbish, wasn't it? Later you can see how the local
:02:30. > :02:36.community got together and cleaned this a place up. Great. Dominic
:02:36. > :02:41.what do you think of litter? Michael Crawford's daughter hate
:02:41. > :02:45.everyone who drops litter. despice it I once tried to do
:02:45. > :02:50.something, and learned not, by throwing something back through a
:02:50. > :02:58.car window that came out of it and six large people got out and I ran
:02:58. > :03:03.for my life. Did you knock somebody? They were throwing, this
:03:03. > :03:07.stuff was pouring out, chicken bones and cups. But some people
:03:07. > :03:13.don't think about the environment and maybe it doesn't affect some
:03:13. > :03:20.people. But it maybes me feel ill. We will be back later. We make
:03:20. > :03:26.choice each day, but some choices are life changing. Wendy Robins has
:03:26. > :03:31.been documenting some of those big choices. We meets a woman who Derby
:03:31. > :03:35.who at 15 made a choice that would define her forever. I'm Jasvinder
:03:35. > :03:40.Sanghera, I was born in Britain and went to school in Britain. When I
:03:40. > :03:45.was 15 I said no the to an arranged marriage. I ran away from home and
:03:45. > :03:51.that decision affected by life and the lives of my three children
:03:51. > :03:56.forever. Jasvinder Sanghera grew up in a Sikh family in Derby. Arranged
:03:56. > :04:01.marriages war common tradition and when she was 14, her parents told
:04:01. > :04:06.her they had found her a husband from India. Tell me about when you
:04:06. > :04:10.were shown that photograph of your husband to be? I was a normal kid
:04:10. > :04:15.who came home from school one day and my mother sat me down and
:04:15. > :04:19.presented me with a photograph. I said, mum, I don't want to marry
:04:19. > :04:23.this person. She left it at that and put the photograph on the
:04:24. > :04:29.mantle Pooh she would say this is your future husband. The pressure
:04:29. > :04:34.mounted when I was 15 and a half. My mother would say you will go
:04:34. > :04:38.through with this. That is when I started to say no. And my mother
:04:38. > :04:43.took me out of school and I was locked in a room at home. The thing
:04:43. > :04:48.was I had seen it happen to my sisters. They would say you're in a
:04:48. > :04:56.-- you're no different to us. did you escape. I saw an
:04:56. > :05:01.opportunity. The door was open and I just ran. She escaped with the
:05:01. > :05:07.help of her best friend's brother and the two fled to Newcastle. She
:05:07. > :05:11.h hid -- she hid on the floor of the car until she saw the Tyne
:05:11. > :05:16.bridge. Over night I had lost everyone I had known and loved. I
:05:16. > :05:23.would come and walk around and look over the bridge and think, well if
:05:23. > :05:28.I throw myself in, who will miss me? After months in hiding, a
:05:28. > :05:34.police officer persuaded her to contact her family. My mother's
:05:34. > :05:39.response was shocking. It was, you stay where you are. Unless you want
:05:39. > :05:49.to come home, marry who we say. Otherwise you are now dead in our
:05:49. > :05:51.
:05:51. > :05:56.eyes. She spent even -- ve seven years as an outcast. Tell me about
:05:56. > :06:01.your sister. She suffered horrific domestic violence. We used to have
:06:01. > :06:05.a relationship in secret and she would tell me that she is suffering
:06:05. > :06:11.violence. I would say tell mum and dad. She did, but they sent her
:06:11. > :06:16.back and said it is your duty to make this marriage work, because of
:06:16. > :06:22.our honour. My sister, 24, she had a little boy of five. She set
:06:22. > :06:29.herself on fire and suffered over 90% burns and died. Jasvinder
:06:29. > :06:36.Sanghera set up Karma Nirvana, a charity for victims of abused and
:06:36. > :06:42.forced marriages. Give me an idea of the calls you receive here.
:06:42. > :06:46.Today we have had a teacher call about a 14-year-old girl. We
:06:46. > :06:53.rescued a victim of a forced marriage. We receive over 400 calls
:06:53. > :06:57.a month. The biggest achievement has to be that we're saving lives.
:06:57. > :07:01.Although Jasvinder Sanghera sent her photographs, they never forgave
:07:01. > :07:06.her and in their eyes, bringing shame on the family. When my father
:07:06. > :07:12.died. I went to the house and in the corner of his room on the wall
:07:12. > :07:16.there was my photograph. And I thought, you know dad, in death,
:07:16. > :07:21.you say a thousand things to me. But you could never say them when
:07:21. > :07:27.you're alive. I think what a waste. All these years later, Jasvinder
:07:27. > :07:33.Sanghera still has no relationship with the family. Her eldest
:07:33. > :07:39.daughter is getting married soon, but there with no one from at the
:07:39. > :07:46.wedding from her family. A sad decision of -- a sad consequence of
:07:46. > :07:50.a decision taken 30 years ago. decision has given her a university
:07:50. > :07:54.education, independence trgs right to choose who she wants to marry.
:07:54. > :08:04.I'm proud of my mum for making that decision and doing that and being
:08:04. > :08:07.the person that she is now. only a big choice but a huge
:08:07. > :08:12.sacrifice. She is here us with. We can see from the film, 30 years on,
:08:12. > :08:17.it is still hard to come to terms with what your decision. How often
:08:17. > :08:21.do you think about that moment? You say that open door and you ran
:08:21. > :08:26.through it. The decision I made when I was 15 is a decision that
:08:26. > :08:31.stays with me every day of my life. It impacts on me, my children. They
:08:31. > :08:36.also disowned. I see my family who physically cross the road and
:08:36. > :08:42.ignore me. So it never leaves you. Are you in contact with any members
:08:42. > :08:47.of your family? Only one member of my family talks to me. My new book
:08:47. > :08:51.took me on a journey to find my sister. Who I had never met. In
:08:51. > :08:55.India. It was a new door and I have a sister born and raised in India
:08:55. > :09:01.that accepts me for who and what I stand for. Yet, those born here in
:09:01. > :09:06.the UK don't. What about your own children, do they keep in contact
:09:06. > :09:10.with your children? No, my children, my daughter is getting married and
:09:10. > :09:14.no member of my family will be there. Bar the one person that
:09:14. > :09:18.speaks to me. You still feel you made the right decision? Yes. One
:09:19. > :09:27.thing I didn't know when I was 15 when I was making that decision I
:09:27. > :09:33.was making it for my children in the future. There are successful
:09:33. > :09:36.arranged mairns. Re-- Successful arranged marriages. But if people
:09:36. > :09:40.are forced, what advice would you give them. There is help available
:09:40. > :09:43.and there is no reason for anyone born here to go through with a
:09:43. > :09:49.forced marriage. It is difficult, because this is your family doing
:09:49. > :09:53.it to you. I understand that. But I am proof you can do it. Call the
:09:53. > :09:58.help line, in confidence and find out. Tell somebody you trust.
:09:58. > :10:02.much of a problem is this in Britain? What the Government tell
:10:02. > :10:11.us is that we're dealing with the tip of the iceberg, but there are
:10:11. > :10:17.hundreds of people at risk. Thank you. And for that lovely film as
:10:17. > :10:26.well. Miranda Krestovnikoff is used to working with bald men on this
:10:26. > :10:30.show. There are our fine fellas. she was at home caring for this
:10:30. > :10:35.patients at Tiggywinkles Animal Rescue Centre in Buckinghamshire.
:10:35. > :10:41.The aim of rescue centres is to get animals back in the wild. But
:10:41. > :10:44.sometimes that just isn't possible. Some patients will never leave
:10:44. > :10:51.Tiggywinkles's doors. Including a special ledge hog that we featured
:10:51. > :10:59.a couple of years ago. -- hedgehog. There he is. You can see why he has
:10:59. > :11:07.the name Spud. Hedgehogs usually have thousands of hairs. But Spud
:11:07. > :11:13.only has 20. He is so retracted. When we first met him they thought
:11:13. > :11:18.they may have found a solution. But he is still as bald as can. After
:11:18. > :11:27.his five minutes of fail fame, there were suggestion. People send
:11:27. > :11:32.us in wigs made of cactus, they wanted us to rub tomatoes. Somebody
:11:32. > :11:36.said to urinate on him. But we didn't try that. We have just made
:11:37. > :11:42.him as comfortable as possible. Butless not alone. He has a couple
:11:43. > :11:47.of -- but he is not alone. He has a couple of housemates with a similar
:11:47. > :11:53.problem. We have a naked squirrel. If he has not got hair growth,
:11:53. > :12:01.there might be problems with hair and nails. We have to keep a check
:12:01. > :12:06.on him. To do that, we have got to catch him. Squirrels have double
:12:06. > :12:16.jointed hind legs and sharp claws. He may be bald, but there is
:12:16. > :12:23.
:12:23. > :12:29.We have got him. You get bald people, so you get bald anything.
:12:29. > :12:37.His skin is in good condition. He is not itching or sore. You can see
:12:37. > :12:45.his teeth. They're huge. But they all even. The teeth grow all the
:12:45. > :12:54.time. His teeth and nails are fine. Yes I'm happy. I will leave him
:12:54. > :12:58.with you. He doesn't want to let go of your finger. One, two, three. It
:12:58. > :13:02.doesn't mat Fer they are bald they welcome here. As they can't protect
:13:03. > :13:07.themselves from the cold, they will live out their days here. But most
:13:08. > :13:11.other animals can be released. With some help. A lot of young animals
:13:11. > :13:21.get separated from their mothers a t this time of year. But there is
:13:21. > :13:22.
:13:22. > :13:30.help at hand with specially trained foster parents here. Jack's -- jack
:13:30. > :13:35.is one of them. She has been looking after a couple of baby hare
:13:35. > :13:44.is. They are born fully furred and mum usually just comes to see them
:13:44. > :13:50.once a day. So they have to fend for themselves from the start. They
:13:51. > :14:00.are hiding. In the wild they don't have a nest. Just a hollow in the
:14:00. > :14:04.ground. He has disappeared! Warm up his milk. In the wild they put into
:14:04. > :14:10.separate forps by the mother to to avoid the entire litter being lost.
:14:10. > :14:20.Although they are independent after birth, it takes up to five weeks to
:14:20. > :14:22.
:14:22. > :14:27.be fully weaned. That is his last feed. Yes. Are two hares are eight
:14:27. > :14:34.week ole and are ready to go. The first one can't wait. There he goes.
:14:34. > :14:40.Brilliant. That is superb. It is really nice. The second is more
:14:40. > :14:46.reluctant, but he soon gets his bearings. I thought he may have a
:14:46. > :14:52.good look around. First. Great. is happy. He will make a new home
:14:52. > :14:59.for himself. Let's go. Let's go to the pub I think. Well deserved.
:14:59. > :15:09.Tomorrow the bird caught up in netting gets a taste of freedom and
:15:09. > :15:11.
:15:11. > :15:18.That heron, because of that heron we have been talking about
:15:18. > :15:27.haemorrhoids. I didn't hear the end. It's on the wing. Not the bags
:15:27. > :15:33.under the eyes, that's what I use it for. You have a brand new film
:15:33. > :15:41.Devil's Double. You play the son of Saddam Hussein and Lateef who is
:15:41. > :15:51.forced to become his body double. Look, look. Look at me. We could be
:15:51. > :15:52.
:15:52. > :15:58.twins, no? You are taller. much? This much? Didn't they used
:15:58. > :16:05.to say that you looked like Uday Hussein? I want you. I want you to
:16:05. > :16:07.be my double. I want you to be my brother.
:16:07. > :16:11.APPLAUSE You are very convincing as both
:16:11. > :16:14.characters. For the majority of the film you are acting alongside
:16:14. > :16:19.yourself weirdly. How difficult was that and how did they achieve it,
:16:19. > :16:27.because it's so realistic? Various methods, but ultimately without
:16:27. > :16:33.wanting to glaze over and get bored, but it was about getting - I was
:16:33. > :16:37.Uday and then the camera would make a move and I would run off and step
:16:37. > :16:41.into the Lateef outfit and run back on with an ear piece listening to
:16:41. > :16:44.the scene of me, so I was reacting and responding to no-one in the
:16:44. > :16:48.physical space and also have to second guess the performance of
:16:48. > :16:52.Lateef while I was place Uday, not knowing what I would do in the
:16:52. > :16:56.scene. It wasn't about staying in one crack fer for long periods of
:16:57. > :17:02.time, because of the lack of time that we had. Jumping between the
:17:02. > :17:06.two and trying to get into the head space of two ultimately
:17:06. > :17:13.extraordinarily different men. saw it quite early in the morning,
:17:13. > :17:19.which was - it is graphic and violent. But it's based completely
:17:19. > :17:24.on a true story. It is. We have for the benefit of an audience,
:17:24. > :17:29.manipulated it in a certain way and used elements of the story and also
:17:30. > :17:36.taken out some, because it's from a book by Lateef, who escaped from
:17:36. > :17:40.the regime and managed to get away, but also for my benefit it was very
:17:40. > :17:44.helpful to take an essence and learn about them and make two very,
:17:44. > :17:47.very different characters, so an audience hopefully is aware of who
:17:47. > :17:52.they are watching at any given moment, otherwise it becomes very
:17:52. > :17:57.complicated. Was he on set, Lateef? He was. He came occasionally and I
:17:57. > :18:00.spoke to him at length in the beginning, but once I realised we
:18:00. > :18:05.weren't making a descriptive account of the situation, I found
:18:06. > :18:09.it quite difficult or daunting him being there. I bet. I wondered if I
:18:09. > :18:14.was getting it right or how involved he is in it. It's recent,
:18:14. > :18:19.if you think about it. Didn't he say that you got 95% of the
:18:19. > :18:24.character spot on and there's the missing 5%? I'm not sure what that
:18:24. > :18:28.is! Essentially it didn't matter a great deal, because it was the
:18:28. > :18:32.creation of two characters rather than impersonating those those
:18:33. > :18:38.people were. Your mum came along? She did. I was worried about her
:18:38. > :18:42.seeing the scenes of vitence or me being brutal to myself. The story
:18:42. > :18:46.is completely cap vaiting. When I heard read about it and knowing so
:18:46. > :18:50.little and having that part of the world be so present in my life
:18:50. > :18:56.growing up, I felt quite guilty not knowing nearly enough about it or
:18:56. > :19:00.the people within it or that regime. It is a superb film. Quickly, going
:19:00. > :19:06.back to Mamma Mia. Millions of people love it. Could there be
:19:06. > :19:11.another? Will you sing better? don't know. Possibly worse. I do
:19:11. > :19:18.always ask. Anything for a holiday in Greece. I've heard nothing, but
:19:18. > :19:24.maybe they have and I haven't. That would be even worse! Thank you. The
:19:24. > :19:27.film is out on 12th August. The number of times you come across
:19:27. > :19:31.floral tributes is a reminder of how many lose their lives to
:19:31. > :19:36.traffic accidents, but many councils are now clearing them away
:19:36. > :19:40.against family wishes, saying they are a distraction to drivers.
:19:40. > :19:46.Between between We meet a mum from Manchester determined to keep her
:19:46. > :19:50.daughter's memory alive. Are you offended by this? Do you find the
:19:50. > :19:55.flowers a dangerous distraction when you are driving? Is this road-
:19:55. > :19:58.side rubbish or a poignant reminder that a life has been lost? Whatever
:19:58. > :20:07.your thoughts, these home-made memorials are becoming more and
:20:07. > :20:12.more common. Nothing wrong with that, but many would disagree. Many
:20:12. > :20:16.councils have dranded -- branded them a hazard. Authorities are
:20:16. > :20:22.clamping down, setting time limits and removing them completely, even
:20:22. > :20:25.against the wishes of grieving relatives. Six years ago Marie's
:20:25. > :20:30.daughter was killed when the car she was travelling in collided with
:20:30. > :20:35.a taxi mini bus. The tribute that appeared hours later has always
:20:35. > :20:41.given her family comfort. All my friends and everything had left
:20:42. > :20:47.flowers. It was covered. There were light and candles. There were holy
:20:47. > :20:53.pictures. Everything here. Beautiful. What was that like when
:20:53. > :20:59.you saw it? It gave me great comfort. It did give me a bit of
:20:59. > :21:03.comfort at the time. After a few weeks when the flowers died and
:21:04. > :21:07.everything was shifted, then we just set up the tree.
:21:07. > :21:14.Manchester City Council, in common with others across the UK, has a
:21:14. > :21:21.policy of removing memorials. council a long time before shifted
:21:21. > :21:27.it one night at 4.30am. How did that make you feel? It felt like
:21:27. > :21:30.that they had just ripped my heart out. I said to the council, what
:21:30. > :21:35.kind of men that it took three men to come and shift something like
:21:35. > :21:39.this? Have they got no hearts? They must have known that it meant
:21:39. > :21:43.something to somebody. How could they do it? What was the explain
:21:43. > :21:46.that they gave you? Why did they say it had to be moved? They said
:21:46. > :21:54.it was a distraction and at the time there was a big advertisement
:21:54. > :21:59.up on the railing behind us and I said that's a bigger distraction.
:21:59. > :22:03.What evidence is there to say tributes are dangerous? Well, Road
:22:03. > :22:08.Peace the charity for victims says there isn't any and we have only
:22:08. > :22:12.been able to find one incidence in 2007 when a driver overtaking on
:22:12. > :22:20.the wrong side of a road ploughed into a group who were looking at a
:22:20. > :22:22.memorial. Surely a billboard like that is more distracting?
:22:22. > :22:29.Manchester City Council says not only are the tributes distracting,
:22:29. > :22:33.but they can be upsetting. That view is shared in nearby Bolton.
:22:33. > :22:39.have had quite a lot of feedback from our residents and individual
:22:39. > :22:43.members of the public, saying that these tributes actually are
:22:43. > :22:49.upsetting them, because they do a number of things. Some families see
:22:49. > :22:59.them tied to their fences for years and years and they actually wither
:22:59. > :22:59.
:22:59. > :23:03.and die and then the family comes back again. The - we were
:23:03. > :23:09.responding to what the public wanted. Some councils, including
:23:09. > :23:13.Bolton and Manchester, have put up permanent memorials, but do people
:23:13. > :23:16.agree with the removal of personal tributes? They are not doing any
:23:16. > :23:20.harm. It's not hurting anyone. I think they should be allowed to
:23:20. > :23:24.have them there as long as they want. They are perfectly acceptable
:23:24. > :23:28.and probably help the people who are grieving, but I don't like to
:23:28. > :23:36.see them if there are there a long time. There should be a limit
:23:36. > :23:39.liement. It's a tribute to people - - limit -- time limit. It's a
:23:39. > :23:42.tribute to the people. If the flowers are there rotting it looks
:23:42. > :23:49.a mess. I think they are appropriate and they are OK.
:23:49. > :23:54.There's not a problem. Back at the memorial, I met an academic who has
:23:54. > :24:00.been studying the tributes for over two decades. When did road-side
:24:00. > :24:03.memorials become common in country? -- in this country? The last 25
:24:03. > :24:08.years. What has happened is they've become so open now and everyone
:24:08. > :24:12.sees them and it's becoming part of the mourning culture. We don't have
:24:12. > :24:16.structured practises about how to mourn, so no-one comes to tell you,
:24:16. > :24:20."I want to dress in black and wear an armband." We don't get that any
:24:20. > :24:24.more. You are left to do your own mourning. This is from the people.
:24:24. > :24:28.You know what you want to do and you can do it immediately and
:24:28. > :24:32.because of all the meaning and the emotional ownership that you gain
:24:32. > :24:36.by doing this action, that is the important thing. It's led by the
:24:36. > :24:45.people and anyone can do it. You don't have to be rich or famous.
:24:45. > :24:49.Anyone can do it. I find those tributes incredibly sobering and
:24:49. > :24:54.they are better than speed cameras. You drive along and you think this
:24:54. > :25:01.is obviously a hotspot? I agree. They always make me slow down and
:25:01. > :25:05.think twice about how unbelievably dangerous the vehicles are and I
:25:05. > :25:11.totally agree with that lady there about the mourning process that we
:25:11. > :25:15.have. It's a local space and it's for the public. Exactly. Well, it's
:25:15. > :25:19.time to go back to the Whalley Range area of Blackburn, where the
:25:19. > :25:24.locals have been hard at work cleaning up the streets and Anita
:25:25. > :25:31.has been getting her hands dirty. I've been getting them dirty. The
:25:31. > :25:36.sight was depressing, but cleaning it all up, the bag here, was
:25:36. > :25:40.uplifting. The entire community came out. Here's how the One Show
:25:40. > :25:45.Litter Army got on. This is the Whalley Range area of Blackburn.
:25:45. > :25:49.The people have been mistaking it for a rubbish bin. It's got so bad
:25:49. > :25:53.with some locals even spotting rodents, but things are about to
:25:53. > :26:03.change, because I've been armed with a megaphone and the Litter
:26:03. > :26:05.
:26:05. > :26:15.Army. You've got the T-shirts and bag and gloves. Are you ready to
:26:15. > :26:19.
:26:19. > :26:28.clean your filthy streets? Then disperse! Well done, everybody. You
:26:28. > :26:31.are doing a great job. People have take-aways and they are stopping
:26:31. > :26:35.the car and pulling over and throwing it away. This is an issue
:26:35. > :26:45.and problem and we need to collectively sort it out and today
:26:45. > :26:51.
:26:51. > :26:54.has shown that we can sort it if we All this litter, which you can see
:26:54. > :26:57.in front of me, has come out of the bushes, which have been cut back
:26:57. > :27:07.and it doesn't belong on the streets, so let's get it cleaned up.
:27:07. > :27:10.
:27:11. > :27:14.Guys. Well, the place now looks spotless and I know it's Ramadan,
:27:14. > :27:18.so extra special that people took the time to come out whilst
:27:18. > :27:24.everyone is fasting, but you live here. Why have you allowed it to
:27:24. > :27:29.get so mucky? General attitudes and people have been lazy. We should
:27:29. > :27:32.really wake up and start cleaning our own areas and take the
:27:32. > :27:39.responsibility. Absolutely. I hope we have started that. Are you going
:27:39. > :27:44.to throw litter from now on, guys? Right answer. Waive trained them
:27:44. > :27:49.well. Look. This is how much litter we have been picking up. Three
:27:49. > :27:52.trucks. The last bag going in. There it goes. Two very important
:27:52. > :27:56.people to speak to before we wrap this whole thing up. We have Jean
:27:56. > :28:00.who is from the Housing Association. You have responsible for a couple
:28:00. > :28:04.of streets which are really filthy. How are you going to keep on top of
:28:04. > :28:09.this? We intend to continue to work with the communities and young
:28:09. > :28:12.people and with the agencies to combat what is a national problem.
:28:12. > :28:15.Councillor, the people are cleaning their streets and they pay their
:28:15. > :28:18.council tax. Isn't it the council's responsibility to do something as
:28:18. > :28:23.well? The council are doing their bit. I think collectively we need
:28:23. > :28:26.to work together, just like today, the community has shown the spirit
:28:26. > :28:31.and the community and the organisations all working together.
:28:31. > :28:35.It's all happening. They are all coming together. It's time to get
:28:35. > :28:44.you out of the way so we are going to get rid of this rubbish. It's
:28:44. > :28:47.going to the dump! Brilliant stuff. We have had loads of responses.
:28:47. > :28:51.Loads of them in. Little Eddie there. Aged nine. He's been picking