:00:17. > :00:25.Hello and welcome to the programme. Earlier on, we popped down the shops
:00:25. > :00:31.to pick up the guests for tonight. But when we got there, there was a
:00:31. > :00:42."buy one, get one free" deal on the national treasures. It is Felicity
:00:43. > :00:46.Kendal and Simon Callow! Obviously, we have not just randomly got you in
:00:46. > :00:50.together, you are starring in a play together, and you have been in
:00:50. > :00:52.rehearsals today. What is your overriding memory of today, how were
:00:52. > :00:55.rehearsals today. What is your the rehearsals? Well, what we talked
:00:55. > :01:00.rehearsals today. What is your about a lot was alcohol. We do that
:01:00. > :01:04.anyway, but the play is about that, and so we have a particular problem,
:01:04. > :01:07.which is that we drink all the way through the show. As you can
:01:07. > :01:12.imagine, we do not streak real alcohol, so we had this bizarre
:01:12. > :01:16.cocktail party of nonalcoholic alcohol, stuff that looks like red
:01:16. > :01:26.wine, which we have to drink a great deal of. It was terrible. They were
:01:26. > :01:32.all lined up like this. And you are going, that is too sweet... It will
:01:32. > :01:38.look a bit more like wine if you add in some Coca-Cola. In display, Simon
:01:38. > :01:41.especially has to drink a lot of it. So it is not like, let's pretend it
:01:41. > :01:54.is great juice. It is really tricky. And is it right that you are
:01:54. > :01:57.Italian in this? How is his Italian? Perfect. Can you give us a
:01:57. > :02:03.Italian in this? How is his quick blast? Oh, lovely. But you do
:02:03. > :02:12.have a big repertoire of European accents, we hear. I do, it is true,
:02:12. > :02:18.I am a master of accents. I am the master of none. Can we use that
:02:18. > :02:22.later? Well, the play is about finding love in unusual
:02:22. > :02:27.circumstances, which got us thinking - have you met the love of your life
:02:27. > :02:31.in an extraordinary way? If so can send us your story, and even
:02:31. > :02:34.better, if you have got a picture of both of you, and maybe Simon will
:02:34. > :02:43.read them out in your chosen European accent. Was that a yes?
:02:43. > :02:48.That's fabulous. We have stitched you up! Either that or he will just
:02:48. > :02:53.laugh his way through it. Last week, new figures showed that 24% of
:02:53. > :02:56.us have been victims of identity fraud, the highest figure in
:02:56. > :03:00.Europe. You would've thought we would have got the message by now,
:03:00. > :03:01.but as Dan Donnelly discovers, people are making themselves easy
:03:01. > :03:11.targets. All of us have things we would
:03:11. > :03:14.prefer to keep to ourselves, and in these folders, we have got some very
:03:15. > :03:18.personal information which we are about to return to its rightful
:03:18. > :03:23.owners. This man has no idea what we are about to reveal. All we have
:03:23. > :03:28.told him is to meet us here. I think I have found something of yours. Do
:03:28. > :03:34.you recognise that? Yes, yes I do. It is your bank statement, isn't
:03:34. > :03:42.it? Yes. Our dossiers have other secrets to reveal. Would you
:03:42. > :03:49.recognise that? Oh, yes, that is my payslip, isn't it? My God, that is a
:03:49. > :03:53.bit scary. I am about to hand back one-woman's expenses claim. What is
:03:53. > :03:58.that? That is my signature, that is my date of birth. OK, yes... That is
:03:58. > :04:02.a bit odd. None of those people would ever have dreamt of sharing
:04:02. > :04:06.such private information, but they all unwittingly made it public when
:04:06. > :04:13.they walked into a place like this one, and Internet cafe. A lot of
:04:13. > :04:17.cafes like this one in Reading make customers' privacy a priority, but
:04:17. > :04:21.there is no law which says they have to. We wanted to find out how easy
:04:21. > :04:26.it would need to get our hands on people's private information. We
:04:26. > :04:28.visited 12 Internet cafes in four towns and cities to see what we
:04:28. > :04:32.could find. In seven of the cafes, towns and cities to see what we
:04:32. > :04:36.we found scores of personal documents on the computers within
:04:36. > :04:41.minutes, and it was not just stuff from that day which they have not
:04:41. > :04:44.had time to delete. Some of it went back months. A lot of what we found
:04:44. > :04:49.was pretty harmless, but we also found a large number of confidential
:04:49. > :04:57.documents, some passports, insurance documents, even someone's divorce
:04:57. > :04:59.papers. This is proper personal information which you would not want
:04:59. > :05:02.to be getting into the hands of anyone else. So, what do our
:05:02. > :05:07.surprise cafe users think when we reveal all? How do you have this? We
:05:07. > :05:14.got it from this document was left on a computer in an Internet cafe.
:05:14. > :05:18.Oh, really guess that is shocking. Maybe I stupidly put it into the
:05:18. > :05:23.recycling bin, which is not really deleting it, is it? I actually got
:05:23. > :05:32.this from a computer in an Internet cafe. Really? Yes. That is
:05:32. > :05:35.absolutely terrifying. Clearly I did not delete it, I was in a rush to
:05:35. > :05:41.get out of there. That is really not good. And you thought it was safe at
:05:41. > :05:44.the time? I did, yes. Who do you think should be responsible for the
:05:44. > :05:49.security of personal information in an Internet cafe? I suppose it is
:05:49. > :05:54.the responsibility of the person, they should not leave stuff flying
:05:54. > :05:58.around. On just one computer, we found more than 70 private documents
:05:58. > :06:02.and hundreds of photographs. Remember, we did not use any
:06:02. > :06:07.high-tech devices or could located trickery to find them, just some
:06:07. > :06:09.basic computer know-how. So, if the cafe is not keeping your data
:06:09. > :06:13.basic computer know-how. So, if the secure, what can you do to keep your
:06:13. > :06:17.personal information safe as we showed the results of our
:06:17. > :06:19.experiments to a computer security expert. If you are opening up
:06:19. > :06:23.experiments to a computer security documents on a public computer, make
:06:23. > :06:27.sure they are deleted, and make sure they are deleted from the recycle
:06:27. > :06:32.bin, or the trash. If you do not have access to those, ask the owner
:06:32. > :06:36.of the Internet cafe to do it. And cafes can do more to help. This one
:06:36. > :06:42.uses special computer programmes to keep customers' data secure. When
:06:42. > :06:46.you log off, we have a script in the background which simply removes any
:06:46. > :06:49.trace of your being on that computer, what we call your
:06:49. > :06:55.footprint, browser history, documents, any temporary files. No
:06:55. > :07:02.trace you were ever hear. No trace at all, it completely removes your
:07:02. > :07:06.history. Only two said they had basic security, while a third said
:07:06. > :07:11.he would now warn users to delete personal information properly. We
:07:11. > :07:15.he would now warn users to delete need to wake up as consumers. If we
:07:15. > :07:18.are going to leave personal information on public computers, we
:07:18. > :07:22.will become a target. Just so you know, all of the private information
:07:22. > :07:29.we got hold of, we made sure we deleted for good. Dan is here now.
:07:29. > :07:32.Just a reminder for people who may have used a computer in a public
:07:32. > :07:37.place - how do you delete personal information? Delete any temporary
:07:37. > :07:41.files or documents you have been working on, then go to the recycle
:07:41. > :07:47.bin and delete them from there as well. So you are deleting it twice
:07:47. > :07:52.how else are we leaving ourselves open to identity fraud? If you have
:07:52. > :07:56.got weak privacy settings on something like Facebook, people can
:07:56. > :08:00.figure out your mum's maiden name, because your cousins have got the
:08:00. > :08:06.same name as you, they can figure out which school you went to... Even
:08:06. > :08:13.your date of birth... Exactly. They can big build up a profile and then
:08:13. > :08:16.they can impersonate you. The DVLA are saying that people are so
:08:16. > :08:19.chuffed with passing their driving test for the first time, they are
:08:19. > :08:28.showing their driving licence online. This was a pretend one, just
:08:28. > :08:30.to point out! The worry is that if you are in a hotel or something, and
:08:30. > :08:34.to point out! The worry is that if you need access to a printer, it
:08:34. > :08:38.must have happened to you on tour, send it through to the hotel and we
:08:38. > :08:43.will print it out, and suddenly, your details are up there. Yes, it
:08:43. > :08:48.is easily done. It is quite prevalent these days. What are the
:08:48. > :08:52.most common ways that criminals using the information? They are
:08:52. > :08:58.using it to apply for loans in your name or get credit, big purchases
:08:58. > :09:02.online, or even get mobile phone contracts. And in the film, most
:09:02. > :09:11.people did not even realise that they were victims of identity fraud,
:09:11. > :09:17.so how long on average does it take? Recent research has been
:09:17. > :09:21.saying that it takes seven months on average for someone to realise, hang
:09:21. > :09:25.on, there is something wrong, and to set about putting it right. Once you
:09:25. > :09:30.decide to put it right, it can take three months or more on average to
:09:30. > :09:34.go about unpicking the damage. It was like putting your credit record
:09:34. > :09:39.right and maybe getting stolen money back, if you ever get it back. It
:09:39. > :09:44.happened to me. That is the problem, the credit rating, you have to work
:09:44. > :09:52.so hard to get it clean again. Thanks for that, Dan. As U2 are here
:09:52. > :09:54.talking about your new play, which is set in Paris, we decided to send
:09:54. > :09:56.Cerys off to find the inspiration is set in Paris, we decided to send
:09:56. > :10:02.for the book The French Lieutenant's is set in Paris, we decided to send
:10:02. > :10:06.Woman. When she heard the title, she packed her beret and everything,
:10:06. > :10:12.phrase book, everything. No idea why, she was off to Lyme Regis! The
:10:12. > :10:17.Dorset town of Lyme Regis is celebrated for its ancient harbour
:10:17. > :10:21.and dramatic cliffs. For 40 years, it was also home to one of the
:10:22. > :10:26.giants of 20th-century literature, John Fowles. It is here that he
:10:26. > :10:30.wrote his successful book, The French Lieutenant's Woman, a tale of
:10:30. > :10:35.passion and romance set in the Victorian era. John Fowles writes
:10:35. > :10:40.about Sarah Woodruff, a woman with a past, who embarks on a doomed
:10:40. > :10:46.relationship with an uptight geologist, who is already engaged to
:10:46. > :10:50.an heiress. He started the book in 1965, the same year as he moved to
:10:50. > :10:53.town. After four years writing the book, he moved to this house, and
:10:53. > :10:59.stayed here for the rest of his life. This is the room where John
:10:59. > :11:03.Fowles did most of his writing, and life. This is the room where John
:11:03. > :11:04.you can just about see the end of the harbour from here. It is where
:11:04. > :11:08.the novel begins, and he writes - an the harbour from here. It is where
:11:08. > :11:14.easterly is the most disagreeable wind in Lyme Bay... He then goes on
:11:14. > :11:18.to describe the character who stands on The Cobb and stares out to sea...
:11:18. > :11:27.And here she is, Sarah Woodruff, played by Meryl Streep in the 1981
:11:27. > :11:31.film adaptation. More than a few literary classics have been placed
:11:31. > :11:36.here. If it is good enough for Jane Austen, with Persuasion, it is good
:11:36. > :11:40.enough for John. His widow still lives in the area, and when I met
:11:40. > :11:48.her, she was wearing a very special coat. It is John's old Burberry,
:11:48. > :11:51.made a little smaller. It is my cop macro code. Towards the end of his
:11:52. > :11:58.life, I drove him down here all the time, and he would just sit with his
:11:58. > :12:08.binoculars, four hours. -- it is his coat for The Cobb. Nobody knew who
:12:08. > :12:12.he was. John Fowles was fascinated by the geology of Lyme Regis, and
:12:12. > :12:14.the book is full of references to the fossils hidden in the cliffs.
:12:14. > :12:19.the book is full of references to The hero, Charles, played by Jeremy
:12:19. > :12:25.Irons in the film, is a keen fossil hunter, just like the author. He was
:12:25. > :12:31.a great collector. His pockets were always full of seeds and stones and
:12:31. > :12:37.fossils, half bird's egg, just really like a small boy. So
:12:37. > :12:41.passionate was John Fowles about the area that when the local museum was
:12:41. > :12:47.under threat in 1978, he was outraged. John did not want the
:12:47. > :12:54.history of Lyme Regis to leave town, so he thought he had better get on
:12:54. > :12:59.and save it, so he did. Some people are surprised to find this
:12:59. > :13:06.world-famous novelist here. I do not think they knew it was John. Whereas
:13:06. > :13:11.The Cobb was open to the prying eyes of Lyme Regis, the woods are dark,
:13:11. > :13:17.secluded, and have a hint of magic. These are the woods where the author
:13:17. > :13:23.sets the seduction scenes. Sarah challenges Charles' 19th-century
:13:23. > :13:28.principles. Fowles writes... It was The French Lieutenant's Woman, part
:13:28. > :13:32.of her hair had become loose and half covered her cheek. On The
:13:32. > :13:42.Cobb, it had seems to him dark brown, but now he saw that it had
:13:42. > :13:47.read tints. Fowles was one of the first post-modern writers, and a bit
:13:47. > :13:52.of a rebel. The book jumps between the 19th and 20th-century. He even
:13:52. > :13:55.writes himself into the novel, as a character, speculating on the fate
:13:55. > :14:00.of the luckless Charles. This came as a surprise to many of his
:14:00. > :14:04.friends. I was shocked, almost horrified, I think, because people
:14:04. > :14:07.did not do that kind of thing. He just looked at me and said, I
:14:07. > :14:11.thought it would make my friends laugh. The French Lieutenant's Woman
:14:11. > :14:17.was an instant success, and this landscape became forever linked with
:14:17. > :14:21.Fowles's novel. But it was a bittersweet success. Right up until
:14:21. > :14:26.his death, Fowles felt guilty about the hordes of tourists who would
:14:26. > :14:36.overwhelm the town each summer in search of its literary past.
:14:36. > :14:45.You both spoke very highly there of John as an author. Yes, wonderful
:14:45. > :14:48.novel and an amazing writer. Chin Chin, we've established it has a
:14:49. > :14:57.complex plot. We know you play an Italian man. And drink a lot of
:14:57. > :15:01.alcohol. Can you give us a summary of the plot? It's very simple. The
:15:01. > :15:08.premise is simple. The plot is complex. A man and a woman meet. Her
:15:08. > :15:13.husband has had an affair with his wife. So they get together. For what
:15:13. > :15:17.purpose exactly, even they don't know. They just need to talk about
:15:17. > :15:20.it. Bit by bit the relationship forms between them, with many
:15:20. > :15:27.publications of stage and on stage. forms between them, with many
:15:27. > :15:31.Slowly, they begin to establish an extraordinary chemistry between
:15:31. > :15:35.themselves, and extraordinary partnership, which isn't by any
:15:35. > :15:38.means necessarily amorous or even sexual, it's to do with a chemistry
:15:38. > :15:45.between them. It is bonded, above all, over alcohol. It is very
:15:45. > :15:50.funny, it's very tender, very moving and romantic. But this element of
:15:50. > :15:57.alcohol bans all the way through. As they drink more and more, their
:15:57. > :16:00.lives fall apart. He gets rid of his factory, her apartment runs down.
:16:00. > :16:03.They become street people factory, her apartment runs down.
:16:03. > :16:13.eventually, but they seem to be happy. With a huge hangover!
:16:13. > :16:23.Felicity, you can draw on some kind of experience within this. Excuse
:16:23. > :16:28.me? ! Your ex-husband, who is directing this, you are still
:16:28. > :16:35.together. This must be something you can draw on from your past. Yes and
:16:35. > :16:38.no. We have a conjugated relationship. It isn't that
:16:38. > :16:44.complicated in rehearsal, except that he is much stricter with me
:16:44. > :16:55.than anyone else. I say, why can't I? He says, no. He is usually right,
:16:55. > :16:59.so I put up with it. One of the things that is so wonderful about
:16:59. > :17:00.this particular play is that they get together because they have a
:17:00. > :17:04.bond of pain. They really do get together because they have a
:17:04. > :17:11.understand what the other person is going through. Nobody else that they
:17:11. > :17:19.can talk to quite about those two people. I think it's a really
:17:19. > :17:23.interesting play because it's very unusual. That you get a couple that
:17:23. > :17:32.isn't having an affair or not in love. Especially a man and a woman.
:17:32. > :17:38.Yes, but it is this sort of partnership through their
:17:38. > :17:43.experiences. It's very funny and very deep, because it deals with
:17:43. > :17:51.fundamental things like loneliness, comradeship, how you deal with the
:17:51. > :18:05.past. And drink. You've worked together before. We are dealing with
:18:05. > :18:13.it. This is in 1978. What a couple! It's a bit Sasha Baron Cohen, Simon.
:18:13. > :18:23.I'm not quite sure how to take that! That's Amadeus. I did a play on
:18:23. > :18:28.stage, and I maintained the same part when the show was done on
:18:28. > :18:31.television. Nobody else had played it on stage. I was absolutely
:18:31. > :18:37.surrounded by extremely famous actors, among whom the most famous
:18:37. > :18:43.was you. I'd only been acting for a few years. The fantastic thing was
:18:43. > :18:52.you especially, were just so kind to me. In those days, yes. I can
:18:52. > :18:57.imagine it works so well on stage. We were reading, Simon, that you buy
:18:58. > :19:00.a new teapot every time you start a new production. In case you haven't
:19:00. > :19:08.had time to go to the shops, we thought we would help you out. We've
:19:08. > :19:16.got you a special Chin Chin teapot. Keep it safe. Thank you for this
:19:16. > :19:26.beautiful box, I will cherish this box! You can see Simon and Felicity
:19:26. > :19:29.in Chin Chin, starting in Windsor on October the 14th, before it goes all
:19:29. > :19:34.around the country to December and hopefully ends up in the West End.
:19:34. > :19:39.Last week, Andy showcased his extreme diving skills on a very
:19:39. > :19:43.complicated dive. This wiki is back to take on a colossal coastal
:19:43. > :19:52.challenge that defeated him once before. A proper action man never
:19:52. > :19:56.gives up. This colossal explosion of water is a geological phenomenon
:19:56. > :20:03.known as a blowhole. They found all over the world, in Samoa, Mexico and
:20:04. > :20:09.Australia. Today I'm going to attempt it died inside one of these
:20:09. > :20:14.blowholes. It's behind me here, in Pembrokeshire. As an extreme
:20:14. > :20:17.Explorer, I've travelled the world seeking out adventure. From climbing
:20:17. > :20:23.treacherous rock stacks, to diving underneath Arctic icebergs.
:20:23. > :20:27.treacherous rock stacks, to diving Blowholes are found all along the
:20:27. > :20:32.British coastline but remain relatively unexplored. In 2011, I
:20:32. > :20:35.made my first attempt died inside this blowhole. The treacherous
:20:35. > :20:41.winter swell made it impossible to get close. Each time I tried to swim
:20:41. > :20:47.into the submerged tunnel, I was blasted out by the force of the
:20:47. > :20:53.waves. The attempt was aborted. More than a year later, I've come back to
:20:53. > :20:58.try again. This is our headland here. The cliff face is plunging
:20:58. > :21:03.into the sea. There will be weaknesses and fractures in the main
:21:04. > :21:07.cliff face. Over thousands of years, the sea is bashing against these
:21:07. > :21:11.fractures. It opens them up and make you rode away a seat tunnel.
:21:11. > :21:17.Eventually they will hit a vertical fracture, which means that erosion
:21:17. > :21:21.process starts heading upwards. Again, the waves are pounding in
:21:21. > :21:27.here and eventually erode a tunnel all the way to the top and out the
:21:27. > :21:33.top of the cliff. That allows the surging waves to pour in through
:21:33. > :21:37.here and bore out the top. This blowhole only erupts in stormy
:21:37. > :21:42.conditions, but that doesn't mean it's a tranquil environment. Sue
:21:42. > :21:45.Burton is a marine conservation officer for this stretch of
:21:45. > :21:50.coastline. Although you are quite shallow, you are almost simulating a
:21:50. > :21:53.deeper environment because you haven't got the light there. All of
:21:53. > :21:57.the kelp and the seaweed growing outside, they can't grow inside. The
:21:57. > :22:01.other thing that is unique is the fact you've got a real wave surge
:22:01. > :22:05.going in and out there. You can't live in there and less you can cling
:22:05. > :22:16.on tight or hide away in a Moog and cranny. First I have to reach the
:22:16. > :22:17.headland. The blowhole tunnel entrance lies six metres below the
:22:17. > :22:25.headland. The blowhole tunnel surface. I just need to find it.
:22:26. > :22:36.The narrow entrance is just big enough for me to squeeze through.
:22:36. > :22:42.Blowholes are a true geological wonder. Few people know these
:22:42. > :22:59.formations exist, let alone get inside them.
:22:59. > :23:11.This is the chamber where the water surges up and explode out to the
:23:11. > :23:16.surface. Having made it inside, I'm now hoping to see what marine life
:23:16. > :23:20.lives here... If any. At first sight the bare walls aren't looking
:23:20. > :23:22.promising. Just as I was told, in the cracks and crevices is a variety
:23:22. > :23:28.promising. Just as I was told, in of life. Spider crabs, feeding on
:23:28. > :23:33.food particles washed in in the current. There's also velvet
:23:33. > :23:37.swimming crabs, named because of their fine, downy hair and the
:23:37. > :23:44.speedy swimming ability. There's prawns with a distinctive red and
:23:44. > :23:49.blue markings. And moon jellyfish, three swimming in the waters here.
:23:49. > :23:53.I've finally achieved what I set out to do. But to take a look from a
:23:53. > :23:56.different perspective and going top side, where the blowhole
:23:56. > :24:00.breakthrough to the headland. Looking down at this deep, dark
:24:00. > :24:07.blowhole, it's surprising that life survives here but it does, as you've
:24:07. > :24:09.seen. I've weighed up the pros and cons against living somewhere that
:24:10. > :24:14.gets battered by the storms, but somewhere that offers detection and
:24:14. > :24:20.unique habitat. It just goes to show that even the wildest places on our
:24:20. > :24:27.coastline, life survives. Felicity, you are an adventurous woman. Yes,
:24:27. > :24:33.I'm opening with him! He's very frightening. There's nothing in the
:24:33. > :24:43.world that would get me down or up a blowhole. Very claustrophobic. You
:24:43. > :24:49.do practice a lot of yoga, Felicity. Not underwater! Have you been
:24:49. > :24:57.teaching Simon? He's wonderful, downward dog - no problem. The
:24:57. > :25:02.Cobra. We haven't got time for your downward dog. Time is marching on,
:25:02. > :25:08.so let's go to Leeds, where Carrie is standing by to tell us about an
:25:08. > :25:16.amazing transformation. I'm here at the Millennium Sqaure. It is a
:25:16. > :25:19.celebration of the art and culture of Leeds. For the next three
:25:19. > :25:24.nights, this amazing projection is being put onto the building behind
:25:24. > :25:27.us, the Civic Hall. Every 15 minutes the people of Leeds bring it to
:25:27. > :25:51.life, and this is what we saw earlier.
:25:51. > :26:00.You are the inspiration behind this. What was the idea? It comes from
:26:00. > :26:03.public clockmakers of Leeds. We wanted to do a giant video
:26:03. > :26:08.projection of that, whether people of Leeds came together. We use them
:26:08. > :26:16.as automatons in the building. What a great idea. One of those people
:26:16. > :26:27.was Kizzy. What was it like seeing yourself? It's not everyday you see
:26:27. > :26:31.yourself on a building. Morin, line dancing at 8:15pm. How does it feel?
:26:31. > :26:37.It was amazing to see line dancing on the roof of the Civic Hall. I've
:26:37. > :26:43.got a job for you. You are going to come and work the crank. The crank
:26:43. > :26:45.controls this behind us. As we turn these dials, believers go once the
:26:45. > :26:54.cogs move. We start seeing these dials, believers go once the
:26:54. > :26:59.speed up and change. We are winding that clock ready for the 15 minutes.
:26:59. > :27:04.This is here until 10:30pm tonight, that clock ready for the 15 minutes.
:27:04. > :27:09.it's on for the next three nights as well. We are loving it. Let's give
:27:09. > :27:13.everyone a big wave! According to that clock we've got one minute and
:27:13. > :27:19.45 seconds until the end of the programme. Earlier, we asked if you
:27:19. > :27:23.found the love of your life in an unusual circumstance. It all stems
:27:23. > :27:27.from the plot of Felicity and Simon's new plague. You haven't
:27:27. > :27:34.disappointed us. Simon is going to read them in a variety of European
:27:34. > :27:45.accents. What do you reckon with the first one, Felicity? This is what
:27:45. > :27:52.I'm like in rehearsal! Scottish! Fiona met Billy while she was out
:27:52. > :27:57.cycling and had a puncture. Billy was on a run and run all the way to
:27:57. > :28:13.Halfords, bought a kit and repaired it for her. Isn't that beautiful?
:28:13. > :28:19.The next one. Serbian something. Serbo-Croatian. Fran Evans met her
:28:19. > :28:24.husband in the baked bean aisle in Tesco's. Ironically, he was tanned,
:28:25. > :28:35.bald and actually looked like a baked bean. Thank you both so much.
:28:35. > :28:39.You can see Felicity and Simon performing in changing from next
:28:39. > :28:40.month in Windsor, before it tours around the whole country and
:28:40. > :28:45.hopefully ends up in the West End. around the whole country and
:28:45. > :28:49.Are you doing more drinking tomorrow, what have rehearsals got
:28:49. > :28:54.in store for you? Absolutely, morning till night. Alex will be
:28:54. > :28:56.here tomorrow with Chris and John Bishop.