04/04/2012

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:00:23. > :00:26.Hello and welcome to The One Show with Matt Baker. And Alex Jones.

:00:26. > :00:31.Tonight's guest is no stranger to award ceremonies. He loves them so

:00:31. > :00:35.much that he has decided to host his own. But tonight, we have got

:00:35. > :00:40.some just for him. The award for the largest drumming baby known to

:00:40. > :00:45.man. The award for worse sauna companion in history. And the award

:00:45. > :00:53.for the best impersonation of a massive green bird. Please welcome

:00:53. > :00:59.to receive all three, Matt Lucas! Unfortunately, we have not got

:00:59. > :01:06.anything for you. But on your show, they win this lovely Lucas award.

:01:06. > :01:14.Yes, it is like a fat Oscar. It is very tactile. And sadly,

:01:14. > :01:20.anatomically correct. Is your bum that pert? I wish! There is a whole

:01:20. > :01:24.line of merchandise. You could do bubble bath. We could. The way my

:01:24. > :01:28.weight is at the moment, that is actually quite complimentary.

:01:28. > :01:34.see truckers with them on their wing mirrors. You have got your

:01:34. > :01:37.money involved in the show. Yes, I wanted to keep this one quite clean.

:01:37. > :01:42.And I thought, when my mum is around, I do not want to say

:01:42. > :01:52.anything stronger than cobblers. Good job we brought her tonight.

:01:52. > :01:55.She's making herself at home. Speaking of awards, if you at home

:01:55. > :01:59.have won something you are proud of, send us a picture of you and your

:01:59. > :02:06.trophy. Then Mr Lucas will award an award for his favourite award. Got

:02:06. > :02:09.that? Send them in to the usual address. Maybe Best's no man over

:02:09. > :02:13.the Easter holiday. We are always hearing about how

:02:13. > :02:19.many CCTV cameras we have in this country. These days, they are even

:02:19. > :02:27.becoming popular as home security, but do they deter burglars? We sent

:02:27. > :02:34.Dom Littlewood to put CCTV in the home under surveillance.

:02:34. > :02:38.These days, you are never far from a CCTV camera. Increasingly, we are

:02:38. > :02:43.bringing that technology into our homes. It is becoming a lot more

:02:43. > :02:48.affordable. Whereas a system would have cost hundreds if not thousands,

:02:48. > :02:55.nowadays you can pick up a CCTV camera for as little as 25 quid.

:02:55. > :02:59.But is it worth it? Tony from Nottingham bought his CCTV system

:02:59. > :03:05.following two berberis. I would open my front door to find the

:03:05. > :03:09.living room empty of content, like television, surround-sound, DVD

:03:09. > :03:14.recorder, Sky box had gone. Everything in the living room had

:03:14. > :03:18.been taken. After that, I have fitted a CCTV system, and that was

:03:18. > :03:23.on every time I left the house. Tony's cameras work using motion

:03:23. > :03:29.sensors. After installing them, they were called into action. The

:03:29. > :03:33.footage proved invaluable. You can see them picking the TV up. Then he

:03:33. > :03:37.decides to go out of the window because the TV would not fit

:03:37. > :03:41.through the front door. There was a camera in a box in the window, and

:03:41. > :03:46.as he went out of the window, he knocked the box over and it caught

:03:46. > :03:50.his face as he went backwards. Without the CCTV footage, there

:03:50. > :03:55.would have been no conviction. this case, the burglar was arrested.

:03:55. > :03:59.But having footage of a crime does not guarantee a successful result.

:03:59. > :04:04.This recording shows a burglary that took place in Gloucestershire

:04:04. > :04:08.in September 2010. The burglar made away with more than �10,000 in cash

:04:08. > :04:13.and two expensive watches, but despite kneeling in front of the

:04:13. > :04:18.camera, there have been no arrests to date. The Association of Chief

:04:18. > :04:22.Police Officers say they consider the contribution of CCTV to the

:04:22. > :04:27.detection of crime to be comparable to that of DNA and fingerprints.

:04:27. > :04:30.The police frequently made use of it in their investigations. They

:04:30. > :04:35.also thing visible CCTV may act as a deterrent to intruders or

:04:35. > :04:41.burglars. But with few statistics available, some experts question

:04:41. > :04:44.the value of domestic CCTV. I do not think there is any reliable

:04:44. > :04:48.evidence that domestic CCTV will make people safer. People are

:04:48. > :04:52.better off spending money on stopping people coming into the

:04:52. > :04:56.house at all, rather than recording them while they are there.

:04:56. > :05:00.installing a camera will not impact on your home insurance. Insurance

:05:00. > :05:03.companies will not give you a discount if you have CCTV. Alarms,

:05:03. > :05:08.decent door locks and a neighbourhood watch scheme will

:05:08. > :05:12.reduce your premiums. CCTV cameras will not. If you are a homeowner

:05:12. > :05:17.and you want to put up a CCTV system, do you need to tell the

:05:17. > :05:22.council or have a licence? You do not need permission or a licence.

:05:22. > :05:27.As long as you put up the CCTV on your land to protect your property,

:05:27. > :05:30.in the majority of cases, you are safe. What if one of your

:05:30. > :05:32.neighbours put say come up and you don't like it? It is all very well

:05:33. > :05:38.if you live in the country and you do not have any immediate

:05:38. > :05:42.neighbours. Difficulties arise when people live in terraced houses or

:05:42. > :05:48.in the States, when you're CCTV camera points on to their property

:05:48. > :05:52.and potentially looks into it. That is likely to be an area where there

:05:52. > :05:58.will be disputes between neighbours. In certain circumstances, it may

:05:58. > :06:04.mean the courts have to intervene. If you want to make your property

:06:04. > :06:07.more secure, the advice is that looking at lights and locks is also

:06:07. > :06:11.important. Visible cameras may be more of a deterrent than hidden

:06:11. > :06:15.ones. If you are going to get one, I recommend having it installed by

:06:15. > :06:21.a professional. Make sure it is recording good quality images. A

:06:21. > :06:25.fuzzy picture is no use to anybody. Most of all, make sure the video

:06:25. > :06:35.recorder is locked away securely, because that is the first in a

:06:35. > :06:36.

:06:36. > :06:40.burglar will go for. Simon Boazman is here. The police

:06:40. > :06:45.still have not caught the burka we saw in the CCTV footage, have they?

:06:45. > :06:50.Know, and tonight we want The One Show viewers to turn crime fighter.

:06:50. > :06:57.As we saw in the film, the person got away with �10,000 in cash and

:06:57. > :07:01.two designer watches in a burglary in Discovery Road in Abbey Mead on

:07:01. > :07:08.Wednesday September 15th, 2010. Any One Show viewer that might

:07:08. > :07:11.recognise that person, compact Crimestoppers anonymously on

:07:11. > :07:21.0800555111 and quote Gloucestershire police instant

:07:21. > :07:22.

:07:22. > :07:29.number 475. Give us a two shot. Look! It is Grant and Phil off

:07:29. > :07:35.EastEnders! As Dom was mentioning in the film, it is a good idea to

:07:35. > :07:40.keep things simple with locks and security. Yes, when looking at home

:07:40. > :07:46.security, the advice is to approach your home like a burglar. Get into

:07:46. > :07:51.a burglar's mindset. These things are called burka strips. They go on

:07:51. > :07:56.top of walls, gates and fences. They obviously deter burglars.

:07:56. > :08:01.There are motion sensor lights. A well lit house will put people off.

:08:01. > :08:08.CCTV cameras are good, but if you can't afford the real one, get a

:08:08. > :08:13.fake one. That is much cheaper. Last, but not least, a good, solid

:08:13. > :08:18.block. This is called a five lever mortise lock. If you have locks on

:08:18. > :08:26.your doors and windows, you are six times less likely to be burgled.

:08:26. > :08:31.Let's have a word about this. is an ingenious bit of kit. There

:08:31. > :08:38.is a radar within six metres of your home. If you move your hand

:08:38. > :08:43.towards it, you hear this. DOG BARKING.

:08:43. > :08:51.That is the wrong sound. It should say "free chocolate at the corner

:08:51. > :08:57.shop now!". Now, this is incredible technology.

:08:57. > :09:01.It has been installed into somebody famous's house. No idea who's.

:09:01. > :09:11.There is the coveted Lucas award. Any burglar would want to get their

:09:11. > :09:12.

:09:12. > :09:16.hands on that. In he comes, going for the award. Look what happens.

:09:16. > :09:21.This is actual technology out there right now. You did not just make

:09:22. > :09:25.this up. It is called a fog cannon. They have it in galleries and

:09:25. > :09:30.supermarkets. You can't have them installed in your home, you have to

:09:30. > :09:35.get an approved company to install it. It is ingenious. You could do

:09:35. > :09:39.what you like in house parties. sit under the telly? I would want

:09:39. > :09:43.to be in the room with the burglar to see his face. If you thought

:09:43. > :09:48.that was extraordinary, now for a story about a man who wants to jump

:09:48. > :09:58.out of a helicopter without a parachute. Yes, Lucy Siegle meets

:09:58. > :09:59.

:09:59. > :10:04.Gary Connery, no relation of Sean, who plans to make aviation history.

:10:04. > :10:09.With 450 base jumps and around 880 skydives to his name, 42-year-old

:10:09. > :10:14.Gary Connery is accustomed to extreme danger. He is, after all, a

:10:14. > :10:18.professional stuntman for film and TV, seen falling from great heights.

:10:19. > :10:24.Now this adrenaline junkie is about to attempt a world first. Weather

:10:24. > :10:28.permitting, he will jump from a helicopter at 2400 feet. Although

:10:28. > :10:32.he will be wearing a parachute, his intention is not to deploy it. The

:10:32. > :10:35.jump is completely his own idea and not something The One Show has

:10:35. > :10:42.asked him to do and clearly not something we advise anybody

:10:42. > :10:46.watching to do. But Gary is adamant that he can land this jump safely.

:10:46. > :10:52.Lovely to meet you. Is this the helicopter you will be throwing

:10:52. > :10:57.yourself out of? Yes. I will be purged on the edge here. I will

:10:57. > :11:03.stand up, check everything is good, and off I go. So the parachute is

:11:03. > :11:10.in here? Can we have a look? This is my parachute. These are the

:11:10. > :11:17.wings. And my feet end up in these. This is the back. And try to get my

:11:17. > :11:22.head around the fact that this suit is all you have? Yes. There is my

:11:22. > :11:30.magic carpet. The air rushes in to hear. This will inflate so that the

:11:30. > :11:35.depth of it will be here. The fact that it is the size it it is what

:11:35. > :11:39.allows me to fly. In terms of hitting the target, I know I can

:11:39. > :11:44.position myself to be where I want to be. A helicopter will carry Gary

:11:44. > :11:49.to a height of 2400 ft and will hover there. The distance from the

:11:49. > :11:54.chopper to the landing spot will be 1.4 kilometres. Once out, part of

:11:54. > :11:57.his wing suit will inflate to begin to slow him down. As he nears the

:11:57. > :12:02.ground, Gary will slow to a horizontal speed of 50 miles an

:12:02. > :12:12.hour. And 15 miles an hour downwards, which will be his

:12:12. > :12:13.

:12:13. > :12:19.landing speed. So you will land on boxes? Yes. 18,600 of them. The

:12:19. > :12:24.area that is my target will be 350 ft long, 40 ft wide and 12 ft deep.

:12:24. > :12:28.When I am 5 ft to six feet off the boxes, I will scrunch up into a

:12:28. > :12:33.ball, and that will allow me to protect myself to some extent, as I

:12:33. > :12:36.would in any high fall. How do they break your fall? The box will

:12:36. > :12:41.collapse under my weight, and the air dissipates. It provides a

:12:41. > :12:48.lovely cushion. What do your family think of this? They are probably

:12:48. > :12:52.proud that they can say, that was my dad. Her low, Lydia. So you are

:12:52. > :12:58.Gary's stepdaughter. How do you feel about it? For me, it is normal

:12:58. > :13:05.for him to do this because I have seen it for 16 years of my life.

:13:05. > :13:10.Will you be there? Yes. How will you feel? Nervous, but hoping it

:13:10. > :13:15.goes well. What makes you think this is a good idea? It is pushing

:13:15. > :13:19.the boundaries. It is part of my make-up. I am now sticking my post

:13:19. > :13:23.in the runway by being the first person to intentionally get out of

:13:23. > :13:28.an aircraft and land without a parachute.

:13:28. > :13:35.Remarkable. But due to the bad weather, it looks like Gary will

:13:35. > :13:39.not be jumping until early next week. And on the weather, if you

:13:39. > :13:43.have had the power restored to your house, lovely to have you with us.

:13:43. > :13:49.Matt, we have an awards the going with our show today. But is the

:13:49. > :13:55.heart of your programme? Yes. The Matt Lucas Awards starts on Tuesday

:13:55. > :14:01.at 10:35pm on BBC One. There are lots of awards shows on TV, but we

:14:01. > :14:05.give awards the other shows don't give. We don't give best actor or

:14:05. > :14:12.best director, we give awards for things like this modest nation of

:14:12. > :14:17.people, the most moreish foods. What won that? That would be

:14:17. > :14:21.telling. And the most dreadful football song ever sung. We give

:14:21. > :14:26.strange awards. We have three guests, and they each give their

:14:26. > :14:31.nominations, and I decide what wins. The idea started on Radio 2 three

:14:31. > :14:37.years ago. Like Little Britain, which also started on Radio, it has

:14:37. > :14:43.transferred to TV. An integral part of the E24 your mum, who is sitting

:14:43. > :14:48.comfortably over there. In he tell you he would have to dress up as

:14:48. > :14:53.Jimmy Savile? He didn't. The whole thing was ad-libbed. He didn't tell

:14:53. > :15:00.me anything. I had to do it off the top of my head. Be due endure it?

:15:00. > :15:10.Her I had the greatest fun. It was great to work with Matt. And the

:15:10. > :15:12.

:15:12. > :15:16.She is putting on a posh voice. put her in a kitchen? Yeah, because

:15:16. > :15:21.people used to say, I like Little Britain, but it's a bit rude. Mum

:15:21. > :15:25.was one of those, so I thought if she's there I won't be too rude.

:15:25. > :15:31.You didn't swear. It's different, because there's no costumes or

:15:31. > :15:37.make-up. It's me as myself. David's doing brilliantly, doing the show

:15:37. > :15:41.that isn't the Voy and -- voice and writing his books and swimming

:15:41. > :15:47.through poo and his wonderful things. This is my chance. We'll

:15:47. > :15:53.have a little clip. Here's Richard Madeley. He was trying to win the

:15:53. > :15:58.award for most comprehensive but most utterlyly useless knowledge,

:15:58. > :16:05.singing every word to the Chattanooga Choo Choo. Keep

:16:05. > :16:15.concentrating. Don't allow yourself to be distracted. Just, trifle

:16:15. > :16:17.

:16:17. > :16:19.stare. You whistle, eight bar, then, no, not far. Shuttle, Cole, rolling,

:16:19. > :16:27.you are. Keep going. APPLAUSE

:16:27. > :16:31.. That was very difficult. It's like a chat show, but I wanted to

:16:31. > :16:38.get people up doing things, so we have guests with the most useless

:16:38. > :16:43.talent, or we did, because I'm a huge Beatles fan, so we had a

:16:43. > :16:47.crapiest Beatles' song, so we all dressed at sergeant pepper. You've

:16:47. > :16:52.had a lot of practice for being yourself. Was it different coming

:16:53. > :16:56.from that side of things? It is weird. I put it in the flat to make

:16:57. > :17:04.it feel as intimate and relaxed as possible. We are asking questions

:17:04. > :17:13.to the audience. It was interesting for me not to have all the make-up

:17:13. > :17:19.and things. It's nice sittinging on the sofa. -- it's nice sitting on

:17:19. > :17:23.the sofa. It's next Tuesday, 10.35pm on BBC One. The next film

:17:23. > :17:32.is about Dick Emery and we wondered if you would say the catchphrase.

:17:32. > :17:36.On this camera. Oh, you are awful, but I like you. Dick's son, Nick

:17:36. > :17:43.reminisces on what it was like growing up with the man whose

:17:43. > :17:47.catchphrases entertained a generation. Throughout my childhood

:17:47. > :17:53.my father was seldom off the television. He was doing comedy

:17:53. > :18:03.sketches based on characters, which were slightly larger than life.

:18:03. > :18:04.

:18:04. > :18:11.are awful, but I like you. James Maynard Kitchener Lampwick.

:18:11. > :18:16.about one for the road. There was Hettie. You seem like a nice, young

:18:16. > :18:21.man. If he was like any of them, he was like the tramp. Worldly wise,

:18:21. > :18:26.he liked to think, slightly breaking the rules, and I think he

:18:26. > :18:35.rather liked the idea of that, rules were made to be somewhat

:18:35. > :18:41.broken. Dad loved anything with an engine. Motorbikes, aeroplanes,

:18:41. > :18:48.boats. He had a go at anything that made a noise and went quickly.

:18:48. > :18:55.mustn't forget our helmet. Being in this takes me right back to some of

:18:55. > :19:00.the cars he had. So different to everybody else's mum and dad's Ford

:19:00. > :19:04.Popular. Before all the cars, my earliest memories were of growing

:19:04. > :19:09.up in the centre of London, around Shaftsbury Avenue and Cambridge

:19:09. > :19:15.Circus. Over there is my old school. We had a playground on the roof. We

:19:15. > :19:22.are coming up to the church I was taken to, and for some reason my

:19:22. > :19:26.mother decided I ought to be vaguely religious, so I was taken

:19:26. > :19:32.to Sunday school here. Behind it is the site of the flat where I grew

:19:32. > :19:36.up. We moved to Thames dit on in 1960 and by that time by father's

:19:36. > :19:41.career was really going places. The move was supposed to be the spark

:19:41. > :19:45.of a new beginning for us, but after two years the marriage had

:19:45. > :19:55.broken down completely and divorce was in the air, so it was a bit sad

:19:55. > :19:56.

:19:56. > :20:06.really. Gosh, this brings back memories. I haven't been back here

:20:06. > :20:12.

:20:12. > :20:22.for an awful long time. Goodness. I'm very nervous. Wow. Goodness me.

:20:22. > :20:24.

:20:24. > :20:28.I'm filling up now. Oh, dear, blimey. I can still see as it was.

:20:28. > :20:33.I remember the Christmas when we first came here. It was a lovely

:20:33. > :20:40.time. The few photographs that I have got of us together as a family

:20:40. > :20:47.were taken in this house. In that room. I never thought I would stand

:20:47. > :20:49.in this house again. Ever. My parents divorced in 1962. The

:20:49. > :20:57.school was difficult around the time of the divorce. A lot of

:20:57. > :21:04.people were not as understanding in those days about a couple divorcing.

:21:04. > :21:08.I certainly experienced quite a lot of bullying. You are marked out of

:21:08. > :21:14.being different because of what your father does, so you become

:21:14. > :21:18.isolated again because of another facet of their lives. My mother was

:21:18. > :21:21.his third wife, it has to be remembered. He was a bit of a

:21:21. > :21:30.serial husband. She never stopped him visiting. She encouraged me to

:21:30. > :21:40.go and see him. Towards the end of his life we became closer. When he

:21:40. > :21:41.

:21:41. > :21:47.died he was 67. The aftermath of the funeral was strange and in a

:21:47. > :21:53.way quite hurtful. I got given a watch, which subsequently expired

:21:53. > :21:57.and a tape recorder which I can hardly lift, but I've been carrying

:21:57. > :22:01.it around rather like an albatross around my neck for years and years.

:22:01. > :22:09.Every time I've moved it's come with me, because I can't bear to

:22:09. > :22:13.get rid of it. It was his. Thank you so much to Nick for sharing his

:22:13. > :22:18.memories with us. Matt, we were talking there. So many comedy

:22:18. > :22:24.characters that you've come up with. Where do you start when you create

:22:24. > :22:30.them? David and I, we often start with a kind of kernel of an idea,

:22:30. > :22:36.something really small, like I can remember David saying that he was

:22:36. > :22:40.at university and stuck for money and he went to the bank to ask for

:22:40. > :22:46.a loan and the woman typed his details into the computer and then

:22:46. > :22:48.said, "Let's see what the computer's got to say. ." The idea

:22:48. > :22:54.that a woman deferred judgment to the computer was something that

:22:54. > :22:58.really made David laugh and he told me this idea and told me, "I like

:22:58. > :23:02.the idea of computer says no." It sometimes starts with the smallest

:23:02. > :23:08.thing which you take and exaggerate. That has become a really successful

:23:08. > :23:13.sketch. One of my favourites. Now, a new exhibition of the work of

:23:13. > :23:22.Damien Hurst opened today. It featured dead insects, multi-

:23:22. > :23:29.coloured spots and pickled animals. Our rez dent art -- our resident

:23:29. > :23:32.artist Phil was not up for it, so we looked at nice paintings of Mary

:23:32. > :23:39.Magdelyn instead. The Bible tells us she was present at two of the

:23:39. > :23:46.most important moments in the story of Jesus. The cues the crucifixion

:23:46. > :23:51.and the resurrection. Sister Wendy has searched through the art and

:23:51. > :23:58.found two works that she feels shed light on the mysterious figure of

:23:58. > :24:02.Mary Magdelyn. Good to see you again, Wendy. And you dear, Phil.

:24:02. > :24:07.I've always loved this particular painting, partly because she is so

:24:07. > :24:12.intense and serious. She knows what she's looking at, of course, which

:24:12. > :24:17.is Jesus, but I also love the colour. I love her golden hair

:24:17. > :24:23.cascading over her shoulders, which shows she is a young girl still.

:24:23. > :24:28.She carried the vase of ointment to anoint Jesus and I love the pink.

:24:28. > :24:33.The kind of avalanche of beautiful pink, which is the line of her

:24:33. > :24:42.garment and the sleeves, which fit so well with her very fair skin and

:24:42. > :24:46.golden hair. It looks a very posh robe. I think that's the artist

:24:47. > :24:50.thinking it's one of her sinful women modes. It's the most

:24:50. > :24:55.difficult of All Saints to speak about. In the gospels there are a

:24:55. > :24:59.number of mentions of different women anointing Jesus, one of which

:24:59. > :25:08.is described as a sinner. When this -- when this was painted all the

:25:08. > :25:12.women were mistakenly thought to be Mary Magdelyn. The gospel of St

:25:12. > :25:17.John gives us her fullest account. It was to Mary that Jesus first

:25:17. > :25:25.chose to appear after his death, a pivotol moment in Christianity.

:25:25. > :25:29.was the first one to see him and to tell the apos ills that she has

:25:29. > :25:36.always been -- aposels that she was always important and then she was

:25:36. > :25:41.important as a good image of how you can repent. She looks

:25:41. > :25:47.enchanting. As very few saints do actually. Why not? It makes

:25:47. > :25:54.holiness all the more attractive. I love it visually and I love it for

:25:54. > :25:59.her spiritual earnestness. According to the Bible, Mary

:25:59. > :26:03.Magdelyn was also present at the crucifixion of Jesus and it's a

:26:03. > :26:09.depiction of this scene that is Sister Wendy's second choice.

:26:09. > :26:15.you see why Mary Magdelyn mattered. Can you see there are only three

:26:15. > :26:24.people there? Loyal to Jesus at the end. There's his mother, the virgin,

:26:24. > :26:27.looking up at him. There is St John, the only apostle who stayed with

:26:27. > :26:33.him and there at the foot, clutching the cross is Mary

:26:33. > :26:38.Magdelyn, in that red robe, absolutely distraught with grief.

:26:38. > :26:43.Jesus was dying and she wanted to be with him. Where are all the

:26:43. > :26:49.others? They had runaway. They were frightened. They hid. Done a runner.

:26:49. > :26:53.Yes. When, after the resurrection, Mary went and told them he had

:26:53. > :26:59.risen, they didn't want to come out of their secret cave, as it were.

:26:59. > :27:04.They didn't want to run the risk, but she did. She really, truly

:27:04. > :27:09.loved him and sought him. Those three people there are the sort of

:27:09. > :27:11.hardcore. Yes. They stayed. Yes. While everyone else has left.

:27:11. > :27:16.Without them there probably wouldn't be a church, because they

:27:16. > :27:22.stayed and they believed enough to stay. It's very moving how faithful

:27:22. > :27:27.she was and I'm sure that's why she was the first person to whom Jesus

:27:27. > :27:30.appeared when she rose. She is an inspiration to me. Is she one of

:27:30. > :27:35.your favourites? Yes, because she was so brave and I feel I'm a

:27:35. > :27:42.coward, you know. She was so brave and true. I would like to be like

:27:42. > :27:49.that. I love her. She is a character. I want her to be my

:27:49. > :27:52.sister. Brilliant. Thank you. Thanks for sending in all of your

:27:52. > :28:00.wonderful pictures of you with your awards. We'll start with yours.

:28:00. > :28:05.This is Willie King. That's from Scotland with his curling trophy,

:28:05. > :28:09.after many, many years of trying. Well done, Willie. It's quite a

:28:09. > :28:14.trophy. This is Karen McDonald. She won this at ballet and that's from

:28:14. > :28:19.a very proud dad called Mark from Fife. You are judging these. This

:28:19. > :28:23.is Robin with her star of the week from school. Love from proud dad

:28:23. > :28:33.Rich, from Wigan. This is Harvey Johnson from Lincolnshire. Best

:28:33. > :28:40.puppy in the class. Lovely. Anne Noble dancers. All the girls with

:28:40. > :28:44.their winning trophies. I think we are going to have to give a Lucas

:28:44. > :28:46.to Harvey Johnson the most adorable puppy.

:28:46. > :28:52.APPLAUSE Genius. Thank you so much for