:00:19. > :00:21.Hello and welcome to the One Show with Matt Baker.
:00:22. > :00:23.Tonight we've got two fantastic guests.
:00:24. > :00:26.The first is one fifth of the biggest boyband in the world -
:00:27. > :00:31.And the other is one third of a trio of grumpy old men
:00:32. > :00:34.Please welcome Niall Horan and James May!
:00:35. > :00:53.We're starting with the sad news that Peter Sallis passed away. He
:00:54. > :01:02.was 96. Some people compare you three, to the guys from Last of the
:01:03. > :01:09.Summer Wine. Are you all right with that? Without wishing to sound sick,
:01:10. > :01:14.with all due respect to him, it was the role I would have wanted. God
:01:15. > :01:26.rest in. If you were lucky enough to meet Peter then send us a picture.
:01:27. > :01:29.Niall, you were last night at the One Love Manchester concert. What
:01:30. > :01:35.did you take away from that experience? There was a real sense
:01:36. > :01:42.of unity but I couldn't believe. You know what they are like up there,
:01:43. > :01:47.just full of strong characters. It was great to be involved. I was
:01:48. > :01:52.really happy I got the invite, it was an honour to be there. There's a
:01:53. > :01:58.great sense of unity at a terrible time. It was unbelievable to see. It
:01:59. > :02:02.was all very last minute. Yes, Ariana called me a couple of days
:02:03. > :02:07.after it happened and said, I want to do something, if I do something
:02:08. > :02:11.really get involved. Obviously, no-brainer. She's a good friend of
:02:12. > :02:15.mine as well. It was a beautiful concert. It was a great night,
:02:16. > :02:21.everyone stayed around until the end. I was so happy I went.
:02:22. > :02:24.Our Michelle was also at the concert which raised ?2.7 million,
:02:25. > :02:26.bringing the latest total for the We Love Manchester Emergency
:02:27. > :02:31.And she spent the day with some of the audience members who'd been
:02:32. > :02:35.at the Ariana Grande gig during the attack two weeks ago.
:02:36. > :02:44.Two young girls getting ready for a night out. In just seven hours'
:02:45. > :02:48.time, Molly and Maddie will be heading to their second ever
:02:49. > :02:54.concert. Their first was at the Manchester Arena just two weeks ago.
:02:55. > :02:58.The first part was really fun, the atmosphere was really great and
:02:59. > :03:03.everybody had their phones out, taking pictures. What was it like
:03:04. > :03:09.when the attack happened? Someone yelled bomb, and then everyone was
:03:10. > :03:15.pushing and shoving and screaming. When we got outside, everyone was
:03:16. > :03:20.really upset and crying. To do their bit to help raise money for the
:03:21. > :03:24.Manchester emergency fund, they have decided to do a sponsored swim. Why
:03:25. > :03:29.was it important for you to do some fundraising? I know a lot of
:03:30. > :03:34.people's best friends are in hospital at the moment. So that
:03:35. > :03:36.people know we are there for them. Obviously you guys are going to Old
:03:37. > :03:42.Trafford tonight. You've got your T-shirts, you're all
:03:43. > :03:48.set up, how are you feeling about tonight? Excited but still a bit
:03:49. > :03:53.nervous, after the London ones as well. Accompanying the girls are
:03:54. > :03:58.their mums, Emma and Helen. They were at the first concert too. If
:03:59. > :04:02.you days after the 22nd, I was thinking that was their first
:04:03. > :04:08.concert and that's all they know. To be offered free tickets to go here,
:04:09. > :04:13.even though we both felt shaky, it wasn't too much of a decision. They
:04:14. > :04:18.are going to see a good time, they are going to be fine. On Saturday
:04:19. > :04:23.evening there was the attack in London. It brought back memories. It
:04:24. > :04:28.is teaching our children that the world is a bit of a scary place,
:04:29. > :04:34.unfortunately we can't always protect them from everything. What
:04:35. > :04:40.happened was every parent's worst nightmare. You can only minimise the
:04:41. > :04:45.risks. They need to know we can't stand and hide in our houses, we
:04:46. > :04:49.have to get up and get on, really. It's two hours until the concert
:04:50. > :04:53.starts and there is a positive atmosphere amongst the crowd. I'm
:04:54. > :04:57.keen to catch up with father and daughter Jamie and Poppy. Last
:04:58. > :05:02.Friday they told The One Show they felt compelled to come back and see
:05:03. > :05:07.Ariana tonight. How do they feel? In light of what happened in London,
:05:08. > :05:12.another attack, how do you feel? Have your opinions changed?
:05:13. > :05:17.Absolutely not, even more determined to be here. Obviously senses are
:05:18. > :05:22.heightened, a bit apprehensive, probably more than we already were.
:05:23. > :05:26.But it's a tribute to those who have lost their lives or been injured and
:05:27. > :05:32.we owe it to them to go and have a good time, and also showed terrorism
:05:33. > :05:37.they aren't going to win. What does it mean to you to be her? I want to
:05:38. > :05:43.show my support. For many of the 14,000 here who were at the original
:05:44. > :05:47.concert, emotions are running high. I was waiting for her, fortunately
:05:48. > :05:56.we are all here. One of our friends got injured quite badly. They are
:05:57. > :06:04.all right, those. You're here, what made you come? Tough, we have to be
:06:05. > :06:09.tough. We can't let them beat us. Dad, don't cry! It's incredibly
:06:10. > :06:14.emotional. It's important we are here. And the artist as well, you've
:06:15. > :06:18.just got to carry on. Is the anticipation builds, that's a view
:06:19. > :06:23.shared by everyone here tonight, including Maddie Molly. We're
:06:24. > :06:31.excited, we are all good to go! CHEERING
:06:32. > :06:36.Behind to beat, almost 50,000 people are joining Ariana Grande in have
:06:37. > :06:40.found not to let hatred win. And, after a moment of reflection, it's
:06:41. > :06:56.time to let the music do the talking. MUSIC
:06:57. > :07:02.The music is loud, but more importantly, the voices of the crowd
:07:03. > :07:05.are even louder. They are hip to support the victims of the
:07:06. > :07:09.Manchester and London attacks, and deliver a message of resilience to
:07:10. > :07:14.the rest of the world -- they are here to support the victims. All of
:07:15. > :07:18.the artists were brilliant but Ariana handled herself with such
:07:19. > :07:23.poise, it was such a difficult concept for her. I sent her a
:07:24. > :07:26.message on the way home, thanking her for inviting me and putting on
:07:27. > :07:32.the show in what was probably seven or eight days. She put it all
:07:33. > :07:36.together, called everyone, getting the license and stuff like that.
:07:37. > :07:40.From day one she was unbelievable. She was fantastic.
:07:41. > :07:44.Niall - at the concert you performed your new single Slow Hands,
:07:45. > :07:48.which you are singing live for us at the end of the show.
:07:49. > :07:59.It's very folk with old rock. Kind of Fleetwood Mac style. Is that what
:08:00. > :08:04.you set out to do always? I was brought up with two parents born in
:08:05. > :08:11.the 60s. I was brought up with the Eagles, Fleetwood Mac... Look at his
:08:12. > :08:16.face! I was going to say you're too young but it was your mum and dad!
:08:17. > :08:21.They get all the credit! I always knew if I was to make an album, I
:08:22. > :08:25.would make it on what I grew up on. I try to make it a good blend of
:08:26. > :08:32.everything. There's no date for the release but we need a date tonight.
:08:33. > :08:36.I'm doing loads of promo. I'm going to be flat-out doing that. When I
:08:37. > :08:41.get back, I'm hoping October or November. So before Christmas. Give
:08:42. > :08:50.yourself a deadline, it's always good! LAUGHTER It's finished but
:08:51. > :08:57.I'll text you when it's coming out! How do you choose all the songs? I
:08:58. > :09:01.read that you wrote 6070? I wrote about 50 songs. You go through
:09:02. > :09:12.phases of writing terrible stuff, too. I whittled it down nice and
:09:13. > :09:18.slowly and here we are. You recorded This Town with Frank Sinatra's
:09:19. > :09:25.microphone, didn't you? Yes, I spent the day at Capitol records and we
:09:26. > :09:31.got to use the studio and we used Frank's actual microphone. That's
:09:32. > :09:37.quite a moment, isn't it? I'm a huge fan so it's really cool. Did you try
:09:38. > :09:45.and take it with you? Nope. Good answer! James, you studied music at
:09:46. > :09:49.university, didn't you? I did but mainly classical. I didn't think I
:09:50. > :09:54.would have a career in it. I didn't think I was good enough. At the time
:09:55. > :10:01.it's what I could do. I have played Marvin Gaye's piano, though. It was
:10:02. > :10:05.in a corner and they said you can have a go, I played it for about
:10:06. > :10:09.five minutes. The flaw is all worn away underneath it where people tap
:10:10. > :10:13.their feet. It's a funny moment for you because all of you boys are
:10:14. > :10:18.releasing around the same time. We had carried on two weeks ago. If
:10:19. > :10:22.that tough, is that a lot of rivalry? I guess you support each
:10:23. > :10:28.other but it's hard for the fans to know which way to go, I suppose. You
:10:29. > :10:33.can have all of us at the same time! LAUGHTER I think it's brilliant. We
:10:34. > :10:38.didn't overthink anything in terms of releases. Do you try and plan it
:10:39. > :10:42.so they don't coincide? Obviously we try and stay away from each other in
:10:43. > :10:46.some respects but we don't overthink it. We are all in touch and
:10:47. > :10:52.congratulating each other and stuff like that. Do you have a favourite
:10:53. > :10:55.song of the other lads? Me and Harry would have this closest taste of
:10:56. > :11:00.music so we would have listened to a lot of the same stuff. Harry
:11:01. > :11:05.probably the closest. His new stuff is really good, his album is
:11:06. > :11:13.brilliant. James May, favourite 1D song? Your first hit, the one where
:11:14. > :11:22.you up on the beach? LAUGHTER I like that! I remember watching the video
:11:23. > :11:28.and thinking, that was me, wants, without the singing and the music!
:11:29. > :11:33.And the cameras! Before you became Last of the Summer Wine! LAUGHTER We
:11:34. > :11:40.did pounds around on the beach to the Rolling Stones and things, quite
:11:41. > :11:46.nostalgic! We believe we may have found one of the earliest pictures
:11:47. > :11:52.of Niall playing the guitar! That's a beauty, isn't it? Was that a
:11:53. > :12:00.Christmas present? I'm sure it was. I was destined for it! Absolutely!
:12:01. > :12:01.James doesn't just like to play guitars, he likes to take them apart
:12:02. > :12:11.and put them back together again. I've just finished reassembling this
:12:12. > :12:17.classic electric guitar which has taken me six hours and 11 minutes.
:12:18. > :12:21.I've built Lucifer's leapt up from its individual parts carefully and
:12:22. > :12:23.lovingly. Now it's time to wake up the rock gods and see if the bad boy
:12:24. > :12:43.works. PLAYS GUITAR. Sounding good! It looks like you've
:12:44. > :12:47.taken one of Niall's guitars apart! That wasn't me actually playing, it
:12:48. > :12:52.was just a joke, I can't play the guitar! If you keep watching there's
:12:53. > :12:58.a bloke standing behind me and he's put his arms around it. I can only
:12:59. > :13:00.play the piano. Our coffee table has somehow collapsed and we've got a
:13:01. > :13:09.new one for you to rebuild. You have seen me play the guitar. To
:13:10. > :13:12.be honest, I used to have this coffee table, it was the cheapest
:13:13. > :13:15.one in the shop but it was the cheapest one in the shop but it's a
:13:16. > :13:23.very civil. It looks... I'm not sure. What do we think? This is all
:13:24. > :13:27.to do with your series called The Reassembler and all of the items are
:13:28. > :13:32.being reassembled into this book. Shall I help or will I make an idiot
:13:33. > :13:37.of myself? Alex struggles with the concept of reassembling, don't you?
:13:38. > :13:40.A bit, the pictures in the book are pretty amazing. Look at this comedy
:13:41. > :13:45.is so into building the coffee table. We are busy! James Connor the
:13:46. > :13:49.book has these amazing pictures of items you have completely taken
:13:50. > :13:53.apart and laid out the components. I don't take them apart, someone else
:13:54. > :13:57.does otherwise I would know what to do. And then you put them back
:13:58. > :14:05.together so what is the idea behind it? I don't know! LAUGHTER
:14:06. > :14:10.The idea is, it is a way of learning about the history of technology, it
:14:11. > :14:13.is a way of warning yourself from history that the past was not quite
:14:14. > :14:16.as nice as we thought, a lot of things in the past were quite
:14:17. > :14:21.terrible like that old telephone. It is also a form of therapy, I think.
:14:22. > :14:25.The book is not a how-to manual or an instruction book, it is a book of
:14:26. > :14:30.philosophy which will sit on library shelves next to Barthes and
:14:31. > :14:35.Descartes, or maybe in the little thing that says two for 50p. We saw
:14:36. > :14:39.a lovely picture of Niall playing guitar when he was young so when was
:14:40. > :14:44.the first time you find your love of reassembling? Well, it starts... I
:14:45. > :14:49.can't do this and talk. You could just leave it, sit back down. You
:14:50. > :14:55.were expecting Jeremy Clarkson, weren't you? You don't need that. It
:14:56. > :14:59.probably started, one of my earliest memories as a small child was trying
:15:00. > :15:03.to take an alarm clock apart that my parents had. This was the 60s
:15:04. > :15:07.because I'm the same age as your parents probably but their alarm
:15:08. > :15:10.clock was a proper clockwork one that made noises and I knew
:15:11. > :15:14.something was happening inside. This is all in the book. I had learned
:15:15. > :15:18.what a screwdriver was because there was the kitchen drawer and I
:15:19. > :15:22.thought, "If I take those out, I will see what mysteries inside the
:15:23. > :15:25.clock". But of course, it is a wind-up alarm clock so you take the
:15:26. > :15:28.screw out and it explodes. I didn't get it back together but maybe that
:15:29. > :15:32.was the moment that made me think at some point in my life, I have to
:15:33. > :15:39.complete this process which started as a child and there was no closure.
:15:40. > :15:43.All right could just be really dull and like putting things together, I
:15:44. > :15:47.don't know. A bit of both. You have got an obsession with tools which we
:15:48. > :15:52.can't quite into because we have to move on but we wanted to ask you
:15:53. > :15:58.about screwdrivers. We like it for opening paint. Wrong. They are for
:15:59. > :16:03.doing up and underling screws and that is it. Just stick to that.
:16:04. > :16:07.Baggaley that's it for a mains tester but that is usually
:16:08. > :16:13.accidental. Can we talk about the second series of Grand Tour Oztumer
:16:14. > :16:16.yes. How will it look in comparison to the last is because you put a lot
:16:17. > :16:20.of your own money into it so are you spending more on the second series
:16:21. > :16:24.than the first? As little as possible! No, it's about the same,
:16:25. > :16:28.it's quite expensive to make the show, there's a lot of travel
:16:29. > :16:36.involved. There's a lot of crew and very high-tech involved, we film in
:16:37. > :16:40.4K, storage and stuff, that is quite boring so it will look largely the
:16:41. > :16:44.same but we have moved it on in a way I can't really tell you about
:16:45. > :16:48.because you are the enemy and it is the grid. When will we be able to
:16:49. > :16:52.see it? October is when you will first be able to see it but then you
:16:53. > :16:53.will be able to see it whenever you want, I'm told to say that because
:16:54. > :16:55.it is on demand. Someone else we know
:16:56. > :16:57.who loves a construction And the one he's been
:16:58. > :17:12.following is slightly bigger For four years, The One Show has
:17:13. > :17:16.been following the construction of the new Queensferry crossing outside
:17:17. > :17:19.Edinburgh, the largest engineering project in Scotland for a
:17:20. > :17:25.generation. The engineers have had to overcome huge challenges. Back in
:17:26. > :17:30.2013, they held back the waves, to build the foundations on the sea
:17:31. > :17:36.floor. This is amazing! I love it! A year later, they constructed the
:17:37. > :17:40.bridge's nearly two mile long span and finally, last year, they erected
:17:41. > :17:49.the cables to support the highest bridge in the UK. The engineers have
:17:50. > :17:53.one final anniversary to overcome. And traffic chaos again as the Forth
:17:54. > :17:57.road bridge is closed. A lorry has blown over Armstrong went in the
:17:58. > :18:00.northbound carriageway and hit the central reservation. The existing
:18:01. > :18:05.Forth road bridge has been plagued by disruption due to high winds
:18:06. > :18:07.throughout its 50 year history. Transport Scotland are determined
:18:08. > :18:13.the Newbridge won't suffer the same fate. The engineers have been issued
:18:14. > :18:16.with a challenge. A high sided vehicle like a double-decker bus or
:18:17. > :18:23.a lorry has to be able to travel across the bridge at 60 mph in a
:18:24. > :18:30.gale force wind. The man charged with finding a way to keep the
:18:31. > :18:33.bridge open, even in wild winds, is engineer Mike lover. If you can get
:18:34. > :18:38.to the bridge, whatever the weather conditions, you will be able to
:18:39. > :18:42.cross it. That is quite a promised so how is science going to help him
:18:43. > :18:46.achieve it? The key weapon against the weather that Mike and his team
:18:47. > :18:49.have at their disposal is a wind barrier but the design of the
:18:50. > :18:55.barrier is all-important. What I have got here is my bridge section
:18:56. > :19:01.and I have installed onto it a solid wind barrier, here. Which is going
:19:02. > :19:06.to rather spoil the view of anybody driving across the bridge, but, you
:19:07. > :19:14.know, safety first. What I need now is some winds.
:19:15. > :19:21.At first, it looks like my lorry is protected by the solid barrier but
:19:22. > :19:28.as I increased the speed, a serious problem arises. A solid barrier like
:19:29. > :19:35.this acts like a giant sale, capturing the wind. The real bridges
:19:36. > :19:38.nearly two miles long. If you had a barrier like this along the entire
:19:39. > :19:44.length, in high winds, it would rip the bridge apart. So these days,
:19:45. > :19:48.bridge engineers use wind barriers with holes in which have a
:19:49. > :19:52.surprising effect. You would think that if you have large gaps in your
:19:53. > :19:56.barrier, the wind would just blow through and the traffic. Well, let's
:19:57. > :20:04.see what happens. -- and hit the traffic. As the wind picks up, my
:20:05. > :20:08.barrier is put to the test and yet, my lorry does not blow over. This
:20:09. > :20:15.design of wind barrier works because the slatted structure diffuses the
:20:16. > :20:18.wind. Although some of the wind goes through the barrier, it does not
:20:19. > :20:24.trouble the lorry because the slats break up the wind. It turns one
:20:25. > :20:31.giant gale into lots of little breezes. But even slatted wind
:20:32. > :20:36.barriers can't usually keep high sided vehicles moving at motorway
:20:37. > :20:42.speeds in strong wind. Mike and his team worked on a design that could
:20:43. > :20:46.achieve this for four years. First, they used computer modelling to
:20:47. > :20:51.assess the effectiveness of different configurations of slats,
:20:52. > :20:53.to disperse the wind. They then tested their most promising designs
:20:54. > :21:00.in one of the largest wind tunnels in the world. The unique design may
:21:01. > :21:04.have finally installed is a 3.5 metre high steel and Perspex
:21:05. > :21:08.barrier. The slats are a very specific angles, and the spacing is
:21:09. > :21:12.closer at the top than at the bottom which means that the wind is forced
:21:13. > :21:16.up and over the traffic. The geometry of a windshield is
:21:17. > :21:19.particular to the location but there are certain characteristics that I
:21:20. > :21:24.think will be carried through into bridges into the future. The new
:21:25. > :21:29.wind barrier means that for the first time, buses and lorries should
:21:30. > :21:34.be able to zoom across the Forth at motorway speeds, even in the highest
:21:35. > :21:39.wind and thanks to this small yet significant piece of engineering,
:21:40. > :21:41.this sound... The Forth road bridge is closed in both directions...
:21:42. > :21:51.Should be a thing of the past. Fascinating. Earlier, we asked for
:21:52. > :21:56.pictures of you with Peter Faleh Suwead Al Ajami away today at the
:21:57. > :22:00.age of 96. We have this one here from Sue in Bristol on set with
:22:01. > :22:04.Peter in 2002. She says she used to go to what watch them filming in
:22:05. > :22:09.Yorkshire and he always knew his life and was a real professional.
:22:10. > :22:13.Elaine has sent this in, a picture of Alan onset at Holmfirth with
:22:14. > :22:15.Cleggy or James May! His book 'The Reassembler'
:22:16. > :22:18.is out now. Now, though, performing his
:22:19. > :22:20.new single, Slow Hands, # "We should take this
:22:21. > :22:42.back to my place" # That's what she said
:22:43. > :22:49.right to my face # I've been thinking
:22:50. > :22:59.'bout it all day # And I hope you feel
:23:00. > :23:05.the same way, yeah # Like sweat dripping
:23:06. > :23:15.down our dirty laundry # That I'm leaving
:23:16. > :23:20.here without you on me # Yeah, I already know
:23:21. > :23:26.that there ain't no stopping # We could do this,
:23:27. > :23:55.baby, all night, yeah # Like sweat dripping
:23:56. > :24:05.down our dirty laundry # That I'm leaving
:24:06. > :24:11.here without you on me # Yeah, I already know
:24:12. > :24:17.that there ain't no stopping # Wanna be with you all alone
:24:18. > :24:34.# Take me home, take me home # Can't you tell that
:24:35. > :24:38.I want you, baby, yeah # Like sweat dripping
:24:39. > :24:43.down our dirty laundry # That I'm leaving
:24:44. > :24:49.here without you on me # Yeah, I already know
:24:50. > :24:55.that there ain't no stopping # Like sweat dripping
:24:56. > :25:00.down our dirty laundry # That I'm leaving
:25:01. > :25:05.here without you on me # Yeah, I already know
:25:06. > :25:13.that there ain't no stopping # Your plans and those
:25:14. > :25:25.slow hands (woo) With you beside me -
:25:26. > :25:39.whatever life sends. # Will I ever get better,
:25:40. > :25:52.better...? #