:00:09. > :00:13.I can't believe the brilliant Will Ferrell is on the show tonight. It
:00:13. > :00:18.is good news, isn't it? He is on to talk about his new film, it is
:00:18. > :00:21.about his wife throwing him out and she throws his stuff out tonne to
:00:22. > :00:31.the lawn. I have seen the film. I get the
:00:32. > :00:32.
:00:32. > :00:42.concept. Who is it that we've upset?
:00:42. > :00:48.
:00:48. > :00:52.Oh no! I think we've forgotten So here we are. Hello and welcome
:00:53. > :00:57.to the One Show. We have not been really thrown out
:00:57. > :01:02.by the props man. He doesn't have the power to do that! But we are
:01:02. > :01:05.here to make our guest feel right at home. Ladies and gentlemen, Will
:01:06. > :01:12.Ferrell. APPLAUSE
:01:12. > :01:14.Thank you. Hello, Will.
:01:14. > :01:18.How are you? Come and sit down.
:01:18. > :01:23.Thank you. Thank you for having me. Your dressing room there, it is
:01:23. > :01:27.just a screen, but you were surrounded by glass offices. What
:01:27. > :01:32.was the point of that? It really was ill conceived.
:01:32. > :01:35.Will, your new film is about your wife kicking you out and you set-up
:01:36. > :01:43.home on the lawn. Do you like our effort? I love what you guys have
:01:43. > :01:48.done here. I feel very at home here. I'm getting warmth off this hot
:01:48. > :01:53.plate and this toast! Did you spend nights outside? Did
:01:53. > :01:58.you do the method thing and spend nights... I did not spend nights
:01:58. > :02:05.living on this front lawn even though my character does. I
:02:05. > :02:11.probably should have, but I'm not, you know, I don't really try too
:02:11. > :02:15.hard with my roles in terms of research! I'm a slacker!
:02:15. > :02:18.The home that we shot in front of, they actually lived in it during
:02:18. > :02:22.the night so I don't think they would want me to sleep in the front.
:02:22. > :02:26.No, it would have been weird, but at the end of the film you hold
:02:26. > :02:31.this sale where you sell off your possessions so you were welcome to
:02:31. > :02:40.take anything you see, glitterball, plastic chicken
:02:40. > :02:44.The world's biggest shoes. Are those a 22? They are a size 18.
:02:44. > :02:48.Has anyone claimed the massive carp?
:02:48. > :02:51.That's mine! We will talk about your new film
:02:51. > :02:57.later. We needed a good clear out and a
:02:57. > :03:01.good way to do it is to donate unwanted possessions to charity.
:03:01. > :03:03.The charities encourage it with bags like these through your
:03:03. > :03:09.letterbox, but not all are from genuine charities.
:03:09. > :03:14.The police are cracking down on organised criminals to line their
:03:14. > :03:18.own pockets. Lucy Siegle went to investigate.
:03:18. > :03:22.It is the middle of the night in a Bristol car park and this guy is
:03:22. > :03:27.helping his mate climb into a charity bank to steal clothes. How
:03:27. > :03:32.low can you get? A withdrawal from this bank isn't as easy as it seems
:03:32. > :03:39.and the thief gets stuck inside. He is in there for four hours before
:03:39. > :03:44.emergency services get him out. Many of us are familiar with these.
:03:44. > :03:48.They are charity donation bags, used to collect your old clothes.
:03:48. > :03:52.It sounds a simple system - they recycle your old clobber, turning
:03:52. > :03:59.clothes into profits for charitable causes, but there is one big
:03:59. > :04:04.problem - some of those bags are not genuine. Bogus charity clothes
:04:04. > :04:08.collectors cost charities an estimated �12 million every year.
:04:08. > :04:12.The fraudsters make their money using different methods including
:04:12. > :04:17.stealing genuine charity bags from people's doorsteps and some even
:04:17. > :04:23.print their own fake charity bags or set-up companies that give the
:04:23. > :04:29.impression of being a charity. And today, we are with the police
:04:29. > :04:32.as they take on one of these gangs. Officers from the City of London
:04:32. > :04:38.Police are about to conduct a raid on the warehouse of a gang they
:04:38. > :04:43.believe are operating a fake charity bag scam worth over
:04:43. > :04:46.�100,000 per week. I'm with the officers in one of the
:04:46. > :04:49.vans on our way to the raid. It might seem over the top, there is a
:04:50. > :04:55.lot of officers. There is vans, but the important thing to remember
:04:55. > :04:57.this is a highly lucrative scam and we don't know how this gang will
:04:57. > :05:03.react. Although the police were prepared
:05:03. > :05:07.for the worst, on arrival, the suspects give up without a fight.
:05:07. > :05:11.The scale of this operation is massive. These clothes are sold by
:05:11. > :05:15.the tonne and this fleet of vans leaving here every week means
:05:15. > :05:21.thousands of pounds in lost revenue for the real charities.
:05:21. > :05:25.In total �20,000 in cash was seized during today's operation. It has
:05:25. > :05:32.gone well. We've found our main subjects and they have been
:05:32. > :05:36.arrested. We have found good evidence and we are starting to do
:05:36. > :05:39.our search. We have had nine operations. They are sending vans
:05:39. > :05:42.up to Scotland and Wales. They are nationwide.
:05:42. > :05:47.The police continue to conduct raids throughout the day and in
:05:47. > :05:53.total, four arrests are made. They were later released on bail pending
:05:53. > :05:58.further investigation. The NSPCC is one of many charities
:05:58. > :06:02.affected by gangs like these. Clothing bag theft is a a massive
:06:02. > :06:06.problem for NSPCC, a growing one and one we're desperate to stop. We
:06:06. > :06:11.estimate last year we lost over �130,000 to this unscrupulous crime.
:06:11. > :06:14.There are two easy ways to ensure your clothing bag is legitimate.
:06:14. > :06:19.First, check to make sure it displays the organisation's
:06:19. > :06:25.registered charity number. Second, look for the give
:06:25. > :06:29.worthwhile confidence logo. All charities can do is relied on
:06:29. > :06:36.our continued goodwill and ask us to be vigilant about the types of
:06:36. > :06:41.Louise Richards from the Institute of Fundraising joins us. Is it
:06:41. > :06:46.getting worse? It is, unfortunately. There is a huge demand for good
:06:46. > :06:52.quality second-hand clothes particularly in africk Caa in --
:06:52. > :06:56.Africa and Eastern Europe and that could be worth �50,000 upwards.
:06:56. > :07:01.Organised criminal gangs are targeting clothing collections and
:07:01. > :07:04.making a lot of money at the expense of charities.
:07:04. > :07:10.Lucy told us to look for the charity number on the bags. What
:07:10. > :07:14.else can help us determine if the bags are legitimate? Apart from the
:07:14. > :07:19.spelling mistakes. There is no land line telephone number for you to
:07:19. > :07:24.ring to see if it is a genuine collection. There are into
:07:24. > :07:27.kitemarks. It doesn't talk about a designated cause. It is vague about
:07:27. > :07:31.what cause it is going to. For people at home, they might not
:07:31. > :07:34.care where it ends up really, as long as it is gone and off their
:07:34. > :07:39.doorstep, does it really matter? does matter. It does matter because
:07:39. > :07:41.this is costing charities a lot of money, between �15 million and �20
:07:41. > :07:45.million, a conservative estimate is lost to charities every year
:07:45. > :07:48.because of theft and because of fraud. The Institute of
:07:48. > :07:51.Fundraising's website has a lot of information about how you can tell
:07:51. > :07:55.a genuine collection from a bogus one and it is really important
:07:55. > :07:57.because particularly now in these economic times every penny counts
:07:57. > :08:01.for charities so it is really important that people don't get put
:08:01. > :08:07.off by this. That they are aware of the problems that can happen, but
:08:07. > :08:13.that they keep on giving. Well, what about you? You must have
:08:13. > :08:20.loads of jackets in your garage? feel terrible because I have
:08:20. > :08:22.invested in a company that makes fake charity bags!
:08:22. > :08:25.LAUGHTER I think I have been at the centre
:08:25. > :08:33.of this problem! I didn't realise it. I didn't realise it.
:08:34. > :08:36.There is the answer! LAUGHTER
:08:36. > :08:39.His character gets thrown out of the house by his wife. How do you
:08:39. > :08:42.avoid an argument turning into a full blown feud? The people of
:08:42. > :08:46.Birmingham seem to have the answer. A a survey declared them to have
:08:46. > :08:52.the happiest marriages in Britain, but as Carrie Grant and her husband
:08:52. > :08:56.David find out, even they have The the trouble with my husband,
:08:56. > :09:00.that's him, David. That's me. He never let's go of the remote
:09:00. > :09:06.control. If Carrie had the remote control we
:09:06. > :09:09.would be watching wall to wall CSI. And... There is only so many dead
:09:09. > :09:15.bodies I can take! Do you ever argue?
:09:15. > :09:20.Yes. All the time. LAUGHTER
:09:20. > :09:22.We don't argue. When was the last time you had an argument? This
:09:22. > :09:28.morning. What do you argue about when you
:09:28. > :09:31.argue? Everything. He looked through my phone.
:09:31. > :09:40.His driving does wind me up. When you went off and played
:09:40. > :09:42.football and left me with the children.
:09:42. > :09:47.LAUGHTER Don't kiss me in public, please.
:09:47. > :09:51.What's the longest time that you haven't talked to each? Weeks.
:09:51. > :09:58.I could go weeks. I remember I stopped speaking to
:09:58. > :10:02.him for a few days. The word "sorry" isn't in his
:10:02. > :10:07.vocabulary. Why is that? Because he is a man!
:10:07. > :10:14.As you get older, you learn to live with it because what's the use of
:10:14. > :10:18.arguing? I think we agree to disagree.
:10:18. > :10:21.The grass isn't always greener on the other side. I don't know, I
:10:21. > :10:26.never tried the other side so it might be!
:10:26. > :10:29.Do we argue? Occasionally. All the time!
:10:29. > :10:33.Even the people of Birmingham, it seems, have their problems, but we
:10:33. > :10:37.have the solution because we have Will Ferrell, a very quick agony
:10:37. > :10:42.clinic. If you argue with your partner about bad driving, what
:10:42. > :10:47.should you do? Take the car keys away. Give them a bicycle to ride.
:10:47. > :10:51.What if one partner is checking the other person's text messages?
:10:51. > :10:55.would have their hands removed. Simple as that. It is a simple
:10:55. > :10:58.medical procedure. It is not a big deal.
:10:58. > :11:02.Arguing about your husband going to play football without asking. What
:11:02. > :11:04.should you do? That's every man's right to play football whenever
:11:04. > :11:09.they want. There is no argument there.
:11:09. > :11:13.The women have to succumb to that. You and I would not get on, Will.
:11:13. > :11:18.You're right. Now what about your own life? What
:11:18. > :11:23.gets you going? What makes you argue? You know that she is so
:11:23. > :11:26.beautiful and smart that she always wins every argument. Yes.
:11:26. > :11:32.Good answer. Good answer. You are really in the dog house right now,
:11:32. > :11:37.aren't you? I have been in trouble all summer. I'm climbing my way out.
:11:37. > :11:41.You are the peace maker then. Do you solve arguments with your kids?
:11:41. > :11:49.I just, you know, any issues I have with my children, I just shower
:11:49. > :11:52.them with toys. LAUGHTER
:11:52. > :11:58.And candy and in fact they are on a strict diet of candy.
:11:58. > :12:01.They are slighty plump, but they are very happy. So we don't have
:12:01. > :12:06.any issues in our house. You are not there anyway? Yeah and
:12:06. > :12:10.I'm not there. I just check-in 15 minutes a day, I
:12:10. > :12:13.live somewhere else. I live in that city that has all the good
:12:13. > :12:16.marriages. The one we always put on TV.
:12:16. > :12:21.The city we were talking about... Birmingham.
:12:21. > :12:25.Birmingham. In your new film Everything Must Go,
:12:25. > :12:29.it is a full blown argument with the wife. She throws you out and
:12:29. > :12:33.you are living in the garden. Tell us about it.
:12:33. > :12:39.It is a drama about a gentleman who in the course of one day loses his
:12:39. > :12:43.job, his wife leaves him, locks him outside the front of his house, and
:12:43. > :12:48.changes the locks and puts all his personal possessions on the front
:12:48. > :12:50.lawn and he is at a low ebb that he decides to just live there and
:12:50. > :12:54.figure out what he is going to do next.
:12:54. > :12:57.Let's look at you coming to terms with front lawn living.
:12:57. > :13:02.You know the moment that you even thought about having a drink, you
:13:02. > :13:07.should have just called me. Well, let's see. Yesterday, what
:13:07. > :13:15.happened? I got fired from my job. And my wife left me. So somehow
:13:15. > :13:20.calling you slipped my mind. I got it. I got it.
:13:20. > :13:24.They say the dining room is the least utilised room in the house. I
:13:24. > :13:31.think it is the front lawn. It is starting to look good, don't
:13:31. > :13:34.you think? APPLAUSE
:13:34. > :13:37.Will, there are, you know, this is a serious film, as you say, but
:13:37. > :13:40.there are funny moments, but it is a tragedy. This guy's life has hit
:13:40. > :13:44.rock bottom and that's a change for you to play that role? Yeah, it was
:13:44. > :13:48.an interesting and fun challenge. It is outside of my comfort zone of
:13:48. > :13:55.what I'm usually known for doing and that's why I loved it. And it
:13:55. > :13:58.is an excellent cast, Rebecca Hall, Christopher Walker, there is a boy
:13:58. > :14:02.in the in the neighbourhood who is a lost soul himself and we find
:14:02. > :14:06.this friendship that helps both of us kind of find our path.
:14:06. > :14:13.Do you think that every comic at some point wants to be seen in a
:14:13. > :14:15.more serious role? I have no idea what you're talking about!
:14:15. > :14:16.LAUGHTER When you do it, you got to do the
:14:17. > :14:20.face. No, come on. There we are.
:14:20. > :14:25.I mean, I'm not particularly obsessed with that and yet at the
:14:25. > :14:27.same time I think anyone who is creative likes to just mix it up.
:14:27. > :14:30.Yeah, of course. To keep themselves interested and
:14:30. > :14:36.to keep the audience interested, so yeah.
:14:36. > :14:42.You are still funny. I'm still 30%. So funny that you
:14:42. > :14:45.are about to receive the Mark Twain Prize for Humour and that will be
:14:45. > :14:50.accepted in front of other comedians, in fact 300 comedians in
:14:50. > :14:54.the room. Does that make you nervous? No, it is an audience at
:14:54. > :14:59.the Kennedy centre in Washington, so there will only be the people
:14:59. > :15:02.we've invited to talk on my behalf. It is regular civilians. It is a
:15:02. > :15:09.big deal. It is a huge deal and there has
:15:09. > :15:13.only been 14 other recipients, but the list includes Steve Martin and
:15:13. > :15:15.Richard Prior and some giants in American comedy.
:15:15. > :15:20.It is good company. Brilliant.
:15:20. > :15:24.I don't know who Mark Twain is! Well, we asked the same question.
:15:24. > :15:34.He wasn't that funny. Everything Must Go is out on Friday,
:15:34. > :15:34.
:15:34. > :15:39.If I have read one of the most popular pieces of music, I would be
:15:39. > :15:44.pretty happy about it. But not Percy Grainger. He hated the sound
:15:44. > :15:48.of his most famous work. A country garden. Perfect for
:15:48. > :15:53.drifting through in a picturesque fashion. But I am ashamed to say
:15:54. > :15:58.that my producer has committed the ultimate sin. Listen to that. He
:15:58. > :16:03.has put on the soundtrack of an English country garden, what a
:16:03. > :16:06.cliche. It is quintessentially English and painfully conventional.
:16:07. > :16:13.There couldn't be a more predictable tune. The curious thing
:16:13. > :16:17.is, the man who made it famous was anything but conventional. Percy
:16:17. > :16:23.Grainger was a brilliant Australian pianist, who emigrated to Britain
:16:23. > :16:27.in 1901. Gloriously eccentric, he made his own clothes out of towels
:16:27. > :16:33.and would drop between concert halls, leaping over the piano on
:16:33. > :16:37.arrival -- would drop between. His compositions were often
:16:37. > :16:41.experimental and off the -- he built a giant music machine in his
:16:41. > :16:46.living room. He is very interested in the future of modern music but
:16:46. > :16:52.also intrigued by the past. Absolute be. He came over here from
:16:52. > :16:55.Australia, launched into folksong music movement, collected over 500
:16:56. > :17:00.folksong, some by hand, some by phonograph, and use these to make
:17:01. > :17:05.arrangements for the rest of his life. And this is where the big hit
:17:05. > :17:11.came from, the Headington Quarry Morris Dancers of Oxford. A century
:17:11. > :17:20.ago, they sent -- the accordion player used to play an obscure song
:17:20. > :17:27.called Country Gardens. Bravo! Wonderful stuff. Congratulations,
:17:27. > :17:30.gentlemen, well done. That was magnificent. You are the squire of
:17:30. > :17:35.the Headington Quarry Morris Dancers. And this tune, it is
:17:35. > :17:40.thanks to this actual team of Morris dancers that we know it. How
:17:40. > :17:45.did Percy Grainger get hold of it? As far as we know, he got it from
:17:45. > :17:49.the folksong collector, and he met up with the Headington Quarry
:17:49. > :17:56.dancers in 1899. He wrote down the dunes and Percy Grainger did his
:17:56. > :18:02.famous piano arrangement from that notation of Country Gardens -- Road
:18:02. > :18:08.downer the tunes. And this is William Kimber's concertina? You
:18:08. > :18:17.knew him? I knew him, but he told us at school. Can I shake your
:18:18. > :18:24.hand? It is fantastic. Grainger's piano arrangement of Country
:18:24. > :18:34.Gardens became a massive hit, selling 450,000 copies in one year.
:18:34. > :18:59.
:18:59. > :19:04.Here it is, it performed by local Do you think Percy Grainger would
:19:04. > :19:13.have approved of the setting? much so, it is typical. He said
:19:14. > :19:16.most English country gardens Was he a one-hit wonder? Well, yes.
:19:16. > :19:22.With country gardens. It was the millstone around his neck, because
:19:22. > :19:27.he wanted to know Baghdad to be known by his original country -- he
:19:27. > :19:31.wanted to be known by his original compositions. He would have people
:19:31. > :19:38.saying, give us Country Gardens! Right until the end of his life,
:19:39. > :19:48.and he hated it. Bravo. A brickie - - a Bekele is called for. A bunch
:19:49. > :19:51.
:19:52. > :19:56.of turnips. Grainger would have He was always disappointed that his
:19:56. > :20:00.own music failed to set the world alight. Country Gardens haunted
:20:00. > :20:06.Percy Grainger for the rest of his life. He came to think of the tune
:20:06. > :20:12.as his personal musical albatross. He died in 1961, regarding himself
:20:12. > :20:22.as a failure. And leaving behind 500 original works. Most of which
:20:22. > :20:23.
:20:23. > :20:29.Such a shame. I want to hear some Percy Grainger. We should unearth
:20:29. > :20:36.it. Are you familiar with Morris dancing? Not at all. It is
:20:36. > :20:40.surprising, I know. I know a lot of different things. Every English man
:20:40. > :20:44.every Saturday Morris dances, it is what we do. It is a British form of
:20:44. > :20:48.folk-dancing, but you have done some European folk dancing yourself.
:20:48. > :20:58.It looks slightly like square dancing make some sort of
:20:58. > :21:14.
:21:14. > :21:23.Germanic... It is a bit similar to Look at that. The denial that first
:21:23. > :21:30.time? That was one take. -- bid you nail that. And I really got to slap
:21:30. > :21:33.Matthew Broderick. Did you enjoy the lederhosen? You mentioned every
:21:33. > :21:40.Saturday that the British man does this dance, every Saturday I wear
:21:40. > :21:46.my lederhosen. We have some Morris dancers with you tonight, what did
:21:46. > :21:56.you think of Will Ferrell's effort? I think they are lying! Are you
:21:56. > :22:02.
:22:02. > :22:05.lying? Yes! That is all they say! Marty Jopson has been touring the
:22:05. > :22:15.country's laps to see who inspired the current generation of
:22:15. > :22:22.
:22:22. > :22:27.Award-winning British scientists, Professor Anthony Hollander, leads
:22:27. > :22:30.the cutting-edge field of the tissue engineering. I absolutely
:22:30. > :22:33.believe that it can help us to transform the way we treat the
:22:33. > :22:39.whole range of diseases. Tissue engineering is a revolutionary
:22:39. > :22:43.technique, which involves creating new human tissues and sells like
:22:43. > :22:47.skin and blood vessels. We can make a difference to people's lives.
:22:47. > :22:50.That is why I wanted to do science in the first place. Anthony's
:22:50. > :22:54.passion for science started early. Aged nine, he became fascinated
:22:54. > :22:58.with the idea for fixing people and created a list of tools he needed
:22:58. > :23:04.to do the job. He sent his Mr Blue Peter, asking for, amongst other
:23:04. > :23:09.things, a model of a heart and a diagram of how the body works.
:23:09. > :23:13.got a lovely letter back from Billy Baxter, taking it very seriously,
:23:13. > :23:18.suggesting perhaps my GP might be able to help with some of the
:23:18. > :23:23.equipment. Receiving that reply was important to me, and I think if
:23:23. > :23:29.they hadn't written back, perhaps I wouldn't have pursued my fledgling
:23:29. > :23:33.scientific dreams. Fired with enthusiasm, Anthony went on to
:23:33. > :23:39.study pharmacology. At university, he discovered his science hero,
:23:39. > :23:43.this man, Dr Edward Jenner, the father of vaccination. The first
:23:43. > :23:52.time I came here, to Edward Jenner's House, was when I was a
:23:52. > :23:58.PhD student, in my early 20s. It was 1929. -- 1989. It was in this
:23:58. > :24:01.House that the sides of vaccine and him in his son was born. -- the
:24:01. > :24:05.science of a vaccine and immunisation. He had heard the
:24:05. > :24:11.story that farm staff who developed cowpox would never go on to develop
:24:11. > :24:15.smallpox. Edward Jenner said out to test this theory. He injected
:24:15. > :24:22.cowpox pass into the arm of an 8- year-old boy, James Phipps. After
:24:22. > :24:26.that, Jenna then tried to infect him with pass from a small pox
:24:26. > :24:32.patient, and the boy never developed smallpox. When published,
:24:32. > :24:36.his results were rejected as dangerous and lacking prove. I was
:24:36. > :24:41.very inspired from hearing how Jenna, after this rejection, simply
:24:41. > :24:47.persisted. He tried again and again. And he was right. Over 200 years
:24:47. > :24:53.later, smallpox has been eradicated. Today, every vaccine we used stems
:24:53. > :24:58.from the breakthrough made by Edward Jenner. Anthony holiday's
:24:58. > :25:02.own break through the moment came three years ago. A Spanish woman
:25:02. > :25:06.has become the first person in the world to be given a whole organ, a
:25:06. > :25:10.wind but grown from her own stem cells. Claudia Castillo, a mother-
:25:10. > :25:14.of-two from Spain, had a diseased windpipe which left an able to
:25:14. > :25:19.breathe. A conventional organ transplant ran a high risk of
:25:19. > :25:26.tissue rejection. Thanks to his 20 years of research, Anthony had an
:25:26. > :25:33.alternative solution. The idea we had was to take a donated windpipe,
:25:33. > :25:39.and remove the cells that naturally occur, because we didn't want this
:25:39. > :25:42.windpipe to be rejected by the patient. Claudia Castillo's
:25:42. > :25:45.themselves were used to grow a new wind pipe around the donor
:25:45. > :25:52.structure. Because the new organ was made with their new cells,
:25:52. > :25:55.there was less chance of tissue rejection. This was a medical first.
:25:55. > :26:02.Her away function returned to normal and has stayed absolutely
:26:02. > :26:07.normal ever since. Following the success of her operation, Anthony
:26:07. > :26:11.Holland it plans to use stem cells to repair knee cartilage. He
:26:11. > :26:14.credits Edward Jenner for continuing to inspire him. When I
:26:14. > :26:19.face scepticism about my work, I will often think back to Edward
:26:19. > :26:23.Jenner, and be encouraged just to carry on. Eventually, I know I will
:26:23. > :26:29.get there, and people will understand that this science can
:26:29. > :26:35.really make a difference. Edward Jenner took a random trialled, put
:26:35. > :26:39.cowpox and then smallpox... Can you imagine allowing... Would you allow
:26:39. > :26:48.your child? He walked up to a random trialled, and said, I am
:26:48. > :26:53.going to inject you... More or less. Sign me up right now. All three.
:26:53. > :26:56.All three boys, give them a go, if it is going to help humanity.
:26:56. > :27:03.back to your own childhood, who was your comedy hero when you were a
:27:03. > :27:08.boy? I had a number of comedy heroes. I laughed Dan Ackroyd and
:27:08. > :27:16.Bill Murray and the original Saturday Night Live cast members.
:27:16. > :27:21.Steve Martin is a big idol of mine. We love him on this show. Peter
:27:21. > :27:24.Sellers, I loved his work, the fact he was able to do comedy and drama.
:27:24. > :27:30.When you first got your job on Saturday Night Live, that must have
:27:30. > :27:34.been a big deal for you. Huge. Somewhat surreal. It still is, when
:27:34. > :27:38.I think I was on that show for seven years. It feels like a hazy
:27:38. > :27:43.wonderful dream. Especially having watched that show my entire life.
:27:43. > :27:48.And finally getting to be on it. A dream come true. Isn't it true that
:27:48. > :27:51.you took a briefcase full of fake money, to try to bribe the
:27:51. > :27:57.producers during your audition? thought it would be really funny
:27:57. > :28:02.joke, to stack a pile of fake money on Lorne Michaels' desk and walk
:28:02. > :28:07.out, but I got extremely shy in the interview. And I just held a brief
:28:08. > :28:12.case the whole time. Later I thought, what comedian holds a
:28:12. > :28:18.briefcase with them? I thought I had completely sunk or my chances.
:28:18. > :28:22.But you still got it. In hindsight, he thought it was really funny.
:28:22. > :28:32.Your mum must be terrifically proud of you, she is in the audience
:28:32. > :28:37.
:28:37. > :28:42.tonight. My mum is here. Mum... Are you proud of me? Yes! OK, I wanted
:28:42. > :28:47.to check. Thank you so much. Everything Must Go is out on Friday