06/01/2014

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:00:15. > :00:45.APPLAUSE Happy New Year. Welcome to The One

:00:46. > :00:46.Show with Matt Baker. And Alex Jones. And... Kylie and will.i.am!

:00:47. > :00:55.Welcome to our new studio! I love what you have done with the place. A

:00:56. > :01:01.spruced up. You have half inside and half outside. Is there enough

:01:02. > :01:09.technology in here for you? Well, the table should be... It can do all

:01:10. > :01:17.sorts. You are properly setting something off right now. Kylie -

:01:18. > :01:24.you're joining as a new coach on The Voice. Is it right that this man

:01:25. > :01:27.helped persuade you to take the job? A friend of mine let me know that

:01:28. > :01:36.Kylie was having a meeting at a restaurant at 10am, so... If I had

:01:37. > :01:41.gone at 10am, I would have been late and showed up at 12. I forced myself

:01:42. > :01:49.to wake up at 7am. Is that hard for you? I did not sleep the night

:01:50. > :01:55.before! It means he was committed! That is good. I did not know he was

:01:56. > :02:04.going to be there, I was having a meeting. Honestly, the fact that

:02:05. > :02:09.Will was there and I was able to ask in the burning question of what it

:02:10. > :02:12.was like. I did not need stats and figures, I wanted to know what it

:02:13. > :02:21.was like, and here we are! I am very thankful. Thank you for being on it

:02:22. > :02:27.because it was hard for me to make a decision as whether I would come

:02:28. > :02:34.back series three. Jesse left and we were wondering whether you would go

:02:35. > :02:44.as well. I was torn. We did three seasons and Jesse and Danny were not

:02:45. > :02:51.coming back. What do I do? They said, who is going to replace Jesse

:02:52. > :02:59.and Danny? When they mentioned Kylie, I was like... Wow! To be

:03:00. > :03:04.honest with you, I was like, they are never going to get Kylie! I

:03:05. > :03:12.said, if you get Kylie, I will do it! We are really pleased you are

:03:13. > :03:16.back. It is going to be great. Today was the day that most of us went

:03:17. > :03:19.back to work and many of us are thinking about starting a new

:03:20. > :03:27.career. Prince William has gone back to class to start farming! He wants

:03:28. > :03:33.to be Matt Baker! If you could go back to college to start over, what

:03:34. > :03:42.would you do? We will ask you in a minute! I always wanted to do

:03:43. > :03:48.criminology. A bit CSI. I am a carer but I think I would study to work

:03:49. > :04:01.abroad with the Red Cross. Anything you wanted to have a go at? I want

:04:02. > :04:11.to be a vet. Law. Marine, biology. Would you? Excellent. Is this a love

:04:12. > :04:18.of scuba diving? I love sharks. I would like to do farming. Not

:04:19. > :04:23.because Prince William is doing the same. General organisational skills

:04:24. > :04:31.would be good. I would learn a language. She could shout at me in

:04:32. > :04:39.Spanish! Rank you. Thank you to the people of Chiswick. You have an

:04:40. > :04:47.interest in science. You have spent some time with the Hadron Collider?

:04:48. > :04:55.I have spent some time at MIT. I go there. University? Yes, I am taking

:04:56. > :05:02.computer science. I get to travel and do my course on the laptop. That

:05:03. > :05:10.is when I went to Switzerland. What is it like? There is a big building

:05:11. > :05:15.behind me. It may look small but that is a big building underground.

:05:16. > :05:24.1 million feet underground. I may be exaggerating. I went there to sponge

:05:25. > :05:30.up on the wizards there. Did you have any physics questions answered?

:05:31. > :05:38.There may be a long answer to that so maybe we should leave it! Some

:05:39. > :05:43.kids are at this school doing a programme where we teach kids

:05:44. > :05:47.science and maths. It is an after-school programme and we get

:05:48. > :05:51.them geared up for tomorrow. We don't just want kids to go to

:05:52. > :05:56.college but we want them to go to college and get jobs. The last thing

:05:57. > :06:04.we want to do is take a kid from the herd, send them to college and then

:06:05. > :06:09.there are no jobs. We want to get kids on the right track to go to

:06:10. > :06:14.college on a programme. Then they can use science and mathematics

:06:15. > :06:18.skills with that course and when they graduate there will be a better

:06:19. > :06:30.chance of them are coming entrepreneurs. -- becoming. How long

:06:31. > :06:43.is it going to take to find what to do with the boson particle? What

:06:44. > :06:50.would you do, Kylie? I wish I had something as cool as that is to say!

:06:51. > :06:58.I would probably do history, English literature and graphic design. Among

:06:59. > :07:03.those who went back to work with some of the volunteers who returns

:07:04. > :07:09.to real jobs after spending time helping others in jobs. Many have

:07:10. > :07:16.had very little time to relax this Christmas. Can you tell me again how

:07:17. > :07:22.may people on board? In the eye of the storm and this is calm. This is

:07:23. > :07:26.the nerve centre for British sailors across the world but for the past

:07:27. > :07:32.few days, its main concern has been about people closer to home. They

:07:33. > :07:36.and an army of volunteers have been responding to hundreds of incidents.

:07:37. > :07:39.I am here in Cornwall which has been hit by many of the storm. I'm about

:07:40. > :07:45.to go out with the coastguard in Falmouth. They are dealing with a

:07:46. > :07:51.variety of emergency calls in very, very challenging conditions. Never

:07:52. > :07:58.mind ringing in the New Year, this one has crashed in. They are the

:07:59. > :08:02.worst winter storms in two decades. Coastguard volunteers have been

:08:03. > :08:06.working nonstop to keep us safe. Since Christmas Eve they have been

:08:07. > :08:13.called out to 429 incidents around the country. This team of ten

:08:14. > :08:17.volunteers near Penzance said the number of callouts has been much

:08:18. > :08:22.higher than normal. How bad does it get? It has been very bad. It has

:08:23. > :08:30.been breaking up over the clock here. Like 3000 other volunteers,

:08:31. > :08:38.Natalie has sacrificed her holidays to help out. I am tired. I was out

:08:39. > :08:42.over the New Year from half past one and got home at about half past

:08:43. > :08:47.five. I was called out again and I felt like I had been working nights.

:08:48. > :08:54.I did not get much sleep. Tomorrow I start back at a local secondary

:08:55. > :08:59.school. As well as the long hours, the role is emotional. A young man

:09:00. > :09:04.died here on New Year's Eve after being swept out to sea. I have two

:09:05. > :09:12.teenage boys so I found it quite heartbreaking that we lost that boy.

:09:13. > :09:14.Unfortunately, I had the job of going down onto the beach and

:09:15. > :09:21.covering him up so that was quite emotional. It is quite sad. Most

:09:22. > :09:27.years we do lose somebody down here. Often they do not heed the advice.

:09:28. > :09:31.The volunteers have to deal with so-called storm chasers and thrill

:09:32. > :09:37.seekers, they try to capture these dramas on film. The thought of going

:09:38. > :09:42.to look at nature in its rawest elements draws people to the coast.

:09:43. > :09:49.Do not put yourself at risk. Do not go in for that one shots or that one

:09:50. > :09:53.video you can put on YouTube. It is extraordinary that the rescue team

:09:54. > :09:58.have to spend time taking this up but it is so obvious that nobody has

:09:59. > :10:03.any business of being on here walking up here. With most people

:10:04. > :10:08.returning to work or school, perhaps life will become a bit calmer for

:10:09. > :10:15.the volunteers. Even if that is more than can be said for the weather.

:10:16. > :10:20.What amazing people. The Voice is back on Saturday at 7pm on BBC One.

:10:21. > :10:27.Two big changes and new presenters as well as new coaches. We have

:10:28. > :10:34.Ricky from the Kaiser Chiefs. What we love is when you, as coaches,

:10:35. > :10:37.come together to do a number. We did one performance altogether and it

:10:38. > :10:46.was amazing. The highlight is Tom Jones. Hearing Tom Jones sing... Has

:10:47. > :10:52.he been in here? Oh, yes. It is a wall of sound, it is phenomenal. You

:10:53. > :10:59.gravitate towards him. Here we go, let's have a look.

:11:00. > :11:25.# I predict a riot! APPLAUSE

:11:26. > :11:33.Ricky, he must have had tickets on himself. He must have felt pretty

:11:34. > :11:40.good about himself! Very handsome as well, Ricky. He is dashing, quite a

:11:41. > :11:48.revelation. Kylie must be brilliant to perform with. What is it like? I

:11:49. > :11:54.have been a fan of Kylie for a very long time so to be sitting next to

:11:55. > :12:05.her... The coaches have to pass through Kylie first! To perform with

:12:06. > :12:08.her on stage is a thrill. What will you bring, Kylie? You have 27 years

:12:09. > :12:22.of experience but what you think your role will be? The boss! Really?

:12:23. > :12:29.Yes! I stamp my stilettos! You can only be yourself and I am naturally

:12:30. > :12:34.a bit of a softy. You do need a bit of softness on the show. We saw a

:12:35. > :12:40.picture of the four of you. Here it is, can we see it? You can see your

:12:41. > :12:45.handbag there. I took my handbag on. A girl never knows what she

:12:46. > :12:52.needs. Kylie, you are really into it. Is it the fact that you have so

:12:53. > :12:59.much expertise now and you just want to pass that on to others? Will is

:13:00. > :13:07.doing that. Is that what it is for you? It is inspiring with Will's

:13:08. > :13:13.dedication to his acts, and studio, who is with you. Hang on, I am

:13:14. > :13:21.thinking about Will, what is the question? Just about your

:13:22. > :13:28.opportunities? You know what it is. It is a little thrill that is just a

:13:29. > :13:32.moment in time for you that you own is because you had the experience to

:13:33. > :13:37.get that in your system and pass it on. It is really call. Let's talk

:13:38. > :13:40.about Leo. She was phenomenal last year. You must have been

:13:41. > :13:54.disappointed that she did not win it. What has high year been like? In

:13:55. > :14:02.my eyes, Lee 01. -- won the reality for me is that Lee oh is the winner.

:14:03. > :14:13.We have been working together and we finished our record about three

:14:14. > :14:18.weeks ago. When is that out? Soon! Brilliant. We look forward to seeing

:14:19. > :14:23.you. The Voice starts this Saturday at 7pm on BBC One. Now, for many

:14:24. > :14:28.contestants on The Voice, the dream is to write a song and for it to go

:14:29. > :14:31.to number one. But beware budding songwriters. Coming up with an

:14:32. > :14:34.original track is trickier than it seems. Especially when you consider

:14:35. > :14:42.130 million have already been written. Artistic works like music

:14:43. > :14:46.have been protected by copyright laws designed to stop people ripping

:14:47. > :14:53.each other for more than 300 years. Since then, judges have been getting

:14:54. > :14:56.busy deciding whether or not someone has been a copycat. One of the

:14:57. > :15:01.longest running and most bitterly contested cases in all history

:15:02. > :15:08.involved ex-Beatle, George Harrison. The case centred on a song from his

:15:09. > :15:13.triple album. He wrote it and gave it to his friend Billy Preston who

:15:14. > :15:16.already recorded it. The song was called My Sweet Lord. Journalist

:15:17. > :15:24.Alan Smith commented on the track in a review. His exact words were... In

:15:25. > :15:31.its own right, this is a strong song with a chunky feel but a familiar

:15:32. > :15:36.tune. It seems to owe something to a song which had been number one in

:15:37. > :15:46.the American charts for five weeks eight years before. He's So Fine. It

:15:47. > :15:48.is very similar to My Sweet Lord, as we can here with some technical

:15:49. > :16:02.jiggery-pokery. Alan Smith was not the only one to

:16:03. > :16:09.notice this. The company owning rights was also on the case and in

:16:10. > :16:14.Fabbri 1971, they issued a rift alleging infringement of copyright.

:16:15. > :16:18.Matters came to head the George Harrison in 1976 with a court

:16:19. > :16:22.hearing in New York. I had to stand up in court with my guitar with

:16:23. > :16:24.people grilling me to talk about how to write a song, which is difficult

:16:25. > :16:30.because every song is slightly different anyway. Peter Oxon Dale is

:16:31. > :16:34.a forensic musicologist and his job is to compare songs to look the

:16:35. > :16:41.similarities and spot copyright infringement. He studied the court

:16:42. > :16:53.case. It comprises two simple motifs. The first is only three

:16:54. > :17:03.notes. It then followed by motif B. But on the second one, we have a

:17:04. > :17:12.different note introduced. Now, that is a grace note. The judge looked at

:17:13. > :17:15.both versions of My Sweet Lord, produced by George Harrison, and the

:17:16. > :17:18.earlier version recorded by Billy Preston, and the Preston recorded

:17:19. > :17:36.included something which proved crucial. That is motive a. And

:17:37. > :17:42.again. Motif B. Motif B. With the grace note. Guilty as charged! Send

:17:43. > :17:45.him down to the slammer. It was repeating the grace note in Billy

:17:46. > :17:50.Preston's version which confirmed, as the writer of the song, George

:17:51. > :17:54.Harrison was liable for copyright infringement. Although the judge

:17:55. > :17:58.didn't think he deliberately copied He's So Fine, he called a

:17:59. > :18:02.subconscious plagiarism. With all those songs buzzing around in your

:18:03. > :18:08.head, how does a budding songwriter avoid subconscious plagiarism?

:18:09. > :18:13.Computer experts here at Goldsmiths University of London believe they

:18:14. > :18:17.have found the answer. This man has devised a computer programme

:18:18. > :18:21.designed to make identifying plagiarism in a matter-of-fact, not

:18:22. > :18:24.opinion. The programme starts by giving each note in a melody and

:18:25. > :18:29.number based on its length and pitch. Here's what the programme

:18:30. > :18:33.looks like. My goodness, note by note through the melody, and then be

:18:34. > :18:39.get to the bottom line. And we have a similarity which ranges between

:18:40. > :18:45.zero, not similar at all, which means they are identical. Usually a

:18:46. > :18:49.cut-off of 25% similarity. Anything above that would be plagiarism. He

:18:50. > :18:56.has a database of 14,000 songs but fall the one show, he tested My

:18:57. > :19:02.Sweet Lord against He's So Fine and the computer says... We came up to

:19:03. > :19:09.39%. So guilty as charged? You could say so. George Harrison eventually

:19:10. > :19:14.had to pay more than half $1 million for unintentionally plagiarising

:19:15. > :19:17.He's So Fine. In the music industry, have a saying, where there is a hit,

:19:18. > :19:25.there is a bit. According to the judge then, and the computer now, My

:19:26. > :19:31.Sweet Lord is indeed a copy of He's So Fine. But we know which version

:19:32. > :19:40.we prefer, don't we? Gyles joins us now. What do you think of this

:19:41. > :19:44.studio? I love the new set for the it's as modern as tomorrow. With a

:19:45. > :19:52.lot of time for yesterday. It's got it all here. Can I thank you for my

:19:53. > :19:57.president -- present. Guess what they gave me. The one direction CD.

:19:58. > :20:03.I didn't know I was going to like it as much as I did. Move over, McFly.

:20:04. > :20:12.One direction the boys for me. I particularly like this track, Live

:20:13. > :20:20.When You're Young. Listen to this. It's a good one. One of your

:20:21. > :20:25.favourites. It got me moving. It got me moving back in time and I went

:20:26. > :20:30.back 30 years and I went to my record collection and found an album

:20:31. > :20:36.given to me by The Clash, literally. I knew them, too, in 1982. Listen to

:20:37. > :20:46.this, Should I Stay Or Should I Go?, the title of the track. What are you

:20:47. > :20:51.saying, Gyles? I'm saying it sounds quite familiar. And the boys from

:20:52. > :20:56.one direction won't know it because they went to live them. Listen to

:20:57. > :21:05.another one direction track, Midnight Memories. You like this

:21:06. > :21:09.one, too. I love this one, yes. Back in the 1980s, you won't be surprised

:21:10. > :21:14.to know Def Leppard where my style gurus. I modelled my luck then on

:21:15. > :21:22.them. And therefore, I'm very familiar with Pour Some Sugar On Me.

:21:23. > :21:29.Listen to that one. -- I modelled my lock on them. What are you saying

:21:30. > :21:34.with this? It's interesting, down the decades, the memory lingers on

:21:35. > :21:38.and intriguing tunes seem to come back to us. There is actually a word

:21:39. > :21:45.for this. And the word is Cryptomnesia. Cryptomnesia is

:21:46. > :21:49.literally hidden memories. And it turns out we can hear things, see

:21:50. > :21:55.things, and then we reproduce them when we think we are recreating

:21:56. > :22:00.something original. Chefs do that too, with food. You could take a

:22:01. > :22:08.pizza and unfold it and then have calzone. We tried to test out on

:22:09. > :22:14.Will and Kylie. In the 1990s, a man experimented with Cryptomnesia and

:22:15. > :22:17.showed people pictures of aliens and then he invited them to draw a

:22:18. > :22:20.picture of an alien without reference to the pictures they had

:22:21. > :22:31.seen. We have conducted this experiment. With our two artists

:22:32. > :22:42.here. This is Will Mac alien. He has given it and ally. -- and ten I.

:22:43. > :22:55.Antenna. He wants to hang from the ceiling. Let's have a look at

:22:56. > :23:05.Kylie's. If you take your phone, phones do not have antenna any more.

:23:06. > :23:12.Aliens are highly intelligent. This is highly's alien. It's lovely. That

:23:13. > :23:22.Kylie's. Thank you both ever so much. And thank you, Gyles. Nice to

:23:23. > :23:29.see you. As we found out over the last few weeks, moving is a big

:23:30. > :23:32.deal. Well, throughout 2014, a much bigger move is happening. One that

:23:33. > :23:40.is quite literally a military operation. Here's Tony. By the end

:23:41. > :23:43.of 2014, every British military base in Helmand province will close all

:23:44. > :23:50.be handed over to Afghan forces. That means every vehicle, every nut

:23:51. > :23:54.and bolt worth bringing home has to be brought home. If you consider

:23:55. > :23:57.camp Bastian the British HQ in Afghanistan, it's the size of

:23:58. > :24:04.Redding, this will be the biggest house move you will ever see. This

:24:05. > :24:09.base deep in the desert is that help for all the British fighting forces.

:24:10. > :24:14.It has cafeterias, vehicle depots, and airport and accommodation for

:24:15. > :24:22.nearly 30,000 people. Getting all this home, or redeployment, will

:24:23. > :24:26.cost ?300 million and it's the job of joint Force support, with 160

:24:27. > :24:30.people on the ground committed to the task. With a further 500

:24:31. > :24:35.specialists in the UK, who can fly out for specific jobs. I liken it to

:24:36. > :24:42.moving house, moving to Afghanistan back to the UK. When you move house,

:24:43. > :24:45.you make sure everything is cleaned, packed up properly, you bubble wrap

:24:46. > :24:50.it properly and put into boxes, marked a bedroom and of the room and

:24:51. > :24:54.things like that. The scale of the operation is huge. All equipment is

:24:55. > :25:00.measured in terms of shipping containers. And some 5500 shipping

:25:01. > :25:07.containers will be brought home. In addition, 3345 vehicles and major

:25:08. > :25:12.equipment generators will come back, too. Only when soldiers on the

:25:13. > :25:16.ground have no further use for their fighting kit is the decision taken

:25:17. > :25:20.to send it home. In the case of a patrol vehicle like this million

:25:21. > :25:23.pound one, it means getting it from the front where it has been

:25:24. > :25:29.fighting, to the valid safety of camp Bastian. This is the job of the

:25:30. > :25:32.combat logistics patrols, the enormous armoured rogue convoys.

:25:33. > :25:38.They escort vehicles and carry heavy equipment on the most hostile of

:25:39. > :25:44.roads and across deserts. You can have guns and. Any equipment in

:25:45. > :25:49.there. The worst thing you could bring back is a waste tank because

:25:50. > :25:55.it stinks. Once back at camp Bastian, they are stripped of their

:25:56. > :25:58.weapons, armour and secret kit. Then they get an advanced service by

:25:59. > :26:00.engineers and anything from the brakes being tested to an advanced

:26:01. > :26:02.service by engineers and anything from the brakes being tested

:26:03. > :26:07.twin-engine being replaced. After that, there are given an intensive

:26:08. > :26:13.clean. Each vehicle getting 20 man-hours at the biggest car wash

:26:14. > :26:19.you have ever seen. We need a ten times cleaner than that. Free of

:26:20. > :26:23.insects, eggs, and various other nasty is which could possibly harm

:26:24. > :26:29.the UK agriculture. 700 vehicles can be held for redeployment at Bastian,

:26:30. > :26:33.at its not all big boys toys which reprocessing. All other equipment

:26:34. > :26:36.returning is packed securely by soldiers before going to the airport

:26:37. > :26:42.for the next step of the journey, like tents, jerry cans, ammunition,

:26:43. > :26:47.expensive to replace, and with the cost of transporting home. Anything

:26:48. > :26:54.not worth the cost of the journey will be sold locally, given to the

:26:55. > :26:58.Afghans or saved for disposal. The job of getting evident on to the

:26:59. > :27:04.aircraft is headed up by the squadron leader, Martin Logan. We

:27:05. > :27:09.move everything. Recently, we have moved a whole load of containers of

:27:10. > :27:14.uniforms. We've also moved Jamaica helicopter. They require a

:27:15. > :27:17.significant amount of time on the ground by a specialist team to

:27:18. > :27:22.restrain them and make sure they are safe to fly. Even a simple palette

:27:23. > :27:28.of boxes takes teamwork and choreography of the highest order.

:27:29. > :27:35.Only now can all of this equipment be loaded onto aircraft out of camp

:27:36. > :27:40.Bastian. Sun goes by a and some by Laurie and in the case of this tank,

:27:41. > :27:45.it's a short fight -- flight the Middle East before a 6000 mile sea

:27:46. > :27:50.voyage on and enormous ferry. Now back in the UK, all these vehicles

:27:51. > :27:56.will be serviced at the enormous exchange point in Wilts. Then go

:27:57. > :28:00.onto new regiments and back to work. And here at Brize Norton, at the end

:28:01. > :28:05.of the air bridge, and given the RAF and to get some of the kit off this

:28:06. > :28:09.aeroplane and back onto UK soil. This job will go on long into the

:28:10. > :28:13.night and this operation will go on for the next 12 months. Making it

:28:14. > :28:23.the biggest house move we are ever likely to see. Thanks, Tony. We are

:28:24. > :28:29.celebrating with some very special performances using the number 14.

:28:30. > :28:32.Today, we have 12 of the best Japanese Taiko drummers in the

:28:33. > :28:34.country. And two superstar special additions. Kylie Minogue and

:28:35. > :28:37.Will.i.am. That's it for today. They are going to play us out. We will

:28:38. > :28:41.see you tomorrow with Griff Rhys Jones. Bye bye.