:00:19. > :00:25.Hello and welcome to the One Show with Alex Jones. And Matt Baker. You
:00:26. > :00:28.could be forgiven for thinking that night's guests really do not get
:00:29. > :00:37.along. Just leave, you are not wanted. You are a failed husband, a
:00:38. > :00:41.failed father, a failed Muslim, you are a failed man! Well, there will
:00:42. > :00:46.be no argy-bargy in the studio tonight, and anyway they are good
:00:47. > :00:53.mates, it is EastEnders' Nitin Ganatra and Himesh Patel. Good
:00:54. > :00:59.evening, last! Wonderful to see you. Great to be here. You have been
:01:00. > :01:02.working together since 2007, but your story starts a little bit
:01:03. > :01:09.before that, tell us how fate brought you together. Yeah, so it
:01:10. > :01:14.started in early 2007 maybe, my sister told me she was in a
:01:15. > :01:20.restaurant in Leicester, and she bumped into Nitin and got his
:01:21. > :01:28.autograph for me. So you were a big fan? I had been to see him in Bride
:01:29. > :01:36.And Prejudice. I was terribly famous at the time! On the autograph, he
:01:37. > :01:41.wrote, so you want to be an actor? Famous last words! After that, two
:01:42. > :01:49.months before I started EastEnders, I went to see a radio comedy, and
:01:50. > :01:55.Nitin was in it. I went down and spoke to him between the two
:01:56. > :01:59.episodes that were getting recorded. Did you remember that moment? I
:02:00. > :02:04.remember writing the autograph, because I was in a restaurant at the
:02:05. > :02:12.time, I thought, OK, the kind of made the connection. You were about
:02:13. > :02:16.16 or 17? And then, what was it? Some time later, I got a call about
:02:17. > :02:23.EastEnders, went in for a meeting, and as I went in, I passed him in
:02:24. > :02:28.the corridor. Do you always write that on people's autographs? May
:02:29. > :02:33.be! We will work together one day! It is the only time I have written
:02:34. > :02:41.it. All those subliminal notes, give me a large cheque! You have been an
:02:42. > :02:45.interesting family. On that subject, we take for granted that most people
:02:46. > :02:49.are lucky enough to grow up knowing their grandparents. But in the event
:02:50. > :02:54.of family breakdown, when mums and dads can arrange access rights
:02:55. > :02:57.through the law, it is not the same for grandparents, as Esther has
:02:58. > :03:02.discovered. 18 months ago, I joined a wonderful
:03:03. > :03:09.club with over 14 million members in the UK. I became a grandparent. I am
:03:10. > :03:15.absolutely amazed by the feeling of love, which is quite overwhelming.
:03:16. > :03:22.If I don't see him for a couple of days, I really feel a pang. So I can
:03:23. > :03:26.only imagine what it must be like to be a grandparent who doesn't have
:03:27. > :03:35.this sort of relationship because they are not allowed to. It is
:03:36. > :03:38.estimated that more than 250,000 grandparents are denied access to
:03:39. > :03:42.their grandchildren. I am on my way to meet Jane and Mark, who have not
:03:43. > :03:48.seen their granddaughter in almost seven years following the break-up
:03:49. > :03:53.of their son's marriage. It is a horrible feeling, to feel that, for
:03:54. > :03:58.whatever reason, the little girl that we loved so deeply is no longer
:03:59. > :04:03.part of our family. There isn't a day that goes by where I do not
:04:04. > :04:10.think of her. We just choose to have someone the full times. It is like a
:04:11. > :04:14.living bereavement. It is a horrible empty void that is there every
:04:15. > :04:20.single day. They have written many letters and tried many times to make
:04:21. > :04:25.contact, to no avail. People who have not been through this may not
:04:26. > :04:31.understand the depth of their pain. You were completely devastated. Yes,
:04:32. > :04:36.heartbroken, and ashamed that this should happen. Ashamed? Yes, being a
:04:37. > :04:40.grandparent, you do feel as though you should be able to make things
:04:41. > :04:44.right in your family, and you suddenly come up against a brick
:04:45. > :04:48.wall, there's nothing you can do. If you are a parent trying to get
:04:49. > :04:52.access to your own child, you can seek help through the courts. But
:04:53. > :04:58.for grandparents, the law offers little support. Do grandparents have
:04:59. > :05:03.a right to see children? What does the law say? They do not have
:05:04. > :05:09.automatic rights, no special rights for themselves at all. They would
:05:10. > :05:15.need to show to the court that there was a need for the child to see them
:05:16. > :05:20.and it was in the child's best interests. Jane and Mark wrote to
:05:21. > :05:24.their local paper about their situation. To my astonishment, nine
:05:25. > :05:30.grandparents suddenly appeared at my front door who hired never met
:05:31. > :05:33.before, but we had a common feeling, because they were going through
:05:34. > :05:39.exactly what we were going through. And to date I have been contacted by
:05:40. > :05:43.over 1000 grandparents. They set up a support group for grandparents who
:05:44. > :05:49.do not have access, which now meets once a month in their home. The pain
:05:50. > :05:55.of it is just awful, and I have got three young grandchildren that I
:05:56. > :06:02.never see. They are missing out on grandparents. And I know that myself
:06:03. > :06:06.and my husband would be wonderful grandparents if we were given a
:06:07. > :06:11.chance. Do you think you ought to have legal rights that you could
:06:12. > :06:15.enforce? Or do you think we are not in that ball game? Our grandchildren
:06:16. > :06:19.should have legal rights, not necessarily us. This is all about
:06:20. > :06:25.the grandchildren, surely. We are adults, we can make choices.
:06:26. > :06:27.Children can't. I have a granddaughter I have never seen
:06:28. > :06:32.since birth, and they have never given me a reason, and it is quite
:06:33. > :06:36.sad. That is why I have come for these meetings, and it helps an all
:06:37. > :06:49.lots to get over that hurdle. It is hard to describe, the ongoing pain.
:06:50. > :06:53.I am never reduced to tears... Oh, I am not but... I think it is time for
:06:54. > :06:56.drizzle cake! There was so much pain in that room
:06:57. > :07:03.from a group that only really want the welfare of the children that
:07:04. > :07:08.they have now lost, and I don't feel that it is about a change in the
:07:09. > :07:12.law. I think it is about parents recognising that, really, all they
:07:13. > :07:19.want to do is support and help and love their grandchildren. And I'm
:07:20. > :07:25.wondering, is it not possible that these bridges could be mended?
:07:26. > :07:31.I am sure lots of viewers at home sympathise with the women and men in
:07:32. > :07:35.that film. The bond between a grandparent and a grandchild is, you
:07:36. > :07:41.know, invaluable, isn't it? Quite rightly, you want to follow this up,
:07:42. > :07:48.don't you? Yes, if we can, because I don't think people recognise the
:07:49. > :07:52.pain, that came as a shock to me. The fact that it feels like a
:07:53. > :07:54.bereavement, they think about their grandchildren every day. I am
:07:55. > :08:00.wondering whether any parents watching that film might think, is
:08:01. > :08:05.it possible now to take the first step? Starting from now, I am sure
:08:06. > :08:09.things have happened, maybe people regret that, but bear in mind that
:08:10. > :08:13.these grandparents do not want to take sides. They do not want to keep
:08:14. > :08:17.a battle going, they want to do the opposite, they want to re-establish
:08:18. > :08:22.the bond of love that they miss so much. How would they take the first
:08:23. > :08:27.step? Well, if any parent feels that they can, and I do hope they might
:08:28. > :08:31.think about it seriously. If they get in touch with me, if they write
:08:32. > :08:39.to the One Show in the normal way, but just put Esther, spell at how
:08:40. > :08:45.you choose! What I will try and do, I cannot promise to solve every
:08:46. > :08:49.problem, but if I can facilitate the communication again, only for the
:08:50. > :08:53.sake of the children. You know, wearing my child line had, I know
:08:54. > :08:58.grandparents can be such a force for good in children's lives,
:08:59. > :09:04.continuity, a sense of fun. When I was a horrible teenager, I ran away
:09:05. > :09:07.from home to my grandmother, because she taught me the games she used to
:09:08. > :09:12.learn when she was little, nursery rhymes. There was wonderful family
:09:13. > :09:17.continuity, and it is so worthwhile from the child's point of view. If
:09:18. > :09:20.we have viewers who find themselves in the same position at the
:09:21. > :09:24.grandparents in that film, what would your advice be to them? Stay
:09:25. > :09:29.neutral. Make it absolutely clear that you are not taking sides. Maybe
:09:30. > :09:34.there has been some family falling out, maybe you are on one side or
:09:35. > :09:37.the other in terms of the family, but from the point of view of the
:09:38. > :09:41.grandparent, you are in the middle and only care about the child. Your
:09:42. > :09:46.focus is on your relationship with your grandchild. As we saw, that
:09:47. > :09:50.love runs very, very deep, and children benefit from that. Often
:09:51. > :09:59.the person in the family with the most life experience. Absolutely,
:10:00. > :10:00.and that is why they feel so ashamed, that they should be
:10:01. > :10:05.bringing things together. OK, Esther, thank you very much indeed.
:10:06. > :10:09.Do please get in contact, parents. Whether you see it as a blight on
:10:10. > :10:14.our streets or an acceptable form of artistic expression, most people
:10:15. > :10:17.have a view on graffiti. They do. Mike Dilger has been to explore a
:10:18. > :10:23.wood in Devon where a more natural type of graffiti with a meaningful
:10:24. > :10:27.message has been discovered. Throughout history, people have
:10:28. > :10:32.carved their names and trees, or inscribed messages of true love. But
:10:33. > :10:37.across the UK, tree carvings have been discovered which reveal much
:10:38. > :10:44.bigger stories, of love, great camaraderie, and even war. And it is
:10:45. > :10:47.archaeologist Chantal who has discovered there is more to these
:10:48. > :10:52.carvings than what is inscribed on the tree. I normally associate
:10:53. > :10:56.archaeology with dead or buried things, but you are looking at trees
:10:57. > :11:01.that are alive, of course. It is, but it is what the children have
:11:02. > :11:05.done to the trees that interests me. These carvings are a passion of
:11:06. > :11:09.mine, and I look at military ones, because I am obsessed with the First
:11:10. > :11:14.and Second World War. Chantal tracks down inscriptions by people sent to
:11:15. > :11:17.fight in the wars and then researches their personal histories,
:11:18. > :11:24.and her latest find has brought to this would in Devon. This tree is
:11:25. > :11:33.absolutely plastered in graffiti. Some of them are really clear. We
:11:34. > :11:38.have got Carlson here, then San Diego, California, USA. With this
:11:39. > :11:43.information, she uses military archives and public records to find
:11:44. > :11:50.out about each soldier's history. We know he was in F company of an
:11:51. > :11:54.infantry regiment, and he carried on in the army after the Second World
:11:55. > :11:59.War, he survived, he stayed in the army. Private Carlson and thousands
:12:00. > :12:02.of other American troops were stationed here in Devon as they
:12:03. > :12:10.prepared for the invasion of Normandy in June 1944. This is
:12:11. > :12:14.actually an area where the Americans were encamped preparing for the
:12:15. > :12:18.D-day invasions, so they would use this forest as a rat run to the
:12:19. > :12:23.nearest town, so coming back from the pub or going to meet girls may
:12:24. > :12:26.be. Flew her research, she has discovered that some of the men who
:12:27. > :12:34.carved their names here never returned home. -- through. This one
:12:35. > :12:39.here is really clear, Earl of them. Yes, from South Carolina USA. What
:12:40. > :12:46.do you know about this chap? Earl Odom, he took some hunting down, but
:12:47. > :12:51.he was also a member of F company, here from May to June, when they
:12:52. > :12:55.were sent onto ships to await their D-day invasion. On the 11th of June,
:12:56. > :13:01.he received a gunshot wound to his stomach, and on the 12th he died.
:13:02. > :13:05.That is quite emotional, really quite sad. Just a few weeks after he
:13:06. > :13:11.carved this, he died on the battlefields of France. But he is
:13:12. > :13:15.organised on a tree in Devon. -- immortalised. The story does not end
:13:16. > :13:19.there. Chantal has tracked down some of his relatives, who know we are
:13:20. > :13:24.going to call them about Earl Odom but have no idea why.
:13:25. > :13:29.Thank you first and foremost, Nancy and Debbie, for joining us. Can you
:13:30. > :13:35.tell us your memories of him? He was a very loving person, and I remember
:13:36. > :13:40.I was real close to him, that was his sister, she was real close to
:13:41. > :13:47.him. What was his job before he went to war? Probably a farmer, but he
:13:48. > :13:51.went to walk very young, because he was 33 when he died in 1944. The
:13:52. > :13:57.reason we are interested in Earl Odom is the most amazing tree
:13:58. > :14:01.graffiti that Chantal found in Devon, south-west England. You
:14:02. > :14:08.probably cannot see that, you might be of DC a circle, and there is some
:14:09. > :14:12.writing in there. -- you might be able to see. That says South
:14:13. > :14:18.Carolina, yes. The best thing about the tree, which is really unusual,
:14:19. > :14:23.you can actually pinpoint it to a two-week period when he was in the
:14:24. > :14:28.area. That is amazing, that is very amazing. You must be very proud of
:14:29. > :14:38.your great uncle. It is a pleasure for us to meet and talk to you. We
:14:39. > :14:43.are proud. Thank you. And as the Second World War starts to fade from
:14:44. > :14:52.living memory, it is interesting to think that individual soldiers have
:14:53. > :14:57.left their mark to say, I was here. Amazing. I love that species of
:14:58. > :15:03.tree. It's called a dog tree. You can tell by the bark!
:15:04. > :15:09.I actually fell for that. Yes, all right, thank you. I need to
:15:10. > :15:13.minute to recover. On we go. As the chirpy cheerful postman of
:15:14. > :15:18.Albert Square, but this week Masood has been labelled a complete failure
:15:19. > :15:30.by his son, Tamwar. But has he hit rock bottom? Or could there be
:15:31. > :15:50.further for Masood to fall? Oh, what am I? I'm not a husband. A
:15:51. > :15:54.dad? To Tam or Syed or Shabnam. Not even a postman any more. Come on,
:15:55. > :16:00.you are making a scene here, man. Oh, you are never safe. You know
:16:01. > :16:02.that. No matter how old you get, right. You can always lose
:16:03. > :16:16.everything. Well, there you are, Masood,
:16:17. > :16:20.literally in the gutter. Can he sink any lower? Where is this going? He
:16:21. > :16:25.does. It gets quite critical for him. After that scene, he ends up
:16:26. > :16:33.opening his suitcase and eating his underpants. And then, it is kind of
:16:34. > :16:37.a new low for a postman to eat your own underpants. Or for anybody It
:16:38. > :16:43.gets pretty bad. It is lovely. It is nice to see this character kind of
:16:44. > :16:48.unravel a little bit. It is fun to play, no matter how dark it gets, it
:16:49. > :16:52.gets more and more fun. Is he still a goody in your eyes? Obviously
:16:53. > :16:56.there is a darker side to him. I think it is in the writing, really.
:16:57. > :16:59.Everyone is on fire at the moment with EastEnders. The writers are all
:17:00. > :17:08.kind of really enjoying the work. They are all creating new stuff. It
:17:09. > :17:16.is being led beautifully by dom particular Tredwell Collins.
:17:17. > :17:22.-- Dominic. It is allowing us as actors to play
:17:23. > :17:26.around with T everyone loves Masood and knows he is a good guy. The
:17:27. > :17:29.risk-taking is interesting, they are pushing the envelope out with these
:17:30. > :17:34.characters and letting them explore their lives more. For me, it is
:17:35. > :17:41.great. It can get a touch too tedious to be nice guy all the time.
:17:42. > :17:46.Himesh, do you have any ideas where you would like to see Tamwar going
:17:47. > :17:53.in terms of storilines? I spoke to them before this, he has done a lot.
:17:54. > :17:58.He lost a lot. It has been a year of loss. They've stuck together. We are
:17:59. > :18:02.seeing the affect it is having on Masood now. But what has it done to
:18:03. > :18:06.Tamwar. He is always in the middle. He is stuck in the middle. What
:18:07. > :18:11.conclusions did you come up with? Well, it was interesting. It happens
:18:12. > :18:15.quite often that people give into the darkness and go down a certain
:18:16. > :18:19.path or are led down a certain path by certain circumstances, you know,
:18:20. > :18:23.but, what if he deals with it in a different way? It is something I'm
:18:24. > :18:26.going to be looking forward to talking todom and the story team
:18:27. > :18:31.about. There are rumours, we have to bring this up, that you are going to
:18:32. > :18:35.have a bit of a revamp, ?25 million worth. What is the Goss? What is the
:18:36. > :18:40.new buildings? How is the Square going to look? Do we know anything?
:18:41. > :18:44.I think they are still in the designing stage. All the ideas are
:18:45. > :18:49.being thrown on the table. I think it's kind of long overdue. I
:18:50. > :18:52.remember my first day in the Vic, carrying my postman's bag. I
:18:53. > :18:55.couldn't get through the doors because they were designed in a
:18:56. > :19:02.really weird way, where you have to go through sideways and there's lots
:19:03. > :19:05.of set that's kind of had its day. Three decades old. It wasn't built
:19:06. > :19:10.to last that long. It was built to last a short period of time. They've
:19:11. > :19:12.made it work. It is, as you say, an exciting time with all sorts of
:19:13. > :19:18.things happening. We are looking forward to T I think it is going to
:19:19. > :19:26.take a while to get there. It'll look beautiful. It is 2018. Yes.
:19:27. > :19:31.Good, right, now, for some, thing sight, brace yourselves, everybody,
:19:32. > :19:35.the sight of this might trigger some terrible memories. There you are, do
:19:36. > :19:38.you remember that, Attack of the Killer Tomatoes? For the younger
:19:39. > :19:50.viewers out there. It is just fiction. Very much. Our next film is
:19:51. > :19:55.matter of fact. Here is a tell about a nasty fruit about to attack our
:19:56. > :19:58.shores. The Malaysian durian fruit, growing in Asia for thousands of
:19:59. > :20:06.years. Only now has it been imported to the UK. This thing has a very
:20:07. > :20:11.distinct smell. People have likened the pungent odour to dead rats,
:20:12. > :20:15.sewage and rotting meat. Its prickly exterior is removed and fruit vacuum
:20:16. > :20:21.packed before being sent over to the UK for consumption. But, beware, I'm
:20:22. > :20:27.told as soon as the seal is broken, the smell of the durian will escape.
:20:28. > :20:34.Let's see if the great British public want to do the durian fruit
:20:35. > :20:39.tasting. It smells horrible. That is vile. Very, very strong cheese,
:20:40. > :20:44.pineapple and a bit of cheese and onion. I've tried kangaroo before
:20:45. > :20:54.now. OK, let's see what you make of this. No, no. Quick. Sorry. So, the
:20:55. > :21:01.taste is bad. But what did the public think when given a whiff in
:21:02. > :21:06.our fridge? I don't know what is wrong with your nose, mate, it is
:21:07. > :21:11.horrible. Inhail, deeply. My refrigerator smells worse than that.
:21:12. > :21:15.Breathe in. Breathe in. It is very pongee, isn't it? It is terrible. Do
:21:16. > :21:25.you want it take some? We can't shift it. We have so much of it. ! I
:21:26. > :21:28.like it. It is nice. Oh. Well, one man who is delighted at the
:21:29. > :21:35.Malaysian daughterian is available here in the UK is 201 1 MasterChef
:21:36. > :21:42.winner. Tim Anderson. He is with us now. -- Malaysian durian. It is a
:21:43. > :21:47.smelly customer, wafting around the studio now. What are the good
:21:48. > :21:54.points? Why should we be eating more? Well, the aroma is one of its
:21:55. > :21:59.strongest points but it has a lovely, intensely creamy
:22:00. > :22:03.custard-like texture. That, I guess, is in a lot of ways both what
:22:04. > :22:08.appeals and disgusts. The smell which is cheesy and funky and I
:22:09. > :22:13.think quite a bit like rotten onions. I have theories so the tow
:22:14. > :22:19.you have made. It is at odds with the creaminess -- I have the
:22:20. > :22:24.risotto. How would they eat this in Malaysia? It is a somewhat expensive
:22:25. > :22:29.fruit and different varieties are different. It is not bad, you know.
:22:30. > :22:34.You have the chips, they are dehydrated and that's in a slaw with
:22:35. > :22:39.peanut dressing, basically. Have a go at the ice-cream. It is the most
:22:40. > :22:45.intense one. When you dehydrate them, some of the aroma dissipates
:22:46. > :22:49.and you are left with a nice, sweet, almond-type flavour but this
:22:50. > :22:56.ice-cream. The Risotto is lovely, I was about to say.
:22:57. > :23:00.The interesting thing s it is lovely when it is cooked but one of us,
:23:01. > :23:05.somewhere in this studio will be sniffing the raw fruit before the
:23:06. > :23:09.end of the programme. Now John Segreant has been to Coventry to
:23:10. > :23:14.witness what is the end of an era. This may not look like it but this
:23:15. > :23:18.is one of the most famous companies in the country. For what they've
:23:19. > :23:21.been making here in Coventry for more than 100 years. Sadly, it's now
:23:22. > :23:32.fallen on hard times. Generations of schoolchildren,
:23:33. > :23:44.millions of us, me included, were their customers. This is the home of
:23:45. > :23:49.Cashers name tags. During its heyday, the workforce was up to
:23:50. > :23:54.1,000 strong. Now they are down to only 10. A company stalwart started
:23:55. > :23:58.here at 18. He has been with the company for over 43 years. What was
:23:59. > :24:02.it like when you first joined? The first thing I noticed was the noise.
:24:03. > :24:08.It was really noisy. But it was a hive of activity. How many name
:24:09. > :24:11.tapes were you producing? In our busiest period from June to
:24:12. > :24:15.September, we are typically processing 20,000 individual name
:24:16. > :24:18.orders through the system. A week. At that time we didn't have much
:24:19. > :24:24.competition at all. We were sending name tapes all over the world. The
:24:25. > :24:28.company made woven fabrics long before their first name tapes came
:24:29. > :24:33.off the line in the 1870s. They kept their original skills to produce a
:24:34. > :24:42.range of products, including badges for swimming teams and fat ball
:24:43. > :24:45.clubs. They diversified into other woven fabrics. One of the things
:24:46. > :24:50.they came up with, the first company to come up with the idea of making
:24:51. > :24:54.the name tapes which all children, ever since have had woven into their
:24:55. > :24:57.school clothes. They were by appointment to the Queen. Some of
:24:58. > :25:01.the name tapes were the ones made for Prince Charles when he was at
:25:02. > :25:06.school. And when did the decline start? We
:25:07. > :25:11.started losing the name orders perhaps 20 years ago, in the
:25:12. > :25:17.mid-'90s. I suppose a lot of the kids weren't having proper name
:25:18. > :25:21.tapes, was that it? No, you could buy markers and printed and iron-on
:25:22. > :25:27.names. It was easy perhaps for parents rather than have a woven
:25:28. > :25:32.name. When the company was put into receivership, you knew it was all
:25:33. > :25:36.over, did you? Well, yes, for 47 people last week, it certainly was.
:25:37. > :25:39.That must have been a terrible bloe. They were upset. There were people
:25:40. > :25:44.crying. It was sad to see. The company may be in dire straits but
:25:45. > :25:48.their legacy lives on in Coventry. We invited people from the Joseph
:25:49. > :25:53.Cash primary school, named after the company's founder. They've come to
:25:54. > :25:58.receive some of the last woven name tags to the made in this factory.
:25:59. > :26:05.Are you excited about this? Yes. Are you sure? Yes. I didn't hear you?
:26:06. > :26:11.YES Is that your name? I really like the
:26:12. > :26:15.badges. When the coat gets lost, you know which one is yours. Put them in
:26:16. > :26:18.the wash. They won't come off. With a sticker label, it'll come off
:26:19. > :26:24.easily. Right, you are all labelled up. Hooray.
:26:25. > :26:28.Hooray. Some name tapes may continue to be made in factories like this,
:26:29. > :26:33.but there is no doubt that the glory days of this Coventry industry are
:26:34. > :26:38.over. Aw, thanks, John. Let's hope there
:26:39. > :26:49.is a positive outcome. Would you believe it, Nitin, when you first
:26:50. > :26:54.came over, lived near there. Yes. I did. We've discovered you used to do
:26:55. > :26:58.experimental performance, is this right? I did. Well, it is time to
:26:59. > :27:02.find out who is going to be sniffing this durian fruit in all of its raw
:27:03. > :27:07.glory. Is it going to be you two, or is it going to be Matt? Somebody is
:27:08. > :27:11.going to be leaving the studio... Honestly, I won't be able to. I
:27:12. > :27:15.tried some of the ice-cream and it was, oh, punchy.
:27:16. > :27:19.So, we have some experimental scenes, don't we?
:27:20. > :27:23.We do. We have experimental performers who have reenacted famous
:27:24. > :27:27.EastEnders scenes. All you have to do is try and recognise the scene.
:27:28. > :27:32.OK. Ready for the fist one. If you get two right, you don't have to
:27:33. > :27:57.sniff it. I've heard that before. Well, you can confer. Yeah. The Sla
:27:58. > :28:02.text res is. Is it -- the Slaters. Is it the. You are not my mother,
:28:03. > :28:10.one, you are my sister, mum. You are my mum, sister. It is, it
:28:11. > :28:14.is. We'll give you that. It was when Zoe found out that Kat was not her
:28:15. > :28:20.centre, was her mother. It gets weirder. Here is the second one. --
:28:21. > :28:40.not her centre. -- not her sister. Any thoughts? You look like you
:28:41. > :28:46.might know. Was it when Janine pushed - oh what was his name -
:28:47. > :28:52.Barry off the cliff? Oh, my goodness me.
:28:53. > :28:57.I'm gagging. I have just released this from its packet. It is
:28:58. > :29:01.absolutely offensive. That's it from this evening. Thank you to our
:29:02. > :29:10.guests. You have got to smell it. Oh! I'm back with Chris tomorrow and
:29:11. > :29:12.Kevin Spacey and Kate Mara. See you then.