0:00:16 > 0:00:18Hello and welcome to The One Show with Alex Jones.
0:00:18 > 0:00:19And Matt Baker.
0:00:19 > 0:00:22On the day that marks 100 years since the first women in the UK
0:00:22 > 0:00:25won the right to vote, we're lucky enough to have
0:00:25 > 0:00:27with us three women, truly at the top of their game.
0:00:27 > 0:00:30Our first guest is quite simply one of the most powerful
0:00:30 > 0:00:34businesswomen in the UK today.
0:00:34 > 0:00:37She was the first woman to top the 'Powerlist 100',
0:00:37 > 0:00:40is Chairwoman of Britain's biggest media agency and received an OBE
0:00:40 > 0:00:41in the 2014 for services to media communications.
0:00:41 > 0:00:45Welcome Karen Blackett!
0:00:45 > 0:00:47APPLAUSE
0:00:47 > 0:00:49We're also joined by two stars of the latest British film,
0:00:49 > 0:00:51'Finding Your Feet'.
0:00:51 > 0:00:59Who first worked together 40 years ago, and here's the proof...
0:00:59 > 0:01:00It's Celia Imrie and Imelda Staunton.
0:01:00 > 0:01:07APPLAUSE
0:01:07 > 0:01:16You were shocked when you saw that.
0:01:16 > 0:01:24Yes, I didn't know you have that. Who were those men? Nobody was
0:01:24 > 0:01:31looking at them, not on today of all days.What kind of images does that
0:01:31 > 0:01:41conjure up for you?Cream teas.We used to have a cream tea at 11:30am
0:01:41 > 0:01:46before the matinee. Felt sick as parrots. Thought, we are never doing
0:01:46 > 0:01:59that again, then the following Wednesday, cream tea.
0:02:01 > 0:02:05We have got some anti-suffrage pictures for you to look at. This is
0:02:05 > 0:02:14the first one. A suffragette's home. The man has come home, it is in
0:02:14 > 0:02:19disarray, the baby is on the floor. It is a mess, no gas in the lamp and
0:02:19 > 0:02:26it has gone pear shaped.
0:02:26 > 0:02:30it has gone pear shaped.Karen, as somebody involved in the advertising
0:02:30 > 0:02:36industry, what do you make of this? Technically, it's not great. Forget
0:02:36 > 0:02:40the message, you normally have a rule of thumb that you have four
0:02:40 > 0:02:44seconds to convey a message on a poster.There is a lot going on
0:02:44 > 0:02:53here.Maybe this one will work better for you? Mummy is a
0:02:53 > 0:03:01suffragette. Look the pain.How dare they. She could have been a
0:03:01 > 0:03:08suffragette and I am the collar. Multitasking.The last one.This is
0:03:08 > 0:03:17quite shocking. We want the vote. Demonising suffragettes, and if you
0:03:17 > 0:03:22want to look at this, I can hold that one of.My goodness me.
0:03:22 > 0:03:25Those images might be extreme but the words used by politicians
0:03:25 > 0:03:27of the day who opposed votes for women were pretty
0:03:27 > 0:03:28extraordinary too.
0:03:28 > 0:03:36We asked today's women to read some out.
0:03:37 > 0:03:41Men of England, your interests, those of your family and the welfare
0:03:41 > 0:03:49of this country are in danger.Rally to prevent it. Women are known as a
0:03:49 > 0:03:55sex class with a temperament and balance of mind.The vote is not
0:03:55 > 0:04:00desired by the vast majority of women. Don't make yourselves and
0:04:00 > 0:04:06your country the laughing stocks of the world.I think it is the most
0:04:06 > 0:04:16ridiculous thing I have ever heard. What?We are not amused.It is
0:04:16 > 0:04:20scarcely possible to imagine a woman being Minister for war.It is really
0:04:20 > 0:04:28sexist.The mental equilibrium of the female sex is not as stable as
0:04:28 > 0:04:34the mantle aqua Librium of the male sex.That argument has very strong
0:04:34 > 0:04:41scientific backing.It makes you really angry.It is rubbish.If you
0:04:41 > 0:04:45allow women to vote, it will mean the loss of social structure.Women
0:04:45 > 0:04:51are represented by their fathers, brothers and husbands.I find it
0:04:51 > 0:04:54incredible that 100 years ago, it seems like it should have been 400
0:04:54 > 0:05:01years ago.Pass legislation in Parliament shows the interests of
0:05:01 > 0:05:12women are perfectly safe in the hands of men.No way!Good gracious.
0:05:12 > 0:05:16We respect them, we give way to them, we help them and we make
0:05:16 > 0:05:21things easy for them. How patronising is this? Once we give
0:05:21 > 0:05:26them the votes, a certain amount of that will disappear.I don't think
0:05:26 > 0:05:32so. It leaves you speechless.They call it justice and equality, it is
0:05:32 > 0:05:37nothing of the kind.It is hard not to use rude words when you look at
0:05:37 > 0:05:42the comments of some of these men. It is ridiculous.
0:05:42 > 0:05:47I agree.
0:05:47 > 0:05:53I am amazed it is Great Britain, that is what took me by surprise.
0:05:53 > 0:05:57When those women went through so much to get the vote, killing
0:05:57 > 0:06:01themselves and making themselves so ill, they will be turning in their
0:06:01 > 0:06:08graves, it is appalling.He is the first woman to vote in your family,
0:06:08 > 0:06:16Karen?Probably my mum, who came here in 1961 when she was 19 so
0:06:16 > 0:06:19whenever the nearest general election was after that, it was
0:06:19 > 0:06:27probably my month.
0:06:27 > 0:06:32probably my month.You have a budget of brilliance, thousands of staff,
0:06:32 > 0:06:40was that always the plan?My first love was athletics. I grew up in
0:06:40 > 0:06:45Redding which is known as mini Barbados because there were so many
0:06:45 > 0:06:50people from Barbados who descended on Redding in the 60s and I had a
0:06:50 > 0:06:56love of sport. I was part of reading athletic club so I am here as a
0:06:56 > 0:07:01failed athlete. I wasn't good enough.But all that drive and
0:07:01 > 0:07:06determination?I did use that in my working life. From the earliest
0:07:06 > 0:07:11stage I had a love of advertising, I loved the ads as much as the
0:07:11 > 0:07:16programmes. We had a good room where you were allowed to go in and watch
0:07:16 > 0:07:22the TV when I was little. In the good room I literally consumed all
0:07:22 > 0:07:25the ads and I had an idea of who they were trying to talk to and I
0:07:25 > 0:07:28would come up with better ideas. I always wanted to get into
0:07:28 > 0:07:33advertising but didn't know how to navigate a part in, because it was
0:07:33 > 0:07:37alien to my mum and dad. My mum and dad wanted myself and my sister to
0:07:37 > 0:07:42have a profession which would be seen as high standing back it in
0:07:42 > 0:07:49Barbados.It was quite a man's world, advertising?Absolutely. Even
0:07:49 > 0:07:55now, only 30% of the people running the industry are female. But the
0:07:55 > 0:08:01intake is 50-50.On your way up, Karen, did you face any obstacles
0:08:01 > 0:08:10because you were a woman?I have been fortunate I worked for a
0:08:10 > 0:08:17company, MediaCom and WPP who wanted to focus on talent. I am a single
0:08:17 > 0:08:23mum and ten months after having my child be promoted me to CEO. There
0:08:23 > 0:08:27has always been a focus on talent. But I did come across difficulties
0:08:27 > 0:08:32and it was mostly behind my back rather than to my face.Do you have
0:08:32 > 0:08:39any examples?Yes, probably about ten years ago, maybe longer, I was
0:08:39 > 0:08:44business director in my agency at the time. My role was to try and
0:08:44 > 0:08:50find an pitch for new clients. So we did a pitch for a well-known
0:08:50 > 0:08:57breakfast cereal and we didn't win and is a small industry. I sort of
0:08:57 > 0:09:00knew the person who was going to be the business director at the winning
0:09:00 > 0:09:06agency. The winning agency did exactly what I would do, they took
0:09:06 > 0:09:11out the clients to thank them for the business and used it as an
0:09:11 > 0:09:15opportunity to get it into some competitive insights to see what
0:09:15 > 0:09:21everybody else who had pitched, did. The two decision-makers for the
0:09:21 > 0:09:25pitch were two middle-aged white men. One was South African and the
0:09:25 > 0:09:30other was Scottish. They said to the person he was going to my equivalent
0:09:30 > 0:09:36at the agency who won the bid, and they asked about the agency I was at
0:09:36 > 0:09:40and they said, yes they were very good, but there was no way we would
0:09:40 > 0:09:45have had a female business director, let alone a black one. That is
0:09:45 > 0:09:50hurtful because it is personal and nothing to do with my work. I would
0:09:50 > 0:09:54have preferred to have got it wrong in terms of the work, but that was
0:09:54 > 0:09:59about me. I have no intention of changing my gender or my ethnicity.
0:09:59 > 0:10:04I really don't want to.It was good that you heard that, you have
0:10:04 > 0:10:11something to fight against.It is appalling. But it is personal. The
0:10:11 > 0:10:16immediate reaction is I felt really guilty because I felt I had lost the
0:10:16 > 0:10:21agency business. And then I got angry.We are all trying to guess
0:10:21 > 0:10:28which breakfast cereal.It was the individuals, not the brand and I do
0:10:28 > 0:10:33believe in karma because less than 15 months later, those two
0:10:33 > 0:10:38individuals left the organisation, not of their own doing.Looking at
0:10:38 > 0:10:41business and as far as women in Power are concerned, the statistics
0:10:41 > 0:10:46said it has only increased 2% in the last decade. It only stands at 8% at
0:10:46 > 0:10:51the moment.That is women in influential positions.Yes, what do
0:10:51 > 0:10:56you think needs to be done, Karen? The message needs to be got across
0:10:56 > 0:11:02in schools, nobody would say girls and boys cannot do anything
0:11:02 > 0:11:07differently so at level I am sure the work is getting through, but
0:11:07 > 0:11:11from an advertising perspective, what do you think?I am privileged
0:11:11 > 0:11:18to be a member of an organisation in the advertising agency which has
0:11:18 > 0:11:24been going since 1923, which is the most senior women in the advertising
0:11:24 > 0:11:28and communications industry. Its aim is to basically fight for gender
0:11:28 > 0:11:34equality in our industry. That is through support so we do lots of
0:11:34 > 0:11:39training programmes and there is a programme coming up where we have
0:11:39 > 0:11:45Doctor Helen Pankhurst, a training programme, for young women in the
0:11:45 > 0:11:51industry to give them support and confidence.Do you also support men?
0:11:51 > 0:11:56That is important because I think bringing men with us on the journey,
0:11:56 > 0:12:01because talking to the converted, we need to bring smart man. I always
0:12:01 > 0:12:08say it is the smart men who want to win because it is about making sure
0:12:08 > 0:12:12you have an assemble of talent, no matter what the gender or ethnicity
0:12:12 > 0:12:16is and if there are men leading organisations, they can increase
0:12:16 > 0:12:22performance and profitability. So you have to bring men with us.
0:12:22 > 0:12:25If you'd like to tell us about a woman who's inspired you,
0:12:25 > 0:12:27whether it's your teacher, boss, maybe a neighbour,
0:12:27 > 0:12:28please do get in touch.
0:12:28 > 0:12:31It can be anyone at all, but avoid your mum -
0:12:31 > 0:12:32we'll take that as a given!
0:12:32 > 0:12:36Send them in to the usual email address.
0:12:36 > 0:12:38In their new film, 'Finding Your Feet' Celia and Imelda
0:12:38 > 0:12:43play two women who've led very different lives,
0:12:43 > 0:12:44sisters Sandra and Bif.
0:12:44 > 0:12:47But a nasty shock means well-to-do Sandra has turned up uninvited
0:12:47 > 0:12:55on her sister's doorstep.
0:12:57 > 0:13:07Elisabeth, it is Sandro.Sandro? What are you doing here?Mark has
0:13:07 > 0:13:11been having an affair with Pamela Harper so I have left him. I tried
0:13:11 > 0:13:20to ring your landline, but you have changed your number.Years ago.You
0:13:20 > 0:13:23might have let me know. I can only imagine what everybody is saying
0:13:23 > 0:13:32back home. It turns out he has been bonking her behind my back for over
0:13:32 > 0:13:37five years.
0:13:37 > 0:13:42This is one of those classic films where everybody says, I want to go
0:13:42 > 0:13:47and see this.We have only had clips and I want to see the whole thing.
0:13:47 > 0:13:55What Cassandra learns from Bif, is key to the whole story?Yes, life
0:13:55 > 0:14:00after a broken down marriage. He goes off with someone else and she
0:14:00 > 0:14:07decides to leave. My character has quite a veneer and goes to her
0:14:07 > 0:14:13sister, and they haven't seen each other for ten years. There is a free
0:14:13 > 0:14:18spirit here and this is a woman who is completely locked. Spent her own
0:14:18 > 0:14:23marriage saying I will serve your life up, but I won't have one. But
0:14:23 > 0:14:29she has enjoyed that light. Goes to her sister, who is very bohemian and
0:14:29 > 0:14:34says, just relax. But she is so uptight. So the journey this
0:14:34 > 0:14:38character has to make, and it takes her time, which is why the script is
0:14:38 > 0:14:43so good. They don't come together immediately and say, it has been so
0:14:43 > 0:14:48long since we have been together. You have to chip away at me and I
0:14:48 > 0:14:52won't be drawn into this life. She is helpless and it is lovely to have
0:14:52 > 0:14:56this sort of spirit that really unlocks my character.But not
0:14:56 > 0:15:04telling you what to do, just encouraging you. Join in.The
0:15:04 > 0:15:08character, Bif was written specifically for you, Celia?
0:15:08 > 0:15:16Somebody told that.Are there similarities?I am as untidy as Bif.
0:15:16 > 0:15:23I love to dance. Imelda and I have known each other, we had our
0:15:23 > 0:15:27children together and we have always been in and out of each other's
0:15:27 > 0:15:31lives along the way which meant we didn't have to play familiarity. It
0:15:31 > 0:15:39was just there. And with Timothy as well.He studied with Timothy?
0:15:39 > 0:15:43Timothy Spall, we are talking about? That is the layer underneath which
0:15:43 > 0:15:50doesn't need any work, it is just there. We have such respect for each
0:15:50 > 0:15:56other's work. If it was just fun all the time, we know we are there to do
0:15:56 > 0:16:01a job and we respect each other's space if they need it.You know how
0:16:01 > 0:16:07to get the best out of each other. So the familiarity may get a better
0:16:07 > 0:16:15project. Who is the joker?You are and Richard, the director. You never
0:16:15 > 0:16:21get a serious work out of him.Tim could read a telephone directory and
0:16:21 > 0:16:30be funny. That is nice. You have people who are quite witty around
0:16:30 > 0:16:36and that is good. But also you have a witty script. We have all done
0:16:36 > 0:16:40jobs where we think, that's not very good but I am doing it. But to do a
0:16:40 > 0:16:46script where you think, this doesn't need any work. All we need to do is
0:16:46 > 0:16:49say this and hopefully it will come across. Director who wants to make a
0:16:49 > 0:16:54good film. None of us want to make rubbish, but I think in this case,
0:16:54 > 0:16:59you just say it and it is done.
0:16:59 > 0:17:03It's called Finding Your Feet feet. You eluded to the dancing. Did you
0:17:03 > 0:17:11not want to be a ballet dancer?I wanted to be a ballerina and marry
0:17:11 > 0:17:18Rudolf -It's not too late. Part of it.There is something really true
0:17:18 > 0:17:23about that. That is the statue because I was born on a Tuesday.
0:17:23 > 0:17:28Monday's child is fair of face. Tuesday's child fair of grace. Aged
0:17:28 > 0:17:32about three I looked at that and think - that's my statue, maybe I
0:17:32 > 0:17:36should do that. Get into the position and fall over and things
0:17:36 > 0:17:40like that. I do think it was an influence on my love of dance. It's
0:17:40 > 0:17:47never left me, actually. But now I dance around the kitchen table if a
0:17:47 > 0:17:52waltz comes on or a Scottish reel, actually. I dance by myself. I don't
0:17:52 > 0:17:56look in the window because I would probably fall over. I still love it.
0:17:56 > 0:18:05We do the same, really.Really?Only after one!Finding Your Feet is in
0:18:05 > 0:18:09cinemas from the 23rd February. Go and enjoy it.Yes.
0:18:09 > 0:18:12When it comes to architecture, one man's palace is another man's hovel,
0:18:12 > 0:18:15but should this building be seen as an important work of art?
0:18:15 > 0:18:18Lucy Siegle's been to find out why a leading museum wants
0:18:18 > 0:18:24it for its collection.
0:18:24 > 0:18:30For some Robin Hood Gardens council estate in Popular is a 70s
0:18:30 > 0:18:34architecture masterpiece.This building kind of stands for a high
0:18:34 > 0:18:39point in British social housing.But for others the reality is very
0:18:39 > 0:18:46different.We live in a kind of prison.But love or loathe this
0:18:46 > 0:18:51estate, the flats here are all coming down. That's not the end of
0:18:51 > 0:18:56the story for a chunk of this building way up here. The world's
0:18:56 > 0:19:03leading museum of art and design want a slice of this estate for
0:19:03 > 0:19:06their permanent collection. They have taken the interior, logging
0:19:06 > 0:19:15every item. Today they are preparing to remove some of the outside. Dr
0:19:15 > 0:19:23Neil Bingham decided this concrete estate is worth preserving.Three
0:19:23 > 0:19:28stories through the whole building. Then the concrete Exeterors on the
0:19:28 > 0:19:36outside.Why is this building importantIt was brutalist
0:19:36 > 0:19:44architecture by famous architects. The architects are the inventors of
0:19:44 > 0:19:48brutalism.They felt their design could improve the lives of its
0:19:48 > 0:19:55residents.To the people who live in it, it offers a place with a special
0:19:55 > 0:20:00character, capable of being lived in generation after generation.This is
0:20:00 > 0:20:05known as a street in the sky. The way it, works is that there's these
0:20:05 > 0:20:09sky walks on every third level so that he can enter flats side by
0:20:09 > 0:20:14side. It's not uncommon in a lot of social housing to have this, but
0:20:14 > 0:20:20this is a nicely done piece.A lot of people will think - it's a pile
0:20:20 > 0:20:24of old concrete?Yes. Well it is a pile of concrete. That's for sure.
0:20:24 > 0:20:30That's true.Yes, it is indeed. It's a beautifully put together piece of
0:20:30 > 0:20:35concrete. I should point out the concrete is Dmitry Medvedev in
0:20:35 > 0:20:46Sweden. It's from the country of Ikea. It was made like a flat back.
0:20:46 > 0:20:56-- made. It's an architectural showpiece.While part of the estate
0:20:56 > 0:20:59is being demolished residents are living in another start. Do they
0:20:59 > 0:21:02share the doctor's enthusiasm. How long have you been here for?More
0:21:02 > 0:21:09than ten years.This is the living room?Yes. Come in.This building is
0:21:09 > 0:21:17famous for as a masterpiece of brutalist architecture.I don't know
0:21:17 > 0:21:21anything about architect oar, but this is water.This is water damage.
0:21:21 > 0:21:26Somebody's bathroom.You were flooded...Yes a leak. All the time.
0:21:26 > 0:21:31You are ready to leave?Ready to leave. I'm praying if they can knock
0:21:31 > 0:21:37down this building very quick. That's going to be good.It's broken
0:21:37 > 0:21:43easily. You see all types of people here. Street gangsters. Whatever you
0:21:43 > 0:21:48want to call them. From that angle it's quite scary.All residents in
0:21:48 > 0:21:52social housing here will be offered a new flat on the same site when
0:21:52 > 0:21:57it's reblilt. Such is the love for this estate in design circles there
0:21:57 > 0:22:04has been a decade long campaign to get it listed and save it. Some
0:22:04 > 0:22:08people have fond memories of growing up on the estate.We were running
0:22:08 > 0:22:11around these gardens and the playground and the football pitch.
0:22:11 > 0:22:18The streets and the landings. So many people in the landings, adults
0:22:18 > 0:22:21chatting, kids running around and bikes on the It was like landings.A
0:22:21 > 0:22:26combined family.Tell me about some of the issues of living here?I
0:22:26 > 0:22:29remember in the early days we came into the kitchen and the whole place
0:22:29 > 0:22:37was completely black. We realised
0:22:37 > 0:22:40was completely black. We realised it was full ofcockroaches.A concrete
0:22:40 > 0:22:47rib is to be removed from outside the block for the V & A. It's a
0:22:47 > 0:22:56painstaking task that will take three months in total.Good job.We
0:22:56 > 0:23:00are used to bringing things down quickly. This is unusual to take our
0:23:00 > 0:23:10time and really thinking about it piece by piece.A lot of people who
0:23:10 > 0:23:14love this building weren't those who lived in. ItThat is true. People
0:23:14 > 0:23:18will discuss whether it's been a success or a failure. By preserving
0:23:18 > 0:23:22a piece of this, we'll keep this conversation going.Actually, we
0:23:22 > 0:23:27will keep that conversation going for you right now. Brutalism, is it
0:23:27 > 0:23:32beautiful, do you think?Do you know what, I studied, I did a geography
0:23:32 > 0:23:37degree at the University of Portsmouth. We did a lot about how
0:23:37 > 0:23:41architecture can actually influence crime in certain areas. That is
0:23:41 > 0:23:45quite brutal, in terms of I imagine the influence of that architecture
0:23:45 > 0:23:49in terms of the criminal activity that would happen. You can throughly
0:23:49 > 0:23:52see how that would be the case. Brutal we should absolutely have a
0:23:52 > 0:23:56look at it and preserve to see where we should not go back to.You are
0:23:56 > 0:24:01pleased it's going in the museum?I am.Into the V & A, which have a
0:24:01 > 0:24:05lovely gift shop!
0:24:05 > 0:24:07Over to Mike Dilger now whose travelled to a beautiful part
0:24:07 > 0:24:10of the UK where visitors have been flocking from as far as Canada
0:24:10 > 0:24:13and Arctic Russia to get a taste of British delicacies.
0:24:15 > 0:24:22For Tollesbury Salt Marshes in Essex are twisting waterways. They make
0:24:22 > 0:24:28look barren but they support a huge variety of wildlife and are a vital
0:24:28 > 0:24:33pitstop for migrating birds coming up to 5,000 miles away to feed here.
0:24:33 > 0:24:38Most of the marshland is inaccessible by foot and off limits
0:24:38 > 0:24:44to people. Today I will explore this huge expanse with this, a kayak. For
0:24:44 > 0:24:49over 1,000 years, salt deposited from the Black Water River and the
0:24:49 > 0:24:53ebbing and flowing of the tide has sculpted this landscape. Jonathan
0:24:53 > 0:24:59Smith from the Essex Wildlife Trust is going to help me navigate this
0:24:59 > 0:25:04maze of channels. This really is the most dynamic of habitats. It's
0:25:04 > 0:25:08dominate bide one things of course - tide.It is. That tide is coming in
0:25:08 > 0:25:12twice a day and often covers the salt marsh completely, as we saw
0:25:12 > 0:25:16earlier.On top the salt loving plants, down be below it's the mud.
0:25:16 > 0:25:22It's the most enormous bird table, isn't it inIncredible. It holds
0:25:22 > 0:25:26fantastic amount of invertebrates which they feed on.Bird populations
0:25:26 > 0:25:33in the winter months explode with visitors come as far away as Arctic
0:25:33 > 0:25:37Circle Russia and Canada. Essex is popular in the winter?It is.It's
0:25:37 > 0:25:49not long before they put on a display. A huge flock of birds here.
0:25:49 > 0:25:54They flew straight past us. A huge flock flying past. So many birds
0:25:54 > 0:26:07around. This is my best ever experience. Everywhere I look it's
0:26:07 > 0:26:18wonderful. So many species in one place. One of the reasons is the
0:26:18 > 0:26:27different length of each beak.
0:26:27 > 0:26:40It's an all you can eat Buffay. They are co-existing. Next door is
0:26:40 > 0:26:50another reserve where the land has been
0:26:50 > 0:26:53been reclaimed giving wildfowl somewhere to roost.It's hand in
0:26:53 > 0:26:59hand with the salt marsh. Birds move over here during the high tides and
0:26:59 > 0:27:04they can wait for the tide to go down again.It's the perfect place
0:27:04 > 0:27:11for birds of prey?Yeah, it is. Within minutes we spot a barn owl.
0:27:11 > 0:27:16It has flown in what it looks like a vole.It's caught behind that
0:27:16 > 0:27:22hedgerow. Oh, that's lovely.We were lucky to spot one of the UK's finest
0:27:22 > 0:27:33birds of prey. We picked up a female marshes had harrier.
0:27:34 > 0:27:37marshes had harrier. Harriet and a peregrine. They are in the air at
0:27:37 > 0:27:45the same time. What a great end to the day. This quiet corner of Essex
0:27:45 > 0:27:52with the salt marsh, creeks and estuary is stunningly beautiful and
0:27:52 > 0:27:56internationally important be for the wildlife. For any bird arriving from
0:27:56 > 0:28:01across the northern hem fear, this is as good as it gets. He always
0:28:01 > 0:28:08delivers, doesn't he, our Mike. A barn owl and a marsh harrier - what
0:28:08 > 0:28:13more do you want. Celia from Mike paddling away there it takes us on
0:28:13 > 0:28:21to your new novel. Sail Away.I thought, just by chance, I have two
0:28:21 > 0:28:25heroines in this book. They meet by chance. They don't know each other,
0:28:25 > 0:28:31on a voyage, long voyage, on a huge great big liner they only meet at
0:28:31 > 0:28:34the very end when all sorts of bad things are happening. Then they find
0:28:34 > 0:28:44each other. Two heroines.Would that be a film, Celia, do you think?You
0:28:44 > 0:28:50have the friends to get involved. That is all I have to say.
0:28:50 > 0:28:51That's it for tonight.
0:28:51 > 0:28:52Thanks to Karen, Imelda and Celia.
0:28:52 > 0:28:56'Finding Your Feet' is in cinemas from Friday, 23rd February.
0:28:56 > 0:29:01Round of applause for our guests. APPLAUSE
0:29:01 > 0:29:03Tomorrow we'll also be joined by Maureen Lipman and Martin Shaw
0:29:03 > 0:29:05and Rudimental will be performing with Jess Glynne.
0:29:05 > 0:29:06See you tomorrow.
0:29:06 > 0:29:13Have a good night.