:00:00. > :00:11.Hell o and welcome to The One Show with Alex Jones and Matt Baker. Paul
:00:12. > :00:15.O'Grady is going to be here and Ian Hislop is popping in. I think we
:00:16. > :00:20.should stop talking and get in studio. Run the titles.
:00:21. > :00:26.Can we put the music on please? I think there is a hitch.
:00:27. > :00:26.Can we put the music on please? I have brought my violin. And a few
:00:27. > :00:56.friends. MUSIC.
:00:57. > :01:03.APPLAUSE APPLAUSE. There you go. Fantastic, a big thank
:01:04. > :01:06.you to Alex and the competitor foster Menuhin come pep pigs
:01:07. > :01:11.fission, we will hear more later on. Let us meet the guest, one has been
:01:12. > :01:17.exploring his own musical talents. -- competition.
:01:18. > :01:24.Super job. The other one doesn't mind-blowing his own trumpet. Please
:01:25. > :01:30.welcome Ian Hislop and Paul O'Grady. Good to see you. Wait a minute, wait
:01:31. > :01:34.a minute. No, no, Mr Paul O'Grady is banned from this show, dough you
:01:35. > :01:39.remember? Get security. Security please I am tagged and I have had a
:01:40. > :01:46.reprieve. I have a tag on. Hit the news and everything. Please! No fun
:01:47. > :01:50.show. I never said that. We were so upset. ? There was a question I was
:01:51. > :01:55.asked. And something, and I go into a rant, you know what it is like, I
:01:56. > :02:02.am easy wound up. It is live tonight, you can have another one.
:02:03. > :02:07.Please, no. You might have trouble with me and Ian. We had a look
:02:08. > :02:12.through the file of banned One Show guests but it turns out it is empty.
:02:13. > :02:15.There should be a few people in there, without naming names. You are
:02:16. > :02:21.not bad on that violin. Thanks Paul. ? You are good. To be fair you have
:02:22. > :02:26.yourself in a few spats in your time, Ian. Yes I am offended I am
:02:27. > :02:31.not banned from this show! I feel inadequate. What is your most
:02:32. > :02:36.memorable ban? I am not allowed to sit on a jury, because, can you
:02:37. > :02:41.imagine it, I was found guilty of contempt of court! Seems unlikely
:02:42. > :02:47.doesn't it. But I am not trustworthy. Oh. Right. A few things
:02:48. > :02:52.I am not allowed on. S we want to see you back. Now then airport
:02:53. > :02:54.security is in the spotlight after the recent attack in Brussels with
:02:55. > :02:58.some asking whether checks should be made before you even go through the
:02:59. > :03:01.front door. Anita has been finding out how lightly that is and what
:03:02. > :03:05.other changes might be coming our way.
:03:06. > :03:11.-- likely. For nearly 50 year, as those looking
:03:12. > :03:14.to spread terror change their methods, airport security round the
:03:15. > :03:19.world has had to adapt too. In Brussels, it was people checking in
:03:20. > :03:24.for flights that were targeted. At airports across Europe we are
:03:25. > :03:28.used to be being able to walk into a check-in area and come and go as we
:03:29. > :03:32.please, even if we are just there to see someone off. Since the terror
:03:33. > :03:36.attacks? Belgium some are suggesting that security needs to begin outside
:03:37. > :03:40.the front door. Across from London City Airport, at
:03:41. > :03:44.the University of East London I meet up with the former head of the
:03:45. > :03:48.national counter-terrorism security office, Chris Philps.
:03:49. > :03:51.At the moment the security is basically aimed at protecting the
:03:52. > :03:55.aeroplane and not protecting the terminal. So maybe we need to look
:03:56. > :03:59.at only those that have tickets to fly being allowed to come into the
:04:00. > :04:03.terminal and also they have their baggage screened prior to getting
:04:04. > :04:09.into the terminal. Yes, it will take longer, but I think it is a price we
:04:10. > :04:13.have to pay perhaps if we want secure terminalst So you suggest if
:04:14. > :04:17.you are not flying you are not allowed in, so you have to say
:04:18. > :04:21.goodbye to your loved ones outside That is the norm elsewhere. It is
:04:22. > :04:25.something we will have to get used to. Many airports in India, the
:04:26. > :04:30.Middle East, Africa and South East Asia routinely screen pass Serb jers
:04:31. > :04:35.before they ten the airport. But some experts favour other
:04:36. > :04:38.option, Philip has 30 years of experience in airport security, he
:04:39. > :04:41.believes passenger profiling and behavioural science are the most
:04:42. > :04:46.effective defences. We ought to be focussing much or on
:04:47. > :04:50.people as they enter the buildings, as they are milling round public
:04:51. > :04:53.concourse, and when we see somebody doesn't quite match our expectations
:04:54. > :04:58.we should be focussing on them, rather than screening everybody in
:04:59. > :05:02.the same way. OK, well, we have a still up behind you of the suspected
:05:03. > :05:06.Brussels airport bomber, what stands out for you? When you look at this
:05:07. > :05:12.image you see two of the individuals are wearing one glove, all three
:05:13. > :05:15.people have check luck gang but none have hand baggage, that is very
:05:16. > :05:20.unusual in an airport environment. To see what he mean, we have set up
:05:21. > :05:24.a makeshift One Show airport terminal and filled it with actors
:05:25. > :05:30.as would be travellers. Tell me what you see One of the fist things is
:05:31. > :05:33.you have people in summer dress, but you have two individuals here, that
:05:34. > :05:37.are dressed somewhat unseasonably for the flight. These two
:05:38. > :05:40.individuals who are not communicating with each other
:05:41. > :05:43.either, just seem to be very focussed, standing in line, seems a
:05:44. > :05:47.bit unusual. Maybe a justifiable reason for it but that is why I
:05:48. > :05:52.would want to have a chat with them. Hold on, can you pause that one, we
:05:53. > :05:56.have two people here, on their mobile phone, wearing the same
:05:57. > :06:02.shirts, in the same jeans, carrying more or less the same baggage, why
:06:03. > :06:06.aren't they travelling together? Why is that suspicious? Whether there is
:06:07. > :06:09.covert contact between people who might be part of a team, they may
:06:10. > :06:14.just be wearing the same type of dress. Let us ask the question. What
:06:15. > :06:17.happens then? It is one thing to identify unusual behaviour, then you
:06:18. > :06:22.have to know how to respond to it. If you think you have guilt a
:06:23. > :06:26.suicide bomber in front of you, then, questioning may not be the
:06:27. > :06:30.right answer. It is then how you actually manage the area round them,
:06:31. > :06:34.how do you protect as many people as possible.
:06:35. > :06:37.Philip says this is about looking for the unusual, not racial
:06:38. > :06:40.profiling, of course, our suspects are actors but how would real
:06:41. > :06:44.passenger feel about being scrutinised this this way? I feel
:06:45. > :06:49.like there is a thin line with that. In what sense? If you look a certain
:06:50. > :06:54.type of way you may get stopped and some have experienced that before.
:06:55. > :06:59.Because we are of colour, often times you get more victimised I
:07:00. > :07:02.believe. It is important we don't sacrifice personal freedoms because
:07:03. > :07:08.we don't feel safe. That is when the terrorists win. What about the idea
:07:09. > :07:12.you may have extra security checks? I wouldn't feel offends, if I can
:07:13. > :07:16.prevent something bad happening. How would you feel you weren't allowed
:07:17. > :07:21.in the you didn't have a valid ticket. I don't think that would be
:07:22. > :07:26.acceptable. One of the great things about picking up loved ones and
:07:27. > :07:31.friend. The experts believe changes in airport security after Brussels
:07:32. > :07:34.are inn tab. The one thing the terrorists can't plot their way
:07:35. > :07:38.round of is a whole team of people that are observing behaviours in
:07:39. > :07:41.every area of the airport and indeed onboard the aircraft. We need to
:07:42. > :07:46.understand that the terrorist threat is evolving, so we have to think
:07:47. > :07:49.ahead of them and try to stop it from happening, but that will mean
:07:50. > :07:56.everyone not only airports adapting their security measures.
:07:57. > :08:00.So since Brussels then, what changes have been made to tighten security?
:08:01. > :08:02.We spoke to eight airports across the UK and five said they have
:08:03. > :08:06.increased their police presence, three said they didn't want to tell
:08:07. > :08:09.us, understandably, the Department for Transport told us they are
:08:10. > :08:12.constantly reviewing all their security measures for but what is
:08:13. > :08:17.interesting, are things that could come in. So we could see more
:08:18. > :08:19.sniffer dogs, we know they have that incredible sense of smell. Not the
:08:20. > :08:21.fact they could incredible sense of smell. Not the
:08:22. > :08:26.devices and drug, they are a incredible sense of smell. Not the
:08:27. > :08:27.deterrent in themselves because they are unpredictable, just their
:08:28. > :08:32.presence. They have them are unpredictable, just their
:08:33. > :08:34.Australia and New Zealand. More undercover police, they will be in
:08:35. > :08:39.among us, training up people undercover police, they will be in
:08:40. > :08:43.work in the airport. 76,000 people work in the airport. 76,000 people
:08:44. > :08:48.city. Everyone from cleaning staff, to people who work in restaurants,
:08:49. > :08:50.city. Everyone from cleaning staff, they should and shouldn't be looking
:08:51. > :08:53.out for, they should and shouldn't be looking
:08:54. > :08:57.we have fingerprint recognition and voice recognition, we could see
:08:58. > :09:00.facial recognition being used. It is already in some airports just to
:09:01. > :09:06.look at how the flow of people, how fast you can get people through
:09:07. > :09:08.security, at the moment facial recognition is contentious but in
:09:09. > :09:10.the future you could have people on a watch list, if you see them, you
:09:11. > :09:17.could match them up. lots of potential security measures.
:09:18. > :09:20.Do you both feel on edge when you go airports? Paul, you have just got
:09:21. > :09:28.back from Borneo. It doesn't bother me. I sort of welcome these security
:09:29. > :09:32.checks. Yes. It is a pain in the neck, belt off, watch off and I
:09:33. > :09:38.still get frisked. Are you one of them...? Every now and again, I
:09:39. > :09:44.think how do you do it to me all the time. I am all for it. It is keeping
:09:45. > :09:48.us safe. I can't do with people who forget to take liquids out. I feel
:09:49. > :09:54.like saying for God's sake. We know the drill. Let us make it easy for
:09:55. > :09:57.ourselves. As long as people don't overreabout and we are terrified the
:09:58. > :10:01.whole time, then I think you have lost the plot. If it is routine and
:10:02. > :10:07.it makes you feel safer, that is all right. What about not taking your
:10:08. > :10:08.family? Again I think they are shifting the front
:10:09. > :10:11.family? Again I think they are further out. Then it becomes the
:10:12. > :10:17.family? Again I think they are a point where you are going on a
:10:18. > :10:24.flight. They have to find is. We touched on racial profiling
:10:25. > :10:29.in the piece, what is your personal view? The argument is if you know a
:10:30. > :10:32.threat is coming, or you think a threat is coming from a particular
:10:33. > :10:37.community you would more likely to target that, every person I have
:10:38. > :10:43.talked to who is not white fears this could target them, it opens up
:10:44. > :10:47.the potential for abuse, it makes people feel victimised, talk to
:10:48. > :10:54.anybody Irish in the '70s and 80 how they felt or anybody in a hijab or
:10:55. > :10:57.Asian with a rucksack and a beard getting on the tube. As soon as you
:10:58. > :11:00.start fearing the person or your suspicious of the person sitting
:11:01. > :11:04.next to you, purely based on what they look like the terrorists have
:11:05. > :11:08.won, they are breeding suspicion, and breaking down the fundamentals
:11:09. > :11:10.of society, society, racial profiling I would
:11:11. > :11:17.of society, society, racial there, it is a lot more nuanced than
:11:18. > :11:22.just... A certain amount of commonsensed. People saying I love
:11:23. > :11:26.your show, why are you searching me? I It is odd. They say where
:11:27. > :11:30.your show, why are you searching me? little dog? So I go, if you root
:11:31. > :11:36.hard enough you might find it. Thank you Anita.
:11:37. > :11:39.Virtual reality is the latest trend in the world of computer gaming with
:11:40. > :11:43.a whole host of headsets being released this year. As Lucy has been
:11:44. > :11:53.finding out it has more serious applications as well.
:11:54. > :11:58.This is Karen, now that is not an affectionate name for a new piece of
:11:59. > :12:03.kit, it stands for computer assisted rehabilitation environment. And here
:12:04. > :12:07.in Salford it is helping change the lives of people suffering from
:12:08. > :12:14.various neurological and orthopaedic conditions.
:12:15. > :12:19.Sylvia is a neurophysiotherapist at the brain charity Basic. How does
:12:20. > :12:25.the system work? It has a dual belt treadmill, ten cameras and five
:12:26. > :12:30.projectors so it enables us to analyse what they are doing. What
:12:31. > :12:34.sole it to you? Initially I was sceptical, but the more and more
:12:35. > :12:39.clients that we are seeing now, the more we are seeing good results.
:12:40. > :12:44.Sophie was just 11 when she had a stroke. Now, 17, she is the
:12:45. > :12:49.charity's youngest client. Does it feel like you are outside, that you
:12:50. > :12:54.are in the forest Yes, some time, you see the flowers and the houses,
:12:55. > :12:58.there is a house there, but I really like it. Are there things you can do
:12:59. > :13:03.now that you couldn't have dreamed of doing a few years ago? When I was
:13:04. > :13:10.ill, I was really struggling, getting ready for PE, you see, but
:13:11. > :13:15.now, later on I can do more better. I feel more confident, working this,
:13:16. > :13:24.than anybody, and feel like real improved myself.
:13:25. > :13:27.Tell me about how you have used this system, particularly with dementia
:13:28. > :13:32.sufferers. We will never get them better, we know that, but what we
:13:33. > :13:37.are hoping for them to achieve is that perhaps we can plateau that
:13:38. > :13:41.stage, certainly for a fair number of years if possible. But we want to
:13:42. > :13:45.give them the empowerment. Many used to be able to walk in the woods
:13:46. > :13:50.before, not being able to do that whereas they go on the virtual
:13:51. > :13:55.reality and all of a sudden they are back there where they could walk
:13:56. > :13:56.safely, so we hope we would improve their wellbeing, their quality of
:13:57. > :14:10.life through it. This is his fifth session using the
:14:11. > :14:13.Karen system. Is there anything important about doing this in a
:14:14. > :14:18.woodland scene? It's just beautiful scenery to be looking at, you
:14:19. > :14:28.probably find he's not even aware of the scene at the moment. Obviously
:14:29. > :14:33.with this application we have bats to hit away but it would be too much
:14:34. > :14:38.to have that interference. We are heading for a cottage, is it
:14:39. > :14:42.important to have something to aim for? It is and people's expectations
:14:43. > :14:56.vary. One lady said she expected to see a coffee shop or ice cream
:14:57. > :15:00.parlour. I was thinking tea. This is the longest he has walked on one
:15:01. > :15:04.time. There has been a lot of research done in Israel and
:15:05. > :15:10.Amsterdam, about pain relief and phobias. Certainly with veterans and
:15:11. > :15:14.amputees. As far as you are concerned is virtual reality for
:15:15. > :15:19.health care here to stay? I want to say that it would be an extra tool
:15:20. > :15:28.kit for therapists. Yes, it will be here to stay. That is just
:15:29. > :15:32.unbelievable. When you think that so much time can be wasted on gaming
:15:33. > :15:38.and you see something like that and how much good it can do. Even you
:15:39. > :15:44.can see the good in it. Absolutely. Some good news.
:15:45. > :15:47.You may remember we featured 13 year old Zara who has leukemia
:15:48. > :15:49.and her life-saving search for a blood stem cell
:15:50. > :15:53.Thousands of people signed up, a match has been found
:15:54. > :15:57.and she'll be having treatment in the next few weeks.
:15:58. > :16:00.A big thanks to everyone who registered and good luck Zara.
:16:01. > :16:03.If you'd like the register to be a potential donor go to our website
:16:04. > :16:10.Paul we mentioned it earlier - you've been to Borneo
:16:11. > :16:14.for your latest series of 'Animal Orphans'.
:16:15. > :16:22.While he was there he fell in love. I did. You are not a Christmas
:16:23. > :16:29.ornament, you have to do this when you are in the wild. It must be
:16:30. > :16:34.tough for him as he is still getting used to life without his mother. You
:16:35. > :16:50.want to come back, do you? There you go. Have a nice cuddle. Is that
:16:51. > :16:56.better? Or you like that? APPLAUSE -- do you like that? I'm sorry to
:16:57. > :17:02.take this footage off, but you nail it, you can't not like it. I now
:17:03. > :17:06.know the meaning of love at first sight. The lady who runs it is
:17:07. > :17:12.English and went out for a holiday and saw what's going on. She has put
:17:13. > :17:15.everything into the orangutan rehabilitation centre and she says
:17:16. > :17:19.that he's not normally very good with strangers but me and Archie
:17:20. > :17:25.clicked. I couldn't believe it. I couldn't hand him over. There were
:17:26. > :17:30.other orphans there as well. He was just bestial? He was in the
:17:31. > :17:44.youngest, he is one, he was found on the forest floor. -- he was just
:17:45. > :17:48.special? It was magic. The way I would be bottle-feeding him and I
:17:49. > :17:53.would think, I'm not coming home, I want to live in the jungle with
:17:54. > :18:00.Archie. Even Ian's face softened. I'm trying to resist! URL and in my
:18:01. > :18:06.reputation again! I'm not used smiling. Are you a bit of a sucker
:18:07. > :18:14.with cute animals? Yes... Well, I got account. He's called Colin. -- I
:18:15. > :18:26.got a cat. He sounds like he's in middle management. Let's talk about
:18:27. > :18:31.Pica because she is a little gibbon who had been orphaned as well. Tell
:18:32. > :18:35.us about her. She had never climbed before and they were trying to get
:18:36. > :18:38.her to climb the tree and they had no luck and they said to me, you
:18:39. > :18:43.have a go and she went up the tree for some unknown reason. All I said
:18:44. > :18:51.was, go on, don't be hanging round up here and she went. You like
:18:52. > :18:57.Doctor Doolittle! You do have remarkable affinity with animals.
:18:58. > :19:02.There would be also walks, rats, mice, guinea pigs in the airing
:19:03. > :19:09.cupboard. I have always got on well with them. I was talking about
:19:10. > :19:13.animal instincts. If you were an animal what would you be? Everyone
:19:14. > :19:17.was asking what I was on about and I said I would be a dear, and silence
:19:18. > :19:29.fell across the room. You know where I'm coming from? I would be one of
:19:30. > :19:40.those mad pigeons rooting around in a bin. Or a one eyed cat or
:19:41. > :19:46.something with mange. What a place it is, Borneo. It is so diverse, not
:19:47. > :19:51.just the rainforest but marine life. Yes, and very hot. 48 degrees and we
:19:52. > :19:55.had to wear rubber gloves, surgical masks and wellies in case we gave
:19:56. > :20:00.the animals anything because they have no immune system. I was dying
:20:01. > :20:04.in the heat. You forget when you have the likes of Archie and the
:20:05. > :20:09.baby turtles and all of this. You would stand on a barbecue, frankly,
:20:10. > :20:13.just to get a cuddle. They were amazing. The turtles. We sailed to
:20:14. > :20:18.this island across the South China Sea. You can only go at a certain
:20:19. > :20:24.time because it is invested with pirates. -- infested. You take the
:20:25. > :20:28.eggs and bury them until they hatch and then you released them so the
:20:29. > :20:38.predators don't get them. Only one in 10,000 survive. That's not great
:20:39. > :20:41.odds, really. I'm talking to them, now, UB Cavill! Don't talk to the
:20:42. > :20:51.sharks or any big fish. Behaviour self. -- you, be careful. Is that
:20:52. > :20:56.why they breed so many? -- behave yourself. When they hatch it is like
:20:57. > :21:00.bubbling oil, it is like alchemy, you put your finger in the sand and
:21:01. > :21:05.all of a sudden hundreds of baby turtles are going in a bucket, they
:21:06. > :21:10.are everywhere. You just think, aren't we lucky being able to do
:21:11. > :21:13.this? Normally you're not as a tourist allowed to get stuck in. It
:21:14. > :21:24.was just bliss. If, like Paul, you're are thinking
:21:25. > :21:28.of going away on an exotic trip - one of the most important decisions
:21:29. > :21:31.you have to make is what How many choices do you have? It is
:21:32. > :21:36.very limited, I have to say. A choice that can cause more
:21:37. > :21:43.controversy than you might think. Some high street stores are now
:21:44. > :21:49.selling a three piece swimsuit commonly referred to as a burkini
:21:50. > :21:53.which covers all of the body except the face, hands and feet. What's
:21:54. > :21:55.which covers all of the body except the fuss about? It has got political
:21:56. > :22:11.with the women's rights minister I'm in Bradford with Jackie and
:22:12. > :22:19.Charlie to find out which garment people think enslaves women more.
:22:20. > :22:24.The burkini, or the bikini? Let's go and find out, girls. I can see you
:22:25. > :22:32.eyeing up our models, which would you prefer? I am Asian
:22:33. > :22:36.eyeing up our models, which would know a lot of Asian women who would
:22:37. > :22:38.not show their body to anybody. I can wear bikinis but
:22:39. > :22:43.not show their body to anybody. I cover myself up it would
:22:44. > :22:47.not show their body to anybody. I it is enslaving women in anyway,
:22:48. > :22:49.locking their bodies away? I don't think it's wrong for them to cover
:22:50. > :22:56.their body. It's down think it's wrong for them to cover
:22:57. > :22:59.themselves and how they feel. It has been called the Islamic Asian
:23:00. > :23:05.fashion. What do you think about that? I did not realise it was a
:23:06. > :23:09.garment, I thought she was a green screen person! I genuinely thought
:23:10. > :23:15.that's what she was. What do you think about high street stores
:23:16. > :23:18.stocking them? It opens up the market for other cultures and if
:23:19. > :23:23.you're not so comfortable with your body in public, you would not wear a
:23:24. > :23:28.bikini, you would go for the burkini. Being a Muslim girl you
:23:29. > :23:31.have to cover yourself up and not flaunt your body, but I don't think
:23:32. > :23:38.it's just for Muslims, anyone who is not comfortable in a bikini or a
:23:39. > :23:43.1-piece, they could wear a burkini. There has been a bit of criticism
:23:44. > :23:51.about the burkini and it was said that it is the Islamification
:23:52. > :23:56.fashion. It depends on the individual, if she is comfortable to
:23:57. > :24:00.go swimming, that's fine. As long as she is fully covered. What message
:24:01. > :24:08.does she give out when wearing a bikini? Look at me. Which outfit
:24:09. > :24:17.would you feel more free in? In the bikini. I would not go on a beach
:24:18. > :24:21.looking like that. You are fully covered, you won't get a suntan!
:24:22. > :24:26.Which outfit would you feel more freedom in? This is more free, if I
:24:27. > :24:32.was just with my girls, but if I was with other people I did not know,
:24:33. > :24:37.then I would wear this. I think it is both, they are choosing what they
:24:38. > :24:40.want to wear themselves. A lot of people say they want women to have
:24:41. > :24:44.the same rights as men but they still say things that make a woman
:24:45. > :24:50.field as though she is trapped or not have the same rights as a man.
:24:51. > :24:54.Use a bunch of someone based on what they wear. It is down to them what
:24:55. > :25:03.they wear rather than how they choose to have their appearance.
:25:04. > :25:06.Brave girls walking through that shopping centre! Thank you. I would
:25:07. > :25:15.love to see you in a bikini. LAUGHTER
:25:16. > :25:19.Anyway... Maybe later! Tomorrow sees the start of the violin Olympics
:25:20. > :25:23.call the men win competition. It was started by getting in when himself.
:25:24. > :25:26.-- Yehudi Menuhin. Designed for people for whom
:25:27. > :25:28.the word 'prodigy' was invented, it's one of the most prestigious
:25:29. > :25:31.competitions for young Competitors travel from across
:25:32. > :25:34.the globe to take part and, as you saw earlier, 21 of them have
:25:35. > :25:37.joined us in the studio tonight. We're going to chat the three Brits
:25:38. > :25:40.taking part in a moment. But first here are the competitors
:25:41. > :25:43.in the junior category with a excerpt from Enesku's
:25:44. > :25:45.'Ballade.' APPLAUSE
:25:46. > :26:52.Incredible standard. We're joined now by the three
:26:53. > :26:54.British competitors - all in the senior category -
:26:55. > :27:04.Mathilde, Louisa and Juliette. It's nice to see you. We know that
:27:05. > :27:08.this is a very prestigious competition but explain to us why it
:27:09. > :27:13.is so important to compete. It's the most prestigious competition in the
:27:14. > :27:17.world for young violinists and it is also the centenary this year which
:27:18. > :27:21.makes it extra special. I was in the audience the last time it was held
:27:22. > :27:26.in London, ten years ago, with my mum. It means a lot to be on the
:27:27. > :27:29.other side. How does the competition work? How do you compete as a
:27:30. > :27:37.violinist? What are the stages, Louisa? There are three rounds but
:27:38. > :27:46.before then there is a DVD round so you want apply by submitting -- so
:27:47. > :27:51.if you want to apply you can submit a DVD. How many hours a day do you
:27:52. > :27:57.practice? We have seen a lot of you practising and some of you have got
:27:58. > :28:03.marks, indentations from the violin, so it is pretty full on? Especially
:28:04. > :28:06.when you are preparing for a competition, I can imagine most
:28:07. > :28:12.people would spend 5-7 hours a day. It's very difficult. We have so much
:28:13. > :28:16.repertoire to get through. If you end up doing so much less, there is
:28:17. > :28:20.something that falls behind. Absolutely. Will you play it all or
:28:21. > :28:24.are you knocked out in certain rounds so you don't get to play
:28:25. > :28:27.everything you have prepared? There are three rounds and everyone will
:28:28. > :28:34.play the first round and it hard to each time for each round. Is it all
:28:35. > :28:39.so low? There is actually a string trio in the second round, and some
:28:40. > :28:44.solo pieces and some with piano and orchestra in the final round at the
:28:45. > :28:49.Southbank centre. How can you remain calm? This is the thing. It's
:28:50. > :28:55.tricky. This is the finest violinists in the world. What a shot
:28:56. > :28:59.technique? Preparation is key. It's been amazing to meet everyone today
:29:00. > :29:07.and make friends quite quickly. It's great.
:29:08. > :29:14.You supporting each other because you are the Brits in the competition
:29:15. > :29:17.You are in the same category but there is a definite sense of
:29:18. > :29:22.friendship and being in it together, I think. And I mean, as we were
:29:23. > :29:27.saying competitors come from all over the world. Some are just ten in
:29:28. > :29:31.London, it is remarkable, but the prize, I mean as well, you get a
:29:32. > :29:36.money prize, we will keep quiet about that, but I guess the honour
:29:37. > :29:41.of playing the most remarkable violin, probably on the planet as
:29:42. > :29:47.well. The Stradivarius. Well, you tell us what you know, because you
:29:48. > :29:52.girl, it is such a prize isn't it, in terms of how expensive the violin
:29:53. > :29:58.is, and how old it is. Do you know those facts. They are priceless. It
:29:59. > :30:04.is 300 years old this one, apparently. Be careful. Don't put it
:30:05. > :30:08.by me! This is a moment. We saw you at the top playing, you have been a
:30:09. > :30:13.keen violinist and to be close to something so precious. To be so
:30:14. > :30:18.close to one is quite something, they have said I am allowed to
:30:19. > :30:22.unveil it but we have to wear gloves because it is worth 5 million. There
:30:23. > :30:30.was a store riff a violinist who left one on the bus. Can you
:30:31. > :30:36.imagine! I just forgot it! Like it was my coat. Ready girls. This is
:30:37. > :30:43.it? So this could be your instrument. I will just pull it off.
:30:44. > :30:51.I we will do a. There we are. There we are. Have a little look.
:30:52. > :30:59.We are only joking. It is not the actual one. You don't say! The
:31:00. > :31:05.artistic director of the Menuhin competition. Goodness me, we hope it
:31:06. > :31:08.is you, we hope all of the contestants, have a big round of
:31:09. > :31:14.applause. For everybody in the competition. And you will play us
:31:15. > :31:16.out at the end. If you are interested in watching the
:31:17. > :31:19.competition, it starts tomorrow, runs until 17th April. It is
:31:20. > :31:24.streamed online, there is more information on our website. Now, in
:31:25. > :31:27.a moment, we are going to hear all about Ian's latest documentary, and
:31:28. > :31:34.this time, it is on benefits. First David Olusoga reveals how Rudyard
:31:35. > :31:37.Kipling's last Will and testament had unintended consequences that
:31:38. > :31:44.would have left his turning in his grave.
:31:45. > :31:48.Rudyard Kipling is probably best known for his children's work, for
:31:49. > :31:52.jungle book and the just so stories but the man and his writing will
:31:53. > :32:00.forever be associated with the British Empire. And the same is true
:32:01. > :32:04.of his last wishes. Rudyard Kipling died in 1936, at the
:32:05. > :32:07.age of 70. He was one of the most popular and prolific writers of his
:32:08. > :32:11.time and his work had made his wealthy.
:32:12. > :32:16.He leaves his house and person Aleppo sessions to his wife,
:32:17. > :32:21.Caroline. Most of the rest goes into trust, to be invested and provide an
:32:22. > :32:28.income for his family until they die. Then the trust was to pass to
:32:29. > :32:34.the institution known as the fair bridge farm schools incorporated and
:32:35. > :32:38.it was divided between the Australian and Canadian branches of
:32:39. > :32:42.that body. The schools were founded by Kinsley
:32:43. > :32:46.fair bridge, his aim was to help children from poor families, in
:32:47. > :32:49.unhealthy British inner city slums but sending them to schools in
:32:50. > :32:55.sparsely populated parts of the empire.
:32:56. > :33:01.They would be given an education to prepare them fire their new lives as
:33:02. > :33:05.much-needed farmers. Kipling wrote his will here at his beautiful home
:33:06. > :33:09.in Sussex. Kipling's own childhood, how did
:33:10. > :33:13.that feed into his interest in this scheme? Think it is strange because
:33:14. > :33:18.Kipling had a traumatic experience himself when he was young, when he
:33:19. > :33:26.was age sings he was sent away from his parents back here to Britain for
:33:27. > :33:30.an English education him and his younger sister were abused. They you
:33:31. > :33:34.would ex egt expect him to run away there this scheme but kneels that
:33:35. > :33:38.made him the man he became. So what does he want for the children?
:33:39. > :33:42.Kipling was a great supporter of the underclass, I think this is an
:33:43. > :33:47.opportunity for him to say these people here are not being well
:33:48. > :33:51.looked after, maybe this is a way for them too, to get a brand-new
:33:52. > :33:58.life and move on and flourish in a new existence.
:33:59. > :34:03.But despite the promise of a new life, many children didn't flourish.
:34:04. > :34:11.Margaret set up the child migrant's trust to campaign for the more than
:34:12. > :34:14.130,000 children Britain has sent overseas, with schemes like that
:34:15. > :34:18.one. Can you imagine it a five-year-old being placed o a boat
:34:19. > :34:23.and sent to the other side of the world? Education was almost
:34:24. > :34:28.nonexistent. Girls were particularly used as slaves and the boys as well.
:34:29. > :34:31.There are some parents who gave consent, they were manoeuvred into
:34:32. > :34:35.thinking this was the best thing for their child.
:34:36. > :34:40.Many never saw their families again. But over the last 28 years the
:34:41. > :34:44.charity has reunited thousands of families, ripped apart by child
:34:45. > :34:48.migration. These children, what were they told
:34:49. > :34:53.had happened to their families They were told their parents were dead,
:34:54. > :34:57.that they were orphans and this was a new opportunity for a new life. Do
:34:58. > :35:02.you think Rudyard Kipling saw this as a good cause, a worthy cause?
:35:03. > :35:07.Well, I would like to think that, but certainly did they fail to
:35:08. > :35:14.regulate and protect the children, of course. Rudyard Kipling's bequest
:35:15. > :35:18.contributed to a tragic legacy. His faith in empire was so great that
:35:19. > :35:22.the man who has brought happiness into the lives of generations of
:35:23. > :35:25.children, after his death inadvertently sent thousands of
:35:26. > :35:30.British kids to lives of misery, on the other side of the world.
:35:31. > :35:38.Thanks to the work of the child migrants trust, some of the damage
:35:39. > :35:43.is now finally being undone. Such a sad story and thanks you
:35:44. > :35:48.David. If you want to find out more, there is details on The One Show
:35:49. > :35:54.website. Ian, let us talk about your new documentary. Yes. All about
:35:55. > :35:59.benefit, we think of this as a modern political hot potato but that
:36:00. > :36:04.term t it goes way back according to your work. The extraordinary thing
:36:05. > :36:07.about the Cabinet falling apart and this crisis blowing up again,
:36:08. > :36:11.arguing about which benefits are appropriate, whether we can afford
:36:12. > :36:16.them, you think, that is this year, in fact we have been having the same
:36:17. > :36:22.argument in Britain for hundreds of years, and my documentary is a look
:36:23. > :36:26.at British attitudes to work, poverty, and benefits. And the
:36:27. > :36:30.British people react in the same way, so they start off, someone
:36:31. > :36:34.says, this costs a lot of money and a lot of it is unfair, these people
:36:35. > :36:38.are doing nothing, everyone goes yes, that is right. Then they bring
:36:39. > :36:42.in the measures and people go, oh my God, look what they are doing! That
:36:43. > :36:48.is really unfair, we hate you. And this repeats itself as a cycle. So,
:36:49. > :36:51.I was looking at there is a man called Edwin Chadwick, a classic
:36:52. > :36:54.Victorian who thought the poor, I can solve this problem, I will study
:36:55. > :36:59.it, I will look at them and come up with a solution, his solution was
:37:00. > :37:02.the work house. Which nowadays we all think my God, the work house,
:37:03. > :37:06.how terrible. At the time people thought that was sensible. People do
:37:07. > :37:09.work, they are all in the same place so they are not doing nothing, you
:37:10. > :37:16.feed them, clothe them and that will be good, as we know it didn't turn
:37:17. > :37:20.out very well. And Chadwin, Chadwick became a sort of hate figure, that
:37:21. > :37:24.is what happens to people on the whole who try and do benefit reform,
:37:25. > :37:28.they end up with people loathing them. And I followed this true.
:37:29. > :37:32.True.-of-threw. There is wonderful stories about people try Iing to
:37:33. > :37:39.solve the problem, coming up withed yes, the ideas crunch, we go back to
:37:40. > :37:44.the start. And there is a wonderful, lady who history has forgotten, she
:37:45. > :37:48.was called Maggie, a tough politician, not that one! She was
:37:49. > :37:52.Labour, the first woman Cabinet Minister, and she came from a
:37:53. > :37:56.working class background and she spent her whole life trying to make
:37:57. > :38:00.conditions for the poor better, she found herself in a cabinet which
:38:01. > :38:03.said we haven't got enough money to pay, we can't pay the unemployment
:38:04. > :38:10.benefit, which way are you going to vote. She voted for austerity. And
:38:11. > :38:15.history has dump her and completely forgotten her, I mean, the point of
:38:16. > :38:21.my documentary is to try and say, we have these arguments, we say more or
:38:22. > :38:27.less the same things... This is the interesting thing, it hasn't changed
:38:28. > :38:30.at all. No it is one of those problem, at a certain point all of
:38:31. > :38:35.us think we would like to help the poor. We would like to help the
:38:36. > :38:38.Victorians had category, the deserving and the undeserving poor.
:38:39. > :38:43.And we now say, well that is appalling, but there is a bit of all
:38:44. > :38:49.of us who when someone says give us some money we think, well, are you
:38:50. > :38:54.going to use this well? There is a wonderful story of Dickens and a
:38:55. > :39:00.friend and a beggar says give us some money and Dicken gives him
:39:01. > :39:04.some. His friend says he is going to spend it on drink and Dickens said
:39:05. > :39:08.what do you think we a going to do with it. You see Iain Duncan Smith
:39:09. > :39:13.and he talks candidly about meeting this young girl, who is on benefit,
:39:14. > :39:18.she 19 and he tells you how she reminded him of his own daughter.
:39:19. > :39:22.Let us look at that. I remember thinking simply, this is my
:39:23. > :39:32.daughter. I am sorry I got emotional. 19 years old... My
:39:33. > :39:37.aspiration for my daughter was boundless. And here I am sitting
:39:38. > :39:40.with a 19-year-old girl, who had written off her life and had no
:39:41. > :39:45.aspiration and no self worth, she was a product of the system, my
:39:46. > :39:54.point was, what could I have done, what would we do to change her life?
:39:55. > :39:59.So that the heart as well as head. Yes. You must have believed him
:40:00. > :40:03.there. Again it is extraordinary going to see a serving cabinet
:40:04. > :40:08.minister in his office, I am asking questions about the poor reform in
:40:09. > :40:12.Victorian era and he starts crying, I had no idea, and I thought well
:40:13. > :40:17.maybe if it had been Blair or someone, maybe he had been repairing
:40:18. > :40:21.the tears for years, you know, that sounds unfair but... You can see it
:40:22. > :40:26.is genuine. I suddenly thought he has been caricatured as a monster,
:40:27. > :40:31.after the bedroom tax and a lot of the reforms he put through and
:40:32. > :40:37.suddenly you think, well, are you genuinely trying to do something,
:40:38. > :40:41.and are you in fact much like is some of these Victorian reformers
:40:42. > :40:43.who the intention started well and the result was disastrous, it was
:40:44. > :40:47.very interesting to watch him. I mean, I have been accused of being
:40:48. > :40:53.callous, someone said did you try and comfort him. I thought no, it is
:40:54. > :40:57.Iain Duncan Smith. It was interesting to watch him though,
:40:58. > :41:01.obviously he was trying to let his emotion come forward but then he
:41:02. > :41:07.would go into his political talk and be emotional again. I had no idea,
:41:08. > :41:13.that three months later, the very topic, are you helping the poor, or
:41:14. > :41:18.are you targeting the poor and helping the rich? The very thing he
:41:19. > :41:22.resigned from in the Cabinet he was welling up over there, so it was an
:41:23. > :41:27.extraordinary moment. Yes, there is a lot of incredible information,
:41:28. > :41:32.certainly worth a watch, Workers Or Shirkers is on tomorrow. BBC Two at
:41:33. > :41:35.8.00. If there is one thing that the Victorians were good at it was
:41:36. > :41:43.engineering and the Forth Bridge, see it there in its glory was one of
:41:44. > :41:48.the celebrated achievements. Marty has been following a five year
:41:49. > :41:52.project. This is the majestic Firth of Forth
:41:53. > :41:55.outside Edinburgh. Spanning this stretch of water has presented a
:41:56. > :42:02.challenge to engineers for hundreds of years.
:42:03. > :42:06.And now, the newest edition, the ?1.35 billion Queen's ferry crossing
:42:07. > :42:13.road bridge, has reached a crucial phase. We have been following its
:42:14. > :42:16.progress for the last three year, I back in 2013 I witnessed the
:42:17. > :42:22.construction of the foundations deep under water, how far down are we? We
:42:23. > :42:28.are at minus 14, so 14 metres under the water level. And building of the
:42:29. > :42:32.towers. Then a year-and-a-half ago, I saw the installation of the first
:42:33. > :42:36.via duct, to connect the land to the bridge. Now the bridge is at a
:42:37. > :42:41.critical point. They have to lay the decking that will carry the cars
:42:42. > :42:46.from one side to the other. But rather than building it from the
:42:47. > :42:51.shorelines in to the middle they are building it from the tower, out
:42:52. > :42:56.wards. That is because the bridge has to be tall enough for ships to
:42:57. > :43:02.pass under, and wide enough to cross the water. To achieve that, the
:43:03. > :43:06.bridge deck has to be suspended high above the water, between three
:43:07. > :43:11.central towers, with each section of deck added one by one. It is a
:43:12. > :43:16.delicate balancing act. To demonstrate this I am going to
:43:17. > :43:23.build my very own tower, using these wooden blocks then add the road deck
:43:24. > :43:28.to my tower one segment at a time. These represent these huge steel
:43:29. > :43:33.lumps, one of which is behind me. If I start attaching them like this,
:43:34. > :43:39.all well and good so far, if I now attach a second part of the bridge,
:43:40. > :43:48.here, I will attach it like this, as soon as I let the weight go on it
:43:49. > :43:51.not so good. However, there is an clever
:43:52. > :43:55.engineering solution. This time, I am going to add a piece of the
:43:56. > :43:59.decking first on one side, and then on the other and that should keep
:44:00. > :44:04.the tower balanced. I am quite pleased with that. Easy
:44:05. > :44:09.for me to say with small wooden block, but slightly more of a
:44:10. > :44:14.challenge when each deck section weighs 750 tonnes. And the job of
:44:15. > :44:18.carrying the weight of these sections rests entirely on some
:44:19. > :44:23.super-strength cables, made up of lots of tightly bound strands.
:44:24. > :44:28.Jonathan Davies is one of the lead engineers on the project. So this is
:44:29. > :44:33.one of the strands, several wires inside The Strand. So this is steel?
:44:34. > :44:41.Steel, very high ten Sewell steel. How many strands are in a cable?
:44:42. > :44:46.This one here, we have 79 strands. Each deck section is held in place
:44:47. > :44:48.by just two cables. Less than 300 cables will hold the
:44:49. > :45:03.entire weight of the bridge. How many of these have you got to
:45:04. > :45:12.do? We have erected 50 and we have another 70 to go. Lots of work yet.
:45:13. > :45:19.Once completed this will be the tallest bridge in the UK. And the
:45:20. > :45:24.longest bridge of its type in the world. If the Scottish weather is
:45:25. > :45:29.willing they will have traffic on it by the end of the year. When they
:45:30. > :45:39.do, we will be back to take a look at the completion of this monumental
:45:40. > :45:43.feat of engineering. Thank you, Marty. Incredible pictures. We would
:45:44. > :45:48.love to open that on the One Show. It would be a nice day out for us.
:45:49. > :45:51.where the British Steel Industry is under threat, you can't help
:45:52. > :45:56.wondering how much British Steel is being used to build that bridge.
:45:57. > :45:59.Well, we asked Transport for Scotland.
:46:00. > :46:01.And although there is some British steel being used -
:46:02. > :46:04.7,000 tonnes - the vast majority - 35,000 tonnes was produced
:46:05. > :46:19.Did they ask them? That's what they have told us and we will have to
:46:20. > :46:23.leave it there. Nick Hewer was the marketing man
:46:24. > :46:26.behind some of Lord Sugar's biggest successes -
:46:27. > :46:29.but here at the One Show we don't No - we've given him the taks
:46:30. > :46:33.of changing the way we think about some of Britain's
:46:34. > :46:35.least popular wildlife. He's already worked
:46:36. > :46:37.his magic on rats, Look at these beautiful things. We
:46:38. > :46:42.love rats, don't we?! And now he's turning his attention
:46:43. > :46:53.to the much maligned magpie. I'm on a mission to use my
:46:54. > :46:57.experience in marketing and PR to attempt a rebranding campaign for
:46:58. > :47:03.some of our least popular wildlife. Today's subject is the magpie. It's
:47:04. > :47:07.a very superstitious bird. In a 40 year career I have never worked with
:47:08. > :47:15.a product associated with bad luck. This is going to be a real
:47:16. > :47:20.challenge. I'm interested in where this deep rooted dislike of magpies
:47:21. > :47:25.came from. The British hatred of the magpie can be traced back to
:47:26. > :47:33.Shakespearean times, and age steeped in superstition and witchcraft. To
:47:34. > :47:40.get to the truth about this, I have come to meet an expert. And Jock the
:47:41. > :47:44.magpie. Look at those beautiful colours. From a distance it is
:47:45. > :47:48.black-and-white but look at the gorgeous green tail. Beautiful
:47:49. > :47:55.metallic blue bits, really gorgeous. Lovely. I have got to persuade the
:47:56. > :48:00.British public to see magpies in a different light. They seem just do
:48:01. > :48:03.think they steal shiny things. There are lots of myths about magpies,
:48:04. > :48:09.they are not particularly bothered by shiny things. The enthusiasm is
:48:10. > :48:13.winning me over but what is our strategy for winning over the
:48:14. > :48:16.public? I'm convinced that these birds are beautiful, full of
:48:17. > :48:21.character and have bags of personality but the many British
:48:22. > :48:25.people they are just evil little gremlins and to change that
:48:26. > :48:31.perception we need a campaign to persuade people to empathise with
:48:32. > :48:34.magpies. All that most people ever see of magpies is a black-and-white
:48:35. > :48:40.flash. To make them take a closer look we need a catchy advert. I have
:48:41. > :48:49.enlisted this director. What are we after? Beauty, colour, intelligence.
:48:50. > :48:55.Maybe come up with one word all lying to exude the character of the
:48:56. > :49:03.magpie. We could animate them slightly to make them seem filmic.
:49:04. > :49:08.Do I really have a greater affection for the birds than before? I don't
:49:09. > :49:13.know that I do. It is standing there, looking at you with its sharp
:49:14. > :49:18.beak and little black eyes. There is no music on it at the moment. I
:49:19. > :49:22.think the music will bring a lot to it. We have been playing with a few
:49:23. > :49:34.different ideas, some of them better than others. No. It's no good having
:49:35. > :49:37.a great rolling tone of Mahler, it has two somehow mirror the
:49:38. > :49:43.personality of the bird which is a bit sharp. Mahler goes for the
:49:44. > :49:49.heart, does electronic music go for the head? We have got to love this
:49:50. > :49:54.bird. The pressure is on but we soon find something that hits the mark. I
:49:55. > :49:58.think you have nailed it. Beautifully shot. There is the
:49:59. > :50:03.colour in there, the intelligence and integrity, the whole thing. It's
:50:04. > :50:04.time to invite the public to come and view the finished film. Here it
:50:05. > :50:49.is. So, Hazzard filmed on the trick? I
:50:50. > :50:56.did not see them as very nice birds, really. -- has our film? The colours
:50:57. > :51:00.looked really pretty. It is just an old wives tale, then stealing shiny
:51:01. > :51:05.things. They are graceful little birds. I thought it was beautiful
:51:06. > :51:13.and in fact I watched it twice. Next time you see a magpie, take a closer
:51:14. > :51:20.look and think, one for joy. You always have dissolute magpies. Do
:51:21. > :51:25.you salute? I spit in my hand. It's embarrassing on the train. People
:51:26. > :51:32.look at me! You need that facemask back on. No, they are beautiful but
:51:33. > :51:36.I do like them. Have we changed your mind? I would freak out and if one
:51:37. > :51:43.came in the house it would be the end of me. Ian, are you constantly
:51:44. > :51:46.looking for a second one? Yes, but I quite like magpies and I played one
:51:47. > :51:53.when I was 11 in a school production. Good laughs. I would not
:51:54. > :52:00.have expected that. I have the whole thing. You are not going to find
:52:01. > :52:02.that photo! Brilliant, Have I Got News For You starts on Friday and
:52:03. > :52:08.your friends will be looking out for that. To help you get your eye in we
:52:09. > :52:17.thought we would come up with a bit of a quiz, we are calling it
:52:18. > :52:23.Political Animals. Order, order! We are combining the two of you.
:52:24. > :52:27.you pictures of different pets, each of them owned by a different
:52:28. > :52:36.Test your buzzers. # Who let the dogs out?
:52:37. > :52:50.# What's new pussycat? Send' Bichon Frise
:52:51. > :53:05.called Lola belong to? that belongs to the Chancellor. It's
:53:06. > :53:08.had a savage cut! We had to mark that up because we could not find a
:53:09. > :53:15.photo of them together but we have it on good authority. Lola is the
:53:16. > :53:19.first dog to live in Downing Street since Paddy, Harold Wilson's golden
:53:20. > :53:29.labrador in 1976. What knowledge we have. That's incredible. Who owned
:53:30. > :53:36.Socks? He was the White House cat. Do you know which president?
:53:37. > :53:38.Clinton. There is the proof. So famous that the Central African
:53:39. > :53:49.Republic released a series of stamps featuring him. There they are. Do
:53:50. > :53:55.you remember his fine -- his famous line? I did not have socks with that
:53:56. > :54:13.woman! He said that, not me. You will be banned. Banished! That's it.
:54:14. > :54:17.Who owned Konni and caused a diplomatic incident in 2007
:54:18. > :54:27.It's a tie at the minute. This is the winning question. It really
:54:28. > :54:33.terrified Angela Merkel? Who is that in the silhouette? Vladimir Putin?
:54:34. > :54:39.I'm trying to think of anyone who could scare Angela Merkel and it's a
:54:40. > :54:46.list of one. He said Putin. It is. Jabbing very good. -- APPLAUSE
:54:47. > :54:52.Very good. Angela Merkel is scared of dogs and cute in new that. So he
:54:53. > :54:57.brought the dog along. She should have mentioned Panama and see what
:54:58. > :55:00.he said! LAUGHTER Paul we will finish where we started
:55:01. > :55:05.with you playing a musical instrument. This is to do with a
:55:06. > :55:10.documentary you have been making about the Salvation Army. I made it
:55:11. > :55:14.last year. Why the Salvation Army? They used to do lots of work on
:55:15. > :55:17.hospital wards when AIDS came to London and they were remarkable,
:55:18. > :55:21.this was when it was yellow tape and he would get young officers coming
:55:22. > :55:24.in, they dealt with it and were efficient and did not look for
:55:25. > :55:29.publicity or praise or anything, they really are an army. I worked as
:55:30. > :55:35.a care officer and they helped me so many times. People think they are
:55:36. > :55:39.just outside Boots with a tambourine, join us and you'll never
:55:40. > :55:42.drink again, but there is none of that, they have stepped in where
:55:43. > :55:45.local councils have been making vicious cuts and they are now
:55:46. > :55:49.supplying a single mothers vicious cuts and they are now
:55:50. > :55:54.and it's old-fashioned philanthropy. Things haven't changed in 150 years
:55:55. > :55:57.since William Booth started the Salvation Army, they deal with the
:55:58. > :55:59.since William Booth started the same poverty and prejudice. I just
:56:00. > :56:04.think they are a remarkable organisation. I marched down of the
:56:05. > :56:11.street playing the drums with them. I've
:56:12. > :56:13.street playing the drums with them. Street. I said, can I join up?! We
:56:14. > :56:13.have some footage of Street. I said, can I join up?! We
:56:14. > :56:19.not bad on the drums. Yes, Street. I said, can I join up?! We
:56:20. > :56:27.go, right on cue, Paul. Street. I said, can I join up?! We
:56:28. > :56:29.There was a big performance at Street. I said, can I join up?! We
:56:30. > :56:32.end. Yes, down Oxford Street, Street. I said, can I join up?! We
:56:33. > :56:40.were enjoying the band and I Street. I said, can I join up?! We
:56:41. > :56:44.Army?! Were you surprised that the scope of their work? No, I always
:56:45. > :56:50.knew. They touch so many different things. I was in Athens at a refugee
:56:51. > :56:57.camp, on a ward for people who are terminally ill. And for people with
:56:58. > :57:02.dementia and young mothers with kids and gang members, the homeless, you
:57:03. > :57:05.name it, they cover everything and it's quite remarkable. We have to
:57:06. > :57:11.point out before you go that you have a remarkable accolade because
:57:12. > :57:17.in Private Eye, you review autobiographies and they are pretty
:57:18. > :57:22.scathing. Scathing! Paul's is the only one with a positive spin? Yes.
:57:23. > :57:26.I gave his book to the reviewer and it got a good review and I had a
:57:27. > :57:31.I gave his book to the reviewer and of letters saying, I don't read
:57:32. > :57:36.Private Eye to read good reviews, so I fired the reviewer! My friend has
:57:37. > :57:41.passed away now, Sue Carroll, she said, have you seen privatised and I
:57:42. > :57:47.thought, no, what have they said? I get it anyway, and I could not
:57:48. > :57:54.believe it, I was about to write in. It was terrible! Aired, you are
:57:55. > :57:59.sacked. -- you read at the bottom, you are sacked. Animal Orphans
:58:00. > :58:03.starts on ITV at 9pm. Ian Hislop's Victorian Benefits'
:58:04. > :58:05.is on tomorrow on BBC Two We'll be back tomorrow
:58:06. > :58:08.with Cyndi Lauper. But for now its the finalists
:58:09. > :58:11.of the Menuhin competition MUSIC: Hora Bessarabia,
:58:12. > :59:13.composed by Roxanna Panufnik. Hello, I'm Tina Daheley
:59:14. > :59:24.with your 90 second update. Connor Sparrowhawk was 18
:59:25. > :59:26.when he drowned in the bath. The NHS managers who were in charge
:59:27. > :59:31.of his care were told today