:00:16. > :00:21.Hello. Welcome to the One Show with Alex Jones And my Friday cohost
:00:22. > :00:24.Kaiser Chief Alex Jones And my Friday cohost
:00:25. > :00:29.coach, Ricky Wilson. APPLAUSE Nice to have you back. Nice
:00:30. > :00:33.to be back. What's happening in Ricky's world. I'm just on holiday
:00:34. > :00:38.at the moment. That's why I came in. Perfect. More than that, I'm excited
:00:39. > :00:40.because we have pop legend Rick Astley on the show. He's out there
:00:41. > :00:44.now. APPLAUSE
:00:45. > :00:52.# Never going to give you up # Never going to let you down
:00:53. > :00:53.edessert you # Never going to make you cry
:00:54. > :00:57.# Never going to say # Never going to make you cry
:00:58. > :00:58.# Never going to tell a lie and hurt you...
:00:59. > :01:09.# APPLAUSE I can't believe the
:01:10. > :01:16.original Rickroller in the building. What's that? It's an international
:01:17. > :01:25.megaprank. I send you a link to a video you might be interested in.
:01:26. > :01:25.megaprank. I send you a link to a Then you get
:01:26. > :01:32.megaprank. I send you a link to a you that song. Tonight we have
:01:33. > :01:38.actors playing the two most romantic couples of all time. They played
:01:39. > :01:43.Cinderella and Prince charming last year in the Disney classic. They
:01:44. > :01:45.take to the stage again as the star crossed lovers Romeo and Juliet.
:01:46. > :02:04.Here's a teaser. APPLAUSE We've just been Rickrolled.
:02:05. > :02:12.Here's Lily James and Richard Madden.
:02:13. > :02:16.I loved you both in Cinderella. This is exciting. Do you think that
:02:17. > :02:22.Richard makes a better Prince charming or Romeo so far? It's hard
:02:23. > :02:26.to call. I won't offend anyone, that's the good thing. I think he's
:02:27. > :02:32.very fantastic as Romeo. A big step forward. It's not a stretch really.
:02:33. > :02:36.We'll be chatting all about it shortly. All over the UK, the dust
:02:37. > :02:42.is settling on the results of yesterday's elections. In St Ives
:02:43. > :02:47.they were voting not on personality or politics but on a radical plan.
:02:48. > :02:50.Here's Angela Scanlon. It's a problem facing local
:02:51. > :02:53.residents up and down the country. A quarter of the houses here are
:02:54. > :02:57.second homes, owned by those living elsewhere.
:02:58. > :03:01.Some people feel that diminishes the sense of community and prices local
:03:02. > :03:06.people out of the market. As a result, a referendum is being held
:03:07. > :03:09.here today, part of which suggests that new-build houses can only be
:03:10. > :03:14.sold to those who live here full-time. I'm going to be voting
:03:15. > :03:17.yes. There is nobody living in the bottom half of town any more.
:03:18. > :03:22.Something like a thousand empty homes every winter. When I was a kid
:03:23. > :03:28.on a Sunday you would smell a roast dinner from every single house. Are
:03:29. > :03:33.you voting yes or no? No. We're in the process of building a house. It
:03:34. > :03:40.restricts who can buy our house if we decide to sell. If we do, it will
:03:41. > :03:44.be because we need to sell it to be somewhere else. I've got campaigners
:03:45. > :03:56.from both sides of the argument together. Towns and villages are
:03:57. > :04:00.made up of the residents. If you go down you hardly find a residents.
:04:01. > :04:04.The heart of the town is being ripped out, if you like. So many
:04:05. > :04:08.properties are second homes. The plan will make it worse. That just
:04:09. > :04:13.puts pressure on the unrestricted houses in town and puts the prices
:04:14. > :04:16.of town houses up. Somebody buys a second home and they use the home
:04:17. > :04:19.for however many weeks they want themselves. The rest of the time
:04:20. > :04:25.it's open to tourists as rental accommodation. They all have to be
:04:26. > :04:29.maintained. Every one of those is a boost for the employment in St Ives.
:04:30. > :04:32.I'm on a beautiful street in St Ives. Let's see what people here
:04:33. > :04:48.think the impact of holiday homes is having.
:04:49. > :04:56.These are all holiday lets. Do you think people who own second homes
:04:57. > :05:00.here, are they here most of the year, are the houses vacant? Yes, I
:05:01. > :05:07.did a map once and it was about 50/50, but not now. I would think
:05:08. > :05:11.about 85%. John has been an estate agent here for 15 years. He's seen
:05:12. > :05:16.first hand the demand for second homes. Nice to meet you. So these
:05:17. > :05:22.are out of towners, not locals who buy a property of this speck? Yes.
:05:23. > :05:26.You do have locals that are doing the same thing. There are plenty of
:05:27. > :05:32.people locally who will buy an investment property. If the
:05:33. > :05:35.referendum is passed, what happens? Who buys these places? The
:05:36. > :05:40.development won't go ahead in the first place. The price of the land
:05:41. > :05:47.to buy that will be too high to get a yield. Would you vote yes or no?
:05:48. > :05:50.No. There's enough with the Stamp Duty, with the affordable housing.
:05:51. > :05:53.Is that you with your estate agent hat on? Absolutely. The more
:05:54. > :05:57.development the better. No, not at all. Well, the votes are cast and
:05:58. > :06:02.volunteers have worked through the night to count them. I do here by
:06:03. > :06:06.declare that more than half of those voting have voted in favour of the
:06:07. > :06:14.St Ives plan. It's a win for the 'Yes' campaign.
:06:15. > :06:18.That Yes vote means that on the face of it, there will be no new build
:06:19. > :06:22.second homes sold in St Ives. In less than a week, doors will hope
:06:23. > :06:26.for the Sir Kenneth Branagh theatre company's Romeo and Juliet. You
:06:27. > :06:31.play, funnily enough, Romeo and Juliet. Not in that order. How are
:06:32. > :06:39.rehearsals going? Good. We are moving into the theatre tomorrow to
:06:40. > :06:43.start tech. We've had five weeks of intense, gruelling. I just got the
:06:44. > :06:48.fear when you said we open in a week. I know! There's been loads of
:06:49. > :06:54.adaptations, what's your take on it, then? Is there still a balcony at
:06:55. > :07:00.least? Yes. Are you allowed to say. That's not a spoiler. Are you doing
:07:01. > :07:04.it in the traditional language or is it modern day? It's traditional, but
:07:05. > :07:10.we've cut out the boring bits. It's really exciting. It's contemporary.
:07:11. > :07:15.It's very... It's like a thriller almost. It's passionate, Italian.
:07:16. > :07:21.OK, because you're not giving much away. Sorry. It's a surprise, when
:07:22. > :07:25.everyone comes. People will really like it. We've seen some of the
:07:26. > :07:33.pictures. It looks sultry. Would that be the word? Stop it! There it
:07:34. > :07:37.is. Oh, that's a very sexy picture. They're young teenagers that fall in
:07:38. > :07:43.love. You know what teenagers get up. To That's sultry and sexy. In
:07:44. > :07:48.War And Peace you used to sing to James Norton Whitney Houston songs
:07:49. > :07:52.were you were getting into the mood for the sexier stuff. What are you
:07:53. > :07:57.singing to Richard? I feel offended now. You've never sung to me. We'll
:07:58. > :08:03.do wit any. Thanks, six weeks in, not one song yet. What would you
:08:04. > :08:08.like? Put in requests. You do sing some Beyonce to me. The new album.
:08:09. > :08:12.We have to be careful with spoilers on the show, but I don't think it's
:08:13. > :08:23.that much of a spoiler to say that Romeo dies at the ebbed. -- end. Oh,
:08:24. > :08:29.sorry! Is it more intense dying on stage - that's a spoiler. Is it
:08:30. > :08:40.difficult not to overplay it? What's your approach with this then? He
:08:41. > :08:45.always gets to the point where you think as an actor you just want to
:08:46. > :08:51.get off and just hurry up and die then, people know. Don't milk it.
:08:52. > :08:56.Don't kind of, eurgh... You just do it justice to what it needs to be at
:08:57. > :09:00.that point. It's really sad. It's not fun dying every night. It's the
:09:01. > :09:03.peak, the climax of the whole piece. At least I'm prepared for it now. We
:09:04. > :09:08.heard you learned your lines for At least I'm prepared for it now. We
:09:09. > :09:11.role in a car park in Atlanta. That's not really method, unless
:09:12. > :09:16.this new version is set in a car park in Atlanta. No, but that would
:09:17. > :09:20.be really cool. I was filming Baby Driver, Edgar Wright's new film. I
:09:21. > :09:26.had endless night shoots in a cold, dark car park. It was the perfect
:09:27. > :09:32.place to learn Juliet. And you're in Bastille Day with Idris Elba, a one
:09:33. > :09:36.show favourite. Or your favourite! Either way, doesn't matter. We were
:09:37. > :09:42.told that you were to learn to pick pocket for the role. Yes. Are you
:09:43. > :09:46.actually any good at it? I got good, at least I thought I was quite good
:09:47. > :09:50.at it. Then I realised that everyone I was pick pocketing was paid to
:09:51. > :09:54.make it look as if they'd not noticed. In my head I think I'm
:09:55. > :09:58.great, but actually I'm probably rubbish. Or maybe they just enjoyed
:09:59. > :10:04.having your hands in their pockets That's a bit weird. You must have
:10:05. > :10:08.had loads of fun with Idris? We had a great time. We trained for about
:10:09. > :10:12.six weeks before we even started. We were running about in an empty
:10:13. > :10:16.warehouse. I was running away from Idris most of the time while
:10:17. > :10:21.shooting some guns. It was the best job, a couple of boys, had a good
:10:22. > :10:25.time. Romeo and Juliet completely different Very, very different,
:10:26. > :10:30.running away from Lily all the time. Towards me! Sorry, yes towards you.
:10:31. > :10:33.Doesn't bode well. We can't wait. Romeo and Juliet is at the Garrick
:10:34. > :10:38.Theatre from next Thursday, not long to go and if you can't get to
:10:39. > :10:41.London, you can still catch it in a special performance being broadcast
:10:42. > :10:46.live to cinemas nationwide on July 7. I love it when they do that. I'd
:10:47. > :10:51.love to do that; see that, can you take in pop corn, sit on the back
:10:52. > :11:02.row? Any sort of sweets you want. It's not a brand name, pop corn. The
:11:03. > :11:04.new UK research special -- polar research re-el is not called Boaty
:11:05. > :11:06.McBoatFace. But one research re-el is not called Boaty
:11:07. > :11:09.vehicles will! APPLAUSE Instead the
:11:10. > :11:13.vehicles will! will be called the far more sensible
:11:14. > :11:15.RSS Sir David Attenborough, will be called the far more sensible
:11:16. > :11:20.a lovely tribute on the occasion of will be called the far more sensible
:11:21. > :11:21.weekend. He sthud Boaty McBoatFace. As our present to
:11:22. > :11:28.him on the Boaty McBoatFace. As our present to
:11:29. > :11:34.something extraordinary. Bear with us, as we present the ultimate mash
:11:35. > :11:37.up with a few surprise guests. Here is the story of life on earth.
:11:38. > :11:40.Nobody is the story of life on earth.
:11:41. > :11:46.different kinds of animals there are here.
:11:47. > :11:51.50 different kinds of monkeys. 54 kinds of birds. Sects and a few
:11:52. > :11:56.small remember tiles and amphibians. Sometimes there is a mistake, a
:11:57. > :12:00.mutation. They probably aren't closely
:12:01. > :12:04.related. They're just odd, priftive, ancient creatures that nobody's
:12:05. > :12:09.quite sure of and they bunch them together under this title.
:12:10. > :12:12.The Elephant Manages to live on virtually nothing except leaves of
:12:13. > :12:16.one sort or another. For any pig they have an
:12:17. > :12:21.extraordinarily acute sense of smell, that can guide them to food
:12:22. > :12:26.with surprising dexterity. South America, where I am now, the
:12:27. > :12:30.inhabitants of these grass lands, the Pam pass developed into forms
:12:31. > :12:35.that to our eyes seem very extraordinary indeed.
:12:36. > :12:39.Good afternoon he said. This bear has been out of hibernation for
:12:40. > :12:43.about four months. A seasonal change in the bear's
:12:44. > :12:46.phsiology allows him to eat continuously without ever feeling
:12:47. > :12:51.full. So he started on the bacon. There
:12:52. > :12:56.are odd rodents here too. Famously fussy in their feeding... Cheese! In
:12:57. > :13:06.a way that is almost disturbingly familiar. That's me cheese pies. In
:13:07. > :13:11.Britain, these animals had burrow that's are often interconnected.
:13:12. > :13:15.These creatures brilliant colours may serve to warn off anything that
:13:16. > :13:20.might contemplate making a meal of them. At night they became sluggish.
:13:21. > :13:24.That left the field open to any creature that could be active at
:13:25. > :13:30.night. Under the partial cover of darkness, a familiar face
:13:31. > :13:35.materialises. Racoons have found our city's -- cities very much to their
:13:36. > :13:40.liking. Culture, like theatre and ballet. It was behaviour that had
:13:41. > :13:46.never been recorded before. But then, predicting animal behaviour is
:13:47. > :13:51.not as easy as all that. If man were to disappear for
:13:52. > :13:54.whatever reason, some small, unon trucive creature would seize the
:13:55. > :14:00.opportunity and with a spurt of evolution take man's place.
:14:01. > :14:10.This is the time when only the strongest survive. What happens next
:14:11. > :14:16.is very largely obtained. APPLAUSE Sir David, if you're
:14:17. > :14:21.watching, we all wish you a very happy birthday on Sunday. Now then,
:14:22. > :14:27.look who's rolled his way onto the coach, it's only Rick Astley! --
:14:28. > :14:31.couch. Three Richards for the price of one. One that's a better singer
:14:32. > :14:37.than me, one that's much better looking than me. Don't fish for
:14:38. > :14:42.compliments. Rick, you're playing your new song Keep Singing. I love
:14:43. > :14:47.it. Thank you. Appreciate that. From the new album 50. Is that a nod to
:14:48. > :14:51.the Adele kind of... I thought it would be funny to pinch that one
:14:52. > :14:55.from her. I don't think she's worried about records I put out.
:14:56. > :15:00.It's a milestone year. You could have called it 45 and nobody would
:15:01. > :15:04.know. Or 62 and it can last for ages. I'm very happy being 50 to be
:15:05. > :15:08.honest. It is a milestone, but I'm happy. I'm in a good place right
:15:09. > :15:12.now. You joked with our researcher that you were having a mid-life
:15:13. > :15:17.crisis. Are you displaying signs? I think a couple of really close
:15:18. > :15:19.friends of mine, we have a midlife crisis band, you see? I've got one
:15:20. > :15:26.of those! LAUGHTER
:15:27. > :15:32.We play the songs that we learned to play when we were kids, so we play
:15:33. > :15:36.punk songs, rock songs, which men of our age shouldn't be doing but you
:15:37. > :15:41.can get away with it if you give the money to charity. We don't do it so
:15:42. > :15:45.much. We've been working on a load of new material, so what made you
:15:46. > :15:49.pick up the songwriting pen again? -- you have been. One of the biggest
:15:50. > :15:53.things as I've been doing gigs for a long time, I retired four years and
:15:54. > :15:58.then I think what happens with social media, fans will tell you
:15:59. > :16:03.stuff that obviously, you do a gig and they say we love the old ones,
:16:04. > :16:08.we have a great night but make a new record. After a while you start to
:16:09. > :16:12.get confidence and believe them, because in one in my position, it's
:16:13. > :16:16.quite a scary thing, the idea of making new music because you get so
:16:17. > :16:20.kind of attached and in that thing of doing your old stuff, it's kind
:16:21. > :16:24.of scary to do new stuff, but they've put me in that position so
:16:25. > :16:29.I'm going to do it. A good kind of scary. What we like as well as you
:16:30. > :16:35.only choose places to go and gig where he wants to go on holiday, so
:16:36. > :16:39.if you fancy going to Bali. It's not 100% that bug when we get the offers
:16:40. > :16:42.in for gigs in different parts of the world, the first thing my wife
:16:43. > :16:45.and I do is check the restaurants, literally weep Google the
:16:46. > :16:51.restaurants. Are you going for a nice meal after this? We are going
:16:52. > :16:56.for a cocktail first, then dinner with some friends. It's the way to
:16:57. > :17:01.do it. We have to talk about Rick Rolling, a phenomenon, it's been
:17:02. > :17:04.going for years now. It's been taken up a notch because one Remain
:17:05. > :17:07.campaigner has hijacked a website, the vote leave .com, so it takes you
:17:08. > :17:16.straight to the video, so if anyone wants to go on Vote Leave... It will
:17:17. > :17:21.put people off doing anything. Even on parking tickets, the number to
:17:22. > :17:25.ring. There has been some great ones, I have never knocked it, a
:17:26. > :17:29.certain generation will not know who I am, some of them hate me for it
:17:30. > :17:33.but some of them, at least just having it out there and remembered
:17:34. > :17:39.it anyway is kind of nice. How do you feel about that song? It's been
:17:40. > :17:42.good to me, that song. Again, I retired for like 15 years, I quit
:17:43. > :17:45.when I was 27, which is pretty young but we had a daughter by then and
:17:46. > :17:50.everything and I'd had enough of it all. So it's not like I've been
:17:51. > :17:56.doing it for 30 years and this last ten years has been great, on my
:17:57. > :18:01.terms as well, and... And you've had some great holidays. Good food and
:18:02. > :18:06.holidays. People ask, do you get fed off of playing the old songs? But
:18:07. > :18:09.it's a different audience every night. Without those songs I
:18:10. > :18:16.wouldn't have the life I have now and I love my life. Rick's album 50
:18:17. > :18:22.is out on June ten. It's time to put Richard and Lily's Shakespeare's
:18:23. > :18:31.skills and Rick's music skills to the test. We have a game, called
:18:32. > :18:38.this. Shakespeare! Over here. Come on, Rick. Rick Astley, hurry up.
:18:39. > :18:43.Lily and Richard, you have some lines on cards there. They may be
:18:44. > :18:48.from a Shakespeare play, or they may be from a modern is pop song. OK?
:18:49. > :18:51.All you two have to do is guess if they are from Shakespeare, or
:18:52. > :18:59.whether they are from a song. If you guessed correctly, you get a point.
:19:00. > :19:02.If you gets incorrectly, this team get a point. It's very easy, very
:19:03. > :19:07.easy. Lily, I believe you are going first. Ready, here we go. You'd
:19:08. > :19:15.better hope and pray that you will wake one day in your own world. It's
:19:16. > :19:21.a song. It is a song. An extra point for... Which song? Is it
:19:22. > :19:26.Shakespeare's Sister? Of course it is!
:19:27. > :19:33.APPLAUSE Rick, your turn. Say no more,
:19:34. > :19:46.ladies, say no more. Shakespeare or song? It's got to be Shakespeare.
:19:47. > :19:52.Correct. It's not his sister, either. The Tempest? It's actually
:19:53. > :20:00.much ado about nothing. Lily, back to you. I met a girl down that the
:20:01. > :20:01.ball, she said hey, hey, hey, yeah, let's go.
:20:02. > :20:11.LAUGHTER . Quite a difficult one. It was his
:20:12. > :20:24.early work. Very early work. It's a song. Is it Black I'd Rat peas. It's
:20:25. > :20:30.will.i.am. # she she said hey hey, let's go #.
:20:31. > :20:37.Richard. And if you ask me how I'm feeling, don't tell me, you're too
:20:38. > :20:46.blind to see. Shakespeare, or song? You do it. That's a song. It's Rick
:20:47. > :20:51.Astley. # If you ask me how I'm feeling...
:20:52. > :20:57.#. This old house was old and comfort
:20:58. > :21:05.as we fought the storms of life. Read very
:21:06. > :21:12.Stevens. # This old house... #.
:21:13. > :21:16.You've done very good, five points, zero to you, but lovely reading, we
:21:17. > :21:20.enjoyed it. Thank you very much. Rick is going to perform for is very
:21:21. > :21:25.shortly, but before that, Ricky, you are back on presenting duties. I'm
:21:26. > :21:31.on the wrong side. Hello. LAUGHTER
:21:32. > :21:35.As the sun is shining, as the sun is shining we told Jay Raynor to get
:21:36. > :21:39.into the countryside to make a film about the beautiful green shoots of
:21:40. > :21:42.spring. I wonder where he ended up. I've no idea.
:21:43. > :21:47.I love being on the farm, the wide-open landscape, the Gentle
:21:48. > :21:57.birdsong, the fresh air. Lovely, isn't it? HORNS HOOT. Right here in
:21:58. > :22:02.London town, there is an unusual farm. How you reach this farm is
:22:03. > :22:06.very different. There are no muddy fields to cross, or gates or styles
:22:07. > :22:15.to negotiate. Rather than hitching a ride on a four-wheel drive, I'm
:22:16. > :22:18.going down in a lift. Because 120 feet below clap, a network -- in a
:22:19. > :22:22.network of feet below clap, a network -- in a
:22:23. > :22:27.urban farm going underground. Producing micro greens like parsley,
:22:28. > :22:31.coriander and pea shoots in a pasty fright free environment it's the
:22:32. > :22:38.brainchild of two foodie entrepreneurs -- pesticide free
:22:39. > :22:42.environment. We use hydroponics, which doesn't use soil. We are
:22:43. > :22:45.growing very similar to a conventional greenhouse, the only
:22:46. > :22:50.difference is we are growing on a multilevel with artificial light. We
:22:51. > :22:54.use light which replicates night-time can we have 14 hours in
:22:55. > :22:58.light and the rest of the time in the darkness. We can just about hear
:22:59. > :23:01.the tube trains going over the top. They are four stories above us. The
:23:02. > :23:07.rumble doesn't seem to affect the They are four stories above us. The
:23:08. > :23:08.plants too much, with a constant temperature of
:23:09. > :23:14.plants too much, with a constant of micro herbs grow here, and being
:23:15. > :23:17.micro, they should have a more intense
:23:18. > :23:19.micro, they should have a more counterparts. Could you
:23:20. > :23:22.full-sized plants, or does it have to be micro
:23:23. > :23:26.full-sized plants, or does it have space? We could grow conventional
:23:27. > :23:29.sized herbs. We started with micro, because we wanted as much clap as
:23:30. > :23:34.possible to get it into the market and it's more cost-effective for it
:23:35. > :23:38.at the moment -- crop. As efficiency is improved over the next few years
:23:39. > :23:43.we should be able to increase the range of crops. At the moment this
:23:44. > :23:47.season is all over in just 30 days. The seeds are first sown then put
:23:48. > :23:51.into germination before going under the bright LED lights and finally,
:23:52. > :23:56.they are harvested and then packed. It's a far cry from the tunnel's
:23:57. > :23:59.original purpose as bomb shelters for Londoners during
:24:00. > :23:59.original purpose as bomb shelters Co-owner Stephen thinks they are in
:24:00. > :24:05.the perfect place. Co-owner Stephen thinks they are in
:24:06. > :24:06.the proximity to our customers, any salads
:24:07. > :24:12.the proximity to our customers, any product is the freshest we can, the
:24:13. > :24:17.quickest we can, that was the whole point of growing in this environment
:24:18. > :24:20.this close to the market. Do you think underground farming, urban
:24:21. > :24:24.farming like this, is going to actually replace conventional
:24:25. > :24:26.farming out in the fields? Absolutely not. This is always going
:24:27. > :24:31.to be complementary to farming but Absolutely not. This is always going
:24:32. > :24:34.if we can grow products that grow quick like micro herbs and solids,
:24:35. > :24:37.we can use that London the countryside for carnivorous diet,
:24:38. > :24:43.farming more animals, carrots and potatoes. The amount of power to run
:24:44. > :24:47.a facility like this is huge, as Steve is all too aware and he's keen
:24:48. > :24:50.to do all they can to keep their greens as green as possible.
:24:51. > :24:56.Although we do use a lot of electricity and energy for the LED
:24:57. > :24:59.lights, we source it from a green energy supplier and offset at the
:25:00. > :25:00.end of the year all of the imports into the farm through planting
:25:01. > :25:06.trees. You plant trees? Absolutely. into the farm through planting
:25:07. > :25:10.Until now, these high end products have just been sold to restaurants
:25:11. > :25:14.but as their ranges have expanded so they're micro greens have gone on
:25:15. > :25:20.sale to the public. Kath Dawson sells their produce on her stall, on
:25:21. > :25:24.a copper market and up the road in trendy Borough market. People know
:25:25. > :25:28.it's about an hour because it's from Clapham people do want it because it
:25:29. > :25:32.is locally sourced. Micro herbs Clapham people do want it because it
:25:33. > :25:36.not be that common yet so they can be pricey, but think of the miles
:25:37. > :25:39.saved. What you are getting with this product is unrivalled
:25:40. > :25:43.fresheners. After all, how many people living in the middle of the
:25:44. > :25:47.city can say they have eaten food Jim groaned just 100 feet away?
:25:48. > :25:54.Especially when it's 100 feet in that direction -- grown just 100
:25:55. > :25:58.feet away. Thanks very much. That's all for
:25:59. > :26:02.tonight, thank you, Lily and Richard, good luck with Romeo and
:26:03. > :26:06.Juliet. Thanks to you, Ricky. We loved having you back. We are back
:26:07. > :26:13.on Monday with the hilarious Henning Wehn. Rick Astley's album 50 is out
:26:14. > :26:15.on the 10th of June. Playing him -- is out with his latest single, Keep
:26:16. > :26:19.Singing now. # And you'll be saved
:26:20. > :28:18.some sunny day