:00:24. > :00:30.Hello and welcome to the The One Show. Here is the thing, tonight's
:00:30. > :00:39.guest is called Clarkson. Yes, but it is not that one!
:00:39. > :00:46.It is this one. # Because of you
:00:46. > :00:54.# I never stay too far from the sidewalk #
:00:54. > :00:58.She has sold over 20 million albums. And has eight UK top tens and two
:00:58. > :01:08.Grammy Awards. It is Kelly Clarkson.
:01:08. > :01:10.
:01:10. > :01:15.APPLAUSE AND CHEERING I was embarrassed. I realised I'm
:01:15. > :01:18.singing along to Kelly Clarkson and she is sitting right there! That's
:01:18. > :01:21.awesome. You can't help it, Alex.
:01:21. > :01:25.So you have just landed in the UK. Yes.
:01:25. > :01:30.But were you here in time to see the jubilee celebrations? We came
:01:30. > :01:34.yesterday later. I was asleep in the car. I only got four hours
:01:34. > :01:37.sleep on the plane. We had four planes, we had a rough travel day
:01:37. > :01:45.so it was funny, but it wasn't really bad. Are you a movie
:01:45. > :01:50.watcher? Yeah. I was trying to watch Hugo. That's not a movie to
:01:50. > :01:54.watch while you are tired. It is a slow movie. I was like this, like
:01:54. > :01:57.nodding. It is a good movie, but I was just
:01:57. > :02:01.tired. You look nice and awake now.
:02:01. > :02:05.We will be talking to Kelly about what it was like to win one of the
:02:05. > :02:08.biggest talent shows in the world. And we will be meeting another
:02:08. > :02:15.extraordinary musician. It is Nicholas McCarthy, who
:02:15. > :02:20.despite being born with only one hand has gone on to become a piano
:02:20. > :02:24.maestro. How about that, Kelly? You will see him in a moment. Yeah, you
:02:24. > :02:30.will meet him later. Kelly shot to fame when she won American Idol
:02:31. > :02:35.after years of work to go get her talent recognised. Sometimes those
:02:35. > :02:38.who don't want the spotlight get it anyway. Larry Lamb has the story of
:02:38. > :02:42.four girls from Bristol who were famous from the very moment they
:02:42. > :02:48.were born. To become a mother is one of
:02:48. > :02:55.nature's most wonderful gift. On 12th June 1948, Margaret Good
:02:55. > :02:58.Good had a special delivery, four beautiful girls and the they
:02:58. > :03:03.survived Caesarean section. News agencies scrambled to the scene,
:03:03. > :03:09.but it was the Picture Post that captured the moment.
:03:09. > :03:19.Picture Post says, "Before June, they were an unknown couple." But
:03:19. > :03:19.
:03:19. > :03:22.within 24 hours of giving birth at Bristol's Southmead Hospital, Mrs
:03:23. > :03:29.Good has been photographed for the papers and the news reels.
:03:29. > :03:34.It was a sign of things to come. The Good girls would grow up under
:03:34. > :03:39.the watch watchful eye of the media. The authorities would have the
:03:39. > :03:43.family under the microscope too. In 40s Britain, doctor knew best and
:03:43. > :03:47.they ruled that the quads should be isolated from their mother for
:03:47. > :03:52.three months for fear of infection. With father Charles, supporting a
:03:52. > :03:57.family of now seven, on his poor wage as a farm labourer, the
:03:57. > :04:03.council ordered the family to be re-housed near Bristol. The council
:04:03. > :04:07.turned two homes into one to make room for their famous tenants, mum,
:04:07. > :04:17.dad, older sister, Susan and the four celebrity babies. They even
:04:17. > :04:21.
:04:21. > :04:25.changed the name of this street to the scwap street scwap scwadrangle.
:04:25. > :04:31.Today, the sisters are back, but without one of their four, Brigitte,
:04:31. > :04:38.who died when they were 36. The One Show brought the girls home for the
:04:38. > :04:42.first time in six decades. There used to be a doorway here and
:04:42. > :04:47.mime mother and father and Susan lived in number one at the other
:04:47. > :04:52.side and the nannies and us lived in this house, number two.
:04:52. > :04:57.The sisters continued to make the front pages, but behind the scenes,
:04:57. > :05:00.the authorities took control. Under doctors orders, two full-time
:05:01. > :05:05.nurses were put in charge of the quads' care.
:05:05. > :05:09.I suppose we were just living separate lives. My mother didn't
:05:09. > :05:15.hold us or bring us home from the hospital until we were three months
:05:15. > :05:19.old so she never really had a bond with us. We found her diaries. She
:05:19. > :05:24.mentioned in there that she felt that she had been a bad mother
:05:24. > :05:27.which is really, really hard for us to accept. We didn't want the
:05:27. > :05:32.nannies attention and the media attention.
:05:32. > :05:36.You wanted your parents attention? Yes.
:05:36. > :05:42.But the girls wouldn't escape the attention of the world's media. The
:05:42. > :05:46.Good brand would sell everything from washing machines, trikes and
:05:46. > :05:49.baby milk. But the sponsorship deals often came at a price.
:05:49. > :05:53.Other people were trying to make money out of us. We went to a
:05:53. > :05:57.holiday camp when we were small. They put us in a room with a glass
:05:57. > :05:59.window and they were charging a penny a time for people to have a
:05:59. > :06:04.look through the window. The council wanted to do the same.
:06:04. > :06:11.Sort of exhibit you? Yes, exactly. My mother said there is no way is
:06:11. > :06:17.that happening to us. As the quads grew older, the media
:06:17. > :06:20.frenzy started to wane. Even the death of sister, Brigitte, in 1984
:06:20. > :06:23.didn't create much column space, but it was felt by the remaining
:06:23. > :06:28.three. We have always done things together,
:06:28. > :06:33.born together, played together, eaten together and then all of a
:06:33. > :06:38.sudden, one quarter has gone. lose part of you. It is really,
:06:38. > :06:41.really hard. But life goes on for the remaining
:06:41. > :06:50.three. No longer the property of the newspapers, marketing men,
:06:50. > :06:56.council or doctors, they are happy What a lovely time you had with
:06:56. > :07:01.them, Larry? It is so lovely the jobs I get to do for The One Show.
:07:01. > :07:06.You can laugh. These extraordinary situations, I mean to meet these
:07:06. > :07:12.three remaining sisters, of this obviously such a close, close
:07:12. > :07:17.relationship, these girls have and had, you know, and there was a
:07:17. > :07:20.sister that was born before them so she, I think she was about three,
:07:20. > :07:25.had four four quad sisters and because the way they were brought
:07:25. > :07:30.up, the council was trying to deal with this extraordinary media event,
:07:30. > :07:34.even then in 1948, they knocked two council houses together and put
:07:34. > :07:38.them in the one house, but what they did, they had nurses and
:07:38. > :07:44.guardians on one side and them in the other and so, I had a letter
:07:44. > :07:50.from the lady, one of the sisters, after then and she sent me a letter
:07:50. > :07:52.saying we had a lovely time and we talked about it afterwards and we
:07:52. > :07:57.didn't really know our parents until we were three.
:07:57. > :08:01.So what was it like taking the girls back to that house? It was a
:08:01. > :08:06.funny farming hamlet in the middle of nowhere in a part of the country
:08:06. > :08:10.I know a little bit about. In part of the West Country, these little
:08:10. > :08:13.farming centres and there was a couple of houses and it just felt
:08:13. > :08:18.bizarre to walk in these places with these sisters.
:08:18. > :08:22.They weren't the first to hit the headlines? No, but it seems the
:08:22. > :08:27.multiple births is something that catches the public's imagination
:08:27. > :08:34.because everyone is into having kids and they think, "How am I
:08:34. > :08:38.going to to deal with them?". everyone is into having kids!
:08:38. > :08:44.That's what I used to say. This is a great shot. This is five
:08:44. > :08:49.of them lined up. That's a lovely picture. And they were the first
:08:49. > :08:54.ones to survive and they were born in Canada in 194 and there was a
:08:54. > :08:56.problem -- 1934 and there was a problem with the parents not being
:08:56. > :09:00.considered suitable to raise them. They were raised by a doctor and
:09:00. > :09:05.nurses and then they found out they were starting to make money out of
:09:05. > :09:10.them and they were sort of paraded. I mean this is the house. Look at
:09:10. > :09:14.the advertising and all sorts and people paid money to see that.
:09:14. > :09:20.Were they taken away from their parents? Yes.
:09:20. > :09:25.Forever? I didn't meet them, but they weren't, they were put under a
:09:25. > :09:28.form of guardianship, they were made wards of the court by the
:09:28. > :09:32.Province of Ontario and they were raised by a doctor and nurses and
:09:32. > :09:37.the doctors and the nurses were getting in on the acand were
:09:37. > :09:41.starting to rent them out. They built a stand, 6,000 people a day
:09:41. > :09:50.were coming on an observation platform to look at them.
:09:50. > :09:55.Kelly, we were explaining how diverse this show was. I'm so sad
:09:55. > :10:00.for these kids. They have to be really messed up to take their
:10:00. > :10:04.children away. We are moving on to farming now.
:10:04. > :10:09.Our dairy farmers... That's a quick emotional change.
:10:09. > :10:13.Texas is not the only weird place! This topic will get you going
:10:13. > :10:18.because our dairy farmers are being paid less and less for their milk
:10:19. > :10:23.so they are having to turn to any means possible to survive.
:10:23. > :10:30.Simon Boazman has been to meet a man with a secret weapon.
:10:30. > :10:34.It is aam and it is milking time for Somerset's 150,000 dairy cows,
:10:34. > :10:39.but for most farmers that means an early start and hours of work, for
:10:39. > :10:43.some, the day starts in a more leisurely fashion. This looks like
:10:43. > :10:48.an ordinary cow shed, but it has a secret weapon that will help the
:10:48. > :10:53.farmer here succeed in the highly competitive world of milk. It is
:10:53. > :11:03.milking time, but there is not a soul about, because on this farm,
:11:03. > :11:04.
:11:04. > :11:08.the cows are milked by robots! It will pick up the teet co-
:11:08. > :11:11.ordinate. It is a laser guided milking
:11:11. > :11:15.system? Yes. The cows milk themselves.
:11:16. > :11:20.Electronic tags in their collars tell the robot if the cow has been
:11:20. > :11:28.mill milked and will allow access through the gate. A robotic arm
:11:28. > :11:33.swings into action, before lasers guide the suction cups on to the
:11:34. > :11:39.teets. How much more efficient is it? Now we milk three times a day
:11:39. > :11:44.without getting involved with the milking. We are producing more milk
:11:44. > :11:47.from each cow than before. Which is good news, as the price
:11:47. > :11:51.paid to farmers for milk has been cut by around a penny a pint.
:11:51. > :11:56.Whilst it may not sound like a lot, to the average dairy farmer
:11:56. > :12:01.producing a couple of million pints a year, that's �20,000 off their
:12:01. > :12:05.bottom line. Now the price farmers are paid for milk is determined by
:12:05. > :12:09.international markets and currently farmers in other countries are
:12:09. > :12:15.producing way too much. The average price paid for a pint of milk in
:12:15. > :12:22.the UK shops is 32 pence. 11 pence which is a third, about say around
:12:22. > :12:32.that much, goes to the retailer. Sixpence, about that much, goes to
:12:32. > :12:34.
:12:34. > :12:38.the processor and the rest, 15 pence, that goes to the farmer.
:12:38. > :12:43.Dr Jane Guise runs England's largest agricultural show.
:12:43. > :12:46.Do you think the retailers are paying a fair price for the milk?
:12:46. > :12:51.Retailers will only pay a global market price and the global market
:12:51. > :12:56.price is low. It is not fair as far as the primary producer is
:12:56. > :12:59.concerned. Do we need to pay more? It seems
:12:59. > :13:04.weird that people will pay as much for a bottle of water than milk.
:13:05. > :13:08.This is full of protein and calcium. This is just water. Is there a
:13:08. > :13:16.danger that we will lose small farms because of the pressure on
:13:16. > :13:21.dairy farmers? There is that danger, yes and that would be a tragedy.
:13:21. > :13:26.Gorge is one of those -- George is one of the smaller dairy farmers
:13:26. > :13:33.with a herd of 80 milk cows. George gets up at 4am every morning and
:13:33. > :13:42.spends three hours milking his 80 Friesian cows.
:13:42. > :13:48.Simon, this is our mobile milk unit. Do you stroke her first? I will
:13:48. > :13:51.always be gentle with a lady. He is finding it harder and harder
:13:51. > :13:56.to make a living. The feed prices are increasing.
:13:56. > :14:00.Milk prices are decreasing. Where does it stop? George is
:14:00. > :14:05.thinking about get agro botic system in-- robotic system
:14:05. > :14:09.installed. How will it make you more efficient? It will make us
:14:09. > :14:12.more labour efficient. Allow us to be more feed efficient and reduce
:14:12. > :14:16.vets bills and that combined will allow us to make a profitable
:14:16. > :14:19.living. The processors that buy the milk
:14:19. > :14:23.say they are react to go market conditions and the low prices in
:14:23. > :14:27.the shops mean they are also taking losses. Last month, the Government
:14:27. > :14:37.introduced plans to bring in a watchdog to stop retailers having
:14:37. > :14:38.
:14:38. > :14:43.too much power in setting low prices. It will cost �500,000 with
:14:43. > :14:46.the robots and the sheds. After capital outlay, any profit we might
:14:46. > :14:56.make, the supermarkets and retailers will take it from you and
:14:56. > :15:04.My brother-in-law is a dairy farmer and I don't know anybody that works
:15:04. > :15:09.harder. And are you lactose intolerant, Kelly? I was wondering
:15:09. > :15:14.how you transition and that was nice! Let's talk about American
:15:14. > :15:20.idol, which you won in 2002, the most successful winner of a talent
:15:20. > :15:24.show. Was your experience all good? I don't think any experience is all
:15:24. > :15:29.good because then you do not learn anything. It was great for me to
:15:29. > :15:34.start off that way, for my career, because I will never do anything
:15:34. > :15:39.like that. That schedule was hard core. We were the first season, so
:15:39. > :15:48.we did not really know. They have been so many reality shows since
:15:48. > :15:53.then. And there are so many artists. In America there are four or 5.
:15:53. > :15:57.Shows on TV? Artists in the charts that have come off the back of
:15:57. > :16:03.these. Do you think it has diluted what you managed to achieve from
:16:03. > :16:07.that first show? No, I think everyone is different. It is supply
:16:07. > :16:11.and demand. People love to watch those shows and people love
:16:11. > :16:15.investing in the artist and getting to know them before the music. It
:16:15. > :16:19.is kind of genius in the sense that you get famous before you even have
:16:20. > :16:23.an album. There are so many winners and you only hear from so many of
:16:23. > :16:27.them, so it is really what you take with that 15 minutes and how hard
:16:27. > :16:32.you are willing to work for it. is interesting to get the fan base
:16:32. > :16:42.first. It is genius. You have had some blinding albums since. Let's
:16:42. > :16:44.have a listen to your new single. # Everybody's got a dark side.
:16:44. > :16:47.# Do you love me? # Can you love mine?
:16:47. > :16:57.# Nobody's a picture perfect. # But we're worth it.
:16:57. > :17:00.
:17:00. > :17:04.# You know that we're worth it. Another belter. Dark Side, your
:17:04. > :17:09.brand new single. I love it. They did not write that song, but as
:17:09. > :17:15.soon as it was pitched to me I was like, I am going to need that for
:17:15. > :17:19.my album! I love it. You have got the style of this modern power
:17:19. > :17:27.ballad that comes from deep within. Where does that come from in you?
:17:27. > :17:31.like a lot of powerhouse, Annie Lennox, all those girls that do
:17:31. > :17:41.that kind of stuff. I probably exceeded it because I am slightly
:17:41. > :17:42.
:17:42. > :17:46.in a way imitating it. You are not that old. I am 30, told to some and
:17:46. > :17:50.young to others depending on who you ask. We have describe yourself
:17:50. > :17:55.as the Queen of break-up, which you are, let me tell you. Everybody
:17:55. > :17:59.describe me as that for years. I was like, well, I guess. That album
:17:59. > :18:03.was stuck in my car because I listened to it so much and I went
:18:03. > :18:07.through many break-ups. Every time somebody tells me they love my
:18:07. > :18:12.record I am sorry because they must be going through something! It is
:18:12. > :18:16.fine. It is therapeutic for me to get it out like that. Now you are
:18:17. > :18:20.happier in your relationship. What is going to happen? Everything is
:18:20. > :18:25.happy that is coming out of May. I either have to go get someone else
:18:25. > :18:30.to write my music, or I have to start singing Happy stuff for you
:18:31. > :18:35.all. Try it! Think of your favourite songs, they are probably
:18:35. > :18:41.not happy ones. You are probably right. I think we gravitate towards
:18:41. > :18:44.that. We are glad you are happy and Dark Side is amazing. In the run-up
:18:44. > :18:48.to the Olympics, British athletes are doing everything they can to
:18:49. > :18:55.improve their chances. Some are even changing the very air that
:18:56. > :18:59.they breed. Michael Mosley explains. -- that they breathe. For decades,
:18:59. > :19:04.runners from East Africa have been taking home gold from the Olympics.
:19:04. > :19:09.They have dominated middle and long-distance running. So what is
:19:09. > :19:14.the secret of their success? Dedication, training, natural
:19:14. > :19:18.ability. But some people believe it is also down to the air that they
:19:18. > :19:23.breathe. That the successful runners from East Africa all hail
:19:23. > :19:29.from around the famous Rift Valley. They never over 2000 metres above
:19:29. > :19:33.sea level. At such altitude there is less oxygen in every gulp of air.
:19:33. > :19:38.So what advantages could athletes get from living at such heights?
:19:38. > :19:43.Helen Clitheroe from Preston is the European 3000 metres champion, and
:19:43. > :19:48.a medal hopeful this summer. Like many UK athletes, she has been
:19:48. > :19:52.training in the Kenyan Highlands as part of her Olympic preparations.
:19:53. > :19:56.Why do you do it? When you come back home after being at altitude,
:19:56. > :20:02.the thing you notice the most is that you can suddenly chip along at
:20:02. > :20:07.a decent pace without breathing so hard. Our bodies respond to high
:20:07. > :20:14.altitude in an ingenious way. No oxygen triggers the production of
:20:14. > :20:18.more red blood cells. That allows us to carries a limited oxygen
:20:18. > :20:23.around the body better. The theory goes that at sea level the increase
:20:23. > :20:27.in red blood cells carries oxygen to your working muscles more
:20:27. > :20:31.efficiently. I have noticed a massive difference. I have had
:20:31. > :20:37.personal bests at the 3000 metres and I have won my first major
:20:37. > :20:41.championships, at the age of 37. That is quite something! Many
:20:41. > :20:45.athletes and sports scientists swear by altitude training. To
:20:45. > :20:51.experience what it is like I have come to Manchester Metropolitan
:20:51. > :20:57.University. This chamber has the same oxygen levels as you would
:20:57. > :21:04.find at 2700 metres. 25% less than at sea level. I am feeling it now
:21:04. > :21:11.in the chest. I am feeling what I imagine it must be like to be
:21:11. > :21:20.asthmatic. Rye at altitude before you are acclimatised is really hard.
:21:20. > :21:23.-- running at altitude. Gosh! That was painful, very difficult in fact.
:21:23. > :21:28.Completely different to going for a normal run when you feel it in your
:21:28. > :21:33.legs. It was burning in my lungs. And it is not just me. Until they
:21:34. > :21:42.have adjusted, top athletes cannot train so intensively at altitude.
:21:42. > :21:45.When they return to sea level, their fitness can suffer. I can
:21:45. > :21:51.feel my breakfast! Helen Clitheroe has turned to technology for help.
:21:51. > :21:55.It allows her to train at sea level, while still living the high life.
:21:55. > :22:03.Around her bed, she has set up an oxygen tent that mimics the effect
:22:03. > :22:08.of high altitude. I will close it to keep the nasty oxidant out. Air
:22:08. > :22:13.containing low oxygen levels is pumped into the tent while she
:22:13. > :22:17.sleeps. And it gives you a blast every so often? I can see that in
:22:17. > :22:22.summer it would be nice. You need it because it gets sweaty in here.
:22:22. > :22:27.What does your husband make of it? He wears earplugs but I have got
:22:27. > :22:31.used to the noise. Helen seems to have found a combination that works
:22:31. > :22:35.for her. She sleeps at a low oxygen level, which is good for her red
:22:35. > :22:41.blood cells, but at the same time she trains during the day down here
:22:41. > :22:46.in Preston, where she can really push herself hard. And like cannon,
:22:46. > :22:55.many other UK athletes have adopted this trainer low sleep high
:22:55. > :23:00.strategy, in the hope that it will need them up to Olympic glory. --
:23:00. > :23:07.lead them to Olympic glory. You're completely bemused by that.
:23:07. > :23:11.Bewildered would be the word! sure her husband last sleeping in a
:23:11. > :23:16.plastic tent! From Olympic heroes to brave heroes on your estate.
:23:16. > :23:20.Later this year the BBC will host the first ever 999 awards,
:23:20. > :23:30.honouring members of the emergency services who put their lives at
:23:30. > :23:35.
:23:35. > :23:41.risk to save others. And we have been given our very own 999 if you
:23:41. > :23:45.know -- we have been given our very own 999 award. If you know somebody
:23:45. > :23:50.that has done very well in their job, please nominate them. The
:23:50. > :23:55.closing date is midnight on June 29th. After the Jubilee concert, it
:23:55. > :24:02.is obvious how much music can unite people. If you need further proof,
:24:02. > :24:06.Carrie Grant has got it. In the arena of classical music,
:24:06. > :24:10.Charles Hazlewood is a world- renowned conductor. But recently,
:24:10. > :24:14.he has been rehearsing with a different kind of orchestra, the
:24:14. > :24:18.British para-orchestra. It is the world's first made up entirely of
:24:18. > :24:22.disabled musicians. Today is the first time they have all come
:24:22. > :24:29.together as an orchestra to play. Let's see how they are getting on.
:24:29. > :24:37.How is it going? Excited beyond belief. I am loving it. Can I join
:24:37. > :24:40.in? That depends how good you are. People look at the Paralympics, and
:24:40. > :24:45.thinking what an incredible thing it is. I thought that sport was
:24:45. > :24:50.universal but music is much more so, so where are the platforms were
:24:50. > :24:53.musicians with a disability? When there are disabled projects, we
:24:53. > :24:57.think it is nice and warm and fluffy, but that is not what this
:24:57. > :25:03.is. This is world class music making. One of the first musicians
:25:04. > :25:10.to come on board was Clarence, a hugely talented trumpet player. He
:25:10. > :25:13.performed with Judge prodigy Courtney Pine. When he was that
:25:13. > :25:19.paralysed in 1995, he did not know if he could perform again. But he
:25:19. > :25:23.was introduced to an inventor. thought from a previous technical
:25:23. > :25:28.experience that I could find a way so that he could play music again.
:25:28. > :25:34.I did some research and I found I had said that uses ultrasound, with
:25:34. > :25:38.which she can control a mouse on a computer screen. -- he can control.
:25:38. > :25:43.And there is a little glow switch with which you can click the mouse.
:25:43. > :25:48.It is like a software instrument with many different abilities.
:25:48. > :25:55.can simulate an orchestra, a trumpet, trombone. Many things. It
:25:55. > :25:59.just depends what, in this situation with this orchestra, what
:25:59. > :26:04.they need from me as to what I contribute. I will play music and
:26:04. > :26:13.the release that gives me and the joy and a passion and the emotions
:26:13. > :26:18.from playing, that is an incredible joy for me. Lute player Matt
:26:18. > :26:22.Wadsworth has been blind since birth. Do you think there is any
:26:22. > :26:25.advantage in music not having your eyesight? I am so glad not to have
:26:25. > :26:29.the distraction of having to look at the printed page or being
:26:29. > :26:34.distracted by somebody reading their programme on the front row of
:26:34. > :26:38.the audience. He has never let his disability hold him back. The funny
:26:38. > :26:42.part of my life, I rode a motorcycle as a child, as obsessed
:26:42. > :26:47.with that as I was as a child. But last year I trained to do a long-
:26:47. > :26:52.distance motorcycle event and I did OK. I went 70 feet. Some people
:26:52. > :26:56.would say that is just a little bit crazy. I think you have to push the
:26:56. > :27:00.boundaries in life. I like living that way, why you do not let things
:27:00. > :27:05.get in your way, but you see things as a challenge rather than an
:27:05. > :27:12.obstacle. As extraordinary as this experience has been for me, Charles
:27:13. > :27:17.Baynes it is only the beginning. And calling it the British
:27:17. > :27:24.orchestra because I hope it will be the first of many. This has to be
:27:24. > :27:29.the future. The software that Clarence had was
:27:29. > :27:33.amazing. Thank you for joining us, Charles. Where did you get the
:27:33. > :27:37.inspiration? The youngest of my children, my daughter, was born
:27:37. > :27:41.with cerebral palsy. Aside from the fact that she is amazing to have
:27:41. > :27:45.around, she has introduced me to the disabled community, which was
:27:45. > :27:50.invisible to me before. As a musician conducting orchestra's,
:27:50. > :27:55.how many disabled musicians do I find? Virtually none. It was time
:27:55. > :28:01.to do something about it. When are you on the road? An orchestra only
:28:01. > :28:03.ever has one debut and it is so exciting, and it is on the 1st July
:28:03. > :28:08.in Somerset in a field in the grounds of Glastonbury Abbey. We
:28:08. > :28:12.want everyone to support us there. We heard you play earlier. How did
:28:12. > :28:17.you learn to play with your left hand? I came to the piano really
:28:17. > :28:21.late, actually, when I was 14. It was a friend of mine, an
:28:21. > :28:24.accomplished pianist, and I heard her playing and I thought that was
:28:24. > :28:30.what I had to do. Playing one- handed, do you have to play twice
:28:30. > :28:33.the speed? It is more virtuoso because it is cleverly written. I
:28:33. > :28:38.cannot really take all of the credit. You have to encompass the
:28:38. > :28:42.whole piano. You are going to play for us in just a second. But
:28:42. > :28:47.firstly, thank you for coming in. And thank you to Kelly as well.