:00:24. > :00:29.with Alex Jones and Matt Baker. years ago, our guests created a
:00:29. > :00:34.monster. A man so inept, bigoted and egocentric that he could only be a
:00:34. > :00:40.television presenter. It is time to dig out your best sports casuals and
:00:40. > :00:46.tune your dial to North Norfolk Digital. Alan Partridge is back.
:00:47. > :00:54.am one of the more senior district is at this station. I should snap my
:00:54. > :01:04.heels together. Silence! Please welcome the person behind the
:01:04. > :01:11.Partridge, Steve Coogan. Steve... Can I say how wonderful it is to
:01:11. > :01:12.have you on the show. This would be Alan Partridge's dream job,
:01:12. > :01:19.something for everybody, light-hearted chat, answering the
:01:19. > :01:27.big questions. Absolutely, very deep, profound topics, deep waters
:01:27. > :01:31.likely skipped over. You must want to kill that they get every night!
:01:31. > :01:41.There was a time when Allen might have worn a lilac sweater, it
:01:41. > :01:45.probably would have more of a pattern on it, a golf ball. Can you
:01:45. > :01:53.imagine presenting it with Alan? think he would have to present it
:01:53. > :01:56.with Alex! They wouldn't be that dissimilar! If you looked in the
:01:56. > :02:01.mirror, you would not see Alan Partridge but unfortunately I do
:02:01. > :02:08.every morning. As well as talking about your new film, the Ashes might
:02:08. > :02:12.be in the bag but Tuffers has a far more important contest to deal with.
:02:12. > :02:18.We have whittled 700 entries for One Show art competition down to just
:02:18. > :02:23.four finalists. We are keeping them secret but they will be unmasked
:02:23. > :02:26.later. A survey out today suggests 62% of us don't get on with our
:02:26. > :02:31.neighbours and messy gardens are one of the top five reasons. Tony
:02:32. > :02:36.Livesey has joined one team tackling the front garden rubbish dumpers.
:02:36. > :02:40.Stephen Moore to Nan Rebecca Williams work for Leeds council. --
:02:40. > :02:46.Stephen Norton and Rebecca Williams. They are on a mission to clean up
:02:46. > :02:49.some of the city 's rubbish. The council spends up to �8 million
:02:49. > :02:52.every year to clean up the city but this task force is not only cleaning
:02:53. > :03:01.the rubbish in the streets, it is targeting the rubbish in our own
:03:01. > :03:04.backyards. You have 28 days to get rid of it. If people are keeping the
:03:04. > :03:08.gardens in a really unreasonable state, we will take action.
:03:08. > :03:13.Everybody had a responsibly key to keep it clean and tidy. How does it
:03:13. > :03:18.save you money once they have tidied up? The officers pay for themselves
:03:18. > :03:22.in terms of keeping the budget is under control. We educate and try to
:03:22. > :03:26.work with people and those measures are starting to get across. There is
:03:26. > :03:33.no legal requirement for anybody to keep a manicured lawn but where
:03:33. > :03:37.there is a health risk, action can be taken. We are offering crime and
:03:37. > :03:42.punishment but I have to say I am uncomfortable. My job is to peep
:03:42. > :03:50.into people's gardens, poke into their rubbish. I am not sure what we
:03:50. > :04:00.will find or what reaction we will get. Here goes. While on patrol, we
:04:00. > :04:04.
:04:04. > :04:10.have spotted a waste filled garden home, but then our own shows up.
:04:10. > :04:16.This is regarding the waste in your garden. I have to go to the tip on
:04:16. > :04:25.Wednesdays and Fridays. I wanted to ask what was going on. This will be
:04:25. > :04:28.on the watch it now? Yes. If he says what -- does what he is saying he
:04:28. > :04:34.will do, we will thank him but if not we will go down the Forstmann
:04:34. > :04:43.route. We don't have to walk far to find a bigger problem. This is an
:04:43. > :04:47.ongoing issue that we have got. amazes me that nobody has run you.
:04:47. > :04:54.That is what we are talking about, being proactive, we are asking them,
:04:54. > :04:58.if they come across that sort of thing, to get in contact with us.
:04:58. > :05:02.Leeds is one of a handful of councils taking proactive approach,
:05:02. > :05:07.where officers look for mess whether neighbours complain or not. Last
:05:07. > :05:14.year Leeds council served up 850 clean up notices and the threat of a
:05:14. > :05:18.�100 fine was enough to persuade people to tidy up their act. Dealing
:05:18. > :05:24.some householders have the right to say, get off my land, it is my
:05:24. > :05:27.garden, I can do what I want -- do you think? It is their land but we
:05:27. > :05:32.have to enforce the environment to laws and if it is on their land,
:05:32. > :05:37.they have the duty to remove it. come across another pile of rubbish
:05:37. > :05:45.and the first job is to find out who might have dumped it. You have to be
:05:45. > :05:50.careful, you don't know what you might find. A prescription.We can
:05:50. > :06:00.check and put the name on the system. People won't think about
:06:00. > :06:03.
:06:03. > :06:08.mouse droppings. I tell you what, they have got a really tough job.
:06:08. > :06:15.Look up the mess you are causing. It is unfair. Presumably we don't leave
:06:15. > :06:18.this stuff. Of course not, we are going to put a sign on to let the
:06:18. > :06:25.residents know that we have found evidence and we are going to get it
:06:25. > :06:31.removed as quick as possible. kind of things have you seen?
:06:31. > :06:37.throwing nappies out of the window into the garden. Used nappies. They
:06:37. > :06:40.have gone splat. I started today thinking it wasn't right to sleep in
:06:40. > :06:44.people's gardens but after some of the rot I have seen, I think they
:06:44. > :06:49.are right to clean it up. Before the day is out I get to witness their
:06:49. > :06:55.proactive approach working. Look at this. We have to remember the Ben
:06:55. > :07:00.Nevis of rubbish, they are moving it away. It is a rubbish miracle. And
:07:00. > :07:04.this street will sleep a lot tighter tonight.
:07:04. > :07:09.I wasn't even aware that that happened. It is a shame they didn't
:07:09. > :07:14.come by where I live because my next-door neighbour had a 3-piece
:07:14. > :07:21.old bathroom suite in his garden and an upside-down sofa. I must get rid
:07:21. > :07:26.of the fridge in front of mine! eagerly awaited Alan Partridge film,
:07:26. > :07:31.Alpha Papa, is out tomorrow. Alan Partridge is a lot of things but a
:07:31. > :07:35.movie star? Where did that idea come from? We were talking about it a
:07:35. > :07:41.long time ago. We stopped doing Alan Partridge in about 2001. We left a
:07:41. > :07:46.nine-year gap. I discovered these two new writers, Rob and Neal
:07:47. > :07:52.Gibbons, who are twins, and they injected a new impetus and refreshed
:07:52. > :07:57.the character. We said we would do a film at certain point, it has all
:07:57. > :08:02.been fraught problems, because you don't want to disappoint people when
:08:02. > :08:05.their expectations are so high. It is a tall order and you have got to
:08:05. > :08:11.get it right. Traditionally when they take British sitcoms make them
:08:11. > :08:19.into films, they will take the characters abroad. They always go on
:08:19. > :08:27.holiday and it is very unfunny! ideas did you throw out? We had the
:08:27. > :08:32.idea at one point of him being in a siege by terrorists, Al-Qaeda
:08:33. > :08:39.terrorists at the BBC. We thought it might be a bit too... It might give
:08:39. > :08:42.people ideas so we decided to avoid that. We wanted to keep it... The
:08:42. > :08:45.problem is trying to keep the essence of the character of the
:08:45. > :08:50.people who know him and making it work for people who don't know the
:08:50. > :08:56.character. You can see the film and not know who he is. The problem is
:08:56. > :09:03.if you try to make its cinematic and keep the DNA of Alan. He is a
:09:03. > :09:06.medium-sized man in a small world. It is a big world in this movie. He
:09:06. > :09:12.ends up in the middle of a siege and we will have a quick look at how
:09:12. > :09:16.Alan deals with the police briefing. Do you suffer from nervous
:09:16. > :09:21.conditions, panic attacks? Do I look like I suffer from panic attacks? I
:09:21. > :09:27.have had one Alnwick attack in a car wash. It was a perfect storm of note
:09:27. > :09:33.sleep, no wife and -- one panic attack in a car wash. It was a
:09:33. > :09:39.perfect storm of no sleep, no wife and angry brushes whirring towards
:09:39. > :09:48.me. I have fired several rivals but I have never fired one in anger, or
:09:48. > :09:52.at a cat. What could be quite a serious situation, Alan bizarrely
:09:52. > :10:01.thinks of it as all of his Christmas is coming at once and he enjoys the
:10:01. > :10:07.attention. Yes. Although he is middle-aged, bit like me, he is very
:10:07. > :10:10.happy running his North Norfolk Digital radio station in Norwich.
:10:10. > :10:14.But he still harbours the idea of making a big comeback and then the
:10:14. > :10:18.siege happens, the world's media focused on this little radio station
:10:18. > :10:23.and he sees it as an opportunity to relaunch his career and grab the
:10:23. > :10:29.headlines try to get in of the cameras. Do you find you have more
:10:29. > :10:32.in common with him than you used to, playing him at a young age? All the
:10:32. > :10:40.things I am scared of saying, I have him say out loud. It is all your
:10:40. > :10:44.worst fears. Sometimes, most people might think something very
:10:44. > :10:48.inappropriate, but you don't say it. You edit yourself. With Alan, you
:10:48. > :10:53.say the first thing that comes into your head. The idea was based on not
:10:53. > :10:57.very good television presenters like yourself, but some of the below
:10:57. > :11:00.average ones, shall we say? Where when you are broadcasting, the one
:11:00. > :11:07.thing is you are not allowed to do is stop talking, all leave a dead
:11:07. > :11:12.air. If I stopped talking now, people might change Channel 4 stub
:11:12. > :11:22.you have always got to keep talking. Sometimes your brain is playing
:11:22. > :11:25.
:11:25. > :11:31.in 20 years. When we did the television show I have used make up
:11:31. > :11:36.to give me crows feet but I have now acquired them. I thought you were
:11:36. > :11:41.going to say you have had work. Apart from the Botox and the
:11:41. > :11:46.collagen. The problem is if you do the make up on the big screen, it
:11:46. > :11:50.can look pantomime like and over the top. When you do a character on the
:11:50. > :11:54.big screen, you have to slightly modify the character. He can't be
:11:54. > :11:57.too obnoxious, you have to give him some empathy and make him a little
:11:57. > :12:04.more real. He is still a clown but you have got to make him
:12:04. > :12:10.believable. And I am 47, Alan Partridge is 55. He should be 57 but
:12:10. > :12:15.we thought... I am catching up with him, basically. When I am about 65
:12:15. > :12:19.we will be the same age. It is a brilliant form and Alan Partridge:
:12:19. > :12:25.Alpha Papa is in cinemas from tomorrow. It is nearly time to
:12:25. > :12:29.reveal the four finalists in The One Show art competition. Tuffers and
:12:29. > :12:34.the judges had some hard decisions to make.
:12:34. > :12:38.In June we launched The One Show art competition 2013, to celebrate the
:12:38. > :12:45.young song amateur artists out there. We were overwhelmed by the
:12:45. > :12:52.response and received over 700 entries -- the unsung amateur
:12:52. > :13:02.artists. We invited viewers to send images which represent the theme,
:13:02. > :13:06.where I live. You sent paintings and drawings in all manner of mediums.
:13:06. > :13:10.The entries were whittled down to a short list of 24. The next stage of
:13:10. > :13:18.the contest is to take four through to the final. It is not going to be
:13:18. > :13:23.easy. But help is at hand. Joining me today are three judges. I like
:13:23. > :13:28.the humour, it is or is nice when humour is injected. Michael Simpson
:13:28. > :13:35.is it creator at the Lowry in Salford and he is interested in
:13:35. > :13:39.modern art. Mina more aid is also a traitor and specialises at the
:13:39. > :13:45.National Gallery of London. The third judge is aid the fashion
:13:45. > :13:48.artist and master of many painting styles. -- is a professional artist.
:13:48. > :13:54.I like the quirkiness, the odd perspective, the strange point of
:13:54. > :13:59.view. 24 very different interpretations of the brief, where
:13:59. > :14:04.I live. There is only room for four in the final. Time to get Syria's.
:14:04. > :14:09.Michael, all amateur artists is on display here, first impressions? --
:14:09. > :14:13.time to get serious. You would not know a lot of the work is by amateur
:14:13. > :14:17.artists. There is a lot of personality and confidence. You want
:14:17. > :14:21.a work of art that grabs you and stops you in your tracks and makes
:14:21. > :14:25.you look again and a number of these do that. How have they interpreted
:14:25. > :14:32.the brief? They have all got into the spirit of what has been asked
:14:32. > :14:38.and they have done it very well. This bold, abstract work, it is full
:14:38. > :14:46.of paint. It is a staircase going up, it is a strong work. It doesn't
:14:46. > :14:53.push my buttons, I am afraid. It is a bit too messy. You quite like this
:14:53. > :14:59.one, don't you? It is a charming portrait of someone's grandpa and I
:15:00. > :15:07.love the way he is standing in a very informal way in the corner.
:15:07. > :15:11.would be proud if I had done this myself. The next one, where is this?
:15:11. > :15:15.This is on the Orkney Islands. A great place, I have been there. What
:15:15. > :15:19.I love about this painting is the energy of the weather that has been
:15:19. > :15:22.captured beautifully. The real nature of this place, you can feel
:15:22. > :15:30.the wind on your cheeks and the sound of crashed waves. It is really
:15:30. > :15:36.good. This is the second grandfather in
:15:36. > :15:40.the competition. What do you think? I love the way it is larger than
:15:40. > :15:46.life. It is bigger than a human head. I love his big ear, the
:15:46. > :15:51.pinkish touches on his cheek and chin, and the bushy eyebrows. It is
:15:51. > :15:56.a sympathetic portrait of someone that the artist loves. I get a real
:15:57. > :16:04.sense of the person. It is done well, but almost a bit too obsessed
:16:04. > :16:12.with detail. But it is still a smashing portrait. I have a soft
:16:12. > :16:17.spot for. . This is everybody's next door neighbour. It is about the
:16:17. > :16:20.location you live in, but it is also about the people who's around you.
:16:20. > :16:26.You don't get many paintings of knickers in these sorts of
:16:26. > :16:30.exhibitions, so that makes this special. What else is a favourite?
:16:30. > :16:35.This work is Afternoon Sail: Falmouth Harbour. It is using
:16:35. > :16:45.embroidery almost in the same way you would use Ansel. I think it is
:16:45. > :16:58.
:16:58. > :17:05.tougher than they expected. Tuffers is here now. There was lots
:17:05. > :17:09.of squabbling between the judges. New ways to interpret the theme. It
:17:09. > :17:16.was fantastic. The standard was very high. Do you think you have got the
:17:16. > :17:21.right four? Yes. Steve, revealed the first of the finalists. Artist
:17:21. > :17:28.number one is Kerrie Renniegade will stop her paintings entitled Pappy,
:17:28. > :17:33.and it is a portrait of her 79-year-old grandfather, Henry.
:17:33. > :17:39.judges loved the loose, expressive style, and they thought the painting
:17:39. > :17:43.had real peasants. Look at those eyes. Kerrie, why did you choose to
:17:43. > :17:52.have your grandad represent where you live? I grandad lives across the
:17:52. > :17:59.road from me. He loves it! You can see the family resemblance. Steve,
:17:59. > :18:06.number two? Artist number two is Hannah Farley. Her work is called
:18:06. > :18:12.Afternoon Sail: Falmouth Harbour and is drawn on handmade paper using a
:18:12. > :18:19.sewing machine stitch. The judges loved the different take on drawing.
:18:19. > :18:24.Very textural, and exquisite drawing. It is very different to the
:18:24. > :18:29.others. Why did you choose to use different textures? While, I am a
:18:29. > :18:35.textile artist, so I use lots of textures in my work. It comes
:18:35. > :18:45.naturally to use them. Where is this? It is Falmouth Harbour, where
:18:45. > :18:46.
:18:46. > :18:56.we go every year. Let's go onto finalist number three. The artist is
:18:56. > :19:00.Brian. His entry is a drawing of his older brother Alexander. The judges
:19:00. > :19:05.said this was technically very strong, old, with a powerful sense
:19:05. > :19:15.of character. And the detail is amazing. Brian, your brother is very
:19:15. > :19:16.
:19:16. > :19:21.handsome. What did he make of it? think he likes it. And why did you
:19:21. > :19:30.choose your brother to represent where you live? I always associate
:19:31. > :19:36.it with my family. And the last one, Steve? The last finalist is Lucy
:19:36. > :19:40.Howard from Taunton in Somerset. Her entry is an acrylic painting called
:19:40. > :19:48.Roast, which shows her and her dog getting Sunday dinner ready in the
:19:48. > :19:53.kitchen. The judges loved the humour and energy of the painting, and they
:19:54. > :19:59.said it had a real sense of place. It is Sunday afternoon. Lucy, is
:19:59. > :20:09.your kitchen read in real life? but it did not look right for the
:20:09. > :20:11.
:20:11. > :20:15.picture. Artistic licence. Congratulations to all four of our
:20:15. > :20:21.artists. One of them will be crowned the One Show art competition winner
:20:21. > :20:27.next Wednesday, when a real Rolling Stone, Ronnie Wood, will judge the
:20:27. > :20:32.final. But it is not over yet. They must create a new piece of artwork.
:20:32. > :20:38.This time, the theme is summer in Britain. You have only got a week to
:20:38. > :20:43.do it, and the verdict will be delivered next Wednesday. Steve here
:20:43. > :20:49.is not the only person to hit the big-time by creating famous alter
:20:49. > :20:53.ego is. Take, for example, Lobsang Rampa, the mysterious mock monk.
:20:53. > :20:58.think Alan would call this film I Can't Believe It's Not Buddha.
:20:58. > :21:03.Today, thousands of written is have embraced Tibetan culture and its
:21:03. > :21:08.distro religion, but in the 1950s, few had even heard of Tibet. That
:21:08. > :21:11.was all to change when a Tibetan lama arrived in London with a
:21:11. > :21:18.remarkable life story he wanted to publish. The manuscript he brought
:21:18. > :21:21.with him was called the third I. The author was Lobsang Rampa, or was it?
:21:22. > :21:29.Sometimes, the truth is stranger than fiction, but sometimes the
:21:29. > :21:32.fiction is stranger still. I am a Tibetan, one of the few who have
:21:32. > :21:40.reached this strange western world. The golden roofs and domes deemed in
:21:40. > :21:45.the brilliant sunshine. Closer... is a wonderful tale written by a
:21:45. > :21:50.Tibetan about his life in Tibet. He became a lama at the age of six. He
:21:50. > :21:56.had gone into a monastery, and he had gone through the process of
:21:56. > :22:00.initiation which had given him a third I. An operation had been
:22:00. > :22:03.conducted and a whole had been drilled between his two eyes. As a
:22:03. > :22:08.result, you could see the ore is that everybody had. The story opened
:22:08. > :22:11.a window on a hidden world, but when the publishers asked the feud
:22:11. > :22:15.Tibetan scholars in Britain at the time to check its authenticity, the
:22:15. > :22:19.lifestyle of this Lobsang Rampa seemed full of inconsistencies. They
:22:19. > :22:23.suspected he had never even been to debate. The publishers tried to
:22:23. > :22:28.persuade Lobsang Rampa to let them publish the third eye as a work of
:22:28. > :22:31.fiction. But he declined and left the building in a huff. True or not,
:22:31. > :22:37.they sensed that here was something that would levitate naturally and
:22:37. > :22:41.fly off the shelves. They decided to publish all the same. Publishers are
:22:41. > :22:49.not the Reading police. They are not there to say what is or is not
:22:49. > :22:52.true. This book had a market. It was accessible and easy to read about
:22:52. > :22:57.Tibetan Buddhism. It gave a lot of people an introduction into an area
:22:57. > :23:03.of the world they were interested in. Everest was climbed in 1953.
:23:03. > :23:07.People were interested in the area, but there was not information.
:23:07. > :23:12.British public loved it, and within 18 months, 300,000 copies had been
:23:12. > :23:16.sold. But the Tibetan scholars who declared the autobiography a fake
:23:16. > :23:19.were still convinced that the author was not really said he was, so hired
:23:19. > :23:26.a private detective, Clifford Burgess, to investigate Lobsang
:23:26. > :23:34.Rampa. But if he was not a Tibetan Lama, who was he? The detective
:23:34. > :23:38.revealed that Lobsang Rampa was in fact one Henry Hoskins, a plumber's
:23:38. > :23:44.son from Devon. Unable to prove he really was Tibetan, Lobsang Rampa,
:23:44. > :23:48.AKA Cyril, fled for island and then Canada, where he continued to write
:23:48. > :23:52.books including one offering an unusual explanation for his western
:23:52. > :23:55.ancestry. The author claimed that a few years earlier, he had fallen out
:23:55. > :24:00.of a tree and suffered from concussion. When he regained his
:24:00. > :24:04.senses, he was no longer Cyril Hoskin, the plumber's son, his body
:24:04. > :24:10.had been taken over by the astral spirit of a Tibetan lama. Despite
:24:10. > :24:16.being exposed as Cyril, the author continued to write books as Lobsang
:24:16. > :24:20.Rampa, although the plots became even more bizarre. He is picked up
:24:20. > :24:26.by flying saucers and goes to Venus. Then he goes to the centre of the
:24:26. > :24:31.earth. His last book was the dated to him by his cat, Mrs Fifi grey
:24:31. > :24:34.whiskers. So here is a man with great imagination. Whether or not
:24:34. > :24:39.Cyril genuinely believed he was a Tibetan lama, he stuck to his story
:24:39. > :24:44.until his death in 1981. His books have inspired many, ringing Tibet to
:24:44. > :24:48.the Western world, but there were no tributes from the debate and
:24:48. > :24:53.community. The Dalai Lama had led him of fraud and he was disowned by
:24:53. > :24:59.the very people whose lives are so fascinated him. Nevertheless, the
:24:59. > :25:09.third eye remains the bestselling book ever written about Tibet. Not
:25:09. > :25:11.
:25:11. > :25:16.bad for a plumber's boy from Devon. Makes you want to read it. Well... I
:25:16. > :25:24.do, anyway. You started your career as an impressionist, as a very young
:25:24. > :25:31.lad? In the 1970s, when I grew up, there were only three channels and
:25:31. > :25:38.no computers, so TV was King. Shows like that's life would get 20
:25:39. > :25:42.million viewers. That was all there was, so you just watched TV. And
:25:42. > :25:47.there were no video recorders, so you had to remember what you had
:25:47. > :25:53.seen. If you wanted to talk about it afterwards, you had to tell people,
:25:53. > :25:59.this guy said that in this voice. So I learned to do impersonations and
:25:59. > :26:06.try and relate my favourite shows to people. I did that at school to get
:26:06. > :26:11.out of having to do any work. And it worked out well. Well, we need your
:26:11. > :26:14.help, because if you run a business and you would be happy to have the
:26:15. > :26:19.One Show cameras spend time with you and your staff, we would like to
:26:19. > :26:23.hear from you. The idea is to give some extra professional help in
:26:23. > :26:27.these tricky times, and have some fun as well. If you are interested,
:26:27. > :26:33.e-mail us. Now, if you are anywhere near
:26:33. > :26:38.Weston-super-Mare, you would be mad to miss out on our summer Festival.
:26:38. > :26:44.It kicked off today, with thousands of visitors joining in the fun.
:26:44. > :26:49.Carrie, what has been happening? have had an amazing day. The sun has
:26:49. > :26:55.shone throughout. We have had some singing going on, we have had salsa
:26:55. > :27:02.dancing and all sorts. Angellica, what have you been up to? I have had
:27:02. > :27:08.a wonderful day. I have held a snake. I was singing with you and
:27:08. > :27:11.dancing and hosting the main stage. Everyone has been so friendly.
:27:11. > :27:16.Highlight of the day? In the consumer tent, we played something
:27:16. > :27:20.called Lingo bingo, where we test all the visitors on their financial
:27:21. > :27:25.jargon. If they get a full house, they win a prize, a stick of
:27:25. > :27:30.Weston-super-Mare Rock. The BBC are pushing the boat out! Larry, what
:27:30. > :27:38.have you been up to? Competing with you all singing, all damn thing
:27:38. > :27:47.spectacular, we were singing sea shanties. I love this music. It is
:27:47. > :27:54.of course the Monty Python theme tune. The son of this area is John
:27:54. > :27:57.Cleese, born in 1939. He was six feet tall when he was 13 will stop
:27:57. > :28:04.so to commemorate his birth, we thought we would do a bit of a silly
:28:04. > :28:14.walk play out. Angellica, are you up for this? Anything silly.Lifetime
:28:14. > :28:33.
:28:33. > :28:38.ambition. Larry? Steve Coogan, this is a dream for Alan Partridge.
:28:38. > :28:42.give up the day job. The One Show Summer Festival is open all day
:28:42. > :28:46.tomorrow from 12, and we will be there on the beach tomorrow
:28:46. > :28:52.evening, live at seven o'clock. come down to beat red near the pier