:00:24. > :00:27.Hello and welcome o the one Show. With Alex Jones And Matt Baker. One
:00:27. > :00:32.year after snake hips backfliped his way across the dance floor, you
:00:32. > :00:35.will meet the 14 celebrities about to don their sequins to impress the
:00:35. > :00:45.Strictly judges. Although you mange you know who they are, nobody is
:00:45. > :00:50.
:00:50. > :01:00.official until confirmed by this Lovely to see you, Len. How are
:01:00. > :01:04.you? God to see you. Alex. yourself down. Wonderful. Nice to
:01:04. > :01:09.see you. Great. I thought the entrance was brilliant. A bit more
:01:09. > :01:15.extension in the arms though! going to do the backflip. When were
:01:15. > :01:21.you told the names then, Len? three hours ago. Can I tell you
:01:21. > :01:27.something, I'm so excited, I could pickle my walnuts, honestly. I
:01:27. > :01:35.think the line-up is fabulous! It is Absolutely Fabulous. It is good
:01:35. > :01:41.and we know who it is. To try and keep the Strictly dancers a secret,
:01:41. > :01:47.the production team give them appropriate codenames. Like last
:01:47. > :01:57.year I was cake, Baker - bake a cake. We'll meet the first four
:01:57. > :02:01.
:02:01. > :02:05.contestants, but firstly, here is As the celebrities prepare to be
:02:05. > :02:08.judged by Len on live TV, David Cameron is preparing the way for
:02:08. > :02:12.judges in our legal system to be on television too. The Prime Minister
:02:12. > :02:20.wants cameras in the courtroom, but where would that believe a very
:02:21. > :02:24.special breed of artist who call the courts their home? We've all
:02:24. > :02:27.seen the vibrant sketches of defendants in the dock, judges
:02:27. > :02:32.passing sentences and even celebrities protesting their
:02:32. > :02:37.innocence. But, what few people realise is that creating these
:02:37. > :02:41.images requires not only artistic talent, but incredible powers of
:02:41. > :02:44.recall. Courtroom artists spend most of
:02:44. > :02:48.their working lives in court waiting for the perfect moment of
:02:48. > :02:54.emotion, excitement or drama to portray. But they're not allowed to
:02:54. > :02:57.draw in court, so have to memorise every detail. With the aid of a few
:02:57. > :03:00.scribbled notes, create an accurate likeness of their subjects in time
:03:00. > :03:04.for the tough deadlines of the news bulletins.
:03:04. > :03:09.Julia is one of only a handful of courtroom artists working in the UK
:03:09. > :03:18.and has captured moments of history. From cases involving Premier League
:03:18. > :03:22.footballers to the trial of General Pinochet. How long do you have to
:03:22. > :03:26.create a piece of work? One of the most challenging ones was 10.30 in
:03:26. > :03:31.the morning, I had to have a drawing to be filmed for the 1
:03:31. > :03:35.o'clock news and into the dock filed 13 alleged hijackers. They
:03:35. > :03:38.were varying heights, some had a moustache, long hair, short hair.
:03:38. > :03:41.It's showing the differences that makes the drawing more interesting
:03:41. > :03:45.to show people what it was like in the courtroom, people who aren't
:03:45. > :03:49.able to get in there. You can use your imagination and visualise
:03:50. > :03:54.yourself sitting somewhere else in the court. I might even put myself
:03:54. > :03:57.alongside the judge and see the court from his vantage point.
:03:57. > :04:03.you ever been in a courtroom where you have had to capture the image
:04:03. > :04:07.of a famous person? Many, many times, yes. George Michael,
:04:07. > :04:12.Geoffrey Archer at his libel trial and then the purgery trial. John
:04:12. > :04:15.Terry. Quite a few footballers, sportspeople. That puts added
:04:15. > :04:18.pressure on you because everybody knows what they look like or at
:04:18. > :04:21.least have an idea of what they think they look like but I use the
:04:21. > :04:29.same approach with everybody, I want a good resemblance no matter
:04:29. > :04:33.who it is, whether it be Joe Blogs or somebody very famous. The art of
:04:33. > :04:38.courtroom sketches began with the 1925 Criminal Justice Bill which
:04:38. > :04:42.banned any images from being made in court. After 18 years as a
:04:42. > :04:45.barrister, there's not much Harry Potter QC doesn't know about
:04:45. > :04:51.British law. Harry, how did it come about that cameras aren't allowed
:04:51. > :04:57.in the courtroom? There were a succession of notorious cases from
:04:57. > :05:02.1912 until 1925 which seemed to exemplify the worst fears that the
:05:02. > :05:06.Government had of the excesses of the press, perhaps most dramatic
:05:06. > :05:12.was the trial of Seddon, a particularly notorious murderer.
:05:12. > :05:17.The judge put on the black cap and sentenced him to death. It was
:05:17. > :05:23.precisely at that point that a photograph was taken in the court.
:05:23. > :05:28.This caused quite a lot of disquiet because, of course, this was the
:05:29. > :05:33.high point of the case and the drama. Criminal cases such as those
:05:33. > :05:40.led to the Government inserting clause 41 into the Criminal Justice
:05:40. > :05:43.Act which finally came into force in December 1925. This prohibited
:05:43. > :05:48.the manufacturer of photographs and pictures, as well as the
:05:48. > :05:53.publication of them. In other words, a complete ban. Isn't it time that
:05:53. > :05:57.they allowed photographs and cameras in court now? There are
:05:57. > :06:01.fears, perhaps exemplified by the experience of America. When OJ
:06:01. > :06:07.Simpson for instance was on trial, there seemed to be a lot of history
:06:07. > :06:11.that we wouldn't expect in our court. If that sort of mode of
:06:11. > :06:16.conducting a trial came in as a result of bringing in cameras, the
:06:16. > :06:19.very dignity of the proceedings would be undermined.
:06:19. > :06:22.Introducing cameras to the courtroom would dramatically change
:06:22. > :06:27.the public face of the British legal system. In the meantime,
:06:28. > :06:36.artists like Julia are plying their trade with compassion, patience,
:06:36. > :06:40.speed and considerable artistic talent. Totally surprised to hear
:06:40. > :06:44.that those artists do it all from memory. Incredible. You spend a lot
:06:44. > :06:48.of time in America where the trials are all televised. Do you think
:06:48. > :06:54.it's a good idea? I have watched court TV and, to be honest, the
:06:54. > :06:58.majority of it is so boring because it's all the preambling. I suppose
:06:58. > :07:05.if it's a nitty-gritty and gets maybe down to the last day that can
:07:05. > :07:09.be of interest, but to have it on, it's really boring.
:07:09. > :07:12.Something that certainly isn't boring at all. All this week, we
:07:12. > :07:17.have been following David Walliams as he swims down the Thames to
:07:17. > :07:21.raise money for the Big Splash. struggled through day one so had
:07:21. > :07:26.ground to make up as he started this morning. Day two of Walliams v
:07:26. > :07:32.the thems and David's in Oxfordshire for another day's
:07:32. > :07:35.swimming. The weather's not great, but it's going all right.
:07:35. > :07:41.Despite battling torrential rain and harsh winds, he's delighted
:07:41. > :07:47.with the support he's been receiving. So cold isn't it? Yes, I
:07:47. > :07:56.wouldn't recommend it. It all seems a bit stupid now. Thanks for coming
:07:57. > :08:00.out to support me. David hoped to do 21 miles today and make up lost
:08:00. > :08:06.water and finish in Abingdon. The late sest that he should complete
:08:06. > :08:10.it by 8 o'clock tonight. He's raised �145,000 so far.
:08:10. > :08:16.That is two days down, only six to go. He needs your support. Go to
:08:16. > :08:21.the website for details on how to donate and David, you can find out
:08:21. > :08:26.where he'll be over the next week. The weather is awful. That's why
:08:26. > :08:31.he's swollen because he's so cold. Time to reveal the first four
:08:31. > :08:40.celebrities in zans, 2011. Do remember their codenames were Wasp,
:08:40. > :08:47.Twist, Queen and Star. Let's see if you guessed right. A drumming Wasp
:08:47. > :08:52.from McFly, say hello to Harry Judd. Oliver Twist's Nancy Dalol owe.
:08:52. > :09:02.Giving us a twirl codenamed Queen, she ran the Vic, Anita Dobson and
:09:02. > :09:05.
:09:06. > :09:12.Russell Grant, the Star behind you. Could that be a sign. Listen, I'm
:09:12. > :09:16.so excited about all this, I really am. I can't wait, I really am!
:09:16. > :09:21.Older contestants have done well so what do you think it is about
:09:21. > :09:27.dancing which means that all age groups can compete? I think the
:09:27. > :09:34.older celebrities, I don't think they quite go... More mature shall
:09:34. > :09:38.we say? More mature is nice. They take it for what it is, they don't
:09:38. > :09:42.get the intensity, they get great intensity with their partners and
:09:42. > :09:50.that's the thing, you know, you don't have to be fit and 23 with a
:09:50. > :09:54.six pack to do well. As much as the judges will be the critics, you
:09:54. > :09:59.know, the audience are there cheering them on. Four more names
:09:59. > :10:09.will be revealed very soon. Work out who they are from these real
:10:09. > :10:11.
:10:11. > :10:14.codenames used by the Strictly While you have a think, let's check
:10:14. > :10:22.back in with our photographer Jamie Crawford, who all week is going to
:10:22. > :10:26.extraordinary lengths to take pictures of British wildlife.
:10:26. > :10:36.This is Kings Mill Reservoir in Nottinghamshire, home to a huge
:10:36. > :10:42.range of water foul. And for an area so full of wildlife, it's
:10:42. > :10:46.surprisingly close to the centre of town. But, just off the beaten
:10:46. > :10:50.track. Down through here is a little offshoot called the
:10:50. > :10:54.Hermitage Reserve, which for my money, is even nicer.
:10:54. > :11:00.Fed with water from the main reservoir, the Hermitage is an
:11:00. > :11:05.Oasis of calm and is also home to a colony of herons, the subject of
:11:05. > :11:09.today's photograph. John is a wildlife expert who's
:11:09. > :11:13.been filming the herons since they arrived unexpectedly several years
:11:13. > :11:17.ago. What is going on in the nests at the moment? It's springtime and
:11:17. > :11:21.obviously what is going off is eggs, chicks, parents feeding young.
:11:21. > :11:25.it's a hive of activity? problem is, these herons are
:11:25. > :11:31.nesting at the top of some very tall trees, meaning taking a
:11:31. > :11:35.picture from the ground is almost impossible. I need to get above the
:11:35. > :11:41.nest so I can look down into them and that way, hopefully, get a
:11:41. > :11:46.cracking action photograph. And a scissor lift does just the
:11:46. > :11:51.job. This has been up here for three days sothe herons can get
:11:51. > :11:56.used to it. The best time to photograph them is at the crack of
:11:57. > :12:00.dawn. We're going up. These herons are preparing for eggs and chicks
:12:00. > :12:06.and, although this noise isn't disturbing them, I don't want to
:12:06. > :12:13.push it. George Osborne is giving me just one hour to get my shots
:12:13. > :12:23.before he brings me down -- John is giving me just one hour. It's 12
:12:23. > :12:26.
:12:26. > :12:30.I can see four nests. It's the most fantastic perspective. It's a
:12:30. > :12:39.heron's eye view. They don't seem to mind that I'm here and they're
:12:39. > :12:47.getting on with their morning routine.
:12:47. > :12:52.Wow, wow. Some are busier than others.... For much of the year,
:12:52. > :12:56.herons feed on their own, but I can see why they come back here to mate.
:12:56. > :13:03.Right by the water, plenty of food. Fantastic spreading branches that
:13:03. > :13:08.they can nest in. Full on. Once a female chooses her mate, the male
:13:08. > :13:14.selects a nesting site and supplies her with everything she needs to
:13:15. > :13:20.build it. It's literally bringing back sticks and giving them to her,
:13:20. > :13:25.planting them where she wants them and making them a proper home.
:13:25. > :13:33.Might be a bit greedy, but I'm really desperate to get one of
:13:33. > :13:39.those fantastic taking off shots. But my hour is nearly up. Go on.
:13:39. > :13:49.Take off! We're going now. Last chance to get
:13:49. > :13:52.
:13:52. > :13:56.There is no way that you can get a better view than this of a heron's
:13:56. > :14:00.nest. Don't forget the camera.
:14:00. > :14:04.I just had the most amazing time. Thank you so much. I can't
:14:04. > :14:07.believe... Thank you. I can't believe that you get this kind of
:14:07. > :14:11.wildlife action in the middle of town. They have chosen this spot
:14:11. > :14:15.and it's because of that that they're so happy. We are not
:14:15. > :14:24.disturbing them at all and that's marvellous. That one is the one to
:14:24. > :14:31.finish up on, two nest-building herons. Really nice.
:14:31. > :14:35.Speaking of photos, we have dug out this little beauty. Don't! 1973 Len,
:14:35. > :14:40.you look fantastic. Look at the hair as well! I was trying to work
:14:40. > :14:46.out what dance were you doing there? It was like the freestyle
:14:46. > :14:51.and I was like a dirty old man and my partner was a stripper and she
:14:51. > :14:55.had a dress on with all these handkerchiefs, chiffon and she
:14:56. > :15:00.flicked them off and gradually we got together and there it was, yes.
:15:00. > :15:05.Fantastic. Let's leave it there. you think if Strictly would have
:15:05. > :15:10.been around in the '60s, would you have been one of the dancers?
:15:10. > :15:14.if they'd have asked me. 100% if they'd have asked me, I would have
:15:14. > :15:18.been there. Do you sometimes feel like getting over the desk? No, you
:15:18. > :15:22.wouldn't want to see my dance, you would frighten the churn. Far
:15:22. > :15:26.better I sit behind the desk. But if I would have been asked when
:15:26. > :15:29.competing and dancing, I would have taken it like a shot. I guess you
:15:29. > :15:35.would have felt protective over your celebrity because a few
:15:35. > :15:39.professionals have a go at you guys. Would you have been the same?
:15:39. > :15:43.definitely would. I would have been the 1960s Brendan Cole I think. Not
:15:43. > :15:48.as aggressive as sometimes he is forwards his partners. You've got
:15:48. > :15:52.to treat your partner with a bit of kindness and respect and bring them
:15:52. > :15:58.along and you have to think you're a team and act like a team and
:15:58. > :16:02.you're together in this. So if the judges were a little bit harsh on
:16:02. > :16:06.my gorgeous partner, whoever that would have been, I would have been
:16:06. > :16:13.at her defence. You are a genius with your turn of phrase but you
:16:13. > :16:17.put a lot of that down to your grandad? My grandad was a proper
:16:17. > :16:25.cockney barrow boy. He was always coming out with humorous little
:16:25. > :16:30.quips, most of which I couldn't repeat. When he moved into judging,
:16:30. > :16:34.not many people know this, but you know a lot to Erin the dancer,
:16:34. > :16:37.don't you? The BBC virtually had their panel of judges and they
:16:37. > :16:41.still weren't sure if they'd got the right one and they asked Erin,
:16:41. > :16:45.can you think of anyone else from the ballroom world that we could
:16:45. > :16:49.ask and she said this one and that one and we've tried that one, what
:16:49. > :16:54.about old Len Goodman, have you given him a go and it was who's he
:16:54. > :16:59.and anyway, I got the call and up I went and oh, I was so excited, I
:16:59. > :17:03.was excited, you know, dressed up particularly gorgeously and in I
:17:03. > :17:06.went to this little room and they kept putting on videos and saying
:17:06. > :17:12.what do you think of that cha-cha- cha and I would say they're
:17:12. > :17:15.filleted in the arms and this and that and whatever. When I came back
:17:15. > :17:21.out I got on the train, I thought, I'm not going to get this job, two
:17:21. > :17:29.days later I got the call, we'd love you to do it. You have been
:17:29. > :17:33.there for nine series. Eh!? I love Erin. And you are judging in
:17:33. > :17:39.America now? Yes. Is it different over there? The show the the same,
:17:39. > :17:43.you've got the judges, the band, the Bruce person, the Tess person,
:17:43. > :17:46.and basically, it's the same. They're a bit more razzamatazz over
:17:46. > :17:52.there and there are hundreds of standing ovations, they're up and
:17:52. > :17:56.down, clapping and screaming, but no, they're very similar over there.
:17:56. > :18:06.Can we expect any changes to Strictly this year? That is the
:18:06. > :18:08.
:18:08. > :18:12.other thing that's excited me. on then? Midway through, Wembley
:18:12. > :18:16.Arena, 6,500 people to watch you dance. The finale, or the final, is
:18:16. > :18:23.going to be in Blackpool, the home of dancing, which I think is great
:18:23. > :18:33.for the final. A lovely feeling in that place. Yes. Plus a new hunky
:18:33. > :18:33.
:18:33. > :18:37.dancer. I've seen a picture. Pasha the Siberian Tiger. Look at him! He
:18:37. > :18:44.has a six pack and everything, I'm telling you. Let's find out who he
:18:44. > :18:54.could be dancing with. Time to reveal four more Strictly dancers,
:18:54. > :18:55.
:18:55. > :19:05.Lily, Sloane and Ivy. It's footballer Robbie Savage. Sloane's
:19:05. > :19:10.the code, let's see the face. It's Waterloo Road's Chelsee Healey. Who
:19:10. > :19:20.rose like a Lion? Rory Bremner, that's who. He does a good Brucie.
:19:20. > :19:21.
:19:21. > :19:24.Who is the Ivy over there? Aussie actress singer Holly Valance.
:19:24. > :19:29.So Rory Bremner, if he does an impre-exceptional of you, will you
:19:29. > :19:35.mark him down? I think I'm quite easy because I have this slight
:19:35. > :19:43.impediment with Rs, prawn, prune, prat, anything like that. I'm sure
:19:43. > :19:48.he'd get me off and Bruno, looking forward to him doing him. What
:19:48. > :19:53.should the celebs be doing to prepare at this point then? Well,
:19:53. > :19:56.they should be quaking in their boots a little bit I think. I think
:19:56. > :20:00.they should be trying to build up their energy and get themselves fit
:20:00. > :20:04.because, you know, it is a gruelling affair, you know, you're
:20:04. > :20:09.going to be practising for three, four, five hours a day, so you've
:20:09. > :20:13.got to be fit, focused and you've got to go into it with the attitude
:20:13. > :20:17.that I'm going to enjoy the experience and I think that's the
:20:17. > :20:27.key, go in and enjoy yourself. At four dancers will be revealed
:20:27. > :20:33.
:20:33. > :20:36.soon, so here is the next set of Who could they be? Something
:20:36. > :20:40.different. Electric cars haven't exactly got the best reputation,
:20:40. > :20:44.not least with our friends upstairs from Top Gear. Lucy Siegle believes
:20:44. > :20:48.she's found a car in Lancaster that could change all of that, but not
:20:48. > :20:55.even is on board. Normally there'd be more chance of
:20:55. > :20:59.catching me in the cycle lane than the pit lane. I've never been too
:20:59. > :21:04.keen on the damage petrol heads do to our environment. All in all, I'm
:21:04. > :21:11.probably the wrong person to ask to spend the day racing in a ral Lee
:21:11. > :21:16.car, but it turns out this machine is different -- raleigh. This nifty
:21:16. > :21:20.one litre motor is the world's greenest raleigh car using a fuel
:21:20. > :21:23.efficient petrol and a tuned hybrid system. Not only is it
:21:23. > :21:27.environmentally friendly, it's extremely powerful and in the world
:21:27. > :21:32.of motor sport, it's also incredibly controversial.
:21:32. > :21:37.Can you explain how this technology works? Is it petrol or electric?
:21:37. > :21:41.The answer so that is it's both, it has a petrol engine, an electric
:21:41. > :21:46.motor and a gear box. When the car is accelerating, the petrol engine
:21:46. > :21:50.and electric motor work together to give it more per for mons. The key
:21:50. > :21:53.to their success is not just maximising the petrol and battery
:21:53. > :22:01.trifen motors, but also new technology that harnesses energy
:22:01. > :22:05.normally lost when the car slows down -- driven motors. We are using
:22:05. > :22:10.high performance batterys that can hold more Power than a standard
:22:10. > :22:15.hybrid brat tri, then we have a system of controllers that allow us
:22:15. > :22:19.to harness energy efficiently -- battery. We are increasing the
:22:19. > :22:26.rates of the flow of energy between the front and back of the car where
:22:26. > :22:30.the batteries are. O so proops it's surprising to find that many motor
:22:30. > :22:37.racing enthusiasts are less than enthusiastic about hybrid
:22:37. > :22:42.technology -- or perhaps it's surprising. You like to hear the
:22:42. > :22:48.sound and smell of the petrol. just doesn't sound like a clean cut
:22:48. > :22:52.idea. I like it to be that or that but not half-and-half.
:22:52. > :22:56.expensive and I don't think they represent value for money. Despite
:22:56. > :23:03.the fans' misgivings, when the car was first developed, race officials
:23:03. > :23:07.were prepared to let it complete in the Formula 1000 Championships.
:23:07. > :23:12.When we first started competing six years ago, it was almost a Jock, a
:23:12. > :23:19.radical looking shaisship car and it was very slow, but very quickly,
:23:19. > :23:25.we started untapping its potential -- spaceship car. We were becoming
:23:25. > :23:31.competitive within five or six rallies. Soon there were calls to
:23:31. > :23:39.ban the hybrid. The whole point of the Championship is that it's meant
:23:39. > :23:47.to be competitive. If it stops being competitive, it renders it
:23:47. > :23:51.irrelevant for the fans and competitors alike. The hybrid was
:23:51. > :23:55.reclassified and it was asked to leave the competition. Do you think
:23:55. > :24:02.you are being penalised for your success? Well, yes, it's hard to
:24:02. > :24:06.take. This year was our big chance for glory. But we don't want to
:24:06. > :24:08.upset the other competitors. In fairness to most of the other
:24:09. > :24:13.competitors, they've come out very strongly in support of retaining us
:24:13. > :24:16.in the Championship. More engineering innovation's come out
:24:16. > :24:20.of the British Isles than anywhere else in the world and I applaud the
:24:20. > :24:25.guys but the problem is, it's too damn good and making everyone else
:24:26. > :24:31.look daft. So I may have started the day as a reluctant rallyer, but
:24:31. > :24:34.I'm starting to come round. It's not all about petrol or driving,
:24:34. > :24:40.it's the technology too. Here the race to win could produce
:24:40. > :24:45.engineering breakthroughs that might improve all our lives. We've
:24:45. > :24:50.had over 100 miles to the gallon out of it. So you will save money
:24:50. > :24:54.and have an effective car at the same time. Could we see this
:24:54. > :25:01.technology under this bonnet being under the bonnet of a normal care
:25:01. > :25:08.in a normal driveway? Absolutely. Thanks, Lucy. Let's reveal the next
:25:08. > :25:14.four celebrities to be judged by Len. Glove, Fire, powder and Love.
:25:14. > :25:22.The Gloves are off to reveal loick gold medal winning boxer Audley
:25:22. > :25:30.Harrison. -- Olympic. Lulu, the coldest Fire to relight Len's Fire.
:25:30. > :25:39.Who is next? These lips are never sealed. Edwina Currie. Curry powder.
:25:39. > :25:45.Who is this laid back love? Day break's Dan Lobb.
:25:45. > :25:53.A bit of thigh slapping there, not so much on Audley Harrison though.
:25:53. > :25:58.Lulu, Edwina Currie. What's going on? Audley Harrison is 6'5", size
:25:58. > :26:02.18 feet. Oh! I cannot wait for Saturday night when they get paired
:26:02. > :26:11.up with who they're going to get. You know, after that, they've only
:26:11. > :26:16.got three weeks and then the first live show. The pressure...
:26:16. > :26:21.Fantastic. It's on. How frustrated do the professional dancers get
:26:21. > :26:24.with you? Well, they sometimes get a little frustrated with me but
:26:24. > :26:30.I've known all of them for many, many years, I've judged them as
:26:30. > :26:35.children and professionals, so they know that I'm only speaking with
:26:35. > :26:40.honesty and really, if I critique, it's really just to help. I don't
:26:40. > :26:46.try and bash 'em down or anything like that. I'm the old fuddy duddy
:26:46. > :26:51.ballroom person that tries to get a bit of the technique into the
:26:51. > :26:56.dances. We've revealed 12 of this year's
:26:56. > :27:01.Strictly contestants. Now it's time to meet the 13th, codenamed Dundee.
:27:01. > :27:07.Hang on. That's up side down. Codenamed Dundee. Crocodile Dundee
:27:07. > :27:11.from Down Under, it's Jason Donovan. So, here are all of this year's
:27:11. > :27:18.Strictly celebrities. What a lovely bunch they are. But hang on, have
:27:19. > :27:28.we missed one? Number 14. It's Bridges. I think we can all work
:27:29. > :27:30.
:27:30. > :27:36.that one out. APPLAUSE
:27:36. > :27:41.I feel so nervous and so sick. I've only had two days of practise and
:27:41. > :27:45.my arms are just aching, Len. I don't mean to complain...
:27:46. > :27:54.Never too soon to panic, use know. I'm hoping you are going to get the
:27:54. > :28:00.Siberian Tiger. Oh, hot, hot. the Welsh dragon as well. Who knows.
:28:00. > :28:03.I'd be happy with Matt Baker as my partner. Wasn't he good? Just those
:28:04. > :28:08.flip-flops. I was thinking James or Brendan even would be good. I think
:28:08. > :28:16.somebody that can obviously lift her up. Do you know Len? I don't
:28:16. > :28:22.know at all. What would be your gut instinct? Well, I... It's all to do
:28:22. > :28:26.with height really and I think, you're nicely sized and shaped, you
:28:26. > :28:30.know and everything is nicely proportioned. I'm almost tempted to
:28:30. > :28:38.hang up my judging thing and get out there with you. That could be
:28:38. > :28:43.you! One of the busiest celebrities with working and all that. Remember
:28:43. > :28:48.that, Len, I've got a full-time job. You are going to be under pressure.
:28:48. > :28:51.You can see how Alex and the other contestants find out who their
:28:51. > :28:56.partners will be on the special launch show this Saturday and 6.10
:28:56. > :29:01.on BBC One. Who would you like it to be? It's