:00:18. > :00:19.Welcome to the One Show with Matt Baker
:00:20. > :00:27.Tonight we are joined by Indian movie star Ali Fazal and -
:00:28. > :00:32.in her own words - "jobbing actor" Dame Judi Dench!
:00:33. > :00:39.CHEERING AND APPLAUSE We are delighted to have you with us
:00:40. > :00:43.this evening. Dame Judi, can you confirm
:00:44. > :00:46.it is in fact you sat on the sofa? The reason I ask is
:00:47. > :00:48.because of this headline It'sTracy Ullman doing
:00:49. > :01:16.an impression of you! You are a fan of her impression? I'm
:01:17. > :01:24.a huge fan. It gets me in trouble. As I was looking at vegetables a guy
:01:25. > :01:31.said "watch it." Maybe you haven't seen this. Let us enjoy it together.
:01:32. > :01:36.Here we go. Oi, I saw that. Do you want me to call the police? I don't
:01:37. > :01:42.know what you mean. Oh, it's you, isn't it? If you mean, is it Dame
:01:43. > :01:45.Judi Dench then, yes, it is. How nice to meet There must be you.
:01:46. > :01:50.Something wrong with the security camera. They can be tempermental. I
:01:51. > :01:55.loved you in James Bond. Oh, we tried to tell a good story and thank
:01:56. > :02:02.you. What was I thinking. Dame Judi Dench wouldn't shoplift you're a
:02:03. > :02:15.national treasure. Exactly! Oh, my word. That's so good. It's so good.
:02:16. > :02:16.We will talk about your new film, Victoria and Abdul. We saw it this
:02:17. > :02:20.morning and we loved it. We did. But first we turn to another member
:02:21. > :02:24.of the Royal Family, Princess Diana. Her funeral, 20 years ago today,
:02:25. > :02:28.was watched by 31 million people in the UK and an estimated
:02:29. > :02:30.2 billion people worldwide. But the four people we're
:02:31. > :02:33.about to meet all have a very special reason to remember
:02:34. > :02:45.where they were on that day. You'd wave and you'd say good
:02:46. > :02:50.morning and she would reply with a wave and a smile. The Royal funerals
:02:51. > :02:59.are written and to a degree we can prepare, but obviously this was
:03:00. > :03:07.totally unexpected. There was no second text, it was Sir Elton John
:03:08. > :03:11.and the piano. The mobile went I said, "yes" the voice said "would
:03:12. > :03:18.you tune the piano for Elton John." It was like any other job, "that's
:03:19. > :03:23.fine, great." Then I sat down... It hit me like a thunder bolt - I was
:03:24. > :03:27.worried actually at first because Sir Elton wanted the piano done on
:03:28. > :03:32.the Saturday morning. Oh, that was the day of the funeral. If anything
:03:33. > :03:39.unexpected had gone, there was no error of margin. Fortunately he had
:03:40. > :03:45.a change of mind. I went there on the Friday, I wanted to look good
:03:46. > :03:53.for Diana. I was walking up that long aisle and I seen the piano in
:03:54. > :03:59.the distance, sitting there. I was really nervous. I kept going over it
:04:00. > :04:07.and checking everything. I had to keep my emotions on hold until the
:04:08. > :04:11.next day, when Elton had played. # Goodbye England's rose, may you
:04:12. > :04:14.ever grow in our hearts... # Once everything was fine, no
:04:15. > :04:18.comeback, no phone calls, nothing, then I could relax and grieve like
:04:19. > :04:29.everybody else. Which I did. That was my day.
:04:30. > :04:35.Diana used to use Kensington Gardens a lot. She would take the boys
:04:36. > :04:39.around the park, we saw her push them in the pushchair and take them
:04:40. > :04:44.up to the playground. She was part of the park community. People were
:04:45. > :04:50.turning up in their thousands. There were more and more flowers, candles
:04:51. > :04:54.appearing. We had to make plans for the funeral route coming from
:04:55. > :05:02.Kensington Palace. The whole of the world was going to see this. I never
:05:03. > :05:06.stopped. On the Saturday morning, I thought, well, before the funeral
:05:07. > :05:12.starts, if there are any issues, I'll sit-in my car and I'll be able
:05:13. > :05:21.to go to any point as quickly as possible. I listened to the funeral
:05:22. > :05:28.on the radio. And the gun carrage with the coffin. As I did that, I
:05:29. > :05:33.nodded off, I was exhausted. -- carriage. We rehearsed, we
:05:34. > :05:37.practiced. We were feeling very nervous, anticipating what was to
:05:38. > :05:40.come. We went down to Kensington Palace on the morning of the
:05:41. > :05:45.funeral. We probably had that point three or four hours to prepare. It
:05:46. > :05:51.was my responsibility to clamp the coffin on to the funeral board. It
:05:52. > :05:55.was the one that had played on my mind throughout the week and the
:05:56. > :05:59.rehearsals. As we exited the grounds of Kensington Palace and hit the
:06:00. > :06:04.crowd for the first time, the wailing and the screaming started.
:06:05. > :06:09.Physically I felt myself take a sharp intake of breath. Mark and I
:06:10. > :06:15.marched behind the gun, I on the left hand side and Mark on the right
:06:16. > :06:18.hand side of the horses. Personally the emotion, I found it quite
:06:19. > :06:22.difficult. I thought a lot about the Princes behind and what they must be
:06:23. > :06:27.going through. Once we arrived at the Abb why and the Welsh Guards
:06:28. > :06:32.took the coffin off, it was a ept mo of big relief. It was a real feeling
:06:33. > :06:35.of emotion, but also of almost satisfaction that we'd carried her
:06:36. > :06:39.safely to the Abbey and we were proud of what we did.
:06:40. > :06:49.A week after the funeral came the time for removing all the tributes
:06:50. > :06:57.that had been laid. The soft toys were distributed amongst children's
:06:58. > :07:00.hospitals and all the cards were taken up to Althorp. The flowers
:07:01. > :07:05.were kept here in Kensington Gardens. We had them composted. We
:07:06. > :07:08.ended up putting that back on to our flowerbeds. I think she would have
:07:09. > :07:09.loved that because she did like the gardens and that would have been a
:07:10. > :07:22.fitting tribute. It's hard to believe that it was 20
:07:23. > :07:29.years ago. O Isn't it. Can you remember watching the funeral, Judi?
:07:30. > :07:33.Yes. I remember most of all the day she died and thinking my daughter,
:07:34. > :07:38.coming out into the garden where I was hanging out some clothes and
:07:39. > :07:43.telling me the news. I'm sure for everybody it was so shocking. It is
:07:44. > :07:47.that moment that everybody remembers where they were, don't they? Yes.
:07:48. > :07:52.You said you were only ten? I remember my mum and my grandmother,
:07:53. > :07:58.there was lots of noise in the house. The TV was on. We were back
:07:59. > :08:00.in India. I was woken up. It was the middle of the night. I don't
:08:01. > :08:06.remember the time. I remember being woken up. It was just tears in my
:08:07. > :08:12.mother's eyes. I knew something was awfully wrong. Then of course I saw
:08:13. > :08:18.the TV. We all knew who she was. We will move on to brighter things and
:08:19. > :08:22.talk about the new film. In 1997 you were playing Victoria back then.
:08:23. > :08:27.Here we are now, 20 years on, you are playing her again. The film
:08:28. > :08:31.takes place in her Golden Jubilee year, with this very unexpected
:08:32. > :08:37.meeting. Really when the film starts she's in a very dark place, it
:08:38. > :08:45.seems? Yes. She's in a sad, dark place. She's, you know, in her 80s
:08:46. > :08:52.and, she says in it, all her friends are dropping off all around her. She
:08:53. > :08:58.has nobody, I think, to be a confidante and to talk to and to
:08:59. > :09:06.laugh with and share things. Excuse me. It's four years after John Brown
:09:07. > :09:14.has died. So she's kind of giving up a bit. When you hear all that she
:09:15. > :09:18.has every day, it's like she has at the moment, so many things to do
:09:19. > :09:22.every day. She doesn't have the luxury to think, I have two-days up,
:09:23. > :09:31.put my feet up the chimney, you know! Her luck changes, in a sense?
:09:32. > :09:41.It certainly does. By the arrival... By the arrival of the very handsome
:09:42. > :09:45.Abdul. Ali, you play Abdul... Just tell us a bit about him. It's a
:09:46. > :09:50.story not many people will know before they see the film? Yes, it's
:09:51. > :09:54.shocking. History conveniently decided to sort of shove it aside.
:09:55. > :10:03.On both sides. In India nobody seems to know about this. I knew very
:10:04. > :10:06.little. This is 15 years the last phase of Queen Vic tore ya's life.
:10:07. > :10:10.This man walked in, this wonderful friendship starting brewing. It
:10:11. > :10:20.wasn't just friendship, it is was a weird one. There was something,
:10:21. > :10:24.wasn't there, more than - Intimate, respect. It was a tender and
:10:25. > :10:30.beautiful relationship that they had. Judi, did you know anything
:10:31. > :10:35.about this. These diaries, Abdul's diaries were only discovered - They
:10:36. > :10:41.were destroyed after he was uncertificate moaniously sent
:10:42. > :10:46.packing after she died. So we know nothing - we knew nothing about it,
:10:47. > :10:52.you know. They were found, a trunk was found with some letters in it.
:10:53. > :10:58.So that's how we know that this existeded in anyway. Let us have a
:10:59. > :11:01.look then at the film. Here is one of the moments that Victoria and
:11:02. > :11:08.Abdul shared behind closed doors with the household in panic
:11:09. > :11:26.wandering what was going on. Meh. Meh. Rani. Rani. Rani. Um. Oh. Um.
:11:27. > :11:37.Um, um, um. He's teaching her Hindu. Is that allowed? Oh, my goodness me!
:11:38. > :11:42.APPLAUSE You play a great character, Ali, you
:11:43. > :11:49.really do. Isn't she so good. You picked it up so well. The way you
:11:50. > :11:52.cut through all that somehow your character and everything that is
:11:53. > :11:55.going around the pomp and ceremony and everything, somehow you come in
:11:56. > :11:59.and cut through it all. Which is what Victoria seems to love so much.
:12:00. > :12:05.How did you get this part, how did it all happen? Oh, God with, it was
:12:06. > :12:10.like a video game. Lots of levels I had to cross. Right. Stephen Frears
:12:11. > :12:16.is at the end of it somewhere, he's this haze. I was sitting with a
:12:17. > :12:19.friend of mine, in India, she said the auditions were happening last
:12:20. > :12:23.week, you're late are. Why don't you try it out. I remember we recorded
:12:24. > :12:32.the scene, two scenes, on my phone. Right. I got a caught 30 days later
:12:33. > :12:36.that Stephen Frears was am coulding to India to go through different
:12:37. > :12:39.actors, Bollywood actors and everything. There was a series of
:12:40. > :12:45.things that happened. I came to London, my, God, it was to the point
:12:46. > :12:50.of becoming delusional about it. I don't know how I would react if I
:12:51. > :13:04.didn't get the part. Really, really? It all worked out. How much did you
:13:05. > :13:10.know about David -- Dame Judi before you got to London? Nothing. I would
:13:11. > :13:14.stand in the mirror like that. There is great chemistry between you off
:13:15. > :13:18.and on screen that works so well. It's lucky that happens. We met, I
:13:19. > :13:23.think was it the day before. A couple of days before we had lunch.
:13:24. > :13:31.Yes, we were quite nervous. There was no need to be nervous or anxious
:13:32. > :13:37.or anything. You were nervous! I was. My God. Is that nervous! You
:13:38. > :13:41.were pretty cool about it, I thought. That really comes across in
:13:42. > :13:47.in the film. A lovely relationship between you. Was there apprehension
:13:48. > :13:53.in playing her again, Judi, Victoria, obviously we had Mrs Brown
:13:54. > :14:00.and here you are again We had a lovely time doing that with John
:14:01. > :14:04.Madden. I think if we hadn't - if this was an episode that I had known
:14:05. > :14:10.about, it would have been given. Not knowing about it and not many people
:14:11. > :14:16.knowing about it, it seemed a wonderful chance. I thought Lee's
:14:17. > :14:19.script was wonderful. I have worked with Stephen five times. It seemed
:14:20. > :14:25.to take her life on a bichlt I think, I've done the homework about
:14:26. > :14:29.this person already, so it's just a question of telling this bit of
:14:30. > :14:39.story. I was very pleased to be asked to do it. You must be pleased
:14:40. > :14:47.with the outcome? Well... Now I can't do anything about it. There's
:14:48. > :14:53.no need to worry. It's brilliant. It's fantastic. We will chat more.
:14:54. > :14:56.Time for a wildlife film now and everything's
:14:57. > :14:59.connected on this show, because here's a film that wouldn't
:15:00. > :15:01.be possible without the Victorians love for a small bird
:15:02. > :15:03.that was originally brought to the UK from Ali's homeland.
:15:04. > :15:18.Originally from the tropics, these parakeets were first brought over as
:15:19. > :15:21.pets in the Victorian era. Over time many have escaped and have bred
:15:22. > :15:25.successfully and now they are a common sight in the south-east of
:15:26. > :15:29.England. During early spring they are in the mood for love and start
:15:30. > :15:34.their courtship displays. Fascinating behaviour to watch, but
:15:35. > :15:42.what really interests me is where these birds will choose to nest.
:15:43. > :15:45.Normally the use holes entries but recently they have been using them
:15:46. > :15:49.closer to home. I have seen them coming out of roof spaces so in a
:15:50. > :15:53.wildlife first I have decided to try to film some parakeet checks in
:15:54. > :15:57.someone's attic. Finding a wrist space I can get into with my
:15:58. > :16:02.cameras, a whole other matter. I have teamed up with local bird
:16:03. > :16:08.enthusiast Nick Mitchell, who has devised a custom-made camera that
:16:09. > :16:12.should do the job. I like the reinforcement you have read the
:16:13. > :16:18.cables. That will be important? Yes, to prove the Lee Mack protect
:16:19. > :16:23.against the big sharp beak of the parakeet. And in the roof of a
:16:24. > :16:31.pub... He has a quick look and, sure enough, a parakeet is nesting.
:16:32. > :16:33.Landlady Dora is quite excited about her feathery tenants who have been
:16:34. > :16:38.squatting here for the last couple of years. Any idea you had parakeets
:16:39. > :16:42.nesting in Europe? When I came into work there was a load of wood on the
:16:43. > :16:46.floor checked and I thought someone was hacking at the door to try to
:16:47. > :16:57.get in -- did you have any idea you had parakeets nesting in your roof?
:16:58. > :17:01.For the next few hours, they put cables around the pub and then try
:17:02. > :17:05.to install the camera, but getting the correct angle proves difficult
:17:06. > :17:09.as the nest is tucked behind one of the beams. He can't get the camera
:17:10. > :17:16.in close enough. Guys, what does it look like? We do need to be quite a
:17:17. > :17:19.bit closer. But the adult parakeet is getting agitated. Nick works
:17:20. > :17:26.quickly to make a couple more adjustments. You can just see a
:17:27. > :17:33.slight brownish white shape on the edge of the screen there, and that
:17:34. > :17:37.is an egg, so we are on track for filming baby parakeets. Sadly a
:17:38. > :17:42.couple of weeks later the nest feels and the chicks hatched don't
:17:43. > :17:47.survive, but as parakeets can have another batch in the same season,
:17:48. > :17:55.just over a month later it is second time lucky. A little baby! Dora, who
:17:56. > :17:59.has been monitoring their activity for us, thinks she notices something
:18:00. > :18:03.different in the parents' behaviour. Dad has not been coming in so much
:18:04. > :18:06.and she has been left alone to do it all by yourself. The first time the
:18:07. > :18:13.mail kept coming in and trying to get involved, and it didn't work.
:18:14. > :18:19.The baby must have got smothered and died, quite sad. But this time he
:18:20. > :18:22.stayed away and she has done a good job. The insight into that
:18:23. > :18:27.relationship between the male and female is fascinating. We wouldn't
:18:28. > :18:31.know it without the cameras. Yes, nice to see it. Dora wants to share
:18:32. > :18:37.her excitement with the locals in the pub so everyone can see her new
:18:38. > :18:46.regulars. Are you ready, Nick? Here we go! The parakeet certainly spark
:18:47. > :18:53.interest with her punters. Will they be back next year? Dora say they
:18:54. > :18:57.have been here three years in a row, so, yes, maybe longer. I reckon
:18:58. > :19:00.these ones will be permanent residents. I think so. Are you
:19:01. > :19:05.charging them rent? No! LAUGHTER
:19:06. > :19:10.As the chicks become more settled and bigger, we move the camera and
:19:11. > :19:15.slowly introduce a light, so we can see them in their full glory. The
:19:16. > :19:19.light is pretty much bang on the nest and the great thing is you can
:19:20. > :19:24.see the parakeet checks turning green, so it is the perfect time to
:19:25. > :19:29.get that light on them. So we have success, I wildlife first, and in
:19:30. > :19:33.colour! Wild parakeet checks in a nest. These four will stay here for
:19:34. > :19:40.around a month and a half before they fledge, so for while you can
:19:41. > :19:42.come down to the pub, have a paint and a parakeet.
:19:43. > :19:47.STUDIO: What about that! They are cute. And there is an update,
:19:48. > :19:53.because the littlest one actually fell out of the nest, but everything
:19:54. > :19:57.is fine- don't worry! It is actually being looked after by Dora in the
:19:58. > :20:04.pub, and there is the proof, nesting on her head! Quite a typical site,
:20:05. > :20:14.though, when you were at school, Ali? Yes, and they would lock their
:20:15. > :20:18.beaks together, like this. I was at a boarding school at the foothills
:20:19. > :20:23.of the Himalayas, and we would see them around. Of course they would
:20:24. > :20:26.destroy our fruit! LAUGHTER
:20:27. > :20:31.And these noisy things. God forbid, humans start training them, and they
:20:32. > :20:36.are the ones who also make a noise, aren't you?
:20:37. > :20:42.are the ones who also make a noise, aren't they?
:20:43. > :20:49.That is another business. We will get Richard on that, don't worry!
:20:50. > :20:57.And earlier on we saw a very good clip, from Murder on the Orient
:20:58. > :21:00.Express. We just have the picture here, not the clip. We saw a clip
:21:01. > :21:05.earlier which we obviously can't play!
:21:06. > :21:08.LAUGHTER I was just completely still.
:21:09. > :21:14.LAUGHTER It was a 15 second clip, wasn't it?
:21:15. > :21:22.But in that 15 seconds was yourself, Johnny Depp, Michelle Pfeiffer...
:21:23. > :21:38.Ali, you need to get on board. Orient Express 2, you need to be in
:21:39. > :21:44.it! A fantastic cast. Yes, it was. And it was nice to play someone
:21:45. > :21:45.fictional? Yes, two dogs and Olivia Goldman.
:21:46. > :21:53.LAUGHTER Did you embroider any interesting
:21:54. > :22:00.phrases on any cushions for any of the cast members? I can't do that
:22:01. > :22:06.any more, can't see to do it! Well, we didn't know that it was a thing,
:22:07. > :22:11.but you used to make cushions with quite rude phrases on them. I did
:22:12. > :22:20.make some quite polite ones as well! Did you? We were surprised at some
:22:21. > :22:29.of the phrases. Quite. I'm not allowed to see them here... You
:22:30. > :22:32.can't even... Ali, what will you be going back onto after this? We
:22:33. > :22:38.understand there is a comedy series you work on? I am doing something
:22:39. > :22:44.with Amazon in India which is very exciting. I have a film coming out
:22:45. > :22:48.cold Fukrey, part two. The first one was a big hit back in India, so we
:22:49. > :23:01.just finished filming it, so that is the comedy -- it
:23:02. > :23:11.is called 's Fukrey and it comes out at the end of the year. And we have
:23:12. > :23:18.heard that Daniel Craig is reprising his role as Bond. What would you
:23:19. > :23:23.like to see, Dame Judi, happening to Bond in this one? The ghost of M to
:23:24. > :23:28.walk in. LAUGHTER
:23:29. > :23:39.Here is hoping! We would all like to see that. I just look forward to
:23:40. > :23:54.seeing another Bond film. Well, we spoke about the orient Express. This
:23:55. > :23:55.isn't that one, but the Midland Line from Redditch to Birmingham.
:23:56. > :23:57.Dom's been riding it and he might not witness a murder,
:23:58. > :24:00.but he does find some bad behaviour that's landing some
:24:01. > :24:04.I am working with officers tasked with stamping out anti-social
:24:05. > :24:08.behaviour. They will be enforcing little-known bylaws are some of
:24:09. > :24:14.which date back to Victorian times. I am keen to see the reaction...
:24:15. > :24:18.These have been around for years but are not enforced by many train
:24:19. > :24:23.companies, suffer the past three months London Midland has been
:24:24. > :24:26.running a scheme, issuing warnings to passengers displaying a range of
:24:27. > :24:30.bad behaviours, and after today they can result in a fine or even
:24:31. > :24:34.prosecution. Right, what sort of things are you looking for? People
:24:35. > :24:44.with feet on the seats, smoking, loud music, swearing, being abusive
:24:45. > :24:47.to anyone else. The 22 bylaws range from going up escalators the wrong
:24:48. > :24:52.way, not allowing passengers to get off the train before you get on, and
:24:53. > :24:58.even not having a valid ticket for your pet. In fact anything
:24:59. > :25:04.considered anti-social. There is one very annoying by law being broken
:25:05. > :25:09.more than any other. Kenny Britt your feet down, please? Almost half
:25:10. > :25:18.of all the warnings given it so far have been to people with their feet
:25:19. > :25:25.up -- can you put your feet down, please. That is actually classed as
:25:26. > :25:28.anti-social behaviour. If you think someone has their feet on the sick,
:25:29. > :25:32.do you think finding them is a bit over the top? No, because it causes
:25:33. > :25:36.discomfort to other passengers because they may have to stand up
:25:37. > :25:39.for their journey because they feel uncomfortable asking someone to take
:25:40. > :25:44.it down. Secondly, you don't know what you're putting on the seat. As
:25:45. > :25:48.for the next guy we come across, his feet on the seats are about to get
:25:49. > :25:53.him into even more trouble. Brian takes off the train for failing to
:25:54. > :26:00.purchase a ticket for his journey. Step over here, a second. I just
:26:01. > :26:04.received a ticket from the officer. Jumping on the train without a
:26:05. > :26:09.ticket. Do you know why he came during the first place? He spotted
:26:10. > :26:14.you had your feet on the seats. A lot of people commit anti-social
:26:15. > :26:17.behaviour do it willingly and a lot of the time they will not have
:26:18. > :26:20.purchased tickets. But some people become across, they have tickets,
:26:21. > :26:24.but they just fall into the bracket of doing something silly. Before
:26:25. > :26:28.getting back on the train Brian spot somebody smoking on the platform.
:26:29. > :26:37.Just about right in front of the card. -- he did that right in front
:26:38. > :26:41.of the guard! Can you put that out for me, please? I am seeing how
:26:42. > :26:45.little people adhere to these bylaws. It is the smoker from the
:26:46. > :26:52.platform again. Get your feet down off the seats. He has only gone and
:26:53. > :27:01.caught him with his feet on the seats. I tell you what, you'll be
:27:02. > :27:09.out of pocket soon. Go on, tell him off. At the moment the scheme is
:27:10. > :27:12.just on the Cross city south line which runs from Redditch to
:27:13. > :27:17.Birmingham, but they say it will be expanded across all London Midland
:27:18. > :27:20.lines by the end of the year, so do the passengers approve? Do you think
:27:21. > :27:30.it is wrong to put your feet on the seats? Yes. Why did you do it? I
:27:31. > :27:35.don't see the massive issue. It is not nice for other train passengers,
:27:36. > :27:40.I suppose, so, yes, all for it. It is just human nature. People like to
:27:41. > :27:45.be comparable. I feel a bit like a child getting told off, basically.
:27:46. > :27:48.That is how I felt. Little misdemeanours, compared to other
:27:49. > :27:53.things on the train, it is a bit daft. It has been a busy few months
:27:54. > :27:56.for Brian and the team with more than 500 warnings handed out, but
:27:57. > :28:00.they say they can already see a different customer satisfaction. One
:28:01. > :28:11.bit of advice to passengers right now about what is happening, in one
:28:12. > :28:14.sentence. Take you are travelling. It all seems pretty clear to me, if
:28:15. > :28:20.you don't want a fine, don't do the crime. Is that right, Brian? Yes!
:28:21. > :28:27.Midland Line they have a series there. -- yes, they have a series
:28:28. > :28:36.there. Would you... No, you wouldn't, would you, Judi? Certainly
:28:37. > :28:37.not, dear. You can bet your feet up and Yes because we are finished, out
:28:38. > :28:40.of time. That's all we have time for -
:28:41. > :28:42.thank you so much to Victoria Abdul is out
:28:43. > :28:47.next Friday the 15th. Thanks for your company tonight.
:28:48. > :28:49.Wonderful stuff. Tomorrow we're joined
:28:50. > :28:51.by the new Strictly judge Shirley Ballas in her first TV
:28:52. > :28:53.interview, and Neil Sedaka will be perfoming live -
:28:54. > :28:56.see you at 7!