:00:15. > :00:16.Hello and welcome to The One Show with Matt Baker.
:00:17. > :00:22.When the producers of Death in Paradise were looking
:00:23. > :00:24.for a new actor to play their lead detective -
:00:25. > :00:29.Highly intelligent; a team player; used to island life
:00:30. > :00:37.Well, it looks like they found their man.
:00:38. > :01:01.These are small. But the ones out there are far away. LAUGHTER
:01:02. > :01:08.Small. Far away. Forget it! Swapping Craggy Island for the Caribbean,
:01:09. > :01:15.it's Ardal O'Hanlan. Would you say that was Father Dougal's finest
:01:16. > :01:22.hour? I only do shows set on an island! You have got the gig.
:01:23. > :01:33.Obviously, Death In Paradise is quite jovial and happy but you look
:01:34. > :01:37.very serious here. It's great. I was more surprised than new when I got
:01:38. > :01:45.the part. I enjoyed detecting and I enjoy island life. So it's the
:01:46. > :01:50.perfect combination. I become a really good detective off screen. I
:01:51. > :01:58.become more observant and suspicious of people. Honing those skills. It's
:01:59. > :02:01.great. I noticed my family and friends are more well-behaved around
:02:02. > :02:08.me and they'd only clues lying around. We are big fans of the
:02:09. > :02:12.programme. Every year, thousands of car owners use their vehicle as
:02:13. > :02:16.security to get a logbook loan. If they don't pay back what they
:02:17. > :02:22.borrowed, their car can be taken away. What if they have sold their
:02:23. > :02:28.car on to you? If you buy a used car, you could find bailiffs on your
:02:29. > :02:33.driveway. If you're thinking of buying a second-hand motor, giving
:02:34. > :02:37.it a once over for dense, bonds, and scratches goes with the territory.
:02:38. > :02:43.But when you buy second hand, you wouldn't expect to inherit the
:02:44. > :02:50.previous owners debts. That's exactly what happened to Helen
:02:51. > :02:58.Thompson from South Wales. Helen paid ?1200 for this second-hand VW
:02:59. > :03:07.golf. Cracking runaround. Yes, brilliant. Unbeknownst to Helen, the
:03:08. > :03:12.person who sold the car to her had taken out a ?5,000 logbook loan
:03:13. > :03:18.taking out the vehicle as security. She became responsible for the bad
:03:19. > :03:22.debt and hundreds of pounds in unpaid interest. She was sent a
:03:23. > :03:28.letter from a company saying they owned the vehicle and sent round
:03:29. > :03:32.bailiffs to collect it. I pulled the wheels off. It's the only way I can
:03:33. > :03:40.take them -- stop them taking the car. We contacted the company but
:03:41. > :03:46.they didn't want to respond. You pay for it, you've got the documents,
:03:47. > :03:52.but it's not yours. It's not mine. A distressing is the situation for
:03:53. > :03:56.you? I can't sleep at night. I hear a van, I think they're coming to get
:03:57. > :04:02.the car and I'm up straightaway. I saved up for this and it's just
:04:03. > :04:06.money down the drain. Helen has tried to track down the person who
:04:07. > :04:11.sold her the car without luck. How can a loan company repossess the car
:04:12. > :04:20.for a debt that isn't hers? Believe it or not, the law is on the loan
:04:21. > :04:24.company's side. It's all thanks to this. Legislation that allows a
:04:25. > :04:32.lender to repossess any goods used to secure a loan. It is the bill of
:04:33. > :04:38.sale act, it was last amended 135 years ago. Before the car was even
:04:39. > :04:42.invented. That hasn't stopped logbook loan companies using it to
:04:43. > :04:48.their ad vantage with around 37,000 loans per year. The Law Commission
:04:49. > :04:54.are calling for the government to update this 19th-century
:04:55. > :04:58.legislation. Under the current law, a third-party buyer of a second-hand
:04:59. > :05:03.car will not be protected at all. They will not have any rights
:05:04. > :05:06.against lenders trying to repossess and they would not be able to keep
:05:07. > :05:11.their car. What are the main proposals? If the buyer does not
:05:12. > :05:16.know about the loan, they will be innocent and that they will keep
:05:17. > :05:20.their car. Under our proposals, borrowers would be under a duty to
:05:21. > :05:27.disclose the loan and if they don't, they would be guilty of a criminal
:05:28. > :05:30.offence. HM Treasury told me it is considering the recommendations and
:05:31. > :05:35.will make a decision very soon. In the meantime, how can we protect
:05:36. > :05:43.ourselves from becoming the victim of an unpaid logbook loan? Laurent
:05:44. > :05:47.Rodriguez is from debt charity step change. She says it's crucial to do
:05:48. > :05:52.your homework before buying a new motor. It's really important when
:05:53. > :05:56.buying a second-hand car to get a private history check that should
:05:57. > :06:01.pick up whether they've got any outstanding finance like a logbook
:06:02. > :06:05.loan on it. They should contact the DVLA and get the original copy of
:06:06. > :06:11.the logbook certificate for the car. That should pick up any problems.
:06:12. > :06:15.Sound advice which has come too late for Helen who is left with a car she
:06:16. > :06:21.doesn't legally own and that she can't even drive. The person who
:06:22. > :06:25.sold this to me, I don't know how they sleep at night. It's
:06:26. > :06:34.heartbreaking. Thanks to Dan and Helen. Over 6.2 million used cars
:06:35. > :06:38.were sold last year. We have put help on our website for you if you
:06:39. > :06:44.are thinking of buying one and don't want to get caught out. We have got
:06:45. > :06:49.an update here. People have been waiting a long time for this and we
:06:50. > :06:52.are starting the process to change the law. The Treasury went to
:06:53. > :06:56.Parliament and put it on official records that they are working with
:06:57. > :07:02.the Law Commission to reform this legislation, so we are starting that
:07:03. > :07:05.process. The main points from those reforms will be if you buy a car
:07:06. > :07:10.innocently and it has one of these loans on it, you will be allowed to
:07:11. > :07:15.keep the vehicle. If you're the borrower and you don't disclose that
:07:16. > :07:19.you have one of these loans, it is a criminal act that you've committed.
:07:20. > :07:25.Those are the big changes that will be working through the system. Will
:07:26. > :07:30.this legislation help Helen from the film? It's due to come into effect
:07:31. > :07:34.next year and it won't be backdated so it's really heartbreaking. It
:07:35. > :07:38.continues and it won't actually help her learn. We all wish there was
:07:39. > :07:42.something else we could do but that is the place the law leaves us at
:07:43. > :07:52.the moment. Sorry to Helen but thank you Lucy for that. Ardal, let's chat
:07:53. > :08:02.to you about Death In Paradise. You are the third actor to play the lead
:08:03. > :08:10.actor in this role. A bumbling detective abroad type character.
:08:11. > :08:15.It's going to be similarly bumbling. They went for someone like me,
:08:16. > :08:28.probably, because I'm not that kind of quintessential engagement abroad.
:08:29. > :08:34.Your Irish! You noticed. Not a stereotypical as far as the first
:08:35. > :08:37.episode on Thursday showed. In one to go down the road of been a
:08:38. > :08:43.hackneyed character. He's just a detective. They felt that they had
:08:44. > :08:48.done this with Ben and Kris. They wanted to do something different.
:08:49. > :08:55.From a costume perspective, you've nailed it. They've all got jackets
:08:56. > :09:01.on and you have got short sleeves. I did my homework. It's so hot there.
:09:02. > :09:06.I mean, like,... I'm not used to the heat at all. I wouldn't have chosen
:09:07. > :09:10.to go there on my holidays, even. I'd rather go to Iceland or
:09:11. > :09:22.somewhere by choice. I wanted to go and do a Scandi Noir but beggars
:09:23. > :09:30.can't be choosers. Between takes, you have two strip down to your
:09:31. > :09:37.underwear. Really? People come up to you with electric fans and they get
:09:38. > :09:42.chamois leather and wrap it around your neck and bring the water and
:09:43. > :09:47.watermelon. At first, you don't want to be made a fuss of but after a few
:09:48. > :09:57.hours, you think, bring it on. Some people, the sweaty cast members, not
:09:58. > :10:03.me, they get hairdryers to dry their clothes. The internal stuff that was
:10:04. > :10:08.meant to be shot in London was actually shot over in the Caribbean.
:10:09. > :10:15.That's why you were all boiling. It's one of the quirks of the show.
:10:16. > :10:18.My first introduction, it's unusual for Death In Paradise, a double
:10:19. > :10:23.episode that was shot ostensibly in London but because the show is based
:10:24. > :10:27.on the silent in the Caribbean, it's all shot there and the crew are
:10:28. > :10:33.there and based there, it made more sense for them to shoot the London
:10:34. > :10:40.interiors, the dingy basements, in the Caribbean. We've actually got a
:10:41. > :10:44.clip. Let's have a look. Either our killer killed Frank and left the
:10:45. > :10:51.room with the key, locked the door from the outside, and then somehow
:10:52. > :10:58.magic the key through the locked door and into Frank's pocket. Or he
:10:59. > :11:02.committed murder, left at the key in Frank's pocket, locked the door from
:11:03. > :11:05.the inside and managed to magic himself out of the locker room.
:11:06. > :11:12.Either way, it's impossible. APPLAUSE
:11:13. > :11:15.That's coming up for you on Thursday. As fans of the show, we
:11:16. > :11:22.don't really want to know why you end up taking over. What can you
:11:23. > :11:31.tell as around that? Well, I can't tell you too much. I don't want to
:11:32. > :11:39.spoil it. I didn't read the script. Well, I mean, Kris's character
:11:40. > :11:43.comfrey leaves the show. I can't tell you why and how but I end up on
:11:44. > :11:50.the island by accident, sort of, and I end up going there, I think I can
:11:51. > :11:57.tell you this, just for a break. There's a trauma in my life that is
:11:58. > :12:01.revealed in this episode, a loss, and my character is looking for a
:12:02. > :12:09.change in his life and this lands on his feet a bit and he embraces it.
:12:10. > :12:16.Did Kris if you any advice before the role? He was very helpful.
:12:17. > :12:21.Mainly about where to eat and what to do in your downtime. He's a font
:12:22. > :12:24.of knowledge on the island itself and the history and culture of the
:12:25. > :12:32.island and all of that. Very helpful. Also, in terms of the heat,
:12:33. > :12:36.he told me to do my big scenes early in the day which was invaluable. You
:12:37. > :12:41.know, as the day goes on, you do wilt a little bit in the heat.
:12:42. > :12:45.People think it's a great jolly. Nobody has any sympathy for me. But
:12:46. > :12:54.you're not there on holiday. You're there to work. Exactly. I was well
:12:55. > :12:57.warned. The island has so many compensations that it would be
:12:58. > :13:02.churlish to talk about the mosquitoes and the heat and the
:13:03. > :13:06.monsoons and regains and all that stuff. You just embrace it and go
:13:07. > :13:13.with it because so many things are out of your control. You can all see
:13:14. > :13:16.Ardal in Death In Paradise on Thursday on BBC One. Catch up with
:13:17. > :13:28.last Thursday if you haven't seen it because it's a 2-parter. The
:13:29. > :13:39.discovery of the dream Braka Two -- gene. Has meant women face a dilemma
:13:40. > :13:45.about whether to have surgery when faced with breast cancer. The
:13:46. > :13:56.sisters allowed us to follow them as they were tested for the gene. We
:13:57. > :14:06.decided we would both get tested. If a parent has a faulty Braka Jean, a
:14:07. > :14:13.job there children will have a 50% chance of inheriting it from them.
:14:14. > :14:20.Then the risks of certain cancers can be increased. This can be as
:14:21. > :14:30.high as 85%. The wait was horrible. Every day, it was like one day
:14:31. > :14:36.closer. It was an emotional time but I was the calmest I've ever been in
:14:37. > :14:39.the appointment. I think one tear run down my cheek and we held hands
:14:40. > :14:49.and we knew what we were going to do. Rose and Charlotte are with us
:14:50. > :14:53.now. To bring us up to date. That is a quarter of the way through the
:14:54. > :15:01.documentary. Tell us what happened next. We both chose to to have an
:15:02. > :15:08.operation to remove the risk to as small as we can. It wasn't the only
:15:09. > :15:12.option. You can have screening all tablet achievement. For us, it was
:15:13. > :15:21.the right decision. It was what we decided boat to do. Were you both on
:15:22. > :15:25.the same level with the decision? We both knew that we wanted to have the
:15:26. > :15:31.double mastectomy rather than the scans every 12 months. It didn't
:15:32. > :15:36.feel appropriate to do that. You see in the film, footage of you guys
:15:37. > :15:41.looking at your family tree. We have images of it. Basically, the areas
:15:42. > :15:47.in pink are each member of your family that has been affected by
:15:48. > :15:52.cancer. Was this a key reason why you decided to opt for surgery? Even
:15:53. > :15:59.looking at it, it's serious, isn't it?
:16:00. > :16:06.I've always over thought things, in Keane are looking into the family
:16:07. > :16:13.history. I'd already made my decision based off the family tree
:16:14. > :16:19.and are risks. And it was you who said you felt you had it all along.
:16:20. > :16:24.I think both of us had that feeling. When Rose had it, although we are
:16:25. > :16:28.twins, because we are nonidentical we both had risks. Just because Rose
:16:29. > :16:33.had the gene did not mean we would both have it but we felt we were
:16:34. > :16:38.both going and Rose says this is the better option. Both of us had the
:16:39. > :16:47.gene so I didn't feel guilty if I didn't have it. How in control of
:16:48. > :16:51.the situation did you feel? Because having watched it, you seemed
:16:52. > :16:59.incredibly mature about it all. Very matter-of-fact. Is that how you are
:17:00. > :17:06.feeling? We have a chance to stop what has gone on in the past in our
:17:07. > :17:12.family. It stops now. If our children had the gene, we've got
:17:13. > :17:18.that knowledge that we can stop what happened to me happening. I will
:17:19. > :17:28.never die from breast cancer. That is an amazing feeling. There is a
:17:29. > :17:38.bit where you hold a party with your friends. They make a cast out of
:17:39. > :17:42.them. Look at the smiles. That support network was really important
:17:43. > :17:48.for you. It has been invaluable. It has been amazing. We both spoke our
:17:49. > :17:51.decisions through with our family. They were part of our journey
:17:52. > :17:58.through everything we've done. To have the party was something to
:17:59. > :18:04.remember. It is not all sad. It is positive. We know from talking to
:18:05. > :18:07.you that this was obviously a very intimate situation you were in with
:18:08. > :18:13.your friends and family and since this has been shown, the reaction
:18:14. > :18:18.you have had and the feedback from people, you never even thought about
:18:19. > :18:26.it? Complete strangers have contacted me thanking me for doing
:18:27. > :18:29.it and showing them it will be OK. There are things to question but it
:18:30. > :18:37.will be OK. That has just been fantastic. People have taken comfort
:18:38. > :18:43.from our story. This is just our life and people have sought help
:18:44. > :18:49.from it. It has taken you by surprise? Yes. The main reason we
:18:50. > :18:53.did it was we were doing it anyway and this is our life so why not help
:18:54. > :18:58.one more person? We know that we are helping more than one person. People
:18:59. > :19:02.have been in touch that are going to have the operation and they are
:19:03. > :19:08.seeing that they are glad they made the decision. I'm sure that they
:19:09. > :19:12.will do and you tell the story so well and give an insight into it for
:19:13. > :19:21.people who are going through it. Thank you for coming in.
:19:22. > :19:26.Extraordinary Bodies is available on BBC Three iPlayer now. Look at these
:19:27. > :19:31.pictures of the Super Bowl. They are truly spectacular. This is Lady Gaga
:19:32. > :19:37.accompanied by a fleet of 300 dancing drones. We think she got
:19:38. > :19:43.that idea from a one Show film that we broadcast just before Christmas.
:19:44. > :19:55.Dual headed to Dartmoor with just one but he made the most of it. --
:19:56. > :20:01.Bodies. -- Joe. Hidden behind a dense canopy of trees... One of the
:20:02. > :20:05.most spectacular sights in Dartmoor. We are going to enjoy it in a way it
:20:06. > :20:08.has never been seen before. The National Trust has given us special
:20:09. > :20:14.permission to film with a drone. Descending through the trees, we
:20:15. > :20:27.will follow the river that has carved deep into solid rock.
:20:28. > :20:36.It can be absolutely deafening at times. The head ranger knows every
:20:37. > :20:43.inch of this shadowy landscape. This is largely a result of the glacial
:20:44. > :20:57.process. We've had this very rosy effect. It is almost primordial. It
:20:58. > :21:11.has that atmosphere of the land that time forgot. It is a haven for plans
:21:12. > :21:19.and low -- wildlife. Some sections feel dark and subterranean. This
:21:20. > :21:27.pothole was formed over thousands of years. Getting deeper and deeper and
:21:28. > :21:36.smoothing out the rock. The bubbling of the water gives it the name. It
:21:37. > :21:43.is fierce. You feel like you are deep down in the earth. If you look
:21:44. > :21:52.up to the sides you can see where the potholes were. It is so
:21:53. > :22:07.atmospheric. You start thinking you can hear people.
:22:08. > :22:15.It is said back in the 17th century a trade of savages made this their
:22:16. > :22:25.hiding place. They terrorised anybody who dares enter. This
:22:26. > :22:30.playwright has researched them. They are pictured as attacking
:22:31. > :22:33.travellers. People would be reluctant to wander through there on
:22:34. > :22:40.their own. I think if you have a group of people who want to live
:22:41. > :22:48.differently they would tend to be regarded as savage outlaws. That was
:22:49. > :22:55.a time of people, Civil War. It was a time of upheaval and the Gubbins
:22:56. > :23:01.may have been looking after themselves just like groups today.
:23:02. > :23:14.Can you imagine that a of people living here, coexisting? Yes, there
:23:15. > :23:20.is some intimacy. We have saved the best till last. What a beautiful,
:23:21. > :23:30.elegant waterfall. That's incredible. The shape of it
:23:31. > :23:50.represents a lady's flowing dress. It laid down. But it is 90 feet
:23:51. > :23:56.high. Just gorgeous. If you were looking at an illustration you make
:23:57. > :24:00.picture a scene like this. It is a truly beautiful place. Modern
:24:01. > :24:05.technology allows us to get a new view of this ancient landscape but
:24:06. > :24:11.this water will just keep on doing what it has for thousands of years,
:24:12. > :24:19.eating its way into the spread of rock.
:24:20. > :24:26.Beautiful footage and wonderful sound. You thought there was trouble
:24:27. > :24:36.at Mill when we launched into that because you've done a travelogue. I
:24:37. > :24:46.used a lot of drones. Not everyone likes them. We were threatened. This
:24:47. > :24:54.auld hippie did not like them and told us she was going to shoot us.
:24:55. > :24:58.We've got one more film for you all and this is special. It is the story
:24:59. > :25:06.of how our son found out about his father's secret life after a chance
:25:07. > :25:11.discovery in the garden shed. Cleaning out the garden shed isn't
:25:12. > :25:18.something most of us enjoy. But sometimes, when you least expect it,
:25:19. > :25:30.you can stumble on something extraordinary. These hadron adverts
:25:31. > :25:37.are some of the best examples of the beautiful early commercial art.
:25:38. > :25:47.Lawrence gave up his art and when he died in 1998 he spent 18 years
:25:48. > :25:56.working at a bus driver. It was not until his son phoned them that his
:25:57. > :26:04.talents came to light. I'm lost for words. They are amazing and huge.
:26:05. > :26:07.Before you found these, did you know your dad was this talented? Not at
:26:08. > :26:17.all. In fact, I knew nothing about them. Very little about his past. Do
:26:18. > :26:22.you know anything about his career? My dad was a little graphic artist.
:26:23. > :26:27.He was doing watercolours. The design of the portraits. Look at his
:26:28. > :26:33.original and then draw them full-size straight onto the stone
:26:34. > :26:35.tablet. Up until the Second World War thousands of artists were
:26:36. > :26:40.employed to produce billboard advertising posters by this highly
:26:41. > :26:45.skilled method. Looking at the technique and composition of his
:26:46. > :26:52.work has got me itching to try something in his style. Why did he
:26:53. > :26:58.ever stop his art? It was World War II. After the war, he did not go
:26:59. > :27:06.back. It might have been after a break of five years he was not
:27:07. > :27:10.confident in his art again. I know what I went through when I almost
:27:11. > :27:17.stopped doing this. It will haunt you. It is hard to think of it now.
:27:18. > :27:24.It did not strike me that he had given up his talent until I
:27:25. > :27:29.unearthed all this. Decades of lying forgotten have taken a toll on his
:27:30. > :27:34.work at scanning experts at the University of Portsmouth and this
:27:35. > :27:38.local artist have offered to remaster the posters using modern
:27:39. > :27:45.techniques. This is where the paper has folded back over itself so I
:27:46. > :27:52.have to invent this next bit. This is a cloning tool. I will grab the
:27:53. > :27:56.colour that I want and then it is going to duplicate it. I'm just
:27:57. > :28:13.colouring this in. The results are fantastic. With the
:28:14. > :28:22.help of 21st century techniques, his work is back to its former glory.
:28:23. > :28:31.And after 18 years -- 80 years, it is on display in a gallery in
:28:32. > :28:42.Portsmouth. Here we are! Your dad's first solo exhibition.
:28:43. > :28:50.I'm awestruck and quite emotional. It's a wonderful moment. I think he
:28:51. > :28:56.would appreciate how you had helped repair these pictures. He's not the
:28:57. > :29:03.only one proud of his dad's work. The imagination, so creative. The
:29:04. > :29:09.artwork is superb. Two CDs with this kind of detail, frankly amazing. --
:29:10. > :29:16.to see this. I would like to give him a gift to mark the occasion. It
:29:17. > :29:22.is a tribute to your father's work. With a little twist. That is
:29:23. > :29:34.wonderful! I think my father would have liked it. Thank you very much.
:29:35. > :29:39.Isn't that great? Loving your work. What a lovely way to end a show.
:29:40. > :29:46.That is it for tonight. Cannot believe it. Thanks all the guests
:29:47. > :29:48.this evening, you can see Ardal O'Hanlon in Death in Paradise. And
:29:49. > :29:56.thank you for sharing your story with us. Angela and I will be here
:29:57. > :30:09.tomorrow, talking to Dannii Minogue. Good night!
:30:10. > :30:14.Do you have any prior motoring convictions?