:00:07. > :00:15.I've never known you have first night nerves like this before.
:00:16. > :00:17.I've never had a first night like this before.
:00:18. > :00:42.We have a bottle of champagne and a film about Brexit.
:00:43. > :00:59.Hello and welcome to the One Show with Matt Baker.
:01:00. > :01:05.And we are very pleased to see Suzy Starr and Pat Lewis from Tales
:01:06. > :01:07.of the Unexpected back together and on our sofa.
:01:08. > :01:12.Otherwise known as Dame Joan Collins and Pauline Collins.
:01:13. > :01:21.Hello to you both. That is scary looking at yourself 35 years ago!
:01:22. > :01:29.What do you remember from playing Suzy Starr? Absolutely nothing! A
:01:30. > :01:35.few things, we will draw a veil over them! I remember she planned to kill
:01:36. > :01:40.me because I was after a rich man. She succeeded, her whole family
:01:41. > :01:52.wanted to kill me. This is the thing, John, twice. There he is.
:01:53. > :01:57.Before the kill. Pauline, what is it with the family, why do you want to
:01:58. > :02:07.kill Joan? There are too many Collinss! We didn't do that in our
:02:08. > :02:11.new movie. But we had a few fights. You called me a terrible,
:02:12. > :02:22.horrible... I thought you meant personally! Never! There is another
:02:23. > :02:29.love triangle in the film. There is, we are both vying for Franco Nero.
:02:30. > :02:33.He is gorgeous, so a calendar grandfather and a father and a cook.
:02:34. > :02:42.A wonderful actor. And a wonderful lover. We will get to that in a bit!
:02:43. > :02:44.There is a lovely Thelma and Louise feeling going on and it gave us a
:02:45. > :02:49.bit of an idea. If you and a friend fancy yourselves
:02:50. > :02:52.as real-life Thelmas and Louises, send us pictures of the two of you
:02:53. > :03:01.together so we can all enjoy them. This is me and Liz. She is the
:03:02. > :03:08.Thelma to my Louise. We have been friends since we were nine. Hello if
:03:09. > :03:10.you're watching! That is so sweet. We will show as many as we can
:03:11. > :03:12.later. This was the One Show last Friday,
:03:13. > :03:15.when an enormous crowd came to watch Tickets for Ed's gigs and many
:03:16. > :03:25.others sell out fast, with thousands being picked up
:03:26. > :03:28.by ticket touts before the true fans As Matt Allwright reports, that even
:03:29. > :03:43.includes tickets for charity events. Some fans will do anything and pay
:03:44. > :03:49.anything to see their favourite stars live on stage. And that means
:03:50. > :03:55.there are always ticket touts looking to cash in, no matter how
:03:56. > :03:59.dreadful the deal they are offering. Online, unofficial site that claim
:04:00. > :04:05.to be a secure marketplace offer fans the chance to buy and sell
:04:06. > :04:10.tickets with confidence, sites like Get Me In, StubHub, the trade and
:04:11. > :04:14.Viagogo but there are huge concerns at these sites are being abused by
:04:15. > :04:20.touts who buy tickets in bulk and sell them at a massive mark up --
:04:21. > :04:24.Seatwave. You might say that if it is not illegal and we are prepared
:04:25. > :04:33.to pay, what harm are these so-called touts doing? Well... Just
:04:34. > :04:39.ask six-year-old Ed Sheeran Superfund Jayden from
:04:40. > :04:44.Nottinghamshire -- super fan. He was devastated when tickets to Ed's talk
:04:45. > :04:51.in April sold out in minutes. There were none left. Come here. The
:04:52. > :04:56.tickets were quickly being resold for hundreds of pounds on this
:04:57. > :05:03.secondary sites. The speed in which they appeared mean it is unlikely
:05:04. > :05:07.only genuine fans were selling. For Ed Sheeran's upcoming gig for the
:05:08. > :05:13.Teenage Cancer Trust, the organisers put in extra security measures aimed
:05:14. > :05:18.at stopping touts from cashing in. What is the problem here? At the end
:05:19. > :05:22.of the day can use to get the money from the original sale. We do but
:05:23. > :05:26.people are making profit off the back of young people with cancer
:05:27. > :05:30.when they sell these tickets. Ed is not making money from this gig, he
:05:31. > :05:33.is playing for free. Young people with cancer are what it is about,
:05:34. > :05:38.not about personal profit. The Teenage Cancer Trust is getting
:05:39. > :05:42.tough also on the night, photo ID needs to match the Booker's name on
:05:43. > :05:46.the ticket and any bought on the secondary market will not get you
:05:47. > :05:53.in. There is more. The trust has directly asked the four big ticket
:05:54. > :06:00.reselling platforms not to help the touts sell their tickets online. But
:06:01. > :06:02.will they play ball? It is 9am, Friday, February 17 and the Ed
:06:03. > :06:10.Sheeran tickets go on sale through the official sites. The man is
:06:11. > :06:15.determined to get Jayden a seat. It doesn't look good -- the mother. It
:06:16. > :06:22.doesn't look good, or the official tickets have sold out. They are all
:06:23. > :06:26.not available. They have all gone. I hope they have gone to people who
:06:27. > :06:33.want to go and see him want to help the charity. But I doubt that, I
:06:34. > :06:40.will see them soon on the other websites for ?600. And sadly, she
:06:41. > :06:46.was right. Our research has been keeping tabs on the big four resale
:06:47. > :06:50.sites. Three of which, Seatwave, StubHub and Get Me In, have not
:06:51. > :06:55.allowed the charity tickets to be sold but one site, Viagogo, does,
:06:56. > :07:01.with tickets being sold in minutes for nearly ?2000. And ten days
:07:02. > :07:12.later, Viagogo is still selling the tickets. Total price ?6,710, for one
:07:13. > :07:16.ticket. Viagogo are the only people still selling these tickets. What do
:07:17. > :07:19.you make of that? It's just wrong, people paying that amount, there is
:07:20. > :07:23.no guarantee they will get in because of the measures we put in
:07:24. > :07:29.place and fans will be disappointed. We have had to the line. What does
:07:30. > :07:35.the company have disable itself? We did ask them if they wanted to talk
:07:36. > :07:39.to us -- have to say for itself. But they didn't send a response. And we
:07:40. > :07:44.are not the only ones who want answers. Their actions were
:07:45. > :07:48.condemned at last week 's Prime Minister's Questions. When by Gogo
:07:49. > :07:52.know only too well that tickets that are a result are invalid for entry
:07:53. > :07:58.is unfair and not indicative of the market that works for everybody. The
:07:59. > :08:02.government says it will be responded to an independent review it
:08:03. > :08:07.commissioned the secondary ticketing market soon. StubHub told the
:08:08. > :08:10.identities of all sellers on its site are checked and verified and
:08:11. > :08:17.all tickets sold are guaranteed and. And as for our many Ed Sheeran, all
:08:18. > :08:21.Jayden can do now is enjoy watching his favourite star at home.
:08:22. > :08:31.Surely not. Tell us this had a happy ending. It wouldn't be right, we had
:08:32. > :08:35.Ed Sheeran on the show can we had Jayden in the film so what could we
:08:36. > :08:43.do but put them together and try to get a resolution and what a
:08:44. > :08:48.resolution, have a look. Hello. I'm Ed, it's nice to meet you. You look
:08:49. > :08:52.good, I might have a copy it. I heard you had trouble getting
:08:53. > :09:01.tickets so you can add as many as you like. What did you say? Number
:09:02. > :09:04.one fan. Thank you! You play guitar as well? Do you want to play me
:09:05. > :09:27.something? Let me choose it up. That is great. Please tell us that
:09:28. > :09:34.those tickets we saw in that film are still not on sale for ?6,000.
:09:35. > :09:41.They are not on sale for ?6,000. Now the best seat in the house is on
:09:42. > :09:48.sale at nearly ?12,000. That is a joke! And that is not going to the
:09:49. > :09:54.Teenage Cancer Trust? Obviously the original sale Price bids the rest of
:09:55. > :10:01.it is going to somebody. It is ridiculous. And what happens to the
:10:02. > :10:05.person who buys the ticket? Will they get in? If you talk to Teenage
:10:06. > :10:09.Cancer Trust they are certain, they decided this will not happen and
:10:10. > :10:13.they will not allow it so as far as the organisers are concerned, they
:10:14. > :10:17.are saying that no, if you buy a ticket through Viagogo or another
:10:18. > :10:21.site, you are not coming through. And is there anywhere else you can
:10:22. > :10:24.go if you miss out and you don't want to pay over the odds? The
:10:25. > :10:29.interesting thing is now but other site are emerging. There is one
:10:30. > :10:34.called Twickets and that is backed by a lot of big artists like Adele
:10:35. > :10:39.and Ed Sheeran. You have to sell the tickets for face value or less. I
:10:40. > :10:43.think they allow 15% on top to cover booking charges but that is where
:10:44. > :10:47.you can go and these are people who just want somebody else to enjoy the
:10:48. > :10:52.ticket that they can't use. There are a couple of others, one called
:10:53. > :10:56.Dice and one called WeGotTickets. This is not just for music, it is
:10:57. > :11:01.going on with musicals, plays, sporting events. I am sure the
:11:02. > :11:10.ladies have experienced it. Many times. Not paying for them but
:11:11. > :11:13.looking at the prices. And as an actor, if you are on stage and you
:11:14. > :11:17.know your audience are paying different amounts for the same
:11:18. > :11:21.seats, that is not fair. The best thing is to go to the theatre if you
:11:22. > :11:26.can and put it there. I know they have these touts on Broadway because
:11:27. > :11:30.when I played that there were lines around the block. But I didn't
:11:31. > :11:37.realise they pushed the prices up to such a terrible amount. Hamilton,
:11:38. > :11:42.WeGotTickets for our granddaughter for Hamilton in New York... Cameron
:11:43. > :11:46.Macintosh came on here. He was as worried about it as anybody was and
:11:47. > :11:50.said he was trying to do whatever he could to make sure those tickets get
:11:51. > :11:54.to fans at the most reasonable prices, close to face value as
:11:55. > :12:00.possible. And you are not meant to buy blocks and they do by big
:12:01. > :12:05.blocks. There is a piece of legislation which is hitting the
:12:06. > :12:09.parliament at the end of this month which is devised to stop what they
:12:10. > :12:12.call net bots which is the software that can harvest the ticket in huge
:12:13. > :12:16.numbers and that is what this is that it's happening. It is not
:12:17. > :12:17.individuals being quick, it is much more organised than that. Fingers
:12:18. > :12:21.crossed. We will have to move on. In a moment, brace yourselves,
:12:22. > :12:24.you'll see the rare sight that is Joan Collins sitting
:12:25. > :12:32.on a bus. Sticking with the bus theme,
:12:33. > :12:39.here's how a little bit of graffiti in a Devon bus shelter
:12:40. > :12:55.eventually led to it becoming It is a tranquil spot here come the
:12:56. > :13:05.river flows underneath the bus shelter. When my son was very small,
:13:06. > :13:11.the boys used to meet here and play. In 2030 it suffered some vandalism.
:13:12. > :13:15.Somebody drew all over the walls. -- 2013. We woke up to see it had had a
:13:16. > :13:27.makeover. There were plants, they keep
:13:28. > :13:30.replacing them. There was a buzz of excitement around the visit and it
:13:31. > :13:39.brought a smile to my face as it did to everybody else. It looks really
:13:40. > :13:44.nice. There were fairy lights. We are off to walk to preschool so we
:13:45. > :13:51.add to what somebody else has put here. I made a bus and on the back
:13:52. > :13:57.it says, we decorated the bust up with home-made cards. It's the best
:13:58. > :14:04.one I've seen. I go all around everywhere and this is the best one.
:14:05. > :14:12.To hear water running is a lovely sound. Hand on heart, as a man of
:14:13. > :14:17.the cloth, I cannot tell you who is doing this. Sometimes I come in here
:14:18. > :14:24.just because it's really nice in here. I usually just sit back and
:14:25. > :14:35.listen to everything around. We have asked people, we tried to guess. We
:14:36. > :14:41.call it the Banksy bus stop! It is somewhere you can sit and you can
:14:42. > :14:46.use it. It just feels important that the village cared about things and
:14:47. > :14:50.caring about this funny little space, it is just a wonderful idea.
:14:51. > :15:05.My bus! Such a lovely idea, isn't it? It is
:15:06. > :15:09.beautiful, you want to go and sit there.
:15:10. > :15:16.Joan, we have two as, when did you last hang out at a bus stop?! -- we
:15:17. > :15:22.have to ask. Are there many in St Tropez? The last time I was a on a
:15:23. > :15:27.bus was in Birmingham. I went to another actor to see a film. We got
:15:28. > :15:32.out, we couldn't find a cab or anything. I said, come on, I've got
:15:33. > :15:37.to be on stage and 45 minutes. He said, come on, we'll get a bus. I
:15:38. > :15:44.said, I haven't been on a bus since I was 11. Did anybody recognise you?
:15:45. > :15:56.Yes, somebody recognised me. Said, are you Joan Collins? I said no! If
:15:57. > :15:58.it wasn't for a bus, the story we are going to watch in this wonderful
:15:59. > :16:02.movie would never have happened. So just give us an idea of how you both
:16:03. > :16:05.be to start with. I am in a very sad marriage which is at the end of its
:16:06. > :16:08.life, it seems to me. Joan is any very sad old peoples home and
:16:09. > :16:13.desperate to get out of it. So all in a very sad old people's home. On
:16:14. > :16:17.a day trip, I meet her by chance. She drops her purse, I pick it up
:16:18. > :16:26.off the floor and we get talking. She then uses me shamelessly to
:16:27. > :16:30.accompany her, yes, to a funeral of an old Hollywood producer who used
:16:31. > :16:38.to give her lots of work, and she now wants more work and she's going
:16:39. > :16:42.to Basel for work. A subplot, too. Many subplots! It's a movie about
:16:43. > :16:47.friendship, but you don't start off as friends. Oh, no, not at all. She
:16:48. > :16:55.doesn't know who I am. Finally when I tell her, I recognised you,
:16:56. > :16:59.though. You play an actress from the 60s. IPlayer and actress who has
:17:00. > :17:04.been actually dumped by Hollywood, which is what they do to a lot of
:17:05. > :17:09.actresses when they hit the big 40. When you look at the actresses from
:17:10. > :17:14.that era, you will find they are not working. She says to Priscilla, she
:17:15. > :17:17.says, you not allowed actresses aren't allowed to get gold in
:17:18. > :17:23.Hollywood. I'm going to make a comeback. She's totally deluded. --
:17:24. > :17:27.to get old. She wants to go to this funeral, she can't drive or speed
:17:28. > :17:38.French. But she can drive and she can speak French, so I kidnap our.
:17:39. > :17:40.She uses and abuses me! We have a lovely. This is the moment Priscilla
:17:41. > :17:43.and Helen sneaked aboard the cross-channel ferry. Now I don't
:17:44. > :17:49.know what to do. You don't know me! Whatever happens, just keep moving,
:17:50. > :17:57.OK. Oh, Helen, oh, my God, are you all right? I think she fainted, I've
:17:58. > :18:05.no idea who she is, but she does look familiar. Madame, Madame? Do
:18:06. > :18:10.you know, the double act you have done here is so lovely. At the heart
:18:11. > :18:15.of it, there is French at that. Joan, and my right in saying that
:18:16. > :18:21.you asked for Pauline to do that? -- am I right. Our producer- director -
:18:22. > :18:26.writer came to meet for five years ago and I read the script and I
:18:27. > :18:29.thought it was wonderful. And two equally wonderful parts, the two
:18:30. > :18:33.actresses. He said, who would you like to see in this role? I
:18:34. > :18:40.immediately said, Pauline. I love you! You will do the same for me one
:18:41. > :18:45.day. And so he said, what a great idea. He sent the script Pauline,
:18:46. > :18:48.she was very busy, working on about eight different things, Charles
:18:49. > :18:56.Dickens shows, a quartet, a very busy woman. But I said yes. She said
:18:57. > :19:01.yes immediately. We rehearsed and we got along really well. Except she
:19:02. > :19:07.said, you're so dressed up, and I said, no I'm not, I'm just wearing
:19:08. > :19:09.an old shirt and a T-shirt. You are so glamorous! That's what's
:19:10. > :19:14.interesting about the two characters. Your character, Pauline,
:19:15. > :19:19.it takes the role of the downtrodden housewife. Abused housewife. It is a
:19:20. > :19:24.character you have played before, going back a few years. But what I
:19:25. > :19:29.find so fascinating is, you really are intrigued by Joan's character.
:19:30. > :19:33.It is the glamour... I was swept off my free by her. She opens the door
:19:34. > :19:38.to a world but I know nothing about. The great thing about this story is
:19:39. > :19:45.that nobody remains the same at the end of it, we change each other,
:19:46. > :19:49.don't we? Yes. I make a nicer. They are almost blended. You start to get
:19:50. > :19:53.more into room with your past as well, I don't want to give too much
:19:54. > :19:57.weight -- more in tune. Just that kind of end moment when you are
:19:58. > :20:04.wandering off in the Sunset... I love that, don't you? It really is a
:20:05. > :20:08.journey. In one hour and 45 minutes, you see these two totally desperate
:20:09. > :20:18.women, who really don't really like each other... I think I admire you.
:20:19. > :20:24.And then you admire me when I drop my purse. I admired you because of
:20:25. > :20:27.your energy. I think we better make it again! I've been going down the
:20:28. > :20:33.wrong alley. There's another one in there, I'm sure. You have been so
:20:34. > :20:37.inspiring to our viewers tonight. We have had so many pictures sent in.
:20:38. > :20:42.Pictures of Thelma and Louise! Oh, great! The Times Of Their Lives is
:20:43. > :20:47.on cinemas from Friday. Last night, Alex Riley took four
:20:48. > :20:49.One Show viewers from Nottingham, Manchester and Bolton to meet
:20:50. > :20:52.David Davis, the Secretary of State They asked him what would happen
:20:53. > :20:56.to all those EU laws we currently have to stick to,
:20:57. > :21:08.and how trade would work once This is our team. 41 showed viewers.
:21:09. > :21:15.Nigel Baxter and Nora Hulk Roth, who voted to leave -- four one showed
:21:16. > :21:20.viewers. And two viewers who wanted to remain. They have been digging
:21:21. > :21:25.into the issues over leaving the EU with the man assigned to get the
:21:26. > :21:29.best deal for Britain. Secretary of State David Davis. Do you wake up in
:21:30. > :21:32.the middle of the night thinking, blimey, it's a bit more complicated
:21:33. > :21:37.than I thought it was? To be honest, I didn't expect to get the job. He
:21:38. > :21:41.will have a tough task when he goes head-to-head with the EU's chief
:21:42. > :21:53.negotiator Michel Barnier. Nigel wants to know just how much money he
:21:54. > :21:56.is going to ask us to pay up to get out. It has been reported that we
:21:57. > :21:58.might have the 50, ?60 billion to exit the EU. Is that real stop law
:21:59. > :22:04.they are taking a negotiating position. They are taking a
:22:05. > :22:09.responsibility. UI businessman, you know I'm not going to open the bin.
:22:10. > :22:13.Sticking with the subject of money, much has been said about the amount
:22:14. > :22:18.we will save by leaving the EU. John wants to know where that money is
:22:19. > :22:23.going to go. Before the referendum, it was that ?350 million that was
:22:24. > :22:27.always mention, going back into the NHS. Will that go to the National
:22:28. > :22:30.Health Service? The money that comes back will be used in the way that
:22:31. > :22:41.the Government thinks is best for the economy, for the country. In the
:22:42. > :22:43.end, this comes back to control. It's about Britain controlling what
:22:44. > :22:46.it does with Britain's money. Many people's reason for voting to leave
:22:47. > :22:49.the EU was to reduce immigration and to take back control of our borders.
:22:50. > :22:53.But John is worried about what sort of country we will become. How can
:22:54. > :22:56.we control immigration but not alienate people, you know, still be
:22:57. > :23:02.a welcoming country? The door is not going to slam shut the day after, we
:23:03. > :23:06.are still going to be open for the best and brightest, the talent,
:23:07. > :23:10.whether it is professors, managers, engineers. Are we still going to be
:23:11. > :23:18.open though for those waffling piratical... Baftas asylum. Has been
:23:19. > :23:24.a watchword -- for those fleeing conflict, that is asylum. It is not
:23:25. > :23:28.that people disapprove of all immigration, because they don't, I
:23:29. > :23:32.think. If I were in eastern Europe, I would be working here. It is a
:23:33. > :23:36.question of balancing the economic demands with the interests of
:23:37. > :23:41.British people who want to feel their country is under their
:23:42. > :23:45.control. This economy needs ordinary workers to come and support our
:23:46. > :23:49.businesses and our public services, our NHS. We will do it in a way
:23:50. > :23:55.which allows us to bring the net numbers down, over time, and we will
:23:56. > :23:58.do it in a way which doesn't cause labour shortages, that's the point.
:23:59. > :24:03.And what about the jobs which British citizens don't want to do?
:24:04. > :24:07.We have two encourage people. There is definitely never going to be a
:24:08. > :24:11.time when there will be no migrants here. Before negotiations start, we
:24:12. > :24:16.need to hand in our notice. Can you tell us when Article 50 will be
:24:17. > :24:21.triggered? By the end of March. Wonder. Look then we will be
:24:22. > :24:27.underway with the negotiations. There will be no strings attached
:24:28. > :24:31.about? The Goverment's intention is to get on with it. The Prime
:24:32. > :24:35.Minister is very conscious that the people want us to get on with it and
:24:36. > :24:40.resolve any uncertainties and get us on to our new track. And that new
:24:41. > :24:45.track is going to be designed to be in everyone's interests, not just
:24:46. > :24:49.the 52, everybody. Our time with David Davis is up. How does team
:24:50. > :24:54.Brexit feel about what he had to say? I thought it was good what he
:24:55. > :24:58.said about getting a deal that is good for Britain and good for the
:24:59. > :25:02.whole of the EU. I am pleased that they get the need for a free-trade
:25:03. > :25:06.agreement, but I don't believe we will have our cake and eat it. We
:25:07. > :25:10.are only just starting to realise how complicated it is. How long is
:25:11. > :25:14.it going to be take with Mike how long will it cost? Everybody is
:25:15. > :25:19.looking at David Davis, it is a difficult job. And it has only just
:25:20. > :25:24.begun. Well, team Brexit will be back before too long. John and
:25:25. > :25:27.Pauline -- Joan and Pauline, we were talking, it is difficult for people
:25:28. > :25:31.in the public eye to be able to say their views openly without getting
:25:32. > :25:36.shot down. How do you both feel about it at the moment? I feel, we
:25:37. > :25:40.probably both agree, I feel it is in some ways irresponsible of actors to
:25:41. > :25:44.give opinions about politics. Yes, because we don't know enough about
:25:45. > :25:50.them. And we should not be influencing people, because we've
:25:51. > :25:56.been on the telly. Yes, but that doesn't mean that if we are around
:25:57. > :25:59.the dining room table with writers and things we don't talk about it
:26:00. > :26:04.for if Risley, because we do have opinions. But those opinions should
:26:05. > :26:09.not colour other people's opinions. The same goes for big actors in
:26:10. > :26:13.Hollywood, who I think have become much too political. Is this an
:26:14. > :26:16.invite for dinner after The One Show? We can carry on chatting!
:26:17. > :26:19.We're going to take a moment get to know Joan
:26:20. > :26:22.We're calling it "This Collins or That Collins?".
:26:23. > :26:24.We have some facts - some are about Joan,
:26:25. > :26:28.Joan, Pauline, all you have to do is use your paddles
:26:29. > :26:37.This Collins or that Collins. You just have to spin it accordingly.
:26:38. > :26:39.Me?! Matt's playing along
:26:40. > :26:57.with tonight's audience. You will spin it round for this
:26:58. > :27:02.Collins if it's for you. Thick as a plank of wood at the minute! If you
:27:03. > :27:06.think the statement that we read out is about you, you turn it around to
:27:07. > :27:13.say, this Collins, write to the front. Oh, I see, I've got it now!
:27:14. > :27:15.OK, are we ready in the blue area's are we ready in the audience? Here
:27:16. > :27:19.we go with the first statement... The father of which Collins,
:27:20. > :27:21.upon hearing that his daughter had been named the prettiest women
:27:22. > :27:24.in England, said, "I'm amazed, she's a nice little girl,
:27:25. > :27:38.but nothing special"? Was its genome or Pauline? We are
:27:39. > :27:43.all going... -- was it Joan. The majority is saying Joan. This
:27:44. > :27:46.Collins, it was Joan, well done. We have got a lovely little picture of
:27:47. > :27:53.you just when you were a little girl. Oh, look! Is it true that your
:27:54. > :27:58.mum put a little note on saying, don't kiss this baby?! When I was
:27:59. > :28:04.young, my mum put a note on saying, please do not kiss me. My mum was
:28:05. > :28:05.very jealous, even then in the dark ages! We will move onto next
:28:06. > :28:06.question. Which Collins once cut
:28:07. > :28:09.?500 worth of pearls out of a dress because she didn't
:28:10. > :28:18.like the neckline? What are we thinking? Joan Collins
:28:19. > :28:29.or Pauline Collins? It looks like a resounding Joan Collins to me. Oh,
:28:30. > :28:34.it was Pauline! It was Pauline! Wow! It was when I was nominated for an
:28:35. > :28:38.Oscar. I arrived in Hollywood with some unsuitable clothes, as I always
:28:39. > :28:43.do, I'm nothing like Joan. Is it this dress? No, that a good dress,
:28:44. > :28:47.that's what I ended up with. The stylist said, these are OK, honey,
:28:48. > :28:50.but I'll give you something different. She brought a pearl
:28:51. > :28:54.outfit in and I loved it, but I said, I don't like the high
:28:55. > :28:59.neckline. She said, you don't like it? I said no. She cut about ?500
:29:00. > :29:06.worth of polls. And that is what I walk and I loved it. -- worth of
:29:07. > :29:12.pearls. These are the Hayward girls. I think the Hayward boys or in the
:29:13. > :29:19.background. We have got to Julie and her best meet marina. Angela and
:29:20. > :29:22.Chantal met 36 years ago. We would like to say a very big thank you to
:29:23. > :29:25.Joan and Pauline for joining us tonight!
:29:26. > :29:28.The Times of their Lives is in cinemas on Friday.
:29:29. > :29:30.Tomorrow Miranda Hart, Tony Robinson and Rob Beckett are joined
:29:31. > :29:33.by the Harlem Globetrotters who will be slam dunking