:00:39. > :00:49.Our guest has a power. It turns out, he used to go by the nickname Mopsy.
:00:49. > :00:49.
:00:49. > :00:55.Aaahhh. What a sweetie. Please, welcome Lord Alan Sugar. You were
:00:55. > :01:02.such a cuty. My eldest sister gave me that name. I don't know why. I'll
:01:02. > :01:09.take it up with her. Does she still call you Mopsy? She might do now
:01:09. > :01:14.you've brought it up. Sorry about that. Sorry about that. It was the
:01:14. > :01:19.mop of hair. Of course. Mum and dad in those days must have thought this
:01:19. > :01:27.was quite a fashionable statement, with a mop of hair. I would agree
:01:27. > :01:33.with them. You are very cute. A new reporter gets to make his first film
:01:33. > :01:38.for us. Hugh Lawrie, on a man who changed the face of British music.
:01:38. > :01:44.For the One Show? I know, things must have dried up! We'll talk about
:01:44. > :01:48.that later on. First, Alan, you are a big fan of cycling and we know you
:01:48. > :01:52.are paranoid about getting your bike stolen, so we think you're going to
:01:52. > :01:57.like this next piece. Martin Bayfiled joins Bristol police force,
:01:57. > :02:07.who are going above and beyond the call of duty to track down bike
:02:07. > :02:10.thieves. It's estimated that one bike is stolen every minute in
:02:10. > :02:15.England and Wales. With more and more of us choosing to cycle, bike
:02:15. > :02:20.theft is a crime on the up. Here in Bristol, police have dramatically
:02:20. > :02:25.reduced the number of bike thefts since they introduced the scheme to
:02:25. > :02:29.catch the thieves red-handed. This is their secret weapon - a bait
:02:29. > :02:34.bike. The police don't want to reveal too much, except it looks
:02:34. > :02:39.like any other bike, but with one crucial difference, a GPS tracking
:02:39. > :02:44.device attached, so if it's stolen the police can follow it. Bikes are
:02:44. > :02:48.locked up in racks around the city and if simian does take the bait,
:02:48. > :02:51.police will be watching and -- someone does take the bait, police
:02:51. > :02:56.will be watching and filming. The police have used bait cars for
:02:56. > :03:03.years, but now the technology has got smaller, they're using it for
:03:03. > :03:09.bike theft. We need to identify the possible offenders for cycle thefts.
:03:09. > :03:12.Today, I've come to join Avon and Somerset Police on one of their bait
:03:12. > :03:17.bike operations, and after a quick briefing we activate the tracking
:03:18. > :03:22.device on the bike. We can track it to a house, car park or any
:03:22. > :03:28.building. It's put into position and locked by plain-clothes officers.
:03:28. > :03:35.Then Mike and I go to the CCTV control room, where the team will be
:03:35. > :03:39.keeping a close eye on the bike. Right behind us we have the scenes
:03:39. > :03:43.and yourselves and the security, all working well together, is it work it
:03:43. > :03:47.for a few bikes? I think it's definitely worth it. Bristol is a
:03:47. > :03:51.cycling city. We need to serve the public and try to make them
:03:51. > :03:55.reassured they can bring their bikes in and lock them up and be safe in
:03:55. > :03:58.the knowledge they'll be there when they return. They won't fail to
:03:58. > :04:03.notice this area is surrounded by cameras and yet they still have a
:04:03. > :04:08.go. Does that sometimes amaze you? It amazes me, because it's well
:04:08. > :04:13.known in this area there are cameras, but the people still take
:04:13. > :04:19.the opportunity to steal bikes. They literally can't resist it. It might
:04:19. > :04:24.scoundrelively trivial, but the bait bikes can lead police to serious
:04:24. > :04:29.offenders, for whom bike theft is just one element. It's led to some
:04:29. > :04:33.of the most prolific offenders, connected to burglaries and
:04:33. > :04:39.robberies and sometimes cycle theft can be the tip of the iceberg that
:04:39. > :04:42.sends them back to prison. We watch and wait in the CCTV control room.
:04:42. > :04:52.It's not long before they spot someone acting suspiciously around
:04:52. > :04:53.
:04:53. > :04:58.the bike rack. This is the beauty of this system. The guys are watching
:04:58. > :05:07.and using all the cameras and keeping an eye on the suspect. He's
:05:07. > :05:13.acting very specially. -- suspiciously. There's another team
:05:13. > :05:18.of police officers on standby in a nearby car. We've had a call from
:05:18. > :05:21.one of my colleagues about the bait bike and he's watched someone who
:05:21. > :05:25.has paid a bit of attention to the bike and the way it's locked up, so
:05:25. > :05:34.he's asked us to get in the area, because he has a feeling they might
:05:34. > :05:41.be coming back. Finally, he makes his move. Here he goes. He has
:05:41. > :05:46.snapped the lock right off and taken the bike and now he has got to be
:05:46. > :05:53.tracked down, but they'll find him. The guards are hot on his heels, but
:05:53. > :05:56.the thief is starting to get away. Going to us. He abandons the bike
:05:56. > :06:01.and trying to escape on foot, but with the rest of the team waiting
:06:02. > :06:05.ready in their positions, there's no hiding place for this bike thief.
:06:05. > :06:11.you understand why you've been arrested? He's arrested and taken
:06:11. > :06:15.back to the station for questioning. He dumped the bike, but you were
:06:15. > :06:20.still able to track him down. had got away we would have been able
:06:20. > :06:30.to track the bike if he didn't dumped it. He did, so we recovered
:06:30. > :06:38.that anyway. We got images of him on CCT -- CCTV. The police may be
:06:38. > :06:43.watching you and filming you wherever you go, so beware. I do
:06:43. > :06:49.hope that wasn't Martin's bike. Matt said, you are very keen to
:06:49. > :06:55.bike, aren't you? Yes.You go to extreme lengths to make sure nobody
:06:55. > :07:02.manages to steal your bike. I have done. In America there's a
:07:02. > :07:07.particular road that I ride on in Florida and sometimes one has to go
:07:07. > :07:11.and have a bathroom break, as the Americans call it and this
:07:11. > :07:18.particular place has a sign that says you cannot bring your bikes in.
:07:18. > :07:28.I do. I bring it into the loo with me and one day the sheriff - isn't
:07:28. > :07:31.Isn't it a bit tight in there? sheriff caught me and asked me if I
:07:31. > :07:35.couldn't read. I said, " You have to understand this bike of mine is
:07:35. > :07:40.worth quite a lot of money and if I left it outside it would be gone."
:07:40. > :07:47.He said to me, " I'll look after it." Fair enough, I thought and the
:07:47. > :07:51.next time I want to do a wee I'll make sure in you're around - yeah,
:07:51. > :07:55.you have to be conscious because of a high-valued bike, but normally I'm
:07:55. > :08:00.out with someone else so if we have to stop they look after it. Somebody
:08:00. > :08:06.who is conscious of it is Alice here from Bike Works. We saw there in the
:08:06. > :08:12.filming the trackers, but people can buy them. Yeah. There is this one
:08:13. > :08:19.here, which is hidden in a bike light. That's about �100. It works
:08:19. > :08:26.via a SIM card. You can see where it has gone. We tracked this bike
:08:26. > :08:32.coming to the studio today. That's the route? Yep. Very good. Do you
:08:32. > :08:38.fancy one of them? That's very, very interesting. They are good. Apart
:08:38. > :08:42.from a GPS tracker or a sheriff that Lord Sugar has standing by, what
:08:42. > :08:46.else can we all do to make sure the bikes are as safe as possible?
:08:47. > :08:51.really important to take a photo to record and register your bike, so
:08:51. > :08:54.you know what it is. It is also very important to lock it on to something
:08:54. > :08:59.very secure and then most importantly, it's very important to
:08:59. > :09:04.get a very, very good lock. We'll talk about the D locks, because you
:09:04. > :09:08.have a small one, so it's not easy to get something many to prise it
:09:08. > :09:12.off, but you put it somewhere specifically? You want to make sure
:09:12. > :09:16.it's in the back triangle of the frame and you want to fill the air
:09:16. > :09:19.as much as possible, so there's no possibility of anyone sticking a
:09:19. > :09:23.pole in and popping it and also where possible, you want to secure
:09:23. > :09:28.the front of the bike or the front wheel, or if you have a high-end
:09:28. > :09:33.frame you want to make sure you have secured all the components. Thank
:09:33. > :09:37.you. Now, we are not used to hearing stories of stockbrokers saving
:09:37. > :09:42.lives, but in the 1930s, one man swapped trading commodities for
:09:42. > :09:48.doing just that. Dan Snow has the amaze amazing story of Winton's
:09:48. > :09:54.children. A moving story of Oskar Schindler, a German who saved
:09:54. > :09:59.hundreds of Jews from the Nazi camps was made famous by the film,
:09:59. > :10:05.Schindler's List, but here in Britain we have our own man. He is a
:10:06. > :10:11.hero none the less and in fact he's right up here at Maidenhead station.
:10:12. > :10:16.This is Nicholas Winton. In 1938, he was a 29-year-old London
:10:16. > :10:21.stockbroker. But he became an organiser of kinder transport,
:10:21. > :10:24.trains crossing Europe on the eve of war, carrying thousands of mainly
:10:24. > :10:29.Jewish children, escaping the anti-Semitism sweeping through
:10:29. > :10:32.Europe. A year before war broke out, Nicholas Winton took a trip to
:10:32. > :10:37.Prague and realised that the Jews of Europe faced a terrible future. He
:10:37. > :10:42.knew he had to act. The German Government permitted some children
:10:42. > :10:47.to travel. Working from a hotel room in Prague and paying his own costs,
:10:47. > :10:52.he secured the agreements he needed to bring children to Britain. By
:10:52. > :10:57.March 1939 his first trains were ready to roll. A young Peter boarded
:10:57. > :11:03.one of the first trains. This is an approved German pass. Did your
:11:03. > :11:06.parents come to see you off at the station? They didn't weep. They
:11:06. > :11:11.simply showed me off and they were cheerful. They made me believe that
:11:11. > :11:17.I was going on a holiday to England. Two fellow passengers remember both
:11:17. > :11:21.hostility and kindness on the journey. When we stopped in
:11:22. > :11:25.nurnberg, the people who knew this was a train-load of mainly Jewish
:11:25. > :11:31.children, I remember them shaking their fists at us. They couldn't get
:11:31. > :11:37.at us. When we got to the Dutch border, on to the platform, came
:11:37. > :11:41.women and children and the women were carrying big jugs of Coco. It
:11:41. > :11:45.was wonderful. Tagged with numbers like their luggage, the children
:11:45. > :11:50.arrived at Liverpool Street Station in London. Each one met by Nicholas
:11:50. > :11:55.Winton. In all, 669 children were rescued and lived with British
:11:55. > :11:59.families. Most of their parents perished in the death camps. But for
:11:59. > :12:04.almost 50 years, Winton's achievement went unrecognised. Until
:12:04. > :12:08.his wife stumbled across a scrapbook in the loft. It contained details of
:12:08. > :12:15.every kinder transport child her husband had helped. The secret was
:12:15. > :12:20.out and led to some very public reunions. Is there anyone in the
:12:20. > :12:30.audience tonight who owes their life to Nicholas Winton? If so, could you
:12:30. > :12:34.
:12:34. > :12:38.stand up, please? Excitingly, at grand, old age of 103, Nicholas is
:12:39. > :12:44.still alive and well and Peter and I are off to see him now. We are now
:12:44. > :12:47.meeting Sir Nicholas Winton. Hello. Do you enjoy meeting up with the
:12:47. > :12:52.children people whose lives you changed so much? Yes, I'm still in
:12:52. > :12:55.touch with a lot of them, which keeps me alive too. What were the
:12:55. > :13:02.biggest problems to getting these people out? Getting permission from
:13:02. > :13:07.the British government to accept children into this country. They had
:13:07. > :13:13.no friends or grannors, so we had to guarantee that the children we
:13:13. > :13:17.brought over had somebody who would temporarily adopt them. I and my
:13:17. > :13:23.mother met them all. We were there at every train arrival. That must
:13:23. > :13:29.have made all the bureaucracy and organisation worth well? Well, this
:13:29. > :13:32.is -- worthwhile? Well, this is what makes it all worthwhile. Some of
:13:32. > :13:41.great-great-grandparents. It was all a matter of luck, being in the right
:13:41. > :13:48.place at the right time. How much a an impact did he have? My father was
:13:48. > :13:51.killed on arrival in orb wits, so I was grateful to Sir Nicholas for my
:13:51. > :14:00.existence and my survival. Does it give you satisfaction looking back
:14:00. > :14:06.after all the years on what you achieved? Yes, it has. Yes. Thralls
:14:06. > :14:09.satisfaction to look back on something that's good. That was an
:14:09. > :14:15.enormous privilege to meet him and witness that conversation. He has
:14:15. > :14:19.this incredible ability to make his heroism sound almost must be
:14:19. > :14:29.mundane, but one things shines through and that's the huge
:14:29. > :14:44.
:14:44. > :14:53.affection with which he's regarded Here is an angel. The fact there he
:14:53. > :14:56.did not shout about it. It is unbelievable! Your search for a new
:14:56. > :15:03.apprentice starts tonight and the candidates are having to be up
:15:03. > :15:13.front about their business plans. Do you have much of a say in those
:15:13. > :15:14.
:15:14. > :15:20.businesses? Obviously, the audition process starts off with thousands
:15:20. > :15:27.of people applying. You can imagine. The production company Whittle's
:15:27. > :15:34.them down to 100 or so. Then I would have a look through the CVs
:15:35. > :15:40.on paper of some of the people. Sometimes they show you clips of
:15:40. > :15:46.them. The most important thing is that I don't have an opinion about
:15:46. > :15:52.the business these people want to go into. They are going to run the
:15:52. > :16:00.business. I am not going to do it. I am going to be there as a mentor.
:16:00. > :16:07.I do not have particular... It is them you are interested in.
:16:07. > :16:13.their business plan. Of the 16 of them, I would have reviewed their
:16:13. > :16:20.business plan in a miniscule manner. Certain businesses I would not want
:16:20. > :16:29.to be involved in and they would not get in the process. What types
:16:29. > :16:36.of business would they be? this.com rubbish. It did catch up
:16:36. > :16:42.on but it will not catch on any more. People inspiring to be
:16:42. > :16:50.another Lord gates and so on. I have a quick look at the plans. I
:16:50. > :17:00.do not dive into them until we get later into the process. They were
:17:00. > :17:00.
:17:00. > :17:10.arguing that match from the start. It is all right. I need to speak to
:17:10. > :17:11.
:17:11. > :17:17.them. I said it seven times. are you shouting? Ring them back.
:17:17. > :17:23.They are a great bunch. Some really strong characters in at. They
:17:23. > :17:28.create the tension. -- in there. A lot of people say, is it really
:17:28. > :17:37.business? You must understand there is a to London �50,000 pot of gold
:17:37. > :17:42.at the end of this. -- to lead and �50,000. Make sure they sat in the
:17:42. > :17:46.running. You have been dragged through the courts by Stella
:17:46. > :17:52.English. Do you ever think to yourself, I need to keep my head
:17:52. > :17:57.down and not get involved? That is a separate issue. I do not agree
:17:57. > :18:03.with this claim culture and I was going to stand up to it. I am sick
:18:03. > :18:08.and tired of people who tried to abuse the system in attacking a
:18:08. > :18:12.high-profile individual - especially the ambulance-chasing
:18:12. > :18:17.lawyers they employed who believe there is a big payout at the end
:18:17. > :18:24.because the person is not going to go to court. They did not think I
:18:24. > :18:30.would go to court. She is a one-off. 160 people have come into my
:18:30. > :18:38.boardroom over the last eight years. You always get one bad apple, I
:18:38. > :18:42.suppose. It does not put the off at all. The Apprentice starts tonight
:18:42. > :18:45.on BBC One at 9pm and the second episode is on tomorrow night at the
:18:45. > :18:48.same time. It's been a glorious bank holiday for most of us but,
:18:48. > :18:51.for three budding entrepreneurs, it has been a nervous one. In honour
:18:51. > :18:58.of The Apprentice, we followed two start up businesses as they tried
:18:58. > :19:07.to make the most of the weekend trade. Shamin Bangi and Tony had
:19:07. > :19:15.just given up their 9-5 jobs to sell bucket loads of jerk chicken.
:19:15. > :19:19.-- Sharlene. We wanted to create an experience. 23-year-old Cesar
:19:19. > :19:26.already has a failed business behind him but now he is trying
:19:26. > :19:30.Again by making and selling his own gourmet ice lollies. My last
:19:30. > :19:38.experience was at Easter and it was snowing. I sold tend lollies and
:19:38. > :19:44.people were laughing. It was tough. We are following them as they tried
:19:44. > :19:51.to make the most of the promised good weather over the bank holiday
:19:51. > :20:01.weekend. We're up a bit behind time. Because of the weather, I would
:20:01. > :20:01.
:20:01. > :20:11.anticipate the football would be lower. -- suit for. Plenty. But no
:20:11. > :20:13.
:20:13. > :20:19.takers. I always feel slightly nervous at the start. This is for
:20:19. > :20:25.real. Thankfully, both the chicken and lollies are soon in demand.
:20:25. > :20:32.Everybody came at once. We were not really expecting it. We're trying
:20:32. > :20:37.to catch up. I feel like I need an extra pair of hands. We have sold
:20:37. > :20:44.more in half an hour and we sold the whole of the Easter weekend in
:20:44. > :20:51.March. By mid- afternoon, it is clear it will be a good day. It was
:20:51. > :20:57.nice. Very good value. I really enjoy debt. Really nice.I did want
:20:57. > :21:03.the ginger one and he had sold out that... Do they have enough stock
:21:03. > :21:10.to satisfy demand? I feel like we should have brought more stock. If
:21:10. > :21:16.we sell out, that is good but we lose out on money. I am thinking of
:21:16. > :21:23.calling my mum to censor more down in the cab. I think I could sell
:21:23. > :21:29.out about an hour before. The cab will be there in five minutes. Send
:21:29. > :21:36.four of each. They have taken the risk of a betting more stock later
:21:36. > :21:42.in the day but Sharlene has sold her last lunch. The delivery I
:21:42. > :21:46.received added on an extra 100 quid profit. I do regret not making the
:21:46. > :21:52.court earlier. I have not completely sold out but I am happy
:21:52. > :21:57.with what I have sold. We could have had a few more hours trading.
:21:57. > :22:03.That is disappointing. Next time we will come with double the amount
:22:03. > :22:13.and make double the money. It is just like the Apprentice. Very
:22:13. > :22:14.
:22:14. > :22:24.tense! Dave, could you send in the entrepreneurs, please? OK. Lord
:22:24. > :22:41.
:22:41. > :22:47.Good evening. It was quite a successful bank holiday. It is time
:22:47. > :22:57.to see how they got on over the bank holiday weekend. Shall I
:22:57. > :22:58.
:22:59. > :23:08.start? Sharlene and Tony - takings of �256. That is a profit of �178.
:23:09. > :23:13.
:23:13. > :23:23.Buried it. And Cesar, takings 1495. -- ferry pitbull stub a profit of
:23:23. > :23:23.
:23:23. > :23:33.�900. -- very good. I understand that yours was the ice lollies.
:23:33. > :23:39.You'll think was the chicken stuff. -- your thing. Do not be
:23:39. > :23:49.demoralised. I think he had a bit of luck because it was a sunny day.
:23:49. > :23:50.
:23:51. > :23:56.You have more of longevity in the opera that. You both have very good
:23:56. > :24:02.ideas. I have been working on some alcoholic recipes that I hope will
:24:02. > :24:08.be seen in nightclubs all year round, hopefully. You have to
:24:08. > :24:12.accept it is very seasonal. That is all we have got time for. Well
:24:12. > :24:15.done! By day, he's a Golden Globe winning actor but, by night, he
:24:15. > :24:25.likes nothing more than bringing down the house, singing music from
:24:25. > :24:26.
:24:26. > :24:30.America's Deep South. He is our new member of The One Show family. Hugh
:24:30. > :24:34.Laurie meets the man who first introduced Britain to the Blues.
:24:34. > :24:41.For the last 30 years, I have supported myself by pretending to
:24:41. > :24:45.be other people. English toffs, thanks, clowns, other English toffs.
:24:45. > :24:55.All that time, I have been nurturing a secret which I confess
:24:55. > :24:56.
:24:56. > :25:01.to you now. My name is Hugh Laurie and I love the blues. Back in the
:25:01. > :25:04.1950s, very few people in this country had heard of blues music.
:25:04. > :25:10.One Englishman knew what we were missing and decided to change that.
:25:10. > :25:18.In so doing, he changed my life and probably yours as well. He changed
:25:18. > :25:23.the course of popular music. He is a real hero of mine and I'm lucky
:25:23. > :25:30.enough to have the chance to meet him at Abbey Road studios for the
:25:30. > :25:37.one share. I am about to meet the trombone legend, Chris Barber. Your
:25:37. > :25:45.father was a violinist. He bought me a fiddle - a child sized one
:25:45. > :25:53.when I was seven. I had violin lessons at school. You got your
:25:53. > :25:59.first trombone much later. I had heard some jazz on the radio. I
:25:59. > :26:05.began to be interested. One day I saw a sign in at a record shop - a
:26:05. > :26:13.poster saying there would be a jazz concert. I never thought that what
:26:13. > :26:23.I read and heard that anyone would play it. It was across the ocean.
:26:23. > :26:25.
:26:25. > :26:30.Or Mars! I walked down the aisle to get this thing and there was this
:26:30. > :26:34.music. Chris Barber introduced a wave of American blues performers
:26:34. > :26:42.to this country who had a massive influence on those lucky enough to
:26:42. > :26:50.see them. When you brought over these extraordinary legends, what
:26:50. > :26:56.was the reaction of the audience? They left it. I was surprised. The
:26:56. > :27:01.strength of acceptance. There was a love for it immediately. The sound
:27:01. > :27:06.was amazing. We were determined to do all we could to get the music
:27:06. > :27:14.accepted at all in the first place. To get it understood and loved by
:27:14. > :27:19.more people. Basically, it inspired a generation of British bands who
:27:19. > :27:25.would go on to conquer the world. The music I play on my own records,
:27:25. > :27:32.yes, I had to get that in summer, has been directly influenced by
:27:32. > :27:42.Chris Barber and the artists he brought this country. -- to this
:27:42. > :28:07.
:28:07. > :28:12.You are in this extraordinary position of brokering these talents
:28:12. > :28:18.going backwards and forwards across the Atlantic. Did you feel like a
:28:18. > :28:28.man on a mission? It was about taking the music seriously and
:28:28. > :28:43.
:28:43. > :28:52.How about that! Thanks to Hugh and the legendary Chris Barber. I