:00:12. > :00:17.Brotherhood of Man are preparing for their performance on tonight's
:00:18. > :00:24.edition of The One Show. They have now been joined by members of Bucks
:00:25. > :00:30.Fizz, who also won Eurovision. What are you doing here? We are doing The
:00:31. > :00:34.One Show. No, we are on The One Show. What are we going to do about
:00:35. > :00:51.that? We'll sort something out! Hello, welcome to The One Show with
:00:52. > :00:56.Matt Baker and Alex Jones. In Eurovision week we have two British
:00:57. > :01:01.winners with us tonight. And we have worked it all out. Inspired by McFly
:01:02. > :01:06.and Busted, who recently joined together to create McBusted, we are
:01:07. > :01:13.joining former members of Bucks Fizz with Rutherford of man to create...
:01:14. > :01:19.Brotherhood of Fizz! It looks like an album cover. They are going to be
:01:20. > :01:31.performing live later. Our the skirts coming off? What about the
:01:32. > :01:34.trousers? We've also got some massive military machinery to keep
:01:35. > :01:39.the peace between the two bands. We'll be telling you more about
:01:40. > :01:41.those machines later. Continuing the Eurovision theme, we are joined by
:01:42. > :01:57.disco diva, behind hits like this. # Do it
:01:58. > :01:59.Take your mama out all night # So she'll have no doubt
:02:00. > :02:13.That we're doing the best we can And Chris Packham is here, looking
:02:14. > :02:17.very dapper. And a little birdie tells me that we are going to be
:02:18. > :02:23.exclusively revealing the location of this year's Springwatch? At the
:02:24. > :02:28.moment, my lips are sealed, you'll have to wait. After all of that,
:02:29. > :02:31.we'll need some time to relax and enjoy the flowers. Thank goodness,
:02:32. > :02:40.we have two host is of the BBC Chelsea Flower Show coverage. It
:02:41. > :02:47.is... Sophie Raworth and Joe Smith! Good to see you both. Good to see
:02:48. > :02:53.you. Nice flowers. Did you bring those in? I grew them myself! Let's
:02:54. > :03:00.talk about your running. Congratulations! Not only the London
:03:01. > :03:06.Marathon, a few days later you did the Boston Marathon? I've done the
:03:07. > :03:09.London Marathon a few years in the deliberate co-pay row, and then I
:03:10. > :03:14.actually qualified for something for the first time. I decided to do
:03:15. > :03:18.Boston as well. I ran eight days after London. The woman I am
:03:19. > :03:23.standing with is called Jackie, 61 years old. Everybody kept saying,
:03:24. > :03:26.you did two back-to-back! She does one every single weekend and she had
:03:27. > :03:35.to wait for me at the end of Boston. I was in bits. We've got a
:03:36. > :03:44.Eurovision theme. Being a flower man, do you like the campness and
:03:45. > :03:49.colour? It sort of went downhill after Bucks Fizz. Those were the big
:03:50. > :03:57.days. We look forward to seeing you joining in later on. Now, is your
:03:58. > :04:00.life constantly on charge? Do you have an array of phones, cameras,
:04:01. > :04:05.shavers and toothbrushes plugged into the wall, displaying more
:04:06. > :04:09.linking lights and the bridge of the Starship Enterprise? If so, you are
:04:10. > :04:17.not alone. Before you spend money on replacement chargers, just he'd Dan
:04:18. > :04:25.Donnelly's advice. Or you could end this is the moment and our chronic
:04:26. > :04:29.cigarette left charging behind a pub bar explodes into flames. It may be
:04:30. > :04:34.rare, but it's far from the only such incident to have happened. What
:04:35. > :04:39.is going on? In many cases, it wasn't just the e-cigarette to
:04:40. > :04:44.blame, but one of these. A fake charger that is not safe to use.
:04:45. > :04:48.Millions of chargers were left five devices are bought every year online
:04:49. > :04:52.and in markets and shops. Hundreds of thousands of them are cheap
:04:53. > :04:58.imitations that contain hidden dangers. I've come to the burn Hall
:04:59. > :05:02.at the building research Establishment, near Watford, to find
:05:03. > :05:08.out what the dangers are. A team of fire investigators are rigging up
:05:09. > :05:12.and e-cigarette to replicate what can happen when a dodgy charger is
:05:13. > :05:19.used. In less than 30 minutes, the risks become clear. Some smoke
:05:20. > :05:26.coming out of the end. Flames, as well. So, how has the charger done
:05:27. > :05:28.that? What we have done is replicated them without the normal
:05:29. > :05:33.protection you would hope would be in the correct equipment. What has
:05:34. > :05:36.happened is it has charged the battery and continued to keep trying
:05:37. > :05:41.to charge it, whereas normally you would expect it to cut off. It is
:05:42. > :05:46.not just e-cigarettes? It is everything else, you need to make
:05:47. > :05:50.sure you are charging the device with something compatible, ideally
:05:51. > :05:53.the one that came with it. The problem comes when people replace
:05:54. > :06:00.the chargers, because there are so many cheap imitations out there. In
:06:01. > :06:05.one period, trading standards officers in Buckinghamshire seized
:06:06. > :06:08.nearly 3600 chargers. They are almost indistinguishable from the
:06:09. > :06:14.real thing. On the outside, at least. If you open it, you can see
:06:15. > :06:25.how cheap it is. The wait is very light. All that is holding is small
:06:26. > :06:30.wires in place is a ball of soldering. People think there is a
:06:31. > :06:33.minimum standard and it is safe. They don't understand it is so much
:06:34. > :06:39.cheaper because the safety has been compromise. To think you could pull
:06:40. > :06:45.it out of the wall and be greeted with 240 volts, it is scary. Why are
:06:46. > :06:50.people buying them, then? It comes down to money. A real charger might
:06:51. > :06:56.cost ?20. Bought online, this fake charger is just ?3. But do people
:06:57. > :07:02.realise they could be putting there lives at risk. Would you buy a cheap
:07:03. > :07:06.one? Why not, if it does the same as an expensive one? I would,
:07:07. > :07:14.definitely, I have. Would the safety borrow it? Yes, I saw one go up in
:07:15. > :07:19.flames. I'll show you what can happen. Would you buy one now? No.
:07:20. > :07:25.You said you were happy to buy a cheap one. Maybe not any more,
:07:26. > :07:29.that's crazy! If that wasn't enough to make the point, back in the
:07:30. > :07:35.burning Hall, our fire investigators have set up one more test. This is a
:07:36. > :07:42.laptop battery, normally very safe. In extreme circumstances, the wrong
:07:43. > :07:47.charger, dodgy battery, it could be dangerous? Normally perfectly safe,
:07:48. > :07:49.there are a lot of fail-safe syn laptops nowadays. You would not
:07:50. > :07:55.expect any problems. But there could be damage, a different charging
:07:56. > :07:59.unit, we would hope not to seek it going, but it is possible. It is
:08:00. > :08:02.extremely rare, but the combination of a damaged battery and a wrong or
:08:03. > :08:19.fake charger could result in this. You would have to be crazy to risk
:08:20. > :08:23.something like that for the sake of saving a few quid? Clearly, it would
:08:24. > :08:27.have ignited anything else in the area. The wary of dying devices that
:08:28. > :08:32.might seem cheap at the time, but could cause a problem in the long
:08:33. > :08:35.run. Everything I've seen to date shows you would have to be nuts to
:08:36. > :08:37.buy one of these. They might be cheap, but it could be the most
:08:38. > :08:49.dangerous thing you ever buy. I could hear plugs being pulled out
:08:50. > :08:54.of sockets! Don't pull the television out, though. You need is
:08:55. > :08:57.until eight o'clock. Tony is here. We saw clearly the effect of a cheap
:08:58. > :09:04.charger. But it's not just cheap chargers? It's quite scary, isn't
:09:05. > :09:08.it? The problem with e-cigarette is that their batteries need a lot less
:09:09. > :09:13.voltage. If you start swapping chargers, if you put a phone charger
:09:14. > :09:17.into it, it gives off a higher current. The best advice is to
:09:18. > :09:21.follow what the manufacturers recommend, or stick to what they
:09:22. > :09:26.give you. The other issue is that we mix and match, but one of those into
:09:27. > :09:35.the wall, and then plug... If it fits, you just hugged in. You think,
:09:36. > :09:40.the light is on, it's fine. My kids always take mine of me. You have to
:09:41. > :09:44.make sure that the voltage map choose. If there is nothing on the
:09:45. > :09:50.plug, you have to go with the manufacturer's advice. The use of
:09:51. > :09:58.e-cigarettes was banned in New York, what is the situation in UK? Around
:09:59. > :10:02.the UK, it's interesting. Public-health England, they are
:10:03. > :10:09.considering banning them. In Wales, there is a consultation. In
:10:10. > :10:17.Scotland, it is called the Royal Environmental Health Institute For
:10:18. > :10:25.Scotland's Gps, and in Northern Ireland a leading health charity has
:10:26. > :10:28.called for a ban. Suber. Now for a lady who has been doing a
:10:29. > :10:32.first-class job for her community for as long as the Queen has been on
:10:33. > :10:36.the throne. We would like you to meet Esther, the Highland
:10:37. > :10:37.postmistress finally coming out from behind a desk after six dedicated
:10:38. > :10:52.decades. The remote and beautiful Highland
:10:53. > :10:58.village of Kylesku is home to the longest serving postmistress in
:10:59. > :11:01.Britain. And I'm here to meet her. After 61 years, she has finally
:11:02. > :11:14.decided to retire. Pleased to meet you! So, this is tiny. Tell me, what
:11:15. > :11:18.is the size of it? 6-foot by eight foot. And you pack a lot in here?
:11:19. > :11:25.This makes the post office one of the smallest in Britain. On a busy
:11:26. > :11:33.day, how many letters do you post? It varies. Sometimes it is seven,
:11:34. > :11:38.sometimes 12. Other days, two three. It's a good job you are not
:11:39. > :11:42.claustrophobic! Shall we get outside and have a chat? When she started as
:11:43. > :11:49.postmistress in 1953, she was only 22. How were things different? We
:11:50. > :11:58.were doing everything with pen and paper then, we didn't have
:11:59. > :12:02.computers. Kylesku is quite small, very remote. Completely different to
:12:03. > :12:07.in the city. But we are very happy. How did the locals feel about you
:12:08. > :12:12.retiring? I don't think they are very pleased, they would like to
:12:13. > :12:15.keep the post office. I have been around a few people and asked if
:12:16. > :12:21.they would take it over. They said no. But maybe they will change their
:12:22. > :12:27.minds. I hope so. Are you looking forward to retirement? I'm going to
:12:28. > :12:32.miss it. On the other hand, my husband and myself will probably
:12:33. > :12:36.travel a bit. Everybody in the area knows Esther and her post office.
:12:37. > :12:40.I've worked with Esther for 15 of those 61 years and it has been a
:12:41. > :12:43.pleasure to work with such a lady. She is an absolute diamond. We are
:12:44. > :12:49.fully omitted to retaining the service, but clearly Esther is
:12:50. > :12:53.irreplaceable. An absolute legend, you would never get out of there
:12:54. > :12:58.without a cup of Tay and a cake. Always there when you need help.
:12:59. > :13:02.She's not leaving us, she is still in the village, so we can still have
:13:03. > :13:06.cups of tea and a chat. IQ so much to Esther for showing us around. We
:13:07. > :13:10.are not going to leave it there. -- thank you. We want to make her final
:13:11. > :13:17.week very special and very busy indeed. We would like you to send
:13:18. > :13:21.Esther a good luck card. We are sending them to a local hotel so we
:13:22. > :13:25.can surprise her, as long as she is not watching now! Sophie and Joe,
:13:26. > :13:42.could you tell us the address? Brilliant, thank you very much. All
:13:43. > :13:49.of the guests in the studio have got cards that they are signing for her.
:13:50. > :13:52.Come on, viewers, schools, fellow postal workers, get a card in the
:13:53. > :13:58.post. We know you will not let her down. That will be lovely for her.
:13:59. > :14:01.And we want her to receive them before Wednesday of next week. So
:14:02. > :14:08.get them in the post as quickly as you can. It would be lovely if
:14:09. > :14:17.somebody wanted to send a bouquet of flowers. Which flowers travel best?
:14:18. > :14:28.Maybe something that is UK grown would be nice. Maybe Alis. I am
:14:29. > :14:37.having problems with mine at the moment! All send some seeds may be.
:14:38. > :14:43.So, you are both hosting coverage of this year's BBC Chelsea Flower Show.
:14:44. > :14:46.We are very excited. Sophie, we know about your impeccable news
:14:47. > :14:51.credentials but what about gardening? I actually come from a
:14:52. > :14:55.family of pretty serious gardeners. Both sets of grandparents have
:14:56. > :14:59.opened their garden to the public. My parents have a garden in
:15:00. > :15:04.Twickenham where I grew up which is open every year to the public. My
:15:05. > :15:09.mother was a florist and has written numerous books about flowers. I
:15:10. > :15:13.basically spent my childhood surrounded by oasis which they use
:15:14. > :15:18.for flower arranging and being carted around London to water
:15:19. > :15:23.flowers. I have grown-up with it. It is something which is very much in
:15:24. > :15:28.the family. It is wonderful to be able to continue it in this way. And
:15:29. > :15:37.we have the proof that you did grow up in the middle of a garden! We
:15:38. > :15:46.think this might be you. I looked at my bees
:15:47. > :15:49.think this might be you. I looked at special treat. That is lovely. It is
:15:50. > :15:55.a really good comb. I can tell by the weight of it, it is sealed
:15:56. > :16:01.honey. When was the last time you saw that? I have not seen it for a
:16:02. > :16:07.long time. That was my mum cos we kept bees. It was a family industry.
:16:08. > :16:13.I was very proud of my sweater. I said years later, how did you let me
:16:14. > :16:24.look like that? You have mentioned you have been down to the Chelsea
:16:25. > :16:27.Flower Show. I have been filming Countdown To Chelsea. Normally we
:16:28. > :16:32.see the amazing gardens but there is an incredible amount of work that
:16:33. > :16:40.goes into it. Years goes into the planning. How many people are there
:16:41. > :16:44.with wheelbarrows? Hundreds. Machinery, reversing vehicles,
:16:45. > :16:51.health and is a, high visibility jackets, steel boots. Which gardens
:16:52. > :16:56.are you most excited about seeing? There are lots of really interesting
:16:57. > :17:02.ones. A good friend of mine has about 25 gold medals already so he
:17:03. > :17:05.will have a great garden and another guy who always does something really
:17:06. > :17:12.classy. But it is re-hard to say which will get cold or Best in show.
:17:13. > :17:18.-- it is very hard to say. There is also the First World War theme
:17:19. > :17:26.coming through very strongly because it is the centenary. There are two
:17:27. > :17:33.in there. There is No Man's Land by well-known garden designer. It is
:17:34. > :17:42.her first one at Chelsea said that is big pressure. She's a first-time
:17:43. > :17:46.designer. There is a focus on first-time young designers. There
:17:47. > :17:52.are four or five who are literally 28, 29, 30, first time at Chelsea.
:17:53. > :17:56.Huge pressure. You are on the world stage. There are some uncalled
:17:57. > :18:00.Matthew Keatley doing the Help for Heroes garden. I have followed his
:18:01. > :18:05.progress for the last few months and the amount of effort and work that
:18:06. > :18:11.goes into designing those gardens. And today, they have to see if
:18:12. > :18:15.things fit all if they should come together as they should. It is
:18:16. > :18:20.incredibly stressful getting of on-site to build and create a garden
:18:21. > :18:24.and make it look stunning. There we are, a week on Monday we will be
:18:25. > :18:30.there. We will try and bring together your gardening knowledge.
:18:31. > :18:37.We want you to guess the famous garden. Let's have the first one.
:18:38. > :18:45.Any idea where this is? It has been on the news. Buckingham Palace?
:18:46. > :18:58.Downing Street? It is Downing Street! Let's go to the next one.
:18:59. > :19:04.That is one out of the way. It is a bit further afield. The White House.
:19:05. > :19:09.The White House, it is. Do you know this one? It has been in the news
:19:10. > :19:20.very recently. It is quite a sad story. Today this was in the news.
:19:21. > :19:26.You were not on the news today. This is Colin and Kath's grass verge.
:19:27. > :19:30.There have been looking after this flower bed for 15 years and they
:19:31. > :19:34.have been fined ?50 and have been asked by the council to dig it up.
:19:35. > :19:40.Jelena Cribb they are criminally damaging the hard way. It is
:19:41. > :19:48.ridiculous, guerrilla gardening, that is what it is about. The
:19:49. > :19:52.Countdown To Chelsea is at three o'clock next Monday and the BBC
:19:53. > :19:58.coverage of Chelsea Flower Show starts on Sunday 18th of May. Now,
:19:59. > :20:02.tonight, we are making Eurovision history. The two British Eurovision
:20:03. > :20:05.winners with us who are coming together for a very special
:20:06. > :20:09.supergroup performance. We will be talking to members of Bucks Fizz
:20:10. > :20:14.later on but first off, it is Brotherhood of Man who won the
:20:15. > :20:23.contest in 1976 with Save All Your Kisses For Me and this is what they
:20:24. > :20:31.looked like back then. # bye-bye, baby, bye-bye... This is
:20:32. > :20:38.what they looked like now! Welcome, welcome. Lee, we will start with
:20:39. > :20:43.you, Save All Your Kisses For Me, it is the biggest selling Eurovision
:20:44. > :20:47.winning song ever. What is the key to that because you wrote it? We
:20:48. > :20:52.did. We wanted something that everyone would remember so it had to
:20:53. > :20:56.be a simple melody and we wanted international words so that is the
:20:57. > :21:00.bye-bye, baby, said people overseas would catch on to that. And we had
:21:01. > :21:10.our little dance to keep it all going and then we had what we call
:21:11. > :21:14.the R factor at the end. Sandra, your overriding memory back then of
:21:15. > :21:21.the Netherlands, is it very vivid to you? It was wonderful. Our agency, a
:21:22. > :21:26.whole group from Manchester were all waving the flag is, it was
:21:27. > :21:31.fantastic. A great orchestra, lovely people to work with and of course,
:21:32. > :21:35.we were number one when we actually stepped out on that stage. Britain
:21:36. > :21:41.had put us to number one and we were first out which was a bit nerve
:21:42. > :21:46.wracking. But that was great. It will be like old times tonight, let
:21:47. > :21:50.me tell you! We are going to give you a bit of a challenge here. We
:21:51. > :21:58.want to play your clip and you have got to tell us what happened next.
:21:59. > :22:06.You have three choices. You can choose which one would you like?
:22:07. > :22:19.1985. Had you got a memory as good as that? ! Jelena Creer have already
:22:20. > :22:33.chosen, my friend, it is 1985! You have already chosen, my friend. I
:22:34. > :22:42.have got it, she has got another dress on underneath and she pulls it
:22:43. > :22:50.down. Totally. We will be doing the same with Bucks Fizz shortly. It was
:22:51. > :23:03.all set up. How fantastic. Yes, indeed.
:23:04. > :23:07.What a great outfit! Chris Pack is here and soon, he will reveal where
:23:08. > :23:12.he and the rest of the Springwatch team will be setting up camp. But
:23:13. > :23:17.before that we have set up to wildlife cameraman a spring
:23:18. > :23:20.challenge of our own. My name is Lindsay McRae and I have been
:23:21. > :23:24.filming wildlife since I was 12 years old. What I am mad keen on is
:23:25. > :23:32.seeing those bits of behaviour that we do not often see. My name is
:23:33. > :23:36.Richard Taylor Jones. I enjoy seeing everyday animals in extraordinary
:23:37. > :23:40.ways and Wales are like showing rare animals that people may be do not
:23:41. > :23:44.get to see. We have been challenged to film the perfect shot which says
:23:45. > :23:51.spring is here. We both have different ideas about what that shot
:23:52. > :23:57.should be. To my mind is when one of the -- one of the greatest spring
:23:58. > :24:04.spectacles is when our woodlands are full of loopholes. Lindsay has other
:24:05. > :24:08.ideas. I have chosen to try and film the mating and courtship dance of
:24:09. > :24:12.the great crested greed. It is a long shot because I have only ever
:24:13. > :24:32.seen it once in awhile before but if I get it, it will definitely be a
:24:33. > :24:35.winner. I am heading to Wigan. This nature reserve is home to ten pairs
:24:36. > :24:51.of great crested grebes. It has just gone six o'clock in the
:24:52. > :24:56.morning. It rained overnight. There are some mist around so conditions
:24:57. > :25:03.are perfect. From what I know, they do tend to do it in the first few
:25:04. > :25:08.hours. I can only see a few birds. I had better start getting my camera
:25:09. > :25:13.gear set up. Down in Kent I have had to get up early as well. The best
:25:14. > :25:22.light for filming is dawn and dusk and I would like to capture that
:25:23. > :25:25.crisp sunlight above one of our great spectacles, bluebells. It is
:25:26. > :25:31.hard to work out where I want to film in the dark. But I have made a
:25:32. > :25:41.best guess based on where the sun will come up because I want to --
:25:42. > :25:46.the sun to come up. To get the best shot, and using a motorised slider
:25:47. > :25:50.and I'm using a lens which has a narrow depth of field which allows
:25:51. > :25:56.the bluebells to drift in and out of focus. I want to be able to shoot
:25:57. > :26:01.through the bluebells. It should be a really lovely serial shot of just
:26:02. > :26:15.drifting along with the dawn light breaking behind. -- serial... In
:26:16. > :26:19.Wigan I am having a bit of luck. I have got a really long lens on the
:26:20. > :26:24.front which enables me to get as close as I possibly could. The
:26:25. > :26:28.really small tripod so I can get as low to the water as possible. It
:26:29. > :26:32.just looks a lot nicer if you are filming across the water rather than
:26:33. > :26:40.looking down on it. What I'm hoping to film it is the various stages
:26:41. > :26:46.which make up the grebes mating ritual. They bobbed their heads and
:26:47. > :26:51.dive under the water with a gift of weed. In extraordinary cases, when
:26:52. > :26:55.they both come together they almost rise up out of the water, paddling
:26:56. > :27:02.on their feet. I hope that will happen. At the moment I have not
:27:03. > :27:08.even seen stage one. So I think I am in for a long, cold, damp weight.
:27:09. > :27:15.Time is something I have not got. I have got a problem. Look how loose
:27:16. > :27:20.that is. It was not a minute ago. If it is loose, you end up with a lot
:27:21. > :27:24.of warble on your shot. Little things like that can make all the
:27:25. > :27:29.difference and completely ruin the shot. With Sunrise almost upon me
:27:30. > :27:33.and no sign of Lindsay Posner lovebirds performing, it is hard to
:27:34. > :27:40.see if either of us will get our definitive spring shot.
:27:41. > :27:44.APPLAUSE Chris Packham is with us. You will
:27:45. > :27:52.be hoping to see some more Chris Packham is with us. You will
:27:53. > :27:57.Springwatch is back soon and you will reveal the secret location of
:27:58. > :28:09.this year's series. Can we have a drum roll? We are going to
:28:10. > :28:13.Minsmere. Why have you chosen that? Minsmere is fantastic. It is
:28:14. > :28:17.brilliant. It is a sculptured landscape that the RSPB have made
:28:18. > :28:24.since the end of the war. It has great habitats, C, sure, marshlands
:28:25. > :28:27.and reads. It will capture an area which says a
:28:28. > :28:35.and reads. It will capture an area Britain all over. And it has got a
:28:36. > :28:42.great cafe! That is what you need! What are you hoping to see? We are
:28:43. > :28:52.looking at specialists to start with. The reed bed birds. The bid
:28:53. > :28:58.turned very shy. And there are Marsh Harriers. I first went in 1976
:28:59. > :29:06.because was where the last Marsh Harriers were hanging on. They
:29:07. > :29:11.bounced back. There are 350 pairs. Also the stone curlew, a feast of
:29:12. > :29:17.birds, we will be completely spoiled. And it is not just birds?
:29:18. > :29:21.No, there will be badges and otters. We have seen otters in other
:29:22. > :29:25.places but this is a different environment. It will be interesting
:29:26. > :29:28.to see how willing they are to perform in front of our cameras. It
:29:29. > :29:34.is all very well to say they are there but these guys have got to go
:29:35. > :29:39.and capture them on camera for us. That is the thing about Springwatch,
:29:40. > :29:42.you never know! You need something to talk about otherwise I will be
:29:43. > :29:49.digging a woodlouse out from underneath the table!
:29:50. > :29:55.You are giving somebody the most remarkable hearing experience for
:29:56. > :29:58.the first time? Joe Milne was a lady that could not hear and was given a
:29:59. > :30:04.cochlear implants. Many viewers might have seen her on YouTube, or
:30:05. > :30:10.BBC News, when she could hear for the first time. Chris Watson, one of
:30:11. > :30:18.our sound men, has taken her out so she could hear the dawn chorus.
:30:19. > :30:43.What a thing to hear for the first time. We take that for granted. All
:30:44. > :30:47.across the country, if people put their head out of the window, they
:30:48. > :30:51.could hear a blackbird singing. Most nights of the year they would not
:30:52. > :30:55.hear that in the background sounds of their life. But seeing that lady
:30:56. > :30:59.enjoyed for the first time, it's the poignancy of just how lucky we are
:31:00. > :31:03.to have these birds around us and enjoy them. We are trying to bring
:31:04. > :31:06.very simple things like that, sometimes dress them up with some
:31:07. > :31:10.new science if we have found out anything new, and tell the audience.
:31:11. > :31:15.It's not about rarities, it's about back garden birds and enjoying it
:31:16. > :31:19.more. It's a special year, you are celebrating ten years this year,
:31:20. > :31:28.with the return of Bill Oddie? No less! Obviously is Springwatch would
:31:29. > :31:33.not be here without Bill and Kate. They left a great legacy. I took
:31:34. > :31:36.over from Bill, difficult shoes to fill. He's coming back to the
:31:37. > :31:40.programme, I can't wait. We are great mates and have a great passion
:31:41. > :31:43.for birds. We are going to be looking back over the last ten
:31:44. > :31:47.years. We hope it will go on for another ten, not necessarily with
:31:48. > :31:53.myself and Bill, but with other enthusiasts. To reinvent what we are
:31:54. > :31:56.able to offer, using British wildlife. From my point of view, and
:31:57. > :32:01.most of our viewers, there is still a lot to do and say about it. We
:32:02. > :32:07.look forward to it, Springwatch start on Monday the 26th of May. You
:32:08. > :32:16.will know, what do you call a collective noun of wrens? There are
:32:17. > :32:20.a lot, and murder of crows, Parliament of owls. It is a chime.
:32:21. > :32:26.But they don't really chime, they chatter. Whoever thought that up, I
:32:27. > :32:32.think we need a 20th-century rethink. If you have any ideas, send
:32:33. > :32:36.them in. This time, it is a reunion of wrens. Ruth Goodman has reunited
:32:37. > :32:41.a remarkable group of women, trusted with some of the biggest secrets of
:32:42. > :32:49.World War II. This is Bletchley Park. 70 years
:32:50. > :32:52.ago, it was Station X, a place of such importance that people working
:32:53. > :33:00.here were sworn to lifelong secrecy. All the more remarkable that this
:33:01. > :33:11.photograph was ever taken. Tiny, but hugely significant. These were the
:33:12. > :33:14.women who worked on Colossus, built to crack secret messages from Hitler
:33:15. > :33:19.to his high command. They did it in this unremarkable building, now a
:33:20. > :33:23.national museum of computing. Seven decades later, the owner of that
:33:24. > :33:28.photo, Joanna Chorley, seen on the right, is here. How on earth did a
:33:29. > :33:33.photograph like this get to be taken during the war? I think this was
:33:34. > :33:37.after the war and we were all about to be sent to other places. I think
:33:38. > :33:44.that is the only reason it would have been there. All of these people
:33:45. > :33:48.were sea watch, most of them workers on Colossus. With a little bit of
:33:49. > :33:56.help, programmer Crowe has managed to find some of the last surviving
:33:57. > :34:06.Wrens in the photo. Now in their 80s, this is the first time they
:34:07. > :34:13.have been together since the war. There she is, with her legs up.
:34:14. > :34:21.She's just arrived! We need your memory. The Wrens came to Bletchley
:34:22. > :34:26.with no idea of what was ahead. We were going to do a job, which they
:34:27. > :34:30.could not tell us about because they didn't know. They couldn't even tell
:34:31. > :34:34.us where it was. Very frighteningly, they said, once you get there, you
:34:35. > :34:41.will not be able to go anywhere else until the war ends. In those days,
:34:42. > :34:44.the Official Secrets Act meant official secrets. You didn't sign it
:34:45. > :34:48.and then go to the press with a copy of what they were doing. I think
:34:49. > :34:54.there was a girl on the table, as a kind of mute -- going on a table, as
:34:55. > :35:02.a kind of mute warning not to say anything. Nobody talked. Hitler was
:35:03. > :35:07.using code to scramble messages to his offices. This machine was how he
:35:08. > :35:13.did it. Without ever seeing it, the team worked out how the code was
:35:14. > :35:18.created. But it was taking weeks to decipher by hand. So, Post Office
:35:19. > :35:25.engineer Tommy Flowers came up with the Colossus, so named because it is
:35:26. > :35:39.so huge. It was the first electronic computer, powered by thousands of
:35:40. > :35:42.Station X, but it still needed to be programmed by hand, by our Wrens.
:35:43. > :35:50.You had to bring the tapes over here? They answered the letters and
:35:51. > :35:54.it came up on the screen. It would be printed out in German if it was
:35:55. > :35:59.the right setting, if it was the wrong setting it would print out
:36:00. > :36:05.rubbish letters. Be decoded information helped bring
:36:06. > :36:10.the war to the end. The Wrens left Colossus intending to keep their
:36:11. > :36:13.silence forever. In the 70s, information was declassified and the
:36:14. > :36:18.secrets were coming out. I was horrified, looking at the television
:36:19. > :36:23.and suddenly seeing Bletchley being talked about. I was very nearly
:36:24. > :36:29.sick. However shockingly early revelations were, at least now the
:36:30. > :36:35.Wrens know how important their work really was. I think one can feel
:36:36. > :36:45.justifiably a bit proud of having been a tiny cog in the wheel. Every
:36:46. > :36:49.time you lose your phone, or your have your computer in your hand, you
:36:50. > :36:55.are using the same things as part of Colossus. It is still an amazing
:36:56. > :37:00.thing. The ground-breaking work of yesteryear may be over, but this is
:37:01. > :37:03.a moment to celebrate. The Wrens who worked so patiently, hour after
:37:04. > :37:08.hour, to undo the high German command, gathered together once
:37:09. > :37:15.more. I think that's worth a smile, ladies.
:37:16. > :37:20.What a story. Thanks to all of the Bletchley Park Wrens. Colossus might
:37:21. > :37:27.be a remarkable machine, but it's a different type of hardware that we
:37:28. > :37:30.are interested in here. You are buying and selling, you got your own
:37:31. > :37:33.museum? buying and selling, you got your own
:37:34. > :37:35.museum It's boys toys. We all start with action men, a Tommy gun, I
:37:36. > :37:40.museum It's boys toys. We all start it further than most people. It has
:37:41. > :37:48.got a bit out of hand. It started purely as a hobby. There is a world
:37:49. > :37:52.interest in it, the restoration is incredible. Obviously, this is
:37:53. > :37:56.interest in it, the restoration is really wanted for films, the stuff
:37:57. > :37:59.you see here, it has been in all the Hollywood block dusters of recent
:38:00. > :38:06.years. There is a lot more that we keep in Suffolk. You have a whole
:38:07. > :38:08.new series, called combat dealers, conquest. It shows you locating,
:38:09. > :38:15.This time, I headed to the old doing them up and selling them on.
:38:16. > :38:18.This time, I headed to the old Eastern Bloc. I'm on a World War II
:38:19. > :38:29.shopping spree. Eastern Bloc. I'm on a World War II
:38:30. > :38:33.head! The Twins turn rust into gold as they make 70 old tank parts as
:38:34. > :38:38.good as new. And I'm bringing out the big guns, as I attempt to drum
:38:39. > :38:41.up business with a mega rich Russian. They don't just sit there,
:38:42. > :38:49.they move. Everything you see Russian. They don't just sit there,
:38:50. > :38:53.has been restored to 100% how they were built. There is the historical
:38:54. > :38:59.side, which is a big passion for me. But finding these things, is the
:39:00. > :39:02.research. It's a bit like CSI. We will find something in Eastern
:39:03. > :39:06.Europe and follow it through, back to its former glory. Your machines
:39:07. > :39:12.are impeccable. I was inside the tank, it was immaculate. But they
:39:13. > :39:20.are big boys toys. Does your wife share your passion? I'm a very lucky
:39:21. > :39:25.man. We were school sweethearts. Fortunately, she can drive them. If
:39:26. > :39:29.I'm not there to unload, she can hop in. She can drive all of these, as
:39:30. > :39:36.can my son and by daughters. I'm very lucky, in that respect. How did
:39:37. > :39:42.this start? When I was a young lad, I didn't get on well at school. For
:39:43. > :39:45.years and years I used to walk past this guy's greenhouse. He had a
:39:46. > :39:49.German helmet in the greenhouse with this guy's greenhouse. He had a
:39:50. > :39:53.daffodils in. The last day of school, I said, I will pluck up
:39:54. > :39:59.courage, I'll go and knock on his door. I said, do you want to sell
:40:00. > :40:04.that? He went, what? The German helmet! He went, there you go, that
:40:05. > :40:12.was it. I've still got that today. That started this. I quite fancy a
:40:13. > :40:21.convertible, how much? About ?50,000. What about the tank? It is
:40:22. > :40:29.the only original, early war running Hector tank still left running.
:40:30. > :40:34.About ?500,000. Very spacious inside! You have one end of the
:40:35. > :40:37.scale to the other, because a lot of people that cannot be looking at
:40:38. > :40:42.that kind of thing can afford this kind of thing. They have a lot of
:40:43. > :40:48.fun with it. Passion for the things. You know, an absolute passion and
:40:49. > :40:55.enjoy it. Thanks for bringing this in. We were going to bring the, but
:40:56. > :41:00.apparently it would collapse? That's only because I was going to be in
:41:01. > :41:05.it! That continues tonight at ten o'clock tonight on Quest.
:41:06. > :41:11.When it comes to Eurovision, the rest of Europe tends to take it very
:41:12. > :41:17.seriously. We, on the other hand, not so much. Could it be because of
:41:18. > :41:26.moments like this? Eight points goes to... Iceland.
:41:27. > :41:41.Difficulty speaking. Ten points goes to... It's not easy, this.
:41:42. > :41:47.Bosnia... You have to lose your lips, it's not easy. Are you related
:41:48. > :41:54.to the director-general of Swedish television? Terry Wogan was a master
:41:55. > :42:00.of the Eurovision sarcastic remark. But what is the secret to the old
:42:01. > :42:05.sarcasm? Well, we are going to see another one of Giles's really
:42:06. > :42:16.interesting films now. What? I mean it!
:42:17. > :42:21.For years, are our TV screens, we have marvelled at the professionals
:42:22. > :42:34.who perfected this linguistic art. My sister said to me, don't tell no
:42:35. > :42:38.one you saw me, yeah? I've got people after me. I've got people
:42:39. > :42:47.after me. Yes, Ealing library. What is sarcasm? It's a cultural thing.
:42:48. > :42:51.British are very polite to one another, ordinarily. It becomes a
:42:52. > :42:58.way of coming impolite, remaining in the social boundaries of light this.
:42:59. > :43:05.Here's a moment from Keeping Up Appearances. Why are you collecting
:43:06. > :43:08.deadliness? I'm going to corner the market, the entire world market. For
:43:09. > :43:18.old, dead leaves. Sarcasm, as a respite from somebody
:43:19. > :43:26.that is completely intolerable. It is Richard's way out. And to protect
:43:27. > :43:37.himself? For him, it was a holiday in his head. I have always had these
:43:38. > :43:43.feet. A very good cropper this, very quick. To them while you wait? Or do
:43:44. > :43:48.you leave them there, and say it will be ready Thursday? It's those
:43:49. > :43:55.words, the timing, the absolute authority in which he uses them. He
:43:56. > :44:02.really remains in the moment, he doesn't crack. Timing, tone,
:44:03. > :44:08.context? I'm a big fan of sarcasm than I knew before we have this
:44:09. > :44:12.chat. Is that for real? Just checking! It's a fine art, but also
:44:13. > :44:16.a learned cultural defence mechanism that we employ to help us cope with
:44:17. > :44:21.tricky situations and irritating people. President Obama is also
:44:22. > :44:33.skilled in the art of sarcasm. And he is cleverly self-deprecating.
:44:34. > :44:38.After 2013, what could I possibly talk about? Sarcasm has seen from
:44:39. > :44:43.all manager chose a Mourinho charged by the FA for using insulting words.
:44:44. > :44:52.On paper, those words, about a referee who awarded a penalty
:44:53. > :44:56.against his team were pure. His meaning was the opposite. But can
:44:57. > :45:01.anybody prove it? World authority on sarcasm, what did you make of the
:45:02. > :45:05.remarks? When he congratulated the referee, the problem is that you
:45:06. > :45:10.would not expect that at all. That looks like sarcasm. So it crops up
:45:11. > :45:17.in different ways, different cultures? The Weakest Link has been
:45:18. > :45:22.franchised across the world but has been less successful in some
:45:23. > :45:27.cultures. You are pretty old, aren't you? You don't know the difference
:45:28. > :45:35.between Madonna and Kylie Minogue. I don't know pop music. What is the
:45:36. > :45:41.point of you being here? Honeyed poison is a good way of thinking of
:45:42. > :45:48.sarcasm. I like that! You must be fun to sit next to at dinner. So,
:45:49. > :45:54.sarcasm. Is it mock politeness, honeyed poison or downright rude?
:45:55. > :46:04.The choice is yours. It's been a interesting report, hasn't it?
:46:05. > :46:12.Thank you, Gyles. And unbeknownst to us, Joe's dad, Clive Swift, appeared
:46:13. > :46:20.in that last film. There he is. You can see the resemblance. People
:46:21. > :46:24.think I am his brother. Is your brother in that show? Hears in his
:46:25. > :46:34.70s now. He shot it in his 50s I'm getting a bit... Easy into
:46:35. > :46:40.gardening? No, he lives in a flat and runs a mile if you see is a
:46:41. > :46:47.spider. For the first time, the BBC is launching a radio station
:46:48. > :46:55.dedicated to the Eurovision Song contest. And Ana Matronic is here.
:46:56. > :46:59.You are presenting. Where you working on the semifinal? I was. I
:47:00. > :47:07.thought things were a little austere this year. They were booing, won't
:47:08. > :47:11.they? There was some building for Russia when they went through to the
:47:12. > :47:18.final. I am not sure that is based on the show or for political reasons
:47:19. > :47:23.but it was fantastic, the show, my commentary goes out tomorrow. It is
:47:24. > :47:30.right before the second semifinal which I'm very excited for. Armenia
:47:31. > :47:34.were on last night and they are the favourites? They are the bookies'
:47:35. > :47:40.favourite and I have learned to trust them because they were right
:47:41. > :47:46.last year. It looks like that charge a film week put out earlier on with
:47:47. > :47:52.the explosions! You just filmed one of those explosions! And one of the
:47:53. > :47:57.more novel ones, shall we say, was Ukraine, because they had a sort of
:47:58. > :48:05.man in a hamster wheel. It was a man in a hamster wheel. Other than that,
:48:06. > :48:10.quite sparse, very simple. There was just him and the dancer on the
:48:11. > :48:16.hamster wheel. Quite nice and I love to dress. I thought she was the best
:48:17. > :48:20.dressed lady of the evening. Ukraine typically do very well in the
:48:21. > :48:24.competition. Looking forward to the rest of the competition, apart from
:48:25. > :48:29.Armenia, do you think there are other contenders? I think the UK has
:48:30. > :48:35.a great chance with our dear Molly. I think the song is great, I think
:48:36. > :48:40.she's great. I had the opportunity to meet her at a party and she was
:48:41. > :48:45.lovely. She was so excited to be going through this whole experience.
:48:46. > :48:52.She is freshfaced and wide-eyed and full of wonder. I wish her the best.
:48:53. > :48:57.I think it is a great song. It is definitely a Eurovision song. It has
:48:58. > :49:04.those great elements. And thoughts on Austria and can cheat a worst.
:49:05. > :49:10.Rise Like A Phoenix. -- Conchita Wurst. This person has been getting
:49:11. > :49:20.a lot of attention. He is actually called Tom Neuwirth. I think it is a
:49:21. > :49:23.great song. I think if Conchita were presenting fully as a woman or fully
:49:24. > :49:28.as a man and was not confusing people in the way that she does,
:49:29. > :49:33.then this would be one of the frontrunners. I definitely think so.
:49:34. > :49:41.It is a Bond theme. It is an interesting style. We did wonder how
:49:42. > :50:01.that style would suit Sophie. Did you? ! Here we are. No, I don't
:50:02. > :50:08.think so! I think you look rugged and handsome. I definitely look
:50:09. > :50:17.rugged! It is a six o'clock shadow, Sophie. Everyone will want to know,
:50:18. > :50:23.any more plans for scissors sisters? Of course. When will you be
:50:24. > :50:29.back? I cannot say when but we definitely will be. Radio 2
:50:30. > :50:38.Eurovision will be available from tomorrow, on the UK radio player and
:50:39. > :50:46.the iPlayer radio app. Nearly time for our special Eurovision treat. We
:50:47. > :50:55.have a brand-new super grip, brotherhood of those. It will be
:50:56. > :51:07.amazing. -- a brand-new super group brotherhood of thieves. And here are
:51:08. > :51:15.Bucks Fizz with Making Your Mind Up. We have not got it! Here we are. So
:51:16. > :51:21.we have got Sheryl, Mike and Jay. Lovely to see you. You are looking
:51:22. > :51:34.absolutely gorgeous. Do the skirts come off? Of course! We have to say
:51:35. > :51:42.a special thank you to Cheryl. You are in Happy Days the musical. It
:51:43. > :51:48.will be worth it when you see you later on. On the night, the vote was
:51:49. > :51:53.really close back in 1981. Can you remember when the votes were coming
:51:54. > :51:59.in how you felt? Yes, I can remember everything about that. We needed
:52:00. > :52:03.four points to draw level and five points to win. Once we got past the
:52:04. > :52:09.fall, I thought it is a possibility we will not get any points and when
:52:10. > :52:17.we got the eight I remember we lost it completely. It was so brilliant,
:52:18. > :52:22.I remember it like yesterday. Jay, the recording and music has not
:52:23. > :52:26.stopped for you? I have a new single called True Love. It is doing really
:52:27. > :52:32.well and I am just recording my third album. It is great. Mike is
:52:33. > :52:41.doing his album. You have got to do one next, Cheryl. Would you do
:52:42. > :52:47.Eurovision again? No. But you will perform tonight for one-time only on
:52:48. > :52:52.The One Show. It could be the start of a new career for us all! When it
:52:53. > :52:58.gets in your head, you cannot get it out. Earlier, we sent wildlife
:52:59. > :53:02.cameramen Richard Taylor Jones and Lindsay McRae head-to-head challenge
:53:03. > :53:08.to get the best shots of spring. Here is what happened next.
:53:09. > :53:12.Here in Kent, I have managed to sort out the problematic slider and my
:53:13. > :53:17.bluebell track shot is coming together. The sun is about to rise
:53:18. > :53:22.through the flowers so it is time to press record and see what will
:53:23. > :53:32.happen. Look at that, with the sun in the background.
:53:33. > :53:39.I am really happy with that shot and with the sun higher in the sky, I
:53:40. > :53:47.will try something different. This place is covered. We need a big
:53:48. > :53:52.picture now. In Wigan, I'm trying to film the courtship dance of the
:53:53. > :53:58.great crested grebe. After hours of waiting the birds are becoming more
:53:59. > :54:06.active. That one is fishing and has come up with a half decent sized
:54:07. > :54:09.fish. It gave of swallowing. It is not quite the shot I am after but it
:54:10. > :54:18.is great to see some behaviour from them. Back in Kent I'm getting a
:54:19. > :54:23.great toy out. This thing is called an aerial dolly. What I want to do
:54:24. > :54:28.is create a shot which flies across the sea of bluebells. It could
:54:29. > :54:34.perhaps be the point of view of a bumblebee looking for some nectar. I
:54:35. > :54:38.am using a normal SLR camera set to video setting but the trick is to
:54:39. > :54:43.record at 50 frames second which should give the end result a lovely
:54:44. > :54:52.smooth feel. And here we are, we are off. It is not working. The camera
:54:53. > :55:01.is heavier than I thought so I will tighten the rape and try again. For
:55:02. > :55:05.me, there will not be a second chance is seeing all of the mating
:55:06. > :55:12.ritual is very rare but the birds I have been following this morning are
:55:13. > :55:23.a lot more active. They are doing this headshaking thing. That is
:55:24. > :55:29.stage one of the display. Stage two has just happened.
:55:30. > :55:39.There is one with a mouth of weed. No way! They are practically out of
:55:40. > :55:50.the water presenting weed to each other. I do not believe this! And it
:55:51. > :55:54.is over. I never thought that we would actually get that today. To
:55:55. > :56:00.actually get the full lot of them diving down and presenting weed to
:56:01. > :56:06.each other, as you can see there, it only lasted three or four seconds.
:56:07. > :56:10.To see it and film it, I am really chuffed. I have to say I was a bit
:56:11. > :56:17.worried that flowers, they are not a big fairy mammal but I thought, get
:56:18. > :56:20.all the kit, threw everything at it and I might be in with a chance to
:56:21. > :56:21.do something special. With a day like today, the flowers as they
:56:22. > :56:32.are, I hope I have done all right. Chris could not decide because they
:56:33. > :56:36.are equally lovely. Now it is the moment we have all been waiting
:56:37. > :56:40.for. See you tomorrow. # Although it hurts to go away
:56:41. > :56:43.it's impossible to stay. # But there's one thing
:56:44. > :56:47.I must say before I go. # I love you - I love you -
:56:48. > :56:52.you know. # I'll be thinking of you
:56:53. > :56:59.in most everything I do. # Kisses for me,
:57:00. > :57:04.save all your kisses for me. # Going to walk out this door
:57:05. > :57:23.but I'll soon be back for more. # 'cos if you believe that
:57:24. > :57:32.a love can hit the top. # Don't let your indecision,
:57:33. > :57:45.take you from behind. # Trust your inner vision,
:57:46. > :57:56.don't let others change your mind. # Kisses for me,
:57:57. > :58:01.save all your kisses for me. # Going to walk out this door
:58:02. > :58:15.but I'll soon be back for more. # Kisses for me,
:58:16. > :58:26.save all your kisses for me. # And try to look as
:58:27. > :58:29.if you don't care less. # Will let you find
:58:30. > :58:36.the one you're looking for. # And then you can show
:58:37. > :58:40.that you think you know.