:00:15. > :00:16.Hello and welcome to The One Show with Matt Baker.
:00:17. > :00:21.Tonight we're joined by two guests who complement
:00:22. > :00:35.And the other is the Queen of Latin and Strictly's newest judge
:00:36. > :00:38.who can tell you if you're doing it right.
:00:39. > :00:55.# I love, I love, I love my calendar girl each and every day of the girl.
:00:56. > :01:01.# And of the sea, and and the sea #. Please welcome Neil Sedaka and
:01:02. > :01:07.Shirley Ballas! That was brilliant. Neal, the shock on your face when
:01:08. > :01:15.you saw yourself. I was 22 but I have not changed a bit! Not a bit.
:01:16. > :01:23.Shirley knows everything there is to know about dams, how would you rate
:01:24. > :01:29.yourself out of ten, Neal? Just dancing in general? I loved the
:01:30. > :01:34.cha-cha, the mambo and the tangle. Right up your street, Shirley. I
:01:35. > :01:41.love the cha-cha cha. Could you teach me? Absolutely, I could check
:01:42. > :01:47.and Europe and make sure you are moving your bits and bobs. Have you
:01:48. > :01:55.heard of the waterbug? This might even be anyone on you, Shirley.
:01:56. > :02:04.Let's have a look. -- this might be a new one on you. That was my movie
:02:05. > :02:10.career. That was good! I had a brief movie career, two movies that were
:02:11. > :02:17.both flops. That was one of them. What did you make of the waterbug,
:02:18. > :02:19.Shirley? It was interesting, I don't think I've ever seen anything like
:02:20. > :02:30.that. Wait till next week! Well it's a busy weekend
:02:31. > :02:33.for the both of you - we'll be talking all things Strictly
:02:34. > :02:35.later with Shirley, and thankfully Neil,
:02:36. > :02:42.you'll be sitting down I'll be doing short medley, then add
:02:43. > :02:46.the Albert Hall on the 18th and then on Sunday at Gateshead, we have
:02:47. > :02:49.seven cities. Gateshead is a great place to start!
:02:50. > :02:56.Tonight we'll also be celebrating the British Harvest
:02:57. > :03:02.and we want to see your crops, so whether it's your combines
:03:03. > :03:09.Harvesters or you pupil numbers, send in your photos to the usual
:03:10. > :03:11.address -- your cucumbers. We would share your pictures later.
:03:12. > :03:14.They may divide opinion when it comes to the landscape -
:03:15. > :03:16.but there's no denying the power of wind farms.
:03:17. > :03:19.Last year the UK generated more power from wind than coal.
:03:20. > :03:22.Kevin Duala has been to see what it takes to keep the green
:03:23. > :03:30.The world's largest wind turbines. My goodness, look at the size of it.
:03:31. > :03:38.Just four miles off the coast of Merseyside. 195 metres tall, bigger
:03:39. > :03:43.than the Clerkin in London. This is a brand-new breed of tall powerful
:03:44. > :03:50.wind farms, its blades began spinning in the spring providing
:03:51. > :03:58.clean energy per 250,000 homes. What does it take to keep these turbines
:03:59. > :04:03.spinning. We are about to find out. 6am at a famous shipyard in
:04:04. > :04:09.Birkenhead and my date is beginning. HMS Ark Royal was built here. S
:04:10. > :04:14.there's a new industry now, cutting edge green technology and issue has
:04:15. > :04:21.been invited to take a first look as they carry out maintenance. There is
:04:22. > :04:25.my boat taking us out to the wind turbines, so all aboard. It's a
:04:26. > :04:30.voyage down the River Mersey four Miles out to sea, the field of new
:04:31. > :04:36.turbines covers 15 square miles and they have already made an impact.
:04:37. > :04:42.For the first time on a blustery day in June wind farms produced 10% of
:04:43. > :04:49.our electricity but by 2020 and this should be the norm. And this is the
:04:50. > :04:53.key to it. Meet Charlie three, a new super wind turbine, so big that a
:04:54. > :04:57.double-decker bus could fit in the base of each blade. One revolution
:04:58. > :05:03.of those blades could power your house for 24 hours. As we arrive it
:05:04. > :05:07.is a pause for maintenance so that means no power generation so these
:05:08. > :05:13.guys are up against the clock. Former Navy engineer David and
:05:14. > :05:17.ex-Army electrician Stuart Brown are part of a team of engineers here
:05:18. > :05:22.seven days a week, weather permitting. Today we are doing the
:05:23. > :05:26.three months service, they have been running for three months or a little
:05:27. > :05:32.over so we need to check everything is OK. And not allowed inside for
:05:33. > :05:35.safety reasons but we've kitted David and Stuart with mini cameras
:05:36. > :05:39.so we can get an insight and they will keep you up-to-date with
:05:40. > :05:45.walkie-talkies. First a 30 metre climb just to get onto the
:05:46. > :05:51.structure. Then tools are winched to the lower deck of the turbines. What
:05:52. > :05:57.are you working on today. Checking the bulbs in the tower and the
:05:58. > :06:00.cooling system that it does at the correct temperatures. They need to
:06:01. > :06:06.work quickly. We are looking for leaks, the cracks. Next they
:06:07. > :06:10.dismantle the high-pressure cooling system at the heart of the turbine.
:06:11. > :06:17.Switching this filter will keep the blades turning and the power
:06:18. > :06:22.flowing. You might like to change the coolant and the air filter on
:06:23. > :06:25.your car, but this is how you change it on a wind turbine. The UK
:06:26. > :06:31.produces more wind power at sea than any other nation. The first offshore
:06:32. > :06:35.wind farms appeared 17 years ago. Now we've got around 30 providing
:06:36. > :06:40.more than five jiggle watts of power, enough to switch on 5 million
:06:41. > :06:44.light bulbs. There are plans to double our wind power over the next
:06:45. > :06:54.three years. The next big offshore project will be 75 miles off the
:06:55. > :06:57.coast of Yorkshire and will dwarf this field. More than 170 giant wind
:06:58. > :07:01.turbines, enough to power 1 million homes. As wind farms get bigger and
:07:02. > :07:12.better, are they any cheaper? Ben Sykes is from Dong energy. When will
:07:13. > :07:16.the households see the return on what they pay? We are now seeing the
:07:17. > :07:20.costs tumbling so we will be able to build new power stations to replace
:07:21. > :07:24.coal and other ageing power stations that will be coming off the system
:07:25. > :07:28.in the next few years very affordably. Absolutely it is
:07:29. > :07:34.delivering for UK consumers and generating jobs as well. Dexter
:07:35. > :07:40.their success comes at a cost to the landscape. In the beginning they
:07:41. > :07:45.were blocked on the landscape but we are used to them now and they are
:07:46. > :07:50.doing good job. I could take them or leave them but I think I would
:07:51. > :07:57.prefer it without them. And Charlie three after 40 minutes work is
:07:58. > :08:02.complete, Dave and Stuart feel that they are doing a good job. We are
:08:03. > :08:07.moving towards green energy and it's definitely the way forward. We're
:08:08. > :08:15.well on the way to cementing our reputation as world leaders in wind
:08:16. > :08:20.power. Shirley that is your neck of the Woods so it must be a familiar
:08:21. > :08:26.sight when you go home. Yes, I see it by the Mersey and they have very
:08:27. > :08:31.straight arms! Ideal for a Strictly judge. We've moved to the piano,
:08:32. > :08:40.Neil, because we hope that as you talk you will give as the piano. And
:08:41. > :08:43.attached to my piano. Shirley was very excited that you were going to
:08:44. > :08:51.be on the show, let's start with her favourite song.
:08:52. > :08:54.# I hear laughter in the rain # Walking hand in hand with the one
:08:55. > :09:00.I Love... #. Isn't that lovely!
:09:01. > :09:05.APPLAUSE Neal Com you are going on this UK
:09:06. > :09:09.tour but is spent a lot of time in the UK in the 60s. I felt that if
:09:10. > :09:16.the Beatles came to New York I should return the favour and go to
:09:17. > :09:22.London! I did a programme in 1961 called Sunday Night At The Palladium
:09:23. > :09:28.and this is what I blade. And they said is that rock and roll? Although
:09:29. > :09:34.you did write a song that was inspired by John Lennon. Yes, he was
:09:35. > :09:41.a good friend and was having trouble getting a green card. I wrote and
:09:42. > :09:46.recorded a song dedicated to him. # There was a time when strangers
:09:47. > :09:50.were welcome here... # It was called The Immigrant.
:09:51. > :09:58.# Music would play, they tell me the days were sweet and clear... #.
:09:59. > :10:02.Listen to the reaction to that. We had a radio show together, people
:10:03. > :10:07.usually ask me for favours but no one ever wrote a song for me, he
:10:08. > :10:14.said. He was touched. We were surprised that you have written
:10:15. > :10:21.about 800 songs. Not all heads! It doesn't matter, it's the quantity,
:10:22. > :10:26.not the quality! And you learned by listening to the same three songs.
:10:27. > :10:30.Being a studying musician I would look at the number one record in all
:10:31. > :10:33.the countries of the world and I would see what the guitar lick was,
:10:34. > :10:42.what the drum beat was, what the chorus line was. And I sang
:10:43. > :10:49.# Oh! Carol, I am but a fool # Darling I love you, though you
:10:50. > :10:56.treat me cruel... #. What was your first big hit? The
:10:57. > :11:02.first big one was # I go ape every time I see you
:11:03. > :11:09.smile... #. Jerry Lee Lewis, eat your heart out!
:11:10. > :11:15.And a key factor has been Howard Greenfield. We rode many songs
:11:16. > :11:19.together. You met a very young. I started writing when I was 13, he
:11:20. > :11:26.was 16, and we wrote one song every day. I was in love with writing. I
:11:27. > :11:31.won't play the first song because it was terrible.
:11:32. > :11:36.# My life's devotion is loving you only
:11:37. > :11:41.# My heart says to you, I'll always be true
:11:42. > :11:47.# You'll never be lonely #. What was the matter with that! It is
:11:48. > :11:50.not bad for 13. And now you have grandchildren. Three grandchildren
:11:51. > :11:55.and they love your songs but they are not happy with the words. They
:11:56. > :12:03.made me change them to make it a child friendly. So I wrote, waking
:12:04. > :12:13.up is hard to do, and... Lunch Will Keep Us Together... And they sing
:12:14. > :12:22.the backing vocals! I have twins, 14, and a boy of eight. Of a
:12:23. > :12:28.musical? I tried to teach them the piano but No, not really. But they
:12:29. > :12:33.like lunch. They like lunch. On tour you are not taking an orchestra. I
:12:34. > :12:40.do it at the piano and it is very personal. I tell the people why and
:12:41. > :12:44.how I write. And it brings back wonderful memories, people say, I
:12:45. > :12:52.grew up with this song, I remember who I was dating at this particular
:12:53. > :12:57.time, music brings it all back. Can you give us a flavour of the show
:12:58. > :13:03.for the people coming to see you, what do you start with. Calendar
:13:04. > :13:11.Girl, Sweet Little 16, Laughter In The Rain, That's When The Music
:13:12. > :13:17.Takes Me... It is amazing how your audience is so receptive, they sing
:13:18. > :13:25.along. And you are going to play a medley for us later. An abridged
:13:26. > :13:31.version. And you are 78. Don't make me older than I... Yes, I am! How
:13:32. > :13:38.are your fingers, we read that you got arthritis. I do but I can still
:13:39. > :13:46.play! He's fine! APPLAUSE
:13:47. > :13:52.Is it important to keep playing. The more you play with arthritis, the
:13:53. > :13:56.better you are. Keep them moving, is it. That's right. When I get up in
:13:57. > :14:02.the morning it isn't great and I crawled to the shower. You have had
:14:03. > :14:06.a busy day because I heard you on the Ken Bruce show. You heard the
:14:07. > :14:14.new song. You do it for the applause and I guess that is why you are
:14:15. > :14:18.still going. The new song comes out tomorrow at the Internet and it is
:14:19. > :14:23.on iTunes and my website so I have done my plug for the day.
:14:24. > :14:26.Whilst Neil takes to the road this weekend, Shirley will be
:14:27. > :14:28.taking her seat behind the Strictly judges table.
:14:29. > :14:31.To show us how she got there, Shirley's been back to the streets
:14:32. > :14:34.where she grew up to introduce us to the people who have been
:14:35. > :14:54.The Shirley Ballas, and I have been dancing all my life. I'm three times
:14:55. > :14:59.world Latin American champion, and ten times United States Champion,
:15:00. > :15:08.but it all started here on the Wirral in Merseyside. I grew up here
:15:09. > :15:13.on the Leasowe housing estate, and I have come to see my mum, Audrey.
:15:14. > :15:19.There was my mother, my brother, David, and myself. David was a
:15:20. > :15:24.rascal, you said. I don't really know how my mother did it, she
:15:25. > :15:30.raised two children on her own, and we were on welfare. I owe her
:15:31. > :15:33.everything. It is because of her I am who I am, and all the sacrifices
:15:34. > :15:39.that she made so that I could dance will forever be in my heart. Growing
:15:40. > :15:43.up on the Leasowe housing estate was never easy, and people used to say,
:15:44. > :15:47.once you get on that housing estate, you never get off. I used to live in
:15:48. > :15:52.a block of flats over there, and then I moved here when I was six or
:15:53. > :15:56.seven. I used to get everybody in the front yard, all the kids from
:15:57. > :16:00.the neighbourhood, and line them all up and be doing the cha-cha-cha,
:16:01. > :16:06.bossing them about. I would be the judge. From a very young age, show
:16:07. > :16:10.them the steps and then I would be doing the judging! We are now at
:16:11. > :16:14.Saint chads church where it all started when I was seven years old,
:16:15. > :16:19.and haven't been back here since I left at 11. I am eating my very
:16:20. > :16:20.first dance partner, Irene Hamilton, we danced the all girls together
:16:21. > :16:32.when I was seven years old. Here is a trip down memory lane,
:16:33. > :16:36.isn't it! Where it all began, when we were little. Many, many years
:16:37. > :16:47.ago. Still looks the same. Same floor,
:16:48. > :16:52.great flaw. Going to dancing in the church hall, I remember it was 15p
:16:53. > :16:56.per class, back then that was a lot of money, and the dance class for me
:16:57. > :17:02.was an escape, it was just another world, it was like being in Disney,
:17:03. > :17:17.it was amazing for me. # moon river...
:17:18. > :17:26.It feels just like it did when we were kids! Same routine, same place!
:17:27. > :17:33.That's the routine we did as children. I got the girl part, but
:17:34. > :17:38.she was a better leader than me, I still don't have any leading skills!
:17:39. > :17:42.I'm still working on them. I got my first lucky break when I was about
:17:43. > :17:46.11 and I got the opportunity to attend the amazing crown Studios
:17:47. > :17:53.with Margaret Redmon to be taught by her. It truly felt I'd arrived. What
:17:54. > :17:57.you remember about me as a young girl? I remember you being very
:17:58. > :18:04.eager. You always came prepared for your class, and I think actually you
:18:05. > :18:08.were so easy to teach. OK, sometimes, a little rebellious, but
:18:09. > :18:11.mainly very, very easy to teach. I could see that you had something
:18:12. > :18:18.that was going to take you along way in the dancing world. She was my
:18:19. > :18:23.first competitive coach, and she became a huge influence on my life,
:18:24. > :18:27.she taught me about life, she gave me confidence and truly made me
:18:28. > :18:33.believe that any dream I set for myself, it was possible, even if I
:18:34. > :18:38.came from a council estate. I'm hoping that my mother will come and
:18:39. > :18:41.watch the first live show, but she, like everybody else in the country,
:18:42. > :18:46.she wants to watch it from her living room. So what you think about
:18:47. > :18:49.this next part of the journey? It's a bit nerve-racking, isn't it? But I
:18:50. > :18:54.think you'll be fine, you'll enjoy it. Do know what is the most
:18:55. > :18:57.exciting part about Strictly? Enjoying this journey with you,
:18:58. > :19:03.because without you, there would be no Strictly journey. Thank you.
:19:04. > :19:19.APPLAUSE And Shirley's mamma is here with you
:19:20. > :19:29.tonight. She has got a 10 paddle! Enjoy Strictly this weekend. And now
:19:30. > :19:35.you have got your son into the world of entertainment, and mark, as far
:19:36. > :19:40.as Dancing With The Stars is concerned, has he won that wise? Yes
:19:41. > :19:46.Scotland he is going to do Dancing With The Stars over there while I am
:19:47. > :19:50.doing Strictly over there. And what has he said to you about all of
:19:51. > :19:57.this? He gave me a little bit of a nudge and said, why don't you try, I
:19:58. > :20:02.have heard that Lenny is wanting to retire, maybe you could have a go,
:20:03. > :20:06.maybe you could qualify and enjoy it, and he was the first person I
:20:07. > :20:10.called one I got the job, and an face time when it opened up, he just
:20:11. > :20:16.looked and said, you got it, didn't you, mummy? Every day we were
:20:17. > :20:18.exchanging and sharing. And the people in charge of Strictly
:20:19. > :20:24.obviously thought that you will more than qualified, because you are not
:20:25. > :20:30.just going on as a judge, you are head judge, aren't you? So what
:20:31. > :20:33.pressure comes with that? I don't think it particularly comes with
:20:34. > :20:37.pressure, because my job is to be as honest as I can, and critiqued
:20:38. > :20:40.exactly what I'm seeing at the moment and to give people a good
:20:41. > :20:47.critiques so that they can carry forward each week. And I'm looking
:20:48. > :20:51.forward to the journey of each person. And do you have a thing, a
:20:52. > :21:00.thing that really gets you? Craig can't bear thumbs. Craig can't bear
:21:01. > :21:04.anything! Darcey is very into the arms. And Bruno is into the Passion.
:21:05. > :21:08.And I'm very much into grounding your weight and the technical aspect
:21:09. > :21:14.of it, is it your heel or your toe, you're inside edge, how do you pass
:21:15. > :21:17.your feet? And I love synchronisation because your arms
:21:18. > :21:20.are as long as your legs, see you have to call would make the upper
:21:21. > :21:24.half with the lower half and then you have to have chemistry, and then
:21:25. > :21:31.you have to bring the performance of a lifetime every week. So not much,
:21:32. > :21:42.really(!) I love ballroom dancing. I love the Argentine tango, and the
:21:43. > :21:48.Viennese waltz. You are the Latin Queen, that is going to be the thing
:21:49. > :21:52.for you, isn't it? I started off in the ballroom, I danced with a
:21:53. > :21:57.gentleman called Nigel Tiffany, the ballroom champion at the time, and
:21:58. > :22:01.we were in the semifinal, and way back in the Latin, and then I got
:22:02. > :22:05.spotted by my dance coach who said, I feel you have a flair for Latin,
:22:06. > :22:12.and I got an opportunity when I was 17 to dance with Sammy Stothard who
:22:13. > :22:16.taught me all about it. And is it right that you can tell by looking
:22:17. > :22:20.at somebody within two seconds whether they are going to be any
:22:21. > :22:27.good at Latin? I can tell when they walk down the stairs. Well, we have
:22:28. > :22:31.a picture of this year's cast. Without giving anything away, tell
:22:32. > :22:37.us who do you think might be the king and queen of Latin, just by
:22:38. > :22:41.lucking. I think they are all kings and Queen's. When I watched them all
:22:42. > :22:45.walk down the stairs the other day, they all just had a stride in their
:22:46. > :22:48.step and they came out and they did their little group number and they
:22:49. > :22:54.were all having so much fun that I was just taken with the moment. So I
:22:55. > :23:04.think for me, I think they are all kings and queens. We are going to
:23:05. > :23:17.see some former contestants having a dance, we are not asking you to
:23:18. > :23:25.judge. This is you! Back in the day when I was a lad. That is
:23:26. > :23:30.impressive, lovely arm there. And then we are into... Have you
:23:31. > :23:40.studied, or is that natural? That is very natural! And a bit of passion
:23:41. > :23:43.going. So you have both done it? That was in Wembley, that particular
:23:44. > :23:51.show, it was nerve-racking. APPLAUSE
:23:52. > :23:57.Really enjoyed it, and the contestants this year are in for a
:23:58. > :24:03.treat, it is such a fantastic show to do. And we are still dancing!
:24:04. > :24:06.Anyway, it is all good. Good luck with it all. Thank you.
:24:07. > :24:08.Strictly isn't the only time-honoured tradition
:24:09. > :24:11.With farmers having worked hard throughout the summer, now
:24:12. > :24:13.is the time they get to reap their rewards.
:24:14. > :24:24.Here are some stunning shots of this year's harvest.
:24:25. > :24:35.I'm Nathan Delecour, and we are harvesting sweetcorn. I am Allie
:24:36. > :24:39.Capper, and I'm a partner at stocks farm in Worcestershire, we are hops
:24:40. > :24:44.and apple farmers. That's what we do. I am Colin McGregor from
:24:45. > :24:52.McGregor farms, and we are harvesting wheat. Harvest is all
:24:53. > :24:56.about the pressure of did I get it right? Sweetcorn is not sweetcorn
:24:57. > :25:00.unless it is sweet. We try and pick it on the right day, but within 48
:25:01. > :25:05.hours, the right day has left the field, so we have got to get the
:25:06. > :25:09.timing right. To see if you like the fruits of our labour from the year,
:25:10. > :25:14.it is a good feeling, and then there are other sights and smells, so it
:25:15. > :25:21.is a very sensory experience, the harvest. It is exciting, there is a
:25:22. > :25:26.lot happening, it is busy. It is accumulation of year's work. No
:25:27. > :25:29.harvest, no business. The two machines we are watching harvesting
:25:30. > :25:34.have over the last any is replaced what would now take probably 250
:25:35. > :25:38.people to harvest. The worst case in RA, a wheel falls off one of the
:25:39. > :25:41.machines, and if a wheel falls off one of the other one as well we
:25:42. > :25:48.would have to go back to hand harvesting techniques, but I hope we
:25:49. > :25:52.don't have that to content with. The weather is absolutely critical to
:25:53. > :25:55.harvest. Wet days, it doesn't happen, and the crop deteriorates,
:25:56. > :26:00.so if it gets wetter, the combines can't harvest it, and the moisture
:26:01. > :26:05.content is high so that we have to dry it, which is a big expense. The
:26:06. > :26:08.biggest stress for us when it comes to this time of year is making sure
:26:09. > :26:12.we have the right people in the right place at the right time. We
:26:13. > :26:19.don't relax in harvest, it is seven days a week and it is long days.
:26:20. > :26:23.Farmers love planting seeds. There is immense pride in going shopping
:26:24. > :26:28.and watching people put something you've produced into their shopping
:26:29. > :26:35.basket. Fundamentally it is a simple task. Get everybody to eat something
:26:36. > :26:40.twice. The worst harvest was in 2012, it just kept raining raining,
:26:41. > :26:45.the crop deteriorated, and we saw the legacy from that of the 23 years
:26:46. > :26:49.in terms of the yield. If we don't produce enough food in the UK, we
:26:50. > :26:56.have to import, and that can affect prices for the consumer in the
:26:57. > :27:01.shops. British hops are special. We grow varieties here in the UK that
:27:02. > :27:04.can't be successfully grown anywhere else in the world, and it is that
:27:05. > :27:08.complexity of flavour that gives you the drink ability in the beer, that
:27:09. > :27:17.makes you want to go back for another glass. At harvest, you hear
:27:18. > :27:20.the chatter of the crop and you smell the unique aroma as the crop
:27:21. > :27:28.harvesters move through the crop, you can smell that sweetness. My
:27:29. > :27:32.wife is good to us all, she brings us a hot meal early evening,
:27:33. > :27:37.lasagne, shepherds pie, whatever, we have it out in the field, and that
:27:38. > :27:43.makes a big difference, you can keep going until the small hours.
:27:44. > :27:46.And here we are in a stuffy studio! Get me back to the fields!
:27:47. > :27:48.Earlier we asked for pictures of your harvest,
:27:49. > :27:58.Surely, you have got a lovely one. Barry has grown these onions from
:27:59. > :28:04.seeds in his garden in Hertfordshire. Good lad, Barry. He
:28:05. > :28:08.knows his onions. This is Chris with his grandson Harry, and this is
:28:09. > :28:14.Harry's first trip in the combine. And this is Louis and his giant
:28:15. > :28:22.courgette. What's the secret! Letters now! What a show it has
:28:23. > :28:24.been. We are almost done, but not before we hear some music.
:28:25. > :28:27.Strictly starts on Saturday at 7pm, and Neil begins his
:28:28. > :28:34.Tomorrow, Fay Ripley will be keeping Matt's seat warm
:28:35. > :28:38.when the cast of Cold Feet will be here, but we leave you now with Neil
:28:39. > :28:59.# Strolling along country roads with my baby
:29:00. > :29:07.# It starts to rain, to pour # I feel the warmth of her hand in
:29:08. > :29:12.mine # I hear laughter in the rain
:29:13. > :29:21.# Walking hand-in-hand with the one I love
:29:22. > :29:23.# How I love the rainy day in a happy way
:29:24. > :29:28.# I feel inside # Oh, Carole.
:29:29. > :29:36.# I am but a fool # Darling, I love you
:29:37. > :29:42.# Though you treat me cruel # You hurt me
:29:43. > :29:50.# And you make me cry # But if you leave me
:29:51. > :29:57.# I will surely die. And then I wrote
:29:58. > :30:00.# Is this the way to Amarillo? # Every night I've been hugging my
:30:01. > :30:04.pillow # Dreaming dreams of Amarillo
:30:05. > :30:10.# And sweet Marie who waits for me # Show me the way to Amarillo
:30:11. > :30:17.# I've been weeping like a willow # Crying over Amarillo
:30:18. > :30:22.# And sweet Marie who waits for me # And sweet Marie who waits for me
:30:23. > :30:34.# And sweet Marie who waits... Big finish!
:30:35. > :30:43.# For me # Sha-la-la...
:30:44. > :30:47.I believe your husband called us about a valuation on your prop...