:00:18. > :00:25.Hello and welcome to The One Show with Matt Baker... And Alex Jones.
:00:25. > :00:28.Keeping us company is the Bolton boy who went from Phoenix Nights to
:00:28. > :00:40.become Mr Saturday night. As he might say, let the guest see this so
:00:40. > :00:46.far. It is Paddy McGuinness! I am not very good at accents. Sit
:00:46. > :00:54.down, sit down. You don't have to stand. This is what the BBC look
:00:54. > :01:03.like. It is nice and cosy. I it. Your cameraman is the cameraman of
:01:03. > :01:12.taking me out. -- I like it. Let's get him on there. There he is! Give
:01:12. > :01:24.us a wave! When he started, he had black hair. That is what the show
:01:24. > :01:27.has done for him. You are known for your catchphrases.
:01:27. > :01:36.There are loads of them on the show that I. -- that I like. When I came
:01:36. > :01:48.up with those ideas, they came off the cuff. It sort of stark. -- it
:01:48. > :01:55.sort of stuck. The guy I write with, we will decide what we can use. We
:01:55. > :01:59.have a whiteboard in the studio. The audience right and down when we are
:01:59. > :02:09.going out. 90% of them you can't use. The ones you can, we keep them.
:02:09. > :02:20.Well, clean ones tonight only. That is a given.
:02:20. > :02:25.You are taking Take Me Out out of the studio. We will talk about that
:02:25. > :02:28.later. First, with money being so tight in the NHS, if it's right for
:02:28. > :02:31.your hospital to gamble tens of tight in the NHS, if it's right for
:02:31. > :02:43.thousands of pounds by going into the beauty business? -- is it right.
:02:43. > :02:48.Alex Riley has been investigating. Paddy, lavender?
:02:48. > :02:53.In a place like this, you are going to hope you will feel better. In
:02:53. > :02:57.this hospital, there is a chance you might look better, too. It is the
:02:57. > :03:03.first hospital to develop and sell brew tea products on the open
:03:03. > :03:10.market. -- beauty products. 25 years ago, the hospital developed a cream
:03:10. > :03:12.for burns and scars. The moisturiser attracted fans including the staff,
:03:12. > :03:16.who loved it so much they suggested attracted fans including the staff,
:03:16. > :03:23.turning it into a moneymaking brand. After numerous prototypes,
:03:23. > :03:28.the cream was born this year. The trust has already invested £80,000
:03:28. > :03:32.in the product. Was it money well spent? At a factory in Hampshire,
:03:32. > :03:38.the cream is rolling off the production line. How many staff were
:03:38. > :03:45.involved? We have had 65 product testing staff. They are trying it
:03:46. > :03:49.out on themselves. They are happy to do it. They are doing it in their
:03:49. > :03:54.own time. They are filling in questionnaires. They are sending
:03:54. > :04:03.them back to me. We are proud this has come from Salisbury Hospital. So
:04:03. > :04:09.who is looking after the patient's? They are being looked after by the
:04:09. > :04:16.many nurses who are doing a great job. So it is never that somebody is
:04:16. > :04:22.laying on a bed feeling terrible and the doctor has to go to a focus
:04:22. > :04:27.group? Know, everybody is doing it in their own time! They think it is
:04:27. > :04:32.fantastic. The trust's finance director is also at the factory
:04:32. > :04:38.today. He is going to deliver the first products to a local supplier.
:04:38. > :04:44.Is this a gamble with public money? We don't believe so. We are careful
:04:44. > :04:49.about how we use public money, and clearly we have responsibilities
:04:49. > :04:54.with that. We take this seriously. We would invest in any initiative of
:04:54. > :05:01.this type unless we could see clearly that it was going to make a
:05:01. > :05:05.good return. We have already sold over 10,000 of the tubes. We know
:05:05. > :05:09.that when we get to 20,000, we are well into profit. So far you have
:05:10. > :05:15.invested £80,000. How money operations could you do for
:05:15. > :05:21.£80,000? Converting it into hip operations,
:05:21. > :05:27.you could say that is 11 operations. NHS England say the trust is one of
:05:27. > :05:31.the most innovative in the country, and it certainly seems that is the
:05:31. > :05:34.case. Today knowledge, no other hospital as ever developed, produced
:05:34. > :05:40.and sold a non-medical product purely to make money. -- to their
:05:40. > :05:45.knowledge. The cream is already being stocked into two other
:05:45. > :05:52.hospitals and a local business. This is the first one with the
:05:52. > :05:59.dispenser. Let's see what it looks like.
:05:59. > :06:03.But the UK's largest trade union, Unison, is concerned about the
:06:03. > :06:09.impact on patient care and public funds.
:06:09. > :06:13.There is a different between the type of products that have come out
:06:13. > :06:16.of medical need. That is different from investing public money in
:06:16. > :06:27.trying to market ties a moisturising cream. What next? Her fume peels --
:06:27. > :06:31.perfume? Tablets? It is diverging staff time away from what should be
:06:31. > :06:35.their primary function, which is patient care.
:06:35. > :06:40.We would never put the hospital at risk. We would never jeopardise our
:06:40. > :06:49.prime function, to treat patients and treat them well. We are all
:06:49. > :06:53.struggling. We have a savings target of 5% this year. That means, for us
:06:53. > :07:00.can we have to save about £9 million. What the sales of sunflower
:07:00. > :07:05.cream will do is that it will support areas that might otherwise
:07:05. > :07:09.be subject to more cuts. If the product is successful, it
:07:09. > :07:13.could be on sale in shops and hospitals all over the country. It
:07:13. > :07:16.will pave the way for other trusts to create their own commercial
:07:16. > :07:21.brands. But we will have to wait and see if others will follow their
:07:21. > :07:28.lead. Paddy, how do you feel about this?
:07:28. > :07:35.If the money is going back to the NHS, it can only be a good thing. It
:07:35. > :07:40.is when companies, they will go, 70% is going to such a thing... If the
:07:40. > :07:52.profits are reinvested, you can't go wrong. All right! He is keen! He
:07:52. > :07:58.would like to put it on my back. In the supermarket, the only thing is,
:07:58. > :08:06.you are going down, it is expensive products and then the NHS. Go on.
:08:06. > :08:12.Oh, look at this! Women will know that the moisturising field is a
:08:12. > :08:20.minefield. You can spend a bomb, up to £135. Or you can spend £2. Is
:08:20. > :08:24.there any difference? At the end of the day, no. They have oil and
:08:24. > :08:29.water, which traps moisture in your skin. It gets rid of wrinkles. Then
:08:29. > :08:40.you have something like this role, which holds the cream onto the skin.
:08:40. > :08:45.-- like an agent. Strangers in the night, exchanging glances... !
:08:45. > :08:53.Scientifically, there is very little evidence. But it is nice when
:08:53. > :08:58.somebody rubs it into your skin. He has got to give us some facts
:08:58. > :09:09.here! We got some health news today. You will be interested in this. Look
:09:09. > :09:17.at those guns. These old things? Walking can save people's lives.
:09:17. > :09:23.Research has shown that if everybody did 20 minutes of exercise a day,
:09:23. > :09:28.and that is walking, it could be gardening, whatever, it would cut
:09:28. > :09:33.the numbers of deaths by 37,000, which is a big figure. I did an
:09:33. > :09:37.experiment where I ate a full fat in this breakfast. A couple of hours
:09:37. > :09:48.later, they drag out my blood. You could see the lay-off at. -- delay
:09:48. > :09:54.of fat. The next day I did it again and there was a third of the fact.
:09:54. > :10:03.of fat. The next day I did it again -- the fact. I used to work in a
:10:04. > :10:09.gym. People don't realise that. They think they have got to do exercise,
:10:09. > :10:14.go for a run. If you walk every day come it does you a world of good.
:10:14. > :10:18.And quickly, Michael, you are back on TV on Thursday, covering a whole
:10:18. > :10:25.range of issues. Give us a flavour. on TV on Thursday, covering a whole
:10:25. > :10:28.We did a random survey on the street and down horrible things on the
:10:29. > :10:33.hands of the British public. We looked at things like aspirin. We
:10:33. > :10:38.know that it cuts the risk of heart disease and some cancers. So who
:10:38. > :10:45.should be doing it and when? How much water should you drink every
:10:45. > :10:57.day? Also, an interesting one... And this link thing. Yes, we did a study
:10:57. > :11:04.where we cut down people's sleep and it had to Matic Fx on their health.
:11:04. > :11:19.-- pneumatic impact on the health. Trust Me I'm a Doctor starts on
:11:19. > :11:25.Thursday at 8pm. This week the Royal Mills will
:11:25. > :11:28.produce a special 50p piece. -- Royal Mint. Here it is. This is an
:11:28. > :11:32.early collectors' addition. It Royal Mint. Here it is. This is an
:11:32. > :11:39.features I previously unreleased design. Angelica has been to find
:11:39. > :11:45.out more. She met the woman we have had in our pockets for years.
:11:45. > :11:49.The campaign to get more women on our currency celebrated the Bank of
:11:49. > :11:56.England's decision this year to put Jane Austin on the £10 note. 40
:11:56. > :12:03.years ago, a very secret mission of curd to get the original woman onto
:12:03. > :12:06.our currency. -- curd. In the 60s, Britain was facing a monetary
:12:06. > :12:10.revolution. Decimalisation would mean the end of shillings and
:12:10. > :12:16.farthings, and inward come newly designed five, ten and 50p pieces.
:12:16. > :12:21.Until the policy was announced, any new designs were shrouded in
:12:21. > :12:30.secrecy. While gossiping surrounded the new
:12:30. > :12:35.coins, the Royal Mint was charged with getting them designed. Graham
:12:35. > :12:41.Dyer was an office assistant at the Royal Mint went decimalisation was
:12:41. > :12:45.first mooted. It was a great time to be around. You thought it was part
:12:45. > :12:49.of something important. It was such a huge change to the British
:12:49. > :12:57.coinage, changing 1000 years of history overnight. It seemed better
:12:57. > :13:01.to proceed on a confidential basis. While the public remain oblivious,
:13:01. > :13:03.SC could competition was held to design the new decimal coins. -- a
:13:03. > :13:10.SC could competition was held to secret competition. Critical
:13:10. > :13:17.Ironside, an artist who previously designed modern -- medals for the
:13:17. > :13:22.Mint, was one of the entrance. If anybody came to the house,
:13:22. > :13:27.everything had to be covered up. We had people for dinner once. We went
:13:27. > :13:35.to make copy, and suddenly we had a shriek. You are designing the
:13:35. > :13:41.decimals! He said, you mustn't say a word to anybody.
:13:41. > :13:48.After months of subterfuge, Christopher was told in 1953 that is
:13:48. > :13:53.designed had one. This is the original series. This is a familiar
:13:53. > :13:59.figure of battalion. This is St George. -- Britannia. But these
:13:59. > :14:02.coins would never be used by the public. When the government
:14:02. > :14:08.announced the move to decimalisation, James Callaghan
:14:08. > :14:13.scrapped Christopher's coins and called for a second design
:14:13. > :14:16.competition. This time it was open to the public.
:14:16. > :14:24.He received a telephone call and was asked to come in. The deputy master
:14:24. > :14:30.sat him down in a chair and porting the most enormous gin and tonic. He
:14:30. > :14:37.said, I am sorry but I'm afraid you haven't won after all. It must have
:14:37. > :14:43.been disappointing. It was, it was quite a knock. Within 24 hours, he
:14:43. > :14:45.decided that he would enter the open competition, and he said I am going
:14:45. > :15:01.to do even better. He entered the public competition
:15:01. > :15:06.anonymously. His first design was Britannia. There was one job
:15:06. > :15:10.Christopher could not do himself. To get the perfect design, he
:15:10. > :15:20.needed a model to play the role of Britannia. Jean Ironside was about
:15:20. > :15:28.to play a pivotal role. She was to be Britannia. This is where
:15:28. > :15:33.Christopher would say, could you spare a minute, I am working on a
:15:33. > :15:40.new design for Britannia? I would sit down. He would find a ruler,
:15:40. > :15:50.something for me to hold as the Trident. He would say hold out your
:15:50. > :15:55.left hand. He would -- he would put paper into my hand and say turn
:15:55. > :16:00.your head, sometimes lean backwards, sometimes lean forwards. In 1968 a
:16:00. > :16:04.nightmare came to an end for Christopher when, six years after
:16:04. > :16:08.starting the design, he was announced the winner of the decimal
:16:08. > :16:17.design competition for the second time. I can see one of 50 pence
:16:17. > :16:28.piece. You could be Britannia. I was!
:16:28. > :16:35.I recognise there now. We will not leave Jean there. She is at the
:16:35. > :16:40.Royal Mint. They are going to produce one of the original designs
:16:40. > :16:46.by Christopher for the 50 pence piece. Live on the show, Jean will
:16:46. > :16:53.receive the first coin to come off the press. We will join her later.
:16:53. > :17:00.Let's talk about taking Take Me Out out. You have a live version. We
:17:00. > :17:06.are doing four nights at the Birmingham NEC. It is like on
:17:06. > :17:13.television with 30 goals. A guy comes down -- women. We are
:17:13. > :17:18.bringing back 15 women from the past series. On the day, they can
:17:18. > :17:22.come with friends, to audition to past series. On the day, they can
:17:22. > :17:29.come on the stage that night with me. Everybody in the audience will
:17:29. > :17:35.have a light. When it gets to the last two, he picks one of them live,
:17:35. > :17:38.and I will say all, you can pick somebody from the audience and take
:17:38. > :17:44.and I will say all, you can pick a chance. We have made a massive
:17:44. > :17:51.club in the arena. There will be a big party. It is a Christmas show.
:17:51. > :17:58.For groups to come down and have a laugh.
:17:58. > :18:09.You know how this feels. I have done it. Have you got it? We
:18:09. > :18:17.could not afford it. You could not afford God's gift! I know times are
:18:17. > :18:25.hard at the BBC! I was a Life Guard and in the staff room, I was 20
:18:25. > :18:30.years old. Lifeguards were wanted for the television show. Eight of
:18:30. > :18:37.us went down. Only I got on. At the time, I was going yes, now, I am
:18:37. > :18:49.like this. I had black silk boxer shorts and spiral curly hair. Every
:18:49. > :18:55.girl's dream. That is the beauty. Now we are doing Take Me Out. When
:18:55. > :19:00.the guy is nervous. I say trust me, silk boxer shorts, I have been
:19:00. > :19:12.there. It is mad I am doing the show now. The beauty of the show
:19:12. > :19:18.for me is the ad-lib side of it. 80%. When I am doing it live in
:19:18. > :19:23.Birmingham, that is going to be tricky. Sometimes I come out with
:19:23. > :19:29.something that will not make Saturday-night television. I will
:19:29. > :19:38.have to be on my toes. It is a certain age range. In the past, we
:19:38. > :19:45.have had men of 60 years old. And ladies in their Sixties. I like
:19:45. > :19:54.that. We are talking about doing a special for pensioners. Our viewers,
:19:54. > :20:00.not that you are all old... Back pedalling! There will be older
:20:00. > :20:02.single people wanting to have a go. You even have lavender all the
:20:02. > :20:18.show! Wether's! With doing a special for elderly
:20:18. > :20:23.people, I think they have a bad press. People think they have
:20:23. > :20:27.always been old but they have had a life and been around the world and
:20:27. > :20:33.had amazing arrears and done more than we have done. It is great to
:20:33. > :20:40.get them on. They are still looking for love. The entertainment at the
:20:40. > :20:45.end will be brilliant. I am looking forward to doing that. I used to
:20:45. > :20:52.like to watch Blind Date back in the day. They would do the OAP
:20:52. > :20:57.special. What we will have to do is to put a stair lift on for when
:20:57. > :21:08.they come down. Take it too far. I have gone too far. Take Me Out live
:21:08. > :21:14.is at Birmingham NEC from 6th December until 9th December. In has
:21:14. > :21:19.produced two engagements and a baby, but there are stranger places to
:21:19. > :21:24.meet the love of your life than a TV show. We are asked you to tell
:21:24. > :21:30.us about how you met your partner. -- we asked you. Here are some of
:21:30. > :21:39.the couples who have found love in a hopeless place. A I and Nicola. I
:21:39. > :21:46.am Richard. 12 years ago we found love by sending an incorrect test -
:21:46. > :21:53.- text message. We exchanged numbers. I sent a text message.
:21:53. > :22:00.There was a reply saying, text somebody who gives a damn. The
:22:00. > :22:06.numbers were identical. Except the last two with the other way round.
:22:06. > :22:11.I sent a text message back and we were back and forth all afternoon.
:22:11. > :22:17.He described himself... Tall and blonde! At the time, he was. I
:22:18. > :22:23.looked forward to hearing the beeping on the mobile phone. It was
:22:23. > :22:26.nice. It would make my heart jump. We arranged to meet. I borrowed my
:22:26. > :22:37.Rebecca -- I borrowed my mother's car. I
:22:37. > :22:45.felt comfortable with him. We went for a drink and that was it. And
:22:45. > :22:54.now these years later, beautiful children. I am Susan. I
:22:54. > :22:59.unexpectedly found love with my husband 41 years ago. The night I
:22:59. > :23:04.met my husband my sister and I went to a tennis club dance. She paid to
:23:04. > :23:08.go in and went to the ladies' lavatory to open the windows so I
:23:08. > :23:13.could climb in and save on the ticket price. Unfortunately, they
:23:13. > :23:18.had bouncers on the door that evening and my husband was one of
:23:18. > :23:23.them. A couple of us went to the car park to make sure nothing was
:23:23. > :23:28.going on. We asked her to come back out through the window. We
:23:28. > :23:32.suggested that she left. Fortunately, two weeks later, we
:23:32. > :23:34.went to the local pub and there he was. He offered to buy a drink. By
:23:34. > :23:38.the end of the evening I gave you was. He offered to buy a drink. By
:23:38. > :23:46.my telephone number and you offered to take me to the dance legitimate
:23:46. > :23:56.Lee. I am Nicky. I am magic Martin. We found love unexpectedly. When
:23:56. > :24:01.magic Martin put a spell on me. I was doing a magic show. A woman was
:24:01. > :24:05.batting in and organising the children. I went to see if he was
:24:06. > :24:16.appropriate to have at the Brownie pack. He was friendly. And good
:24:16. > :24:21.looks. Of course. My wit and personality. When I finished, I put
:24:21. > :24:30.the rabbit in her lap which meant she had to stay around. The first
:24:30. > :24:37.date, we were taking the rabbit for a walk. It was a bizarre first date.
:24:37. > :24:42.Soon after that, Nicky became my glamorous assistant. We got married
:24:42. > :24:51.and ten years later the magic is still in our relationship. We asked
:24:51. > :24:56.for extraordinary circumstances. How did you propose to Christine?
:24:56. > :25:02.It was Christmas Eve. We open our presents. I said open the car last.
:25:02. > :25:05.She opened the card and it said, to my fiancee. She said I am not your
:25:05. > :25:14.fiancee. I said you are now, you my fiancee. She said I am not your
:25:14. > :25:18.lucky creature! It was brilliant. It was so nice. We had the fire and
:25:18. > :25:29.the Christmas tree and the family came on Christmas Day and the --
:25:29. > :25:35.and we told them. It was fantastic. Earlier, we met Britannia, also
:25:35. > :25:40.known as Jean Ironside. She is at the Royal Mint. She is waiting for
:25:40. > :25:47.the presses to print her late husband's design for the 50 pence
:25:47. > :25:53.piece. Are you ready to make money? We are going to make lots of money.
:25:53. > :25:59.This is made in Cardiff at the Royal Mint. We are almost ready to
:25:59. > :26:03.press a new 50 pence piece to commemorate Christopher, really,
:26:03. > :26:08.and how are you feeling? It is wonderful. Christopher would be
:26:08. > :26:16.amazed. I wish he was here to see what was going on. What would he
:26:16. > :26:20.have said? I do not know. He always felt that when the job was done,
:26:20. > :26:25.that was the end of it and nothing else would happen in that direction,
:26:25. > :26:31.but he would be so bad. This is a big moment for you, and emotional.
:26:31. > :26:37.You work at the Royal Mint. What happens? This is the press room.
:26:37. > :26:44.This is where we put the head and tail on the coin. You make coins
:26:44. > :26:53.for all over the world? About 65 countries. How many 50 pence pieces
:26:53. > :27:02.will we press? 5 million. When will it go into circulation? We have in
:27:02. > :27:06.the next few weeks. -- within. You have a special coin being printed
:27:06. > :27:12.tomorrow. It is the christening of Prince George. It will be revealed
:27:12. > :27:19.this week. The Queen and the Duke and Duchess of Cambridge love the
:27:19. > :27:25.design. One of the coins is were -- is worth £5,000 because it is made
:27:25. > :27:39.from gold. And now, you are going to see the first 50 pence piece
:27:39. > :27:45.press. Wonderful, wonderful. This is a special day because it is your
:27:45. > :27:58.birthday. You will have that coin. We also have this for you. Oh, no!
:27:58. > :28:02.That is because you are the original Britannia. And this is
:28:02. > :28:05.your coin. Make sure you look out for the new 50 pence piece. It will
:28:05. > :28:16.be their very soon. We have for the new 50 pence piece. It will
:28:16. > :28:27.4,999,999 left press. We will handover. Ready.
:28:27. > :28:41.That is wonderful. Paddy, so that you do not feel left out. We
:28:41. > :28:48.pressed this. Are we done? We are nearly done. It has been nice. Good
:28:48. > :28:57.luck with everything happening with Take Me Out live. Only the one side,
:28:57. > :28:58.typical BBC! Tomorrow, Downton Abbey writer Julian Fellowes will
:28:58. > :28:59.be hair.