:00:19. > :00:26.Hello and welcome to the programme. The night, there is all sorts
:00:27. > :00:31.happening. We are going to be going up in a plane with Liz Bonnin on a
:00:32. > :00:36.search for the northern lights. And we will be coming down with One Show
:00:37. > :00:40.action man Andy Torbett, as he drops in for a chat. And we will be
:00:41. > :00:48.hearing from three soldiers about to make the emotional trip home from
:00:49. > :00:54.Afghanistan. And that is not all. Thank you very much. It would have
:00:55. > :01:05.been Elvis's birthday today, isn't that right?! The lads are in. It is
:01:06. > :01:11.-- it would have been Elvis's 79th birthday, and we are joined to
:01:12. > :01:23.celebrate that day by 14 Elvii. And one of our guests has been known to
:01:24. > :01:32.have a bit of a singsong himself. # Las Vegas! A spot that deserves
:01:33. > :01:36.applause, but who is it?! And so that he is not lonesome tonight, he
:01:37. > :01:44.is joined by someone who has always had the upper hand. It is Honor
:01:45. > :01:52.Blackman, and alongside Honor is Vernon Kay! I enjoyed that. That was
:01:53. > :01:58.for a show which I did with several of the guys that are here. It is the
:01:59. > :02:02.world's best Elvis tribute artists. We went to Las Vegas and I married a
:02:03. > :02:09.couple from leads, I think they were, dressed as Elvis. You have
:02:10. > :02:21.grown to appreciate Elvis more and more, haven't you? Yes. Of course.
:02:22. > :02:33.There is a bit of acting, a bit of singing. And they are going to sing
:02:34. > :02:42.for us. Tell us, Vernon, the story about Elvis's first recording
:02:43. > :02:52.contract. I think he bought him shove a horseshoe pinky ring. Wrong.
:02:53. > :02:57.What do they know?! Basically he wore it for most of his life, and
:02:58. > :03:10.for one of our anniversaries, we had a replica pinky ring. So, where is
:03:11. > :03:16.it today? It is at home. Well, our 14 Elvii will be performing at the
:03:17. > :03:22.end of the show. And Vernon is also going to be talking about Splash!.
:03:23. > :03:28.But that is not the only show with amazing dives. Have a look at this.
:03:29. > :03:38.This is seven-year-old Christopher, back in Florida, in 1987. That was
:03:39. > :03:42.quality! And we have got lots of dives from our viewers are still to
:03:43. > :03:46.come. One of the Government's big plans for 2014 is the pledge to pull
:03:47. > :03:50.combat forces out of Afghanistan by the end of the year. On Monday, we
:03:51. > :03:55.showed you some of the logistical challenges involved in the move, but
:03:56. > :03:57.tonight, three soldiers give us a personal insight into life in
:03:58. > :04:02.Helmand Province, and what it means for them to come back home. The
:04:03. > :04:07.British combat mission in Afghanistan is Troy in to a close.
:04:08. > :04:11.By the end of 2014, the final fighting personnel will be home in
:04:12. > :04:16.the UK, but not until they have helped the Afghan national forces
:04:17. > :04:19.take the lead in securing their own country. We have been given
:04:20. > :04:23.exclusive access to three soldiers preparing for their return home.
:04:24. > :04:31.Corporal Les Wareham, staff Sergeant Gavin Waugh, and Sergeant Shaun
:04:32. > :04:35.Woodward. They are members of the 2nd Royal Tank Regiment, based at
:04:36. > :04:39.Camp Bastion. They are wrapping up operations after the 12 year fight
:04:40. > :04:45.against the Taliban. We have been in a few scrapes. We have had a couple
:04:46. > :04:49.of Impex strikes as well. 29-year-old Les is the commander of
:04:50. > :04:54.an armoured fighting vehicle. We started getting shot at, but without
:04:55. > :04:57.even to having sale word, my boys around me were getting their kit on,
:04:58. > :05:05.manning the guns, responding to the threat. Les and the two Sergeants
:05:06. > :05:08.worked closely to keep the squadron of over 100 soldiers running
:05:09. > :05:16.smoothly. The quartermaster of the squadron is Gav, who makes she sure
:05:17. > :05:19.the guys want for nothing. You have got your major vehicle components
:05:20. > :05:23.which need to be sent out, and then you have got guys who have had their
:05:24. > :05:35.boots disintegrated. Water, sun cream, you name it. Sajid Woodward
:05:36. > :05:42.leads the fight out on the ground. -- Sergeant Woodward. We are still
:05:43. > :05:46.getting heavily contacted at times, and that can last half a day, a
:05:47. > :05:51.full-day, two days. And then the next day could be in the same area,
:05:52. > :05:59.absolutely nothing. Back home, the wives of Gav and Woody have their
:06:00. > :06:03.own ways of coping. There have been some hairy times, when you think, I
:06:04. > :06:08.want him home, but you cannot think of it like that. You could worry all
:06:09. > :06:12.day, every day about it, but I have got to children who do not want to
:06:13. > :06:16.worry about it. They do not know he is in a dangerous place. They just
:06:17. > :06:20.think he is working, driving a tank. He would be annoyed if I said
:06:21. > :06:25.that. In the last six months, the British presence in Helmand Province
:06:26. > :06:31.has been reduced from 11th bases to five. A veteran of three tours in
:06:32. > :06:41.Afghanistan, Les is well placed to judge how things have developed
:06:42. > :06:44.groggy when we came to Afghanistan, on Operation Herrick, it was very
:06:45. > :06:55.much about going out to take the fight to them. Going back to some of
:06:56. > :07:01.the same areas, you Seem to be doing much better now. Woody and Les will
:07:02. > :07:06.be out for 16 days on their latest expedition out of the base. You are
:07:07. > :07:10.covered head to toe in dust. You have got to keep the security up at
:07:11. > :07:16.night. And then you do the whole thing again. It does where people
:07:17. > :07:20.down. I try and keep morale up when they are out for a long time. If I
:07:21. > :07:25.am sending a parcel out, I try to drop things in it for them. I see if
:07:26. > :07:28.the chef can give me some nice bits and pieces to send out. It is
:07:29. > :07:32.difficult, I would rather be out with the guys, but it is a
:07:33. > :07:36.supporting role which has got to be done. The guys need some fresh kit,
:07:37. > :07:42.and underneath it, there is a packet of doughnuts! It is a nice surprise.
:07:43. > :07:48.These small comforts were never more needed than as they returned back to
:07:49. > :07:52.base, they heard the news that one of their soldiers, who was still out
:07:53. > :07:57.fighting, had been shot in the head. It does not even need to be
:07:58. > :08:01.one of your mates, he is still one of ours. Everyone across the
:08:02. > :08:05.squadron will feel it. You cannot get too roped up in it. You have got
:08:06. > :08:09.to put your emotions to one side, and then you have got to think about
:08:10. > :08:12.the mission and make sure that everything else can still function
:08:13. > :08:17.out there. I came here with one plan, and that was simply to get all
:08:18. > :08:21.my boys back safe. When you have heard that somebody has been shot,
:08:22. > :08:27.it is a head wound, the helicopter is on its way, I think to myself, I
:08:28. > :08:32.have failed, because my original intent was to get these guys safely
:08:33. > :08:38.back. Miraculously, the soldier survived his head wound, but with
:08:39. > :08:45.only 56 days to go, one of our group would also suffer at the hands of
:08:46. > :08:48.the enemy. Yes, as Dan just said, one of the three lads does get
:08:49. > :08:55.injured, but thankfully, not seriously. Dan Snow is here now.
:08:56. > :09:02.Happy New Year. Nice to see you. We checked our wardrobes. Yes, apart
:09:03. > :09:07.from Matt. Now, Christmas just gone was the last Christmas for some of
:09:08. > :09:11.the British combat troops, but some are staying out there in different
:09:12. > :09:16.roles, is that right? Yes, this time last year, there were about 9000
:09:17. > :09:20.combat troops. Now, it is about 5000. By this time next year, there
:09:21. > :09:25.should not be any combat guys left, it is going to be mainly a training
:09:26. > :09:28.role. What about other foreign troops? The Canadians and
:09:29. > :09:32.Australians have left, the Germans are leaving this year, like the
:09:33. > :09:35.Brits, hopefully, and the Americans are going to stay, because for the
:09:36. > :09:40.moment, they have not negotiated their exit strategy. David Cameron
:09:41. > :09:44.said that we have achieved what we set out to do, but what exactly have
:09:45. > :09:50.we accomplished in the last 12 years? We went in initially to make
:09:51. > :09:55.sure that Al-Qaeda did not take over Afghanistan. So, they were kicked
:09:56. > :09:58.out. Then we wanted to try to make life better for the Afghans, and
:09:59. > :10:02.that has been a mixed picture. There has been better security in some
:10:03. > :10:06.parts, but not in others. One thing which is interesting is that where
:10:07. > :10:10.we went in, there were only about 1 million kids in school. It is now
:10:11. > :10:15.more than 8 million. About 40% of those are girls. The figure of girls
:10:16. > :10:23.in school has gone up by seven times, which is extraordinary. We
:10:24. > :10:27.saw that in that film, but as Sean said, they are still being shot at,
:10:28. > :10:32.and elections are coming up. Yes, the elections, in April, will be
:10:33. > :10:38.very difficult. The Chief of Defence Staff, who has just left, is very
:10:39. > :10:41.worried about security. He says the elections could see a real upsurge
:10:42. > :10:50.in fighting, and that it is not a done deal. It could still kicked
:10:51. > :10:53.off. Absolutely. Now, there may not be many advantages to these long,
:10:54. > :10:59.dark nights, but this week, astronomers are out in force hoping
:11:00. > :11:04.to change your lives by shedding new light on the night sky, in
:11:05. > :11:08.Stargazing Live. Tonight, they are planning a world first, and it is
:11:09. > :11:15.all happening in Norway. We have come to Tromso, on the hunt for the
:11:16. > :11:20.northern lights, the aurora borealis, which takes place high up
:11:21. > :11:25.in our atmosphere. The best place to see it is close to the magnetic
:11:26. > :11:30.north pole. We are 200 miles inside the Arctic Circle here. And the sun
:11:31. > :11:33.is in a very active part of its 11 year cycle, so we have got a good
:11:34. > :11:37.chance of seeing them. Normally the footage you see of the aurora
:11:38. > :11:42.borealis on television is obtained from time-lapse photography. But
:11:43. > :11:45.tonight, on Stargazing Live, we are attempting a world first, we are
:11:46. > :11:49.going to try and filmed them live from this specially kitted out
:11:50. > :11:56.aircraft. We are going to try to give you a little sneak peek of the
:11:57. > :12:00.lights later on. Wish us luck! That should be in about half an hour, if
:12:01. > :12:06.it happens! It would be great if we can see them. Recently, there was a
:12:07. > :12:11.meteor storm, I think it was in November, and we stood on the patio,
:12:12. > :12:15.me and Tess, and we saw the International Space Station, and
:12:16. > :12:21.several shooting stars. I do actually own a pair of night-vision
:12:22. > :12:26.goggles, it is amazing. How often do you wear them? Not very often, I
:12:27. > :12:32.will be I would love to see you in your night-vision goggles. Let me
:12:33. > :12:37.clear something up... Reason why I bought them was because my golf
:12:38. > :12:40.balls in the back garden were being stolen, so I put them on and
:12:41. > :12:47.discovered that they were being stolen by a fox in the night. That
:12:48. > :12:59.sounds like a Mike Dilger film. So, do you play golf in your garden? A
:13:00. > :13:09.little bit, yes. Have you ever seen the aurora borealis? No, I haven't.
:13:10. > :13:15.So, you are going back on tour with your one-woman shoe -- with your
:13:16. > :13:20.one-woman show, Honor Blackman As Herself. Apart from the obvious,
:13:21. > :13:25.what can people expect when they come to see you? My childhood, which
:13:26. > :13:34.is quite interesting, my first marriage, which is more interesting.
:13:35. > :13:38.And the build-up to how I ever got into the profession, because I am
:13:39. > :13:43.not one of those kids that thought, I want to be an actress, from the
:13:44. > :13:54.age of six. So, what did you want to be? I don't know. Well, I do,
:13:55. > :13:57.vaguely. I wanted to be a hairdresser. And I got elocution
:13:58. > :14:02.lessons because my father thought, quite rightly, that you make better
:14:03. > :14:06.progress in life, back then particularly, if you can speak well.
:14:07. > :14:13.And then I had a wonderful teacher who introduced me to play 's,
:14:14. > :14:19.poetry, and it was just fantastic. I didn't get much education, because I
:14:20. > :14:26.was evacuated. You know, the emphasis then was not on your
:14:27. > :14:31.education, it was more on keeping you happy away from home. Well, you
:14:32. > :14:38.have had a very colourful life. How do you go about condensing...
:14:39. > :14:43.Colourful is an interesting word! How do you go about condensing that
:14:44. > :14:48.into a 90 minute play? Well, of course there is a lot that isn't
:14:49. > :14:52.there. And I hope, I believe, that the most interesting stuff is there.
:14:53. > :15:03.There are some bits, obviously, that aren't. Go on, Honor! No, no, no.
:15:04. > :15:08.There is a reason they are not in there, she's not going to mention it
:15:09. > :15:16.on live television. Which stories do you most enjoy telling during the
:15:17. > :15:30.show? I like playing Marlena at the end. We understand you do a mean
:15:31. > :15:33.impression of Marlene Dietrich. I'm not trying that hard to do an
:15:34. > :15:37.impression of her, but she had a mean sense of humour. There was a
:15:38. > :15:52.piece she wrote about how she entertained the troops. Can you do a
:15:53. > :15:57.bit of the voice? Yes. Let's think. My role is entertainer of the
:15:58. > :16:03.troops. It was the best I ever had. I loved the Army. Brilliant.
:16:04. > :16:12.We have peaked too early. You definitely have to come and test the
:16:13. > :16:20.night-vision goggles! The best line is, when AGI looked at me, it wasn't
:16:21. > :16:24.hard to read his mind. Vernon is a mess next to you. It's quite an
:16:25. > :16:28.interesting concept, you sit down with a director and he kind of talks
:16:29. > :16:34.you through, it is a conversation as you go. You reveal that there is a
:16:35. > :16:38.practical reason why you ended up wearing that catsuit in The
:16:39. > :16:43.Avengers? Everybody thinks it was a catsuit, it was two separate pieces.
:16:44. > :16:47.Because you cannot do judo in something, you would be split up the
:16:48. > :16:51.middle, if you know what I mean, with some of the things that I did.
:16:52. > :16:58.There is a lot of tittering going on. Ignore them over there! I think
:16:59. > :17:05.it was about the third episode, I split my trousers with my backside
:17:06. > :17:09.to the camera. They said, this can't happen again! There was a great
:17:10. > :17:15.discussion about tougher material. We finished up with letter, solely
:17:16. > :17:21.for that reason, not because it was a sexy or anything. And it became
:17:22. > :17:31.such an iconic leather catsuit? I didn't know. It became iconic, you
:17:32. > :17:36.wearing it? Yes, but it was not a catsuit, it was two pieces. Thanks
:17:37. > :17:42.for clearing that one up. All week we have been asking for your family
:17:43. > :17:45.photos to make up our One Show picture mosaic. We are going to
:17:46. > :17:50.decorate our new home with it. Congratulations to the Craig family,
:17:51. > :18:02.you have become a freckle on Alex's cheek. That went on to your
:18:03. > :18:06.forehead, I think. The Kavanagh family, you are now... Let's find
:18:07. > :18:07.out before you mention it... A freckle on your cheek! That went
:18:08. > :18:44.well, didn't it and veg? No, I'm not very good at
:18:45. > :18:54.it. I don't eat a lot of puddings. I don't eat a lot of chocolate. I'm
:18:55. > :19:00.sensible. But I do Pilates. Because I have the most wonderful teacher at
:19:01. > :19:10.the moment. Well, for ever, I hope. I have a scoliosis, a curvature of
:19:11. > :19:14.the spine. Richard III and I have something in common. He is trying to
:19:15. > :19:20.straighten me out. It's fascinating that I am winning to a certain
:19:21. > :19:25.extent. He is determined I will be upright, always. The Alexander
:19:26. > :19:31.technique is another good one. We could go on about this for hours.
:19:32. > :19:36.Pilates is brilliant, but you need your fruit and veg as well.
:19:37. > :19:41.Buy British. Well, in an ideal world, we would. But the choice of
:19:42. > :19:44.what we buy can be restricted by what we see on the supermarket
:19:45. > :19:47.shelves. The Environment Secretary Owen Paterson and the National
:19:48. > :19:52.farmers union are calling on others to buy more seasonal, British fresh
:19:53. > :19:56.fruit and veg and shown on imported produce. How much on the shelves is
:19:57. > :20:02.actually British? Let's take a look. This is UK, the baby parsnips are
:20:03. > :20:14.Kenya. Guatemala. We have Gambia, Thailand, India. The roof. -- Peru.
:20:15. > :20:17.And a little bit of the UK, Lincolnshire, in between. The
:20:18. > :20:25.produce here is predominantly imported. Why is it that in the UK
:20:26. > :20:28.we import so much food? We actually buy British wherever we can. In
:20:29. > :20:32.fact, customers absolutely love British. There are times when we are
:20:33. > :20:36.at the mercy of the weather, there might be a good harvest one year and
:20:37. > :20:41.not another. When customers come in, they want to buy what they want,
:20:42. > :20:45.when they want. If people want to buy British, what should they look
:20:46. > :20:49.out for? They should look for the signs in the store and the flag on
:20:50. > :20:56.the packaging. When the produce is loose, we have the label here. Is it
:20:57. > :21:00.that it is a lot cheaper to buy fruit and veg from poorer countries
:21:01. > :21:03.than invest in the UK? It is about provenance, knowing where your food
:21:04. > :21:09.comes from and giving customers what they want. We buy British whenever
:21:10. > :21:13.we can. Is it in your interests to buy British? Not necessarily, I go
:21:14. > :21:18.for whatever I am going for, usually based on price. Would you be
:21:19. > :21:23.influenced by the union Jack? I would be, I am going to get some
:21:24. > :21:26.apples and they definitely have to be British. They are grown here,
:21:27. > :21:33.they are seasonal and much better for you. These are from the UK as
:21:34. > :21:36.well? British Brown onions. What a patriotic shopper you are. Two bits
:21:37. > :21:42.broccoli, one from Spain, from the UK, it doesn't matter which, it goes
:21:43. > :21:51.on price? They both look good, I would go on price. How would you
:21:52. > :21:54.decide? Size, value for money. Do we have a duty to support British
:21:55. > :22:02.produce, or is it just value for money? You are making me feel bad
:22:03. > :22:07.now! Peter Kendall is President of the National Farmers Union. So, what
:22:08. > :22:11.is the Environment Secretary saying? He is saying what crops are grown in
:22:12. > :22:16.the UK, and where we are falling short. When we have vegetables like
:22:17. > :22:20.cauliflowers, peas or beans, we are only growing about 76% of what we
:22:21. > :22:23.can grow here that is being consumed. We think it is a great
:22:24. > :22:27.opportunity for British farmers to produce more because, when we survey
:22:28. > :22:33.consumers, they say they want to buy more British. Supermarkets might say
:22:34. > :22:38.they just get what is cheap, if people really want stuff from UK
:22:39. > :22:41.farms, they will go to farmers markets? Surely that fills the gap?
:22:42. > :22:46.That is great, but we know that most consumers live dizzy lives. Farmers
:22:47. > :22:53.markets are tremendous, a great connection with the community, but
:22:54. > :22:59.it is a small percentage of sales. Joe came straight from the shops to
:23:00. > :23:05.The One Show Sauber. Is the problem that our tastes have become so
:23:06. > :23:12.exotic? Tastes are always changing, they always have been. If you go
:23:13. > :23:19.back to 1600s, French cuisine introduced us to capers and anchovy
:23:20. > :23:23.is, the first banana sale was 1633, that is one for the pub quiz. Going
:23:24. > :23:30.forwards, our exotic fruit tastes, we used to like mangoes, pineapples
:23:31. > :23:34.and Kiwis. They have declined by 76%. Something else has been
:23:35. > :23:44.selling, it has doubled sales. Anyone know? Persimmon or Sharon
:23:45. > :23:51.fruit. It is funny how tastes change. I don't think I've ever
:23:52. > :23:58.tasted it. You were watching with great interest, because you are a
:23:59. > :24:01.key in grocery shop? You look at what you are eating and the
:24:02. > :24:04.nutritional value. I think all of the cooking shows on television do
:24:05. > :24:08.not mention nutritional value of food, they say it tastes great, the
:24:09. > :24:16.most successful cooking show on television is Great British Bake
:24:17. > :24:22.Off, all sugar and cream. Most shows don't say there is so much protein,
:24:23. > :24:26.some in this meal. It is seasonal, that is the key. The agricultural
:24:27. > :24:30.Minister's announcement, it is good news for British fruit growers, but
:24:31. > :24:35.they need support. Let's have a look at how much of what we consume is
:24:36. > :24:38.produced here. Unfortunately, the amount of it that is British has
:24:39. > :24:43.been going down. Some notable ones, the cucumber, whacking 2000, 50 5%
:24:44. > :24:49.of the cucumbers we ate were British. Now it is only 30%. We used
:24:50. > :24:55.to eat 62% of spring onions that were British, now it is only 22%. We
:24:56. > :24:59.eat millions of tomatoes and 29% used to be British. It is only 17%
:25:00. > :25:06.now. We get them from all over the world. Tomatoes, Spain. Cucumbers,
:25:07. > :25:10.it is places like Israel. The key is, it is awareness. People might go
:25:11. > :25:15.to the shops after watching this with a different frame of mind. And
:25:16. > :25:21.the labels are clear? If you look for it, it is labelled. But if you
:25:22. > :25:25.go online, it is not as clear. That is something supermarkets can do.
:25:26. > :25:28.The success of Vernon's show Splash is not the first time the British
:25:29. > :25:33.public have been gripped by the jeopardy of high diving.
:25:34. > :25:38.Long before the days of colour television, the sport of diving was
:25:39. > :25:41.amazing crowds of people. In the 1950s, if he wanted to watch brave
:25:42. > :25:51.people tackling the high boards, you have to head to the seaside. Back in
:25:52. > :25:57.1946, a police officer called George Baines helped to pioneer a new type
:25:58. > :26:01.of entertainment. My father was very ambitious. When he started, the late
:26:02. > :26:10.40s, there was very little entertainment. Britain was in the
:26:11. > :26:12.doldrums, wasn't it? The holiday-makers came along in their
:26:13. > :26:20.droves on trains, the to the seaside resorts.
:26:21. > :26:27.What makes diving amazing to watch is the element of danger. George
:26:28. > :26:35.hoped that danger, mixed with comedy, would be a crowd Apollo. He
:26:36. > :26:39.liked to try new things. This was the idea. We are going to tour
:26:40. > :26:44.around the country and do a diving show. He put it to my mother, you
:26:45. > :26:49.can be the compere. They were in love, I suppose. But George's wife
:26:50. > :26:56.did not realise how much she would end up trusting him. It was a
:26:57. > :27:04.back-to-back dive. A ten metre high platform. My mother was terrified.
:27:05. > :27:08.She was not a diver. She was a beauty. My dad would pick her up and
:27:09. > :27:12.hold her feet here. He would dive headfirst and she would cling around
:27:13. > :27:16.his waist. They would stay together when they entered the water. They
:27:17. > :27:23.should really have split, because it is safer, just to split slightly.
:27:24. > :27:27.But she never dared let go of him. As the show 's got to get, George
:27:28. > :27:31.Baines was always on the lookout for talent and spotted former Olympian
:27:32. > :27:40.and Rory Walsh, who represented great written in the 1956 Olympics
:27:41. > :27:46.in Melbourne. He didn't have any old dive, used to get the best that
:27:47. > :27:52.there was at the time. He used to go up on scooters and stuff like that.
:27:53. > :28:00.You were queueing up at Bournemouth outside, because it was a really
:28:01. > :28:04.good show. It only cost a couple of bob to go in. The one that he will
:28:05. > :28:10.never forget what his first of the ten metre board. When you were at
:28:11. > :28:17.school, 4015, people used to say, somebody went off the ten metre
:28:18. > :28:23.board last night. You know? I went up and the attendant blows a
:28:24. > :28:29.whistle. Come on! I looked down and I thought, God. And you can see the
:28:30. > :28:36.bottom of the pool. It makes it look higher, you know? I lifted up like
:28:37. > :28:42.that and just rolled over. I went... And I could hear the wind. I
:28:43. > :28:49.hit the water, my arms were down here. I came up and went, yes! I
:28:50. > :28:55.couldn't wait to go to school, I've been off the ten metre board! Aqua
:28:56. > :29:01.shows enjoyed success until the early 80s. As package holidays took
:29:02. > :29:06.off, the shows began to die out. That was until the TV show Splash
:29:07. > :29:10.came along. I wish my father was here, he would absolutely love this.
:29:11. > :29:20.That is what he would have said. Yes, bring it back! Diving from
:29:21. > :29:26.masts, that is the next one. We are hearing that we think Liz Bonnin may
:29:27. > :29:41.have found the northern lights. So we could eat in with a chance of
:29:42. > :29:46.before we get stuck into our Splash! Chat, let's have a look at a dive
:29:47. > :29:53.which has been sent in from a viewer. The last time you were on,
:29:54. > :29:58.Vernon, you said you were going to have a crack at the ten metre board.
:29:59. > :30:04.What happened to that? Well, the ten metre board is still there. I will
:30:05. > :30:11.be honest with you, just asked me, have you tried it? I have been
:30:12. > :30:17.taking lessons in a dry it, which is basically a pool full of foam, about
:30:18. > :30:22.seven metres high. It is really difficult, it is very scary. Will
:30:23. > :30:29.you do it before the end of this series? There is talk. Only taught
:30:30. > :30:38.at the moment. A yes or they might have to change the terms of the
:30:39. > :30:41.contract, but you never know! This one is basically just a backward
:30:42. > :30:52.somersault, but it is quite something. Here we go. That was the
:30:53. > :30:55.best one he had done all day. So, he has already been touted as a
:30:56. > :31:03.potential winner, but who have you got coming up? Well, we have got
:31:04. > :31:08.Keith Duffy from Boyzone. He is doing lots of triathlons, so he is
:31:09. > :31:13.fit as a fiddle. Austin Healey, he is doing a double at the moment, but
:31:14. > :31:18.he is not landing it. So there is some doubt as to whether he will
:31:19. > :31:25.complete that. But also, we have got a former gymnast she is quite good
:31:26. > :31:28.as well. As well as the height, it is that mental thing of what it is
:31:29. > :31:35.going to do to you if you get it wrong, and you'll end on your back.
:31:36. > :31:36.Stings unbelievably. We saw the bruises on Gemma Collins. Brace
:31:37. > :31:49.yourself for this. Look at that. Has there been quite a few injuries
:31:50. > :31:55.in training? We have had lots. Mainly tendons in the ankles, and
:31:56. > :32:01.the calf muscle, from the impact. If you do not enter the water right.
:32:02. > :32:08.Shoulders as well. The surface tension is really high. Doublet,
:32:09. > :32:11.that is one of the main thing is, overcoming the fear of diving.
:32:12. > :32:17.Because you are so high, if you get it wrong, it is going to hurt. It is
:32:18. > :32:24.such an alien concept, to launch yourself off a platform. It really
:32:25. > :32:29.is, but it is such we have celebrities in very little clothing.
:32:30. > :32:34.To get over wearing a swimsuit on telly is something in itself, isn't
:32:35. > :32:38.it? Exactly. That is why I was so happy for Gemma when she did it. And
:32:39. > :32:47.she was brilliant, she presented so well on top but you ditched the
:32:48. > :32:53.shots. I I get grief for wearing them, and grief for not wearing
:32:54. > :33:03.them. Shorts or trousers for Vernon, for Splash!? The shortest possible!
:33:04. > :33:13.It is a trade, night-vision goggles for shorts. We have got a sneaky
:33:14. > :33:17.peek. This is from this week. Toyota really impressed me. She is one of
:33:18. > :33:22.the oldest contestants in the group, and one of the better ones. I am so
:33:23. > :33:30.excited about having Tom as my mentor. I am old enough to be his
:33:31. > :33:38.grandmother, and I am thinking, phwor! But was an exclusive for me,
:33:39. > :33:43.she went backwards of a springboard, which is quite difficult, because it
:33:44. > :33:49.throws you up into the. Tom is great, though, isn't he? He is, he
:33:50. > :33:53.nurtures all of the contestants, he brings them into his world. He has
:33:54. > :33:56.been doing it since he was a little boy. It is difficult for outsiders
:33:57. > :34:04.to step into that world, but Tom makes it so easy. Lets see another
:34:05. > :34:07.video this is a four-year-old who performed her first dive while on
:34:08. > :34:17.holiday in South Africa this Christmas. Here she goes. I enjoyed
:34:18. > :34:23.dad doing the Tom Daley in the background. You can see more Splash!
:34:24. > :34:29.This Saturday evening on ITV. Every night this week we have had 14 of
:34:30. > :34:33.everything. Last night, composer Richard Mainwaring was conducting 40
:34:34. > :34:41.pianists, and tonight, he is doing a song with 14 Elvii. Vernon, we were
:34:42. > :34:51.hoping you would be Elvis number 14. What do you reckon? I will give it a
:34:52. > :34:56.go. I do not know if you want this, but this is some kind of plaster of
:34:57. > :35:04.Paris head. We know you are into this. Every Elvis fan should have an
:35:05. > :35:10.Alvis bust. We know you are into it because we have seen you rehearsing.
:35:11. > :35:22.Have a look. # I am making up the words! I'm in
:35:23. > :35:28.love, I am all Shook up... There we are! Are you going to do it? I will
:35:29. > :35:33.do it! Andy Vernon, we have got Richard over there at the end, who
:35:34. > :35:37.will look after you. There he is. And it has been a busy week for
:35:38. > :35:46.Richard, because he has also given The One Show theme a bit of a lift.
:35:47. > :35:50.The soothing sound of musak. You will have heard it in shopping
:35:51. > :35:56.centres, shopping centres, maybe even your headdresses. It was played
:35:57. > :36:02.in the lifts of early skyscrapers to suit the nerves of those inside.
:36:03. > :36:06.When you think of musak, you may think of a guitar, or a jazz flute,
:36:07. > :36:10.but it is not a genre, it is a brand, and it has been around for
:36:11. > :36:16.the best part of a century. Invented in New York in 1922, a concept of
:36:17. > :36:22.transporting, or piping music, down electrical wires, was at the time
:36:23. > :36:27.revolutionaries. The primary aim of musak is to create a mood but not to
:36:28. > :36:30.become a distraction. So, the company modified popular songs to
:36:31. > :36:36.create unobtrusive and inoffensive instrumental. By the 1960s, piped
:36:37. > :36:40.music had moved into shopping centres, restaurants and offices. It
:36:41. > :36:45.is even rumoured to be played in the White House, and even on the Apollo
:36:46. > :36:53.11 should. Following the golden years of the 1950s and 1960s, musak
:36:54. > :36:59.began to move out of favour. By the 1980s, it was deemed unfashionable,
:37:00. > :37:06.but William orbit, famous producer, takes a different view. The
:37:07. > :37:10.consensus now is, it is whereas, I do not know about you, but I feel
:37:11. > :37:14.there is a lot of skill in it. They would have been the best musicians,
:37:15. > :37:22.they would have been recorded and arranged to perfection. I think
:37:23. > :37:26.there is great skill in turning a popular yes, if you think about it,
:37:27. > :37:31.the tune of a pop song is carried by the charismatic artist. It has to be
:37:32. > :37:35.good for them to turn it into a load of strings playing it. How has it
:37:36. > :37:41.influenced your music? Definitely, arrangements, with the vibraphone
:37:42. > :37:45.and flutes and things like that. Not being able to hide things. Actually,
:37:46. > :37:50.you have got all of these buried melodies and structure. You want it
:37:51. > :37:54.to work on people without them knowing it. I think that is
:37:55. > :37:59.something about musak. There is a wonderful sound to it, and it cannot
:38:00. > :38:05.be replicated, I do not think. These days, it is hard to find music in
:38:06. > :38:08.lifts, but our restaurants and shops have not fallen silent. Today,
:38:09. > :38:12.companies provide playlists of original artists, tailored for each
:38:13. > :38:17.individual business. Why is music important, why not have silence?
:38:18. > :38:20.Music unifies everything which is going on within the store.
:38:21. > :38:23.Everything from the lighting to the displays, to the clothing
:38:24. > :38:29.collections. If music were taken away from that environment, it would
:38:30. > :38:33.be soulless. I want to bring back elevator music, and where better to
:38:34. > :38:40.do it than the Grosvenor Hotel, the first-ever building in London to
:38:41. > :38:42.have a lift, back in 1861? I have adopted some modern-day classics,
:38:43. > :38:47.with quintessential bossa nova arrangements. I have decided on
:38:48. > :38:56.Poker-faced by Lady Gaga, a song by Jay Z and Alicia Keys, and, to
:38:57. > :39:00.finish, a musak take on The One Show theme. They might not know it, but
:39:01. > :39:09.it will hopefully be just what the Hotel guests are looking for. Oh, I
:39:10. > :39:16.goodness! Good morning, how are you? Are you a fan of lift music? Do
:39:17. > :39:21.you like recorded versions or live versions? I like the live versions
:39:22. > :39:38.best. You like a bit of music in the lift? I love it. Good morning. That
:39:39. > :39:45.is good, that's nice. Sixth floor, please. Good morning, come on in.
:39:46. > :39:56.You will never forget this lift ride, will you? Nice to so, have a
:39:57. > :40:01.listen to the next time you are in a shop, the music you are hearing
:40:02. > :40:02.might not have been chosen at random, it might have been chosen
:40:03. > :40:13.especially for you. I quite like that music. We should
:40:14. > :40:18.have that as our theme June! If we have got a very stressful show, just
:40:19. > :40:26.play that. Anyway, we have got One Show lift enthusiasts Justin with us
:40:27. > :40:29.now. Not just one left, several in the City of London, here in
:40:30. > :40:36.Britain, the largest single multicar lift in the world. This is how it
:40:37. > :40:43.works. You have got four shafts, with a total of eight lifts. The
:40:44. > :40:48.idea is that what you do, it is like having an express lift. It will take
:40:49. > :40:54.you from the first floor, up to the 49th floor. This is a way of making
:40:55. > :41:00.the same lift, bringing more capacity. You could have a race as
:41:01. > :41:06.well. That is me being childish. Let's move on. The tallest holding
:41:07. > :41:11.in the world. That was about increasing the capacity. This is the
:41:12. > :41:17.biggest building in the world, this has the largest lift shaft in the
:41:18. > :41:24.world, at 504 metres. And also, a very fast lift, 32mph. This is it,
:41:25. > :41:29.it is a double story left, up to 14 people in there. Going up, that is
:41:30. > :41:37.pretty quick. How long have you loved lifts, just in? When you start
:41:38. > :41:46.thinking about it, the mind boggles. The length of these cables, there
:41:47. > :41:49.must be a limit. You would think so, but technology has addressed that
:41:50. > :41:55.problem. Saudi Arabia is now looking to build the Kingdom Tower, which
:41:56. > :41:59.will be more than one kilometre high. The challenge was, how to get
:42:00. > :42:04.a lift in there. It was the heavy steel cables which made it difficult
:42:05. > :42:08.so instead they have put in carbon fibre cables, which are lighter. And
:42:09. > :42:14.that allows them to lift it all the way up to the top. So much
:42:15. > :42:18.knowledge. How interesting is this? This is in Taiwan are the fastest
:42:19. > :42:24.lift in the world, in the Taipaei 101 Tower. 37mph. It is so fast,
:42:25. > :42:29.they have actually got pressurised air. How long to get from the bottom
:42:30. > :42:41.to the top? How long do you think? Fast. 37 seconds. I am a lift
:42:42. > :42:49.enthusiast as well, Justin! Let me bring you onto another British
:42:50. > :42:54.first. This is Britain's first incline lift. It is next to an
:42:55. > :42:59.escalator, but it is actually a lift. And there you are, the first
:43:00. > :43:07.of its kind, giving step three access to a station. Britain's first
:43:08. > :43:12.incline lift. Are you going to be there on the opening day? I will be
:43:13. > :43:14.there. I will be the first in line. The bad news is, we are on the
:43:15. > :43:26.ground floor here, so no lifts! In our new building, the lifts can
:43:27. > :43:29.take a while. Andy has taken a shorter way down and is going to be
:43:30. > :43:34.joining us for a chat. How is he going to get down? Early on we met
:43:35. > :43:41.three soldiers on their final tour of Afghanistan. Inevitably for the
:43:42. > :43:47.families of Les, Gav and Sean, having a loved one on the front line
:43:48. > :43:50.comes with a fear they might get injured. In one case, that became a
:43:51. > :43:55.reality. With only a few weeks of their tour
:43:56. > :44:04.at go, thoughts of Badger Squadron are turning to home. Staff Sergeant
:44:05. > :44:10.Gav, on his second tour in Helmand province, has a wife and two
:44:11. > :44:16.daughters waiting for him. We saw some rabbits! With a baby rabbits?
:44:17. > :44:21.This is the first two I have done with children. Before, I just have
:44:22. > :44:31.my wife. It was straightforward. Missing the kids growing up, it is a
:44:32. > :44:37.different kettle of fish. One of them is two and a half. I managed to
:44:38. > :44:40.talk to them quite regularly on the internet. My youngest one has
:44:41. > :44:46.developed the most, she has started talking. When you come out to
:44:47. > :44:49.something like this, your family is always at the front of your mind.
:44:50. > :44:53.When you have been given a task to do, you are thinking about the guys
:44:54. > :44:57.that you are stood next to. They are the people you need to work with to
:44:58. > :45:05.be able to get home to your family. For Emma, running a cafe for Army
:45:06. > :45:09.families is part of a busy life that makes Gav's absence easier to
:45:10. > :45:15.manage. I don't have time to be upset and crying. It's not fair on
:45:16. > :45:19.the children. I try to keep it normal for them, it feels normal to
:45:20. > :45:22.me, I have a job, I've got to look after the children, you've got to
:45:23. > :45:29.get on with life and know that he will come home. Woody has been away
:45:30. > :45:35.from his wife and family before, but never to Afghanistan. My boy has
:45:36. > :45:48.turned sex and he is a real warrior. Whenever I -- he has just turned six
:45:49. > :45:54.and he is a real worrier. He asks if I've seen any bad guys, and I tell
:45:55. > :45:59.him no. We've just got to make it a better place for the children to
:46:00. > :46:07.live in. But I don't think of it that way, because I think it would
:46:08. > :46:10.drive you mad. The two wives are good friends, providing support for
:46:11. > :46:14.each other at home. The same can be said of the soldiers at Camp
:46:15. > :46:18.Bastion. You learn to read each other. It's really helpful. It's a
:46:19. > :46:23.really good relationship. We all give each other the space as well.
:46:24. > :46:27.It can be pretty cramped at times. But we do the best, we might have a
:46:28. > :46:34.movie night, when we get together and watch a film, whatever it might
:46:35. > :46:37.be. Whatever distractions the soldiers make for themselves, there
:46:38. > :46:41.is no replacement for home. For the younger members of the squadron and
:46:42. > :46:48.those without children, this is just as true. My fiance is waiting for
:46:49. > :46:53.me. My two dogs. I've got two Jack Russells, Bobby and Dolly. They are
:46:54. > :46:57.brother and sister. I don't know what it is with them. I can be in
:46:58. > :47:04.the foulest mood, upset as anything, and then Bobby will come in and
:47:05. > :47:10.within two seconds I've got a smile on my face. I do miss them. But
:47:11. > :47:13.Les's return home would come sooner than the others. On another
:47:14. > :47:22.mission, while exposed in the gun turret of his vehicle, disaster
:47:23. > :47:28.struck. I was the third vehicle in the convoy. The others had been over
:47:29. > :47:35.it first. Unfortunately, I was the one that hit it. As I went up, I
:47:36. > :47:40.cracked my legs off the top of the territory. As I came down, the shock
:47:41. > :47:51.wave was coming up and it met on my knee. He suffered seriously dumb and
:47:52. > :47:54.damage and his tour was over. He rang me, which was quite good,
:47:55. > :48:00.because you know he is all right then. It is when other people renew
:48:01. > :48:04.that you are really worried. When the bank goes off, it happens so
:48:05. > :48:08.quickly, but for me it slowed down. You do that silent nod at each
:48:09. > :48:18.other. You are grateful that everybody is all right.
:48:19. > :48:21.Unfortunately, the doctors need to do rehab and physio, so they send
:48:22. > :48:24.you back to the UK. It's mixed emotions. On the plane you start to
:48:25. > :48:27.think, I'm out of there. Nothing can happen to me now, I'm going back
:48:28. > :48:36.home. Wasn't it awful, seeing the
:48:37. > :48:41.explosion going off? Wonderful films. On Friday we will be joined
:48:42. > :48:49.by some of the soldiers and their families in the studio.
:48:50. > :48:55.Earlier on, Stargazing Live's Liz Bonnin unveiled a challenge to
:48:56. > :48:59.correct the aurora borealis from the air. Can it be done? We can join her
:49:00. > :49:04.from Tromso in Norway. You are hoping for the seat belt lights to
:49:05. > :49:09.go out and the Northern lights to come out? How is it going? Pretty
:49:10. > :49:14.well so far. We are cruising at 28,000 feet, getting ready for a
:49:15. > :49:19.night of live Northern Lights hunting. We are well above the light
:49:20. > :49:22.pollution that can obscure our view on the ground. If you look at the
:49:23. > :49:27.plane, it is full of equipment. We are double-checking our specialist
:49:28. > :49:32.lowlights cameras, and our transmission technology, all of that
:49:33. > :49:38.which will allow us to transmit pictures live, in real-time. If you
:49:39. > :49:47.look outside of the little windows, take a look at this. It's quite
:49:48. > :49:55.special, the unmistakable green hue of the aurora borealis. They are
:49:56. > :49:58.extremely unpredictable, they appear and disappear within seconds. Who
:49:59. > :50:01.knows what is going to happen in the next few hours. Join us at eight
:50:02. > :50:05.o'clock on Stargazing Live. We are going to do our utmost to bring you
:50:06. > :50:06.the best possible view of the Northern Lights and bring them live
:50:07. > :50:17.into your living rooms. Thanks ever so much. You can see
:50:18. > :50:20.Stargazing Live on BBC Two straight after us at eight o'clock. Before
:50:21. > :50:28.that, we have got our very own dazzling display, 14 Elvii
:50:29. > :50:39.performing a medley of Elvis hits. Hurry up! Look at this, at the back.
:50:40. > :50:43.Keep going. They have left the building.
:50:44. > :50:49.Joining us outside is The One Show daredevil reporter Andy Torbett. We
:50:50. > :50:53.did ask him to drop in for a chat. There he is, waving now. We will put
:50:54. > :50:59.your film on and then have a chat. Cool!
:51:00. > :51:06.Limestone is among the most romantic of all rock types in Britain. It is
:51:07. > :51:12.often carved into sculptural, spectacular shapes by the wind and
:51:13. > :51:17.weather. But, most of all, by water. The steep sided wooded valley in
:51:18. > :51:23.Dovedale, Staffordshire, contains some of the best examples. Stacks
:51:24. > :51:33.and pinnacles coming up from the Valley floor with island rock, the
:51:34. > :51:37.most famous, Ilam Rock. It is right out over the river, dramatic and
:51:38. > :51:41.dangerous, exactly the sort of challenge that climbers love. I'm
:51:42. > :51:45.going to the top. These pinnacles are among the most unusual rock
:51:46. > :51:52.formations in the country. The client will test me. I am a decent
:51:53. > :51:57.climber, but the porous and unstable limestone can catch you out. It is a
:51:58. > :52:00.soft rock, soluble in water. The stacks are all that is left after
:52:01. > :52:06.millions of years of erosion has taken its toll on what was once a
:52:07. > :52:13.massive slab. How is that still standing? Basically, it is luck. The
:52:14. > :52:17.river has cut down the side, giving a snapshot in time. Eventually, it
:52:18. > :52:21.will wear away further and it might just topple entirely. Professional
:52:22. > :52:27.climber Katie Whitaker is planning the route. She will summit first and
:52:28. > :52:33.lower the safety rope that will protect me if I fall. She knows Ilam
:52:34. > :52:36.Rock and its reputation well. That could be a tricky bit, where the
:52:37. > :52:40.tree is, it doesn't look like there are many features to hold onto.
:52:41. > :52:44.Straight up the corner, through the overhang at the top. It might be a
:52:45. > :52:49.little bit loose. It looks loose at the top. It is good that it gets
:52:50. > :53:00.steep, just when you are tired at the end? Yes, when you're arms are
:53:01. > :53:04.tired. Lactic acid creates the burning sensation, a familiar
:53:05. > :53:12.feeling to athletes. It robs your strength. Quite loose. Bits falling
:53:13. > :53:16.off? Yes. Good news, what you want to hear(!) As Katie reaches the
:53:17. > :53:23.hardest part, it becomes obvious that this is going to be a tough
:53:24. > :53:27.climb. This is scary. You get to the last bit, when your arms are tired,
:53:28. > :53:31.it goes from vertical to this overhang and it becomes so much
:53:32. > :53:35.harder to hang on. It is pretty small appear. I think it has been
:53:36. > :53:41.more of a struggle than I expected. I can see the rock here is so
:53:42. > :53:46.loose, the vegetation is breaking it up and it is quite wet. You know how
:53:47. > :53:50.soft and loose this stuff is when you get trees growing out of it.
:53:51. > :54:07.Halfway up, I make a bad decision. Katie went left, I go right. Whoa.
:54:08. > :54:10.That is pretty loose. Well, that big flake of rock just there is
:54:11. > :54:15.basically entirely loose. I pulled on it and the whole thing shifted,
:54:16. > :54:19.like I could jump off it, I was going to pull it down on my face. It
:54:20. > :54:22.doesn't matter how good a climate you are, if the holes you are
:54:23. > :54:27.hanging off crumble underneath you, you are only going to go one way.
:54:28. > :54:30.Heart in my mouth moment, there. Wright, a little moment to recover
:54:31. > :54:36.and we will carry on and finish that off. That was scary! Now for the
:54:37. > :54:40.last critical section, which is going to be made more difficult as
:54:41. > :54:48.my hands are cold. The rock is freezing. Freezing fingers, here.
:54:49. > :54:55.Lots of lactic acid in my hands. I'm trying to hang on. Really tired
:54:56. > :55:03.muscles. How is it going? Not so well. Man, this is hard.
:55:04. > :55:13.That was hard work. I was just in agony, all of the way up. That was
:55:14. > :55:17.incredibly hard, much more so than I thought it would be. But it was
:55:18. > :55:22.worth it to get here and stand here. I saw a photograph of Katie stood
:55:23. > :55:26.here and I wanted one of my own. This is it, top of the world.
:55:27. > :55:35.Super scary stuff. Even as scary is burning in his Elvis costume.
:55:36. > :55:45.Actually, you look good. Thank you very much. Where is your wake? I
:55:46. > :55:51.feel naked without it. We have a helper on top of the building. Come
:55:52. > :55:58.on, Andy. Good lad. He is like James Bond. I hope the rope is long
:55:59. > :56:08.enough. Here he is, come on, everybody. Let's get him there. Good
:56:09. > :56:15.lad, and the! And he and clips himself. Look what he has got on
:56:16. > :56:24.board. Thank you, Andy. Put that on and join the boys. Perfect. A bit
:56:25. > :56:29.wonky. Good luck. That was a way to make an entrance? Good fun. Enjoyed
:56:30. > :56:35.that climbing film, what else can we look forward to? Caving, more diving
:56:36. > :56:40.stuff, more wrecks we have found in the channel, ice diving when winter
:56:41. > :56:46.arrives, finally. Hopefully I will convince the powers that be that we
:56:47. > :56:50.can do some skydiving. We will put a word in for you. Get your kit sorted
:56:51. > :56:56.out and come over here. A big thank you to our guests tonight, Honor
:56:57. > :57:06.Blackman and Vernon Kay. You can see Vernon on Splash at 7pm on ITV.
:57:07. > :57:11.Honor's to -- tour finishes on the 12th of May in Newcastle underline.
:57:12. > :57:21.All week we are celebrating 2014. On Monday, we had 14 Japanese drums.
:57:22. > :57:39.So good, as well. Tomorrow we are joined by the cast of Strictly Come
:57:40. > :57:44.Dancing. 14 of them will be doing a group dance. Tonight we have 14
:57:45. > :57:53.Elvii. Kicking them off is the European Elvis champion, Johnny Lee
:57:54. > :58:00.Memphis. Look out for Vernon. Are you ready? Take it away!
:58:01. > :58:07.# Once threw a party in the county jail
:58:08. > :58:13.# The prisoners began to wail # That's all right, if that's OK
:58:14. > :58:23.with Euler Ed ain't nothing but a hound dog, crying all the time.
:58:24. > :58:24.# I can't help falling in Love with you
:58:25. > :58:29.# Viva Las Vegas! # Viva Las Vegas!
:58:30. > :58:35.# Since my baby left me, I found a new place to do well, at heartbreak
:58:36. > :58:39.hotel # Return to Sender, address unknown
:58:40. > :58:45.# Always on my mind # You are always on my mind
:58:46. > :58:53.# Go, Capco # Are you Lonesome tonight? Do you
:58:54. > :58:55.miss me tonight? # It's now or never, come hold me
:58:56. > :59:01.tight # Kiss me
:59:02. > :59:08.# We're caught in a trap. # I love you too much baby
:59:09. > :59:19.# Never let me go! # I'm all shook up
:59:20. > :59:25.# Uh-huh, uh-huh I'm all shook up! # Uh-huh, uh-huh I'm all shook up! #