:00:20. > :00:27.Hello and welcome to the One Show with Matt Baker. And Angela Scanlon.
:00:28. > :00:33.Tonight we find out how the UK's most famous dinosaur lost its head,
:00:34. > :00:35.its body and its tail. And it might only be Wednesday but tonight we got
:00:36. > :00:46.a Saturday. # Go, go girl...
:00:47. > :00:52.After a decade in one of our biggest girl bands, Una Healey is here with
:00:53. > :00:57.her debut single. And she's brought along the British star of US drama
:00:58. > :01:02.Nashville, Sam Palladio. We have got their first ever live performance in
:01:03. > :01:05.about 20 minutes. I have been listening to it and it's very
:01:06. > :01:08.beautiful. It's lucky we've got someone who knows good music when
:01:09. > :01:14.she hears it. She's had loads of hits and has mentored X Factor
:01:15. > :01:20.winners here and in Australia. Now she is helping Terry Marleau find
:01:21. > :01:29.his new boy band. Let's say hello to Danni Minogue! -- Gary Barlow. Just
:01:30. > :01:32.off a plane, back in Blighty. I was coming in the front door and there
:01:33. > :01:39.were paparazzi and I'd been away from that for so long. What life
:01:40. > :01:44.have you left in Australia? It's summer there and, when I am there,
:01:45. > :01:47.I've mainly been an mum duties, doing the school run and making
:01:48. > :01:55.lunches and stuff and I come back and I'm like, the paparazzi! What's
:01:56. > :01:59.going on? You've gone blonde, we love it! Gary Barlow, a lot of chat
:02:00. > :02:06.about his hair recently and the fact that he has watched it for 14 years.
:02:07. > :02:10.I can't believe it's true. He is so clean and gorgeous and he always
:02:11. > :02:20.smells beautiful. Does his air stink? No! But natural oils are a
:02:21. > :02:27.good thing? I don't know will stop if it works for him, I don't know...
:02:28. > :02:30.As we speak in Westminster, MPs are meeting to have their final vote on
:02:31. > :02:38.the Brexit Bill before it goes to the Lords. The One Show's Team
:02:39. > :02:42.Brexit have also been gathering. After tackling trade, they are back
:02:43. > :02:51.to grill another expert on life outside the EU, and this time they
:02:52. > :02:55.are talking borders. This is our team, four One Show
:02:56. > :02:58.viewers brought together to ask the questions we all want answered on
:02:59. > :03:02.Brexit. Today, it's all about the future of our borders. Ian and
:03:03. > :03:08.Michael Baxter still struggle to see eye to eye. We will take back
:03:09. > :03:15.control. There will be nobody to wash our cars, nobody to be in our
:03:16. > :03:23.hospitals. Pensioner Nora and taxi driver John can't agree either. Why
:03:24. > :03:27.do we need visas? Because we are going to another country. We
:03:28. > :03:31.currently have freedom of movement across the EU without needing a
:03:32. > :03:35.visa. In return, citizens of other EU countries are also free to live,
:03:36. > :03:40.work and travel here. Theresa May said we need to take back our
:03:41. > :03:46.borders, and freedom of movement and reduce immigration, so what changes
:03:47. > :03:49.can we expect when we leave the EU? We're going to an airport and
:03:50. > :03:55.meeting Professor Andrew Dick -- Andrew Davies, an expert on the EU.
:03:56. > :04:01.Hopefully he'll have the answers. In the arrivals hall, we start the day
:04:02. > :04:06.with a coffee and a question. In a post-Brexit world, will I need a
:04:07. > :04:11.freezer to travel in the EU countries? I pretty unlikely. You're
:04:12. > :04:16.more likely have a freezer waiver. You might need to fill in a form
:04:17. > :04:22.before and fill in a free, like when you go to the US, and that gives a
:04:23. > :04:28.right to travel. So we will be in a different queue? The top about
:04:29. > :04:34.trying to make Brexit frictionless, that would be a big friction. That
:04:35. > :04:38.is something they might try and facilitate. What about Brits who
:04:39. > :04:43.have taken up residence in other EU countries? People in other EU member
:04:44. > :04:48.states have got serious things to think about. If you are in Spain,
:04:49. > :04:52.would the government there still meet the health care costs of
:04:53. > :04:59.British citizens in Spain? It is an EU system so will end. This subject
:05:00. > :05:03.turns to those from the EU who want to live and work here. Theresa May
:05:04. > :05:11.said this week that Britain will be poorer and public services weaker
:05:12. > :05:16.without EU workers. Is it going to make us poorer, without access to
:05:17. > :05:18.those individuals? If you want to recruit foreign workers to your
:05:19. > :05:22.business, it's likely to be more difficult because they will not have
:05:23. > :05:28.a right to come and work here. Food for thought. The number of EU
:05:29. > :05:33.migrants working here is that a record high, over 2 million, making
:05:34. > :05:37.up almost 10% of the UK workforce, and some have key roles where we
:05:38. > :05:42.have shortages, such as the NHS. The key thing is to work out how we move
:05:43. > :05:47.forward in the future and put in place and immigration system, rather
:05:48. > :05:49.than free movement, which is going to end. The transition sounds
:05:50. > :05:55.complicated. You can't do it overnight. If you look at the number
:05:56. > :05:58.of people applying for permanent residency in this country and the
:05:59. > :06:05.number of people who might in future to do so, it's been calculated there
:06:06. > :06:14.is 140 years worth of work, so quite a challenge. On the tarmac, the team
:06:15. > :06:17.bring up border security. We have seen to outrage at President Trump's
:06:18. > :06:24.attempt to get on top of immigration. How will we get on top
:06:25. > :06:28.of our borders? Brexit means putting in place a system to redefine our
:06:29. > :06:32.relationships with other countries. That is a natural consequence of the
:06:33. > :06:36.decision. Some other countries might not look at us in the same way as a
:06:37. > :06:40.result, but it's perfectly feasible that Britain can devise an
:06:41. > :06:47.immigration system that doesn't offend other people. Green people
:06:48. > :06:49.will our borders be more secure against illegal immigration and
:06:50. > :06:54.terrorism? I think the government is determined to show that it can
:06:55. > :07:02.control the borders and exert control. But there is a potential
:07:03. > :07:06.flaw. We have a border with Northern Ireland and the Republic of Ireland
:07:07. > :07:10.said that could be a waste of time, couldn't it? That is a thorny issue.
:07:11. > :07:14.We have had a Common Travel Area with Ireland for 100 years and the
:07:15. > :07:17.status of that border is an important issue in the Brexit
:07:18. > :07:23.negotiations. It's about the future of Northern Ireland and British
:07:24. > :07:29.relations with the republic. So, how to Team Brexit feel about what
:07:30. > :07:32.they've learned? I believe we'll get a good, reciprocal deal with the EU
:07:33. > :07:36.and will be able to deal with immigration in a fair and
:07:37. > :07:40.compassionate way. Controlling immigration doesn't mean we won't be
:07:41. > :07:44.able to get the workers we need but it will make it more bureaucratic
:07:45. > :07:50.for employers and employees. That seems like a good day out. Access
:07:51. > :07:55.all areas! Team Brexit will be back soon, but let's have a look at the
:07:56. > :08:02.live scene from Westminster where, in about 15 minutes, the Commons
:08:03. > :08:06.will give the PM the power to stop Brexit held at the moment, they are
:08:07. > :08:17.voting on or nine amendments. -- the power to start Brexit. Last week on
:08:18. > :08:18.let it shine -- Let It Shine, Dannii went all Sergeant Major. It was
:08:19. > :08:53.fantastic. APPLAUSE
:08:54. > :09:01.Dannii, I saw you laughing to yourself. Was that your idea? No,
:09:02. > :09:06.they'd ask me if I could be involved. There wasn't much to do,
:09:07. > :09:10.but I'd just got off a flight from Australia, 24 hours, and the boys
:09:11. > :09:13.had been rehearsing for a month and it looked incredible. I watched it
:09:14. > :09:16.once to see what they were doing and I got on stage and I felt like I
:09:17. > :09:22.didn't even know where I was walking. I only had a few lines to
:09:23. > :09:29.say but I was not getting them at the right times. You looked in
:09:30. > :09:31.control. I pulled it together, thankfully. The live shows start on
:09:32. > :09:39.Saturday and there is talk of another big performance. Can you
:09:40. > :09:42.tell us anything? We've got the Jersey boys coming on for a big
:09:43. > :09:46.performance and one of the judges, and I can't say which it is but it
:09:47. > :09:57.isn't Gary and it isn't me, doing something with the boys. OK! You are
:09:58. > :10:03.just so happy that they have come along, because that is what it is
:10:04. > :10:08.all about for you. It will show so much about the boys. Everybody is
:10:09. > :10:12.watching now and you get one chance. Have you felt that tensions are
:10:13. > :10:19.running high now they know there are no second chances? I have to say, I
:10:20. > :10:23.think boys get way more emotional than girls. There are way more tears
:10:24. > :10:29.and hugging and bromance and spurring each other on. It is hard
:10:30. > :10:34.to watch them. If they are going to be split up from the band, it's
:10:35. > :10:36.going to be really upsetting. It will be the first time everybody
:10:37. > :10:45.gets to see the bands performing together. They all have names. Well,
:10:46. > :10:53.they do. We've got a list here. Five in all. Read them out with a
:10:54. > :11:02.straight face. Drive. First of all, Drive. Nightfall. They sound fierce.
:11:03. > :11:13.Five To Five. That's a news bulletin in some countries. Iron Sun. Iron
:11:14. > :11:18.Sun! And finally, Neon Panda. Neon Panda! Their name through me. The
:11:19. > :11:26.producer said, these are the names and I went, you are kidding! When I
:11:27. > :11:33.heard that Gary's band was called take set, I thought, what kind of
:11:34. > :11:36.name is that? -- was called take that. It all sounds really weird
:11:37. > :11:42.until they start... What does it mean? It doesn't mean anything
:11:43. > :11:46.usually until it gets ingrained in our consciousness. There's no doubt,
:11:47. > :11:51.Neon Panda is on the brain and it will be for many years. Talk us
:11:52. > :11:55.through the format from here on in. It's been quite individual up to now
:11:56. > :12:02.to get into these groups, but now they are performing as a band. Do
:12:03. > :12:08.they all get voted off? Five bands of five and the audience gets to
:12:09. > :12:12.vote. Whether the audience loves the most, the three top bands from that
:12:13. > :12:17.boat go straight through. So you've got to vote if there is a band that
:12:18. > :12:24.you love. Then the bottom two will have a sing off and they will sing a
:12:25. > :12:28.Take That song. The judges are then looking at individuals, so we can
:12:29. > :12:31.grab any cognition of five from those two groups. So they've already
:12:32. > :12:38.got friendships and they had to work together but then, as judges, we're
:12:39. > :12:41.going to have to choose the best five that gelled together that we
:12:42. > :12:46.think will have a really good chance. They have one week to get to
:12:47. > :12:53.know each other and perform together well. So you dismantled two and put
:12:54. > :12:57.them together. We explain to the boys that, on any night, somebody
:12:58. > :13:00.could get ill on a theatre show and the role of this person will be
:13:01. > :13:05.played by, and you are thrown into that situation all the time in
:13:06. > :13:08.theatre. So in this show you are not looking for pop stars who will be
:13:09. > :13:14.together all the time but somebody you have that flexibility? It's a
:13:15. > :13:20.really tough call, we want them to sing like pop singers in a theatre
:13:21. > :13:24.show, eight shows a week, and they are different things. A pop singer,
:13:25. > :13:28.you are close on a microphone. In you are not. We want them to be a
:13:29. > :13:36.bad but to the adaptable to whatever happens. -- in theatre, you are not.
:13:37. > :13:41.We want them to be abandoned. We have done lots of clips on iPlayer.
:13:42. > :13:45.Put that together with what you are going to see this weekend on the
:13:46. > :13:56.show and I think you will know who you are falling for. I liked your
:13:57. > :14:03.star players. Let It Shine's first live show starts on Saturday at
:14:04. > :14:06.6:55pm on BBC One. I don't want to worry you, but a dinosaur that first
:14:07. > :14:13.roamed the earth over 100 years ago is on the move again. Before it hits
:14:14. > :14:21.the road, excitement is taking me by surprise! It has to be carefully
:14:22. > :14:27.taken apart piece by piece. George McGavin went to lend a hand. Many of
:14:28. > :14:32.us have fond childhood memories of seeing Dippy the diplodocus at the
:14:33. > :14:35.national -- Natural History Museum in London. The giant dinosaur is
:14:36. > :14:47.captured the imagination of millions of visitors. I remember being amazed
:14:48. > :14:51.at the sheer size and scale of Dippy when I first saw it as a fresh
:14:52. > :14:58.zoology graduate more than 40 years ago. I feel like it's become part of
:14:59. > :15:02.my own history. But now, after being here for over a century, this most
:15:03. > :15:10.famous exhibit is about to leave home. This majestic dinosaur is to
:15:11. > :15:17.be deconstructed, ready for a UK tour. And the One Show has been
:15:18. > :15:26.granted exclusive access to see that tricky process in action. Today, I'm
:15:27. > :15:30.helping to move Dippy. Deconstructing any big dinosaur
:15:31. > :15:32.skeleton presents a huge technical challenge, but this one is
:15:33. > :15:33.particularly complicated since it's never been completely taken apart
:15:34. > :15:43.before. Dippy is actually a cast of a copy
:15:44. > :15:50.found in America in the late 19th century. It took 18 months to make.
:15:51. > :15:56.When it was unveiled in 1905 it immediately became the star exhibit
:15:57. > :16:03.at the national history museum. It's even appeared in movies such as
:16:04. > :16:10.Paddington. Getting this celebrity ready for its
:16:11. > :16:20.first tour is a mammoth task. At 21 metres long, Dippy is built
:16:21. > :16:25.from 2292 individual bones, connect -- 292 individual bones connected by
:16:26. > :16:28.a metal frame. Leading the project is Lorraine Cornish. Look how
:16:29. > :16:33.fragile that is. This is a big challenge. It is a big challenge.
:16:34. > :16:38.Each individual bone has its own particular challenge. This plaster
:16:39. > :16:41.dates back to 1905. It's very fragile and some parts of it it
:16:42. > :16:46.would be easy to break so each one has to be approached differently.
:16:47. > :16:50.There isn't a construction manual for the team to refer to which makes
:16:51. > :16:54.this complicated task even more difficult.
:16:55. > :16:58.And we're about to remove one of the most crucial parts of Dippy, the
:16:59. > :17:03.head. What do you have to do, how is it
:17:04. > :17:07.held on? By inspecting the back of the skull we can see that it is
:17:08. > :17:11.connected by two tubes. There is a bolt in place. So we think and we
:17:12. > :17:15.hope that when we take that bolt off we will be able to very carefully
:17:16. > :17:23.manoeuvre it off. OK. It is time to lose your head.
:17:24. > :17:29.While Lorraine sets about unbolting the head... It's out. I am left
:17:30. > :17:34.holding the priceless skull. OK. Wiggle! Yes!
:17:35. > :17:40.Right. That's it perfect. Put it down on the foam.
:17:41. > :17:45.Well done. Teamwork. High-five!
:17:46. > :17:51.It will take three weeks to fully dismantle Dippy.
:17:52. > :17:58.But in order to be rebuilt in just a few days when it goes on tour, each
:17:59. > :18:04.piece is labelled with a QR code. These can be scanned to reveal
:18:05. > :18:08.exactly where a bone should go. It's like a giant 3-D construction
:18:09. > :18:12.kit. It is exactly like that. Exactly like that.
:18:13. > :18:19.In a way it is a shame to see this much loved dinosaur going from pride
:18:20. > :18:23.of place here, but I have been really impressed at how meticulous
:18:24. > :18:29.the team have been with the deconstruction and conservation.
:18:30. > :18:38.Such is the scale of the task, Dippy won't be ready to go on the road
:18:39. > :18:46.until early 2018. And Lorraine is here along with
:18:47. > :18:52.Dippy's head. Yes, thank you so much for bringing it. Everything is
:18:53. > :18:56.stored a little bit as far as the restoration project is concerned. We
:18:57. > :18:59.wanted to bring the head in. Talk us through it as far as the nostrils
:19:00. > :19:04.and the teeth. The nostrils are in the top of the head, kind of between
:19:05. > :19:09.the eyes. Then it has teeth at the very front and they're like
:19:10. > :19:15.peg-like. We think it raked off leaves and branches and soft fruits
:19:16. > :19:19.in eating. Then no back teeth so would have swallowed them down maybe
:19:20. > :19:22.with stones to chew it all up. Interesting things you can learn
:19:23. > :19:27.from the skull, really unusual. And still learning. They do lots of
:19:28. > :19:33.studies. They've done studies on the necks and realised they could have
:19:34. > :19:36.reached around, they just stood and would have stripped the branches
:19:37. > :19:43.off, loads of new science coming out. Currently in multiple pieces,
:19:44. > :19:47.where is Dippy off to next year? On a UK tour to eight venues, starting
:19:48. > :19:53.on the coast in Dorset, going all the way around the UK. Going to art
:19:54. > :19:56.galleries, museums, even the Norwich Cathedral, an amazing number of
:19:57. > :20:00.venues. How long will he be stopping there for? Each venue, maybe three
:20:01. > :20:04.to four months. Three at the point - free at the point of entry and
:20:05. > :20:09.people can come in, lots of activities are being arounded so we
:20:10. > :20:17.hope people will get engaged. Why the pause, why is it not happening
:20:18. > :20:21.straightaway? These venues sometimes book things in advance, we need to
:20:22. > :20:25.get Dippy ready, it needs to be more in a sort of flat pack to put it
:20:26. > :20:29.together quickly when gu to the venues, three or four days is all
:20:30. > :20:33.the time we will really have to put Dippy together so we need to make
:20:34. > :20:37.sure it is going to work. 90 million people have seen Dippy in its
:20:38. > :20:40.current venue. Have you ever seen it? I have and I have been to
:20:41. > :20:45.amazing events, evening events, where we have been sitting at tables
:20:46. > :20:48.underneath and I have a picture of my son visiting the museum when he
:20:49. > :20:52.was two-and-a-half and we were planning this trip to go back and
:20:53. > :21:02.see Dippy and I am like you have ruined it for me! He is not going to
:21:03. > :21:07.be there! Listen, thank you so much and good luck with the replacement.
:21:08. > :21:14.You are putting the whale together. Come and see it this summer. In a
:21:15. > :21:26.world a - in a minute a world exclusive. Una Healy's new single
:21:27. > :21:30.with Nashville's Sam Palladio. Before that some shocking news t
:21:31. > :21:36.seems like the traditional joke shop is in trouble. It is not a joke! It
:21:37. > :21:45.is quite serious. It is a serious matter. I am telling you.
:21:46. > :22:05.Never gets old that gag! Great slapstick doesn't get old. Why
:22:06. > :22:11.are joke shops closing? Maybe traditional gags aren't that funny
:22:12. > :22:17.any more. The thing with jokes is you can
:22:18. > :22:21.always invent new ones but Gary Parkinson, owner of this shop in
:22:22. > :22:26.SPAD something a fan of the classics. Should have seen that
:22:27. > :22:30.coming. There seems to be a trend that joke shops are closing down.
:22:31. > :22:35.Yes, they are, unfortunately. It's not as busy as it was, but we are
:22:36. > :22:38.trying to move with the times. I managed to stay open but it's been a
:22:39. > :22:44.struggle. Even the joke shop owner is losing his sense of humour. A
:22:45. > :22:49.bit, yes. Unfortunately, a great British tradition of having a joke
:22:50. > :23:01.may be lost to new generations. Fun snaps. I loved them as a kid. Yeah.
:23:02. > :23:04.The flower. Fake dog poo, snake in a tin. Are you worried we are losing
:23:05. > :23:10.our sense of humour? Technology has moved on. There is more gadgets.
:23:11. > :23:15.When we were younger you could never miss out on a whoopee cushion. Now
:23:16. > :23:21.kids have apps on phones. They're on the internet. They can download
:23:22. > :23:25.funny sounds if they like. They don't seem to be out there like we
:23:26. > :23:29.were, generations today don't seem to have fun outside any more. They
:23:30. > :23:34.don't live. Once a class clown, always a class
:23:35. > :23:38.clown. I am going to bring back the
:23:39. > :23:42.traditional joke. What could possibly go wrong?
:23:43. > :23:49.OK. Would you like to try one? Oh!
:23:50. > :23:55.The kids now are not into it. They're doing that. Looking at
:23:56. > :23:59.screens. People are too serious. There is no camaraderie with one
:24:00. > :24:07.another. It's it's the same in the workplace. Don't step in it.
:24:08. > :24:14.Nothing! I do pranks all the time. Like what? Hide and they think you
:24:15. > :24:19.are not there. What do you think of the flower? Is that funny? Yeah.
:24:20. > :24:23.It's funny, right. Why is it there is a lack of joke shops now? Maybe
:24:24. > :24:26.people aren't funny enough any more. Look at that.
:24:27. > :24:38.It gets a laugh every time! Boom!
:24:39. > :24:45.See, times are changing. Does that squirt water? She doesn't like jokes
:24:46. > :24:48.but likes the flower. Cheers, Tommy.
:24:49. > :24:57.We are breathing naturally now. But we were not joking when we said that
:24:58. > :25:04.we had Una Healy and Sam Palladio with us. The waiting game, your new
:25:05. > :25:08.album is out. We know you from The Saturdays as a popstar. This feels
:25:09. > :25:14.like a departure for you. It's going back to my roots, before The
:25:15. > :25:18.Saturdays I was a singer-songwriter, and I stepped away from that and did
:25:19. > :25:22.the Saturdays for a few years, I feel comfortable back with the
:25:23. > :25:25.guitar doing this. The Waiting Game is out on Friday and this is the
:25:26. > :25:30.first single. I am not alone which is nice, I have Sam. Absolutely.
:25:31. > :25:38.Well, you are now a big country music star, Sam. I have seen you at
:25:39. > :25:43.the Grand Ole Opre in Nashville. How did it start for you, you are from
:25:44. > :25:47.Cornwall, how did you end up making it big in Nashville? I keep asking
:25:48. > :26:03.myself that. It's been an amazing journey. I trained as an actor in
:26:04. > :26:07.London. Amazing college. Always played guitar, loved singing and got
:26:08. > :26:11.this audition to fly out to Nashville to shoot this show. I have
:26:12. > :26:18.been there five years. Fifth series out now. We are filming right now.
:26:19. > :26:22.And you are performing again this weekend. Yes, always an honour to be
:26:23. > :26:25.on that stage. How did you get together for this performance I
:26:26. > :26:30.co-wrote the song, it was always going to be on the album, we loved
:26:31. > :26:33.the song. Myself and Amy who co-wrote it with me, we felt it was
:26:34. > :26:39.missing something, it was missing a man! We got a man. He was top of the
:26:40. > :26:46.list. I am a huge fan of Nashville and Sam's voice, he loved the song.
:26:47. > :26:52.Get yourself ready. A big thank you to Dannii for joining us this
:26:53. > :26:57.evening. Let It Shine this weekend on BBC One. Tomorrow Sir Trevor
:26:58. > :27:04.McDonald will be here. Now, playing us out from the album The Waiting
:27:05. > :27:15.Game, it's Una Healy and Sam Palladio with Stay My Love.
:27:16. > :28:43.# Won't you please stay right by my side?