:00:18. > :00:24.Hello and welcome to the One Show with a lovely Matt Baker. And
:00:25. > :00:28.because Alex is somewhere out at sea approaching Falmouth, tonight I am
:00:29. > :00:31.joined by my very first TV co-presenter, I can't believe it, it
:00:32. > :00:39.is Konnie Huq! CHEERING. This is an absolute joy to
:00:40. > :00:44.me. And thank you per showing me the ropes, it reminds me of a day way
:00:45. > :00:48.back in the last millennium, I think it was 1999 and a freshfaced young
:00:49. > :00:56.lad was given his very first Blue Peter badge. On it goes. I have
:00:57. > :01:01.still got that shirt. What about the badge? You haven't changed a bit.
:01:02. > :01:05.You certainly have. I have got a little bit wider but you are the
:01:06. > :01:08.same. Tonight's guest hasn't been on the One Show the quite a few years
:01:09. > :01:15.and we thought we had done something wrong but now we know the truth. How
:01:16. > :01:22.does it feel to be chopped? You are a little bit late, Mr chop, you have
:01:23. > :01:25.had your chips. That is precisely why I didn't let you go to the One
:01:26. > :01:28.Show. But that has all changed because it
:01:29. > :01:32.is time to welcome back the lovely Rebecca Front!
:01:33. > :01:36.APPLAUSE. We love it when we get a name check
:01:37. > :01:41.on other programmes, that was the The Thick Of It and you have just
:01:42. > :01:48.been reunited with Peter Capaldi. This wary Malcolm Tucker. He didn't
:01:49. > :01:53.swear on Doctor Who. I had a feeling he wouldn't, in real life, Peter
:01:54. > :01:58.doesn't particularly swear, it was just the character. So he could take
:01:59. > :02:01.everything out in his character. Yes, it must be incredibly healthy
:02:02. > :02:04.to get it all out of your system and then you can get chilled and
:02:05. > :02:10.relaxed. Does that pork chop follow you everywhere you go? I am really
:02:11. > :02:13.glad it doesn't, because I am a vegetarian and it would be quite
:02:14. > :02:22.offensive. It would be offensive if it was to turn up. It would be
:02:23. > :02:27.embarrassing! Oh, dear. Listen, this week, it is all about our Hell on
:02:28. > :02:32.High Seas challenge. It might pop up again later... The Hell on High Seas
:02:33. > :02:36.challenge, have you been watching this, Rebecca? My goodness, yes,
:02:37. > :02:41.sort of like that... Terrifying, rather them than me. I felt awful
:02:42. > :02:45.when we said goodbye to them, knowing they had the whole night to
:02:46. > :02:55.go through, for hours on, four hours of. And you can't sleep. We are
:02:56. > :02:57.about to catch up with Ore, Hal, Alex and Angelica and Doon. Can you
:02:58. > :03:00.remind us how to donate? To donate ?5, text
:03:01. > :03:02.the word HELP to 70005. To donate ?10, text
:03:03. > :03:05.the word HELP to 70010. Text messages will cost
:03:06. > :03:07.your donation plus your standard network message
:03:08. > :03:08.charge and all your donation
:03:09. > :03:12.will go to Sport Relief. You must be 16 or over and please
:03:13. > :03:15.ask the bill payer's permission. For full terms and conditions -
:03:16. > :03:31.or to donate any amount you want To be generous! Shall we see how
:03:32. > :03:36.they are getting on? Alex, it is over to you.
:03:37. > :03:45.Our first hours at sea heading south. The calm before the storm and
:03:46. > :03:55.an escort of dolphins. With an on-board musical accompaniment.
:03:56. > :03:58.SHE SINGS. At the moment, Doon is trying to
:03:59. > :04:02.attract the dolphins. They were there a minute ago and now they have
:04:03. > :04:05.gone. They heard something they thought was attractive and I think
:04:06. > :04:11.we have scared them off. SHE SINGS..
:04:12. > :04:17.They are all around us, it is absolutely phenomenally exciting.
:04:18. > :04:21.And while the rest of the crew enjoy the wildlife, I am given an
:04:22. > :04:25.important job, or perhaps it is just an excuse to get me out of the way.
:04:26. > :04:30.So all of them then there have sent me up here, up the read more or the
:04:31. > :04:36.hoist as it is known, to look for wind. This is an actual thing, who
:04:37. > :04:41.knew? You get a great view of the ocean, because you are so so high,
:04:42. > :04:47.and you can look for ripples on the surface to determine which direction
:04:48. > :04:51.the wind is coming from. The skipper has more reliable ways to judge the
:04:52. > :04:55.weather and he is concerned about an oncoming storm and how we can
:04:56. > :04:59.outpace it. Bear with us, this could get technical. We have a complex
:05:00. > :05:03.weather situation, what we call a second very low pressure, springing
:05:04. > :05:06.up and because it is not informed yet, there are a lot of question
:05:07. > :05:10.marks as to where exactly it will be centred, which will mean Gale force
:05:11. > :05:21.winds at the Irish Sea, right where we are. Our challenge is to out run
:05:22. > :05:24.it and get out of the Irish Sea, round Land's End, into the English
:05:25. > :05:27.Channel, and then we need to wait for another 24 hours to see how the
:05:28. > :05:29.weather unfolds. As we pick up speed towards Land's End, the weather
:05:30. > :05:41.suddenly takes a downturn, almost capsizing us. It might be a taste of
:05:42. > :05:44.things to come. The crew seem to be suddenly shouting and telling them
:05:45. > :05:56.all to get up on deck and then the sale was in the water. -- the sail.
:05:57. > :06:01.When the boat went 180 degrees, I literally thought we would go. It
:06:02. > :06:09.did a big 180 degrees shift and went from four knots to 30 knots. It
:06:10. > :06:19.completely overpower issue. It was a real heart in mouth moment.
:06:20. > :06:21.I feel seasick just watching that. A few days' training, really, but I
:06:22. > :06:28.don't think anything can prepare you for that, to be fair. You know Doon,
:06:29. > :06:32.don't you, quite well? I think Doon, of all the people I know, is the
:06:33. > :06:36.best person to be doing that. She is a really strong swimmer, I hope she
:06:37. > :06:42.won't need to be, but she has won the channel, in fact and she is kind
:06:43. > :06:48.of quite intrepid -- she has swum the Channel. There she is looking
:06:49. > :06:52.gung ho. She has that kind of spirit, she will be great. So this
:06:53. > :06:57.is something that doesn't appeal to you at all? I can barely swim, I can
:06:58. > :07:02.just about hold my own in the shallow end of a swimming pool but I
:07:03. > :07:05.couldn't do that. And I get seasick. On a cross-channel ferry, I am a
:07:06. > :07:10.nightmare, so that just looks like it would be awful. We understand
:07:11. > :07:15.there has been quite a bit of seasickness already. Nearly all of
:07:16. > :07:18.them! Before Alex said sale, she went out to Bangladesh to make some
:07:19. > :07:24.films to give you an idea of where the money you donate will go -- set
:07:25. > :07:27.sail. This is a country close to your heart. My homeland where my
:07:28. > :07:31.parents are from and I have lots of family there and it is an incredibly
:07:32. > :07:35.densely populated country, and extremely poor, so I know only too
:07:36. > :07:40.well how important it is for your money to go there and the projects
:07:41. > :07:41.your donation fund, both here in the UK and abroad, really will change so
:07:42. > :07:52.many lives. Dhaka, Bangladesh. One of the most
:07:53. > :07:59.crowded cities on the planet. Living here isn't easy. And living here
:08:00. > :08:04.with a disability, well, that's a whole different story. I am coming
:08:05. > :08:12.to the outskirts to meet a boy who lives here with his parents. Shuman
:08:13. > :08:21.has a muscle wasting disease which means he cannot walk or move his
:08:22. > :08:25.hands properly. How old are you? 12. 12? Shuman's condition and the
:08:26. > :08:28.amount of personal care he needs have put his family under terrible
:08:29. > :08:31.strain. Thank you so much for letting us
:08:32. > :08:34.into your home this morning. Can you tell me a bit about your son and
:08:35. > :08:39.when you first noticed his disability?
:08:40. > :08:43.TRANSLATION: We noticed from the age of two that Shuman was ill, but he
:08:44. > :08:47.could walk. But after the age of five, when he got typhoid, it made
:08:48. > :08:54.him weaker and within a few years, he couldn't walk at all.
:08:55. > :08:59.TRANSLATION: Being a mother, I feel sorry I can't do more. It makes me
:09:00. > :09:04.cry. He is my beloved son and I sometimes ask him for forgiveness
:09:05. > :09:08.because I just can't help him more. For the next six years, Shuman's
:09:09. > :09:11.childhood pretty much came to a halt, with his father at work and
:09:12. > :09:18.his mother unable to physically carry him to school.
:09:19. > :09:23.Let me just to show you the room where Shuman spent six long years.
:09:24. > :09:28.It is just in this room here, no interaction whatsoever, no friends,
:09:29. > :09:33.no schoolwork to distract him, just four very, very bare walls to
:09:34. > :09:40.Sderot. The loneliness must have been utterly overwhelming -- to
:09:41. > :09:43.stare at. TRANSLATION: We are so sad thinking
:09:44. > :09:52.what will happen when we die, as we won't be there, so who will take
:09:53. > :09:56.care of him? I am so old, I cannot work now and I don't have enough
:09:57. > :10:01.money to take Shuman abroad for better treatment, so I am asking for
:10:02. > :10:13.help. We are so poor. We live in a slump, we don't have a house. I fear
:10:14. > :10:20.what future is waiting for Shuman. Seeing Sadik like this, really
:10:21. > :10:23.upset, it is so hard. It is hard anyway but they just don't have the
:10:24. > :10:28.facilities to help in anyway and these poor people are left feeling
:10:29. > :10:34.like they haven't done well as for him when they have given them all
:10:35. > :10:40.they can, really. Now Shuman has got his childhood
:10:41. > :10:44.back. Six months ago, a Sport Relief funded project heard about him and
:10:45. > :10:47.offered much-needed physiotherapy and then something which would
:10:48. > :10:51.really transform his life. A wheelchair.
:10:52. > :10:56.Well here comes Dad with the wheelchair.
:10:57. > :11:00.It is so simple, having a wheelchair means that his parents can take him
:11:01. > :11:08.around without having to physically carry him.
:11:09. > :11:10.TRANSLATION: After having the wheelchair, Shuman is smiling and is
:11:11. > :11:15.starting to go out in the afternoon and play with his friends. The
:11:16. > :11:20.project is also providing board games to help develop strength in
:11:21. > :11:23.his hands. It has opened his world. It has brought friends here to play
:11:24. > :11:29.with him, so instead of lying in a dark, dingy room in there, he is
:11:30. > :11:32.outside, making friends, he is interacting, his world has grown. It
:11:33. > :11:35.has completely changed things for him.
:11:36. > :11:43.What is the best thing would you think, about having this wheelchair?
:11:44. > :11:50.It is school. Going to school. And how does the wheelchair make you
:11:51. > :11:55.feel? Very happy. Shuman now intends an inclusive school, thanks to the
:11:56. > :11:58.help of Sport Relief. Which has also helped provide a wheelchair ramp to
:11:59. > :12:07.give better access for him and other children like him. It is fantastic
:12:08. > :12:11.news that Shuman is now in school, but the reality is, life is really
:12:12. > :12:15.tough for families with a disabled child, wherever you are in the
:12:16. > :12:19.world. But here, it is virtually impossible. You can help children
:12:20. > :12:43.like Shuman and his friends here. To donate ?5, text the world HELP TO
:12:44. > :12:47.70005. OR TO DONATE ?10, to 70010. In a country of such poverty, it is
:12:48. > :12:52.so difficult to transform any way of life, so your money is so important.
:12:53. > :12:57.And thank you to anyone who has donated so far. We are going to try
:12:58. > :13:00.and go live to the Dong Feng. Alex, I don't know if you can hear me
:13:01. > :13:04.clearly but we have wonderful news, we have been told that our wonderful
:13:05. > :13:15.One Show viewers have already raised, after just one day, don't
:13:16. > :13:28.forget, a staggering 350 4,000, 820 -- 354,000 pounds for Sport Relief.
:13:29. > :13:32.I love you all so much! Team, ?354,810 already raised by the One
:13:33. > :13:36.Show viewers! Thank you, we are so grateful. And listening to Shuman's
:13:37. > :13:40.story in Bangladesh took me right back and reminded me exactly why we
:13:41. > :13:45.are doing all this. It has been a very dramatic 24 hours, you saw the
:13:46. > :13:50.weather deteriorated last night, but the night did bring its own
:13:51. > :13:58.troubles, things we weren't expecting. Rebecca, you mentioned
:13:59. > :14:02.seasickness and Hal unfortunately suffered badly, didn't you? I did,
:14:03. > :14:06.and I'm not someone who normally suffers from it. It is like we are
:14:07. > :14:09.on a roller-coaster that never stops, it is constantly going and
:14:10. > :14:15.you feel totally debilitated. I was on my ship and just ended up staring
:14:16. > :14:20.at the Ocean, holding a string of... Just looking at the sea, you have to
:14:21. > :14:23.get your bearings. I was shocked, helicopter came right to wave at us
:14:24. > :14:26.and at that point in the morning, I thought I want to jump in and be
:14:27. > :14:30.rescued by them and go with them. It is really that things are trying to
:14:31. > :14:34.stay with it. It has got better there and we have gone through it
:14:35. > :14:39.but we will be facing yet again. I think we all felt like jumping in
:14:40. > :14:43.and letting the helicopter rescuers. Ore, talk us through the four hour
:14:44. > :14:48.on, for our off shifts through the night, which has been a real
:14:49. > :14:52.struggle. It gets really hard, we have seen in the day when the boat
:14:53. > :14:56.gets to a 45 degrees angle, it is extreme enough and we can handle it
:14:57. > :15:00.appear but down there, trying to get your sleep, even the most simple of
:15:01. > :15:05.tasks become impossible. The bunks then there are like the bunk beds in
:15:06. > :15:08.a goal's house, they are tiny and you are clattering about trying to
:15:09. > :15:14.put your clothes on and we have a lot of kit to keep a safe and keep
:15:15. > :15:17.you warm and adjust is debilitating, but credit to you guys, you do all
:15:18. > :15:20.of that for nine months a year, I don't know how you do it. They are
:15:21. > :15:24.motoring on and that is what we are going to do. And one of the scary
:15:25. > :15:28.thing is that does happen in the night is when the boat keels over
:15:29. > :15:32.very suddenly. We experienced this on board last night, Doon was
:15:33. > :15:33.absolutely petrified. Can you explain to the audience, give them a
:15:34. > :15:44.taste of how that feels? You are sitting at the side, clipped
:15:45. > :15:51.on and suddenly the boat keels to an angle and you brace your feet. It is
:15:52. > :15:55.pretty rough. You look down at big waves. Suddenly three of the
:15:56. > :16:00.normally incredibly calm crew started shouting and seemed worried
:16:01. > :16:05.about something. Something was stuck in the rudder and they think it
:16:06. > :16:11.might have been a large tuna fish or something. I thought the boat would
:16:12. > :16:15.go over. I thought, I am tied on, where is my nice? I had visions of
:16:16. > :16:23.cutting myself free under the boat. At night, there are crashes and you
:16:24. > :16:29.do not sleep because you are afraid of going so fast. It is an extremely
:16:30. > :16:36.dangerous challenge. I wanted to come to you, Suzi. We are running
:16:37. > :16:43.out of time. The weather is awful. Tell us what the crew have been
:16:44. > :16:52.saying. 15 nots but we expect a force ten gale. So anywhere between
:16:53. > :17:01.35, 14 nots. Changing cells when we have to, busy night ahead, really
:17:02. > :17:06.uncomfortable. -- knots. We will not be able to make it to North Shields
:17:07. > :17:10.because the weather has been unpredictable. We will finish in
:17:11. > :17:17.London on Friday night, fingers crossed. We have a long night ahead
:17:18. > :17:23.that thank you to you for your support and we will speak again
:17:24. > :17:33.tomorrow. Goodbye. APPLAUSE.
:17:34. > :17:41.There we are. That is just one night. From somewhere approaching
:17:42. > :17:45.Falmouth, to Sunday night and Rebecca, you are in a new drama,
:17:46. > :17:53.Doctor Thorne. I feel like a lightweight! Doctor Thorne. It is in
:17:54. > :18:00.three parts. Everybody hoped it would be a new Downton and be
:18:01. > :18:05.because it is by Julian Fellowes but because it is from the Anthony
:18:06. > :18:10.Trollope novel, it cannot go on for ever. It is finite because it is
:18:11. > :18:16.based on a not particularly long novel and three parts is all we can
:18:17. > :18:21.do. Your character is Lady Arabella Gresham and her family have fallen
:18:22. > :18:27.on hard times. She wants her son to marry into money. Is she a hero or
:18:28. > :18:32.villain, greedy or thinking of the family? She's not greedy, she is not
:18:33. > :18:38.a hero. She is thinking of the family and is a difficult situation,
:18:39. > :18:45.because her husband has gambled away money. He seems not to have
:18:46. > :18:51.registered what he has done, the magnitude. She is in a situation...
:18:52. > :18:56.She is a proper aristocrat and I think he is not. She has status in
:18:57. > :19:01.mind and money in mind and the estate is about to disappear. The
:19:02. > :19:06.only hope of saving that is for her son to marry money, which is a
:19:07. > :19:11.horrible situation. I would like to think I would never expect my kids
:19:12. > :19:18.to marry someone they do not love. They are breathing sighs of relief!
:19:19. > :19:25.Ishii and enjoyable character to play -- is she? She is manipulative.
:19:26. > :19:34.I played a character in a similar situation in War and Peace. She is
:19:35. > :19:37.an operator. Like a natural politician in War and Peace. She
:19:38. > :19:42.knows how to work the room and get the best from people but Lady
:19:43. > :19:46.Arabella does not. She tries to be manipulative, but she is not good at
:19:47. > :19:52.it and she thinks she can work her way around Doctor Thorne, but she is
:19:53. > :19:58.rubbish at it. Julian Fellowes is very good. We are all hooked. As we
:19:59. > :20:04.armour about to see, Lady Arabella goes head-to-head with Tom
:20:05. > :20:13.Hollander's Doctor Thorne. I am very fond of Beatrix, I'd like
:20:14. > :20:18.their friendship. I -- and suppose it should lead to renewed
:20:19. > :20:23.familiarity between Frank and Mary? If you should put a stop to their
:20:24. > :20:30.intimacy, tell Frank, not me, and cease your persecution of merit.
:20:31. > :20:37.Persecution! Issue persecuted when I have received her as my own
:20:38. > :20:48.daughter? You forget yourself. Good day, Doctor Thorne. APPLAUSE.
:20:49. > :20:54.I like that term, a good way to end an argument. Good day and then just
:20:55. > :20:59.walk off. I will try that next argument. The locations looks
:21:00. > :21:06.stunning. Many people convinced there is some CGI. I saw something
:21:07. > :21:11.on Twitter with people saying it was Astroturf. But not so, they are
:21:12. > :21:19.National Trust properties. What makes it look unfamiliar is the sun
:21:20. > :21:23.was shining. We have to comment on the sound, which is good. There have
:21:24. > :21:29.been dramas which have had the rough end of the stick as far as sound is
:21:30. > :21:34.concerned, but I was impressed. There were only a few parts we had
:21:35. > :21:39.to re-record, because the dresses are authentic and they are rustling.
:21:40. > :21:46.A few times, we would turn and swish. Good data you! And and
:21:47. > :21:55.petticoats revolve! -- good day to you. Doctor Thorne continues on
:21:56. > :22:02.Sunday at 9pm on ITV. Compelling viewing. It has been said that swing
:22:03. > :22:09.like this was the music that saw Britain through the Blitz. Everybody
:22:10. > :22:14.is toe-tapping in the studio. 75 years ago to today, in the midst of
:22:15. > :22:18.bombing, the music temporarily came to a tragic end. Here is Cerys
:22:19. > :22:25.Matthews. This record is by a British pop star
:22:26. > :22:30.you have probably never heard of. It is Ken "Snakehips" Johnson, a band
:22:31. > :22:33.leader in the 30s and 40s. He would probably be a household name today
:22:34. > :22:42.had it not been for a moment of deadly misfortune.
:22:43. > :22:48.Born in British Guiana, he was sent to Britain to be schools but became
:22:49. > :22:52.intoxicated with jazz and won the nickname Snakehips with his wild
:22:53. > :22:59.dancing and at the age of 26 he fronted the West Indian Orchestra,
:23:00. > :23:04.Britain's only all swing band. I am heading the London's West End with a
:23:05. > :23:08.jazz writer. It must have been exciting to see them because there
:23:09. > :23:13.was a hunger for the American sound. And they were voted number one band
:23:14. > :23:18.by the leading music magazine at the time and the fact he was a great
:23:19. > :23:24.dancer in did him to audiences. They were on the radio a lot. He said
:23:25. > :23:29.famously, I will make London swing, or die trying. By the start of the
:23:30. > :23:36.Second World War Snakehips had a residency at the cafe de Paris, one
:23:37. > :23:41.of the few clubs to stay open in the Blitz. 75 years later, it is still
:23:42. > :23:46.going. If you wanted to forget the war you would want to come here. It
:23:47. > :23:50.was considered to be the safest club in London because it is 20 feet
:23:51. > :23:58.underground, and you would think you would not be in harm's way with arms
:23:59. > :24:07.dropping. It would seem impregnable. Dance, jive, party as the bombs came
:24:08. > :24:12.down. Do these Snakehips. But on the 8th of March, 1941, against
:24:13. > :24:22.expectations, the reality of war broke through. The band was on the
:24:23. > :24:28.stage. They were going into a number called "Oh, Johnny, Oh, Johnny". Why
:24:29. > :24:35.incredible chance two bombs came crashing through the building into
:24:36. > :24:39.the cellar. You can see from the pictures how the Cafe de Paris was
:24:40. > :24:43.ripped apart. Absolutely gutted. This one with the guy picking up the
:24:44. > :24:48.skeleton of the double bass that looks like it was cut in half. And
:24:49. > :24:55.this one when you see them picking up debris on the floor. It is the
:24:56. > :25:00.scene of a slaughterhouse. Around 30 died and 18 were injured. Snakehips
:25:01. > :25:06.was killed instantly, but poignantly, his body was not marked
:25:07. > :25:12.and he looked immaculate, he still had a flower in his buttonhole. He
:25:13. > :25:18.was a star and he died looking like a star. It is disturbing. In a place
:25:19. > :25:22.where people innocently enjoyed themselves, dancing, that it should
:25:23. > :25:28.happen here. Nobody thought it would be the Cafe de Paris. I am getting
:25:29. > :25:32.goose bumps being in the venue. I have heard about the tragedy from my
:25:33. > :25:38.mother-in-law, who was here that very night. You are joking! She had
:25:39. > :25:48.to take a train back to loot and left early, thankfully. -- Luton.
:25:49. > :25:56.And this bomb dropped, killing a huge star, it was a huge shock. That
:25:57. > :26:01.is right, it left a void. As a tribute we have invited the jazz
:26:02. > :26:04.salon house band to play the song "Oh, Johnny, Oh, Johnny", the song
:26:05. > :26:10.that Snakehips did not finish that night. And with magic, he is back
:26:11. > :26:18.for a last dance. It looks like his legs are articulated. It is like a
:26:19. > :26:23.surge of energy going through him. He moves so well, you cannot keep
:26:24. > :26:30.your eyes from his legs. How does he move like that? It is a graceful
:26:31. > :26:36.style, very charismatic. 75 years later, it is great to see Snakehips
:26:37. > :26:41.back where he belongs. The Blitz did not break Britain's spirit, but who
:26:42. > :26:50.knows what height Snakehips might have reached had he survived.
:26:51. > :26:55.APPLAUSE. What a mover. What is crazy, the
:26:56. > :27:00.bomb went down the ventilation shaft, and what would be the odds,
:27:01. > :27:04.because they are so deep underground, it is supposedly
:27:05. > :27:11.bombproof? If you are cooking your Sunday dinner at the weekend, tune
:27:12. > :27:18.into Cerys Matthews' show on BBC six music. I enjoyed Kevin's care.
:27:19. > :27:23.Rebecca, we are moving on to motherhood and you have developed a
:27:24. > :27:32.repertoire of on-screen mothers. The embarrassing mum in Grandma's House.
:27:33. > :27:38.To Boris' Machiavellian mother in War and Peace. We have put them on
:27:39. > :27:52.the screen. Good and bad. We want to know what kind of Mum are you. We
:27:53. > :27:59.have had a word with your children, Lee and Tilly. We have been digging
:28:00. > :28:09.deep and the first question was, how tidy is your Mum? Oh, dear. Clothes
:28:10. > :28:16.on the floor? I do not leave clothes on the floor, but I am not tidy in
:28:17. > :28:21.the kitchen. Give us a number out of ten. Five, maybe. Well, interesting
:28:22. > :28:26.because Ollie said eight and Tilly said two and the average was five.
:28:27. > :28:35.That is because Ollie is messy and Tilly is tidy. How embarrassing out
:28:36. > :28:41.of ten? Eight. Nine. What is your overused phrase? Probably something
:28:42. > :28:48.like, I do things like, that is just not appropriate! Things like that.
:28:49. > :28:54.You mean, it is not on! You're guilty pleasure. I cannot believe
:28:55. > :29:02.you watch the Kardashians! That is all for tonight. Tonight, now, it is
:29:03. > :29:10.time to give you the chop. I am sorry! Doctor Thorne continues on
:29:11. > :29:12.Sunday at 9pm. Tomorrow, we will be joined by Zoe Ball and Alexei Sayle.
:29:13. > :29:13.Good night.