:00:16. > :00:21.Hello and welcome to your Tuesday One Show with Matt Baker. And Alex
:00:22. > :00:24.Jones. Tonight's guest is a straight-talking satirist who can
:00:25. > :00:38.always be relied upon to make complete sense. Well, mostly.
:00:39. > :00:49.HE READS ANGLO-SAXON. Eh? Please welcome Ian Hislop!
:00:50. > :00:58.APPLAUSE. Thank you for that. Ian, what was
:00:59. > :01:02.that? That is Anglo-Saxon. I was translating a bit that King Alfred
:01:03. > :01:08.wrote himself. About the books that are most needful to know. It is
:01:09. > :01:17.about my series about the olden days. Well we will talk about that
:01:18. > :01:23.series later. But first of all, the 47th series of heart I got News for
:01:24. > :01:34.you -- have I got News for you on Friday. That was me on the first
:01:35. > :01:41.show! We have Nigel Farage on the show. So I guess we will be talking
:01:42. > :01:52.about him! Probably at length. But it is very exciting. Maria Miller,
:01:53. > :01:58.of course. One of the best-known features of the show is the caption
:01:59. > :02:01.competition. And there's one photo we couldn't ignore in the papers.
:02:02. > :02:05.The Duke and Duchess of Cambridge are currently on a tour of New
:02:06. > :02:08.Zealand. This is the moment that Kate met a Maori warrior in
:02:09. > :02:15.Wellington. So we want your captions. Send them to us and Ian
:02:16. > :02:23.will read out some of the cleanest later! I was going to do something
:02:24. > :02:29.about the royal visitor taking a look down under! Despite the latest
:02:30. > :02:33.figures showing a fall in unemployment, it still seems that
:02:34. > :02:37.British youth are being left on the scrapheap, with nearly a million of
:02:38. > :02:40.them classified as NEETS. That is they are Not in Education,
:02:41. > :02:46.Employment or Training. So is the work just not out there? Or are our
:02:47. > :02:53.young people just not up to the job? To find out, Tony Livesey has been
:02:54. > :02:58.to meet the NEETS. One in five young people are looking for work.
:02:59. > :03:05.Stockton on Tees has some of the worst figures in Britain. Over one
:03:06. > :03:11.third of young people here are not in education, employment or
:03:12. > :03:19.training. The government calls them NEETS. Meet these for locals. Kyle,
:03:20. > :03:24.Adam, Peter and Kiran. All aged between 17 and eight team. They live
:03:25. > :03:30.at home and have some qualifications but they have not had jobs before.
:03:31. > :03:43.So what do you do all day? Just said is home and play computer games.
:03:44. > :03:50.What about you. I do literally nothing. That cannot be good. No.
:03:51. > :03:56.Today things are going to change. We have teamed up with a local charity
:03:57. > :04:01.to get the boys some work experience. The charity will give
:04:02. > :04:05.them ?50 for the day as an incentive. Local employer Graham,
:04:06. > :04:10.desperate for warehouse staff, has agreed to take them on. What is the
:04:11. > :04:15.problem with young kids? We often get them coming in and then they
:04:16. > :04:21.really do not stick with it. They will do one day and do not come
:04:22. > :04:24.back. Dave is the warehouse manager. He will start them off
:04:25. > :04:28.sorting and packing and then we'll report back to Graham about how they
:04:29. > :04:45.are doing. The first job is to show them the system.
:04:46. > :04:50.What is bad. A microfibre cloth. The boys have got to check and correct
:04:51. > :04:58.orders. If they worked here full-time they need to ship out 1000
:04:59. > :05:06.orders every day. I have only done one. We are about one hour into the
:05:07. > :05:14.experiment. They have turned from self-conscious, awkward teenagers
:05:15. > :05:19.into young adults doing a days work, taking it seriously, fitting in with
:05:20. > :05:22.everyone else. But as the lads start picking, some are getting tired. I
:05:23. > :05:32.was not expecting it to be this hard. It is hectic. My legs are in
:05:33. > :05:40.agony. You have been here about three hours. So they go for a break.
:05:41. > :05:47.I just want to know if you asked permission to come in here for a
:05:48. > :05:52.brew. You didn't, did you. I have been in there looking for you. The
:05:53. > :05:58.others did not know where you wear. You have walked off the job. In
:05:59. > :06:02.spite of the unauthorised rake they still impress the bosses. But David
:06:03. > :06:09.not sure that in general they try hard enough. The boys say I would
:06:10. > :06:14.have applied for the job but I did not know. It is up to them to get
:06:15. > :06:19.off their backsides. So do any of them want a job here? It is not my
:06:20. > :06:28.type of job. I would not like to say I was doing it. How do you feel that
:06:29. > :06:37.jobs like this have been available. I have missed out. If the boss said
:06:38. > :06:47.there was a job for you? I would definitely take it. You work and
:06:48. > :06:53.keep your money and work towards the future. You have all done well
:06:54. > :06:58.today. There is no reason based on today that we would not consider you
:06:59. > :07:01.for a job. We will get your details and we'll keep you in mind as soon
:07:02. > :07:05.as we start recruiting, which should not be long.
:07:06. > :07:11.There is a youth unemployment crisis but there are jobs. It is not
:07:12. > :07:19.necessarily always the worst thing to start at the bottom because there
:07:20. > :07:30.are are always ways up. And we have an exclusive look at a brand-new
:07:31. > :07:37.report on use unemployment. Lizzie Crowley is here from the independent
:07:38. > :07:44.think tank, The Work Foundation. So what is happening. Why are these
:07:45. > :07:49.people not meeting in the middle? In the UK we have a youth unemployment
:07:50. > :07:54.crisis. Many young people are leaving school with no experience of
:07:55. > :07:59.paid work. That is the first thing that an employer looks for and the
:08:00. > :08:04.main reason why employers say they do not employ young people. So we
:08:05. > :08:08.need good opportunities for work experience for young people so that
:08:09. > :08:12.they do leave school with those skills that employers are looking
:08:13. > :08:18.for. Is it then the fault of the schools, that they're not preparing
:08:19. > :08:24.people for work? I do not think we can blame schools. Everyone needs to
:08:25. > :08:31.come together, employers, schools, community organisations. Schools
:08:32. > :08:37.often focus on exams. They have not had the kind of incentives to try to
:08:38. > :08:38.make sure there are strong vocational and training
:08:39. > :08:47.opportunities available to young people. Ian, who's the youngest
:08:48. > :08:53.person working at Private Eye? I think 24. But as an employer you
:08:54. > :09:00.just want somebody to be keen. I employed one person who said I think
:09:01. > :09:05.the job would help me. I said, I want you to help me? It is about
:09:06. > :09:11.attitude. It is about longevity. So you come up with this
:09:12. > :09:15.recommendation. A youth transition partnership. How would that work.
:09:16. > :09:21.Well at local level there are a range of agencies trying to get
:09:22. > :09:25.young people into work. 33 different support schemes have been identified
:09:26. > :09:29.but no one is working effectively together. That is why we are
:09:30. > :09:33.suggesting that local areas set up these partnerships. They would map
:09:34. > :09:39.out all the options available to a young person in an area and then a
:09:40. > :09:44.young person would be able to understand the range of options
:09:45. > :09:48.available locally and how to access them. People sitting at home could
:09:49. > :09:56.argue that people come from other countries looking for work because
:09:57. > :10:00.it is a hotbed of employment. So why then are the use of this country not
:10:01. > :10:04.getting those jobs? Well we have had high levels of migration into the UK
:10:05. > :10:10.especially into London and the south-east. But essentially those
:10:11. > :10:14.migrants in many cases have high levels of qualifications. They have
:10:15. > :10:19.good work experience histories. And that is why they are being employed.
:10:20. > :10:22.We need to make sure that we equip our young people with the skills
:10:23. > :10:26.that employers need and the experience so that they can compete
:10:27. > :10:32.with these migrants where jobs are available. A large number of
:10:33. > :10:38.youngsters out there are really going for it, it is important to
:10:39. > :10:44.say. Now prepared to be dazzled. Our next film features an incredible
:10:45. > :10:50.bird of prey captured by some ingenious camerawork.
:10:51. > :10:54.Throughout woodlands in the UK there is a fearsome predator. An
:10:55. > :10:59.incredibly fast and skilful flyer. If you happen to be the prey, you do
:11:00. > :11:02.not stand a chance. One blink and you miss it. The only way to see
:11:03. > :11:08.what is going on is with the high-speed camera.
:11:09. > :11:14.Ellie is a goshawk who has been trained by bird handler Lloyd back
:11:15. > :11:20.for the past 11 years, with him an insight into why they are such good
:11:21. > :11:25.hunters. In the woodland environment they are very skilled at going very
:11:26. > :11:31.fast. They can go through small gaps and surprised their prey. They go
:11:32. > :11:37.into a short suit hunt. They are like a cheetah. In order to see the
:11:38. > :11:44.dynamic speed and manoeuvrability, Lloyd set up a little experiment. I
:11:45. > :11:47.will pretend to be a tree with my outstretched arms as branches. We
:11:48. > :12:04.can see if the bird can fly through the whole but I am creating. -- the
:12:05. > :12:09.hole that I am creating. Looking back in slow motion we can see that
:12:10. > :12:17.she felt her wings and use of the tail to give further lift to propel
:12:18. > :12:22.her through the gap. The goshawk has more tricks when it comes to
:12:23. > :12:28.catching prey. One of their favourite method is to sit high up.
:12:29. > :12:31.They will be silent and wait for the parade to come underneath them. They
:12:32. > :12:37.dropped down vertically and completely surprised them. And it's
:12:38. > :12:42.something you would like to see one she is diving. I would like to see
:12:43. > :12:49.what is happening with her wings and hotel. -- her tail. That is a
:12:50. > :12:54.challenge that we have taken up. Typically film we have brought our
:12:55. > :12:59.highest read camera into the studio. Lloyd has devised a test to try to
:13:00. > :13:05.show how clever goshawk can be. I know the wild birds often get their
:13:06. > :13:07.prey by chasing something. The rabbit or the pheasant will go into
:13:08. > :13:13.cover and then they go crashing through from above to catch it. The
:13:14. > :13:17.plan is to perch her up and then we have got the bait on the line. So it
:13:18. > :13:28.comes into her vision and hopefully she should guide through.
:13:29. > :13:34.The first couple of attempts to entice the bird through the gap
:13:35. > :13:38.fail. This is an alien environment for her. Measures are in place so
:13:39. > :13:54.she will not be harmed. She just needs to get used to the studio. But
:13:55. > :13:58.eventually the training pays off. It happened so fast it is hard to
:13:59. > :14:06.see how she gets herself through the gap. But all is revealed at 1000
:14:07. > :14:13.frames per second. What you can see from this is that her eyes are
:14:14. > :14:22.totally locked on the bait. She has worked out how to get through. Her
:14:23. > :14:29.body is ready streamline. The wings are tight but the tail is found out.
:14:30. > :14:34.It is used as a matter to steer. But also as a break. All that energy is
:14:35. > :14:39.going into punching through. She will keep hold of the bait and eat
:14:40. > :14:45.it. And that is what the goshawk is so good at. Going that bit further
:14:46. > :14:49.to capture the goal. That other birds of prey would have given up
:14:50. > :14:58.on. I would argue the most successful raptor in the world. An
:14:59. > :15:05.incredible bird. Great bit of filming. You wonder how small that
:15:06. > :15:10.hole could have been. Anyway, Ian Hislop's Olden Days starts tomorrow.
:15:11. > :15:15.It's on BBC2, 9.00pm. It's about our obsession as a nation with golden
:15:16. > :15:20.ages. The question is what's the difference between a golden age and
:15:21. > :15:26.a run of the mill OK bit of actual history? Well, the British are very
:15:27. > :15:30.good at making idealised heightened romantic periods they can look back
:15:31. > :15:34.to. The difference is that the olden days are really about history as you
:15:35. > :15:40.would like it to have been but it probably wasn't. Rose-tinted
:15:41. > :15:51.spectacles. I wanted to think why do we do this? I found myself living a
:15:52. > :15:56.history exhibition. Then they all went to an ice-cream van. I thought
:15:57. > :16:04.that's up dressed up in weird history. It makes sense. We have
:16:05. > :16:07.this need as Brits for heros and you start with heros and break it into
:16:08. > :16:13.three different programmes. Alfred and Arthur, what was it about them
:16:14. > :16:17.and why did we look at them so much? What's intriguing, they're both dark
:16:18. > :16:22.age heros, one probably didn't exist at all, sadly, which is Arthur. It's
:16:23. > :16:28.really sad. A couple of fragments, that's it. It was all written later.
:16:29. > :16:32.Even in 1100 historians were saying this is rubbish, it's all made up
:16:33. > :16:38.but we ignored them because we liked the story. Alfred, very good King,
:16:39. > :16:42.fought the Vikings. He is very dull. We didn't like him until someone
:16:43. > :16:46.made up this story about the cakes and him burning them, British
:16:47. > :16:50.bake-off of the early years and he burns the cakes and everyone says he
:16:51. > :16:57.is great, he is human, we love him. This is shocking for a lot of people
:16:58. > :17:03.then. If like me most of your history couples from the Ladybird
:17:04. > :17:08.books of history they're going to find some is not awfully true. This
:17:09. > :17:15.is the most shocking part for me. Guess the date of construction of
:17:16. > :17:25.this circle of standing stones. 3,000 BC, 2,000 BC, 1,000 BC. Try
:17:26. > :17:31.1850. It was put up by a local enthusiast for all things Dr, idy
:17:32. > :17:35.and he arranged the stones around a natural phenomenon, an old boulder
:17:36. > :17:42.in the middle there. But the circle of stones, the design, was modelled
:17:43. > :17:49.on a genuinely old circle of stones in Wiltshire. Disappointing for us
:17:50. > :17:53.Welsh. It's disappointing but it's part of a story in that when things
:17:54. > :17:56.get worrying for people, and this was Wales in the industrial age,
:17:57. > :18:00.they thought Wales is disappearing, jobs are going, we don't know what
:18:01. > :18:09.the future holds, everyone goes back. They start reinventing a Druid
:18:10. > :18:14.tradition. Get a set of stones. They started putting up plastic circles
:18:15. > :18:17.of stones. It's part of a tradition. We are good at making up traditions.
:18:18. > :18:21.Most of which started sort of yesterday. Anything you think in
:18:22. > :18:24.this country, oh, that's old and timeless someone thought it up and
:18:25. > :18:27.thought that will be good. It's interesting to think what people
:18:28. > :18:32.will be thinking of our time here now, obviously this technology and I
:18:33. > :18:37.guess that's the age... We British are capable of nostalgia about
:18:38. > :18:47.anything, it may be people will find wind farms and think these are
:18:48. > :18:54.amazing, don't take them down! Or a fracking site and people will pay to
:18:55. > :18:59.go in. As a Countryfile presenter I am excited about this one, you use
:19:00. > :19:04.Tolkien to explain why we love the countryside so much. The great thing
:19:05. > :19:07.about Tolkien is the most successful international film franchise ever,
:19:08. > :19:10.The Lord of the Rings is based on the fact Tolkien was scared of
:19:11. > :19:17.Birmingham spreading over his village. That's it. You think who
:19:18. > :19:23.are the Hobbits? It's us, sadly. What about you, are you on the
:19:24. > :19:28.fence, are you nostalgic and have you been disappointed about your
:19:29. > :19:32.findings The great thing about presenting is you can be both.
:19:33. > :19:37.Someone said you are in love with yesterday and my producer said, why
:19:38. > :19:41.don't you find out why. I love this stuff and the stories and I love to
:19:42. > :19:45.find out whether they're true. I also like to find out why we accept
:19:46. > :19:49.this stuff. Quite often we accept a better version of the past in order
:19:50. > :19:53.to beat up the present. You can say it's rubbish now, why couldn't it be
:19:54. > :19:59.like that? That can be useful. It can be. One of the most nostalgic
:20:00. > :20:03.and enduring images of Britain is the peaceful picture-postcode
:20:04. > :20:06.village. When one of them was invaded by German troops during
:20:07. > :20:15.World War II and it shocked the country. Thankfully it was a classic
:20:16. > :20:26.piece of cinema propaganda. Good day to you... It's a pretty
:20:27. > :20:33.little place. In reality, it's a hamlet in Buckinghamshire just of
:20:34. > :20:38.High Wycombe. This sleepy village was the setting of one of the most
:20:39. > :20:42.controversial films. Released in 1942 it was one of the first films
:20:43. > :20:47.that showed Germans infiltrating Britain and shocked audiences across
:20:48. > :20:51.the UK. Based on a short story by Graham Green the plot follows events
:20:52. > :20:55.as a group of what appear to be British paratroopers arrive to set
:20:56. > :21:02.up defences in readiness for a German invasion. Known as Operation
:21:03. > :21:05.Sea Lion. In a community as small as this it wasn't long before the
:21:06. > :21:17.villagers began to spot things which were suspicious and alarming.
:21:18. > :21:26.Chocolate. It's the German for chocolate...
:21:27. > :21:30.The soldiers ostensibly on exercises in the village were in fact German
:21:31. > :21:35.paratroopers infiltrating rural England in the first wave of the
:21:36. > :21:43.operation. The film imagined a terrifying scenario and one which
:21:44. > :21:48.the British feared more than all - Jerries in their own backyard. It
:21:49. > :21:55.reinforced the Government message that careless talk costs lives.
:21:56. > :22:03.Sir ra is a Professor of film at Bristol University -- Sarah. The
:22:04. > :22:07.Ministry of Information got hold of -- got hold of reports that told
:22:08. > :22:11.them most had no idea there could be an invasion, thought it was
:22:12. > :22:17.unthinkable. To what extent was it officially a weren't prop film? It
:22:18. > :22:20.didn't -- a propaganda film? It wasn't funded by the Government but
:22:21. > :22:23.there is good reasons to believe it had a lot of administrative
:22:24. > :22:29.information, connections, and they certainly would have looked on it
:22:30. > :22:35.favourably as really extolling the messages they wanted to put across.
:22:36. > :22:44.For people who believed an invasion was an impossibility it was a stark
:22:45. > :22:50.warning. One resident still remembers the film crew arriving.
:22:51. > :22:56.David was just a boy when it was filmed. When the army trucks came in
:22:57. > :23:01.that was exciting because we hadn't seen things like that around here at
:23:02. > :23:06.that time. Then I did go and look at the shop they built and inside there
:23:07. > :23:10.were chocolate bars. We made inquiries, could we have some of the
:23:11. > :23:14.chocolate? They assured us we couldn't because you couldn't eat
:23:15. > :23:19.it, it was made of cardboard! It must have been very exciting having
:23:20. > :23:23.a film made here? It was a bit sort of unusual to see someone being
:23:24. > :23:29.shot. Never seen anything like that before. They all came off their
:23:30. > :23:34.bikes and dragged them off the road. I remember that. Many of today's
:23:35. > :23:41.residents are unaware of the village's involvement in the film.
:23:42. > :23:55.So, for one day only, The One Show is creating a cinema in the heart of
:23:56. > :24:00.the village. The Bull scan ap butcher -- The Bull
:24:01. > :24:21.and Butcher Pub. We are Germans, my men and I.
:24:22. > :24:27.What did you think of it then? It was rather funny, it wasn't meant to
:24:28. > :24:31.be a comedy, I know. People laughed at the acting but acting is like
:24:32. > :24:34.that then. I don't think people would have laughed at the time. It
:24:35. > :24:39.would have been a frightening film to have seen.
:24:40. > :24:43.The impact of the film may have diminished over time but this unique
:24:44. > :24:45.piece of cinema and the involvement of the village certainly played its
:24:46. > :25:03.part in the war effort. Where The Vicar of Dibley was made.
:25:04. > :25:07.Whilst we are talking wartime dramas last time you were telling us about
:25:08. > :25:13.The Wipers Times. This week it's been nominated for a BAFTA.
:25:14. > :25:17.Congratulations. You are very kind. Yeah, we were absolutely chuffed.
:25:18. > :25:21.It's a film about a trench newspaper in the World War I and we ended the
:25:22. > :25:28.film by saying these two brilliant men, the editors, saying they never
:25:29. > :25:33.got an obituary in the Times, and they gave them a whole page, both of
:25:34. > :25:38.them, which was a result. Get your acceptance speech ready. It was
:25:39. > :25:42.obviously painstakingly researched, but other films haven't been as
:25:43. > :25:49.faithful to history it turns out. Antonia Quirke is here to present
:25:50. > :25:59.The One Show Historically Inaccurate Movie Awards. Welcome. We are
:26:00. > :26:07.excited about this. Our first award is for Film Failure - Fashion Film
:26:08. > :26:13.Failure. You know what I mean! It's about fashion in films which have
:26:14. > :26:26.failed. This has to be Braveheart. It's caused the multi-award-win
:26:27. > :26:35.winning Mel Gibson film about, here you see 3,000 extras and on their
:26:36. > :26:41.faces - it's 1,000 years out of date. They didn't wear kilts until
:26:42. > :26:46.at least 350 years later. So a fashion fail. It's just a film. The
:26:47. > :26:52.next category is Worst Animal Casting. Who is the winner?
:26:53. > :27:00.Gladiator. A film very satisfying on many levels but not for the use of
:27:01. > :27:05.the attack dog in the scenes on the fringes of The Empire. The Alsatian
:27:06. > :27:15.was a breed that didn't exist until about 1882. I think it was laws that
:27:16. > :27:20.didn't allow them to use the dogs they wanted to in the movie.
:27:21. > :27:25.Brilliant that dog. Great dog acting. One of the funniest things
:27:26. > :27:30.about Gladiator is the things they thought they couldn't use which are
:27:31. > :27:35.true. One being in the games in the arenas they did have sponsors and
:27:36. > :27:41.they would be carved into panelling and people would go about the crowds
:27:42. > :27:50.with figures of your favourite Gladiator, like you would buy a
:27:51. > :27:56.Darth Vader. You can imagine at that meet, what do they take us for. The
:27:57. > :28:04.Americans Save The Day. When are they not saving the day? It's
:28:05. > :28:11.ridiculous, Hollywood has used it as a prop room. This is U571. In this
:28:12. > :28:19.movie the Americans intercept a German submarine and capture an
:28:20. > :28:25.enigma machine, it transmitted German military orders and therefore
:28:26. > :28:30.won the war. There we are. We did try... They weren't even in the war
:28:31. > :28:34.at the time. The British had found and intercepted a machine two years
:28:35. > :28:38.previous to the action in this movie, which is 1942, and found it
:28:39. > :28:42.in a boat off the coast of Scotland. I think they found some of the
:28:43. > :28:48.device in a German soldier's trousers. Thank you. We couldn't get
:28:49. > :28:57.anyone to pick up those awards. Earlier in honour of Have I Got News
:28:58. > :29:06.For You, we asked for your captions for this. Of course in Britain one
:29:07. > :29:14.has the Royal tattoo. Lucy says, does my bum look big in this? One
:29:15. > :29:17.too rude for television. We had quite a few that weren't suitable
:29:18. > :29:22.for television. That's all we have time for tonight. Ian, thank you
:29:23. > :29:33.very much indeed. Olden Days starts tomorrow 9.00pm on BBC2. Tomorrow
:29:34. > :29:44.Cecelia Imrie If you've only just started
:29:45. > :29:46.And run round the block Or race on three wheels
:29:47. > :29:49.Against the clock The marathon is special
:29:50. > :29:51.Year after year Whatever you're into
:29:52. > :29:55.There's plenty to cheer