09/06/2016

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:00:16. > :00:32.Thanks, and part-time, what shall we say? Today, my husband's PA. It is

:00:33. > :00:34.Alex Jones. Our guest tonight has been

:00:35. > :00:36.on a full-time mission to find And he's been in

:00:37. > :01:19.a few bands himself. It is nice to see you. You cannot

:01:20. > :01:26.help but sing along. Even now, you keep doing it. I was cringing. I was

:01:27. > :01:28.not singing along. We enjoyed every note. Music has been in the

:01:29. > :01:29.headlines today. Ed Sheeran's being sued

:01:30. > :01:31.for $20 million by two songwriters

:01:32. > :01:33.who claim his song Photograph See what you think. This is Ed

:01:34. > :01:41.Sheeran. And here's Matt Cardle's version

:01:42. > :02:11.of the song in question - Amazing. # Came out of nowhere.

:02:12. > :02:17.# It's kind of amazing how you found me.

:02:18. > :02:25.Well. We cannot really comment. We will ask Midge! From a songwriter's

:02:26. > :02:32.perspective, what you think? Is it to create a song like that and not

:02:33. > :02:39.copy at? Absolutely. We take things in, we hear things all the time. It

:02:40. > :02:42.is possible he may be heard it somewhere in the background. There

:02:43. > :02:50.are only so many notes to write a song with. They have the same chord

:02:51. > :02:54.structure. It is an obvious melody to sing over the top of. He could

:02:55. > :03:00.have heard it subliminally. Ed Sheeran does not have to plagiarise

:03:01. > :03:14.someone else's song. That is what I said. When you look at the chords,

:03:15. > :03:20.and we have done closely. The chord progression, it is logical. It is

:03:21. > :03:26.very natural. We will be talking about Midge's search for the UK's

:03:27. > :03:33.best part-time band but right now we want to find Britain's best band

:03:34. > :03:37.name. If you are in a band with a quirky, creative name, get in touch

:03:38. > :03:39.with the photograph and Midge will choose his favourites.

:03:40. > :03:42.If somebody told you about a scheme that could give you all of your

:03:43. > :03:44.electricity for free, you might think there

:03:45. > :03:48.As Joe has found out - in this case - it was a catch that

:03:49. > :03:55.Cost one family tens of thousands of pounds.

:03:56. > :04:02.Leigh Park, in Portsmouth. Built after the Second World War, it was

:04:03. > :04:06.one of your's largest council estates. There are two things you

:04:07. > :04:12.get around here when the sun is shining and this is one of them and

:04:13. > :04:16.the other is free electricity from the solar panels. Until subsidised

:04:17. > :04:21.tariffs were cut last year, solar panels offered lower bills and

:04:22. > :04:25.lucrative government incentives. As not everybody could afford to buy

:04:26. > :04:31.them, some firms offered to put their panels on your roof. Called

:04:32. > :04:36.the rent a roof scheme, the company kept the feed in tariff payments

:04:37. > :04:40.while the homeowner like 83-year-old Jean benefited from lower bills. You

:04:41. > :04:45.liked it because it was free electricity? Of course, on a

:04:46. > :04:51.pension, you try to save on your bills. But, you are leasing your

:04:52. > :04:56.roof for up to 25 years. What did you know you were signing up to?

:04:57. > :05:02.Basically, to get the government scheme. I did not realise there was

:05:03. > :05:08.25 years on it. You did not know they were releasing your roof?

:05:09. > :05:12.Evidently not. I did get told off afterwards. Who told you off? My

:05:13. > :05:18.daughters. Next door, her neighbour Pat Chandler was 95 when she signed

:05:19. > :05:26.up and her son Gerry knew nothing about it. Jerry. Hello, this is

:05:27. > :05:33.mum's house. Pat had lived here happily for 30 years. It was how she

:05:34. > :05:37.was fond of? Very fond of it. A good-sized garden. Pat took pride in

:05:38. > :05:42.their home with new windows and doors and enjoyed gardening right up

:05:43. > :05:47.until she died at the age of 97. She left a legacy the family was not

:05:48. > :05:53.quite expecting. Pat had agreed to local businessmen Carl Hughes to

:05:54. > :06:00.putting solar panels on her roof. To get and 95-year-old woman to sign a

:06:01. > :06:03.contract for 25 years is not on. She did not consult anybody. As Mr

:06:04. > :06:08.Hughes paid for the panels he would get feed in tariff payment worth

:06:09. > :06:17.tens of thousands of pounds over the course of disease. What does an like

:06:18. > :06:22.Alex -- Alistair McKinlay think of the 25 year lease? Someone of that

:06:23. > :06:26.age, it is someone who is potentially vulnerable and in those

:06:27. > :06:32.circumstances they ought to be given the opportunity to speak to friends

:06:33. > :06:35.and family or take legal advice. As regards the installation code, it

:06:36. > :06:39.says vulnerable clients should be given consideration. What do you

:06:40. > :06:43.think of this document? It makes me angry because I feel advantage has

:06:44. > :06:48.been taken of somebody, the circumstances feel wrong. Carl

:06:49. > :06:51.Hughes would not be interviewed but said there was no evidence Mrs

:06:52. > :06:56.Chandler was vulnerable and all steps were taken to ensure she

:06:57. > :07:00.understood the deal. He says her age was irrelevant because the solar

:07:01. > :07:06.panel benefits could pass to any new owner of the house. 18 months after

:07:07. > :07:11.signing the 25 year lease, Pat died and her family inherited her home

:07:12. > :07:15.with the rooftop tenant. We went to an estate agent to put the house on

:07:16. > :07:23.the market. Within days he had a buyer. After four weeks, the sale

:07:24. > :07:29.fell through. It turns out the solar panels stopped getting a mortgage.

:07:30. > :07:34.After three more sales collapsed, the family asked Mr Hughes to remove

:07:35. > :07:40.these solar panels. He agreed, but only if they paid him ?13,000. In

:07:41. > :07:44.the end, the family had the panels removed themselves and returned them

:07:45. > :07:49.to him. Carl Hughes says the family had no right to remove the panels

:07:50. > :07:55.and say they are in breach of the contract signed by 95-year-old Pat.

:07:56. > :07:58.He put in a court claims of the money he said he would have earned

:07:59. > :08:08.over 25 years of sunshine pouring down onto her roof. The claim was

:08:09. > :08:15.for ?50,214. Oh, and 67p. The family settled out of court and paid Mr

:08:16. > :08:20.Hughes ?22,500. That meant he got a large share of the estate. He got

:08:21. > :08:25.more than what any of us got. She would have been so upset. Mum and

:08:26. > :08:31.dad worked hard all their lives to give us all something. Not Carl

:08:32. > :08:35.Hughes. Over the garden fence, June's agreement was not with Mr

:08:36. > :08:40.Hughes but the Chandler family's tale has given her sleepless nights.

:08:41. > :08:43.25 years is a long time and I will not be around at the end of that and

:08:44. > :08:51.will my family have the same problems? Anybody who is thinking

:08:52. > :08:55.about going solar needs to be careful about what they sign up to,

:08:56. > :08:59.but also with the government incentives being cut, is it worth it

:09:00. > :09:04.any more? That is a question, certainly for companies you saw in

:09:05. > :09:09.the film, making the money from feed in tariffs, it is probably hard to

:09:10. > :09:12.make money now because the tariffs were an incentive for people to have

:09:13. > :09:18.solar panels and create electricity and when it started in 2010, it was

:09:19. > :09:23.40p per megawatt hour, which does not sound a lot but it added up to

:09:24. > :09:33.big sums of money. Today it is more like 4.5 pence per megawatt hour.

:09:34. > :09:37.Just this year, it was cut by 65%, so it is hard to companies who lease

:09:38. > :09:43.roofs to make that money out of tariffs. Solar power reached a

:09:44. > :09:49.milestone last month. This is a fantastic fact for solar fans! In

:09:50. > :09:56.the calendar month of May, we in the UK generated more solar power than

:09:57. > :10:00.through burning coal. And much more, 50% more electricity from solar than

:10:01. > :10:05.burning coal, in May. A word of warning on that, it tells us about

:10:06. > :10:12.the state of coal-fired power stations. We are trying to phase out

:10:13. > :10:16.coal by 2025 and there were closures of coal-fired power stations in

:10:17. > :10:23.Yorkshire. Cold is not used in the way it once was. Solar accounted for

:10:24. > :10:28.6% of energy generation but even so a milestone and a signpost of where

:10:29. > :10:35.we are going. Portugal went one step better. They managed to go over four

:10:36. > :10:41.days, 107 hours, on clean renewable energy, hydro, solar and wind. A lot

:10:42. > :10:44.of sunny days. Everybody was at the beach!

:10:45. > :10:47.From tomorrow night, it's all eyes on France as the host

:10:48. > :10:49.nation kicks off Euro 2016 with their first group

:10:50. > :11:01.We have had all of the home nations sinking their euros anthems on the

:11:02. > :11:05.show, some better than others. Now it is time to catch up with English,

:11:06. > :11:15.Welsh and Northern Irish fans as they prepare to cross the channel.

:11:16. > :11:20.# All the way to Paris! I am trying to the Euros with my friend Mark in

:11:21. > :11:24.this green van. It is the first time we have had a chance to see Northern

:11:25. > :11:30.Ireland at a major tournament and the last time was in 86 before we

:11:31. > :11:35.were born. We thought this was our chance to go. We came up with this

:11:36. > :11:42.minibus idea. We took the seats out of the back and put bunk beds and

:11:43. > :11:47.electrics to make it home. It will be 26 hours of travelling. We are

:11:48. > :11:51.going to and a half weeks, which was pushing it with our bosses, and then

:11:52. > :12:01.unfortunately we will have to come home. Mark likes to sing. We have

:12:02. > :12:06.been away a few times before. Not too many fallouts. We will not take

:12:07. > :12:11.too much, some Northern Ireland shirts, shorts and flip-flops. I

:12:12. > :12:14.think we can get out of the group and after that anything can happen.

:12:15. > :12:25.I hope we are not knocked out too early. I am Steve Scott and this is

:12:26. > :12:29.Gary, this is Dave. We are from Radcliffe and we are off to France

:12:30. > :12:35.to watch England in the euros. The first time I went was in Ukraine.

:12:36. > :12:42.The guys behind me have watched them in France in 98, in Africa and watch

:12:43. > :12:44.them in Germany. It is the camaraderie, we have a good laugh

:12:45. > :12:49.and drink and knees up and the icing on the cake is watching England. We

:12:50. > :12:53.have found going to tournaments dressed up you have banter with the

:12:54. > :13:00.locals and it adds to the fun. We copied the idea from Germans we met

:13:01. > :13:03.in South Africa. It is a nice occasion and brings people together

:13:04. > :13:07.and other nations come over and want to have a drink and photograph with

:13:08. > :13:12.you and it bodes well for a friendly environment. I live on the other

:13:13. > :13:18.side of the world. I catch up with my mates. The banter is fantastic on

:13:19. > :13:24.these occasions. We have got a bit older and a lot wiser. We have added

:13:25. > :13:36.to the berries and some of us have lost our hair, as well. -- belly. I

:13:37. > :13:42.am Tony, Cardiff City fan, and I am following Wales to the euros. There

:13:43. > :13:49.are eight men and four women ranging from 19 to 68 years old. Myself, my

:13:50. > :13:54.wife, my son and mother, who is 68. She has never been to a football

:13:55. > :13:59.match, never mind a tournament. She is probably more excited than any of

:14:00. > :14:03.us. The characters amongst us most likely to get drunk is probably

:14:04. > :14:08.myself. The one who could be arrested could be my sombre

:14:09. > :14:14.policemen, only joking! The biggest crybaby, my wife. She gets emotional

:14:15. > :14:19.football. We are quite vocal and will be their for Wales. The big kid

:14:20. > :14:25.in me cannot help myself on the trip and I have put together surprises,

:14:26. > :14:29.including a child's party bag with a red beret, Welsh bracelet and pin

:14:30. > :14:33.badge which has been specially produced. Coming to the euros as a

:14:34. > :14:38.group, especially with my family, will make it more memorable. It is

:14:39. > :14:43.all about memories. These events come along very few and far between,

:14:44. > :14:59.especially being a Wales fan. Tremendous. He has made party bags!

:15:00. > :15:09.With those songs, some of them need the same lawyer as Ed Sheeran. Move

:15:10. > :15:13.on! So, the reason you are here is that you, alongside Rhod Gilbert,

:15:14. > :15:19.trying to find the UK's best part-time band. Bring us up to date.

:15:20. > :15:25.It is fantastic. We spent a few weeks together. I went to Scotland

:15:26. > :15:30.and Northern Ireland and Wales. And we saw bands who have not made the

:15:31. > :15:33.transition from being part-time musicians to full-time musicians for

:15:34. > :15:39.a variety of reasons, for obvious reasons. But they are still

:15:40. > :15:44.passionate about making music. I am sick to death of people coming to me

:15:45. > :15:48.and saying, I used to play. What does that mean? Why don't you play

:15:49. > :15:53.now? You might not have chosen it as a career but you play for the joy of

:15:54. > :15:59.doing it. This programme is about that, real musicians doing it for

:16:00. > :16:04.the love of it. Rhod takes you on a 700 miles tour in his white van,

:16:05. > :16:10.call -- calling you the Prince of top lip hair, which is not kind. You

:16:11. > :16:12.whittle it down to five favourites and then down to two. Let's have a

:16:13. > :16:31.look at one you liked in Scotland. Fantastic. How many are you? You are

:16:32. > :16:39.obviously a band that don't want to make money. I loved that, amazing.

:16:40. > :16:44.Really good vibes. That does not come overnight. You can see it when

:16:45. > :16:51.you are playing, that you would do this for nothing. We do!

:16:52. > :16:57.There is no prize for winning. That is important to you. It is the

:16:58. > :17:00.antithesis of the regular Saturday night talent show. There is no

:17:01. > :17:05.prize, no recording contract, no week in a studio. Being on the

:17:06. > :17:10.programme is the prize, the platform for these musicians to be seen.

:17:11. > :17:16.Bands like that are playing in your local pub, your local club,

:17:17. > :17:20.whatever. They need supporting. The industry does not exist to support

:17:21. > :17:28.that kind of band, things that are not straightforward chart-topping

:17:29. > :17:33.staff. But our industry was ill on the interesting oddities, and they

:17:34. > :17:38.are not being signed. So it is a great platform for the music. -- it

:17:39. > :17:42.was built on the interesting oddities. What about your transition

:17:43. > :17:45.from part-time to full-time. I suppose you used to play in dark and

:17:46. > :17:54.dingy garages and then played for thousands. I have played music since

:17:55. > :18:00.I was a teenager, 13, 14. My father was a van driver and instilled in my

:18:01. > :18:04.brother and I that we should get a trade. I got an apprenticeship as an

:18:05. > :18:09.engineer. Halfway through, I was still playing in bands and I was

:18:10. > :18:15.offered the job of being in a Scottish full-time band. I let my

:18:16. > :18:20.parents decide for me. What did they say? Luckily, my mother said follow

:18:21. > :18:24.your heart. It was difficult, because I have the job of their

:18:25. > :18:29.dreams, so they could see I was passionate and they just said go for

:18:30. > :18:33.it, and I did. The UK's Best Part-Time Band continues tomorrow

:18:34. > :18:36.night at 9pm on BBC Four. You can catch up on Midge's episode on the

:18:37. > :18:39.iPlayer. It has a wonderful vibe. 20 years ago, when designer

:18:40. > :18:41.Wayne Hemmingway was bringing his fashion to the high street,

:18:42. > :18:44.one of his shops in Manchester was caught up in an explosion that

:18:45. > :18:47.destroyed the city centre. Now Wayne has been to meet someone

:18:48. > :18:50.who thinks that the events of that day allowed a better Manchester

:18:51. > :19:02.to rise out of the rubble. Greater Manchester Police are

:19:03. > :19:12.advising people to stay out of Manchester City centre because of a

:19:13. > :19:17.security alert. I will never forget that sunny

:19:18. > :19:22.Saturday morning in June in 1996 when a massive IRA bomb devastated

:19:23. > :19:27.Manchester City centre. The police had been given a coded warning and

:19:28. > :19:31.managed to evacuate most people from the city centre before the bomb

:19:32. > :19:35.exploded. Even so, over 200 people were injured and the bomb caused

:19:36. > :19:42.nearly ?1.3 billion of damage at today's prices. 20 years ago when

:19:43. > :19:45.the bomb went off, we had a shop in the Royal exchange here and I could

:19:46. > :19:51.not believe what was going on. The first thing we were thinking was,

:19:52. > :19:54.are our staff all right? Is the guy running the shop OK? You never think

:19:55. > :20:01.something like this could happen so close to home. Some have argued that

:20:02. > :20:06.it was a catalyst for the major redevelopment that transformed the

:20:07. > :20:10.landscape of the city. Nearly ?600 million of public and private sector

:20:11. > :20:14.cash rolled into fund the reconstruction, and the bomb site

:20:15. > :20:21.took on an ultramodern architectural appearance, full of glass buildings

:20:22. > :20:26.and designer shops. But opinion is split over whether it helped to

:20:27. > :20:31.drive a Manchester revival. The Beetham Tower is a symbol of the

:20:32. > :20:36.regeneration. It was designed by architect Ian Simpson, whose vision

:20:37. > :20:39.helped to reshape the city centre. Standing at 169 metres, it is one of

:20:40. > :20:47.the tallest residential buildings in Europe. Ian lives on the top two

:20:48. > :20:52.floors. I am from just north of Manchester, over in the distance

:20:53. > :20:57.there. So this has always been my home city. Until the truly before

:20:58. > :21:04.the bomb it was a very dour city, with very few people living in the

:21:05. > :21:07.city centre. Before 1996, the centre of the city was predominantly

:21:08. > :21:11.office, retail and industrial space with very few residential areas. How

:21:12. > :21:16.did the architecture and planning committee respond? The vision was

:21:17. > :21:20.very much about breaking the barrier between the wealthy south and the

:21:21. > :21:23.poor north, which existed along market Street. The fact that the

:21:24. > :21:26.damage had occurred on those buildings that were forming barriers

:21:27. > :21:30.in the city, the opportunity occurred to open the city up a

:21:31. > :21:36.little bit. The change has been rapid. You get people saying, would

:21:37. > :21:39.it have happened that quickly without the IRA bomb? There is no

:21:40. > :21:44.question it would have happened but maybe 25 years later. It was a

:21:45. > :21:49.catalyst for speeding up the opportunity of change and

:21:50. > :21:52.reconfiguring the city. It is about presenting the city outwards,

:21:53. > :21:57.internationally, to places like New York, Frankfurt, or whoever wants to

:21:58. > :22:06.invest in Manchester. If we create opportunities for the citizens of

:22:07. > :22:12.Manchester, then that as a result. But Pat Carney, city councillor here

:22:13. > :22:15.since 1979, disagrees about what sparked Manchester's regeneration.

:22:16. > :22:21.What do you say to those that say it gave council leaders a reason to

:22:22. > :22:24.accelerate the change? It is a fair question and I have heard it from a

:22:25. > :22:29.large number of Mancunians over the years but I have rejected it from

:22:30. > :22:36.day one. He believes Manchester's bid to host the Olympics was a more

:22:37. > :22:40.significant driver. When we bid in 1996, we brought the city together.

:22:41. > :22:44.From then on, everybody had a role to play in making modern Manchester,

:22:45. > :22:47.and that partnership is what has seen Manchester through the last 20

:22:48. > :22:54.years, not so much the Manchester bomb.

:22:55. > :22:58.Whether the devastation of June 1996 benefit of the city or not is a

:22:59. > :23:02.matter of personal opinion and we should not celebrate people getting

:23:03. > :23:06.injured, for sure. But just look at the city now. You have the beautiful

:23:07. > :23:12.old Manchester and now thrusting new Manchester. It feels like a dynamic,

:23:13. > :23:16.vibrant city. The tower that we saw, Beetham

:23:17. > :23:24.Tower, as a quirk. It makes an eerie sound. Listen.

:23:25. > :23:38.the architect has apologised for that sound. I don't know why he has

:23:39. > :23:42.apologised because he could start a band with you, because we heard that

:23:43. > :23:50.note and we thought, that is familiar. Listen to this.

:23:51. > :24:02.# Means nothing to me # Means nothing to me and

:24:03. > :24:10.# It is there. Can I sue him? You are going back on tour. All the

:24:11. > :24:15.time. Crowd always the old classics and artists do not enjoy playing

:24:16. > :24:20.them much, but you have found a way of pleasing everybody. You have to

:24:21. > :24:23.understand it. For an artist, 50% of the audience do not want to be there

:24:24. > :24:30.because a significant other half has brought them. That 50% just want to

:24:31. > :24:34.hear the hits, most of them. You have to play them, but I reinvent

:24:35. > :24:37.them. I rearrange them, do them in different ways that keeps me

:24:38. > :24:42.interested in playing them and getting the balance between the old

:24:43. > :24:48.and new stuff is important. We want to hear from these bands. You have

:24:49. > :24:51.been sending in band names. A band of surgeons call the fine toothed

:24:52. > :25:01.forceps. Coming to a conservatory near you. This is from Joe, the blue

:25:02. > :25:07.room baboons. Pineapple grapple. And man flu. The

:25:08. > :25:17.invisible Martini experience. Who is your winner? Man flu. You can't get

:25:18. > :25:23.rid of them. Next, a film about dead man's fingers. Is it a punk band

:25:24. > :25:27.from Bristol? A challenge in the Bake Off special? Or a species of

:25:28. > :25:33.soft coral in the North Atlantic? I would say it is coral. Let's find

:25:34. > :25:37.out. Over the years, we have filmed many

:25:38. > :25:44.treasures in British waters, from blue sharks, to a living reef of

:25:45. > :25:50.tube worms. That is really beautiful. The colours are

:25:51. > :26:00.exquisite. And the bizarre and wonderful flame

:26:01. > :26:05.shell. Oh, my God! For our latest challenge, we wanted a closer look

:26:06. > :26:09.at one of our strangest underwater animals. Dead man's fingers. So we

:26:10. > :26:15.turned to Andy Jackson, who specialises in filming our most

:26:16. > :26:21.unusual marine life. If I was on land, I would have to go halfway

:26:22. > :26:23.across the world to find stories. In UK waters, there are lots of news

:26:24. > :26:28.stories and lots of exciting wildlife. For this project he has

:26:29. > :26:36.been filming on the north-west cost -- coast of Scotland. This lock is

:26:37. > :26:45.absolutely stunning. We have flame shell reef, dead man's fingers, and

:26:46. > :26:50.other things. The key stretches called The Narrows, where nutrient

:26:51. > :26:54.rich water is channelled by strong tidal currents, making it very hard

:26:55. > :26:59.to dive. Divers have to enter at slack water, when the currents are

:27:00. > :27:04.at their weakest. That only gives one hour for a dive, but a lot can

:27:05. > :27:08.be seen in one hour, because the rich water means the sea floor is

:27:09. > :27:12.covered in a fantastic array of life. Including large yellow

:27:13. > :27:19.clusters of the animal that Andy is looking for. Dead man's fingers are

:27:20. > :27:25.fascinating. They are a soft coral, so you have a fleshy body that holds

:27:26. > :27:32.a colony of polyps together. The polyps are individual but they can

:27:33. > :27:36.act together as well. Andy has used special lenses to film the polyps,

:27:37. > :27:41.just a few millimetres long, as they capture planktonic from the water. I

:27:42. > :27:49.think when you see the polyps on dead man's fingers in close-up, they

:27:50. > :27:53.are stunning. But over the course of numerous dives, he has found that

:27:54. > :28:02.the dead man's fingers have a predator. A sea slug. You see them

:28:03. > :28:07.approaching a dead man's fingers, and the dead man's finger actually

:28:08. > :28:12.senses the danger coming and it pulls all the polyps in some time

:28:13. > :28:20.asleep. So the whole thing retracts and tries to protect itself. But the

:28:21. > :28:23.most exciting discovery was hidden within the polyps, where something

:28:24. > :28:30.barely visible to the naked eye was moving. I saw this tiny little

:28:31. > :28:37.creature, a shrimp like creature, so small you could not see any detail.

:28:38. > :28:42.I wondered what it was doing. Using his special lenses, Andy discovered

:28:43. > :28:46.something remarkable. As far as I can make out, it is pinching food

:28:47. > :28:50.off the polyps, which I don't think has been seen before, so it is a

:28:51. > :28:58.prime example of photography asking questions of science, really.

:28:59. > :29:04.Through his persistence and skill, Andy has filmed a microscopic world

:29:05. > :29:09.that has never been seen before. There is a perception that our

:29:10. > :29:13.coastal waters are mucky and the wildlife is not very colourful and

:29:14. > :29:19.everything is drab. That is just not the case. It is a bit of a quest to

:29:20. > :29:27.go out there and convince people that what we have got is worth

:29:28. > :29:33.protecting. On that calm and restful note, we will say good night.

:29:34. > :29:35.The UK's Best Part-Time Band continues tomorrow

:29:36. > :29:39.and you can see him on tour later in the year.

:29:40. > :29:43.Helping me keep order tomorrow will be guest host Jerry Springer.

:29:44. > :29:57.And we'll have Beverley Knight and Nadiya Hussain on the sofa.