:00:17. > :00:23.Hello and welcome to The One Show with Alex Jones And Matt Baker. On
:00:24. > :00:26.tonight's show we have the very best and worst of entertain am. Sglp we
:00:27. > :00:30.will start with potentially the best much we will give you the chance to
:00:31. > :00:37.vote for the BBC Song of the Year award. With the help of some One
:00:38. > :00:43.Show viewers. At the other end of the scale, while the One Show
:00:44. > :00:45.Barbershop Quartet. This four will be competing in the World
:00:46. > :00:52.Championships. How is that going to go? Onto the movie side of things
:00:53. > :00:57.first. Danger Dad, Andy Kirkpatrick is making a family film inspired by
:00:58. > :01:04.an iconic movie. As we are talking cinema and song. Let us bring out
:01:05. > :01:07.two masters of their craft. This is a robbery. Desperate words from a
:01:08. > :01:26.desperate man. You have to love those mash-ups.
:01:27. > :01:33.Please welcome Tim Roth and Placido Domingo.
:01:34. > :01:38.APPLAUSE. What a sofa tonight. Welcome both. Great to have you.
:01:39. > :01:44.Between you, you have flown 6,500 to be with us tonight. Thank you very
:01:45. > :01:52.much. We are honoured. All good. Was it chicken or beef? What did you go
:01:53. > :01:58.for? Chicken or beef The inflight meal on the way here? I had
:01:59. > :02:02.sandwiches. Smart move. I do... My wife has a rule. Never eat the main
:02:03. > :02:07.thing. The actual thing. Eat around the edges. Really? Yes. I eat all
:02:08. > :02:14.the bits and piece, neverle actual beef or chicken. I ditch that. Oh.
:02:15. > :02:20.I'm a PC person. Good for you. All right. Later on Placido will be
:02:21. > :02:24.joined by French singing superstar, Vincent Niclo. They will be
:02:25. > :02:28.performing one of the many duets on Placido's new album. Which is
:02:29. > :02:33.lovely. Singing live. Thank you. Especially last night I was singing
:02:34. > :02:40.in Valencia. I was singing Macbeth. Were you? Macbeth is very hard.
:02:41. > :02:47.Yeah. The drama isn't bad. He's so bloody, you know. I tell you, I hope
:02:48. > :02:59.I have voice today. It's quite a difference. It is. Macbeth and now
:03:00. > :03:05.to sing a Christmas carol. It is the good part of me. We are relaxed.
:03:06. > :03:09.Don't worry about any off notes. Tim might join in No problem. I have
:03:10. > :03:17.your back. We are moving on to driving. 0mph is the speed lip l
:03:18. > :03:23.limit on British roads. Should 70 be the upper age limit for driving.
:03:24. > :03:27.With recent calls for the over 70s to have compulsory retesting every
:03:28. > :03:30.three years, John Sergeant and Jennie Bond have volunteered to put
:03:31. > :03:42.their driving skills to the test. Fasten your seatbelts this is going
:03:43. > :03:46.to be a bumpy ride. Yeah. I'm one of the 4.3 million drivers in the UK
:03:47. > :03:51.who are over the age of 70. According to research, our reaction
:03:52. > :03:55.times are 22% slower, apparently increasing our chances of being
:03:56. > :04:00.involved in an accident. I'm not convinced that's the case. Yes, we
:04:01. > :04:06.are slower in our reactions, but we're more cautious, not like those
:04:07. > :04:11.crazy youngsters! The road safety organisation BRAKE say it is's the
:04:12. > :04:14.under-25s who have a disproportionately high number of
:04:15. > :04:19.serious accidents. Should us oldies have our driving skills reassessed?
:04:20. > :04:26.The can county of Hampshire thinks we ought to. Jennie Bond is 65, I'm
:04:27. > :04:31.71, we are putting our driving to the test. Hello. Nice to see you.
:04:32. > :04:35.This is a horrible test? I know. I'm nervous about it. As you got older
:04:36. > :04:40.have you found anything trickier in driving? No. At night-time in
:04:41. > :04:48.someone in dark clothes rushes across the road I think - I did not
:04:49. > :04:51.see them. People can get their sight tested and their reactions. They can
:04:52. > :04:57.signup for a full driving assessment. Currently, when you get
:04:58. > :05:01.to 70 you have to reapply for your licence every three years there. Is
:05:02. > :05:05.no test. You simply confirm in writing that you are fit to drive.
:05:06. > :05:09.This business of you self-sign you are fit to drive much can you do
:05:10. > :05:14.that until you can't see the paper you are writing on. Do you have an
:05:15. > :05:22.age in which you might consider - No. I have a complete mental block
:05:23. > :05:27.on that. Me too. We will have our knowledge of the Highway Code
:05:28. > :05:33.tested. It's been a while since I looked at the copy. What is the
:05:34. > :05:37.stopping distance for a are car travelling at 30mph. We are doing
:05:38. > :05:42.OK. Jennie is giving me most of the answers. We are struggling to get
:05:43. > :05:54.two or three out of seven, I would say. Yes. It's the classroom
:05:55. > :05:59.atmosphere. I feel a bit tense. 2035 the number 70s on the road is set to
:06:00. > :06:02.double to over nine million. If we don't do right they say we should be
:06:03. > :06:10.off the road. I won't agree with that. I am not nervous. We will find
:06:11. > :06:14.out how we've done later. First, some more tests. You have done the
:06:15. > :06:17.eye test. I have. I think people might be a little bit scared to have
:06:18. > :06:21.tests like this because you might suddenly be told - you can't drive
:06:22. > :06:25.any more. Which would be terrified, wouldn't it? It certainly would. You
:06:26. > :06:28.have to know, haven't What do you you. Think about the idea of people
:06:29. > :06:34.doing these tests? I have done the driver awareness. I found it
:06:35. > :06:39.extremely helpful. I have to do the the test. How do you think I will
:06:40. > :06:51.get on? I think you will pass with flying colours. She doesn't look
:06:52. > :06:57.could con convinced? Are older drivers a risk? Gradual changes take
:06:58. > :07:00.place and really the ability to deal with complex situations. For
:07:01. > :07:05.example, right turns across busy roads. Right turns. Do you do right
:07:06. > :07:09.turns? I do. That is why it's important to get the skills up
:07:10. > :07:12.again. That's right. Yeah. Time for Graham to put our driving under the
:07:13. > :07:17.spotlight and see if it's up to scratch. Shall I start? Start the
:07:18. > :07:21.engine when you are ready. Among the things Graham is assessing is our
:07:22. > :07:25.awareness of others on the road. If this lorry broke down here, would
:07:26. > :07:29.you be able to get round him. You think I'm too close to him? I was
:07:30. > :07:33.perhaps a little too close. There is our use of mirrors. Sometimes the
:07:34. > :07:38.left mirror is not always being checked as much as it could. Our
:07:39. > :07:43.reactions? Stop. Thank you very much. How was that? Drive off when
:07:44. > :07:48.you are ready. Good reactions there. It's my turn. The pressure is on.
:07:49. > :07:52.What happens if you fail me? Can I lose my licence? No. This is not a
:07:53. > :07:59.test. Completely confidential. Just advice. I nearly hit that car. We
:08:00. > :08:05.can't get out. You have a few problems here. If I fail it will be
:08:06. > :08:08.a disaster. These things happen After briefly mount sometimes.
:08:09. > :08:15.Mounting the kerb, John partly blocks a keep clear zone. After his
:08:16. > :08:20.early hiccups John completes the assessment without further incident.
:08:21. > :08:24.The good news is we got five out of seven on the Highway Code. While
:08:25. > :08:31.Graham has no concerns about my driving, he would like a quiet word
:08:32. > :08:34.with you, John. Left is here. Graham and John are with us now. Graham,
:08:35. > :08:39.it's time to spill the beans then. What did you need to tell John?
:08:40. > :08:44.Well, actually John showed me a really good drive. There were one or
:08:45. > :08:51.two - There you are. Let us focus on the hairy moments? Let us focus on
:08:52. > :08:54.the good bits. Getting in the keep clear box and blocking that van was
:08:55. > :08:59.a problem. These things can be resolved. Overis all I felt safe
:09:00. > :09:04.with him. John, in general, was it useful? What did you take away from
:09:05. > :09:07.it would you advice going on this? Was useful was that it was friendly.
:09:08. > :09:12.You didn't feel it's a test that is going to ruin your life. That's
:09:13. > :09:17.important. I think the other thing is that there were small things.
:09:18. > :09:21.Like, what do you do with all these cyclists. Check the left-wing
:09:22. > :09:28.mirror. Which many people forget to do. Things like that which you get
:09:29. > :09:32.into the habit of not doing that. You really ought to because of
:09:33. > :09:38.course the cyclists are coming up often very quickly on your inside.
:09:39. > :09:43.It may seem, oh, do I have to do? I must say, I thought it was helpful.
:09:44. > :09:47.For lots of people, particularly those who are nervous and think - I
:09:48. > :09:51.wonder if I should be driving? That's a paradox. Perhaps you
:09:52. > :09:54.shouldn't be driving. Graham might say, you are doing well. He said
:09:55. > :09:58.that about me. You did well, John. I'm walking on air. Lots of people
:09:59. > :10:02.at home, Graham, may have a member of the family who they are a little
:10:03. > :10:06.bit concerned about and may think that they should consider stopping
:10:07. > :10:10.driving. It is a hard subject to broach, isn't it, somebody losing
:10:11. > :10:14.their independence. How is the best way to raise it? It's a difficult
:10:15. > :10:17.subject. If you tell a person who feels they are a good driver that
:10:18. > :10:20.they shouldn't be driving any more it's a massive shock to them thechl
:10:21. > :10:25.are not likely to listen. You introduce it gently. You might bring
:10:26. > :10:29.in a few little examples about - why did that person honk the horn there?
:10:30. > :10:33.It seems to be happening more regularly. You seem to be getting
:10:34. > :10:36.caught out by situations and reacting suddenly more so than you
:10:37. > :10:39.used to do. You are getting them used to the fact that their skills
:10:40. > :10:45.are not as sharp as they once were. That's much more easier to take.
:10:46. > :10:50.Placido, you are 74, aren't you? Do you - I'm sure you have a show fair,
:10:51. > :10:55.do you drive often? Do you like to drive? Yes, I like to drive. I like
:10:56. > :11:02.to drive when I'm relaxed, you know. When I don't have to be in a hurry.
:11:03. > :11:21.But I drive quite a lot in New York, in Los Angeles and when
:11:22. > :11:29.I'm I would like to find more time. Once I was in Monte Carlo they gave
:11:30. > :11:34.me a driving licence, I couldn't understand why because it was given
:11:35. > :11:46.to to me about maybe 20 years agricultural, something. More. They
:11:47. > :12:01.said it's good until the 21st January of - wait a moment, 2011. I
:12:02. > :12:06.said - why? I realised that 2011 was my 70th birthday. There you go. I
:12:07. > :12:13.don't understand how can they give you a licence for 20 years. But they
:12:14. > :12:17.say - when you are 70 you cannot have that licence any more. One
:12:18. > :12:22.group who are not letting age slow them down are the residents of
:12:23. > :12:28.Shenley Wood Retirement Village in Milton Keynes who, I'm off to go and
:12:29. > :12:34.meet now. Off you go. Every year they star in a charity calendar and
:12:35. > :12:40.last year the theme was classic films. June was a film you know
:12:41. > :12:44.well, Tim. Reservoir Dogs. They look pretty good, don't they. Looking
:12:45. > :12:48.snappy. They are looking really snappy. This year they have a brand
:12:49. > :12:54.new theme. Matt let us find out what that is. They look snappy. This is a
:12:55. > :12:58.musical theme. If you don't mind we veil your months. We will have a
:12:59. > :13:02.look inside. We have everything here from the the Spice Girls through to
:13:03. > :13:11.Queen. Look at Queen, for goodness sake. We are have Kiss. We have
:13:12. > :13:16.Wham. Ted, you are at the back, my friend. Whose idea was this? Where
:13:17. > :13:21.did it come from? The concept was put forward by one of our residents
:13:22. > :13:29.in our village called Peter Mercer. It was taken up by the Village
:13:30. > :13:33.Entanmentes Manager. Our first calendar was so successful we
:13:34. > :13:38.produced the second one. The imagesages are brilliant. Which one
:13:39. > :13:44.of Kiss are you here? This one. That is you down there. Tremendous. You
:13:45. > :13:49.are a wonderful village. It's the village calendar. I'm surprised you
:13:50. > :13:53.haven't re-enacted this group. # Young men... #
:13:54. > :13:56.It is the Village People. We set up a photo studio just outside the One
:13:57. > :14:03.Show studio. You will zip across there now. Re-enact this famous
:14:04. > :14:09.scene here and we will see how you get on at the end of the show. Let
:14:10. > :14:12.us have a round of applause for the residents of Shenley Wood Retirement
:14:13. > :14:18.Village. Good luck with it all. Tremendous. Looking forward to
:14:19. > :14:22.seeing the results later. Tomorrow night the BBC's very own music
:14:23. > :14:25.awards is taking place in Birmingham. The winner of one
:14:26. > :14:30.category, Song of the Year, will be decided by you. You can vote for
:14:31. > :14:42.your favourite Song of the Year online free by registered at: Or via
:14:43. > :14:44.SMS by texting the word SONG followed by the number of your
:14:45. > :15:10.favourite track. We have asked our One Show viewers to
:15:11. > :15:12.help us. Remember you have voting for the song not the lip-synch
:15:13. > :15:40.performance. Number one We have Ed Sheeran. For
:15:41. > :15:50.Love Me Like You Do by Golding gold text SONG2 for Take Me To Church by
:15:51. > :15:54.Hozier text SONG3. -- Ellie Goulding. For Want To Want Me by
:15:55. > :18:10.Jason Derulo text SONG4. You've only got till the end
:18:11. > :18:17.of the show to vote... Remember, you're voting
:18:18. > :18:23.for the song, You can vote for your
:18:24. > :18:28.favourite Song of the Year online for free by registering
:18:29. > :18:31.at bbc.co.uk/musicawards or via SMS by texting the word SONG
:18:32. > :18:33.followed by the number Texts will be charged
:18:34. > :18:39.at your standard message rate, Voting is limited to 1
:18:40. > :18:44.vote per mobile number, additional votes will not count
:18:45. > :18:48.but will be charged. Please don't vote
:18:49. > :19:02.if you are watching on demand, and you can see
:19:03. > :19:17.who wins tomorrow night, Having heard that, what is your
:19:18. > :19:21.opinion on modern pop music? The youth is so strong, I think, a
:19:22. > :19:26.fantastic generation. The pop music is fantastic. I like it, I like
:19:27. > :19:30.something that says something. Sometimes it is only the rhythm,
:19:31. > :19:37.which can be wonderful, beautiful rhythm, but they do not say
:19:38. > :19:41.anything. I think it has to be something, unfortunately for us, for
:19:42. > :19:51.the classic music, we have two fight. Music should be mandatory in
:19:52. > :20:00.schools. It is a nice way to teach the children. -- we have to fight. A
:20:01. > :20:05.whole other story. They do not need to know that it is classical music.
:20:06. > :20:11.It is intelligent, writers, they can come with something that the
:20:12. > :20:17.children will grow up with. So they have the chance to know there is
:20:18. > :20:18.something else. Talking of intelligent writing, moving to your
:20:19. > :20:23.recent project... a western called "The Hateful
:20:24. > :20:30.Eight". We know Tarantino doesn't
:20:31. > :20:31.follow the rules, so we guess this is not a sequel
:20:32. > :20:44.to The Magnificent Seven? Two bounty hunters are on the road,
:20:45. > :20:49.they are in the snow, in the Nant tins of Wyoming, there is a blizzard
:20:50. > :20:55.chasing them. -- in the mountains of Wyoming. One of them has a prisoner
:20:56. > :21:02.chained to his wrist, the other is... Be careful what you wish for!
:21:03. > :21:06.For people and up in a stagecoach, they hide out from the blizzard in a
:21:07. > :21:11.haberdashery, in the mountains, which is where everything unravels.
:21:12. > :21:19.And the onion is peeled back. It is like Reservoir Dogs but kind of like
:21:20. > :21:24.a Western. Jennifer Jason Leigh, Samuel L. Jackson. Her character is
:21:25. > :21:30.a monster! Of all of The Hateful eight, she may be the most hateful!
:21:31. > :21:34.You are all incredibly talented, but what a group of people to have in
:21:35. > :21:40.one place at one time, what is that like, to be a part of that. We
:21:41. > :21:46.worked on it, we had rehearsed it almost like a play. It felt like a
:21:47. > :21:50.play, because it was shot on 70 mm, on the big widescreen thing, and we
:21:51. > :21:56.were in the cabin... We got to hang out, and even when we were not
:21:57. > :22:00.working, per se, when we were off-camera, we would hang around and
:22:01. > :22:06.watch each other perform. The conversations that took place, the
:22:07. > :22:10.downtime, they were extraordinary. It was like a masterclass, every
:22:11. > :22:16.day. We became very tight, we have a text in groupthink. We are doing
:22:17. > :22:25.today. Completely ridiculous. What are you taxing Samuel L. Jackson?
:22:26. > :22:29.That is off the record! LAUGHTER But wherever we are, we keep it
:22:30. > :22:33.going, it was an unusual group of actors, wonderful. You play a
:22:34. > :22:48.hangman. Oswaldo Mobray. If the relatives and the loved ones
:22:49. > :22:52.of the person you murdered were outside of that door, right now, and
:22:53. > :22:57.after busting down that door, they drag you out into the snow and they
:22:58. > :23:06.hung you up by the neck, that would be frontier justice. It does not
:23:07. > :23:13.matter what you do, to get satisfaction from your death, it is
:23:14. > :23:17.my job. It is not just about big blockbusters for you, you have been
:23:18. > :23:24.doing low-budget stuff as well, with Chronic, very interesting film... It
:23:25. > :23:30.is the opposite end of that kind of world. It is about a hospice nurse,
:23:31. > :23:38.and the patients that he is helping towards their end, and also, it is
:23:39. > :23:45.about how he has an internal battle, over his youngest son, who is now
:23:46. > :23:53.deceased. It is a very different animal. You like to keep the two
:23:54. > :23:58.bubbling together? Yes, you do the stuff for love, that you do because
:23:59. > :24:02.it is fabulous and for yourself and personal, like Chronic and the
:24:03. > :24:10.hateful eight, and you do the clap, like... The World Cup movie... That
:24:11. > :24:16.nonsense! Which was garbage! LAUGHTER
:24:17. > :24:21.You played Sepp Blatter. You have got to keep a roof over the head of
:24:22. > :24:24.the family. You have got to get the kids through college, otherwise the
:24:25. > :24:34.student loan comes... It comes to bite them in the backside! Do you
:24:35. > :24:38.regret it? Not at all, but he is a monster, I did it for the money,
:24:39. > :24:44.everything that comes to him... But he seems to be able to skate through
:24:45. > :24:49.this stuff, extraordinarily. It was one of those things, I had two boys
:24:50. > :24:55.going into college, and that is that! That is it. You are not really
:24:56. > :25:03.a fan of Sepp Blatter? Did he forget your name? Forget my name? No, he
:25:04. > :25:14.did not forget my name, but once, he said... It was some kind of small
:25:15. > :25:23.problem, not the big problem it was, he was kissing Johan Cruyff and
:25:24. > :25:35.myself... He said that he wanted us to be in Fifa to be able to control
:25:36. > :25:41.and see that things were clean. But it was a big thing, in every
:25:42. > :25:49.newspaper. It never happens... I was thrilled, because since 1982I had
:25:50. > :25:54.been in every World Cup, always. I'm a really great fan of football. I
:25:55. > :25:58.had been watching every World Cup, and I said, I would love to be
:25:59. > :26:08.there, I would love to see how we can help. I had tickets for every
:26:09. > :26:12.match in that last World Cup, for my children and for me, I didn't go to
:26:13. > :26:17.a single one, I could not... Such a shame, I had always wanted to go,
:26:18. > :26:24.when I got the script, I thought, great, Expose on Sepp Blatter, and
:26:25. > :26:29.then... (!) LAUGHTER I was singing in the concert, in the
:26:30. > :26:37.World Cup, and tickets, they will always fantastic for me. To
:26:38. > :26:48.everybody that we were... But we have got to see now. The hateful
:26:49. > :26:53.eight, in cinemas. And, Chronic, that is out on the 16th of February.
:26:54. > :26:57.Now we are going to a man has decided to make his own little
:26:58. > :27:03.family film, danger dad, Andy Kirkpatrick. For this dad, even
:27:04. > :27:09.holidays have to be extreme, and I should know!
:27:10. > :27:16.SHOUTING Lean back, lean back, nobody said it
:27:17. > :27:21.would be easy. Many of you may remember Andy Kirkpatrick, he led me
:27:22. > :27:27.up the buttress in Utah, Banksy your generosity it raised a staggering
:27:28. > :27:31.?1.9 million for sport relief, I was in good hand, Andy is one of the
:27:32. > :27:38.UK's and indeed the world's top climbers. I am not a normal climber,
:27:39. > :27:43.I don't look like a climber, I looked like a bin man! As a father
:27:44. > :27:46.of two, he believes that his children, as part of their
:27:47. > :27:51.upbringing, should be exposed to some of the risks and hardships that
:27:52. > :27:54.he experiences. We care too much about how they feel... You have got
:27:55. > :27:59.to give them the space to work out how they feel themselves, and to
:28:00. > :28:04.show that they are independent. This winter he has taken his 16-year-old
:28:05. > :28:08.and 13-year-old on a hard-core adventure, ironically, the activity
:28:09. > :28:11.and when you are inspired by a war film, which Labour will be would
:28:12. > :28:17.have called on repeat if they stayed at home with their feet up, the
:28:18. > :28:21.heroes of Telemark! The biggest quality is their ability to thrive
:28:22. > :28:25.in that environment, an environment which was very hostile. The film is
:28:26. > :28:30.based on the real-life commando raid by the Norwegian army in the Second
:28:31. > :28:33.World War, they spent a month ski trekking through the mountains of
:28:34. > :28:39.Telemark, in the depths of winter, to destroy the factory at the heart
:28:40. > :28:44.of the atomic process. It is in heroic tale of daring, and it
:28:45. > :28:48.influenced an entire generation. I want them to have that same sense...
:28:49. > :28:53.It will be hard but I want them to feel the value of being there. Andy
:28:54. > :28:58.is going to recreate the spirit of the experience in the wilderness. We
:28:59. > :29:03.will go out for four days, we have three different places we will camp,
:29:04. > :29:06.one of them is in a ten, on the snow, you have never slept on snow
:29:07. > :29:13.before, it should be quite cool(!) -- tent. I don't know how to ski, it
:29:14. > :29:19.is going to be interesting, it is going to be good to learn. We will
:29:20. > :29:26.be digging pits, it is quite important that you are not there
:29:27. > :29:30.just as tourists. I would like to go on a proper skiing holiday, hot
:29:31. > :29:35.chocolate in a large...! The full proper skiing holiday but obviously
:29:36. > :29:39.not! Obviously we are the Kirkpatrick family, we have got to
:29:40. > :29:46.go off to some mountain and do abseiling and skiing and not using
:29:47. > :29:49.toilets! LAUGHTER Schools out for the Christmas
:29:50. > :29:54.holidays, some of Ella's friends come to hang out before her big
:29:55. > :29:57.adventure. It is going to be 30 degrees below freezing, so cold, so
:29:58. > :30:04.I have got so much specialist gear that has been given to me. Fun
:30:05. > :30:12.goggles... You are going to looks stunning(!) it is not just Andy who
:30:13. > :30:16.thinks mixing kids with risky play has its benefits. We grow up with
:30:17. > :30:21.people around us all of the time, it is good to be exposed to some risk.
:30:22. > :30:24.Also like, using individual, but we are worrying about ringing up for a
:30:25. > :30:37.pizza! LAUGHTER They arrive in Norway. They learn to
:30:38. > :30:41.ski in just two-days. You are supposed nod not to go backwards.
:30:42. > :30:46.Because they will carry their own food for four days they need to get
:30:47. > :30:52.to grips with the local cuisine. This looks like reindeer. It's
:30:53. > :30:56.really good for you. It will give you hoofs. They waste no time in
:30:57. > :31:02.hitting the mountains. We have to come back alive. We have to come
:31:03. > :31:06.back friends and successful. No. But in the recertificates order. The
:31:07. > :31:12.four day loop starts and finishes at the former Nazi atomic plant. On
:31:13. > :31:18.this first day the plan is to ski five miles before camping. Skiing
:31:19. > :31:26.three or four hours is tiring. At this time of year the Kirkpatricks
:31:27. > :31:33.have six hours to ski. Light is fading fast. It's horrible. I hate
:31:34. > :31:38.it. With the kids exhausted and weather worsening, will the next few
:31:39. > :31:48.days on the mountain prove to be too much for the Kirkpatricks? Well -
:31:49. > :31:53.It's not really a holiday, is it, let's face it. It's for Andy. They
:31:54. > :31:56.are trying to recreate the epic journey seen in the Heroes of
:31:57. > :32:00.Telemark. We will see how they get on later on. You don't have to go to
:32:01. > :32:05.the extremes if you want a holiday that is seen on the silver screen.
:32:06. > :32:08.We are joined by film critic, Antonia Quirke, who has agreed to
:32:09. > :32:12.turn travel agent for one night only. We are going to discuss
:32:13. > :32:18.holidays in the movie zone, we are calling it. The Kirkpatricks, not an
:32:19. > :32:22.easy one to say, we saw them there. Quite an extreme situation. Say they
:32:23. > :32:28.wanted something exciting but a little bit more relaxing. Maybe a
:32:29. > :32:35.driving holiday Definitely not relaxing would be The Italian Job.
:32:36. > :32:39.Yes. You can do tours of the centre of Turin in a Mini. When they made
:32:40. > :32:43.the original film in 1969 they didn't have the money to stop
:32:44. > :32:48.everything in the middle of Turin. They had to be creative and had
:32:49. > :32:57.cameras at variouses vantage points. They sent in their catering truck to
:32:58. > :33:02.create this traffic jam. They waited and waited as it compounded. Sent in
:33:03. > :33:06.the bullion truck and the Land Rover and off they went. That would be
:33:07. > :33:10.fun. Closer to home that might bring in one of our guests Maybe the
:33:11. > :33:19.highlands with Rob Roy. There you go. Is it true some of those
:33:20. > :33:27.locations were so remote you had to be helicoptered in with all your
:33:28. > :33:33.equipment? A lot they would go into I highland and hand carry the
:33:34. > :33:38.equipment up there the crew. Like sherpas. You could go so high and
:33:39. > :33:43.then he had to walk it up. What about Drummond Castle. John Hurt
:33:44. > :33:46.lived in the movie. You can visit the gardens. Commoners are not
:33:47. > :33:52.allowed in the house still though. Our next one. This has been inspired
:33:53. > :33:56.by my mother-in-law. She sent photos back. My son couldn't believe his
:33:57. > :34:02.eyes when he saw foe Yeos from Tunisia. You will explain why? The
:34:03. > :34:06.original Star Wars movies were found in the desert in the Tunisia. A lot
:34:07. > :34:10.of the set is standing there and in good condition. You can sleep in
:34:11. > :34:23.Luke Skywalker's house for ?6 a night. A bargain. You can wonder the
:34:24. > :34:28.area bumping into vaporator s. It's called set jetting. I hope it has
:34:29. > :34:32.given you ideas. City Hospital is a show that I and many of you will
:34:33. > :34:37.remember. You will when you hear the theme music. Showing everything
:34:38. > :34:41.morning on BBC One it brought us tales of home and outbreak. Joshua
:34:42. > :34:50.Gook was one child who captured all of our hearts. Here is Sarah with
:34:51. > :34:55.his story. This is hard work. I'm quite out of breast. It's completely
:34:56. > :34:59.normal if you are exercising. If you get breathless when you are not
:35:00. > :35:07.exercising, that should set alarm bells ringing particularly when it
:35:08. > :35:14.happens to a six-year-old. Back in 1999 Joshua Gook became a star on
:35:15. > :35:17.the BBC series City Hospital. In your nativity play what did you play
:35:18. > :35:24.A Shepherd's family. The whole family? No. His TV career was
:35:25. > :35:29.happening for all the wrong reasons. Joshua was unusually breathless on
:35:30. > :35:34.holiday. Mum, Natasha, thought it the might be asthma. The he was sent
:35:35. > :35:38.for a routine X-ray they were about to be given the worse possible news.
:35:39. > :35:49.We came into hospital on the 8th September. Within a couple of days
:35:50. > :35:55.they diagnosed cancer. It attacks the immune system. He had a 60%
:35:56. > :36:00.chance. Immediately you think - about 40 merz means that your child
:36:01. > :36:10.isn't going to live. It was all awful. Jan was Joshua's consultants.
:36:11. > :36:16.He had a mass in his chest which was pressing on the Tubes going to the
:36:17. > :36:19.lungs. It was causing him to be increasingly breathless without
:36:20. > :36:26.urgent treatment that could have fatal consequences. Joshua already
:36:27. > :36:30.had advance stage three cancer. He would need months of intensive
:36:31. > :36:34.chemothearpy. I would prefer to stay at home. I would prefer to go to
:36:35. > :36:38.school than go to hospital. In hospital he seemed to be coping
:36:39. > :36:43.well, even with the extra medicines he needed. It doesn't taste too bad.
:36:44. > :36:48.Not too bad. Take a little drink. I don't need a That was good drink. .
:36:49. > :36:56.Natasha knew everything depended on the chemo working. I can't deep
:36:57. > :37:00.about it at the moment. It's a difficult time. Joshua spent many
:37:01. > :37:05.weeks in hospital and was in and out over the Christmas period. The
:37:06. > :37:10.Christmas holiday was great that year because we had a bit of hope.
:37:11. > :37:17.You are not ever celebrating, just continually worried for a long,
:37:18. > :37:22.long, long time. Joshua continued chemothearpy for two years and was
:37:23. > :37:27.closely monitored after that. He was discharged from hospital aged 17.
:37:28. > :37:32.Josh is fit and healthy he is now a tennis coached and playing at
:37:33. > :37:37.national level. That was fantastic. Did you ever imagine all those years
:37:38. > :37:41.ago that you would be doing this incredibly physical job? Not at the
:37:42. > :37:46.time, no. When I was struggling to move around. I guess I'm lucky to do
:37:47. > :37:50.something that is very physical. Josh is looking fot future. He and
:37:51. > :37:55.his mum have never forgotten the hospital that saved his life. Hello,
:37:56. > :38:02.Josh. Good to see you. Great to see you. It's been a while. We found
:38:03. > :38:06.this the other day. A map, six years old I was when I made this. Detailed
:38:07. > :38:12.map of the ward. I remember going round measuring this one day. I love
:38:13. > :38:17.your spelling. School room - I was only six! Josh b Josh has come back
:38:18. > :38:24.to the -- Josh has come back to the ward to see the young people still
:38:25. > :38:28.in the middle of their treatment. It's strange being back. I stayed in
:38:29. > :38:33.room while I was here. How long have you been here Three weeks. I haven't
:38:34. > :38:37.been in here that long. I have a tumour going down the side of my
:38:38. > :38:41.leg, I've got an operation soon to take it out in January. Hopefully,
:38:42. > :38:45.everything is OK. How do you feel now having gone through it? I know
:38:46. > :38:51.you were young at the time? Yeah, it's quite a strange one. I'm lucky
:38:52. > :38:56.that today there are kind of no, kind of ill affects. Day-to-day I
:38:57. > :39:03.can live my life as I want. Which is, I guess, the aim of it all,
:39:04. > :39:09.isn't it? I would never dare to think that that would be the outcome
:39:10. > :39:16.at that time. He's so fit and healthy and enjoying his life. It's
:39:17. > :39:19.lovely. As miss hum said it's lovely to see he has gone on to do
:39:20. > :39:25.something to physical, isn't it? He has made a success of himself.
:39:26. > :39:29.Wonderful. Placido, you are here in our very christmassy set to talk
:39:30. > :39:38.about an album that is so fitting My Christmas. Let us have a lilliesen.
:39:39. > :39:51.Here we go. OK. # Silent night
:39:52. > :39:56.# Holy night # All is calm
:39:57. > :40:03.# All is bright... #
:40:04. > :40:09.APPLAUSE How does singing Christmas songs compare to your usual set? I
:40:10. > :40:13.tell you, to sing opera is difficult, but to singsongs it make
:40:14. > :40:17.it is more difficult for everybody to judge because, of course, opera,
:40:18. > :40:21.not everybody can sing. That's true. Everybody sitting here in the
:40:22. > :40:26.studio, everybody can sing Silent Night. Everyone has an opinion -
:40:27. > :40:32.They have their own opinions. I don't like it this way. I like this,
:40:33. > :40:38.I like that. It's very much difficult to sing the most popular
:40:39. > :40:42.things because the opera, it's not - not many at the theatre can do what
:40:43. > :40:47.I'm doing, you know. Maybe there are three or four of my colleagues
:40:48. > :40:51.sitting in the public. Otherwise, the public cannot. The songs,
:40:52. > :40:57.anybody can sing, you know. I do it better, they say! The album has some
:40:58. > :41:02.lovely duets on it. The Piano Guys are on it. Izina Menzel, lovely
:41:03. > :41:08.choice. The younger audience will know her as the voice of Elsa from
:41:09. > :41:11.Frozen and then there is your and your son, Placido Domingo Junior. We
:41:12. > :41:16.have a photo of him there. How easier is it to sing with him than
:41:17. > :41:21.the rest. Is it a natural thing, I suppose, because you are father and
:41:22. > :41:25.son? I'm very proud of him hechl has the voice to sing opera, but he
:41:26. > :41:33.didn't have the dedication at the beginning. He has been a wonderful
:41:34. > :41:39.composure. He wrote many songs, film music. About four years agricultural
:41:40. > :41:44.he said - I want to sing. He is singing opera and concerts. He was
:41:45. > :41:49.singing now in Ireland, just three days agricultural. He's going to
:41:50. > :42:00.tour in Germany. He is singing wonderful. I think he sings
:42:01. > :42:06.beautifully in English. Good there at the eye tunes Festival last year.
:42:07. > :42:10.Jack has followed in your footsteps. Neither of you went to drama school.
:42:11. > :42:14.Actors tend to follow the same path. How much advice did you give him
:42:15. > :42:22.along the way On and off, you know, I mean he is his own guy. But he...
:42:23. > :42:24.Yeah, he applied to college and I can't remember, I think he got into
:42:25. > :42:31.a couple of them. I did the same thing. There was always a job that
:42:32. > :42:36.was coming up that. You know, he would rather be on stage than
:42:37. > :42:41.pretending in transit, as it were. It's good. He is doing great. Really
:42:42. > :42:45.well. Staying with the family feel, you dedicated this album, haven't
:42:46. > :42:49.you, to your sister? Yeah. Why of all of the things have you done have
:42:50. > :42:55.you dedicated this Christmas album for her? Because unfortunately we
:42:56. > :43:01.lost her in June, you know. It is of course Christmas time when we all
:43:02. > :43:05.get together. It's going to be very difficult Christmas, you know. It
:43:06. > :43:12.was... It was very difficult year, really. I want just to say to
:43:13. > :43:17.everybody how much I love her. How much everybody in the family miss
:43:18. > :43:23.her. I guess, as a singer as well, having the life experience that you
:43:24. > :43:26.do, I mean that adds to so much depth to the songs that you are
:43:27. > :43:29.singing and how the tone must change throughout all of your career with
:43:30. > :43:37.the emotion you are singing with? Yeah, that's right, you know. During
:43:38. > :43:44.this time, May and June, which we were really all the time at the
:43:45. > :43:48.hospital, you know. So I had to cancel some performances in Covent
:43:49. > :44:00.Garden here, I was telling you before, yesterday it was 44 years of
:44:01. > :44:04.my debut, my first performance on the 8th December 1971. Last century
:44:05. > :44:08.- you know! Military APPLAUSE. You deserve a round of
:44:09. > :44:14.applause for that. Wonderful 44 years. It's a lovely album. With the
:44:15. > :44:20.help of Vincent Niclo, of course, you will perform Have Your self A
:44:21. > :44:25.Merry Little Christmas. We are excited about hearing. I can't wait.
:44:26. > :44:34.It's time too open another door on our One Show Advent Calendar. Behind
:44:35. > :44:39.door number nine is Brian this was sent in by his son Kevin. He has had
:44:40. > :44:44.throat cancer. We had an email from Kevin to say he had the all clear
:44:45. > :44:50.just today. A very merry Christmas. Such good news. If you would like to
:44:51. > :44:56.feature in our calendar you can email us at the usual address. From
:44:57. > :45:01.one calendar to another now. Shall we see how our Shenley Wood Village
:45:02. > :45:03.People have been getting on re-enacting this wonderful album
:45:04. > :45:07.cover from the Village People. They have been plugging in a lot of
:45:08. > :45:11.lights. What has been happening as far as the costumes are concerned.
:45:12. > :45:17.Interesting hair dress there. Indian. Maybe we should leave them
:45:18. > :45:21.to to it. I would like them to do the routine as well as taking the
:45:22. > :45:25.picture taken. Full on performance. Maybe the backing decommissions for
:45:26. > :45:33.Placido, who knows! We will see the results later on.
:45:34. > :45:37.With the world's most famous tenor right here on the sofa, there
:45:38. > :45:40.couldn't be a better time for the third and final film from our One
:45:41. > :45:42.Show Barbershop Quartet. Today's the day that they have been working
:45:43. > :45:49.toward, will there are vocals lead them to victory? Put your fingers in
:45:50. > :45:53.your area is, Placido probably not! VOICEOVER: I am on a mission to lead
:45:54. > :45:59.our very own barbershop quartet to glory in the British barbershop
:46:00. > :46:00.championships here in land at no, the cream of the barbershop world is
:46:01. > :46:24.here. They come in all shapes and sizes.
:46:25. > :46:29.And then, there is asked... -- us. There is around 6000 barbershop
:46:30. > :46:36.singers in the UK, more than anywhere else in the world outside
:46:37. > :46:43.of the US. It is a close-knit community, but in this world, the
:46:44. > :46:50.judges take no prisoners. They are scoring between zero and 100. Vocal,
:46:51. > :46:55.music, characteristics, believability, and suitability as a
:46:56. > :47:01.performer. The quartet will spend upwards of a year preparing.
:47:02. > :47:04.Usually, at least once a month, sometimes more frequently depending
:47:05. > :47:09.upon how close they live to each other, and your quartet have not had
:47:10. > :47:12.very long, as far as I'm aware. Certainly, the arrivals do not seem
:47:13. > :47:31.that impressed. Listening to them, they... Look...
:47:32. > :47:34.Good(!) ready to go! As the audience take their seats, and we do
:47:35. > :47:38.last-minute preparation, it is time for the appropriately named The One
:47:39. > :47:42.Show barbershop quartet to make their debut. Ladies and gentlemen,
:47:43. > :48:00.one team, one dream! APPLAUSE With a song in my heart... I behold
:48:01. > :48:05.your adorable face... VOICEOVER: We are off to a strong start!
:48:06. > :48:09.And now, wish me luck, for my solo...
:48:10. > :48:28.But I always knew that I'd leave life through with a song in my heart
:48:29. > :48:31.for you. -- live life through. CHEERING
:48:32. > :48:33.APPLAUSE Incredibly, we have gone down a
:48:34. > :48:50.storm. Where we any good? I think that we
:48:51. > :48:56.were, we had some nice moments! They went for it, that was good great
:48:57. > :48:59.fun. What did the judges make of it? Bob Hodges is a representative of
:49:00. > :49:03.the US Association of barbershop singers. You had good support for
:49:04. > :49:10.each other throughout, the wheels never fell off. So that anything was
:49:11. > :49:18.not recoverable... For you to do that the first marvellous. Do the
:49:19. > :49:21.judges scores tell the same story? Out of a possible 900, you have got
:49:22. > :49:34.394. As you predicted, presentation is
:49:35. > :49:41.your highest score. Has any buddy scored that low today...? You guys
:49:42. > :49:47.did! Back next year? I think you should! I would love it. STUDIO: It
:49:48. > :49:51.was never going to go brilliantly, but it was a good effort! On the
:49:52. > :49:55.singing theme, we have got Vincent Niclo with us, lovely to have you
:49:56. > :50:01.here, you will be singing later, with Placido Domingo, over there, so
:50:02. > :50:16.you have swapped, as we have lost placid though, he has come in your
:50:17. > :50:19.place. You did a duet on the album. But do you have something in your
:50:20. > :50:32.contract where you do not ever get to meet each other(!) the first time
:50:33. > :50:37.we sang together two weeks ago. It is such an honour to sing with him.
:50:38. > :50:44.Time is tight. You were inspired by another ten, to get into the world
:50:45. > :50:49.are singing. Yes, Pavarotti. I turned on the radio, I heard Nessun
:50:50. > :50:56.Dorma, I heard his voice and it's changed my life. I was not supposed
:50:57. > :51:01.to go that way, and when I listened to the opera, I was saying to
:51:02. > :51:06.myself, I want to do that. I took lessons, lessons, lessons, for
:51:07. > :51:12.years. My teacher said, I think you can do it, that was the best day of
:51:13. > :51:17.my life. You sang with him, you are singing with Placido Domingo
:51:18. > :51:25.tonight, and then lastly, Carreras. May be, why not. Everyday is
:51:26. > :51:29.Christmas for me! Are on Christmas time now, but for three years, I
:51:30. > :51:34.have been singing with such big stars like Celine Dion, as a
:51:35. > :51:45.deadening go, many others... -- Placido Domingo. You have an album
:51:46. > :51:49.next March. Out in the UK. The beginning of March, my first English
:51:50. > :51:53.album, here in the UK. It is a big deal, and I hope the audience here
:51:54. > :51:57.is going to like my work. And we shall see. That whole inspiration
:51:58. > :52:02.thing is an interesting one, it was not really a person that got you
:52:03. > :52:07.into acting, it was an incident with your bicycle! It was a lucky
:52:08. > :52:11.accident, I was working in the West End, probably quite close to here,
:52:12. > :52:15.selling advertising to people who could not afford it(!) over the
:52:16. > :52:20.phone, cycling back to where I lived. I got a flat tire, I stopped
:52:21. > :52:24.in at a theatre, they told me about auditions going on. I was looking
:52:25. > :52:29.for a pump for my bicycle. They were telling me about auditions for a
:52:30. > :52:33.television film, I auditioned a few times, and I got the job. Around the
:52:34. > :52:41.corner. What was the production? Made In Britain. About a skinhead.
:52:42. > :52:45.That is fate playing its hand! I read that in order to make sure you
:52:46. > :52:49.got the part, you turned up and you are messing around in the
:52:50. > :52:52.playground? I went early for the audition, the third audition, I knew
:52:53. > :52:58.that they would tell me to take a break, get me later... I went
:52:59. > :53:05.outside, I said I will wait in the park... Soho Square... I knew that
:53:06. > :53:11.they would be watching me, I did a bit of bad behaviour! A mate of
:53:12. > :53:19.mine, from a punk band, they stopped us. I knew that they would be
:53:20. > :53:23.watching. That is why I got the job! You must have had an feeling that
:53:24. > :53:28.you fancy trying your hand at acting. When I was at school I
:53:29. > :53:36.auditioned for a musical, Dracula spectacular! We all know that one!
:53:37. > :53:42.It was a joke, I auditioned as a joke, it backfired, I got the job,
:53:43. > :53:46.then I had to do it in front of all of the bullies. Then this incredible
:53:47. > :53:52.woman, Joe will Walker, a teacher, she pushed me to do community
:53:53. > :54:00.better, pub theatre. That is how I got it. -- Jo Walker. Judging by
:54:01. > :54:06.this, I'm surprised you did not go down a musical route... You've got
:54:07. > :54:13.this one going, have you? Appalling! This is not that bad! It is pretty
:54:14. > :54:17.bad... LAUGHTER One of those old school films, I
:54:18. > :54:20.thought it was lovely. I did it because of my wife, she is crazy
:54:21. > :54:25.that musical so I thought that I would have a go, and I wanted to
:54:26. > :54:29.know what it felt like when you are singing and then you go into
:54:30. > :54:35.dialogue... And vice versa... I wanted to know what that was like.
:54:36. > :54:48.With Woody, as well. This, Placido Domingo is on the other side of this
:54:49. > :54:55.Judeo. -- other side of this studio. Thank you very much, round of
:54:56. > :55:00.applause. Well, the Shenley Wood Village People are back in the
:55:01. > :55:06.studio, looking hilarious, this is the original, we wanted them to
:55:07. > :55:10.copy, and here is what they have created...
:55:11. > :55:26.That is almost all that we have got time for tonight, are you... What
:55:27. > :55:30.are your plans? Are you heading back to Los Angeles? We are doing the
:55:31. > :55:35.tour for the hateful eight, off to Paris, for a couple of days, the
:55:36. > :55:40.premiere tomorrow... In London, at the Odeon, Leicester Square. Doing
:55:41. > :55:43.that, New York, back to Los Angeles. You spend all of your time over in
:55:44. > :55:48.Los Angeles, must be lovely for you to come to the heart of Britain...
:55:49. > :55:54.Hasek, Leicester Square cinema. I saw alien at the opening night of
:55:55. > :55:59.alien, and I remember, I had the cheap seats, front row. -- Alien. I
:56:00. > :56:08.think there is going to be a bit of that tomorrow night! Proper cinema.
:56:09. > :56:19.Thank you so much for your company. Tim Roth! January eight, The Hateful
:56:20. > :56:21.eight is in cinemas. And thanks too to Placido Domingo and Vincent
:56:22. > :56:27.Niclo. Placido's album My Christmas is in shops now. Here they are,
:56:28. > :56:45.singing live with "Have Yourself A Merry Little Christmas'.
:56:46. > :56:48.# Have yourself a merry little Christmas
:56:49. > :57:07.# From now on our troubles will be out of sight
:57:08. > :57:13.# Have yourself a merry little Christmas
:57:14. > :57:33.# From now on our troubles will be miles away
:57:34. > :57:50.# Faithful friends who are dear to us
:57:51. > :58:25.# Until then we'll have to muddle through somehow
:58:26. > :58:56.Hello, I'm Elaine Dunkley with your 90 second update.
:58:57. > :58:58.The unexpected deaths of more than a thousand people weren't
:58:59. > :59:04.That's according to a scathing report seen by the BBC.
:59:05. > :59:06.It blames a failure of leadership at Southern Health.
:59:07. > :59:12.?5000 each for flood-hit families and businesses.
:59:13. > :59:15.That's what Chancellor George Osborne has promised those affected
:59:16. > :59:19.It's to protect properties from future flooding.
:59:20. > :59:23.Petrol for less than ?1 a litre before Christmas.
:59:24. > :59:28.It's put the drop in prices at the pumps down to