:00:20. > :00:24.Hello, friends, and welcome to your cosy, warm, television fire in the
:00:24. > :00:28.corner of the room that is the One Show with Alex Jones and Chris
:00:28. > :00:32.Evans. Forgive me, here is a warning. I will be smug later
:00:32. > :00:38.because this week I found out I am a miles better than Chris at
:00:38. > :00:44.something. What's more, it is to do with cars, and he is gutted.
:00:44. > :00:48.there is a reason that she beat me, OK! Anyway... More of that later,
:00:48. > :00:52.but let's get on to their guests. We are very lucky that the one
:00:52. > :00:58.shows studio is on the first floor because Lady Agnes Holland does not
:00:58. > :01:06.do downstairs. Let's hear it for the star of Upstairs Downstairs,
:01:06. > :01:12.Keeley Hawes. Good evening. She is very beautiful, isn't she? Thank
:01:12. > :01:21.you. What is better, upstairs or downstairs? Where would you prefer
:01:21. > :01:29.to be? Now you are asking. Where would you prefer to be? Upstairs, I
:01:29. > :01:35.think. That is the safe answer at 7:00pm! Also, never mind the BAFTAs
:01:35. > :01:42.on Sunday, he has just been awarded a LAFTA prize for best joke of 2012.
:01:42. > :01:50.Do you want to hear it? Take it away, Tim Vine. Conjunctivitis .com,
:01:50. > :01:57.a sight for sore eyes! He once broke the record for one-liners in
:01:57. > :02:01.an hour, 499. He knows so many jokes he could go on all night.
:02:01. > :02:06.on the butlers, they can take it but cannot dish it out. I have a
:02:06. > :02:11.friend to as a butler and his left arm is missing. Serves him right.
:02:11. > :02:16.Black beauty, he is a dark horse. Exit signs, they are on the way out.
:02:16. > :02:22.I went to Alcoholics Anonymous and he said, you want gamblers
:02:22. > :02:25.Anonymous. I said, you are probably right, I never know where I am.
:02:25. > :02:30.have to stop him, because we would get the biggest ratings ever and we
:02:30. > :02:38.would be out of the job. And yet another special guest. Cumin,
:02:38. > :02:46.special guest number three. Welcome to the programme. Sit down. You
:02:46. > :02:55.look lovely as well. Thank you. What is your name? Bronwyn Taylor.
:02:55. > :03:00.Where are you from? Inverness. I am 16. What are you studying?
:03:00. > :03:04.Hairdressing. Why do you think she is here? We will give you another
:03:04. > :03:10.clue. There is a shiny van parked outside, and she will be giving us
:03:10. > :03:18.a lift in it later, but she will not be driving it could. Bath --
:03:18. > :03:22.she will not be driving it. That was dramatic. The big freeze has us
:03:22. > :03:26.in its clutches and it looks like it will be here for a while.
:03:26. > :03:30.latest tactic is through -- freezing rain. We are slipping in
:03:30. > :03:34.all of the wrong directions. Yesterday, we put pedal to the
:03:34. > :03:42.metal to find out there who was the best in the pilot for our brand new
:03:42. > :03:47.hit show, driving on ice. I love driving. Skidding on ice, I am not
:03:47. > :03:53.sure about that. We are in the perfect place to practise. Is it a
:03:53. > :03:56.good idea to drive on this? Most of it is about what goes on under here.
:03:56. > :04:00.This is an environmental testing facility, where manufacturers' test
:04:00. > :04:05.vehicles. I am here to find out exactly what you should remember
:04:06. > :04:10.before you even start your car. This is a real car. This is real
:04:10. > :04:16.ice. How come? Because it is absolutely freezing in here. In
:04:16. > :04:21.fact, it is below freezing. A quick guide. Give us three tips for cold
:04:21. > :04:25.starting. You need to give your battery charged. Second, anti-
:04:25. > :04:31.freeze. Make sure your anti-freeze is up to the right level. Third,
:04:31. > :04:35.screen wash, make sure it does not freeze when you squirt it on.
:04:35. > :04:40.freeze is very important. We have four containers with different
:04:40. > :04:46.levels of anti-freeze. This one is 50%, which will keep your engine
:04:47. > :04:52.caul. This end, it is frozen solid, only 5%. We like these, but not
:04:52. > :04:57.these. On a cold day, your engine can still overheat. If you do not
:04:57. > :05:02.have coolant going around, you will overheat the engine and break it.
:05:02. > :05:09.Check your levels. Engine, sorted. Next, how to keep your cool while
:05:09. > :05:12.driving on ice. What are we doing here? Imagine your journey to work.
:05:12. > :05:18.We will go round some Benz and round a roundabout and see how you
:05:19. > :05:25.get on. Is it a competition? will time it, but it is about
:05:25. > :05:30.safety, so you will be fined for knocking over cones. Not that your
:05:30. > :05:36.competitive! Come on, Wales, England. Luckily, I have an
:05:36. > :05:40.advantage, winter tyres. Once the temperature gets below seven
:05:40. > :05:44.degrees centigrade, normal rubber starts to be less pliable. Imagine
:05:44. > :05:50.this was a normal day. You would give it some gas as you pull away,
:05:50. > :05:56.and feel what happens. Can you feel it slipping? Now, move away with no
:05:56. > :06:03.gas, and it has found the grip. is giving the car a chance to grip
:06:03. > :06:10.the road. Bring the wheel round quite hard. Did you feel it going?
:06:11. > :06:16.Yes. What you did, as it skidded, you turn a bit tighter. As it skids,
:06:16. > :06:20.bring the steering off and then tried turning. Come in here. Hard
:06:20. > :06:28.steel left. And now bring the wheel back slightly. And then back on
:06:28. > :06:36.again. When you bring you back, it will get a grip. Lets go. Put the
:06:36. > :06:45.time on it. Let's go. How is my driving? Pretty good, actually,
:06:45. > :06:49.Alex. I feel quite safe. I have stopped the clock. Many of the One
:06:49. > :06:53.Show viewers have opinions about what to do while driving in the ice.
:06:53. > :07:00.Don't use the brakes, use your ears to slow down, keep the car pointing
:07:00. > :07:05.in the right direction. Are they right? There is nothing wrong with
:07:05. > :07:13.using the brakes, but yanking on the brakes will give you a problem.
:07:13. > :07:17.It is not going anywhere, is it? That is just slipping away. It is
:07:17. > :07:27.the slowest thing you have ever seen. He is like an old man. My
:07:27. > :07:32.grandfather could go round quicker. Come on! It is not going very well.
:07:32. > :07:42.That is a penalty for the cones. did not knock it over, I just hit
:07:42. > :07:46.
:07:46. > :07:56.it a bit. Beat that, winter tyres. What? Shall we have the Times.
:07:56. > :08:02.
:08:02. > :08:06.Chris, your lap was... 34 seconds. Shall we have mine? 25 seconds.
:08:06. > :08:12.am sorry. You lose, because the sound effects of the cheering was
:08:12. > :08:18.played in before you gave out your winning time. OK. You did have the
:08:18. > :08:26.winter tyres. I am just saying. Not that it bothers me at all, but she
:08:26. > :08:36.did. Do you drive in the ice? love driving. Who is better, you or
:08:36. > :08:41.your husband? Me. I think he would agree. Do you have winter tyres?
:08:41. > :08:48.After yesterday, I would strongly suggest a winter tyre. Thank you,
:08:48. > :08:55.motoring expert, Alex Jones. Let's move on to Upstairs Downstairs.
:08:55. > :09:05.Spooks was a long time ago, action, fun-filled. Did you do any stunts?
:09:05. > :09:08.I did some driving on Ashes to Ashes. But not so much on Spooks.
:09:08. > :09:16.We will go on to Upstairs Downstairs now. It is back a week
:09:16. > :09:19.on Sunday, 9:30pm, a slightly changed time. I believe so.
:09:19. > :09:24.last time was not last Christmas but a year ago to Christmas but it
:09:24. > :09:28.was only three episodes. It is back with a proper series. Six episodes,
:09:28. > :09:34.which has given us a chance to get our teeth into it and get to know
:09:34. > :09:42.the characters a lot better. What is the plot this time? What goes
:09:42. > :09:50.on? Much the same as went on in the first three. Do not say that! Give
:09:50. > :09:59.it a chance! It has moved on a couple of years. Les see a bit.
:09:59. > :10:02.This is key in action. Would you ignore this lady? -- key. Will fit
:10:02. > :10:09.into this household in a different way. We come and go through
:10:09. > :10:14.different doors, eat at separate tables, but we all give 165 Eton
:10:15. > :10:20.place as our address. And that means we're on the same side. From
:10:20. > :10:29.now on, I expect your behaviour to reflect that, or how else will be
:10:29. > :10:34.survival war? She is who you want in your Cabinet. We all loved
:10:34. > :10:37.Downton Abbey. I think it is a great programme. But we have seen
:10:37. > :10:42.the first episode of Upstairs Downstairs this afternoon, and I
:10:42. > :10:49.just think that more happens in Upstairs Downstairs. I have never
:10:49. > :10:57.seen Downton Abbey. I am that person. I have never seen it.
:10:57. > :11:02.Well, not as much happens. Maybe that is good. This is building up
:11:03. > :11:08.to World War II. My character, Lady Agnes, comes back and her and Sir
:11:08. > :11:16.Hallam have had another child in the interim. And he has been very
:11:16. > :11:26.busy with work, and he starts to go down a different road, as it were.
:11:26. > :11:27.
:11:27. > :11:30.With whom? With another bird? might be another bird involved.
:11:30. > :11:34.Actually, their marriage is the little bit on the rocks. They are
:11:34. > :11:39.coping with a lot between them. This is good promotional
:11:39. > :11:44.conversation but Alex is this but ask about a monkey. The one thing
:11:44. > :11:48.that you have that Downton Abbey does not have is a monkey. So, is
:11:48. > :11:51.the monkey back? I was taken by the monkey last time. How do you cope
:11:51. > :11:57.with filming with the monkey, because it is apparently quite
:11:57. > :12:01.nasty? There are three of them, like children, you have to swap
:12:01. > :12:05.them around because of their hours. Everyone is furious with them
:12:06. > :12:12.because they earn more than the actors. They have a better union.
:12:12. > :12:16.You cannot look them in the eye. Like Madonna. We have to ask about
:12:16. > :12:21.Jean Marsh, the co-creator of the show, who has not been very well.
:12:21. > :12:28.How is she? She is much better. She came in and we shot some scenes
:12:28. > :12:33.together. She is on the right track. Your rounded vowels made to seem
:12:33. > :12:38.perfectly at home at 165 Eton Square, but this accent was not
:12:38. > :12:43.natural. You have had 10 years of elocution lessons in the past.
:12:43. > :12:48.went to drama school, saw the young, so I had voice lessons. I come from
:12:48. > :12:56.London and my dad is a London cabbie. I was never cockney, but I
:12:56. > :13:02.was ironed out a bit. We have never had some. Incredibly. Never too
:13:02. > :13:09.late. It is great for everyone to have their own accent. Can you give
:13:09. > :13:16.us some tips? One of the things that we used to do, for your vowel
:13:16. > :13:24.sounds it is good to practise with a pencil in your mouth. Maybe you
:13:24. > :13:34.could have one each. Thank you, Miss. You have to say your vowels
:13:34. > :13:35.
:13:35. > :13:42.whilst keeping it in your mouth. That is not bad. Did you ever do
:13:42. > :13:48.the Jaguar one? My father's car is a Jaguar and I drive it rather fast.
:13:48. > :13:55.Take it out for this one. My father's car is a Jaguar and I
:13:55. > :14:00.drive it rather fast. You wouldn't. You are the slowest driver in the
:14:00. > :14:03.world! The slowest driver in the world. A school in Essex has called
:14:04. > :14:13.on an elocution expert, but not in an attempt to get rid of the
:14:13. > :14:19.estuary twang, but to try to open In Great Britain we have many
:14:19. > :14:25.different ways of saying the same thing. For instance the way Bath is
:14:25. > :14:31.pronounced can be different. In a region with a distinctive accent,
:14:31. > :14:36.for some the only way is Essex. want people to say some words in
:14:36. > :14:42.their best Essex accent. Then we can get a real sense of it. Do you
:14:42. > :14:46.know what I mean? What are you like? Shut up, I am on a computer,
:14:46. > :14:51.all right? Worryingly, the next generation are not just speaking
:14:51. > :14:55.like that. They are spelling like that, too, and in Basildon they are
:14:55. > :14:59.doing something about it. This teacher came up with a novel
:14:59. > :15:04.solution. She decided to bring in a private tutor to give the children
:15:04. > :15:07.elocution lessons. It was obvious that the way they were spelling
:15:07. > :15:12.words and writing sentences was indicative of the way that they
:15:12. > :15:22.spoke. For example the word sport, because of the way they say it,
:15:22. > :15:24.
:15:25. > :15:28.they were spelling it with the letter B. And other offenders? Some
:15:28. > :15:38.more tongue twisters now. The rain in Spain it stays mainly on the
:15:38. > :15:38.
:15:38. > :15:43.plane. The rain in Spain falls mainly on the plane. Well done.
:15:43. > :15:50.This elocution teacher works with the children once a week. One more
:15:50. > :15:58.time. We work a lot with exercises which
:15:58. > :16:01.originate from speech therapy. If you take the word thought, and we
:16:01. > :16:08.work on the initial sound. It is teaching them the tongue movements.
:16:08. > :16:11.We have worked on lots of sounds that help them with their spelling.
:16:11. > :16:21.I am learning some interesting techniques. Perhaps I can teach the
:16:21. > :16:30.
:16:30. > :16:36.children something. Can you do the letter a sound? That was very good.
:16:36. > :16:46.And now try hay up. That is right. That is how you say it in
:16:46. > :16:56.Yorkshire! Vowel wants to put your coat on. It means that it is cold
:16:56. > :17:02.
:17:02. > :17:12.outside. Thou wants to put pie coat on. I feel like I am back home!
:17:12. > :17:13.
:17:13. > :17:18.are rolling all our hard work! -- ruining. Lovely! Tim has joined us
:17:18. > :17:22.now. Where do you stand on elocution? I went to the elocution
:17:22. > :17:27.class and this guy strapped me to the chair and put 4000 volts
:17:27. > :17:37.through me. I said that I had come for elocution and is said that is
:17:37. > :17:37.
:17:37. > :17:42.not his vaults of! We were talking about this beforehand. We were not,
:17:42. > :17:48.but let's pretend that we were! It is all to do with text messages.
:17:48. > :17:52.They think that is why they cannot spell. And speak. You don't have a
:17:52. > :17:57.machine gun one-liners for two hours. Not quite that long. That
:17:57. > :18:03.might feel like that. It is 20 minutes. Our research has said two
:18:03. > :18:11.hours! But you have done 500 jokes and power, is that right? I did do
:18:11. > :18:21.that once. -- per hour. But normally I sing songs to break it
:18:21. > :18:24.
:18:24. > :18:31.up. How do you remember it? Well, I learned it! How do I learned?
:18:31. > :18:36.- some comedians can be OK if they get it wrong but yours are precise.
:18:36. > :18:41.Yes, I lose my place quite a lot but people cannot tell. You deliver
:18:41. > :18:48.scattergun, but your tour is called the Chat Show. It is a break from
:18:48. > :18:55.what I have done in the past. I chat to the audience. It is there a
:18:55. > :19:00.desk? The car is not big enough for a desk! I am on tour. We have two
:19:00. > :19:05.chairs, and I bring people out, and I asked you if you are a maths
:19:05. > :19:12.teacher, and if you are then I do a joke about it. My maths teacher
:19:12. > :19:18.told me to draw a square, but I drew a circle and he made me stand
:19:18. > :19:26.in the corner, but I said where was that?! You are like Jeremy Kyle,
:19:26. > :19:29.then? Hopefully a bit more friendly. Jeremy Kyle shouts at people.
:19:29. > :19:38.are you going on this tour? round the country. I think we start
:19:38. > :19:43.in Burnley and the end in Torquay. You are the brother of Jeremy Vine
:19:43. > :19:49.and to get on very well. Can you dish the dirt on him because I work
:19:49. > :19:54.with him? I cannot think of any. There must be some! He is such a
:19:54. > :20:00.hard worker. Does he still run to work every day? I think once in a
:20:00. > :20:06.while. He cycles one day, runs another, walks another, goes hang-
:20:07. > :20:11.gliding on the 4th... OK, we have a challenge for you! Can you make it
:20:11. > :20:18.bigger, longer, can you get more out of your act? Take a joke and
:20:18. > :20:26.make it bigger. I can try. This is probably a perfect example of why I
:20:26. > :20:31.shouldn't do this. Velcro, what a rip-off. That sort of thing. Yes,
:20:31. > :20:34.other comedians get half an hour out of that. Have you noticed
:20:34. > :20:39.Velcro in the shops? It is extraordinary. Terribly highly
:20:39. > :20:44.priced. Personally, whenever I see it at extortionate prices, I think
:20:44. > :20:48.to myself, that will not do. That will not do. In fact I put it even
:20:48. > :20:58.more succinctly than that. I think, but Crowe, what an absolute, and
:20:58. > :20:58.
:20:58. > :21:03.let me make this clear, what an absolute rip-off! -- Velcro. Tell
:21:03. > :21:08.us the car park joke from last year. Was it last year? It was the one
:21:08. > :21:11.before that. The best joke at the Edinburgh Festival. I have just
:21:11. > :21:17.been on a once-in-a-lifetime holiday. I tell you what, never
:21:17. > :21:23.again. What is the car park one? Crime in multi-storey car parks?
:21:23. > :21:32.That is wrong on so many levels. Brilliant! If you have got a one-
:21:32. > :21:38.liner, police said it in and we can read them out. -- please send it in.
:21:38. > :21:45.I cannot help feeling that we are being watched. Are you paranoid?
:21:45. > :21:55.Don't be. It is probably the spy drone that has been watching.
:21:55. > :22:01.Everybody waves. That is incredible. If there were some cheeseburgers
:22:01. > :22:07.that would be brilliant. We can try that later! But what about drones
:22:07. > :22:11.nowadays? We have learned to live with CCTV.
:22:12. > :22:18.We know we are being watched. Some estimates say that we are caught on
:22:18. > :22:23.camera 70 times a day. As a nation, we seem generally to accept that
:22:23. > :22:27.cameras are everywhere. There are 30,000 run by councils and well
:22:27. > :22:31.over 1 million private ones. Many would say it is a small price to
:22:31. > :22:40.pay if it catches criminals. But would we be so relaxed if these
:22:40. > :22:44.things became widespread? They are highs in the sky, unmanned aerial
:22:44. > :22:49.vehicles, and already one police force is using them and others have
:22:49. > :22:53.tested them. Many experts predict that their use will only increase.
:22:53. > :22:58.This one is called a scout, and it is a vertical take-off and landing
:22:58. > :23:03.machine. You can put high- definition video cameras on board,
:23:03. > :23:06.thermal imaging, for example. could be an answer for shrinking
:23:06. > :23:10.police budgets. There are plans to cut the police helicopter numbers
:23:10. > :23:15.by one third. This is stuff when you normally use a helicopter but
:23:15. > :23:22.the cost of this is much lower, presumably? Significantly. A police
:23:22. > :23:27.helicopter is anywhere from �1,000- �15,000 an hour. It is only a few
:23:27. > :23:32.pounds an hour to deploy this. Plus the wages of the operator. It is
:23:32. > :23:39.easy to operate. You touch the screen and it will go to that point
:23:39. > :23:45.on the map, easy as that. Satellite holds it in position. There are
:23:45. > :23:51.some heavy winds, but that is not a problem. These can fly to 4000 ft,
:23:51. > :23:56.with a range of three miles from the operator. In theory they are
:23:56. > :24:02.technically capable of tracking you without you knowing it. I can bring
:24:03. > :24:06.it in to land by itself. Surveillance drones have a longer
:24:06. > :24:08.history than you might think. Unmanned vehicles were first used
:24:08. > :24:13.during the Vietnam war to take photographs and films of enemy
:24:13. > :24:16.targets. They are now mostly used by the military for reconnaissance
:24:16. > :24:21.missions to hostile and dangerous places where it would not be safe
:24:21. > :24:28.to send human pilots. The military have been using them for while, but
:24:28. > :24:31.is it something that the rest of us will have to get used to? There are
:24:31. > :24:35.only about seven drones in the country at the moment but there is
:24:35. > :24:38.a Home Office strategy document in which they talked about expansion.
:24:39. > :24:42.It is only the Civil Aviation Authority holding it back for
:24:42. > :24:47.safety reasons. They have to prove they really are safe and will not
:24:47. > :24:51.fall out of the sky and crush somebody. It is likely to get safe
:24:51. > :24:55.in the next few years and then they will relax about it. How realistic
:24:55. > :25:01.is it that we will see them in our skies in a few years? I think they
:25:01. > :25:04.will be used a lot. The motivator at the moment is the Olympics and
:25:04. > :25:09.security services. If these things take off, campaign groups worry
:25:09. > :25:14.about what they call function creep. Once introduced for the most
:25:14. > :25:18.serious uses, but technology then extends to tackle the trivial.
:25:18. > :25:22.lots of things, they are introduced for a small and reasonable task,
:25:22. > :25:26.then very quickly they are used for a range of other things. Before you
:25:26. > :25:30.know it, there are drones in the sky to see if your dog is in the
:25:30. > :25:34.street. We want to see proper regulation put in place before they
:25:34. > :25:38.are flying around. If they are used to keep the public say from
:25:38. > :25:42.terrorism, I am sure the public would support that reasonable use.
:25:43. > :25:48.These have not been taken up widely so far because of their space
:25:48. > :25:52.regulations and the high cost of training. -- air space regulations.
:25:52. > :25:56.But this is just the start. As they become more technologically
:25:56. > :26:01.advanced, the chances are that we will be seeing them in the skies
:26:01. > :26:06.above was. For the moment, we are safe. This one has run out of
:26:06. > :26:10.batteries! Matt Allwright is with us this
:26:10. > :26:15.evening. Our friendly drone is still picking us up. Civil
:26:15. > :26:19.liberties. This is an issue. What is going on? Supporters of these
:26:19. > :26:22.things say that they only do what police helicopters do, but much
:26:22. > :26:27.more cheaply. They say if you have not done anything wrong, then you
:26:27. > :26:33.have nothing to worry about. What other police doing to make them
:26:33. > :26:37.appear less like spies? At the moment there is only one police
:26:37. > :26:41.force using them at the moment. And the people that make them are
:26:41. > :26:45.saying that they do not need to look like stealth monsters. They
:26:45. > :26:50.can be brightly coloured, obvious, at so not secret spies, but
:26:50. > :26:55.something we can welcome and used positively. It is like James Bond
:26:55. > :26:59.for some people. They look like children's helicopters. Yes, but
:26:59. > :27:03.that looks scary. It is pretty much the same technology, but it has
:27:03. > :27:09.been developed so you can use it in a different way. The uses they are
:27:09. > :27:17.coming up with are incredible. It is not just to violence. Farmers
:27:17. > :27:27.are checking out where fertiliser needs to be used. And lost sheep?
:27:27. > :27:29.
:27:29. > :27:34.Yes. You could Shia the sheep as well! Fits some blades! And with
:27:34. > :27:40.thermal imaging they can be used to keep firefighters say. Merseyside
:27:40. > :27:44.police did not work out so well. They were trialing one, �13,000
:27:44. > :27:49.worth, up it went, the battery went flat, it landed in the Mersey, and
:27:49. > :27:55.never seen again! But it could have landed on somebody's head. Yes, we
:27:55. > :28:00.must be thankful for that. What else can the quadrocopters do?
:28:00. > :28:06.exciting bit, or the scary but, depending on how you look at it, is
:28:06. > :28:09.that they are becoming autonomous. We have the quadrocopters from the
:28:09. > :28:13.Swiss Federal Institute of Technology. They are not being
:28:13. > :28:17.controlled by human beings. They are tracking that ball, working out
:28:17. > :28:23.where they should be to play ping- pong with each other, without any
:28:23. > :28:27.intervention from us. I don't know how you feel about that. You could
:28:27. > :28:34.think it is amazing or scary. ground-breaking technology has
:28:34. > :28:38.always been hijacked for bad in the end. Everything, any tall that you
:28:38. > :28:40.use is down to whose hands it is in. That is why people but are
:28:40. > :28:44.concerned about this are saying there needs to be legislation first
:28:44. > :28:49.to make sure that the right people use it for the right reasons.
:28:49. > :28:53.all technology. That think they make for 99 ice-creams, that has
:28:53. > :29:03.never been used for bad. That was a suspected weapon of mass
:29:03. > :29:07.
:29:07. > :29:15.destruction! There is also this. Commercially available? Yes, �300.
:29:15. > :29:20.It is called the Parrot and you can fly it using a tablet computer or
:29:20. > :29:29.smartphone. That has got a camera fitted to it. It has got a camera
:29:29. > :29:39.as well! They you are. Move the cable because it is not working.
:29:39. > :29:40.
:29:40. > :29:50.There we go. This is �300. Hold on, let me get it away from expensive
:29:50. > :29:53.
:29:53. > :29:59.presenters! I am going to land it If you go on to do call Earth, you
:29:59. > :30:03.can look at somebody's house to steal from it. -- do call Earth.
:30:03. > :30:06.That is why it they need laws and regulations. You have something
:30:06. > :30:11.here that could be used for good or bad, and maybe it needs a look to
:30:11. > :30:17.make sure it is being used in the right way. The drone has been
:30:17. > :30:22.killed, for now. It is time to reveal what makes our special guest
:30:22. > :30:30.so special. There is Bronwyn, in her natural environment. Shall we
:30:30. > :30:37.go and see her? Your natural environment. Why? I am being called
:30:37. > :30:40.Britain's strongest teenager. qualifications do you have? Three
:30:41. > :30:50.British Under 18 records of bench press, did lift and total weight
:30:51. > :30:51.
:30:51. > :30:58.lifted. I got four gold medals. -- dead lift. How much can you bench?
:30:58. > :31:08.At the Commonwealth Championships, I've bench pressed 50 kilos.
:31:08. > :31:08.
:31:08. > :31:16.are only 16. And your brother is here. He is sporting for you.
:31:16. > :31:20.is your goal? Where do you want to take the power lifting? I would
:31:20. > :31:24.like to continue with the power lifting but I would like the
:31:24. > :31:29.opportunity to compete at the 2016 Olympics in Rio. I am not sure what
:31:29. > :31:33.for, but I would like to keep the doors open. It is interesting how
:31:33. > :31:38.this happened, because you just went along to the gym, training.
:31:38. > :31:43.Tell us the story. My dad used to come home from the gym and Tommy
:31:43. > :31:49.how great he felt and the great results he was seeing, so I asked
:31:49. > :31:52.if I could join the gym. He said, yeah, why not. He spoke to the gym
:31:52. > :31:57.owner who was happy to let the train as long as I was under
:31:57. > :32:05.supervision at all times because I was under 16. And then you discover
:32:05. > :32:12.you were naturally very strong. realised I had a natural strength.
:32:12. > :32:18.Arms, legs? Everything. So you have a choice of what to aim for at the
:32:18. > :32:27.Olympics. Have you seen your body changing? Are you begin your arms?
:32:27. > :32:32.I have put on a bit of muscle. that bother you? No. That is the
:32:32. > :32:36.impressive thing, doing all of this and keeping your nails like that.
:32:36. > :32:40.You have a big competition tomorrow but you are going to do some bench
:32:40. > :32:46.pressing for us. And in between the bench pressing and tomorrow, you
:32:46. > :32:52.are going to tow us in a van. She is going to be pulling us in a van.
:32:52. > :33:02.Even Jay is going to be in it! you want to lie-down? How much are
:33:02. > :33:07.
:33:07. > :33:17.you going to be lifting. 50 kilos, This is about your weight. A bit
:33:17. > :33:34.
:33:34. > :33:40.In action tomorrow. Before the end of this programme, Bronwyn will be
:33:40. > :33:49.pulling us, just for a giggle. How many people can we put in the van?
:33:49. > :33:56.5. And you're going to pull it and ask? Do you always have put one of
:33:56. > :34:00.the cinema. Jay has found a cinema that is taking it further.
:34:00. > :34:05.The classic Friday-night, relaxing with a movie and a pile of cinema
:34:05. > :34:10.snacks. Popcorn, hot dogs, sweets, candy floss, fizzy drinks and
:34:10. > :34:14.nachos. Hardly a magnificent seven of a menu. In fact, where
:34:14. > :34:20.traditional cinema food offerings are concerned, it is the good, the
:34:20. > :34:24.Bad And the ugly. In the early days there was no food in cinemas. It
:34:24. > :34:28.was only in the 1930s Great Depression when American cinema
:34:28. > :34:35.owners realised the potentially Moster profit from the King Kong of
:34:35. > :34:39.Cinema food, popcorn. But Rowley is a top chef on a mission to deliver
:34:39. > :34:45.a blockbuster meals to film lovers. A major cinema chain has recently
:34:45. > :34:49.begun serving his restaurant meals to audiences during the movie.
:34:49. > :34:54.There is no reason why kids coming to the cinema should have to eat
:34:54. > :35:00.junk. Why can't they need something reasonably civilised. So I sit in
:35:00. > :35:04.my seat, pick up the menu and what do I do? You press the button and
:35:04. > :35:09.the steward will come and ask what you would like. You tell them what
:35:09. > :35:17.you would like to start, and then what else you would like, and that
:35:17. > :35:21.is it. It comes very quietly, flowing, nicely. To avoid spoiling
:35:21. > :35:24.the enjoyment of others, the food is served from the back of the
:35:25. > :35:28.cinema by waiters dressed in black, one black plates, and placed on to
:35:28. > :35:32.rubber coated tables to minimise the noise. And that is before
:35:32. > :35:37.thinking about the food, which has to be suitable for eating in the
:35:37. > :35:42.dark. Visual elements are less important. Texture and flavour has
:35:42. > :35:45.to be more important. You have to accentuate the flavour. And you
:35:45. > :35:50.also have to think about what is going to work. Chicken noodle soup
:35:50. > :35:55.is not going to work. But I have questions about eating restaurant
:35:55. > :36:01.food in a cinema. If the film is too good, will it put me off the
:36:01. > :36:05.food. If the food is too good, will it put me off the film? And could I
:36:05. > :36:08.stomach the Texas chainsaw Massacre accompanied by a hope of steak? Do
:36:08. > :36:16.you have to think carefully about the films that you can scream with
:36:16. > :36:21.food? If it is a horror movie in 3D, that may be a challenge to people's
:36:21. > :36:29.willingness to eat food while they saw Sabahs -- buzzing and the limbs
:36:29. > :36:34.are flying. Is their willingness to pay �30 or more for a night out in
:36:34. > :36:40.the cinema? The tickets for the evening show is �18, but, yes,
:36:40. > :36:43.people are now spending �12 on average on food and drink. People
:36:44. > :36:50.combine entertainment with eating for an evening, and actually it
:36:50. > :36:54.works out at pretty good value. may be coming to a cinema near you.
:36:54. > :36:59.If it does well, there are plans to roll it out nationwide, but how
:36:59. > :37:04.willing are we to swap popcorn for a gourmet meal? The cinema is dark,
:37:04. > :37:09.so how would you see what you're eating? It sounds good, I would
:37:09. > :37:18.like that. If you wanted food, you should have done it before, or
:37:18. > :37:23.after. How about my first time as a foodie film critic? Believe me,
:37:23. > :37:27.this is nothing like a box of popcorn or a hot dog with yellow
:37:27. > :37:32.sauce. Little fritters, Italian pork sandwich with fennel and
:37:32. > :37:36.garlic. It is a little odd eating good quality food in front of a
:37:36. > :37:43.cinema screen but I could get used to it. I wonder if I can fit in
:37:43. > :37:50.desert before the end credits. do we think? Are you a fan of
:37:50. > :37:55.eating in the cinema? No. I went recently and four people came in
:37:55. > :37:59.and they brought fish and chips with them and knives and forks. It
:37:59. > :38:06.is just wrong. Did they know they were in the cinema? Who takes
:38:06. > :38:11.knives and forks with them? smell might put you off. They serve
:38:11. > :38:19.a fish and chips at this place that I have just made a film about.
:38:19. > :38:23.take quiet food to the cinema, me and my wife. I went to the cinema
:38:24. > :38:32.the other day and a blog behind me started wailing. I got hit in the
:38:32. > :38:38.head with a harpoon. We have a quiz. We will show film posters and ask
:38:38. > :38:48.you to identify the food associated with the film. Here is the first
:38:48. > :38:48.
:38:48. > :38:55.one. Which food applies to that film? When Harry Met Sally. I am
:38:55. > :39:00.going for the pastrami sandwich. Obviously, the pastrami sandwich
:39:00. > :39:03.was an important scene in the deli in New York, when Meg Ryan's
:39:03. > :39:08.simulated having pleasure and the great line was the woman saying, I
:39:08. > :39:13.will have what she is having. Pastrami has caught on, but we have
:39:13. > :39:19.been served the bad stuff in this country. It is dry and thin. But
:39:19. > :39:24.they are couple of places where you can get proper pastrami. You have
:39:24. > :39:34.been to the place where it happened. There is a big sign they're saying,
:39:34. > :39:34.
:39:34. > :39:40.will you have what she had? No. Two. Alex. Which food? We like a bit of
:39:40. > :39:44.Pretty Woman. It is the snails, of course. Yes, that scene when she is
:39:44. > :39:53.trying to hold onto them with the tongues. Have you had this
:39:53. > :40:03.experience? You squeeze them and they flick out. Do you know what
:40:03. > :40:05.
:40:05. > :40:15.slugs call snails - gypsies. Blazing saddles, which food. Baked
:40:15. > :40:17.
:40:17. > :40:21.beans. Are we allowed to say farting. The great farting scene,
:40:21. > :40:28.we did think this was the first farting scene in cinema but it was
:40:28. > :40:32.not. Her 1932 Japanese silent film included a farting scene.
:40:32. > :40:42.thought it could be confused with this new silent film that is up for
:40:42. > :40:48.
:40:48. > :40:56.all of the Oscars. Tim, Forrest Gump. You are only left with one
:40:56. > :41:01.thing. A bunch of grapes. A box of chocolates. The question, his life
:41:01. > :41:08.like a box of chocolates? I don't think it is. This chocolate went
:41:08. > :41:14.past me the other day. It was a Ferrari. There is no point going
:41:14. > :41:19.anywhere else! All about Hollywood. Are you a big fan, Keeley? I like
:41:19. > :41:29.it. I would not love to live there. I like it here. I would not mind
:41:29. > :41:33.
:41:33. > :41:42.working there. Are you going for the pilot season? Maybe. You are
:41:42. > :41:49.not to averse to Hollywood!. Jay, the competition. We want the best
:41:49. > :41:57.One Show savoury pies. What makes yours the best. Include a picture,
:41:57. > :42:07.details on how to enter on the website with terms and conditions.
:42:07. > :42:12.We have a treat for you, because you have come here on your birthday.
:42:12. > :42:22.# Happy birthday to You # Happy birthday to use
:42:22. > :42:28.
:42:28. > :42:32.# Happy birthday, dear Keeley I am going upstairs. It is a
:42:32. > :42:37.beautiful cake and we will share it with you later. Thank you for
:42:37. > :42:45.coming on your birthday. I always thought you could not sing that
:42:45. > :42:54.song because it was copyrighted by Disney. Now, from a noise in
:42:54. > :42:58.cinemas that you do not want, to one that you do. Sound effects.
:42:58. > :43:03.A film's soundscape is often overlooked as an element of your
:43:03. > :43:06.viewing experience but it is vital, allowing you to immerse yourself in
:43:06. > :43:11.the emotion, tension and scares, often adding huge lead to the
:43:11. > :43:16.experience. You might be surprised to know that most of what you hear
:43:16. > :43:20.in film and television is added to the soundtrack in post-production.
:43:20. > :43:27.Sounds that the microphones could not pick up, like the rustle of
:43:27. > :43:33.clothing, are we created later. out of their at once. You will
:43:33. > :43:36.market with your shoes. Shepperton Studios is home to world-class
:43:36. > :43:43.audio post-production facilities that have attracted everything from
:43:43. > :43:50.James Bond to Harry Potter. Peter and Glen have worked together to
:43:50. > :43:56.help to create many of the soundscapes for these films. I
:43:56. > :44:06.think we should start with a bang. What sort of sound could we make?
:44:06. > :44:09.
:44:09. > :44:15.Why don't we try the explosion from I think the first thing we will go
:44:15. > :44:21.for is the flame effect, the fireballs exploding. Of all things,
:44:21. > :44:25.we will need a plastic bag. Is this going to make me jump? No. There is
:44:25. > :44:31.air trapped in there. I am not going to poppet. When I hit it, it
:44:31. > :44:35.will buffer against the microphone. The explosions would go like this.
:44:35. > :44:42.And then you have the sound of flames flickering at the end.
:44:42. > :44:45.Genius. It is just practice. You go through life listening to things.
:44:45. > :44:50.People underestimate how important the sound is in a film, and the
:44:50. > :44:59.time that goes into it. People just see it on the screen and they
:44:59. > :45:06.As well as the fireball, which I have just done, I get my trusty
:45:06. > :45:12.mallet and in sync with what is happening on the screen, I do that.
:45:12. > :45:22.This is just a normal roller blind. And she used that to make sound for
:45:22. > :45:22.
:45:22. > :45:32.a film? Why on earth have you got that? That is the sound of the
:45:32. > :45:46.
:45:46. > :45:50.winds. It is just cloth. Glenn's role is to layer and
:45:50. > :45:54.enhance the sounds to create the audio effect. For the Harry Potter
:45:54. > :46:00.movies there are magic creatures, which are not really there,
:46:00. > :46:07.computer-generated. We have to do the noises for those as well.
:46:07. > :46:12.will not save you now, Harry Potter. It only obeys me. As you can see,
:46:12. > :46:20.there are lots of layers. Splashing water and footsteps, but if we
:46:20. > :46:27.concentrate on the basilisk, he goes through water. We dive him
:46:27. > :46:32.into water first. We have already made a mess on the floor, so we
:46:32. > :46:42.might as well do his belly running along the floor. More water down.
:46:42. > :46:50.
:46:50. > :46:55.More sand, maybe, to make that pretty sound. -- sound of grit.
:46:55. > :47:02.is simple but so effective. It is an audio pollution. I am making a
:47:02. > :47:08.sound which suggests a snake to people. Next time you are jumping
:47:08. > :47:10.out of your cinema seat, remember that it is probably thanks to the
:47:11. > :47:15.skill of people like this, and their creative use of surprising
:47:15. > :47:20.props. Angellica is here for the first
:47:20. > :47:25.time since giving birth to her beautiful baby boy. Congratulations.
:47:25. > :47:30.How are you feeling? Really good. new look very well. I am wearing
:47:30. > :47:36.black to hide a multitude of sins. You look gorgeous. Hello to Michael
:47:36. > :47:41.as well. Is he watching? Yes, and he is watching with the baby, who
:47:41. > :47:47.should be in bed! We are talking about sound effects in films. Like
:47:47. > :47:54.the dinosaurs, these Foley, are they an endangered species with the
:47:54. > :48:01.gimmicky technology? Most films have a library of sound effects
:48:01. > :48:11.that they can use but sounds cannot always be recreating it. Foley
:48:11. > :48:11.
:48:11. > :48:16.artists will be around for while and they are indispensable. The
:48:16. > :48:20.dinosaur eggs hatching in Jurassic Park was made by squelching melons
:48:20. > :48:26.and ice cream cones. They go through and think about what can be
:48:26. > :48:30.used and what cannot. They are very good. And on the theme of the
:48:30. > :48:35.weather, you have some examples of creating crunching ice and snow.
:48:35. > :48:45.Can you hold the microphone, Tim? Recreate the sound of walking on
:48:45. > :48:46.
:48:46. > :48:53.snow. Foley artists use cornflour. CRUNCHING.
:48:53. > :49:03.That does sound like walking on snow! I don't want to make a mess.
:49:03. > :49:04.
:49:04. > :49:14.She is very tidy. She is a mum now! And now ice braking. Close your
:49:14. > :49:14.
:49:15. > :49:20.eyes. Does that sound like ice breaking? They have to turn it up.
:49:20. > :49:27.The kids are loving it! They use lots of creative things. Are you up
:49:27. > :49:33.for a challenge, Tim? Certainly am. You should be quite good at this,
:49:33. > :49:38.Angellica, because you have been with the experts. Oh, no! This is
:49:38. > :49:48.just a game! Keeley, you are in the film business, can you judge them?
:49:48. > :49:52.Go over there and joined Jay. front of Jay, Angellica and Tim,
:49:52. > :49:56.some props. We have taken some scenes from Upstairs Downstairs and
:49:56. > :50:03.removed the sound. They have to recreate the sound using whichever
:50:03. > :50:07.prop they think fits best. This is your scene, Jay. Watch for the
:50:07. > :50:17.perfume and collect your prop. won this in her Ladyship's bed, 18
:50:17. > :50:18.
:50:18. > :50:23.inches from the bottom, slightly to the left. What is that? She went
:50:23. > :50:33.off Shalom off. We have taken out the sound of the dirty nappies
:50:33. > :50:34.
:50:34. > :50:43.falling into the sink in this one. Take the nappies alt. -- out. I am
:50:43. > :50:50.getting used to it already. Tim, your go. This scene comes from an
:50:50. > :51:00.intense dinner dance downstairs and the soundtrack adds to the tension.
:51:00. > :51:13.
:51:13. > :51:23.I wonder whether you might pass the Are you ready? Have you selected
:51:23. > :51:33.
:51:33. > :51:42.your prop? You only get one take. I want this in her Ladyship's about
:51:42. > :51:52.18 inches from the bottom placed slightly to the left.
:51:52. > :51:55.
:51:55. > :51:59.BLOWING. You need to take the nappies out.
:51:59. > :52:09.SLOSHING. I wonder whether you might pass the
:52:09. > :52:20.
:52:20. > :52:27.salt? BUMP, BUMP.
:52:27. > :52:33.What do you think? It has got to be Angellica! The nappies. They will
:52:33. > :52:36.be hearing that sand for a long time to come. So tasty years ago
:52:36. > :52:42.today anybody heading into Bristol city centre would have seen
:52:42. > :52:48.something strange. -- 60 years ago. World War Two was over, and Dan
:52:48. > :52:50.Snow, who I love, has been meeting the people prepared to deal with it.
:52:50. > :52:54.This is post-war Britain. The streets are littered with
:52:54. > :52:59.casualties. The rescue services are stretched to the limit as they deal
:52:59. > :53:09.with the horror of an atomic bomb. But this was just a marks a narrow
:53:09. > :53:18.
:53:18. > :53:23.and it was called Exercise Medusa. -- this was just a mop up. By 1961
:53:23. > :53:27.there was a more devastating threat than the Blitz. Nuclear warfare.
:53:27. > :53:32.The scenes witnessed at Hiroshima, when the Government knew they were
:53:32. > :53:38.unprepared and something had to be done. Bristol became the very first
:53:38. > :53:42.city to try to construct the potential devastation that would
:53:42. > :53:46.follow an atomic attack. Exercise Medusa outlined how Bristol would
:53:46. > :53:50.deal with the aftermath. The two- day event would bring together
:53:50. > :53:53.Britain's armed forces with ordinary members of the public who
:53:53. > :53:56.joined the Civil Defence Corps. They were trained to do crucial job
:53:56. > :54:06.site first date, fired events and rescue work. They were ready to do
:54:06. > :54:06.
:54:06. > :54:13.their bit. -- like first aid, fire events. We found this footage of a
:54:13. > :54:20.gene working on the day. What was your role? I was a fake a casualty.
:54:20. > :54:26.I had glass in my face and blood running down. We picked spots in
:54:26. > :54:32.the rubble and waited to be rescued. Unfortunately I was never found. I
:54:32. > :54:40.would still be there to this day if it had been real! Was it exciting?
:54:40. > :54:45.In a way it was fun. Although the training was taken seriously.
:54:45. > :54:53.this time a shop snowstorm had added an extra trial, giving it the
:54:53. > :54:56.grimly realistic atmosphere. Did it feel important at the time? It was
:54:56. > :55:00.important to know that perhaps we were ready if something drastic
:55:00. > :55:07.happened. One of the crucial job that volunteers were trained to do
:55:07. > :55:12.was to detect radiation. If the nuclear bomb had gone off, you
:55:12. > :55:19.would have been walking around with the Geiger counter? Yes. If it was
:55:19. > :55:23.too much, we had to back away. That was what the counter was for.
:55:23. > :55:27.Hiroshima had been destroyed by a nuclear bomb just six years before,
:55:27. > :55:33.so everybody had a clear idea of the devastating consequences of an
:55:34. > :55:39.atomic attack. Was it just propaganda, what was happening in
:55:39. > :55:42.Bristol? Exercises like this were creating the impression of an
:55:42. > :55:46.atomic war which could be survived and managed. At the same time they
:55:46. > :55:49.genuinely believed that training like this would save lives in an
:55:50. > :55:54.atomic war. Surely there is not much you can do if a nuclear bomb
:55:54. > :55:57.goes off? There was not in the 1950s. The atomic bomb is an
:55:57. > :56:01.enormous weapon, but within one mile of the epicentre there would
:56:01. > :56:05.have been enormous numbers of people who would have survived.
:56:05. > :56:15.volunteers in Bristol, the threat of an attack was very real and they
:56:15. > :56:15.
:56:15. > :56:19.wanted to be ready. Why did you join the defence corps? With the
:56:19. > :56:22.Cold War, I thought it was very useful to help people. When you
:56:22. > :56:29.went to the pictures, did you see her Russian on the news reels?
:56:29. > :56:36.was sickening. -- Hiroshima. you think you're making a
:56:36. > :56:40.difference? Yes, I wanted to help the people that were alive. With
:56:40. > :56:44.hindsight, would it have helped if a nuclear bomb had gone out?
:56:44. > :56:50.this had really been a nuclear explosion, I don't think we could
:56:50. > :56:55.have gone in there because life would have been finished. Just four
:56:55. > :56:59.years after operation Medusa, a top-secret Government document
:56:59. > :57:04.revealed the true devastation that the new hydrogen bomb could cause.
:57:04. > :57:08.The focus moved to deterrent. The Defence Corps continued until 1968
:57:08. > :57:12.but its role became more about reassuring the public. Their
:57:12. > :57:16.efforts may seem naive now, but in fact they are testament to the
:57:16. > :57:20.lengths to which ordinary people, like the volunteers in Bristol,
:57:20. > :57:25.were prepared to go, to protect their cities in the face of a
:57:25. > :57:31.terrifying threat. Thank you. We are outside and
:57:31. > :57:36.Bronwyn is in her vest. Very brave. She is also strapped to the harness
:57:36. > :57:44.attached to the van that she is attempting to pull. Keeley and Tim,
:57:44. > :57:52.go to the finish line with the ribbon. Is that OK? Yes. Matt, get
:57:52. > :58:00.in the van, please. Keeley's mum, in the van. Which do you want to
:58:01. > :58:05.pull? Both of them! Double jeopardy failed. She is up for it! You are
:58:05. > :58:15.going to pull and then we are done. It is about three tonnes. Off you
:58:15. > :58:33.