:00:16. > :00:18.Hello and welcome to The One Show with Angela Scanlon.
:00:19. > :00:21.And my co-host for tonight, the one and only Jeremy Vine!
:00:22. > :00:38.Tonight we are welcoming one of Britain's most original directors,
:00:39. > :00:51.and the start of her new film... You are needed in the studio in two
:00:52. > :01:08.minutes, are you ready? Are we ready?...
:01:09. > :01:21.13 minutes. Well, we'll do better next time! After all of that, he's
:01:22. > :01:25.decided to go more casual! Please welcome Hugh Bonneville
:01:26. > :01:33.and Gurinder Chadha. That look like quite a production in
:01:34. > :01:37.and of itself, getting into those costumes every day. Lord Mountbatten
:01:38. > :01:42.loved a bit of finery, he loved his uniforms. Absolutely, yes. He did
:01:43. > :01:45.not want to spend more than two minutes pressing, and so he got his
:01:46. > :01:52.staff, particularly when he was out in India to fast track him, and he
:01:53. > :01:56.got zippers into the Navy, elastic to lace ups on issues, he would slip
:01:57. > :02:01.them on. Very practical man, great inventor. The joy of going to a
:02:02. > :02:07.different time and a different place, the joy of period. I had
:02:08. > :02:12.never before done a period film, so to go back to 1937... I have watched
:02:13. > :02:17.a lot of period films but I have never seen Indians in period
:02:18. > :02:21.costume. -- 19 47. So I freak out when I see Indians with round
:02:22. > :02:27.glasses, you know, in 1940s costumes. But obviously, the big
:02:28. > :02:29.man, Lord Mountbatten, was very particular about his medals. --
:02:30. > :02:34.1947. And so was my costume designer. It looks very
:02:35. > :02:38.straightforward, but you do not know the choreography that was involved
:02:39. > :02:42.in all of those medals! What we were allowed to use, how we had to do it.
:02:43. > :02:46.You wear it very well! To demonstrate, it's all to do
:02:47. > :02:53.with instant custard. I promise it will be
:02:54. > :02:56.a trifle exciting. It'll be an exciting
:02:57. > :03:00.day tomorrow too for Lincoln City fans
:03:01. > :03:02.when they become the first non-league team to play
:03:03. > :03:04.in the quarter finals of the FA Ahead of the big match
:03:05. > :03:07.against Arsenal, sports reporter Mark Clemmit has
:03:08. > :03:10.been to meet the brothers managing swapping school sports fields
:03:11. > :03:26.for the Emirates stadium. Here in this bourbon exes -- this
:03:27. > :03:32.suburban Essex street, two brothers are planning one of the biggest
:03:33. > :03:35.upsets in British football history, world months ago, they were PE
:03:36. > :03:40.teachers at a school in Essex, then they gambled everything by quitting
:03:41. > :03:46.their day jobs and moving almost 150 miles away to manage Lincoln City,
:03:47. > :03:52.they are the Cowley brothers and they have led the club on an
:03:53. > :03:56.unbelievable run in the FA Cup, even claiming the scalp of Premier League
:03:57. > :03:59.Burnley. LAUGHTER This is one of the great shocks in
:04:00. > :04:03.the competition, Lincoln City have made history! VOICEOVER: The first
:04:04. > :04:08.non-league club in over a century to contest a quarterfinal in the FA
:04:09. > :04:12.Cup, they play Arsenal tomorrow in the game of their lives. Nice to see
:04:13. > :04:16.you. Can you quite believe everything that has happened over
:04:17. > :04:21.the last 12 months? It has been crazy, definitely it has been manic.
:04:22. > :04:24.This time last year, preparing for GCSEs! It has been a bit of an
:04:25. > :04:29.adventure since then. People will be watching this and think, they gave
:04:30. > :04:32.up a secure teaching job for the precarious world of football
:04:33. > :04:37.management, what were you thinking. You only have one life, it is about
:04:38. > :04:41.making the most of it. We have always wanted to be in professional
:04:42. > :04:44.football, having the opportunity to manage full-time at Lincoln City was
:04:45. > :04:49.one that was too good to turn down. Behind the brotherly management
:04:50. > :04:54.team, another management team, mum and dad, Jill and Steve. Almost from
:04:55. > :04:58.when they were walking, kicking a sponge ball around, yeah. Danny is
:04:59. > :05:03.three years older, Nicky was an extra one, for the team! To go to
:05:04. > :05:07.the park. Has there been any moment you have ever known where they have
:05:08. > :05:11.fallen out. They have had arguments and little scraps, they have been
:05:12. > :05:15.pulled apart a couple of times! LAUGHTER
:05:16. > :05:18.But, no, nothing that has gone into the next day. Do you make the
:05:19. > :05:24.connection between little boys kicking a little ball about, and
:05:25. > :05:26.what they are now doing? No, you just... You don't make the
:05:27. > :05:34.connection. It's still really seems... It is surreal, because it
:05:35. > :05:38.has happened so quickly, but every now and again, it will hit you,
:05:39. > :05:43.you'd pick up the newspaper, turn to the back page, you see their faces
:05:44. > :05:49.on it. Or, when they won at Burnley, the front pages! And it is a
:05:50. > :05:53.complete shock. What if a really big opportunity came along for one of
:05:54. > :05:57.you but not the other...? No, I would never do that. I really
:05:58. > :06:02.wouldn't. If anybody could not see that our relationship was the reason
:06:03. > :06:06.why we have had the success we have had, then they would not be the
:06:07. > :06:09.right people to work for. How big an impact is the brothers success
:06:10. > :06:16.having on their wives, Lauren and Kate? It is exciting, but I'm
:06:17. > :06:21.expecting it to end, I think the bubble might burst, but we will be
:06:22. > :06:27.the ones bursting. Kids are so excited. Do you think the kids know
:06:28. > :06:30.what is going on? With school and things, have you been getting other
:06:31. > :06:36.kids coming up and saying, your dad is Danny Cowley and all of that?
:06:37. > :06:40.Yeah, yeah. Makes it all worth it. All the hard work is paying off.
:06:41. > :06:45.Staggering, how far they have come. For us, it is great, that we have
:06:46. > :06:47.the support of the family, because without that, it just wouldn't be
:06:48. > :06:50.what it is. STUDIO: Follow the match
:06:51. > :06:53.on Five live tomorrow. As the director of Bend It
:06:54. > :07:03.Like Beckham could the Cowleys' I think it is a beautiful story,
:07:04. > :07:06.look at the lovely parents, everyone so proud, if the team need to go
:07:07. > :07:10.further, they need to get in an Indian girl, who can bend it...
:07:11. > :07:16.LAUGHTER When we made the film, I had to show
:07:17. > :07:25.it to David Beckham first, so we went up to Manchester, and the
:07:26. > :07:29.cinema was laid on, free popcorn, free nachos and David Beckham was
:07:30. > :07:34.getting all of this, he brought these two young kids with him, I
:07:35. > :07:40.asked my husband... My husband said, it is Gary and Phil Neville!
:07:41. > :07:42.LAUGHTER They looked like little boys!
:07:43. > :07:45.Presumably the boys approved as well. Well, they had their free
:07:46. > :07:49.nachos and they went in. Let's go back to Viceroy's House,
:07:50. > :07:52.you play Lord Mountbatten who was given the task of giving
:07:53. > :07:54.India back to her people. It is about partition, it is about
:07:55. > :08:08.independence. He was a naval man, a man of action,
:08:09. > :08:12.really, I suppose, and he was not a natural diplomat. And he said to the
:08:13. > :08:18.king, he said, I don't think I can do this, what if I fail? Was a man
:08:19. > :08:22.on used to failure, in his eyes. And the king apparently said, yes, but
:08:23. > :08:26.what if you succeed, and that was enough to spur him on, he was a man
:08:27. > :08:29.who likes to be at the centre of things. The British would agree that
:08:30. > :08:33.they would hand back India but they ran into the quicksand and could not
:08:34. > :08:37.get people to talk to each other and Lord Mountbatten, for any other
:08:38. > :08:41.faults he may have had, he was good at getting people to talk together
:08:42. > :08:43.and getting people to trust him and get round the table. The logjam was
:08:44. > :08:45.broken. Here you are, with your
:08:46. > :08:49.wife Lady Edwina, played by the lovely Gillian
:08:50. > :08:55.Anderson, discussing the task ahead. I could not be blessed with a more
:08:56. > :09:00.active, able wife, but sometimes we have to accept what we cannot
:09:01. > :09:05.change. I know, but we can change a lot, Dickey, we really can, and we
:09:06. > :09:08.absolutely have two. These problems are not just political, they are
:09:09. > :09:13.social and economic, almost half the baby is born here die before age
:09:14. > :09:18.five, that cannot be the British leave India after three centuries.
:09:19. > :09:21.We have enough time to improve the infrastructure... That is not why we
:09:22. > :09:30.are here. You will wear yourself out. APPLAUSE
:09:31. > :09:35.Really, really, really hot that they! It looked lovely.
:09:36. > :09:38.Gurinder, this film isn't just about the politics but also how
:09:39. > :09:41.which is very personal to you isn't it?
:09:42. > :09:49.I grew up in London under this shadow of the partition, the
:09:50. > :09:53.foothills of the Himalayas, my ancestral homeland, that became a
:09:54. > :09:58.new country, Pakistan, all my family had to leave. They became refugees
:09:59. > :10:02.overnight, to cross over into India. That had always been a shadow over
:10:03. > :10:07.me and the fact I never had a village, grandparents house where I
:10:08. > :10:12.could say, that is where come from. It was only when I did my episode of
:10:13. > :10:16.food you think you are, that I went back, and I went back to my
:10:17. > :10:19.grandfather's house, I was a bit reticent about going, because it was
:10:20. > :10:22.a different country. -- Who Do You Think You Are?. But when I got
:10:23. > :10:26.there, I was overwhelmed with the welcome that I received, and the
:10:27. > :10:29.whole town came out and said, you are our daughter, and coming, this
:10:30. > :10:35.is your home, they threw flower petals at me, they gave me a shawl
:10:36. > :10:39.and really welcomed me. And I saw how much pain there was with them as
:10:40. > :10:44.well as on the other side. And at that point I felt I wanted to make a
:10:45. > :10:49.film about the effects of 1947, and the partition of India, that nobody
:10:50. > :10:53.really knows about, 40 million people became refugees overnight. I
:10:54. > :10:57.wanted to make a film about the ordinary people and what had
:10:58. > :11:03.happened to them. As you reregister story, did you think, hello, what I
:11:04. > :11:06.was told school was not right? I learned that there is no such thing
:11:07. > :11:10.as objective history, every author has an angle often depending upon
:11:11. > :11:17.their surname and the country they come from. And so it was... It was a
:11:18. > :11:22.horrible mess in many ways. It was inevitable that there was going to
:11:23. > :11:28.be some tension but no one foresaw the bloodshed and the scale of the
:11:29. > :11:31.refugee crisis. You sometimes wonder if we have ever learn from history.
:11:32. > :11:39.You met the daughter of Mountbatten, to get a sense of that, was she
:11:40. > :11:44.helpful him thinking you -- wishy helpful in helping new research? For
:11:45. > :11:47.me, he had a ways been an establishment figure, central the
:11:48. > :11:52.Royal family for so long, Mountbatten, though it was a bit of
:11:53. > :11:56.a myth... To hear some family stories, to watch footage, home
:11:57. > :12:00.movies of him lurking about at Christmas, that humanised him. We
:12:01. > :12:05.wonder whether the Queen will watch it. I know that you have had a bit
:12:06. > :12:11.of contact with Prince Charles. A few years back, when we were writing
:12:12. > :12:15.the script, I met Prince Charles. I said I was making a film about his
:12:16. > :12:19.uncle, and he was very interested about what we were basing it on, we
:12:20. > :12:22.had a detailed chat, he mentioned other texts that we should look at,
:12:23. > :12:27.apart from what I was already looking at. He has always been
:12:28. > :12:32.interested, and when I saw him again a few times, he would say to me,
:12:33. > :12:36.make sure the actor does this, my uncle did this, all the time!
:12:37. > :12:44.Started giving us tips, directing tips. It was only when I went to the
:12:45. > :12:46.Palace recently, for the celebrations, the celebrations
:12:47. > :12:51.between Britain and India for the anniversary of independence, that I
:12:52. > :12:56.did my usual... With everybody, waiting, shaking hands with the
:12:57. > :13:00.Queen, and... She was told who I was, and about my film, and she
:13:01. > :13:07.said, I have seen the trailer, when can I see the film? Well, she can
:13:08. > :13:13.see it! Viceroy 's house is in cinemas now.
:13:14. > :13:15.Our next film celebrates a food that was a real
:13:16. > :13:19.And chef Tony Singh loves it so much, he's dressed as one
:13:20. > :13:27.There is a British puddings celebrating a very special
:13:28. > :13:36.anniversary this year, happy 50th birthday, Angel delight! First
:13:37. > :13:40.launched in 1967, those very same people that brought ask us to
:13:41. > :13:44.powder, Bird's, we have been stocking this instant desert in
:13:45. > :13:49.kitchen cupboards for 50 years. -- brought us. It epitomised the
:13:50. > :13:57.instant food revolution which included other favourites such as
:13:58. > :14:01.Smash and Cup-a-Soup. By the 1970s, they had double the market for
:14:02. > :14:04.instant desert, as this cheap and convenient powder pudding became a
:14:05. > :14:08.hit with households up and down the country. The thing about Angel
:14:09. > :14:13.delight, is that it tastes deliciously creaming. But does it
:14:14. > :14:17.still have a place in the 21st-century kitchen? How do you
:14:18. > :14:20.keep Angel Delight up to date, modern, what are you doing now, what
:14:21. > :14:26.is different? We are launching a ready to eat Angel delight in pots.
:14:27. > :14:32.A sick, whisk it up, pop it in the fridge, what is the difference? The
:14:33. > :14:35.pots are made from the same ingredients as the sashays but we
:14:36. > :14:40.have added the milk and we have with it and he did the product so that it
:14:41. > :14:44.has a long shelf life without any preservatives. As if the package one
:14:45. > :14:49.convenient enough. -- and we have heated the product. Angel Delight
:14:50. > :14:55.Has cropped up in a variety of flavours, including black cherry,
:14:56. > :14:59.peach, popcorn, and even bubble gum! So, can it be made into any flavour?
:15:00. > :15:06.What about my signature desert, passion fruit powder over? You went
:15:07. > :15:10.from this... To this... We have, would you like to taste it? I would
:15:11. > :15:14.love to, it smells of passion fruit. -- passion fruit pavlova. The Angel
:15:15. > :15:18.delight starter is an unflavoured mix. -- Angel Delight. The passion
:15:19. > :15:20.fruit and Moran flavouring is added to it. You can tell it is passion
:15:21. > :15:32.fruit. -- passion fruit and merangue.
:15:33. > :15:35.Growing up, Strawberry was my favourite flavour. Still the most
:15:36. > :15:46.popular, we launched with that in 1967.
:15:47. > :15:52.The most delightful taste around! Let's face it, this is no desert
:15:53. > :15:57.worthy of serving in my restaurant, but could it be given a makeover by
:15:58. > :16:02.using it as an ingredient in something as Scots consider quite
:16:03. > :16:07.classy, I am going to make the national desert of Scotland, one
:16:08. > :16:10.that is definitely worthy of a birthday celebration, but instead of
:16:11. > :16:16.whipped cream, I am going to be using Strawberry Angel delight.
:16:17. > :16:19.Fresh raspberries... A dollop of honey... And of course, the Angel
:16:20. > :16:31.Delight. Honey, loads of fruit, dead light,
:16:32. > :16:39.lovely. It's usually made with whisky but not today. Mine is going
:16:40. > :16:44.to be family-friendly. So what will the good people make of it? And will
:16:45. > :16:52.anybody be able to guess that I made it with angel delight? Yoghurt of
:16:53. > :16:59.some sort? No. You like it? Have a taste. Yoghurt and oats. Can you
:17:00. > :17:06.guess what it is? No. It's nice and light. Angel Delight. You've got it
:17:07. > :17:14.- on the nose. If I was to say we've got Angel Delight in there. Wow.
:17:15. > :17:18.Nice ain't it? Very nice. Only one person guessed I used Angel Delight
:17:19. > :17:24.but everyone seemed to like it. Well, almost everyone. There you
:17:25. > :17:30.have it, an empty pot says it all. Here's to another 50 years of Angel
:17:31. > :17:36.Delight. That was pure joy. Another Angel Delight lover Joe is here to
:17:37. > :17:41.tell us about more instant food. You have got some Angel Delight here.
:17:42. > :17:47.What is your favourite flavour? We used to fight over the strawberry.
:17:48. > :17:49.Angela's never had Angel Delight, not even rehearsing today. So let's
:17:50. > :18:08.just watch this. It's nice. Do you like that? Nice
:18:09. > :18:16.actually. Joe, you have the coffee one. I have camp coffee that goes
:18:17. > :18:20.all the way back to 1876. It has a link to India. It's thought it was
:18:21. > :18:24.requested by the Gordon Highlanders who were fighting imperial battles
:18:25. > :18:27.overseas and they wanted something a bit more practical than grinding up
:18:28. > :18:30.coffee beans on the field. They wanted something that could be mixed
:18:31. > :18:34.with hot water and they drink this coffee. So that's where it came
:18:35. > :18:38.about. What is interesting is, we have got a picture of the label.
:18:39. > :18:43.That is what I was going to say, I remember the label. That is the very
:18:44. > :18:50.original one. You see a Highlander sitting being served his camp coffee
:18:51. > :18:57.by a Sikh man servant thought to be the soldier, general Sir Major
:18:58. > :19:03.Hector McDonald. When you go forward a few decades, that's seen adds
:19:04. > :19:10.imperialist, it raises issues about being racist, offensive. The label's
:19:11. > :19:14.changed. They change it subtly and take out the tray which maybe
:19:15. > :19:20.doesn't do a lot. Then in 2006, you have this. The soldier sitting side
:19:21. > :19:29.by side with the Sikh. As recently as 2006? Yes, both have coffee in
:19:30. > :19:34.their hands, no-one's served anyone. We should talk about the man behind
:19:35. > :19:38.Birds because we are going to get to the custard explosion soon which I
:19:39. > :19:43.know everyone is excited about. He was an interesting chap? Al freshed
:19:44. > :19:49.Bird came up with custard powder in 1837, his first big success. The key
:19:50. > :19:52.to it was it was egg free. His wife was allergic to eggs, I suspect it
:19:53. > :19:57.was a labour of love therefore. He wanted to share the joy of custard
:19:58. > :20:02.with his wife. He created this egg-free powder and it was a huge
:20:03. > :20:06.success. The joy of custard! It was a very popular desert that his wife
:20:07. > :20:11.had been denied unfortunately. This was her first opportunity. It was
:20:12. > :20:14.very successful, it outsold many of the egg-based custards that were on
:20:15. > :20:18.sale but it has this unusual quality that in powdered form, it's
:20:19. > :20:26.explosive, it's very, very flammable. In all seriousness, there
:20:27. > :20:35.was an explosion at the Banbury factory in 1881 and people were
:20:36. > :20:38.hurt. Stuart, are you safe to proceed with this explosion of
:20:39. > :20:41.custard? Thumbs up. Please, please, don't try this at home. Ready?
:20:42. > :20:54.Three, two, one... That's custard exploding. Amazing.
:20:55. > :20:59.Let us see that again in slow motion. Watch that again, right to
:21:00. > :21:05.the top of Broadcasting House. And that is a very small amount of
:21:06. > :21:12.custard powder as well. 300 grammes. Be careful with that stuff. Does it
:21:13. > :21:21.work with Angel Delight? We don't dare try. What about Birds
:21:22. > :21:26.Trifle? Next week. From instant food to instant success for the band who
:21:27. > :21:33.raised their first single Tainted Love. Gary's been to say hello and
:21:34. > :21:42.wave goodbye to Soft Cell. The Soho of days gone by. That Neon-lit back
:21:43. > :21:45.street Bohemia was the inspiration for a young northerner experiencing
:21:46. > :21:52.London night life for the first time. Marc a Almond of Soft Cell.
:21:53. > :21:57.The hit record Say Hello, Wave goodbye, was set in Soho. I thought
:21:58. > :22:07.Soho was London, that was it. I thought it was a magical place. He
:22:08. > :22:12.formed a band with Dave Ball after they met at art college in Leeds.
:22:13. > :22:22.Their reworking of an old track went on to become the best-selling single
:22:23. > :22:25.of 1981. Dave was the musical mastermind behind the trademark
:22:26. > :22:32.sound. Teenage years was northern soul. When I heard Craft work, it
:22:33. > :22:36.was the sound of the synthesizer and I was like, I wanted to know how the
:22:37. > :22:43.sound was made and it was the idea of the machine with the soul singer,
:22:44. > :22:52.the blueprint for Soft Cell. Soft Cell were ambitious to make their
:22:53. > :22:58.music go further. Say Hello, Wave goodbye was one of the main songs we
:22:59. > :23:06.did. We wanted the vibe to sound a bit 60s, so I did what Phil Spector
:23:07. > :23:11.would do with a synthesizer. It was like a power ballad, I suppose. Set
:23:12. > :23:14.it in a Soho scene and the influences were 60s films, the
:23:15. > :23:21.black-and-white ones, tabloid headlines like the Politician and
:23:22. > :23:26.the Dancer or the Lord and the Show girl. I wanted it to be a song which
:23:27. > :23:31.told the story of characters, having an illicit affair. She's being needy
:23:32. > :23:34.and embarrassing, so he's singing, go away, I'm finished with you now,
:23:35. > :23:38.I've had a good time, so wave goodbye and she's left standing in
:23:39. > :23:43.the rain. Always strikes me it's a dark song? I like bitter sweet
:23:44. > :23:47.songs. They have that pop sound to them but they are also quite dark,
:23:48. > :23:54.have a dark edge to the lyrics as well. The Neon-infused video was
:23:55. > :23:59.directed by Tim Pope, also a fan. That was their sound and Marc's
:24:00. > :24:03.slightly off key vocals and the arrangement and drama and the sort
:24:04. > :24:08.of delightly parochial quality that I think the lyrics had got were
:24:09. > :24:12.fascinating and interesting. Just wonderful atmospheric, almost like
:24:13. > :24:17.film music in a way which enables me to cut my teeth and film it in an
:24:18. > :24:21.interesting and dark sort of way. It was the edgier side to Soft Cell
:24:22. > :24:31.that attracted criticism, not to mention the eye liner. I remember
:24:32. > :24:35.when the Say Hello Wave Goodbye on Top of the Pops, I took the glasses
:24:36. > :24:40.off and there were loads of complaints about the make-up. It was
:24:41. > :24:44.like walking down the street, getting hurled abuse at you, it was
:24:45. > :24:49.scary but thrilling. We empowered a lot of people. Marc was very daring
:24:50. > :24:54.and brave to do what he did. I think that's fantastic. 35 years on, the
:24:55. > :24:58.original song has been covered many times by other artists. Marc himself
:24:59. > :25:00.has recorded several versions. Today, it's a special performance
:25:01. > :25:12.back in Soho just for The One Show. # Standing at the door of the Pink
:25:13. > :25:20.Flamingo # Crying in the rain... #
:25:21. > :25:25.. It was always a favourite with the fans. We always finished a set with
:25:26. > :25:32.it. # Take your hands off me
:25:33. > :25:36.It's a song that I felt in my heart was last as a Soft Cell classic,
:25:37. > :25:41.more than other sings. That's the song that sums me up as an artist I
:25:42. > :25:48.think. # Say hello, goodbye.
:25:49. > :25:53.# Say hello, wave goodbye. # Say hello, then wave goodbye.
:25:54. > :26:05.. Brilliant. The Best of Marc Almond
:26:06. > :26:12.and Soft Cell is out today. We have seen you around the office. We have
:26:13. > :26:16.got a very exclusive clip that we are going to show, featuring none
:26:17. > :26:20.other than Sir Lenny Henry now. It's great that you could come in for
:26:21. > :26:25.this, Lenny. In terms of things for you on the night itself, Siobhan has
:26:26. > :26:31.been doing... You see this year the idea is funny. Funny. You are so
:26:32. > :26:37.going to love this. Brilliant. Brilliant. Right OK put it on. I'm
:26:38. > :26:43.not wearing that OK. The thinking is Lord Lenny, it's like Lord Nose. No.
:26:44. > :26:48.I'm not wearing that OK. He's not a Lord, Siobhan, he's a Sir. I'm
:26:49. > :26:52.sorry, I'm not doing this OK. OK well it's good to have clarity on
:26:53. > :26:56.this. Is it? So that's all good. APPLAUSE.
:26:57. > :27:01.What would the BBC's head of values make of this show tonight? I think
:27:02. > :27:06.bearing in mind that every problem is a solution waiting to happen, I
:27:07. > :27:12.think this is one enormous solution and you have triumphed with it.
:27:13. > :27:17.Triumphed again. What about that? ! What a shoe to work on. We enjoy it
:27:18. > :27:24.immensely don't we? Of course you started in the Beeb? At radio WM at
:27:25. > :27:30.Pebble Mill. I used to read the travel news, the weather and the M1
:27:31. > :27:35.junction 16 was the bane of my life. Still the bane of many people's
:27:36. > :27:41.lives. That show is very funny. If you have ever had any associations
:27:42. > :27:45.with the BBC... It's not a comedy, it's a documentary. It's very
:27:46. > :27:49.affectionate though. Very hard to walk in here though and not to go,
:27:50. > :27:53.are we not going to Frankie Howard's, we end up saying all that,
:27:54. > :27:59.don't sghe Absolutely! We have had a brilliant week of guests and there's
:28:00. > :28:05.more to come next week. Next week on the one show: Harry
:28:06. > :28:12.Hill. Jake gillen Hall. Rebecca Ferguson. Ryan Reynolds. Sheena
:28:13. > :28:17.eastern. Dan Stevens. And not forgetting The One Show team entry
:28:18. > :28:23.to Let's Sing Dance for Comic Relief. That's almost it for
:28:24. > :28:32.tonight. A huge thank you to Hugh and Gurinder.
:28:33. > :28:40.# Do, do, do, come on and do the Conga...
:28:41. > :28:47.What's going on? Firstly, who blows up custard? ! We do. Just the once.
:28:48. > :28:51.That's madness. I'm here to tell you, Red Nose Day starts in two
:28:52. > :28:56.weeks, 24th March, download your starter pack from the website, raise
:28:57. > :29:06.money, anything at all, pence or pounds, we'll take anything. We are
:29:07. > :29:09.Conga-ing, come on, get up! # Do, do, do, come on and do the
:29:10. > :29:15.Congo...