:00:19. > :00:20.Hello and welcome to the One Show with Alex Jones.
:00:21. > :00:23.We've got some impressive guests tonight.
:00:24. > :00:26.Seven years ago we met this chap, Kieron Williamson, who had just
:00:27. > :00:38.Now he's 14 and selling paintings for over ?50,000.
:00:39. > :00:48.And on our sofa is a man who has also dabbled in fine art,
:00:49. > :00:52.As well as starring in Our Friends In The North,
:00:53. > :00:55.Doctor Who and the A-Word, he's done a stint of nude modelling.
:00:56. > :01:00.It's - thankfully fully clothed - Christopher Eccleston.
:01:01. > :01:19.Obviously because viewers would expect it, we did intense research
:01:20. > :01:27.to see if we could find one of the pictures. But unfortunately, it was
:01:28. > :01:28.a fail. It was at the Slade School of fine art.
:01:29. > :01:32.If anyone at home can help us please feel free to send one along
:01:33. > :01:39.to our usual address, we'd love to show it.
:01:40. > :01:53.What are your memories of those times? Cold! That would be the first
:01:54. > :01:59.memory! Liberating? It was, slightly. Also could be quite hard
:02:00. > :02:04.on the ego because artists can be quite critical about the physical
:02:05. > :02:11.form. They would say things like see how he is fat and thin there. So
:02:12. > :02:16.ritual humiliation. I used to go straight to the pub once I'd got the
:02:17. > :02:19.money. Well we will see what we get in, it could be gold.
:02:20. > :02:22.Last time you were here, Chris, we spoke about your mum selling
:02:23. > :02:28.pastries in the stands at Old Trafford.
:02:29. > :02:34.That's right, she used to sell pies and T in the 50s when the Busby
:02:35. > :02:35.Babes were there. So we hope she's
:02:36. > :02:37.watching this next film. Kev Duala has been back to Liverpool
:02:38. > :02:40.to see how match day pies are helping to solve
:02:41. > :02:49.an affordable housing crisis. In the shadow of Liverpool football
:02:50. > :02:56.ground rov derelict terraced houses and at the end of thriving bakery
:02:57. > :03:01.run by and for the community. Home-baked, the a match day fixture.
:03:02. > :03:06.I never really ate pies before but we found this place and I was sold.
:03:07. > :03:10.I like the idea that helping the community. The staff are lovely and
:03:11. > :03:15.you get to know a lot of people who come in regularly. Seven years ago
:03:16. > :03:21.this bakery was scheduled for demolition and was shut down. But it
:03:22. > :03:23.flickered back into life by the skin of its teeth through the
:03:24. > :03:33.stubbornness and resilience of local people. Bridget is co-funder. I have
:03:34. > :03:39.to try one of these. Go for it. It is lovely. This is a story of brick
:03:40. > :03:43.and determination. Where did it start? There was a lot of demolition
:03:44. > :03:48.happening in our area and as a group of residents we came together and
:03:49. > :03:54.decided to open the bakery as a community business and managed to
:03:55. > :03:57.save it from demolition. How did you get the council to give you that
:03:58. > :04:04.reprieve? Baby by showing that it could be a viable business.
:04:05. > :04:09.Originally supported by grants, it now thrives on its products and
:04:10. > :04:16.wants to convince the council that it can expand. We have a flat above
:04:17. > :04:21.the bakery and were now refurbishing that. With affordable housing in
:04:22. > :04:25.short supply across the UK this business wants to turn the terrorist
:04:26. > :04:28.into shops and plans for the community for that they've already
:04:29. > :04:34.secured ?140,000 of lottery money to create a home out of this. My
:04:35. > :04:42.goodness! You have your work cut out. And the refurbishment will be a
:04:43. > :04:46.training project for three local apprentices, men poured by Paul. As
:04:47. > :04:52.you can see there is a lot to do, roofs, ceilings, floors, plumbing
:04:53. > :04:57.and electricity, everything. And once more after apprentices Dave,
:04:58. > :05:02.Bradley and Leanne, will have the option of renting a room. It is
:05:03. > :05:06.their own version of social housing. We've been learning from the
:05:07. > :05:11.builders and then we may be get to put that into practice. How
:05:12. > :05:15.important is it for you to be involved? Very much, because I would
:05:16. > :05:19.like to live here and it is giving back to the community. It does not
:05:20. > :05:22.stop there, they're also transforming a patch of land at the
:05:23. > :05:26.end of the terraced into a public square, building their own joinery
:05:27. > :05:33.classroom and greenhouse to grow food for local people. But it is
:05:34. > :05:37.affordable homes that the heart of this, only 28,000 funded by the
:05:38. > :05:43.government were completed last year. Down by half from 2011. With the
:05:44. > :05:48.huge housing crisis across the UK, what you're doing could be of help?
:05:49. > :05:52.I think it can. Over there we have houses just like those next to the
:05:53. > :05:56.bakery and they had been pulled down and what has been built now at the
:05:57. > :06:01.profit goes to private developers. We are offering to build houses by
:06:02. > :06:05.people and for people and the profit stays within the organisation and is
:06:06. > :06:09.reinvested in the neighbourhood. The benefits to the residents are plain
:06:10. > :06:13.to see. Sue Humphreys helped to set up the project. Her family have
:06:14. > :06:18.lived here for 100 years and she is seen first-hand the fabric of the
:06:19. > :06:22.community decline. It is sad to see the property is boarded up and left,
:06:23. > :06:27.something had to be done. Could this be a turning point to rejuvenate
:06:28. > :06:32.this community spirit? Yes, we're somewhere where the community can be
:06:33. > :06:37.together and rebuild that community. Make friends with your neighbours.
:06:38. > :06:41.Home-baked is one of several projects regenerating rundown parts
:06:42. > :06:47.of Liverpool including selling homes for ?1. And the council is waiting
:06:48. > :06:51.for it to succeed. This is the deputy mayor. It is not about the
:06:52. > :06:56.council telling community is what should happen, it is about community
:06:57. > :06:59.is being fully engaged and their ideas coming forward, there are
:07:00. > :07:03.initiatives and passion driving these agendas. If the project
:07:04. > :07:07.flourish as it could be rolled out elsewhere. I'm born and bred in
:07:08. > :07:12.Liverpool and grew up in a really strong community. But what has been
:07:13. > :07:16.sad to watch is how the communities have been eroded. But what is great
:07:17. > :07:19.to see is what this company have done to rekindle that community
:07:20. > :07:21.spirit. And if they can do it may be other parts of the country can as
:07:22. > :07:22.well. Financial journalist
:07:23. > :07:27.Simon Read joins us now. As Kev said at the end of the film,
:07:28. > :07:40.can this happen elsewhere? Could this help with the housing
:07:41. > :07:43.crisis is right it is happening all over the country, communities
:07:44. > :07:44.getting involved to create this kind of projects to bring back affordable
:07:45. > :07:47.housing to the local community. Great to see Right On The Money back
:07:48. > :07:50.on our screens this morning. It's hosted by Dom Littlewood
:07:51. > :07:52.and Denise Lewis. You of course are an expert
:07:53. > :07:55.on the show, giving us tips What kind of stories do
:07:56. > :08:09.you come across this series? Well all kinds of people. We have
:08:10. > :08:15.sisters from London who started up a street food market. They're not
:08:16. > :08:22.making a lot of money. And one woman... They are too generous. The
:08:23. > :08:26.portions too big! A woman from Liverpool, the biggest financial
:08:27. > :08:36.problem is that she's too generous. And we met Nicky who just spends
:08:37. > :08:41.when she feels like it. And Nicky has lots of things beneath her
:08:42. > :08:52.stairs. Let's take a look. What is all this? Tea bag. How many,
:08:53. > :08:55.millions! 1100. Nicky looks like she is going into World War II with all
:08:56. > :08:58.those supplies underneath the stairs.
:08:59. > :09:01.Something you look at in the series is the idea of the sharing economy,
:09:02. > :09:04.where people make money out of renting things they already own.
:09:05. > :09:06.And we've got some people in the audience tonight
:09:07. > :09:21.Leticia, this is a picture of your house. It is upside down! What is it
:09:22. > :09:29.that you are renting? I rent out my drive space. I have three spaces, it
:09:30. > :09:36.is all done online and it has been a great moneyspinner for me. How much
:09:37. > :09:44.do you make per month? Roughly ?200. Not to be sniffed at. And Vicky,
:09:45. > :09:48.let's take a look. Is that your garden? A section of the garden up
:09:49. > :09:56.in Norfolk and we rent it out for camping. Self-catering accommodation
:09:57. > :10:04.for up to four people. So how much do you make per month? Around ?1000
:10:05. > :10:11.in peak season. The summer months. This is a really good game show! And
:10:12. > :10:18.Daisy at the end, I love this concept. This is shared and
:10:19. > :10:23.breakfast which we run in Bristol from the garden. It is shared that
:10:24. > :10:26.we lived in when we were renovating and now we'll run it as a bed and
:10:27. > :10:40.breakfast. How much to make per month? ?1400! Anyone with a
:10:41. > :10:46.shared... You have had some thoughts of what to do with your place? Yes,
:10:47. > :10:50.I heard about this scheme, people making their homes into art
:10:51. > :10:54.galleries. One of my closest friends is an artist. I keep trying to
:10:55. > :10:59.convince her to do an exhibition and so I'm going to do it in my house.
:11:00. > :11:04.It is a great idea. And theatre groups are doing the same thing,
:11:05. > :11:08.using people's homes. For me it is not really for the money but the
:11:09. > :11:16.interest, and my children being around art. I'm still thinking about
:11:17. > :11:21.that bed-and-breakfast, genius! You're going to inspire the nation!
:11:22. > :11:25.Thank you all for joining us and thank you Simon.
:11:26. > :11:28.Right on the money is on BBC1 at nine fifteen every morning
:11:29. > :11:38.It's been a special day at Wimbledon as we've seen all 64
:11:39. > :11:44.players left in the singles competition play today.
:11:45. > :11:47.And of course congratulations to Johanna Konta and Andy Murray
:11:48. > :11:52.who made it through to the next round.
:11:53. > :11:54.As well as their impeccable racquet-work -
:11:55. > :11:57.there's another kind of racquet you can hear on court.
:11:58. > :12:08.Tommy's been to see if grunting equals greatness.
:12:09. > :12:15.Last year almost 500,000 people came down to Wimbledon and sat mesmerised
:12:16. > :12:19.by a little yellow ball. Waiting patiently for the winning point.
:12:20. > :12:25.While today the wait is over. And here they come. And I have something
:12:26. > :12:31.that they have dubbed a secret weapon. Meet Jordan, research at the
:12:32. > :12:34.University of Sussex. He says he can predict the winner of a much longer
:12:35. > :12:46.for the last game. Unsurprisingly it all comes down to grunting. Some say
:12:47. > :12:51.grunting is a bit annoying. Others say it is part of the passionate
:12:52. > :12:54.five tennis but it can predict a winner? That is right, we did
:12:55. > :12:57.research at the University of Sussex and looking at players across
:12:58. > :13:02.matches that they had won and lost. We found in general the pitch of the
:13:03. > :13:08.grant is higher when the players lose them when they win. So then
:13:09. > :13:12.surely with a lower grade you're guaranteed to be a winner? Exactly.
:13:13. > :13:18.We found this right from the start of the match suggesting it is longer
:13:19. > :13:22.term factors at play, rankings, these things could affect how
:13:23. > :13:27.stressed or dominant we're feeling. And that can -- that can affect the
:13:28. > :13:32.pitch of the voice. Is it like an animal thing? Mail Red Deer war
:13:33. > :13:38.adage other and use that to assess the size of the other. So we see the
:13:39. > :13:46.same thing happening with humans. Let's put it to the test. How do you
:13:47. > :13:54.feel about grunting on court? It is a bit weird. It is a bit disturbing.
:13:55. > :14:01.It just shows they're putting in an effort. I play tennis and I do not
:14:02. > :14:11.grant. Not even a little noise when you're giving it everything? Let's
:14:12. > :14:17.do a family effort! That for me is a winning round. Do you grant in any
:14:18. > :14:26.situation? Only when Federer loses the point. Time to put the theory to
:14:27. > :14:37.the test. Here at the third round of the women's singles. Hill is going
:14:38. > :14:44.to win? -- who was going to win. If I had to pick someone it would be
:14:45. > :14:50.Diaz. Based on the grunting. The louder that your grunting and the
:14:51. > :14:52.deeper, the more likely you are to win. Let's hear it from you. That is
:14:53. > :15:13.more like it. She just lost the point. She did. So
:15:14. > :15:19.does grunting serve up the aces question mark is match point back on
:15:20. > :15:24.court 18. He did not get it right this time, but if you're listening,
:15:25. > :15:28.Andy, probably worth a shot! Now we're going to know which tennis
:15:29. > :15:30.players have watched this show because all the Test matches, the
:15:31. > :15:35.pitch is going to get lower. Chris, we've been watching some
:15:36. > :15:38.of your stuff, and you too can be Yes, but the question is,
:15:39. > :15:53.can you guess your grunt? We've got three grunts to listen
:15:54. > :15:56.to and one of them is yours. The other two belong
:15:57. > :15:59.to tennis players, you have My right to say that you have
:16:00. > :16:24.enhanced my grunt? No. It is definitely not number three.
:16:25. > :16:30.It's number two. He goes straight for it. Let's have a go. Number two?
:16:31. > :16:39.You say that that is you? Let's have a look. It was number two!
:16:40. > :16:45.APPLAUSE I would recognise my grunt anywhere!
:16:46. > :16:51.That leads us nicely to The Leftovers. You grunt them because
:16:52. > :16:54.your character is attacked. Series three is out now
:16:55. > :16:57.on Sky Atlantic and NOW TV - to take us back to the beginning,
:16:58. > :17:04.it's about on life on earth Phil us in for those people who have
:17:05. > :17:11.not seen the first and second series. It's originally from a
:17:12. > :17:15.novel, and it put forward the idea that I think, 2%, I've forgotten, 2%
:17:16. > :17:20.of the population of the world disappear on the same day. Some
:17:21. > :17:25.people claim it is the Rapture, as proper sized in the Bible and some
:17:26. > :17:31.people including my character, a man of God who feels he has not been
:17:32. > :17:35.chosen by God, deny that. That is why my character gets beaten so much
:17:36. > :17:40.because he is trying to discredit people who have apparently been
:17:41. > :17:46.chosen. So it is about faith but also is a character driven comedy
:17:47. > :17:52.drama. It is about something that we all experience, loss. It is about
:17:53. > :17:56.grief. The novelist wrote it, he was playing tennis one day with his son,
:17:57. > :18:02.the phone rang and he got the news that one of his parents had died. It
:18:03. > :18:05.was a beautiful summer day, she was happy, there had been a road
:18:06. > :18:09.accident, I know this sounds grim but three years later he found
:18:10. > :18:15.himself writing this novel, three years later he realised he was
:18:16. > :18:19.writing The Leftovers about his own experiences. He spent a lot of time
:18:20. > :18:24.with characters trying to make sense of life. The character you play in
:18:25. > :18:28.the novel was relatively small but you have played some part in
:18:29. > :18:32.developing him. I was tipped off that HBO were going to adapt the
:18:33. > :18:38.novel. I had read it and there was this character, a man of God, who
:18:39. > :18:48.isn't "Chosen". I thought that was a fantastic character for a drama. The
:18:49. > :18:52.writer, who wrote Lost, he also wrote The Leftovers. He heard I was
:18:53. > :18:55.interested and we met in London. He said, I wasn't going to put this
:18:56. > :19:01.character in this series, why do you want to play him. And he put him in
:19:02. > :19:03.the show. And it has really worked, in a way for me. Open some doors in
:19:04. > :19:06.America for me. Let's see a moment from the first
:19:07. > :19:09.episode of the new series where your character
:19:10. > :19:16.is delivering a sermon. I get a feeling in this place
:19:17. > :19:19.sometimes, the same feeling I got when my wife awoke from a
:19:20. > :19:28.three-year, the day that I brought her here. Mary. The same feeling I
:19:29. > :19:38.had after being told by countless doctors that Mary could not bear a
:19:39. > :19:44.child. But she did bear one here. Noah is a little shy, like his dad.
:19:45. > :19:48.My friends, I've got that feeling again so if something happens on
:19:49. > :19:53.October 14, you have all come to the right place.
:19:54. > :19:58.APPLAUSE We will leave it there as a teaser
:19:59. > :20:05.for everyone to enjoy because you have been incredibly busy. You have
:20:06. > :20:10.finished filming another series of The A-Word which is a passion of
:20:11. > :20:15.yours. BBC One show. It is brilliant, when is it back on. We
:20:16. > :20:21.think it will broadcast in October, we wrapped on Saturday and everyone
:20:22. > :20:27.is still hungover from the party. It is incredibly emotive. Yes, the
:20:28. > :20:32.central idea is communication, autism being a problem, the writer
:20:33. > :20:37.has made it a reality, as is dementia, those two things are real
:20:38. > :20:42.for families and families get on with it. They do not break down,
:20:43. > :20:48.they get stronger because of problems like the ones experienced
:20:49. > :20:53.by the boy in The A-Word. It is beautiful, I am so glad it is back.
:20:54. > :20:55.Shortly we're going to meet Kieron Williamson, the 14-year-old
:20:56. > :20:58.artist from Norfolk who has already become a millionaire by painting
:20:59. > :21:05.Before that Miranda's been to see a rare view,
:21:06. > :21:09.one that's so unique it can only be seen once every quarter century.
:21:10. > :21:15.Built in the nearly 19th-century for 200 years the Regents Canal has
:21:16. > :21:20.played a big part in linking London to the major industrial cities of
:21:21. > :21:24.the law. In its heyday the canal was strictly for business use but any
:21:25. > :21:30.one can enjoy these days and that means keeping the system in tiptop
:21:31. > :21:33.order. I am on my way to St Pancras Blocked just behind the railway
:21:34. > :21:41.station by a massive operation is underway. -- lock. Thousands of
:21:42. > :21:45.gallons of water are currently being pumped out. For the first time in 25
:21:46. > :21:52.years this part of the canal is being drained, in order to replace
:21:53. > :21:57.its enormous gates. This is no easy task and each gateway is three and a
:21:58. > :22:02.half tonnes. It needs the lock to be dry before they can be removed. The
:22:03. > :22:06.1500 locks to maintain the canal and River trust are kept constantly
:22:07. > :22:12.busy. Sarah Burns works for the trust. Welcome to St Pancras lockers
:22:13. > :22:16.you have never seen it before. It is beautiful, all this Victorian
:22:17. > :22:20.brickwork. This is the original brickwork put him in 1819 when the
:22:21. > :22:27.lock was built and it has been under water for 200 years, which has acted
:22:28. > :22:31.as a good preservative. Overtime water destroys the timber on the
:22:32. > :22:34.gates which is why every 25 years they need replacing. Each is
:22:35. > :22:38.made-to-measure as doing the initial construction there were no standard
:22:39. > :22:45.dimensions for canals and locks. They are on that boat and they will
:22:46. > :22:49.be put in once these have been taken out. Before this happens they must
:22:50. > :22:55.remove any debris collected over the years. What sort of things do you
:22:56. > :22:58.normally find? We always find lots of mobile phones and cameras and
:22:59. > :23:05.things like that but sometimes you find some unusual items. Previous
:23:06. > :23:08.clean-up operations have included saves, guns and even wartime
:23:09. > :23:13.explosives so there is no way of knowing what is in here until it is
:23:14. > :23:18.examined thoroughly. Do we literally just go through and get our hands
:23:19. > :23:22.dirty and see what we can find? All right. Joined by a team of engineers
:23:23. > :23:28.we surged to the right to see if they wouldn't find is. Gold, silver
:23:29. > :23:36.at least! So far all I have recovered is rubbish. Sarah however
:23:37. > :23:44.seems to be having more luck. The milk bottle or something? Beautiful.
:23:45. > :23:48.Very thick. United States. United dairies was formed during the First
:23:49. > :23:52.World War when the several smaller companies merged, supplying bottled
:23:53. > :23:55.milk to the doorsteps of London. And if you look hard enough there are
:23:56. > :24:04.other treasures found. Graham Smith is the site manager. What is that? A
:24:05. > :24:10.British rail button from and to Nick. Polished up that would be
:24:11. > :24:15.stunning. -- from a tunic. It probably dates back to the 1950s
:24:16. > :24:20.when British Railways as it was known then had been nationalised
:24:21. > :24:28.after World War II. An old Victorian coiner. 8099, brilliant. So there's
:24:29. > :24:32.a bit of treasure out there. Absolutely. Once the lock is cleared
:24:33. > :24:37.only one thing left to do, attach the new gates. A large crane is used
:24:38. > :24:44.to remove the old ones and with the new ones into position. -- move the
:24:45. > :24:49.new ones into position. And when the water level is restored the canal is
:24:50. > :24:54.back to being operational once more. Despite not uncovering any gold or
:24:55. > :24:57.silver today we have unearthed some treasures, we had access to this
:24:58. > :25:02.incredible piece of history which has stood the test of time and I
:25:03. > :25:11.hope it will be in use for another 200 years to come. A nice bath after
:25:12. > :25:18.that, I think. Definitely. Before we meet our next guest,
:25:19. > :25:19.let's remind ourselves of when Carrie Grant
:25:20. > :25:22.met him back in 2010 when he was just eight years old.
:25:23. > :25:29.when did you start getting into art. When I was five years old. I like
:25:30. > :25:34.painting boats, harbours, landscapes, water. How do you do
:25:35. > :25:46.this so quickly? I know what I'm doing! I do know what that he does
:25:47. > :25:48.know what he's doing. This is Kieron with his mum, Michelle.
:25:49. > :26:00.What did you think when you saw yourself just then! We have been
:26:01. > :26:06.astounded by some of your pieces. You were saying, Matt, cows... Cows
:26:07. > :26:10.and horses and dogs are incredibly difficult. I enjoy painting myself
:26:11. > :26:16.that it is just beautiful the way... The light and the tone you've got in
:26:17. > :26:21.these pictures. That one is beautiful. Thank you. Can you
:26:22. > :26:29.believe, Christopher, that this one in the middle, Kieron painted
:26:30. > :26:36.that... When I was five, I think. Five years old. Incredible.
:26:37. > :26:43.Impressionist. When you look at that which you did when you were five how
:26:44. > :26:53.do you feel about that work. You've got to give yourself credit at five,
:26:54. > :26:55.surely. No! OK. Parents will be thinking look at what their
:26:56. > :27:00.five-year-old draws in school and they love it that this is different.
:27:01. > :27:06.This has become a family affair. You and your husband are committed to
:27:07. > :27:12.working with Kieron and with your daughter. How does it work as a
:27:13. > :27:18.family. It is a full time job. Kieron's artwork dictates family
:27:19. > :27:21.life. Kieron will decide what he does from day-to-day, we plan our
:27:22. > :27:26.year around the exhibition, we spend as much time as we can in Cornwall.
:27:27. > :27:34.Kieron comes first. He has been in the driving seat since he was five.
:27:35. > :27:37.Coders school fit into this. I'm home-schooled, a retired head
:27:38. > :27:43.teacher teaches me for four hours every week, and I work on what she
:27:44. > :27:50.says during the week. Is that a bit of a break. Some days I look forward
:27:51. > :27:53.to getting stuck into homework! We said on the way that you have made
:27:54. > :27:59.an incredible amount of money doing this, what happens with all of that
:28:00. > :28:03.because you are only 14. How does that work, Michelle. We run as a
:28:04. > :28:09.limited company with a team of solicitors and accountants that
:28:10. > :28:12.support us. Keith and I can invest Kieron's money into things he wants
:28:13. > :28:17.to invest in so he has property and his own art collection. With the
:28:18. > :28:23.money you get to your Art Dubai and other art... It is a big passion.
:28:24. > :28:30.Which one of these is your favourite. The one in the middle. As
:28:31. > :28:32.Christopher said, the light on that is beautiful. A beach scene in
:28:33. > :28:36.Cornwall. Well if, like Kieron and his family,
:28:37. > :28:39.you have a favourite British beach Yes please, send us photos of
:28:40. > :28:45.you enjoying your favourite beach - with the family, with your pets,
:28:46. > :28:48.to the usual address and we'll show some on Wednesday,
:28:49. > :28:50.when we'll be live from Perranporth Thank you to all our guests
:28:51. > :28:54.for joining us tonight. The Leftovers is out to watch now
:28:55. > :28:57.on Sky Atlantic and NOW TV and Kieron's documentary,
:28:58. > :28:59.Mini Monet Millionaire, Tomorrow Angela and I will be joined
:29:00. > :29:03.by Sir Mark Rylance and Jack Lowden to talk about their new film,
:29:04. > :29:07.the hugely anticipated summer