:00:16. > :00:19.Hello and welcome to The One Show, with Alex Jones.
:00:20. > :00:25.And look who's back, in Children in Need week, it's Nick Grimshaw!
:00:26. > :00:28.Thanks Alex, and what a night to be here!
:00:29. > :00:33.I love being here on the television with you, we have such a nice time.
:00:34. > :00:38.A huge star as our guest so how do we introduce her?
:00:39. > :00:46.Get on with it! LAUGHTER We have a big introduction, we have
:00:47. > :00:52.rehearsed for six months! Not many people have six Academy award
:00:53. > :00:57.nominations... This is a big, big guest. Abs we should recreate one of
:00:58. > :01:05.her most iconic scenes... We tried that earlier, did not go so well...
:01:06. > :01:09.She was meant to be Leo, she got it wrong... She got the memo wrong...
:01:10. > :01:16.You are going to enjoy this. Winchester, take it away!
:01:17. > :01:23.# "My Heart Will Go On" - Celine Dion.
:01:24. > :01:30.# I believe that the heart does go on
:01:31. > :01:33.We know you are sick of that song but in Hampshire they
:01:34. > :01:43.I don't mind you mentioning the six Academy award nominations, IM very
:01:44. > :01:47.proud of that, I forgot to tell you, never I hear the song, I was in a
:01:48. > :01:50.wedding once, this is a funny moment, I have been too many
:01:51. > :01:54.weddings, but one particular wedding, the pianist began to play
:01:55. > :02:00.that song... And did me the microphone! As if to say, do you
:02:01. > :02:04.want to do your party piece? As if I sang the song... ! LAUGHTER
:02:05. > :02:09.When we put on the outfits, to film the bit being Kate Winslet, which
:02:10. > :02:16.has been cut, by the way... We immediately began singing it! We
:02:17. > :02:21.began singing the song... Near, far... LAUGHTER
:02:22. > :02:23.Stop now... We have been told by the producers to stop.
:02:24. > :02:25.Thanks to all the lovely people of Winchester,
:02:26. > :02:28.we'll be back with you when the rickshaw arrives there later on.
:02:29. > :02:30.The celebrity memorabilia business has grown
:02:31. > :02:32.rapidly in the last 15 years, with fans increasingly prepared
:02:33. > :02:36.to pay silly money for items signed by their idols.
:02:37. > :02:38.I think you'll find we already are...
:02:39. > :02:48.when you get those done you can start signing Kate's.
:02:49. > :02:55.Signed celebrity memorabilia can be a real draw for fans wanting to own
:02:56. > :03:00.something touched by their favourite star but how do you know that what
:03:01. > :03:05.you are buying is the real deal? Forgery is a big problem, especially
:03:06. > :03:08.in an industry where trust is key, unfortunately, there is people out
:03:09. > :03:14.there, on scrupulous people, who see the industry as a fast buck. Taxi
:03:15. > :03:21.driver Jim Conway is one collector left counting the cost of falling
:03:22. > :03:26.for a fraudster. -- unscrupulous. He thought that this was a famous
:03:27. > :03:32.booking, when Graham poll cautioned the same player three times in a
:03:33. > :03:39.World Cup game between Croatia and Australia. What is it worth? I do
:03:40. > :03:43.not have a clue, the guy who sold me this, and many of my other items, he
:03:44. > :03:49.was selling forgeries. -- Graham Poll. Either this is an iconic
:03:50. > :03:55.moment or this is a piece of card with a bit of scribble on it.
:03:56. > :03:59.Exactly right. He has bought more than ?5,000 worth of collectables
:04:00. > :04:02.from this man, Steve Pearson, as a stadium announcer for Portsmouth FC,
:04:03. > :04:09.he took a starring role in the 2008 FA Cup 's abrasions but he later set
:04:10. > :04:18.up by one-man production line. -- 2000 date -- 2008 FA Cup
:04:19. > :04:20.celebrations. Finally he would sell onto unsuspecting collectors forged
:04:21. > :04:26.items, all for big profits. Money for old rope. Pearson did have some
:04:27. > :04:32.genuine items, but nearly three quarters of what he was selling was
:04:33. > :04:35.fake. He even faked the signature of Muhammad Ollie, on this glove, not
:04:36. > :04:43.just conning collectors but stealing from them as well. This lady wanted
:04:44. > :04:53.to sell off one of her prize signed photos of Muhammad Ali to sell to a
:04:54. > :04:58.children's charity. She said he sold it for 175, I paid ?700 for it in
:04:59. > :05:02.Atlantic City, I have not seen any of the money. Was any of the
:05:03. > :05:06.memorabilia Pearson sold to Jim Conway genuine? We have asked a
:05:07. > :05:13.professional autograph authenticator to take a look through the
:05:14. > :05:17.collection. The Graeme Pollock yellow card... Let's assume somebody
:05:18. > :05:25.brought that into my store, even to be authenticated... I could not do
:05:26. > :05:31.it. I would have too declined that, I do not know the province. --
:05:32. > :05:34.Graham Poll. We checked with the man himself, and he still owns the
:05:35. > :05:42.yellow card, if it had been the sale, it would be ?1000. Bad news
:05:43. > :05:46.and there is more to come. That Brazilian shirt, there is eight
:05:47. > :05:51.signatures on their that are without doubt all by the same hand, and that
:05:52. > :05:56.is certainly not the signature of Pele. I feel let down and
:05:57. > :06:01.disappointed. 12 days ago, Pearson was given a 14 month prison sentence
:06:02. > :06:05.for fraud and theft, nowadays he is not so keen on appearing on camera.
:06:06. > :06:11.How can we protect ourselves from dodgy dealers like Pearson? Check
:06:12. > :06:17.out the people, make sure that they belong to an organisation, the
:06:18. > :06:19.autograph collectors club, or the autograph their trade association.
:06:20. > :06:21.You would not buy a car without making sure it had a solid MOT with
:06:22. > :06:28.it. Why do it with an autograph? Kate we thought we'd
:06:29. > :06:30.take a look online. and on one popular auction site
:06:31. > :06:33.alone there were 92 items claiming look how many different signatures
:06:34. > :06:47.you have! A lot of different Kate Winslets. I
:06:48. > :06:50.will not tell you which ones are and which one are not, there are
:06:51. > :06:59.three... Four which definitely are not... Five! Half of those are not
:07:00. > :07:03.me. One of those says Katie... It is not me at all. Some of them are
:07:04. > :07:08.complete the different. What does happen to me, if I sign a titanic
:07:09. > :07:11.picture, and an autograph hunter already has Leonardo Di Caprio, I
:07:12. > :07:16.can see very clearly, honestly, eight times out of ten, it is not
:07:17. > :07:22.the signature of Leonardo Di Caprio, obviously I know his signature very
:07:23. > :07:30.well. And I do say, that is not Leo. It was probably gave. Days!
:07:31. > :07:36.LAUGHTER Your new film, The Dressmaker, she
:07:37. > :07:44.goes back to a middle of nowhere place in Australia, there is a dark
:07:45. > :07:47.reason for her return. It is set in the 50s, it is predominantly a
:07:48. > :07:52.comedy but it has a twisted site as well, slightly dark, my mother,
:07:53. > :07:56.played by Judy Davis, a senile old bat who has gone mad, upon the hill,
:07:57. > :08:00.because her daughter has been away for a long time. As a child, Tilly
:08:01. > :08:05.was sent away from the child, -- sent away from the town, she was
:08:06. > :08:08.wrongfully accused of the death of a schoolmate, the film returns when
:08:09. > :08:14.she comes back, she wants answers and revenge and she has come back to
:08:15. > :08:18.find her mother. All hell breaks loose. She gets her revenge through
:08:19. > :08:25.fashion, does she inflict terrible double denim on people (!) socks and
:08:26. > :08:31.sandals... Purple chiffon! Pleats at the waist. LAUGHTER
:08:32. > :08:36.She befriends the townsfolk, who hate her, really hate her and do not
:08:37. > :08:40.want her back, by making them wonderful clothes, they live in
:08:41. > :08:44.middle of nowhere, they pretty much where a version of the same outfit
:08:45. > :08:49.every day, they have no clue about fashion but wish to God that they
:08:50. > :08:52.did. One by one she transforms them, which is them, gets them under her
:08:53. > :08:57.spell, and they give information about events as they happened years
:08:58. > :09:00.ago. She pieces together the truth of what happens to the school
:09:01. > :09:05.friend, and perhaps she was not responsible for what happened in the
:09:06. > :09:11.end. It is very clever. It is kind of like a very dark Gok Wan of the
:09:12. > :09:16.1950s! And we have got a very tasty Lee Holmes were in there as well...
:09:17. > :09:20.Lo and behold, the genius does make them look different, less like
:09:21. > :09:29.themselves and more like they want to be. You just called me Tilly.
:09:30. > :09:35.Just then. I never. And this morning. -- Liam Hemsworth. Sells
:09:36. > :09:38.but this is most important piece of clothing that I'm ever going to own
:09:39. > :09:45.LAUGHTER APPLAUSE
:09:46. > :09:49.-- sounds like. When I told my daughter that we were shooting that
:09:50. > :09:57.scene, she is 15, and she was speechless... ! Um... Er... Ah.. It
:09:58. > :10:06.was just a series of sounds! I took it to be jealously. It is very
:10:07. > :10:09.funny, I felt bad for Liam, he is looking all gorgeous commonly was
:10:10. > :10:13.quite nervous, it is not easy to keep on taking your shirt off, and
:10:14. > :10:18.Judy and I were giggling away. Judy and I having a great time. Lee, he
:10:19. > :10:22.is a sweet guy. Then you are doing this film you ticked off something
:10:23. > :10:26.you always wanted to do. Of all of the things that Kate Winslet has
:10:27. > :10:33.achieved, this will be on the list, that was a big surprise to me. You
:10:34. > :10:37.wanted to learn how to sew. I want to be able to make dungarees and
:10:38. > :10:43.teddy bears, curtains... Now I can do those things. It is amazing. So,
:10:44. > :10:48.I work on an old Singer sewing machine in the film, and I had to
:10:49. > :10:51.learn how to do it, I was determined that they would not have hand
:10:52. > :10:56.doubles, and it was fantastic, lots of tuition, and I can rustle up
:10:57. > :11:05.something fantastic. What about my out fit tonight, she make this out
:11:06. > :11:10.of a couple of napkins (!) apart from the poppy, of course. The film
:11:11. > :11:21.is in cinemas from Friday, November 20, The Dressmaker.
:11:22. > :11:24.I'm sure Kate has worked with many excellent film directors,
:11:25. > :11:26.but not many of them could compete with the brilliant Stanley Kubrick,
:11:27. > :11:29.a man often described as obsessive, egocentric and a recluse.
:11:30. > :11:30.His eldest daughter, Katherina, remembers him
:11:31. > :11:36.My father, Stanley Kubrick, who directed 2001: A Space Odyssey, Dr
:11:37. > :11:40.Strangelove, A Clockwork Orange, Full metal jacket, he had his family
:11:41. > :11:44.around him all of the time, it was very hurtful when there were stories
:11:45. > :11:51.in newspapers about him being egocentric, misogynist, a maniac...
:11:52. > :11:56.And so I am going back to see my old house, where we used to live for 12
:11:57. > :12:05.Years a Slave! And we left in 1979... I have not seen it since. --
:12:06. > :12:16.where we used to live for 12 years. I did not even see that! They have a
:12:17. > :12:19.plaque! A blue plaque! This is where I used to live. And this is where
:12:20. > :12:27.the editing happened, and the offices were. Great to see it again.
:12:28. > :12:30.My father was a New Yorker, he and my mother and my two younger
:12:31. > :12:38.sisters, they moved to England in 1960. They loved it so much that we
:12:39. > :12:46.stayed. And this was the garage. Is is where A Clockwork Orange was
:12:47. > :12:50.edited. -- this is. And he made so me others as well.
:12:51. > :13:07.Full of steam back editing tables, and monitors... Stanley was in here
:13:08. > :13:13.all of the time, with his editing tables, his cats, this was his
:13:14. > :13:19.favourite room. -- Steenbeck editing tables. So nice of the owners to let
:13:20. > :13:22.me come to see the house. I remember so clearly, one Sunday, some girls
:13:23. > :13:30.came to the door, and daddy opened it, he said, is Stanley Kubrick
:13:31. > :13:34.here, and he said, no, Newsnight home. I was laughing at the top of
:13:35. > :13:38.the stairs! My friends used to think it was really cool coming here, they
:13:39. > :13:41.thought that I had a movie star lifestyle, always meeting famous
:13:42. > :13:49.people... Jack Nicholson, Tom Cruise... Nicole When I was a
:13:50. > :13:53.teenager, my father was a nightmare, even though I was in A Clockwork
:13:54. > :13:56.Orange, when I was 16, for a nanosecond, in the record shop, I
:13:57. > :14:05.was not allowed to see it until I was 18, he was quite a strict
:14:06. > :14:11.father. He was a pain, actually (!) my father was very surprised at the
:14:12. > :14:14.reaction to A Clockwork Orange. It was blamed for a lot of the social
:14:15. > :14:20.ills going on at the time. It was a scary time, he even got a ticking
:14:21. > :14:25.parcel once... As it turned out, it was a ticking... A Clockwork Orange!
:14:26. > :14:36.This house brings back 1 million memories. -- it was a ticking...
:14:37. > :14:39.Clockwork Orange. I was cast as one of the sisters in Barry Lyndon, and
:14:40. > :14:45.in the back there, Eyes Wide Shut, I was playing the mother. When I was
:14:46. > :14:50.18, I was weeping, he said, make a list of all of the things that you
:14:51. > :14:54.want to do. Photography, art, and it led to the art department in the
:14:55. > :14:58.film industry, and I went onto other films, Muppet movie, dark Crystal,
:14:59. > :15:02.midnight express, when I got pregnant with my first child, I
:15:03. > :15:07.began working again, my first love, oil painting.
:15:08. > :15:18.The depth and the detail, just brilliant. Stanley loved these
:15:19. > :15:22.paintings, and those of his wife. Stanley's Executive Producer for 30
:15:23. > :15:25.years, my uncle. I worked with infrared very good reason, I enjoy
:15:26. > :15:29.very much, I worked with him for a very long time. Many of her
:15:30. > :15:35.paintings are seen in Eyes Wide Shut. It was a lovely and Q2 us, I
:15:36. > :15:42.think. He was warm, loving, supportive. -- it was a lovely thank
:15:43. > :15:47.you to us. He was a loving husband and father and grandfather and when
:15:48. > :15:52.he died, suddenly, it was like this umbrella that had been protecting us
:15:53. > :15:59.just disappeared. We were getting wet.
:16:00. > :16:04.Katherina followed her father into the film industry.
:16:05. > :16:07.How would you feel if any of your kids decided they wanted to
:16:08. > :16:16.These are things I hear all the time. Honestly, I would encourage
:16:17. > :16:20.it. It's a brilliant job. It's to fantastic. You get to work with
:16:21. > :16:24.really wonderful, interesting people, and you learn so much all
:16:25. > :16:29.the time. That's the great thing, I feel I never stop learning. And you
:16:30. > :16:33.see the world in really safe ways. You travel with groups of people,
:16:34. > :16:37.film crews are very protective. Actors are a great laugh. I would
:16:38. > :16:41.never stand in the way of anything they wanted to do, and particularly
:16:42. > :16:46.not that. It is so refreshing to hear an actor say that. There are
:16:47. > :16:50.huge risks but there's risks with everything, there really are. You
:16:51. > :16:57.can't live your life worrying about the risks you may or may not be
:16:58. > :17:01.about to take. Just go for it. Would they be as insistent as you in
:17:02. > :17:04.getting a part? You famously sent an endless stream
:17:05. > :17:07.of letters and flowers to James Cameron to get the part in Titanic,
:17:08. > :17:10.and you were just as determined when it came to landing your other big
:17:11. > :17:15.film of the moment, Steve Jobs? Part?. I was working on The
:17:16. > :17:20.Dressmaker. The woman doing hair and make-up got the gig doing hair and
:17:21. > :17:25.make-up on the Steve Jobs film. I thought, how brilliant. I said,
:17:26. > :17:28.stop! First of all, what's it about? She was so excited to be a part of
:17:29. > :17:32.this project with interesting people. She described it to me and I
:17:33. > :17:39.thought, my God, that's amazing. I said, and what's the girl's part?
:17:40. > :17:43.And with the two of us went, ooh. She described Joanna Hoffman to me.
:17:44. > :17:49.I thought, I've got to do it. In a timely manner, I think, I put a big
:17:50. > :17:54.on my head and took a selfie and I sent it to the producer, who I know.
:17:55. > :17:57.It worked for me and they sent me the script. Danny Boyle came to
:17:58. > :18:01.Australia where we were filming, we had a meeting and that was it. So
:18:02. > :18:06.Danny Boyle was serious about it before you flew to Australia?
:18:07. > :18:12.Hopefully. I look nothing like the real Joanna Hoffman, so I can
:18:13. > :18:18.understand, maybe not. But I proved them wrong. And it all started with
:18:19. > :18:24.a selfie. What an amazing way to get a job I thought, I'll send that,
:18:25. > :18:26.have that in your inbox, got rid. And you've done so many amazing
:18:27. > :18:29.things. You were recently in Snowdonia with
:18:30. > :18:32.Bear Grylls - and even on the side of a mountain, he made
:18:33. > :18:43.you re-enact a scene from Titanic? You would love Bear, he's fantastic.
:18:44. > :18:50.Hi, Bear. He's wonderful. I was asked to do it when we were still
:18:51. > :18:57.filming Steve Jobs in San Francis o. I thought it would be like a weekend
:18:58. > :19:01.break. Go up a mountain with Bear. Genuinely, it was a bit of a break
:19:02. > :19:06.actually. I had a lovely time. I really want to do it. Not that, but
:19:07. > :19:13.I want to do it. Well, I think you should do it. None of that was
:19:14. > :19:18.planned and when Bear knew the lines after my lines I thought, you are
:19:19. > :19:25.quite weird. Why would you know those lines?! Kate, it's been
:19:26. > :19:26.amazing. Thank you so much. Kate Winslet everybody!
:19:27. > :19:28.CHEERING AND APPLAUSE. Time to say goodbye to Kate now
:19:29. > :19:46.as we hand over to Matt and Yes, I'm hear in Winchester, 74
:19:47. > :19:51.miles from where I started, along with Team Rickshaw we left at
:19:52. > :19:56.2.00am, so apologies if I start to speak a little bit of gobbledegook.
:19:57. > :20:01.Quite a few people have turned out to meet us here!
:20:02. > :20:08.CHEERING. And that's because shortly Team Rickshaw will be turning on
:20:09. > :20:13.Winchester's Christmas lights. But before all of, that let's catch up
:20:14. > :20:18.with their challenge so far. This is all happening 91 miles away,
:20:19. > :20:27.yesterday afternoon in the very beautiful Cheddar Gorge. Team
:20:28. > :20:31.Rickshaw has travelled through some of this country's most beautiful
:20:32. > :20:36.scenery, and today we are in for another treat. Cheddar Gorge in
:20:37. > :20:38.Somerset. At its entrance we make a quick stop to gorge on some cheese.
:20:39. > :20:54.It's famous for it, you know. And the honour of cycling the
:20:55. > :21:04.rickshaw through the gorge is Amira's. This morning was our
:21:05. > :21:08.earliest start yet, and George Dixon, who tragically lost his
:21:09. > :21:13.father in a road accident, is in the saddle. It is 2 o'clock in the
:21:14. > :21:18.morning and we are about to cycle 74 miles all the way to Winchester. I
:21:19. > :21:21.can't say I've done anything like this before. I don't think there'll
:21:22. > :21:27.be that many people out to cheer us on. I don't either. But we are
:21:28. > :21:31.wrong. It is a quarter past two in the morning and this lovely couple
:21:32. > :21:35.have joined us on a tandem. This is incredible. And that support is
:21:36. > :21:42.welcome. George is one of our strongest riders, but some of these
:21:43. > :21:48.hills are real beasts. A bit tricky here. The things are slipping. Whoa!
:21:49. > :21:53.But George remains positive about the challenge. We are only halfway
:21:54. > :21:59.and it's already been one of the best four days of my life. What
:22:00. > :22:05.we've seen so far, seeing that total yesterday, mine blowing. It is a
:22:06. > :22:09.huge lodgist cal task travelling almost 500 miles, and we really rely
:22:10. > :22:15.on the support team that come along with us. This is the basic set-up.
:22:16. > :22:19.We have got this vehicle here which Team Rickshaw can relax in when they
:22:20. > :22:24.are not riding, if there's any physio that needs to be done. And we
:22:25. > :22:31.have another van with our kit. In sorry if you've been stuck behind
:22:32. > :22:37.us. These are the med diction-bikes. Bikes. These have trained
:22:38. > :22:43.paramedics. What's the best thing for you? Meeting new friends. You
:22:44. > :22:49.are only saying that because you're filming. Lucy, who is 168, has
:22:50. > :22:57.cerebral palsy and is partially deaf, but she has faced it all with
:22:58. > :23:03.a can-do attitude. I don't listen to them. I just turn my head away. I
:23:04. > :23:08.just turn my back on them and I don't care what they think. They try
:23:09. > :23:17.to make you feel down about yourself. My family tell me to
:23:18. > :23:22.accept my disability. I wouldn't change my life for the world. And
:23:23. > :23:28.I'm sure that you brighten every day for them. Yeah. If Lucy, somebody is
:23:29. > :23:33.watching in that isn't feeling so positive right now, what would you
:23:34. > :23:44.say to them? I would say, look at me. I've had cerebral palsy. Don't
:23:45. > :23:49.think about the bad. Always look on the bright side. There's one word
:23:50. > :24:03.they use up North that would describe this perfectly. Mint. Mint.
:24:04. > :24:06.Do you know what, I just love cycling alongside this lot. I am
:24:07. > :24:11.sure that you can understand why. Listen, if you want to text and show
:24:12. > :24:18.your support to these wonderful people, just pick up the phone and
:24:19. > :24:25.text the word Team to 70705. That's for a donation of ?5. If you are
:24:26. > :24:29.feeling more generous and want to donate ?10, text the word Team to
:24:30. > :24:33.70710. Texts will cost
:24:34. > :24:35.your donation plus your standard All of your donation will
:24:36. > :24:38.go to Children in Need. You must be 16 or over - and please
:24:39. > :24:42.ask for the bill payer's permission. For more information
:24:43. > :24:43.and full terms and conditions, where you can also donate online if
:24:44. > :24:53.you want to give a different amount. There is one person missing from
:24:54. > :24:57.Team Rickshaw. That is because George is just around the corner.
:24:58. > :25:03.I'm going to have a word with his mum, Sarah. He doesn't know that you
:25:04. > :25:08.are here, mum. We've got brother Fred here as well, uncle, aunty and
:25:09. > :25:13.grandpa. This must have been difficult for you. We heard that you
:25:14. > :25:16.lost your husband Andrew and George lost his father in a traffic
:25:17. > :25:21.accident, a cycling incident on the road. Here he is cycling from Land's
:25:22. > :25:26.End to the studio in London. How is this for you? I think it was a very
:25:27. > :25:30.poignant moment. I'm so proud of him and I know his dad will be watching
:25:31. > :25:35.over him with his smiling eyes all the time and be so proud of him.
:25:36. > :25:39.Listen, he's so incredibly strong. The miles that he can chew up on
:25:40. > :25:44.that rickshaw are incredible. He told me he has the speed record as
:25:45. > :25:48.well. He has. Often that note, what do you see in George that's been
:25:49. > :25:52.passed on from your husband, Andrew? Determination. He is just like a
:25:53. > :25:56.mini version of Andy. Kind and generous, a great kid. In the last
:25:57. > :26:01.few days that's what I've experienced from him. Will you be
:26:02. > :26:05.delighted to see your son coming round this corner and bringing the
:26:06. > :26:13.rickshaw home after 74 miles. There you go. Get in there.
:26:14. > :26:17.CHEERING AND APPLAUSE. There you go. Brother Fred, uncles here as well.
:26:18. > :26:22.We have got the godmother and grandpa. This is what it is all
:26:23. > :26:26.about, so please do text and show your support, if you can.
:26:27. > :26:30.CHEERING. While they enjoy that moment I'm going to go to our other
:26:31. > :26:34.George, because I'm sure you are aware, as well as peddling this
:26:35. > :26:40.rickshaw, our riders have to make a speech. And where better to send our
:26:41. > :26:45.favourite musical man than the stage of his favourite musical?
:26:46. > :26:55.It's my first time being on the big, big stage. I'm going to really enjoy
:26:56. > :27:00.this. Pudsey, on stage, try and remember where you're going. So
:27:01. > :27:03.please, ladies and gentlemen, please welcome to the stage the wonderful
:27:04. > :27:13.George and Pudsey! CHEERING AND APPLAUSE. Hello, I'm
:27:14. > :27:21.George. I have Down's sin droll. This means that sometimes learning
:27:22. > :27:27.things can be really hard. I can appear confused and nervous. It
:27:28. > :27:40.makes me feel excluded, but music helps me to relax.
:27:41. > :27:45.APPLAUSE. I'm here to talk about playing the Corda, it has made me
:27:46. > :27:55.more confident. I've now written my first musical. It's called Before
:27:56. > :28:02.Matilda Before. I'm working on my second musical, Before Annie. I'm
:28:03. > :28:08.proud to be part of this year's Rickshaw Challenge. Your donations
:28:09. > :28:13.can make a huge difference, so please give your money if you can to
:28:14. > :28:22.help support people like me. CHEERING AND APPLAUSE. Well, George,
:28:23. > :28:30.one word, please, so sum up that wonderful moment for you on stage in
:28:31. > :28:36.Annie. It's been, it makes me happy. I feel so grateful. And that's what
:28:37. > :28:40.we want to say to anyone who has donated. Thank you so much. Thank
:28:41. > :28:45.you so much. Thank you so much. Thank you. Aaron? Thank you so much.
:28:46. > :28:49.Listen, the crowd here at Winchester are going to be thanking you
:28:50. > :28:52.shortly, because you are here to turn on their Christmas lights.
:28:53. > :29:00.Lucy, you come forward and push that down for us the. Ready? 3, 2, 1...
:29:01. > :29:10.Go! CHEERING. And you can see them all
:29:11. > :29:14.in the distance. That's it from Winchester. We hope you can join us
:29:15. > :29:17.from Brighton tomorrow. Follow us on the website.