:00:18. > :00:28.Hello and welcome to the One Show with the lovely Matt Baker And our
:00:29. > :00:33.fantastic red head presenter, Angela Scanlon. I think they should do the
:00:34. > :00:39.whole show? I think so. Later on we will find out how these amacing
:00:40. > :00:41.animatronics animals have been capturing wildlife footage no-one
:00:42. > :00:45.has seen before. He has better hair than me. I love him. Whether this
:00:46. > :00:53.chap can fool members of the public as well. Hello. Look, look. Is it a
:00:54. > :00:58.robot? , no, it looks like a robot. Wonderful. Plus, we will be
:00:59. > :01:04.welcoming two TV couples to the sofa, one duo spend their Sunday
:01:05. > :01:09.nights delivering baby in a hit BBC drama the other delivers daily game
:01:10. > :01:16.show goals. What happens when their world's collide. Let's meet today's
:01:17. > :01:21.player. GP, licensed to practice medicine and secret agent... Name as
:01:22. > :01:27.many properties on the monopoly board that do not contain the word,
:01:28. > :01:33."street." That was so convincing. Foods beginning with C? Camping! We
:01:34. > :01:39.will see how popular it is. How many of our 100 people said "camping"?
:01:40. > :01:43.That is wrong. That scores the maximum of 100 points. Unlucky guys.
:01:44. > :01:54.I hope you got some of those at home. Please welcome our Pointless
:01:55. > :01:59.guests Alexander Armstrong and Richard Osman and from Call the
:02:00. > :02:06.Midwife Stephen McGann and Laura Main. 1,000 episodes of Pointless. I
:02:07. > :02:10.mean, you guys are back with a new series of Call the Midwife. You are
:02:11. > :02:15.on guessing roughly the 50 mark. Must be. Can you imagine getting to
:02:16. > :02:23.1,000? We are hoping to. Would that take us to the present day? That is
:02:24. > :02:27.a good point. To a future where there is only Dr Turner left. You
:02:28. > :02:34.wouldn't be in it by then. You killed him off. Are you fans of
:02:35. > :02:38.quizzes? Is I watch Pointless. The We all do. I didn't think I would be
:02:39. > :02:42.taking part in a quiz though. I thought I was coming on the One
:02:43. > :02:55.Show. They have not roped you into this celebrity version yet, have
:02:56. > :02:59.they? No. You are on. Matt came on. I'm not going to blame anyone. That
:03:00. > :03:06.was Al. She's actually watching! Have you ever delivered a baby?
:03:07. > :03:11.Yeah. A couple of times! I have been there when a few have come out, as a
:03:12. > :03:18.father, I don't go around maternity wards. Got to have a hobby, right?
:03:19. > :03:23.Your dreams are about to come true. We will be playing some Pointless
:03:24. > :03:29.quizzes, if you like. The Pointless One Show. Don't talk it down. The
:03:30. > :03:31.Zero Show. We will mix up the teams, if that is all right. We will do
:03:32. > :03:36.that later. Now though, with the pressure on NHS
:03:37. > :03:38.dominating the headlines once again, time to go back to our campaign
:03:39. > :03:50.to try and save the health Last year I launched a campaign to
:03:51. > :03:54.try and get you, the public, to bring back the medical equipment you
:03:55. > :03:59.no longer need to save the NHS millions. Boy, oh, boy, have I been
:04:00. > :04:03.surprised at what I found out. I discovered that hospitals were
:04:04. > :04:07.losing money on a daily basis. If we are giving out 25 pairs a day, we
:04:08. > :04:16.get one be back, we are losing ?240 a day. You emailed saying you wanted
:04:17. > :04:21.to return equipment but the hospital wouldn't take it. Look at that. It's
:04:22. > :04:24.a new year. My campaign is gathering a new pace. Plenty of you are not
:04:25. > :04:28.prepared to take no for an answer. It's starting to make a real
:04:29. > :04:33.difference. That includes here, this GP surgery in Leeds. They contacted
:04:34. > :04:37.me to say we'd given them a great idea. Liz, you are practice manager
:04:38. > :04:41.here, you felt compelled to contact us at the One Show, is that right?
:04:42. > :04:46.We saw your films. We felt inspired to do something to help. What are
:04:47. > :04:50.you planning to do? We hope to have an equipment amnesty. Patients who
:04:51. > :04:55.borrowed anything to the hospitals can return items to us and we will
:04:56. > :04:59.will make sure it gets back to the right place. We will put up posters,
:05:00. > :05:06.letters to patients and on the website. I'm here to help. Can we
:05:07. > :05:12.start? Absolutely. The local NHS Trust recycles equipment, but if
:05:13. > :05:20.they are a drop off point the surgery can turbo the equipment.
:05:21. > :05:28.This is why we are doing the campaign. Absolutely. Liz has a room
:05:29. > :05:31.at the surgery set aside for all that medical equipment that, fingers
:05:32. > :05:37.crossed, is about to come back. This is brilliant. Wham a space this is.
:05:38. > :05:41.Why is it best to bring it back to the GPs than to the hospitals?
:05:42. > :05:45.Convenience. If patients go to hospital they pay for parking or get
:05:46. > :05:49.on a bus or taxi. Patients who come to a doctor surgery on a regular
:05:50. > :05:54.basis can drop it in as they go past. The local hospital Trust in
:05:55. > :05:58.Leeds are keen to get involved with the GP scheme. Janice, head of fizz
:05:59. > :06:02.Yeo at the hospital, has come down to the surgery today to meet Liz to
:06:03. > :06:06.kick-start the campaign. How will it work, what is the plan? We will be
:06:07. > :06:10.talking about where Liz would be best to bring the car to to drop the
:06:11. > :06:15.equipment You will put off. The stuff in your own car. I thought you
:06:16. > :06:20.would have a van and stuff, that is better. Do it ourselves. Why are you
:06:21. > :06:26.doing? If we make a saving in one area we can spend more on something
:06:27. > :06:30.else. Leeds Teaching Hospitals NHS Trust launched their equipment
:06:31. > :06:34.amnesty in 2012, this is the first time they liaised with a local GP
:06:35. > :06:38.surgery. Why aren't other hospitals doing the scheme? I don't know. It's
:06:39. > :06:41.straight-forward to do. Phone calls with different partner organisations
:06:42. > :06:44.across the city. Would you encourage other hospitals to do it?
:06:45. > :06:49.Definitely. I've got another plan up my sleeve to help spread the word.
:06:50. > :06:52.Hello, is that the Yorkshire Evening Post? Yes. I think I've got
:06:53. > :06:58.something you might be interested in. Word starts to spread at the
:06:59. > :07:01.surgery. I've crutches at home, never got them back to the hospital,
:07:02. > :07:08.which I had last year. I didn't know you could. People could reuse them
:07:09. > :07:13.again. We are sending letters to our patients explaining the new scheme.
:07:14. > :07:16.Brilliant. We will be saving the NHS thousands, aren't we? Saving
:07:17. > :07:19.thousands of pounds, yeah. People like to help the NHS. I think that
:07:20. > :07:23.the patients will get on board and really want to do this, especially
:07:24. > :07:28.to get the equip am out of their house. You know, watching this in
:07:29. > :07:31.action strikes me just what a simple but effective idea this is. Could
:07:32. > :07:38.others do the same? I'm going to find out. I've come to London to put
:07:39. > :07:44.my plan to the Royal College of GPs, what can they do to help? Professor
:07:45. > :07:51.Helen Stokes-Lampard is their Chair. Great to meet you. I have been to an
:07:52. > :07:54.amazing surgery in Leeds they are trying to elect unwanted medical
:07:55. > :07:58.aids. Couldn't all GPs do this? Some of the problems with all GP
:07:59. > :08:01.surgeries getting involved they haven't got the space, the staff to
:08:02. > :08:05.handle this equipment. Actually, where they have got the capacity I
:08:06. > :08:09.think it's a really great idea. I'm sure there are plenty of surgeries
:08:10. > :08:13.that would be liked to be involved in such a scheme. It makes sense for
:08:14. > :08:18.the whole NHS. How do you get the message out there? I will he email
:08:19. > :08:22.in my blog to GP members about this scheme. I think it's a great idea.
:08:23. > :08:26.You could email your members on our behalf as well to ask them that? I
:08:27. > :08:29.will certainly do that for you. That would be brilliant news. Of course,
:08:30. > :08:33.any GP scheme like the one in Leeds is only going to work if the local
:08:34. > :08:38.NHS Trust is willing to take the equipment. With help on offer like
:08:39. > :08:44.this, surely at least some of those that don't will change their mind.
:08:45. > :08:54.Now Now Kevin is with us, right over there. Practically in the green Just
:08:55. > :09:00.with you room. . What has the response been like? Brilliant. Ten
:09:01. > :09:05.items have been dropped off since Friday, a mixture of crutches and
:09:06. > :09:11.zimmer frames. Crutches cost ?10 we have saved them ?100. It's great
:09:12. > :09:18.news. We heard there that, what was I going to say - Liz is on crutches.
:09:19. > :09:22.Lizzie, she snapped her tendon on her ankle there. The good news is
:09:23. > :09:25.that Lizzie, bless her, she told us it will get to the appropriate
:09:26. > :09:29.organisation. That is great. We heard there that obviously you can't
:09:30. > :09:35.drop all your medical aids at every GP. We are asking all GPs, if they
:09:36. > :09:42.do want to get involved, contact us, we will pop the details on the
:09:43. > :09:48.websites. No other database allows this to happen. Helen from the Royal
:09:49. > :09:52.College of GPs is sending herrer mail on Friday. That will go to
:09:53. > :09:55.50,000s GPs across the UK. Fingers crossed that will be good news. It
:09:56. > :10:01.will keep building, Kevin. Absolutely.
:10:02. > :10:03.On the subject of saving money, Dom Littlewood was here last night
:10:04. > :10:06.and he's got a new show called, Right on the Money.
:10:07. > :10:10.He is looking to help One Show viewers save thousands.
:10:11. > :10:13.If you want to take part, all you have to do is email
:10:14. > :10:16.Our next film features some stunning scenery,
:10:17. > :10:19.two beautiful wild animals and an animal trainer who has taken
:10:20. > :10:23.on the challenge of taming them, and she's doing it all on a 10 day
:10:24. > :10:24.100 mile trek across the Scottish highlands.
:10:25. > :10:45.I'm Emma Massingale and I train horses in a special way without
:10:46. > :10:49.reins or restraint. I have two unbroken be highland ponies to join
:10:50. > :10:54.the horses I have back in Devon. Hey, boys. To build up a
:10:55. > :10:58.relationship and understanding of these ponies I'm taking them to the
:10:59. > :11:03.environment they were bred for, a trek across their home of the
:11:04. > :11:07.Scottish Highlands. This is where our journey starts. I'm on the east
:11:08. > :11:13.coast of Scotland. You can say the Bay behind me. Ahead of us we have a
:11:14. > :11:17.100 mile hike that will take us 10 days before arriving at Journey's
:11:18. > :11:25.End on the west Coates. They are bred to be Hardy and tough, but it
:11:26. > :11:30.won't be easy. Oh. We will have to tackle bogs, fast flowing water and
:11:31. > :11:34.mountainous terrain. By the end, I'm hoping that we will have bonded
:11:35. > :11:39.enough for the ponies to let me ride them. Come on then, boys, let's go.
:11:40. > :11:44.As we don't know each other yet, I have to use a lead to stop them
:11:45. > :11:51.wandering off, which is something they're not used to. Extremely hard
:11:52. > :11:57.work. Hector is much braver. Hughie is quite stubborn. Come on, Hughie.
:11:58. > :12:02.Having him pull on the rope all the time make it double the effort.
:12:03. > :12:07.Although the going is tough, we need to cover at least 10 miles a day. We
:12:08. > :12:12.have come all the way down from the mownans and it's been an incredibly
:12:13. > :12:17.hard day. I'm absolutely shattered. I think the ponies are, too. I think
:12:18. > :12:20.I will try and find camp along the river somewhere tonight. As we are
:12:21. > :12:28.building trust, the ponies need to be tethered to stop them running
:12:29. > :12:33.away. Are you all right? Good boys. Unlike us, horses only need a couple
:12:34. > :12:39.of hours sleep a day by 4.00am the next morning, the boys are ready to
:12:40. > :12:47.leave the camp. I have this fetching hat to keep the midges at bay.
:12:48. > :12:52.Ponies have nature on their side. They have a thick coat. Their skin
:12:53. > :12:56.is thicker than any other pony I've ever experienced. As we continue on
:12:57. > :13:07.our journey, leading these ponies don't get any easier. Oh oh. Horses
:13:08. > :13:10.are hrd animals. Hector and Hugh have formed a strong bond. At the
:13:11. > :13:20.moment, two is company, three is a crowd. I need to make some changes
:13:21. > :13:24.so I'm not left out. So my plan for today is to try and pal up with
:13:25. > :13:29.Hector. We will pick the nicest grass, offer him the best places to
:13:30. > :13:34.stop and really try and build on my relationship with him, as it seems
:13:35. > :13:38.to be we get on a little bit better than with Hughie. As for Hughie, I'm
:13:39. > :13:42.taking a gamble and letting him off the lead and hoping as he sees me
:13:43. > :13:47.and Hector having a good time he will want to stick with us. OK, it's
:13:48. > :13:55.going quite well. Hughie is starting to know what his name is when I call
:13:56. > :14:00.it he comes, which is good. Come on, Hughie, he is not wanting to do his
:14:01. > :14:06.own thing too much. We have to cross a few rivers. Trying to encourage
:14:07. > :14:15.the horses across unfamiliar conditions is a real challenge -
:14:16. > :14:21.well, for some of us anyway. Shoot! Yes, I'm very wet! I decide to make
:14:22. > :14:25.camp early to get warm and dry before the sunsets and the
:14:26. > :14:27.temperature drops. As my relationship is blossoming with
:14:28. > :14:33.Hector, I feel confident to let him off the lead as well. It's really
:14:34. > :14:37.nice to see them loose. We've had a really good day today, perfect
:14:38. > :14:42.ending. I spoke too soon. As darkness falls the weather takes a
:14:43. > :14:46.turn for the worse and Hector and Hughie disappear. There is a bad
:14:47. > :14:50.storm come in and frightened the ponies, they've both run off. I
:14:51. > :14:55.can't find them anywhere. Hector, Hughie! If they've bolted, the
:14:56. > :15:02.chances of finding them will be hard and a massive setback for us all.
:15:03. > :15:13.Part two of that coming up later. Horses there, llamas, are they had
:15:14. > :15:16.to control? Yes! I've got five. We thought we were only going to have
:15:17. > :15:22.four and then a little baby appeared, I don't know how that
:15:23. > :15:29.happened. It happens. I like llamas, not humans but I like llamas. Can
:15:30. > :15:36.you lead them around? LAUGHTER Can you write one? They are very
:15:37. > :15:41.lovely and you want to reach out and Pat and scratched them. They are
:15:42. > :15:47.innately terrified, they just don't like humans at all, I'm afraid and
:15:48. > :15:54.very strong. They sound great! Brilliant guarding animals. Box.
:15:55. > :16:03.They keep foxes away, farmers have them for lambing. Let's get onto
:16:04. > :16:09.Pointless. 1000 episodes. You have been filming seven years and we kind
:16:10. > :16:14.of got onto conversation before we got on air, how it works during the
:16:15. > :16:22.day. How many things our youth filming? Four a day. It works well,
:16:23. > :16:25.when you get into the rhythm of it. The first one is fun, you turn up
:16:26. > :16:31.and there's a lot of energy. The second one is nice because your
:16:32. > :16:34.branch after it. The fourth one is nice because you're going home
:16:35. > :16:39.afterwards. You don't want to be on the third one! Whenever I watch an
:16:40. > :16:45.episode and think, they look a bit tired I think, that's episode three.
:16:46. > :16:51.Do you get a bit crabby with the contestants? Never! Seriously, we
:16:52. > :16:55.haven't. Sometimes we talk about them afterwards, but very rarely. We
:16:56. > :17:02.usually say they were lovely. Delightful! For this 1000th episode
:17:03. > :17:05.you've switched roles? We have. We wondered what to do and we thought
:17:06. > :17:16.it would be nice to do something special. We were going to have Rich
:17:17. > :17:20.carried by 1000 dogs. Or a llama! We thought we'd change places. We
:17:21. > :17:28.thought it would be a tree if you've watched the show from the beginning
:17:29. > :17:38.and it was funny, wasn't it? It was. Djibouti was a French territory
:17:39. > :17:48.until 1977. As you were...! LAUGHTER I think we're both appreciating how
:17:49. > :17:54.hard the other person works. Recently you have become a Pointless
:17:55. > :17:58.question or answer? It's so funny, when we have friends who are
:17:59. > :18:02.sometimes answers on the show we say you are on and you are Pointless
:18:03. > :18:09.answer. Which means nobody knows them! I was a Pointless answer. The
:18:10. > :18:14.question came up and took us by surprise, the top 50 selling albums
:18:15. > :18:19.of 2015. Someone said, I don't know, I'm just going to say Alexander
:18:20. > :18:25.Armstrong. Alex said, that's so sweet of you to say so. And he found
:18:26. > :18:34.he was one of the top 50 selling albums of 2015. APPLAUSE
:18:35. > :18:40.Your face is so lovely. Let's just remind ourselves of your wonderful
:18:41. > :18:46.dulcet tones. Here we go. # I believe in a thing called love
:18:47. > :18:49.# There's a chance we can make it now
:18:50. > :18:55.# I believe in a thing called love #.
:18:56. > :19:02.APPLAUSE Look at that! A slight change from
:19:03. > :19:08.Fields of Gold. I liked that. I had my six-pack painted onto my costume.
:19:09. > :19:12.I might do that more often as well. It was great fun. I think it is this
:19:13. > :19:15.Friday at Sun, with Jimmy Carr. Not going to tell you what happens. We
:19:16. > :19:22.are looking forward to the rock album! If you didn't know, Pointless
:19:23. > :19:26.is on weekdays at 5:15pm. The 1000th episode is on Monday, but you don't
:19:27. > :19:35.have to wait that long, because we are going to play it now.
:19:36. > :19:40.So we need to mix up the teams a bit so -
:19:41. > :19:45.if Richard and Laura you swap over please.
:19:46. > :19:50.Laura and Stephen, we will just remind you of the rules. Just like
:19:51. > :19:53.in the real Pointless we are not just looking for correct answers but
:19:54. > :20:01.the most obscure answers, based on those given to us by 100 people.
:20:02. > :20:07.Let's go through again, I get it! The first category we have is titles
:20:08. > :20:11.of Pointless in other countries. We have five names of international
:20:12. > :20:17.editions of pointless. If only one of the people worked for end of
:20:18. > :20:30.Mull. Which country relates to which one? You can choose from...
:20:31. > :20:51.So, team won. One of those is... You have two guests which country that
:20:52. > :20:55.answer relates to. Choose a title and then try and team it with a
:20:56. > :21:06.country of your choice. There is an obvious one there... Go for it. Team
:21:07. > :21:13.won. I wouldn't. You can say one, two, three, four or five. The second
:21:14. > :21:18.one down, I think that sounds fun apart from anything else. That's a
:21:19. > :21:26.show I'd watch! LAUGHTER You know what I'm saying. I think
:21:27. > :21:32.that comes from... I'm thinking that might be the Serbian version of the
:21:33. > :21:35.show. You are going to say Serbia? I was just talking to Stephen and he
:21:36. > :21:39.wanted to go for the same one because he doesn't think it is
:21:40. > :21:46.Serbia. So you're going for number two, what country? Whisper it to me
:21:47. > :21:52.again? Croatia, he's saying. So you're going for the second one
:21:53. > :21:55.also. Let's find out if you are right, and most importantly which is
:21:56. > :22:01.the most obscure. Team won, you said the second one and you said Serbia.
:22:02. > :22:13.Is it correct? How many people said it? Oooh! I'm sorry. That is a
:22:14. > :22:22.shame. Team number two, you chose the same answer, and you said
:22:23. > :22:33.Croatia. Let's see. And if so, how many people said it. Oooh! This is
:22:34. > :22:42.shameful, frankly. It was Czechoslovakia. The answers for you
:22:43. > :22:47.at home if you are playing along. France, Czech Republic, Germany,
:22:48. > :22:54.Croatia and Poland. That is like Vladimir Putin's to-do list.
:22:55. > :23:00.LAUGHTER Interestingly Croatia's title is no
:23:01. > :23:05.one thought of that. Now, how people find K White Way has been behind
:23:06. > :23:08.many emotional reunions here on the One Show but this time she's
:23:09. > :23:13.attempting to bring together to people who had met before. Their
:23:14. > :23:19.only connection and object found in a second-hand store. Here is
:23:20. > :23:26.Adebanji to tell us more. The walls of East London are dripping with
:23:27. > :23:29.modern artistic energy. But I'm here to discover a different part of its
:23:30. > :23:36.art heritage dating back to the First World War. That's a good one.
:23:37. > :23:40.This book of pictures and poems was created by soldiers and refugees
:23:41. > :23:45.during World War I, as a gift from a nurse who was looking after them in
:23:46. > :23:50.a hospital in London. 40 years ago the book turned up in a second-hand
:23:51. > :23:57.shop owned by Iris Simons. How come you didn't sell this book? I just
:23:58. > :24:02.couldn't bring myself to sell it. It was just very special. I did feel
:24:03. > :24:10.its rightful places with her family. What do we know about this nurse?
:24:11. > :24:13.Her name is Violet Fountain. She was obviously very caring. Some of these
:24:14. > :24:19.soldiers are French, some are Belgian. They just loved her. I'm
:24:20. > :24:27.keen to try out this simple and elegant style for myself. If you
:24:28. > :24:32.could, would you like to see a picture of her? Absolutely. Iris
:24:33. > :24:38.asked us to help her find out more about Violet Fountain. So we called
:24:39. > :24:43.in the people finding expert, Kat Whiteaway. The book only tells is
:24:44. > :24:48.Violet's name, but luckily that name is quite unusual. There are only
:24:49. > :24:54.seven people of that name on the 1911 census, and one of those was
:24:55. > :25:01.born in London. After more research we discovered this person lived
:25:02. > :25:03.within walking distance of an east London workhouse, which was
:25:04. > :25:06.converted into a hospital for the wounded of World War I. It was
:25:07. > :25:10.called St George 's in the east and matches the hospital named in the
:25:11. > :25:17.book. I found a will for Violet. The will name is not only Violet's fun
:25:18. > :25:21.but her two grandsons. When I looked at the electoral registers I spotted
:25:22. > :25:26.one person of the right name. He confirmed Violet was his
:25:27. > :25:31.grandmother. That grandson is Mark. We've brought him to St Peter's
:25:32. > :25:37.church to meet Iris are just a stone's throw from where his mother
:25:38. > :25:46.worked. This is the church she would have attended. Oh, it's beautiful.
:25:47. > :25:53.We are following in her footsteps here. This is just where she would
:25:54. > :26:03.have been. I can feel her. Yeah. And we have brought you... Violet's
:26:04. > :26:09.grandson, who I know you would really love to meet. So there he is.
:26:10. > :26:16.My goodness! Did you know your grandmother? No, no I didn't. She's
:26:17. > :26:23.here. I know she would want you to have that. Now, at last, Violet's
:26:24. > :26:28.book is back with her family. I've never seen anything like it. I'm
:26:29. > :26:33.struggling not to be in tears. I had no idea, no idea that she was a
:26:34. > :26:38.nurse. I knew nothing about her at all, so to have this, it means so
:26:39. > :26:44.much. I'm so pleased. They must have really liked her to go to the effort
:26:45. > :26:49.to do this. And when you read some of the sentiment, you'll realise how
:26:50. > :26:54.much they cared for her and what a brilliant nurse she must have been.
:26:55. > :27:02.After 40 years I risk now finally see what Violet looked like. That's
:27:03. > :27:12.me, that's my grandmother. That must have been 1960. That is Violet.
:27:13. > :27:18.Well... I never thought I'd see her. My goodness... I'm lost for words.
:27:19. > :27:25.I've got one last surprise for Mark and Iris. It is a portrait I
:27:26. > :27:30.sketched of Iris. All you need to do is insert that into the book and it
:27:31. > :27:36.completes the whole of this journey. Thank you so much, everybody. It
:27:37. > :27:40.feels great to see this priceless book return to the family where it
:27:41. > :27:48.belongs. And to know it will be cherished by generations to come.
:27:49. > :27:52.APPLAUSE What a gorgeous film. We have Mark
:27:53. > :27:57.and Iris in the studio with us. You were watching at the first time.
:27:58. > :28:01.It's wonderful, right? It is. Having shown the book to your family, what
:28:02. > :28:05.do they think of the whole thing? It's so good to be able to connect
:28:06. > :28:10.grandmother to my children, because we never knew who she was and now
:28:11. > :28:16.we've got something that has us linked and it's really good.
:28:17. > :28:19.Beautiful. And other strange coincidences have been uncovered
:28:20. > :28:27.since you met? They certainly have. It turns out we actually live within
:28:28. > :28:33.six miles of each other. And also on the 1939 register, which the
:28:34. > :28:38.government did, Violet herself was actually living in Taunton, where I
:28:39. > :28:45.live. Just a stone's throw away. Amazing. And I travelled down that
:28:46. > :28:49.road every day. And added to this, Mark's wife is a schoolteacher and
:28:50. > :28:55.it turns out she actually taught my grandson. Absolutely wonderful. Full
:28:56. > :29:01.circle. That is brilliant. Thank you so much for coming in and sharing
:29:02. > :29:06.your story. I will give you a little hug. Just extraordinary. From
:29:07. > :29:13.wonderful nurses to midwives, let's talk about Call the Midwife, back on
:29:14. > :29:17.Sunday evening, documenting some important social changes throughout
:29:18. > :29:23.our history. We're up to 1962. What does that mean for your characters?
:29:24. > :29:28.For the Turners, one of the great things about 1962, this series, the
:29:29. > :29:34.Turners begin to look a little more 60s, without giving too much away.
:29:35. > :29:40.Wow. This 60s begins to infuse into the Turners. Not miniskirts. Not
:29:41. > :29:45.yet, we haven't got the Beatles, but it's there, the changes you've seen.
:29:46. > :29:48.It's so clever, they move it forward so slowly that the changes become
:29:49. > :29:53.very organic. And with Patrick and Shelagh, they have some sadness from
:29:54. > :30:00.the previous year, when the formidable hide -- for Micah Hyde
:30:01. > :30:03.outbreak came out. They have a bit of building up to do, getting back
:30:04. > :30:06.on the bike and rediscovering what is they love about the medicine they
:30:07. > :30:11.do and the care they give. There's part of that and frankly the changes
:30:12. > :30:15.are welcome. It's like a new piece of sunlight coming through their
:30:16. > :30:17.lives. Laura, is your character enjoying a husband with this 60s
:30:18. > :30:25.vibe? Yeah. I think this year has been an
:30:26. > :30:29.interesting year. They went to South Africa. Chris special. That was
:30:30. > :30:41.quite an experience for them both, wasn't it? The nightie in South
:30:42. > :30:50.Africa. A suit on the beach as well. Lots of There is big glamour.
:30:51. > :30:55.Changes afoot at Nonnatus House with Jenny Agutter being replaced as the
:30:56. > :31:02.Superior. The new Superior is rubbing people up the right way. I'm
:31:03. > :31:08.sorry, Sister Ursula the half-hour timings has worked well enough. Is
:31:09. > :31:14.well enough good enough? Before the Cottage Hospital was closed there
:31:15. > :31:17.was accusations of inefficiency. I wouldn't like the clinic to be
:31:18. > :31:22.subject to complaint. Most mothers don't mind if things run on. They
:31:23. > :31:26.can attend talks and catch up with their friends over tea and biscuits.
:31:27. > :31:42.Biscuits will be for fainters only. One of my favourite lines ever is,
:31:43. > :31:46.biscuits are for fainters only. Policy we should implement around
:31:47. > :31:50.here. How has it been to feel like you are being under pressure by that
:31:51. > :32:00.doom nearing character? It's difficult for everybody because we
:32:01. > :32:05.all admire and respect Sister played by Jenny Agutter. It ruffles
:32:06. > :32:10.feathers. It's difficult. You are protective of her being cast aside
:32:11. > :32:15.when you return from Cape Town after an amazing journey? She is normally
:32:16. > :32:18.the one supporting all of us. Suddenly, she has a little bit of
:32:19. > :32:22.difficulty in her life. Like you got to know everybody over the years.
:32:23. > :32:27.You got to know and understand the structure and the order in the
:32:28. > :32:32.house. Someone comes in. Dame Harriet Walter though, how wonderful
:32:33. > :32:36.is that? She is the most wonderful, brilliant woman. Everyone adored
:32:37. > :32:43.working with her. Call the Midwife starts a week on Sunday. You have a
:32:44. > :32:48.documentary coming out. Yes. The real subjects covered in the drama.
:32:49. > :32:51.That is right. That helped you from an actor's perspective? It's been
:32:52. > :32:55.amazing. One of the funny things for me, without going into detail, my
:32:56. > :32:59.academic background is science communication, the way things like
:33:00. > :33:02.medical history, the social side of science and medicine mixes with the
:33:03. > :33:06.public, the way they get it through, it might be television, might be
:33:07. > :33:09.documentaries and the way they feel about it. How the two sides come
:33:10. > :33:13.together. I' been interested in this type of thing. When the opportunity
:33:14. > :33:18.to play Dr Turner has been amazing for me because of that. When they
:33:19. > :33:21.came along and said - we would like to do a documentary that looks, take
:33:22. > :33:24.as journey through those real stories of real people out there who
:33:25. > :33:28.were there at this time, would you be interested? Of course, I bit
:33:29. > :33:33.their hand off. I loved it. While I was filming the series I was running
:33:34. > :33:37.up-and-down the country doing this. It was a labour of love for me. We
:33:38. > :33:40.are joined in the audience by somebody you know well. She is in
:33:41. > :33:48.the documentary. This is her birth certificate. Let me show you this
:33:49. > :33:53.before I run over. 5th July 1948. Aneira was the first baby born in
:33:54. > :34:02.the NHS. Let's have a round of applause. Good evening to all our
:34:03. > :34:09.midwives. What did your mum tell you about your birth being the first
:34:10. > :34:13.baby born in the NHS? As a child I remember her introducing me as my
:34:14. > :34:18.national health baby. Being a child I didn't understand the significance
:34:19. > :34:24.of the national health. Yeah. As I started growing up I was curious. I
:34:25. > :34:34.asked her so many questions. She said she was about to give birth to
:34:35. > :34:39.me and on midnight on 4th July I was baby number seven. It was hold on,
:34:40. > :34:44.hold on. The NHS hadn't started yet - wait until tomorrow! It was coming
:34:45. > :34:51.up to midnight. She held Forlan one minute to make sure it was a Welsh
:34:52. > :34:55.baby born. I was born at that time. My brother reckoned they pushed me
:34:56. > :35:00.back in for one minute! Your beautiful name then. Where does that
:35:01. > :35:05.come from? Is that connected? Yes. Because the doctor and nurses asked
:35:06. > :35:14.my mother could they name me. She said, "why?" It was the vision of
:35:15. > :35:18.creating the National Health Act by Areurin Bevan a Labour MP at the
:35:19. > :35:21.time. It was a great day for Great Britain. That is how the name came
:35:22. > :35:27.about. Lovely to meet you. It really is. I wished I had asked her what
:35:28. > :35:31.she would have named me. She lived until she was 95. I never asked her.
:35:32. > :35:35.It was a wonderful thing at the time she left us a legacy. We have to
:35:36. > :35:40.preserve, protect it and keep it safe at all costs. Wonderful work
:35:41. > :35:44.that you all do. Thank you so much. A little round of applause for that.
:35:45. > :35:53.APPLAUSE You can see the document Call the
:35:54. > :36:03.Midwife: The Casebook on Sunday BBC One 5.0 # 5pm. The new series of
:36:04. > :36:06.Call the Midwife starts Sunday 22nd January on BBC One.
:36:07. > :36:08.Our wildlife team are always on the look out for animal
:36:09. > :36:11.exclusives to film and George has heard of some incredible
:36:12. > :36:13.new behaviours being displayed at a local reserve.
:36:14. > :36:20.We will, I've come to this nature reserve because I've heard about the
:36:21. > :36:25.sighting of some very rare primate activity. Rangers have reported an
:36:26. > :36:28.orang-utan has been exhibiting some highly unusual and sophisticated
:36:29. > :36:35.tool use behaviour. I'm really hoping that our camera team will be
:36:36. > :36:44.the first to capture it. UNNing I think I can hear something down
:36:45. > :36:50.there. Fingers crossed. That is incredible. I've never seen anything
:36:51. > :36:58.like that. It's left handed, like me. I'm going to let you into a
:36:59. > :37:05.secret. It's actually a robot - sorry! This orang-utan robot is just
:37:06. > :37:11.one of the stars of the fourth coming BBC series Spy in the Wild.
:37:12. > :37:17.Each life-like spy robot has a tiny camera built into its eye to capture
:37:18. > :37:24.unique behaviour from the real animals that encounter it. Now,
:37:25. > :37:27.Matt, you are one of the operate objects of these incredible spy
:37:28. > :37:32.cameras. What's the point of them? Well, the point was to get these spy
:37:33. > :37:35.creatures into the animal world to plunge the viewer into their world
:37:36. > :37:39.and reveal astonishing behaviours and show how like us they really
:37:40. > :37:42.are. Making them move in a believable way, that must be the
:37:43. > :37:48.sort of hardest part? Absolutely. They had to look really, realistic.
:37:49. > :37:58.When we went to film the orang-utans we had to go that little bit
:37:59. > :38:03.further. We mimics their facial expresses. Baring the teeth was
:38:04. > :38:10.threatening we didn't want to do that. We had to move, blink the
:38:11. > :38:13.eyes, as you can see. Was she accepted by the wild orang-utans?
:38:14. > :38:17.Yes, absolutely. They kind of knew that it wasn't real, but they needed
:38:18. > :38:23.to get that closer look. I often think it's like when we go to Mad
:38:24. > :38:27.Tam actual odds, you know they are not real. You want to take a closer
:38:28. > :38:31.look to make sure for yourself. Heat let's do just that. We thought we
:38:32. > :38:38.would like to put this technology to the test with a special One Show
:38:39. > :38:42.challenge here at this zoo. Can zoo visitors tell the difference between
:38:43. > :38:48.a robotic orang-utan and the real deal? This is the zoo's orang-utan
:38:49. > :38:54.island, home to Marley and her baby. It's got to be the perfect setting
:38:55. > :39:00.to test our robot. Although, the real orang-utans don't seem that all
:39:01. > :39:05.sure about their visitor. We've got our robotic orang-utan set up on the
:39:06. > :39:12.island, the guys controlling it are just up there. It takes two of them
:39:13. > :39:17.to work all the robots facial muscles. The camera is over there.
:39:18. > :39:27.We have to wait and see what the members of the public make of it. I
:39:28. > :39:34.love orang-utans. Is that one real? Yeah. No.
:39:35. > :39:46.Hello, hello. No, it's not. Is it not? No. Is it real? Definitely. His
:39:47. > :39:56.mouth is moving. It's not. Really? Is no. Look at. That Oh, my God. Oh,
:39:57. > :40:03.heck. Look, look. Is it a robot? No, it looks like a robot. What do you
:40:04. > :40:09.think? Oh, you scared me. He looks kind of like a robot. Yes, it is a
:40:10. > :40:19.robot. I knew it! It's a robot. Is it? Yeah. Well, that's really
:40:20. > :40:23.interesting. When it's not moving it's not very believable. When it
:40:24. > :40:30.moves its eyes and its lips and its head, people get drawn in very, very
:40:31. > :40:39.easily. Standing here, watching it, it's pretty impressive. Let us talk
:40:40. > :40:46.more about this new series, Spy in the Wild. We have Matt Gordon the
:40:47. > :40:51.series producer in from the film and John donor the creator of these
:40:52. > :40:56.wonderful filming techniques. Did you expect that reaction from the
:40:57. > :41:00.zoo? Everyone was not at least sure it wasn't real or not. It was a
:41:01. > :41:04.great deal. John, let us have a word on the cast here. Where do you want
:41:05. > :41:10.to start? Where have they been in the world? That has been to Botswana
:41:11. > :41:16.and meeting wild dogs. It's a wild dog puppy. It has a camera in its
:41:17. > :41:22.eye. It does this play bow, it makes the right signals to be accepted by
:41:23. > :41:26.the pack. The meerkat doesn't need any introduction, really. He ended
:41:27. > :41:30.up being one of the meerkat baby-sitters. Ultimate acceptance.
:41:31. > :41:38.We have seen him. The camera is in the right eye here. That is what we
:41:39. > :41:44.try and do. There we go. You can see my hand there. You get eye-contact.
:41:45. > :41:50.You get the feeling you are part of the family and connecting with them.
:41:51. > :41:56.That is what they tend to do. We decided not to make a big elephant,
:41:57. > :42:04.transportation costs. He lives among elephants. He is a egret. He is not
:42:05. > :42:13.a threat. None of the animals are designed to be threats. They are
:42:14. > :42:18.always accepted. Down here, he went into the rainforest. He can walk
:42:19. > :42:23.around. You can meet others. He looked at jungle medicines. Right on
:42:24. > :42:29.the end there is a spy tortoise. He was a star, especially in the first
:42:30. > :42:32.show, he met all kind of creatures including chimpanzees. The animals
:42:33. > :42:36.they are interacting with are working with their senses. Is the
:42:37. > :42:40.idea to get a different angle as far as the camera work is concerned or
:42:41. > :42:43.to see how creatures go up to something if they are freaked out by
:42:44. > :42:48.it? They are doing so many different things. That is interesting. We have
:42:49. > :42:52.lots of different spy cameras that aren't animal throngics. These ones
:42:53. > :42:54.are extraordinary because the animals really relate to them
:42:55. > :42:59.because they look like them. They are curious and you get this
:43:00. > :43:02.incredible reaction when they first meet them they readily accept them
:43:03. > :43:11.because they look like them, but they are not a threat. That's what
:43:12. > :43:14.is wonderful about this. We have footage of langur monkeys in India.
:43:15. > :43:19.Talk us through what is happening. You didn't expect this, did you? Not
:43:20. > :43:22.at all. We had been filming for several dayses the spy monkey had
:43:23. > :43:26.been accepted into the group. Near the end of the shoot this langur
:43:27. > :43:30.monkey came over and picked it up and then accident Ali dropped it. At
:43:31. > :43:33.that moment, because they saw it was motionless they thought it was
:43:34. > :43:41.lifeless. So they all came round and gathered. As you can see they
:43:42. > :43:46.groomed it, kissed it -- accidentally. The scientists said
:43:47. > :43:50.when they lose their young naturally they come round and grieve and touch
:43:51. > :43:55.it. This is what they do. They then started to hug each other. It was at
:43:56. > :44:00.that moment we noticed we captured something really magical. You layer
:44:01. > :44:03.it with music, narrative as well to go along with this. The programmes
:44:04. > :44:06.are themed. You have one on love as well where
:44:07. > :44:10.the prairie dogs are featured as well. I mean, how confident are you
:44:11. > :44:15.that what they are going through and what they are feeling are the same
:44:16. > :44:19.kind of complex e-Megses that we do whether or not they feel them in the
:44:20. > :44:22.same way - emotions? The series is trying to make people look at
:44:23. > :44:27.animals differently, as scientists are. Nowadays the intense of working
:44:28. > :44:32.in the field with these animals, you can't pretend there is no connection
:44:33. > :44:36.between humans and animals. We have looking at the kind of
:44:37. > :44:40.behaviour that we would relate to. It shows our closeness to other
:44:41. > :44:44.animal life. We are animals. They are animals. There's obviously a
:44:45. > :44:49.connection between us. We are highlighting those areas. Yeah. We
:44:50. > :44:55.will show you footage of a baby crocodile. Sure. You get the POV of
:44:56. > :45:03.what it's like inside a crocodile's mouth here. We We had spy
:45:04. > :45:10.hatchlings. This is the basis of a mother's love. Starting those years
:45:11. > :45:14.ago with crocodile and reptilian love. It's the strongest form we
:45:15. > :45:17.think - we are special. You go back that far, they are still looking
:45:18. > :45:21.after and tending their young. Listen, thank you both for coming
:45:22. > :45:26.in. Thanks to all of the cast. We throughly enjoyed your company. Spy
:45:27. > :45:32.in the Wild starts tomorrow night, 8.00pm, BBC One.
:45:33. > :45:37.Wonderful, I saw them all with the remote controls earlier on. I would
:45:38. > :45:40.like to see that version of robot wars.
:45:41. > :45:43.OK, it's time now for our second round of One Show Pointless
:45:44. > :45:46.Five different 'spy' animals are hiding in some famous films.
:45:47. > :45:49.All you need to do is name the film, and, of course, find
:45:50. > :46:00.You know the drill, you are back in your teens. This orangutan loves to
:46:01. > :46:14.sing, but which film is this? Don't say anything yet. Let's go back to
:46:15. > :46:21.B. It's harder than it looks! Which film is this sloth taking part in.
:46:22. > :46:28.What about the film this meerkat is taking part in? Let's take a look at
:46:29. > :46:35.this acrobatic crocodile. That's my favourite! And which film is the
:46:36. > :46:46.baby monkey sitting in? So, what are you going to go for,
:46:47. > :46:54.team won? I think C is the one I'm struggling with. Unfortunately it is
:46:55. > :47:00.asked to go first, because you went first last time! I think you will
:47:01. > :47:07.find we are in charge of this game. We quickly need another answer. Can
:47:08. > :47:16.I just confirm, are you going with the meerkat and seven year itch?
:47:17. > :47:18.Yes, we are. We will go for E, Forrest Gump. Let's see if you are
:47:19. > :47:26.right and more importantly which is the most obscure. Team won, the
:47:27. > :47:36.meerkat and seven year itch. Is it correct? It is correct, anyway. How
:47:37. > :47:42.many people... APPLAUSE Very good. Team two, you went for E,
:47:43. > :47:54.monkey and Forrest Gump. Is it correct and if so, how many people
:47:55. > :47:58.said it? It is correct. Oooh! Sorry. As the guy who makes the show, it's
:47:59. > :48:07.a poor performance. He makes it as well. If you want to know the
:48:08. > :48:11.answers at home, there you are. Dirty dancing was the crocodile. A
:48:12. > :48:15.two to one reptile, fabulous! Back to Emma's epic journey now
:48:16. > :48:30.to see whether she can gain I'm Emma Massingale and I'm about
:48:31. > :48:33.halfway through my challenge of walking and training two unbroken
:48:34. > :48:41.highland ponies hector and tempt one Mac in Scotland. Using my gentle
:48:42. > :48:48.techniques. I hope by the end of my journey they will allow me to write
:48:49. > :48:52.them without rains all restraints. Last night I set them loose for the
:48:53. > :48:58.first time, but then a storm hit and I lost them. I can't find them
:48:59. > :49:02.anywhere, I'm going to have to go and get some shelter myself and try
:49:03. > :49:09.to find them at first light. But my way back to the camp... I just found
:49:10. > :49:13.the ponies. Thank goodness for that. Even an experienced horse would find
:49:14. > :49:16.this rather scary, so the fact my boys have stayed rather close to the
:49:17. > :49:23.camp makes me feel they've accepted me their herd.
:49:24. > :49:28.We'll stick together, boys. After another early start, it's not long
:49:29. > :49:31.until we hit our first obstacle of the day. Peat bogs dominate the
:49:32. > :49:35.Highlands and we have no choice but to go through them. With their short
:49:36. > :49:39.and strong legs, Highland ponies have naturally adapted to dealing
:49:40. > :49:43.with this landscape but Hughie and Hector have never been through a
:49:44. > :49:50.blog before, so it's taking a bit of getting used to. Once we are on more
:49:51. > :49:57.solid land we come across a stone hut. These offer Shelford to --
:49:58. > :50:02.shelter to weary travellers like us. I've never been as thrilled to see a
:50:03. > :50:08.roof in all my days. No midges, ticks, wind or rain. And also the
:50:09. > :50:13.perfect place to step up my training with my more agreeable pony, Hector.
:50:14. > :50:16.What I don't want Hector to be is frightened of me getting on him for
:50:17. > :50:21.the first time. I'm going to reprogram him a bit by teaching him
:50:22. > :50:25.that when he is frightened for some -- of something, best to keep his
:50:26. > :50:29.feet still. I will shake something next him and only remove it when he
:50:30. > :50:35.doesn't try to move away. That's a good boy. After a while Hector
:50:36. > :50:39.learns to standstill, which I need him to do when I try to get on his
:50:40. > :50:44.back. This is a dangerous but special moment, as it's the first
:50:45. > :50:53.time he's ever been ridden. Good boy. Stand still.
:50:54. > :51:01.After a little more coaxing... Good boy, good boy. Walk on, walk
:51:02. > :51:05.on. Hector is coming along really well and I feel really confident on
:51:06. > :51:10.him. It's a case of now giving him enough time to build his experience
:51:11. > :51:16.and confidence. As for Hughie, I might have to admit defeat. Hughie
:51:17. > :51:21.I'm leaving a little bit, I'm just going to focus on Hector now.
:51:22. > :51:26.Hughie's personality is a bit odd, I'm not quite sure what's going on
:51:27. > :51:28.with him. Ever since we started, he's been
:51:29. > :51:37.very difficult and I don't think he's ready for me to ride. So for
:51:38. > :51:40.the next couple of days I focus on riding Hector, but on our last day
:51:41. > :51:46.we have one final challenge to overcome. I'm hoping he'll let me
:51:47. > :51:54.ride him across this wide river without him bolting or throwing me
:51:55. > :51:57.off. Ride on. Good boy. It's amazing how Hector has accepted
:51:58. > :52:00.me riding him in such a short time. A few days ago I could never have
:52:01. > :52:08.done this. Yes! Good boy.
:52:09. > :52:13.Safely on dry land, it's not long before our end goal is in sight.
:52:14. > :52:17.Finally, after 100 miles in ten gruelling days we reached the West
:52:18. > :52:23.Coast of Scotland. We made it, boys. We made it.
:52:24. > :52:27.Although there is more work to be done with Hughie I'm very confident
:52:28. > :52:30.to introduce my new ponies to my other horses when we get back to
:52:31. > :52:34.Devon. Wow, that was so much harder than I
:52:35. > :52:38.thought it was ever going to be. I started off thinking it was going to
:52:39. > :52:42.be about training horses aren't going across Scotland, but this
:52:43. > :52:47.journey turned out to be more about the relationship you can build with
:52:48. > :52:51.a horse over time, and the fact that each day they got a little closer to
:52:52. > :52:58.me, and each day they seemed to want to stay with me more and more was
:52:59. > :53:03.really special. It's been epic! That's right up my street. Love it,
:53:04. > :53:08.it looks idyllic. Steven is not the only one who has
:53:09. > :53:12.been doing documentaries. You have been flying around and in the
:53:13. > :53:19.tunnels of Italy. Yes, underneath Italy. Tonight we are in Venice. 9pm
:53:20. > :53:25.tonight. Not ideal, going through tunnels as a claustrophobic man.
:53:26. > :53:29.Going under Naples... Most of the tunnels under the labels were huge
:53:30. > :53:33.but we went down a tiny little crevice, about 200 metres into the
:53:34. > :53:36.side of the hill. It's fine, we were all doing it together, you can see
:53:37. > :53:42.the footage now. There's nothing like having a camera on you to make
:53:43. > :53:45.you bold. We were all doing it together. After about 40 minutes I
:53:46. > :53:51.suddenly thought, actually, I think I can do about five more minutes of
:53:52. > :53:54.this and then that's it. Legs shaking or palpitations? Three
:53:55. > :54:04.others on the crew said, me as well. We all ran. We said... The roof of
:54:05. > :54:08.the tunnel came down as well, so you were kind of going sideways and
:54:09. > :54:17.crouching. Welcome to my world! LAUGHTER
:54:18. > :54:20.just a day on the tube for Richard. We have the midwives in, so before
:54:21. > :54:30.we go, have you got any questions for the cast of Call the Midwife?
:54:31. > :54:35.Were you given any training before? We had quite intensive rehearsals,
:54:36. > :54:39.didn't we? We did. We had Terry Coates, who inspired the memoirs and
:54:40. > :54:47.is with us all the way through, still with a sunset. All of our
:54:48. > :54:50.training is her. She shouted at me, because I'm clueless. I never
:54:51. > :54:55.remember anything to stop cheese with having to go back, even taking
:54:56. > :54:59.a pulse. I just have to look like a doctor but I'm quite terrible in
:55:00. > :55:06.real life. Is it right you left a baby on a table after a tape and
:55:07. > :55:11.walked away? Yes! The best way to describe what I'm actually like...
:55:12. > :55:16.I'm looking, I'm looking the part, it's beautiful. I'm really soppy, I
:55:17. > :55:23.love babies. But I'm doing this scene, I intend as Doctor Turner. I
:55:24. > :55:26.turn around and leave the baby. Everyone can see the baby gently
:55:27. > :55:32.starts to roll down. All I heard was, Stephen! I wasn't even in that.
:55:33. > :55:38.It was the first thing I was told in the make up chair. It's true. On
:55:39. > :55:45.that bombshell, moving onto our final round of One Show Pointless
:55:46. > :55:47.for Richard, we are going to let you go first.
:55:48. > :55:58.Is it 1-1? 1-0. No, you are both useless on that first round.
:55:59. > :56:06.This one is baby related. Midwife team-mates might have a slight
:56:07. > :56:10.advantage. Babies and their celebrity parents. We will show the
:56:11. > :56:12.names of five children of celebrities and you just have to
:56:13. > :56:16.name one of their parents, and as usual, we are looking for the most
:56:17. > :56:26.obscure answers. Here we go, you can choose from...
:56:27. > :56:39.Let's go for team that two this time. We will go for blue IV and
:56:40. > :56:48.Beyonce. Is that the most of this cure? -- obscure. The bottom two we
:56:49. > :56:59.know... I think we have to take a punt. I think we have do say...
:57:00. > :57:04.Shall we go River Rocket? No, Moroccan, Johnny Depp, something
:57:05. > :57:09.like that? Take a punt on that? Sorry, you need an answer, there is
:57:10. > :57:14.a schedule! Let's go with River Rocket and Johnny Depp. River Rocket
:57:15. > :57:20.and Johnny Depp sounds good. Is it the right answer? Team won, your
:57:21. > :57:22.answer first, you said River Rocket and Johnny Depp, is it right and if
:57:23. > :57:40.so, how many people? No, no, I'm sorry. Team two, Richard
:57:41. > :57:48.and Stephen, you said Blue Ivy and Beyonce. Is it correct and how many
:57:49. > :57:59.people said it? Yes! An honourable draw. APPLAUSE
:58:00. > :58:06.Well done. It's a draw, well done! The good news is neither of you get
:58:07. > :58:21.a prize. Jamie Oliver and River Rocket, love is a herb. How are you
:58:22. > :58:24.enjoying life, Richard,? Lovely, Sue Perkins, a panel show. They never
:58:25. > :58:28.tell us anything that will happen beforehand. All made up on the spot.
:58:29. > :58:32.We're all trying to make each other laugh. It's such a treat, Sue and
:58:33. > :58:35.Josh are brilliant. Monday night on BBC Two at ten o'clock. I very much
:58:36. > :58:36.enjoyed the last episode. A huge thank you to
:58:37. > :58:40.Richard and Xander. APPLAUSE
:58:41. > :58:47.Abu 1000th Pointless episode. Thanks also to Stephen and Laura -
:58:48. > :58:49.Stephen's documentary - Call the Midwife: The Casebook -
:58:50. > :58:53.is on Sunday on BBC One at 5.05. See you tomorrow when Kris Marshall
:58:54. > :58:55.and Don Warrington from Death in Paradise will be here -
:58:56. > :59:28.looking forward to that. Fake news. Donald Trump denies that
:59:29. > :59:33.is compromising material about him. The allegations relate to his
:59:34. > :59:34.election campaign and