:00:21. > :00:25.$:/STARTFEED. $:/STARTFEED. Hello and welcome to The One Show with
:00:25. > :00:28.Matt Baker and Alex Jones. Tonight's guest is a comedian whose
:00:28. > :00:33.comedy's become even more capital than usual.
:00:33. > :00:40.I love all that stuff. I love all that with the cardinals, when they
:00:40. > :00:44.need a new Pope, the big red things and they go in the room and black
:00:44. > :00:52.smoke, new Pope white smoke and all the cardinals are there. From in
:00:52. > :00:55.The Thick Of It and Mock The Week, it's Chris Addison.
:00:55. > :01:00.APPLAUSE That was recorded a while back so
:01:00. > :01:08.did you know something everybody else did? Well, I knew I was coming
:01:08. > :01:13.on here. Sling your hook, I said to him. That's the story isn't it?
:01:13. > :01:19.None of us have ever seen anything like it, nobody's under 60 years
:01:19. > :01:25.old. That's the point -- 60 years old. You go on to say that the new
:01:25. > :01:32.Pope would never be a black person or a wrom? It's not going to be a
:01:32. > :01:39.woman and the front runner, according to the bookies, is a
:01:39. > :01:47.black man, a Ghanaian guy called Peter Turtson. We may well see a
:01:47. > :01:55.black Pope. I'm all for it. I don't think Popes should resign. I think
:01:55. > :01:59.they should regenerate. That's what they do isn't it? Like Dr WHO, you
:01:59. > :02:09.know, they should tell the Daleks, I've had enough now, one of you do
:02:09. > :02:15.
:02:15. > :02:23.it. Wouldn't it be weird. Popes do die. Significantly, this is very
:02:23. > :02:31.significant. Nearly 600 years since this has happened. They almost
:02:32. > :02:37.always die in the role. He says he's not capable of the admin side.
:02:37. > :02:41.He feels he can't do it. It's interesting he's decided to do it.
:02:41. > :02:44.There are no rules against doing it, it's always been allowed. He can do
:02:44. > :02:49.what he wants, he's the Pope, completely infallible, that's the
:02:49. > :02:52.whole point. The idea that he's going, I'm 85, can't be doing this
:02:52. > :02:57.any more, I imagine that Prince Charles has spent most of the day
:02:58. > :03:01.sending e-mail links of the story to his mum!
:03:01. > :03:07.LAUGHTER How will they go about electing a
:03:07. > :03:12.new Pope? He had it in the clip, they call together all the
:03:12. > :03:15.cardinals under conclave under lock and key, they sweep the Vatican for
:03:15. > :03:19.secret microphones and things. They are supposed to stay there until
:03:19. > :03:24.they've decided so they eat, sleep and vote every day there. Then they
:03:24. > :03:28.decide on a Pope. How long will this take? It can take -
:03:29. > :03:34.traditionally, recently in the last 100 years - which is recent in
:03:34. > :03:38.terms of the Vatican and Pope world, it's taken a few days, but hundreds
:03:38. > :03:42.of years ago they've had weeks and months and they've had cardinals
:03:42. > :03:45.die during the voting process. It can take quite a long time. Of
:03:45. > :03:48.course, black smoke when they haven't decided, they burn the
:03:48. > :03:52.ballot papers afterwards, black smoke when they haven't decided and
:03:52. > :03:57.it's supposed to turn to white smoke when they have. Interesting
:03:57. > :04:00.to see when that does happen. He's finishing on the 28th February. But
:04:00. > :04:09.thank you very much indeed. much notice does a Pope have to
:04:09. > :04:13.give? He's finishing on the 28th, but he's owed a month's holiday pay.
:04:13. > :04:16.All will become very clear. It's the 50th anniversary of the
:04:16. > :04:20.recording of the first Beatles album or LP as Gyles would have
:04:20. > :04:25.called it. Back in the '60s, when Beatlemania
:04:25. > :04:30.was at its height, I lived just down there and I used to come up
:04:30. > :04:36.here to Abbey Road studios in the hope of catching a glimpse of the
:04:36. > :04:42.Fab Four. Well, now I'm back, but this time I've got insider access.
:04:42. > :04:47.In the years gone by, my access isn't the only thing that's changed.
:04:47. > :04:50.Rewind to 196 3 and fallouts from Liverpool were about to -- four
:04:50. > :04:55.lads from Liverpool were about to start their first ever recording
:04:55. > :04:59.session. To capitalise on the huge success of their single, Please
:04:59. > :05:09.Please Me, the Beatles decided to do an album with the same name.
:05:09. > :05:17.
:05:17. > :05:20.They did it in one session lasting The album's legacy endures. Today
:05:20. > :05:30.Mick Hucknall, Joss Stone and Stereophonics have come to Abbey
:05:30. > :05:30.
:05:30. > :05:37.Road studios to recreate the album in the same 12 hours. The album
:05:37. > :05:40.consisted of The Beatles' live set, plus two already released singles.
:05:40. > :05:44.Sound engineer Richard Langham was there on the day. When they walked
:05:44. > :05:49.through the door, you did not realise this was John, Paul, George
:05:49. > :05:54.and Ringo? No, I had to ask who are they, what's who, what's their
:05:54. > :05:58.names. By the end of the day you thought they were something
:05:58. > :06:02.special? By the last track, yes, Twist And Shout with John, stripped
:06:02. > :06:07.to the waist shouting and screaming. Stripped to the waist? Yes, I think
:06:07. > :06:13.he took his shirt off at the very end. How amazing. They treated us
:06:13. > :06:19.with great respect, they really did, they were really good. The album
:06:19. > :06:25.hit the top of the charts in May 196 3 and stayed there until it was
:06:25. > :06:34.replaced by the second Beatles album With The Beatles.
:06:34. > :06:39.atmosphere in 63 exploded because of Please Please Me. They would get
:06:39. > :06:42.a few hundred letters. They then started getting big bundles of
:06:42. > :06:47.letters. They didn't have the address of the fan club. They would
:06:47. > :06:52.just write to the Beatles, care of Liverpool. They would still get to
:06:52. > :06:57.us because the postman knew where we were. It's amazing. I was all
:06:57. > :07:02.showed out until we started talking about how the people served The
:07:02. > :07:06.Beatles 50 years ago and I started crying. What is it like creating
:07:06. > :07:09.against the clock? That was stressful in a good way, it was
:07:09. > :07:13.good stress but it was hard sorting out the strings, I changed the key
:07:13. > :07:18.two minutes before I decided I was going to do it so it was stressful.
:07:18. > :07:25.I don't know how they did that in a day. I just finished my album after
:07:25. > :07:30.a year. Is there something special about this? Does it say something
:07:30. > :07:38.to you? It says something to the world. It's shaped our music,
:07:38. > :07:42.shaped what we do today. Please Please Me - did you know the
:07:42. > :07:47.album? I did, yes. I had two older brothers and we used to play a lot
:07:47. > :07:53.of covers in working mens clubs when we were kids, so we useded to
:07:53. > :07:57.play a few of their songs. I Saw Her Standing There - it suits our
:07:57. > :08:03.band, it's a simple rock'n'roll song. The first albums were much
:08:03. > :08:12.more about the energy captured. It's the same arrangement and same
:08:12. > :08:16.set of instruments, so we are not taken that far away from it. Love
:08:16. > :08:19.the Stereophonics and you can hear more of the sessions on Radio Two
:08:19. > :08:24.this evening and the BBC Four documentary is on on Friday at 9
:08:24. > :08:30.o'clock. Have you got a favourite Beatles track, Chris? Mine is the B
:08:30. > :08:33.side of Abbey Road, a big long medley, mo of it and runs for about
:08:34. > :08:37.20 minutes. It's snatches of songs and you think it's great, then they
:08:37. > :08:41.move on to something else, too much good stuff crammed in, it's great.
:08:41. > :08:44.What about you at home? Do you have a special song? It doesn't have to
:08:44. > :08:49.be by The Beatles, but if you have one, let us know.
:08:50. > :08:58.This is all for a one show film so let us know what it is and why it's
:08:58. > :09:06.important. Chris you are on tour? am. The time is now? Yes. I whoo is
:09:06. > :09:09.it called that? The answer is really boring. There comes a point
:09:09. > :09:12.you decide you are going to do a show and you have to get the
:09:12. > :09:16.posters made and before you have written a word you have to think of
:09:16. > :09:22.something. The phrase The Time Is Now, Again does come into my head
:09:22. > :09:28.the day before and tickled me and I thought, I'll call it that. I
:09:28. > :09:35.regret it. It's not great. I'm like, what does it mean. It's a silly
:09:35. > :09:39.phrase. This is you reminiscing about travelling in the car when
:09:39. > :09:44.you were a child. I don't know if you have got kids, or if you have
:09:44. > :09:50.been one, but me and my brother and sister were a nightmare for my
:09:50. > :09:54.parents, bedlam in the past of the car "Are we there yet", "Are we
:09:54. > :09:58.there yet" no way they could have gone to sleep, my dad having to
:09:58. > :10:03.constantly create games to shut us up. He was a genius at this, my dad.
:10:03. > :10:08.There was the who can keep the Ping-Pong ball in the mouth longest,
:10:08. > :10:17.then there was the can you wrap your brother's head in cling film,
:10:17. > :10:19.then there was the don't speak until you see a man in a fez.
:10:19. > :10:23.Interesting seeing your reaction to that because you were saying it was
:10:23. > :10:32.boiling hot that day? It was boiling hot in July a couple of
:10:32. > :10:35.years ago, the old show, and the theatre in London. There are cut
:10:35. > :10:41.aways of the audience there with people going like that because of
:10:41. > :10:45.the heat, rather than me I hope!. I started the show and within ten
:10:45. > :10:49.minutes my hair is plastered over me. You are a self-confessed middle
:10:49. > :10:53.class comedian, that's what it says on your website. What's the
:10:53. > :11:00.funniest thing about that? You will have to pay to come and find that
:11:01. > :11:05.sort of stuff out. Middle class - they are inherently funny - they
:11:05. > :11:10.can be self-regarding and pleased with themselves so it's quite funny
:11:10. > :11:17.to take the Mickey but I'm taking the Mickey out of myself. There was
:11:17. > :11:27.this sense of should I be this or that, then you kind of do it that
:11:27. > :11:30.
:11:30. > :11:35.way? Yes, sometimes when I'm in posher company I sound a lot posher.
:11:35. > :11:39.Sometimes when I'm in my own area I take normal. I thought I played up
:11:39. > :11:42.the northern aspect of it. Because it was salt of the earth
:11:42. > :11:45.credibility that I wanted, it's only later you realise, actually,
:11:46. > :11:50.the funniest thing you can be is the thing that you are, that's all
:11:50. > :11:56.the best jokes will come from that, so you have to be honest about
:11:56. > :12:02.yourself. The truth is, I'm a middle class ponce. There was quite
:12:02. > :12:05.a gap wasn't there, five year gap for you? Yes, that's true. I wrote
:12:05. > :12:08.shows when I was doing the Edinburgh Festival and there were a
:12:08. > :12:14.million comics and you had to do something to set yourself apart, I
:12:14. > :12:17.used to write shows about big ideas and themes and silly jokes. I love
:12:17. > :12:22.being silly about big things, I like that gap. When I came back, I
:12:22. > :12:26.thought I've got to write something that's more personal which I've
:12:26. > :12:36.done for the last two shows. I'm comfortable with doing that. I run
:12:36. > :12:36.
:12:37. > :12:41.out of other things to say too. jump in and out of the tour? It's
:12:41. > :12:46.going Bury St Edmunds? Yes, I have friends that do like 100 dates and
:12:46. > :12:51.the very idea makes me go, oh, no, I couldn't do that. This is the
:12:51. > :12:56.third and final leg of this Tour of Doing 35 Tates at a time. That's
:12:56. > :13:05.about as much as I can do without kind of falling over. Where are you
:13:05. > :13:10.going to peak? At which venue? it's happened. Talking about Dara,
:13:11. > :13:18.you are in a film with him, aren't you? It's a brilliant cast, Coogan
:13:19. > :13:25.is in it? David Walliams, Stephen Fry, Matt Lucas. Is it a comedy?
:13:25. > :13:28.sort of is and it sort of isn't. It's about Paul Raymond who was the
:13:28. > :13:33.gentleman's magazine magnet who became a property millionaire. When
:13:33. > :13:40.he died four years ago, he was worth �1.5 billion, the richest man
:13:40. > :13:45.in England off mucky boots. And property. And there's a lot of
:13:45. > :13:51.comedy in the film because Steve Coogan plays Paul Raymond. A lot of
:13:51. > :13:56.improvising and a lot of fun happened. But it's a bleak story as
:13:56. > :13:59.well. Everything about it sounds like it should be tremendous fun.
:13:59. > :14:04.It's sex, drugs and rock'n'roll essentially and the more you go
:14:04. > :14:11.into it, the more you realise, this is genuinely bleak, so lots of
:14:11. > :14:15.funny people in it. What a great guy to improvise.
:14:16. > :14:21.Yes. Mike Dilger is looking for geese now which might not sound
:14:21. > :14:29.like the most difficult bird- spotting trip of all-time. There is
:14:29. > :14:33.unusual behaviour. Norfolk has some of the best
:14:33. > :14:38.wildlife spectacles in the UK with birds migrating here in their
:14:38. > :14:43.thousands. Rather than visiting its vast beds
:14:43. > :14:51.or mudflats, I've come to a farm because every year, thousands of
:14:51. > :14:55.pink-footed geese decide to spend the winter right here. Pink-footed
:14:55. > :15:00.geese fly into the UK each September to escape the cold winter
:15:00. > :15:04.in Greenland and Iceland. Despite the name, they are recognised by
:15:04. > :15:09.their short pink bill and chocolate brown head and form huge flocks
:15:09. > :15:15.during the winter months. Farmer Edward Cross attracts
:15:15. > :15:20.thousands of them to his sugar beet fields. We'd hope to have at least
:15:20. > :15:30.10-20 days with at least 10,000 geesen't farm and the most we've
:15:30. > :15:36.ever had is 20,000. This is incredibly rich in sugar, this
:15:36. > :15:42.beet? 18% sugar. Making it ideal winter fuel for hungry geese. This
:15:42. > :15:48.machine harvests the sugar beet roots. Wildlife friendly farmers
:15:48. > :15:54.like Edward leave feed for the geese. It's obviously working. The
:15:54. > :15:59.20,000 geese at Edward's farm are about 6% of the world's population
:15:59. > :16:09.of them. Rather than tractor spotting, I'm
:16:09. > :16:09.
:16:09. > :16:16.here to spot an incredible bit of bird behaviour, called wifling when
:16:16. > :16:20.geese fall out of the sky. Getting closer to them is difficult because
:16:20. > :16:30.they're skittish. They are so nervous, Edward's built a well-
:16:30. > :16:31.
:16:31. > :16:36.camouflaged hide especially to try and see the geese wiffle. We will
:16:36. > :16:43.wait three hours. Eventually the fog is lifting so this is looking
:16:43. > :16:50.promising. We might get wiffling yet. Here come some more. This is
:16:50. > :16:56.good. Oh, this you go. There are some. A bit of wiffling there.
:16:56. > :17:00.Smashing. That's the best view so far. Slowed down four times, you
:17:00. > :17:10.can see the birds rolling around on to their backs with their wings
:17:10. > :17:15.
:17:15. > :17:19.facing the wrong way. They drop Also backward wiffling. The shape
:17:19. > :17:24.of birds' wings mean they generate lift and this is what helps keep
:17:24. > :17:28.them airborne. When they wiffl oh, the geese turn so their wings are
:17:28. > :17:32.upside down, creating the opposite of lift and causing them to drop
:17:32. > :17:39.down fast. It's thought these unpredictable movements help avoid
:17:39. > :17:42.predators. It's great fun for them. Once the
:17:42. > :17:48.geese have finished feeding, they'll fly back to their roost for
:17:48. > :17:52.the night and that's another spectacle that I don't want to miss.
:17:52. > :17:57.There were several routes on the Norfolk coast and the birds fly
:17:57. > :18:05.back to the same locations each day every winter. I know exactly where
:18:05. > :18:11.the nearest one is. Just 12 miles north I'm here at the RSPB reserve.
:18:11. > :18:19.With dusk approaching, the geese should fly right over here to roost
:18:19. > :18:23.on the mudflats overnight. These coastal flats are safe from
:18:23. > :18:27.predators such as foxes. This is gorgeous. The sky is full of the
:18:27. > :18:33.sight of pink-footed geese coming into roost in long lines.
:18:33. > :18:43.That's got to be one of the biggest wildlife spectacles of the winter -
:18:43. > :18:46.
:18:46. > :18:50.beautiful. There's even time for one last wiffle before sun down.
:18:50. > :19:00.A wonderful thing that sight. There are some more birds flocking to our
:19:00. > :19:00.
:19:00. > :19:05.shores as well? Indeed. It's been Australian unprecedented year for
:19:05. > :19:08.the waxwings. We have had a good breeding season. It's very early in
:19:08. > :19:14.Scandinavia and they move over to the north-east of Britain and
:19:14. > :19:19.pretty much if they get a lot over, they start to spread south-west,
:19:19. > :19:23.south-west, south-west. There is a sign there are huge numbers in the
:19:24. > :19:29.country if you get them in Bristol. It's a beautiful bird. A beautiful
:19:29. > :19:32.bird. You look like a waxwing with that shirt. Thank you, Matthew!
:19:32. > :19:36.You mentioned foxs in the film there. We have to talk about the
:19:36. > :19:41.terrible attack over the weekend and the four week old boy, Denny.
:19:41. > :19:44.Were you surprised by this attack? Is it unprecedented? It's not
:19:44. > :19:49.unprecedented. There have been one or two situations like that, two
:19:49. > :19:56.that I've heard of. The RSPB described it as highly unusual and
:19:56. > :20:02.whilst it's not unprecedented, it's still incredibly rare. Boris
:20:02. > :20:07.Johnson's weighed into the argument saying the council should tackle
:20:07. > :20:11.urban foxes. Requests this should serve as a wake-up call for the
:20:11. > :20:15.sown sill to get in the pest control." it's believed a cull
:20:15. > :20:18.would be highly controversial and would take years. Since 1980s, the
:20:19. > :20:26.urban foxes haven't gone up in population, we are talking about
:20:26. > :20:31.33,000 and 86% of all foxs in Britain are still rural. What's
:20:31. > :20:37.interesting is that some animal behaviourists are saying there may
:20:37. > :20:42.be behavioural change where they're brazen, they're fed and come close
:20:42. > :20:47.to people to get photographed. There are a lot of people who will
:20:47. > :20:52.be concerned. What is your advice? A few straightforward things.
:20:52. > :20:59.Dispose of food responsibly if you live in areas of urban foxes. If
:20:59. > :21:03.you have black plastic bags with chicken carcasses, that's not good.
:21:03. > :21:08.Block the holes to shed and things like that, use repellants. If you
:21:08. > :21:12.are in an area where you have a lot of foxes, please close doors if you
:21:12. > :21:16.have youngsters inside. Recently, we talked to Miranda, she
:21:16. > :21:20.left us with a bit of jeopardy whether the wildlife crime unit
:21:20. > :21:24.would get funding and we have had news on that? Good news, Matthew.
:21:24. > :21:29.On 23rd January, the Government finally decided to commit to
:21:29. > :21:37.funding a dedicated effort by the wildlife crime unit. They've
:21:37. > :21:42.stumped up some cash in two pots, the Department of Environment, Food
:21:42. > :21:46.and Rural Affairs and another unit. It will run from this March to next
:21:46. > :21:51.March. As wildlife crime, particularly bird persecution, is
:21:51. > :21:57.on the increase, it's a great thing. Wildlife experts are delighted.
:21:57. > :22:02.Time for a look around the home of a curious creature now called the
:22:02. > :22:09.perry Fenwick. Yes, it's often referred to as a
:22:09. > :22:16.Billy Mitchell, a nerd of EastEnder who far flew from the nest.
:22:16. > :22:23.I'm Perry Fenwick and I'm going back to the street where I grew up.
:22:23. > :22:27.Ripley Road. East London. Here we are. My old manor. I used to play
:22:27. > :22:34.football there. Every time you scored a goal, we'd hit the Gates
:22:34. > :22:40.and they would rattle. We used to annoy a guy who lived in that flat
:22:40. > :22:48.there. I bumped into him 30 years ago and reminded him of it and he
:22:48. > :22:52.said "Oh, it was you, you little so-and-so". This is it. I think
:22:52. > :23:01.this was our old house. Pretty much the same. Didn't have double
:23:01. > :23:05.glazing. It's a bit posh. 1975, May. Big day for the residents of Ripley
:23:05. > :23:13.Road. West Ham won the FA Cup and we had a massive street party here.
:23:13. > :23:22.All the adults getting drunk and all the kids singing I'm Forever
:23:22. > :23:32.Blow Bubbles. Fantastic day. BEL. That's what everyone calls me, so
:23:32. > :23:37.
:23:37. > :23:46.that must have been done about 1970 This is the hallway. The passageway,
:23:46. > :23:55.as we used to call it. This was mum and dad's bedroom. It's tiny. This
:23:55. > :24:03.was our master bedroom. I thought in my mind's eye that this was the
:24:03. > :24:10.big room. Unbelievable. I remember that window, people would knock on
:24:10. > :24:13.the window. My mum and sister would hide from the window from the rent
:24:13. > :24:18.man when we couldn't afford the rent that week. My mum was a
:24:18. > :24:24.chamber maid and my dad was a welder. They worked really hard to
:24:24. > :24:33.keep us. We definitely weren't well off. As a kid, you just get on with
:24:33. > :24:40.it, what you are born with, you get on with. This is the room that used
:24:40. > :24:43.to be our bedroom. Me, my sister, my brother. At Christmas, nanny and
:24:43. > :24:48.grandad used to come and stay here as well and stay in this room with
:24:48. > :24:53.us. He used to snore really loudly. I think one day I went out to the
:24:53. > :24:59.kids on the street and charged them a penny to come and see my grandad
:24:59. > :25:05.Bill snoring. When my mum was pregnant with me, it was a tossup
:25:05. > :25:09.that my name was either going to be Elvis, Dwayne or Perry all after
:25:09. > :25:15.well-known singers and grandad Bill offered her money to call me Billy
:25:15. > :25:21.after him. She was like "No, no, that's an old man's name". Then 14
:25:21. > :25:25.years ago, I landed the part of Billy Mitchell in EastEnders and
:25:25. > :25:34.now wherever I go everyone calls me Billy so he kind of got his old way
:25:34. > :25:43.in the end and he didn't is have to lay out any money. So God rest him.
:25:43. > :25:49.Blimey. Memories screaming at me down here. Here was our outside
:25:49. > :25:54.convenience and we used to have a tin bath hanging on the door of it.
:25:54. > :25:58.Every Sunday night the tin bath would come into the kitchen and
:25:58. > :26:04.we'd boil up the kettle. Sounds like Dickensian London here. I'm
:26:04. > :26:11.not trying to make it sound like we were poor but happy but yeah,
:26:11. > :26:16.humble beginnings. I'll never get posh, you will never get me playing
:26:16. > :26:26.Hamlet! West Hamlet maybe but... I love the fact I was born round here
:26:26. > :26:43.
:26:43. > :26:47.One of my favourite ones of those. Imagine the owner of that house
:26:47. > :26:51.saying which so-and-so's carved their name in that brick. Now they
:26:51. > :26:57.could put a plaque on it. What a week for Mock The Week to be off
:26:57. > :27:01.air? We are always off air on the best weeks. We go off over the
:27:01. > :27:05.summer when there's no news. We always think, why are we on now.
:27:05. > :27:10.Are you forever ringing each other up doing your own Mock The Week?
:27:10. > :27:16.Yes, we have a conference call every week which ends up which us
:27:16. > :27:23.talking to Dara about the size of his head. It's the three Bs isn't
:27:23. > :27:29.it, Benedict, burgers and the BAFTAS? Yes. What's been your
:27:29. > :27:33.favourite week to mock though on Mock The Week? I always like it
:27:33. > :27:37.when you read the papers and you have ideas for funny jokes, various
:27:37. > :27:41.jokes to say when you are there, but the best weeks are always the
:27:41. > :27:45.ones where something happens in the studio that you weren't expecting,
:27:45. > :27:49.you know, where you build on somebody else's idea or they pick
:27:49. > :27:54.up yours and everybody keeps in ball in the air and it becomes
:27:54. > :27:59.great. Rory Bremner came out recently and said... Rory Bremner
:27:59. > :28:04.came out?! No! It was a bit competitive on there? It certainly
:28:04. > :28:09.used to be. Mock The Week had a reputation amongst comics as being
:28:09. > :28:13.a real bear pin, you had to put your proper game face going in
:28:13. > :28:16.there. When I did it first three years ago, I was absolutely
:28:16. > :28:20.terrified of it because I don't really thrive in a competitive
:28:20. > :28:26.environment, that's not my gig. I came out and they were going, I
:28:26. > :28:32.love that. You came out? I came out as well, yeah! A breeding ground
:28:32. > :28:36.for that kind of thing, yes! But no, I don't think it's as competitive
:28:36. > :28:42.now. It's a lot more collaborative. A every week something happens in
:28:42. > :28:46.the studio that we weren't expecting and jokes get kind of run
:28:46. > :28:50.over the course of a series and stuff in a way they neefr used to
:28:50. > :28:56.before when it was people standing in the last man standing pointing