:00:43. > :00:47.Why don't we introduce him ourselves? It is Nicky Campbell.
:00:47. > :00:51.You have got the best researchers in the world on this programme.
:00:51. > :01:00.They haven't let us down. In the early 80s, when you were doing your
:01:00. > :01:07.radio, this is what you looked like. # Nicky Campbell! Look at the
:01:07. > :01:11.earring as well. This is character assassination. What is the key to a
:01:11. > :01:17.good jingle? Not what you heard, I would say. I thought it was all
:01:17. > :01:21.right. Short and to the point, it is a skill that the best people do
:01:21. > :01:27.well. Putting something into 30 seconds. It is a real skill, and I
:01:27. > :01:32.wish I had it. We wish we had it, too. We had a go. We are not
:01:32. > :01:42.confident about this, but see what do you think.
:01:42. > :01:49.
:01:49. > :01:56.# It is time for The One Show with Last night saw the premiere of
:01:56. > :02:00.Robin Gibb's latest musical project, a requiem written for the 1517
:02:00. > :02:04.souls that perished on the Titanic. Robin was too ill to attend but a
:02:04. > :02:10.few weeks ago, he managed to leave his hospital bed to tell The One
:02:10. > :02:16.Show why the Titanic mean so much to him.
:02:16. > :02:20.# It's a tragedy. The Bee Gees have sold millions of
:02:20. > :02:29.records during their long and glittering career, and the soaring
:02:29. > :02:34.harmonies make up one of the most recognisable sounds in pop music.
:02:34. > :02:40.# Staying alive, staying alive. Robin de Beer Co wrote the
:02:40. > :02:46.momentous Bee Gees songs, but more recently -- Robin Gibb co-wrote the
:02:46. > :02:49.Bee Gees songs but he has been recording alongside his son, RJ,
:02:49. > :02:54.for his first classical piece and he has called it Titanic Requiem.
:02:54. > :02:57.Titanic Requiem is a full classical work, written for a choir and
:02:57. > :03:02.orchestra to perform, and it tells the story of the ship's tragic
:03:02. > :03:07.journey. Where did this project start? I began to get interested in
:03:07. > :03:11.Titanic when I was about 16. I have always been fascinated with it
:03:11. > :03:16.since then. My grandmother came home when she was 13. Saw her
:03:16. > :03:24.mother crying in the kitchen. She said that beautiful ship had just
:03:24. > :03:28.sunk. She remembered that vividly. Among their Titanic artefacts is a
:03:28. > :03:37.telegram received by the sister ship, the Olympic, just a day after
:03:37. > :03:42.the tragedy. Received as follows. Turn back now, everything OK, we
:03:42. > :03:49.have 800 aboard. This is the original Marconi ground from 16th
:03:49. > :03:54.April. From a ship having picked up survivors. Yes. A passion for the
:03:54. > :03:58.story of the Titanic led Father and Son into the studio, where they
:03:58. > :04:03.wrote their requiem. Each of the 15 tracks covers a different stage of
:04:03. > :04:10.the ship's final journey. Some people may not know what a requiem
:04:10. > :04:15.is, could you explain. Some people have their own version of that mass,
:04:15. > :04:23.the mass is the same but it could take on different music. It will
:04:23. > :04:27.take on different music. Haydn had his own mass, Brahms, Mozart.
:04:27. > :04:31.Having composed their requiem, Robin and RJ went into the studio
:04:31. > :04:35.last year for a series of recording sessions with the Royal
:04:35. > :04:38.Philharmonic Orchestra. Had you worked together before? We have
:04:38. > :04:48.collaborated on things, but never an album. How does that dynamic
:04:48. > :04:56.
:04:56. > :05:00.work? We work like clockwork. Literally painting the emotions
:05:00. > :05:05.through music, is it different to writing a pop song? Is there a
:05:05. > :05:07.different process? No, there are only eight notes you can work with.
:05:07. > :05:11.The difference is getting them in the right order and not everybody
:05:11. > :05:16.does, other rice everybody would be having a successful composing
:05:17. > :05:24.career -- otherwise. The difference is if you have got a knack of
:05:24. > :05:29.knowing something, RJ I discovered early on had it, you just know
:05:29. > :05:34.early on that it works. We write to the melody. When you write a pop
:05:34. > :05:39.song, you write to the melody first. When you have an orchestra, you put
:05:39. > :05:43.the orchestra down before the vocal. Describe the feeling the first time
:05:43. > :05:53.you heard the Royal Philharmonic Orchestra strike up your writing.
:05:53. > :06:02.
:06:02. > :06:05.To hear it come to fruition, it was One of the most contemporary
:06:05. > :06:15.sounding pieces of music is Don't Cry Alone, which she did the vocal
:06:15. > :06:20.
:06:20. > :06:25.four. It was spontaneous. -- which I just sent to what I hear, which
:06:25. > :06:29.is the way I have always composed. We want people to remember that
:06:29. > :06:39.this is not just striving to be a beautiful piece of work, it is
:06:39. > :06:46.
:06:46. > :06:50.remembrance for the 1517 people who A huge thank-you to Robin and RJ
:06:50. > :06:55.for making that film for us, and all of our thoughts are with the
:06:55. > :06:59.Gibb family at this difficult time. You were saying you visited Robin's
:06:59. > :07:02.house during a Radio 1 Special many years ago. That is right, he is a
:07:02. > :07:07.wonderful man and the three brothers have such a great bond.
:07:07. > :07:13.This was one of the greatest privileges I ever had, to go over
:07:13. > :07:18.to Miami Beach and do a special in the Radio 1 days. They live right
:07:18. > :07:22.on the shoreline and all of these boats went past. The boats were
:07:22. > :07:26.saying, on your right, it is where their Bee Gees lives. And all of
:07:26. > :07:30.the brothers would run out and wave. Because they really care about
:07:30. > :07:36.their fans and they never lost that. Talking of families, your latest
:07:36. > :07:40.series, Long Lost Family, is back. Why do you think it struck such a
:07:40. > :07:45.chord with viewers? With Davina, Thursday night. It just resonates
:07:45. > :07:51.with people. It is about longing, it is about family. It is just
:07:51. > :07:55.about love as well. Some of the stories, the people we have
:07:55. > :08:02.reunited, astonishing stories. We watched the first episode the other
:08:02. > :08:05.night, me and my wife. She is still in recovery. We watched it earlier.
:08:05. > :08:11.You meet some incredible people who have remarkable stories. What have
:08:11. > :08:15.been some of the highlights? have done quite a lot of mothers
:08:15. > :08:19.from mother-and-baby homes in the 60s, when attitudes and values were
:08:19. > :08:24.very different, society was very different. To have a mother in
:08:24. > :08:29.front of you talk about the smell of a baby, something she has never
:08:29. > :08:36.forgotten... The smell is such a powerful time machine. She just
:08:36. > :08:42.shut her eyes, and she was just back there with her baby. And after
:08:42. > :08:48.that, decades of anguish, to be able to say, we have found him and
:08:48. > :08:54.he wants to meet you, and here is his photograph, it is one of the
:08:54. > :08:59.greatest... To be there at that moment is extraordinary. Absolutely.
:08:59. > :09:03.Here, we can see Fabia, one of the ladies in the first episode and she
:09:03. > :09:11.is reading a letter from Mark, the first correspondents there have
:09:11. > :09:15.been between them. It is very emotional. Dear Fabia. This has not
:09:15. > :09:24.been an uneasy night as an easy letter to write, the emotions are -
:09:24. > :09:32.- this has not been an easy letter I hope to start putting the pieces
:09:32. > :09:35.back together. Until then, I remain sincerely yours, Mark. Nicky, last
:09:35. > :09:39.time you on, you told us you had met up with your birth mother and
:09:39. > :09:42.father, you understand what feelings these people are going
:09:42. > :09:47.through. Do you feel like you are intruding a bit with the cameras
:09:47. > :09:55.and all of that there? They are such a wonderful team who do it.
:09:55. > :10:00.They do it with such a sense of respect as well. Obviously, these
:10:00. > :10:04.people are self-selecting, they want to do this. The structure,
:10:04. > :10:09.their hands are held all along and the structure is really reassuring
:10:09. > :10:14.and comforting for them. Everyone at the end of it is in a better
:10:14. > :10:19.place, because questions answered. When I met my birth mother, it was
:10:19. > :10:25.the most terrifying moment of my life. It is a stranger who looks
:10:25. > :10:33.like me, the most powerful thing. I didn't have any help. I was kind of
:10:33. > :10:40.all alone and it was difficult. Providing that help has been great
:10:40. > :10:46.for people. MAC -- she says, I am looking at a stranger but feel like
:10:46. > :10:50.I have known him all my life. a rugby coach at my old school.
:10:50. > :10:55.What is great about him, he is a strong guy, a tough man, but
:10:55. > :11:00.underneath, we are all little babies at heart. A very powerful
:11:00. > :11:04.Series. Long Lost Family begins tomorrow night at 9pm on ITV1.
:11:04. > :11:08.radio phone-in is a British institution, which allows anyone
:11:08. > :11:12.with an opinion, and a phone, the chance to have their five minutes
:11:12. > :11:17.of fame on the nation's airwaves. But where did it come from, and
:11:17. > :11:22.would Alex Riley be able to host one without any training? Caller,
:11:22. > :11:27.you are on the air. We talked to Felixstowe dock workers about the
:11:27. > :11:32.takeover. Greece, Rangers, in financial trouble, what about you.
:11:32. > :11:38.You are talking about black girls and their attitude to white gulls?
:11:38. > :11:42.You are an absolute disgrace. radio phone-in, the perfect place
:11:42. > :11:46.to hear people talk about life, death or even just football. They
:11:46. > :11:54.offer the perfect platform for discussing the issues of the day,
:11:54. > :11:59.or for sharing your pain with the It only really took off in the UK
:11:59. > :12:02.after the early 70s, when the BBC's monopoly of radio broadcasting
:12:02. > :12:08.ended and the new independent stations, such as LBC, embraced the
:12:08. > :12:13.new form. The radio phone-in was the first ever reality broadcasting,
:12:14. > :12:17.because it gave you an insight into ordinary people. We used to do
:12:18. > :12:23.phone-ins because of needle time. Every time you played a record, you
:12:23. > :12:27.had to pay quite a large chunk of money. Then they realised, that the
:12:27. > :12:31.talk part of the programmes is actually what the audience wanted.
:12:31. > :12:35.It can't be that difficult to get British people to phone a radio
:12:35. > :12:39.station and have a right good moan. But how does the presenter turn
:12:39. > :12:47.that into an entertaining piece of radio? I suppose there is only one
:12:47. > :12:53.way to find out. Pete Price is something of a
:12:53. > :12:58.Liverpool talk radio legend. Every night we get the radiance -- the
:12:58. > :13:02.idiots. When we had a psychic on, we had 19,000 people in two hours
:13:02. > :13:06.trying to get on. Are you trying to provoke people, are you a shock
:13:06. > :13:11.jock? I am not, I have an opinion. I will not stand any garbage.
:13:11. > :13:15.Tonight, he is going to let me take over his show to see what it is
:13:15. > :13:19.like to be the man on the other end of the phone. The in the moment, a
:13:19. > :13:24.co-presenter from the BBC. Hello. You are not talking yet! I am
:13:24. > :13:30.beginning to wonder what I let myself in for. What are they
:13:30. > :13:35.phoning about? Hillsborough, and care for the elderly. Your next
:13:35. > :13:39.call is travel. Patients being so thirsty that they drank water from
:13:39. > :13:43.flower vases. From my personal experience, I know that when it
:13:43. > :13:48.comes to geriatric care, a lot of patients are not given the kind of
:13:48. > :13:54.care that they need. Quite a tricky call to start with.
:13:54. > :13:57.Be it is the day football changed for ever for lots of people. A
:13:57. > :14:03.apparently the Titanic was the largest moving man-made object on
:14:03. > :14:13.earth. I want to speak about that gentleman. Abreu hands it?
:14:13. > :14:23.should have been thrown out with his prove. Oh! Put their neck.
:14:23. > :14:29.
:14:29. > :14:33.They think I am totally stupid. And you are touching these buttons.
:14:33. > :14:38.very sensitive, these buttons. A lot of people are saying A-levels
:14:38. > :14:43.are too hard. You have to focus on the A levels you are studying on
:14:43. > :14:47.right now. Best of luck with it. Goodbye. That was so intense. I am
:14:47. > :14:57.absolutely drained and Pete has another two-and-a-half hours to go.
:14:57. > :15:01.
:15:01. > :15:04.I am going to go home now and lie He did all right! You do get
:15:04. > :15:08.drained. It shows the adrenalin was working and he was getting into it.
:15:08. > :15:13.He was doing a late night one. Is there much difference between a
:15:13. > :15:17.morning phone-in and the late one? Which do you prefer? For they both
:15:17. > :15:21.have an intimacy. For five years I did a late night show on Radio One
:15:21. > :15:27.with music and interviews and people on the phone. We used to
:15:27. > :15:32.smoke in those days. In the studio? Yes. Simon Bates had an ashtray
:15:32. > :15:37.with his own cigars. The desks clamp and a microphone and it was
:15:37. > :15:42.dark outside. For a fog of smoke. It felt like you were Clint
:15:42. > :15:46.Eastwood or something! Is it right that you used to ring into local
:15:46. > :15:50.radio station and put on different voices? You really have done it...
:15:50. > :15:59.When I was a kid I used to call my local radio station. There's a rich
:15:59. > :16:06.irony about what I'd do now. what sort of voices? You put one on
:16:06. > :16:12.for Sheila Fogarty. Yes, her last show. A very bolshie guest. Built
:16:12. > :16:16.on dreams of transatlantic travel, the Bristol Brabazon was one of the
:16:16. > :16:26.largest aircraft of its day. As the villagers of Charlton found out,
:16:26. > :16:27.
:16:27. > :16:32.It was one of the biggest aircraft on earth, a transatlantic jumbo
:16:32. > :16:38.years ahead of its time. To house it, the hangar, the biggest the
:16:38. > :16:42.world had ever seen, was built in 1946. In order to get this giant to
:16:42. > :16:47.fly, a village was razed to the ground. This is the story of the
:16:47. > :16:49.Bristol Brabazon. Nearly all of Bristol took advantage of this
:16:49. > :16:55.invitation in the hope they would see the world's largest airliner
:16:55. > :16:58.take the air. September 1949, the official maiden flight of the
:16:59. > :17:04.Bristol Brabazon, Britain's great hope for non-stop transatlantic
:17:04. > :17:09.travel. It was exciting for myself and all of the ground crew. After
:17:09. > :17:15.all these years, this magnificent aircraft would take to the sky.
:17:15. > :17:18.was the man responsible for towing the plane onto the runway. Because
:17:18. > :17:25.of the size of the aircraft, we had big ground crew walking because it
:17:25. > :17:29.has so far away. I had to go at walking pace. This was probably the
:17:29. > :17:35.dramatic moment. With the expected crowds watching from here, at about
:17:35. > :17:45.10am, the pilot revved the eight engines, the beast droned down the
:17:45. > :17:52.
:17:52. > :17:57.Transatlantic air travel was taking But as yet, no aircraft could fly
:17:57. > :18:00.non-stop from London to New York without refuelling. Britain and
:18:00. > :18:08.America were he to head in the race and the man in charge of our bid
:18:08. > :18:11.was the pilot, Lord Brabazon. myself won a prize of �1,000 for
:18:11. > :18:16.flying a mile on an all-English machine. In 1909 he made the
:18:16. > :18:21.history books as the first person in the country to fly a mile. But
:18:21. > :18:26.it was another first that he was just as proud of. The old adage,
:18:26. > :18:31.pigs might fly. I took the first little follow-up. He didn't like
:18:31. > :18:35.it! It was only fitting that the airport that bore his name was to
:18:35. > :18:38.be more luxurious and larger than anything the Americans could offer.
:18:38. > :18:48.For sleeping compartments, a rare saloon with the cinema screen and
:18:48. > :18:49.
:18:49. > :18:53.But not everyone was celebrating. June was just eight when the
:18:53. > :19:00.Brabazon made its fame -- maiden flight. My parents would not take
:19:00. > :19:05.me, I was desperate to go. They wouldn't go. Why not? Probably too
:19:05. > :19:11.upset. The sheer size of the Brabazon meant that the runway had
:19:11. > :19:16.to be extended. Straight through the nearby village of Charlton. 17
:19:16. > :19:19.acres were seized, up to 40 families forced out. June's family
:19:19. > :19:25.home was bulldozed to the ground and her way of life destroyed to
:19:25. > :19:30.make way for the mighty Brabazon. remember going around saying
:19:30. > :19:35.goodbye to all of the places I laughed as a child. I really loved
:19:35. > :19:38.the orchard we used to play in. I loved that. He the villagers had
:19:38. > :19:43.sacrificed their homes for transatlantic progress. But the
:19:43. > :19:49.Brabazon would only ever use the runway for test flights. This
:19:49. > :19:53.prototype was a financial disaster. The design but luxury before Speed
:19:53. > :19:57.said. Not one was sold. Smaller planes could carry more passengers
:19:57. > :20:03.can travel faster. The great Brabazon was doomed because it was
:20:03. > :20:06.just that, too great. In the next three years, of the Brabazon made
:20:06. > :20:11.163 flights around Britain. It crossed the Channel to Paris, but
:20:11. > :20:17.it never crossed the Atlantic. In July 1953, for the government
:20:17. > :20:24.announced it was to scrap the plane. This is one of the few surviving
:20:24. > :20:28.pieces of her. Britain had lost the transatlantic race at the cost of
:20:28. > :20:33.nearly �125 million in today's money. But it wasn't completely
:20:33. > :20:37.wasted. Other aircraft designs built on the experiences of the
:20:37. > :20:43.Brabazon and within a decade, aircraft like the Britannia had
:20:43. > :20:49.finally crossed the Atlantic. is here. We saw the Britannia
:20:49. > :20:53.taxiing to the runway. Where did she land? That was the first plane
:20:53. > :21:00.to fly non-stop over 5,000 miles from Britain to the west coast of
:21:00. > :21:04.Canada. That was a great aircraft. Then we have the Comet as well.
:21:04. > :21:09.That was in a way the world's first really modern passenger aircraft
:21:09. > :21:15.except that it had metal fatigue and a couple of times it evaporated
:21:15. > :21:19.in the air. It got overtaken by the Boeing. It was a great aircraft in
:21:19. > :21:23.many ways. It went on to have a long career, but it had a key
:21:23. > :21:28.design fault with metal fatigue. That is when Boeing stole the show
:21:28. > :21:34.and went on to be the biggest name. But all of these companies are now
:21:34. > :21:38.part of the Airbus team that make the huge A380. Britain is leading
:21:38. > :21:43.the world again in air travel. Crossing the Atlantic by air
:21:43. > :21:48.started in the 1920s. Yes, everybody forgets. These big
:21:48. > :21:52.Zeppelins. They were crossing the Atlantic. There was one called the
:21:52. > :21:57.100 that went from Britain to Canada. The Germans set the pace
:21:57. > :22:02.initially, this was the 101 after that picture was taken, it crashed
:22:02. > :22:07.on to a hillside in France. They crossed the Atlantic in three-and-
:22:07. > :22:11.a-half days. Talking about Titanic this week... Are not safe on there.
:22:11. > :22:15.The Hindenburg crashed and that was the end of the Zeppelin's, but they
:22:15. > :22:21.are coming back. The US Army has started to use them. Can you
:22:21. > :22:26.imagine setting out in the 1920s? No good way of getting across the
:22:26. > :22:32.Atlantic in the 1920s. Are you one of those people who worry about how
:22:32. > :22:37.safe your bank details are online? Yes. He's paranoid. This is Marty
:22:37. > :22:41.Jopson to help put yours and mine minds at rest.
:22:41. > :22:45.The need to protect a or personal information has never been more
:22:45. > :22:48.important. With millions and millions of transactions taking
:22:48. > :22:54.place every day on the internet, just what is keeping our financial
:22:54. > :23:01.details safe? You just trust it. But maybe you shouldn't. It doesn't
:23:01. > :23:05.feel safe enough. I don't know how my bank details are secured.
:23:05. > :23:10.Surprisingly, it is all done with prime numbers. Your computer
:23:10. > :23:14.automatically uses them whenever you shop or bank online. Fees are
:23:15. > :23:18.numbers you can only divide by themselves or by one. First
:23:18. > :23:24.understood thousands of years ago, they were long thought to have no
:23:24. > :23:28.practical use. But that changed in the late 60s and 70s. We realised
:23:28. > :23:32.that you could do something really useful with them. A quirky code-
:23:32. > :23:37.breaker called James Ellis was working at the government
:23:37. > :23:41.communications headquarters in Cheltenham. He was wrestling with
:23:41. > :23:44.how the military could safely exchange secret messages.
:23:44. > :23:50.Traditionally, it is always the sender of the message that creates
:23:50. > :23:53.these codes. But Ellis's radical approach was to turn this on its
:23:53. > :23:59.head and get the receiver of the message to create these codes
:23:59. > :24:03.instead. It sounds counter intuitive, but here is how it works.
:24:03. > :24:08.The principle is that a securely receive a secret message, I need
:24:08. > :24:12.something like a padlock that only I know the combination to. I then
:24:12. > :24:18.distribute a whole load of identical padlocks that are opened
:24:18. > :24:24.with the exact same code. Somebody sending me a secret message then
:24:24. > :24:34.uses one of these to locket in a secure box. -- lock it. Only I can
:24:34. > :24:38.now open this box because only I This principle works with padlocks
:24:38. > :24:43.and combinations, but Ellis could not work out how to achieve this in
:24:43. > :24:48.the electronic world. Incredibly easy way to scrambler message had
:24:48. > :24:53.to be found that would be impossible to a unscramble unless
:24:53. > :24:58.you had a unique piece of information. The best minds at GCHQ
:24:58. > :25:01.had struggled to find an answer to this for years until a young
:25:01. > :25:06.mathematician named Clifford Cocks joined them. Fresh out of
:25:06. > :25:08.university, he was an expert in number theory and when the worlds
:25:08. > :25:13.of pure mathematics and secret communications collided, and answer
:25:13. > :25:17.was found. His solution was that the code and scramble a secret
:25:17. > :25:21.message should be made up of two prime numbers which were multiplied
:25:21. > :25:26.together created a coat that scrambled that in the first place.
:25:26. > :25:30.It feels almost too simple. But it is the perfect way to do it. This
:25:30. > :25:36.number was made by multiplying together two different prime
:25:36. > :25:40.numbers. Easy. But before you have is this number, and you want a
:25:40. > :25:46.workout what those two original prime numbers are, that is really
:25:46. > :25:50.hard. There's no equation or shortcut for doing this so I have
:25:50. > :26:00.to go through a list of prime numbers and try to discover the
:26:00. > :26:03.
:26:04. > :26:08.ones that work. I've done it! 1069, 2393. Computers today would have no
:26:08. > :26:11.problem with the seven digit figure, but the prime numbers being used to
:26:11. > :26:16.scramble into their messages like banking details Ojo enormous.
:26:16. > :26:19.Luckily for us, when we perform internet transactions, they are
:26:19. > :26:26.created by computers so we don't have to admit is completely normal
:26:26. > :26:30.for them to be more than 300 digits long. A typical PC would take maybe
:26:30. > :26:34.2 million years to control of the numbers required to crack the code.
:26:34. > :26:39.Internet shopping is completely safe? The information as it is
:26:39. > :26:43.travelling over the internet is certainly safe. It is the end
:26:43. > :26:47.points that are vulnerable. internet transactions are safe. But
:26:47. > :26:52.it is when your information is stored on a computer, and scrambled,
:26:52. > :26:56.that it is vulnerable to hackers getting at it directly. Ellis and
:26:56. > :26:59.Cox's pioneering work should have been what revolutionise internet
:26:59. > :27:03.commerce, but because they worked for the government it remained
:27:03. > :27:07.secret until recently. Four years after their breakthrough, though, a
:27:07. > :27:12.group of Americans independently came up with the exact same
:27:12. > :27:17.solution. It was their work that eventually led to the secure
:27:17. > :27:24.internet shopping we all use today. I'm not sure I still trusted!
:27:24. > :27:28.leave your card lying around. He will crack it. Nicky, another of
:27:28. > :27:31.the shows you present is the Big Questions on BBC One on Sunday
:27:31. > :27:36.mornings -- Sunday mornings. Settling some of the huge moral
:27:36. > :27:43.debates. We would love to get involved in a big debate, but we
:27:43. > :27:53.don't have time. We thought we would ask you this more questions.
:27:53. > :27:53.
:27:53. > :27:58.-- the small questions. Did you do that jingle? Es. Very talented. We
:27:58. > :28:04.will start with the issue of right to life. Is it ever acceptable to
:28:04. > :28:10.kill a wasp? I try not to. I take a Buddhist approach to it, I try not
:28:10. > :28:16.to kill a living creature if I can avoid it. Do you waft? Aspired in
:28:16. > :28:24.the bath and I will take it out. do that. Domestic issues. This is
:28:25. > :28:34.tough. How often should you change your bedsheets? Good one! I think
:28:35. > :28:35.
:28:35. > :28:37.once a year whether you need to or not. Come on! Once a week.
:28:37. > :28:46.there ever a justification for licking a yoghurt lid publicly?
:28:46. > :28:50.Yes! Finally, this is a culture one. Is moving 5 Live to Salford a