:00:16. > :00:23.A host of Morris and miners and Dolly, Britain's eldest barmaid. Are
:00:24. > :00:44.you looking forward to meeting Paddy McGuinness? I would love one.
:00:45. > :00:49.Welcome to The One Show. Dolly the delectable barmaid will be back
:00:50. > :00:51.later on when we find out how she has been doling them over in
:00:52. > :00:56.Wendover since the Second World War.
:00:57. > :01:00.While she is here she might as well audition for a new show which
:01:01. > :01:05.pitches younger contestants against older ones, it is called Amazing
:01:06. > :01:19.Greys and it is hosted by Paddy McGuinness.
:01:20. > :01:28.Welcome to the show. Hello, Paddy. Nice to have you back. In the new
:01:29. > :01:34.place, lovely and very nice. We will talk about your new show later. We
:01:35. > :01:40.are used to seeing you on Take Me Out with the young girls. Which do
:01:41. > :01:46.you prefer so far? Amazing Greys. When I do Take Me Out, I just get
:01:47. > :01:57.Lamborghini thrown at me. So it is nice to have a break from VAT.
:01:58. > :02:00.Talking of different ages, this Sunday young and old will take part
:02:01. > :02:03.in the London Marathon - other marathons are available. And tonight
:02:04. > :02:07.we're challenging you to find one runner from each of the age groups
:02:08. > :02:17.running this weekend. So we need one runner in their teens. Joanna
:02:18. > :02:23.Gothard running for the multiple sclerosis trust. We have Paul
:02:24. > :02:29.Friedman, running for Saint Francis Hospice, he is 89 years old. He has
:02:30. > :02:39.been running marathons that 69 years. We need to feel -- fill the
:02:40. > :02:44.gaps. One in their 20s. One in their 30s. One in their 40s. One in their
:02:45. > :02:54.50s, all the way up to runners in their 80s. Send us a photo and put
:02:55. > :02:59.your age in the subject line. Now to find out more of our guest of
:03:00. > :03:04.honour, Dolly. Pouring the perfect pint is an
:03:05. > :03:11.artform, but it helps if you have a few years experience. In Wendover in
:03:12. > :03:15.the Chilterns, locals have been enjoying a pint in the old red lion
:03:16. > :03:23.hotel for over 400 years. For most of the last century, they have been
:03:24. > :03:30.served by the same barmaid. Dolly has been pulling pints since the
:03:31. > :03:38.1930s. She is always jolly. She is the life and soul of the pub. There
:03:39. > :03:44.is only one Dolly. With her 100th birthday just around the corner, I
:03:45. > :03:50.wanted to celebrate. Dolly, how long have you been working in this pub?
:03:51. > :03:58.Over 70 years. What is the best thing about working here? Meeting
:03:59. > :04:02.all of the people, I love it. Over the years, Dolly has shared a joke
:04:03. > :04:10.with more than just the regulars. Who is this? Sir Stanley Matthews.
:04:11. > :04:17.That is me sitting next to him. There you go. That is a good-looking
:04:18. > :04:27.chap. Piers Brosnan 's, he was lovely. James Bond. Since Dolly
:04:28. > :04:32.started pulling pints, Britain has been through a world war and 14
:04:33. > :04:41.prime ministers, but Dolly's tastes have not changed. Did you have a
:04:42. > :04:46.tipple? W and tonic water. Is that your secret to success? To celebrate
:04:47. > :04:52.her long service, we have arranged to have her portrait painted. This
:04:53. > :05:01.artist exhibits around the world and paints using surprisingly quids.
:05:02. > :05:05.This looks like my kind of art. These are the materials I will use
:05:06. > :05:11.to paint a portrait of Dolly. I paint with alcohol and tea and even
:05:12. > :05:20.things like that. When did you first get into painting with alcohol? When
:05:21. > :05:23.I decided on my career, I poured a large glass of brandy and somehow
:05:24. > :05:31.the brush ended up in the brandy and it ended up on the page. I start off
:05:32. > :05:35.with a pencil drawing, get a bit of a likeness so hopefully Dolly can
:05:36. > :05:40.recognise herself. Then I build up in layers. We use calligraphy ink to
:05:41. > :05:46.pick out areas that will be blurred by the alcohol. Then we can start
:05:47. > :05:55.adding layers with the alcohol and let it dry. It just gives a bit of
:05:56. > :06:00.yellow colour. They create this interesting colour effect because
:06:01. > :06:09.they dry quicker than water as well. You can really see that now. As he
:06:10. > :06:14.cracks on with Dolly's portrait, the locals are keen to see how he
:06:15. > :06:23.captures their favourite barmaid. She is lovely. She does not look
:06:24. > :06:28.99, she looks like she is in her 70s, so I hope the artist captures
:06:29. > :06:35.that. I hope they capture her pillow and just Dolly. I just hope they get
:06:36. > :06:41.it spot on. After a few hours, a glass of whiskey and run, it is time
:06:42. > :06:49.to see if Dolly approves. Ladies and gentlemen, on behalf of The One
:06:50. > :06:55.Show, and in honour of Dolly's 76 years of service here, I would like
:06:56. > :07:04.to present her with her portrait. There you go, Dolly. What do you
:07:05. > :07:12.think? I think it is wonderful. All painted in alcohol as well. Whiskey?
:07:13. > :07:20.A little bit of whiskey in there and a bit of beer in there as well.
:07:21. > :07:25.Congratulations, you deserve it. The very lovely Dolly is here with
:07:26. > :07:33.us. Welcome to the studio. Isn't that a lovely picture of you? Yes, I
:07:34. > :07:39.think so. What are you going to do for your birthday? They are having a
:07:40. > :07:47.party at the red lion for May, which I think is very good. Do you get the
:07:48. > :07:56.night off? I don't work on Saturdays. In 76 years you have had
:07:57. > :07:59.some very famous people at the pub, including Margot Fontaine, what
:08:00. > :08:11.happened when she came in? When she came in, my boss's wife said, "
:08:12. > :08:19.Dolly, guess who is in" ? I said, " I don't know". I was cooking at the
:08:20. > :08:26.time. She told me it was Margaret Fontaine. She told me to take my
:08:27. > :08:31.whites off, when you have cooked her scampi, you can take it into her. I
:08:32. > :08:37.thought that was lovely and we had a good chat. You have chatted to lots
:08:38. > :08:44.of people, the boys from the RAF during the Second World War. How did
:08:45. > :08:51.you keep those guys at day? They were very, very good. Someone would
:08:52. > :09:01.come in the saloon bar and they would say, " Dolly, would you like
:09:02. > :09:06.to make a date with me" ? They asked what day I had off, I told them
:09:07. > :09:16.Wednesday. He said, " I would like to take you out". I asked where to
:09:17. > :09:21.meet. He said, I will meet you up by the railway station. That will be
:09:22. > :09:28.one of the boys. Some of the others would come in and say, " hello,
:09:29. > :09:35.Dolly, what are you doing on your day off"? I told them I did not
:09:36. > :09:43.know. And they would ask if they could make a date with me. So I said
:09:44. > :09:51.yes. So they said, where shall I meet you? I would make the date at a
:09:52. > :09:57.different road. Then another one would come in and asked to make a
:09:58. > :10:03.date. And then I would say, meet me by the clock tower. When the time
:10:04. > :10:12.came, I did not turn up to see any of them. You big tease. Your
:10:13. > :10:24.favourite drink is a whiskey and tonic. We have a bartender to bring
:10:25. > :10:37.it over for you. Welcome to Alex. Whiskey and tonic. Three cheers for
:10:38. > :10:49.Dolly. Cheers Dolly. Hang on, something
:10:50. > :10:59.wrong here. I will get another one for you. Dolly, what did you used to
:11:00. > :11:06.say to the customers at the end of the night? I used to say, time,
:11:07. > :11:12.ladies and gentlemen, please. Now is the time for you all to go home and
:11:13. > :11:23.to go home to your feather beds. Perfect. Last week, Voice finalists
:11:24. > :11:27.were in this studio singing their hearts out. But there could only be
:11:28. > :11:31.one winner - Jermain Jackman. After his win Jermain isn't just hoping to
:11:32. > :11:36.reach number one he's got his sights set on number ten. Anita has been to
:11:37. > :11:40.see why he's on the way to being a very political pop star. Jermain
:11:41. > :11:45.Jackman has an incredible boys but he is not your average talent show
:11:46. > :11:51.winner. His ambitions lay beyond a sold-out arena tour. He wants to be
:11:52. > :11:54.the first ever singing black Prime Minister. So I have come to hack me
:11:55. > :12:11.to find out more about this fascinating young man.
:12:12. > :12:20.Jermain. Welcome to Hackney. This is where I was brought up. How has your
:12:21. > :12:24.life changed? It is surreal. I cannot believe it. You are an
:12:25. > :12:28.aspiring politician, a lot of politicians have been getting in
:12:29. > :12:35.touch with you? Ed Miliband, Ed Balls and I believe David Cameron
:12:36. > :12:41.has said my name a couple of times and is interested in meeting up with
:12:42. > :12:44.me. They are people I grew up with watching on television, and now they
:12:45. > :12:52.are saying my name. Who are we meeting first? The Reverend and
:12:53. > :12:56.going to church. Since the riots in 2011, Hackney has struggled to
:12:57. > :13:04.rebuild its image. Hackney is one of the most diverse boroughs in the
:13:05. > :13:11.country. This street sums up Hackney the meat. Brand-new apartments going
:13:12. > :13:17.for a lot of money. And then opposite you have a council estate.
:13:18. > :13:23.What do you think? As well as pumping money into these high-rise
:13:24. > :13:28.flats, let's pump some money into the Hackney residents who have lived
:13:29. > :13:34.here for over 30, 40 years. How important is this church to your
:13:35. > :13:39.singing career? This place keeps me grounded and humble because I know
:13:40. > :13:44.my gift came from God. He cares about people, passionate about what
:13:45. > :13:50.goes on in his community. I have watched him growing up, he wants to
:13:51. > :13:55.say to younger people, your script does not have to be negative, it can
:13:56. > :14:00.be positive. My role is to promote positivity. So people looking in on
:14:01. > :14:05.Hackney thinking they are just rioters, criminals and
:14:06. > :14:10.troublemakers. No they are not, actually. We can achieve great
:14:11. > :14:20.things. Islington arts and media school is where he met his mental,
:14:21. > :14:28.Sonia. Tell me, was he a golden pupil? I was stunned when I heard
:14:29. > :14:43.him sing will stop I said, do you know the song, I Wish?
:14:44. > :14:52.Community centres are of vital importance which is why Jermain
:14:53. > :14:55.volunteers at this one. He has been coming here for about five or six
:14:56. > :15:00.years. He will come and play the drums and dance. Showing the
:15:01. > :15:07.children it is possible to get to where you want to be. Why are places
:15:08. > :15:12.like this important? It is the future of our community. We get to
:15:13. > :15:21.know one another and grow up to be friends. Is that number one on the
:15:22. > :15:26.agenda, bring back youth clubs? Definitely, people can learn
:15:27. > :15:34.socially and learn what life is really like, being in touch with the
:15:35. > :15:40.community. Coming back to Hackney, has everything changed? No, it is
:15:41. > :15:42.the same Hackney and I am still Jermaine Jackman. People might
:15:43. > :15:49.recognise me, but it is the same place. They were all brilliant. You
:15:50. > :15:55.can now apply to audition for the next series of The Voice via their
:15:56. > :15:58.website. And if you fancy auditioning as a judge as well,
:15:59. > :16:05.because they are Kylie down, please go ahead. Very sad news. I have got
:16:06. > :16:13.the answer - only. Get her on, get the gold hot pants on her, it would
:16:14. > :16:21.be fantastic. Calm down, Paddy! Go on, Dolly! Now, your Amazing Greys,
:16:22. > :16:24.which Jolly good audition for, starts on Saturday at 8:30pm. You
:16:25. > :16:29.are pitting the young generation against the older generation, is it
:16:30. > :16:33.like The Generation Game? No. I don't know where that has come
:16:34. > :16:39.from. We do play big games on set and what have you, but the Amazing
:16:40. > :16:41.Greys are made up of people like Sir Geoff Hurst, the only player in
:16:42. > :16:48.history to score in the World Cup final. Then we have got a
:16:49. > :16:54.67-year-old, five foot tall power lifter. She weighs about eight
:16:55. > :16:58.stone. When she comes on, the young contestants think it will be easy,
:16:59. > :17:06.and then they realise. It is a mixture of people. It is just a lot
:17:07. > :17:09.of fun, but it will surprise people. Let's have a taster. What about
:17:10. > :17:15.weightlifting challenge between 26-year-old and a -year-old? Are you
:17:16. > :17:19.still feeling good? Yeah, I am roughly a third of his age. I would
:17:20. > :17:22.like to think my strength outdoes his. He has clearly got the
:17:23. > :17:28.experience and I respect that, but I am younger. I am more pumped for it
:17:29. > :17:36.and I am going to take him down. Has he got you worried? He is a big must
:17:37. > :17:41.wrong boy. He certainly is. -- a big, strong boy. Terrific
:17:42. > :17:48.determination, but will that be enough to take on this man? It is
:17:49. > :17:53.all about the speed as much as anything else.
:17:54. > :17:57.It is a cliffhanger! We will leave it there. Watch the show if you want
:17:58. > :18:00.to know. What was your challenge about working with the older
:18:01. > :18:04.generation? It was not so much a challenge, but when I first met
:18:05. > :18:12.them, they did not have a clue who I was, so it was about trying to gain
:18:13. > :18:18.their trust. But like I say, we have got gold medal winners and world
:18:19. > :18:20.champions, and they are so humble. They will be sweetness and light in
:18:21. > :18:27.the corner of the studio. The young people come on, follow bravado. The
:18:28. > :18:32.older people are very difficult to beat. It is about finding someone
:18:33. > :18:37.who can take them on and win. We had one lad in a bike challenge should,
:18:38. > :18:44.and he was 23 years old and he took on a blog called Derek who was 70.
:18:45. > :18:51.There he is. -- a bloke called Derek. And he just beat Derek by one
:18:52. > :18:56.metre after having a 50 metre head start. And when we finished
:18:57. > :18:59.recording, we had to take a break because the lad on the bike, the
:19:00. > :19:10.young lad was killing over and he needed gas and air -- he was keeling
:19:11. > :19:19.over. Whereas Derek just jumped off. You gave away who won! Oh, yeah! We
:19:20. > :19:25.also saw our very own amazing grey, Angela Rippon. She is your co-host.
:19:26. > :19:28.She is. It is mad working with her, because when I was growing up, I
:19:29. > :19:33.used to watch her on the telly and the news. Whenever you are in her
:19:34. > :19:38.company and she is talking to you, you are just thinking, it is Angela
:19:39. > :19:42.Rippon. You don't even listen. You just think, I'm working with Angela
:19:43. > :19:49.Rippon. She is fantastic. She is like the team captain for the grace.
:19:50. > :19:55.We have challenged you to find London Marathon runners from every
:19:56. > :19:59.age group to fill in between our teen runner Georgina and our
:20:00. > :20:04.89-year-old runner Paul. Let's put some faces on the board. The
:20:05. > :20:10.presenting the 30s, we have got that covered with Debbie Hampton, 37. She
:20:11. > :20:14.is running in aid of charity that supports families affected by the
:20:15. > :20:22.loss of a baby. Representing the 40s age bracket, we have John Gray Shaw,
:20:23. > :20:25.49. He is running for the NSPCC. We are still missing everybody else.
:20:26. > :20:36.The reason is because our printer has broken. That is the truth of the
:20:37. > :20:40.matter. Send them anyway. Now, Arthur Smith has been at it again,
:20:41. > :20:43.having a sleepover in someone else's house. Tonight, he is
:20:44. > :20:50.ruffling the feathers bed sheets of a British motoring legend.
:20:51. > :20:53.This car gives a clue to the man whose house I am staying in tonight.
:20:54. > :20:58.He was one of the richest people in the world and one of the most
:20:59. > :21:05.parsimonious. Most of his fortune, he gave away. His name was William
:21:06. > :21:10.Morris, and he kick-started Britain's motor industry 100 years
:21:11. > :21:16.ago. He lived here in Oxfordshire 30 years until his death in 1963. It is
:21:17. > :21:19.in the parish of Nuffield, and he called the house Nuffield Place. So
:21:20. > :21:25.when he was given a peerage, he naturally chose to be Lord Nuffield.
:21:26. > :21:29.He and his wife Elizabeth lived a quiet and comfortable life. Despite
:21:30. > :21:36.his huge wealth, he was not given the spending much money on himself.
:21:37. > :21:41.Look at his pantry. It is like a time capsule for the 1930s. He could
:21:42. > :21:46.have built himself a palace, but this is the sort of home a country
:21:47. > :21:53.doctor might have had. During his life, he gave away over 30 million.
:21:54. > :21:55.Around 700 million today. He endowed Nuffield College in Oxford. He gave
:21:56. > :22:01.a lot of money to Oxford University generally, to things like hospitals
:22:02. > :22:11.as well. He was interested in medicine, education. Why did he do
:22:12. > :22:15.that? He was just a nice bloke. I am guessing he was a punctual man. He
:22:16. > :22:25.certainly liked a grandfather clock. In this hallway, there are four
:22:26. > :22:30.grandfather clocks. This is Lord Nuffield's bedroom. And look under
:22:31. > :22:37.here. The carpet is made from stitched together fragments of
:22:38. > :22:42.Morris Minor car carpets. Morris's origins were humble. He left school
:22:43. > :22:48.at 14. With capital of ?4, he sold bicycles from his mother's parlour,
:22:49. > :22:53.but he had cars in mind, and in 1913 built his first, the Oxford Morris.
:22:54. > :23:00.By the 30s, he was selling cars for as little as ?100. And he introduced
:23:01. > :23:06.a cost cutter he had seen in America, the production line. Is
:23:07. > :23:11.this doomed. -- is Nice boomed. I like to sleep on the houses of my
:23:12. > :23:16.subject, because it gives me a certain communality with them. This
:23:17. > :23:20.is the sun room, where Lord Nuffield used to sleep in the summer. And it
:23:21. > :23:30.is where I am sleeping tonight. Good night. I have woken up in the middle
:23:31. > :23:34.of the night to have a bit of a poke around to see if I can find what
:23:35. > :23:41.makes this man tick stop and look what I have found in his wardrobe, a
:23:42. > :23:49.whole workshop in miniature, with source, little players, hammers.
:23:50. > :24:01.There is even a device for mending shoes. Anyway, I am going back to
:24:02. > :24:05.bed. I don't think I would have been suited to Lord Nuffield's slippers.
:24:06. > :24:10.I am not very good at saving and I don't even drive. I sailed through
:24:11. > :24:15.my driving test. That is why I failed it. Lord Nuffield have a
:24:16. > :24:19.favourite pastime, and every morning, he would pursue it. He
:24:20. > :24:28.would nip round to the local golf course for a quick round. And not
:24:29. > :24:34.just any golf course, James Bond told Goldfinger that he was a member
:24:35. > :24:38.here. What a journey. From mending bicycles to becoming one of the
:24:39. > :24:41.richest men in the world. It strikes me, if you have got a lot of money,
:24:42. > :24:47.there are three things you can do. You could build a big palace and
:24:48. > :24:52.have parties for your friend. Or you could park it in some foreign bank.
:24:53. > :24:55.Or you could use it to help other people. And it strikes me that more
:24:56. > :25:01.field made the best of those choices.
:25:02. > :25:05.Lord Nuffield would be proud, because we have got some might live
:25:06. > :25:11.isn't Morris Minor is together with some marvellous Morris Minor owners
:25:12. > :25:16.-- some magnificent Morris Minor is. Bring in the first car. This is a
:25:17. > :25:23.former postal and Telegraph worker, Paul Wood. He is 75 and his Morris
:25:24. > :25:26.Minor Royal Mail van is here, with his former colleague Brian in the
:25:27. > :25:34.back-seat. When did you get your Morris? 1992. Your wife was not
:25:35. > :25:40.happy, was she? What the heck have you bought now, she said. She can't
:25:41. > :25:47.stay out of it now. We have been down to Gibraltar, France, Germany,
:25:48. > :25:51.Luxembourg. Next, we have Morris mad mum and
:25:52. > :25:59.daughter Gail and Rohan Battison! How cool is this? Wow. Evening,
:26:00. > :26:06.ladies. How Morris mad are your family? Mildly obsessed. Our loft
:26:07. > :26:11.had about 20 gearboxes in it. And when did you start working on them?
:26:12. > :26:19.My dad handed me an angle grinder when I was about eight. This is a
:26:20. > :26:27.fantastic Kafir festivals. -- a fantastic Kafir festivals.
:26:28. > :26:33.Onto the next one. Thanks, girls! Coming up next, we have the rally
:26:34. > :26:36.Morris which opened the show in the spectacular title sequence filmed in
:26:37. > :26:43.London this afternoon. Alan Smith has this. Where has the car been? It
:26:44. > :26:47.spent 40 years in Jersey, trundling around. Then the owner decided to go
:26:48. > :26:54.on a journey of a lifetime, from Peking to Paris. And where have you
:26:55. > :27:01.been? I have been to the Monte Carlo rally three times in this car. And
:27:02. > :27:07.car number four? It belongs to Claire Edgecombe and her husband
:27:08. > :27:22.David. They don't have an engine, so Paddy is kindly pushing it in. Go
:27:23. > :27:30.on, Paddy! Excellent job. Typical! Claire, you lost this, but you got
:27:31. > :27:35.her back. Yes, my husband found her for me again after 30 years and I
:27:36. > :27:40.bought her for my 50th birthday. And the engine was not even in it until
:27:41. > :27:45.recently? It was working fine and I took it out on Saturday and then you
:27:46. > :27:51.guys rang me on the Tuesday. Thank you for bringing her along. Well, no
:27:52. > :28:02.cars left, so Paul and Georgina, let's have our marathon board.
:28:03. > :28:06.Hopefully, we have got all the representatives of the decades.
:28:07. > :28:13.Representing the 20s, we have Mary Moore. For the 30s, we have Debbie.
:28:14. > :28:18.40s, John. 60s, we have got Ian Wood. And of course you, Paul,
:28:19. > :28:24.representing the 80s. 70s, we still have a gap, unfortunately. Are you
:28:25. > :28:36.all right, Paul? Which one do you fancy? None of them! Oh, good!
:28:37. > :28:41.Paddy, thanks for being on the programme. Thank you to Dave
:28:42. > :28:48.Comolli, and Kelly, who have been training me at Oulton Wanderers for
:28:49. > :28:51.the match which is in June. And are you working with Peter Kay again?
:28:52. > :28:58.Absolutely, but not immediately after. Amazing Greys is on Saturday
:28:59. > :29:00.at 8:30pm on ITV. I will be back on Monday with Fern Britton. See you
:29:01. > :29:04.then. Bye!