:00:07. > :00:17.All right? Let's go. What would you prefer, a brand-new scooter, or, a
:00:18. > :00:25.date with Twiggy? What? Well, twig or scooter? Scooter. 100%.
:00:26. > :00:35.-- Twiggy. Wouldn't everybody? Hello and
:00:36. > :00:41.welcome to The One Show. Tonight's guest is the face of 66 and now 50
:00:42. > :00:45.years later is as much of an icon, it is Twiggy. Awkward.
:00:46. > :00:51.APPLAUSE. Hello. What is, why would you ask
:00:52. > :00:58.that? I would have gone Twiggy. Definitely. Most guys go for the
:00:59. > :01:04.scooter. Now, it is a story, when I was 15-and-a-half, I was a mod. I
:01:05. > :01:06.was really cool. And I had a date with a young boy mod, who was
:01:07. > :01:14.probably 16. And we went with a young boy mod, who was
:01:15. > :01:19.pictures, and he bought me a record, A World Without Love. So I was, like
:01:20. > :01:22.most young girls I thought this is love, the big one. He said I will
:01:23. > :01:28.call you necks week. I thought lovely. He called me and he said he
:01:29. > :01:32.was embarrassed and said, look, I can't afford a girlfriend and a
:01:33. > :01:39.scooter, and I am saving up to buy a scooter so I won't be able to see
:01:40. > :01:43.you again. Listen, if you are watching, tonight, come on, send us
:01:44. > :01:48.a picture of that scooter and you: I can't remember his name. You should
:01:49. > :01:56.have forgotten it straightaway. We will gloetz of photos with people
:01:57. > :02:02.with scooters. With housing in short supply, some landlords have been
:02:03. > :02:03.quick to cash in. Lucy has been to make the Tennants of one housing
:02:04. > :02:08.estate who may not have homes much make the Tennants of one housing
:02:09. > :02:12.Imagine getting one of these through your letter box. A section 21
:02:13. > :02:17.notice. Giving you two months to leave the home you have lived in for
:02:18. > :02:20.years. For some people renting homes on this street in East London
:02:21. > :02:23.getting one of those through the post has become a reality.
:02:24. > :02:27.getting one of those through the This is the Butterfield estate in
:02:28. > :02:31.Walthamstow, last November, 63 houses owned by the same landlord
:02:32. > :02:36.were sold off to develop evers, apparently without warning to the
:02:37. > :02:40.tenants. Since then, ten have received notices to quit. Some are
:02:41. > :02:44.due to move out one days, others have already gone.
:02:45. > :02:46.We had a knock on the door and we were handed this letter. I had to
:02:47. > :02:50.read it twice to understand what were handed this letter. I had to
:02:51. > :02:54.said. Right now, I am so were handed this letter. I had to
:02:55. > :02:59.stiff. London's crazy property prices mean affordable rented a. O
:03:00. > :03:03.location is fast becoming as rare as hen's teeth so people leaving
:03:04. > :03:08.Butterfields are likely to face paying more rent for their next
:03:09. > :03:12.home. The thing that seems ironic to the tenants here, is that the
:03:13. > :03:17.organisation that sold their homes is actually a charity. That charity
:03:18. > :03:22.was set up to help people out of poverty.
:03:23. > :03:25.The local charity says it is not a social housing provider, and that
:03:26. > :03:30.selling the homes has allowed a seven fold increase in the
:03:31. > :03:33.selling the homes has allowed a emergency grants it is able to give
:03:34. > :03:38.to people in need. Nicole is one of the former tenants given two months
:03:39. > :03:44.to move out. It is so upsetting, that someone can walk up to you and
:03:45. > :03:48.say, in two months you are going to get out, and no-one is going to help
:03:49. > :03:53.you. Nobody involved in the sale, either the hearty that sold them on
:03:54. > :03:58.the company that bought them has done anything that is legally wrong.
:03:59. > :04:02.You cannot simply upturn and displace 100 people and not expect
:04:03. > :04:04.any consequences. Magda is another Tennant under threat.
:04:05. > :04:09.any consequences. Magda is another in her home for five years.
:04:10. > :04:14.You are supposed to move out in two days' time At this moment we have
:04:15. > :04:20.nowhere to move. Further down I meet Alex who has lived here for over FIA
:04:21. > :04:24.year, she is safe for now but fears the worse once her tenancy is up for
:04:25. > :04:28.renewal When I see the post, I think they are going to bring the letter.
:04:29. > :04:33.What would it mean to you if you had to move? The school is round, I
:04:34. > :04:38.don't want my son to miss even one day of education. So how does a well
:04:39. > :04:44.regarded local charity find itself at the centre of this storm of
:04:45. > :04:47.criticism? Hello my name is Lucy, I am calling on be The One Show. But
:04:48. > :04:51.they don't want to speak to me. Instead they point mow a statement
:04:52. > :04:55.they have made. In it they say they are saddened the innocents are being
:04:56. > :04:58.evicted and they seek assurances from the agents that I sold the
:04:59. > :05:02.homes through regarding the rights and protection. They also say they
:05:03. > :05:11.can't prevent a new owner reviewing the the Nancies after the sale.
:05:12. > :05:16.South Bank's university expert on the sector says he understands why
:05:17. > :05:21.the charity has chosen to sell the houses. It is probably a very good
:05:22. > :05:25.deal long-term. Their plans are to re-invest the funds, to give them a
:05:26. > :05:31.securer form of income, which they can grow the grants to people in
:05:32. > :05:36.real need. As the charity say they sought assurances from the the about
:05:37. > :05:44.in, I call the agents to find out more. But they too just direct me to
:05:45. > :05:46.the statement. The developers who bought the properties are local
:05:47. > :05:51.businessmen. A representative told us they didn't want to speak to us
:05:52. > :05:54.directly but they did issue a statement.
:05:55. > :06:01.They say there was no agreement to keep the the about in, they say the
:06:02. > :06:05.decision not the renew taken after careful consideration, they will do
:06:06. > :06:09.their best to limit any disruption to the Nantes, they said they would
:06:10. > :06:13.welcome investment from social landlords interested in the
:06:14. > :06:18.properties. But the the napts having given up hope. They started a
:06:19. > :06:21.campaign to persuade their new landlords to have a change of heart.
:06:22. > :06:25.They have been protesting at some of the auctions where the homes have
:06:26. > :06:30.gone under the hammer. We are ordinary people, However, the
:06:31. > :06:33.Butterfields situation reitself, Nicole believes changes in the law
:06:34. > :06:39.are needed to better protect those who rent their homes. Housing can't
:06:40. > :06:43.just be treated as an investment, so many people are in desperate need of
:06:44. > :06:50.homes at the moment, presenters need a lot more rights in this country.
:06:51. > :06:55.And luesy join us now. We heard from Magda and she said I only have two
:06:56. > :06:59.days to find somewhere else to live. Has she found an alternative? She
:07:00. > :07:04.has. She is waiting to move in. She has signed up for a new place, and
:07:05. > :07:09.she hasn't been evicted yet so she is still at Butterfields waiting to
:07:10. > :07:16.move on. You hear you are here loaded with figures what is the
:07:17. > :07:19.national average for rent? The national average is ?744 a month,
:07:20. > :07:23.which sounds a lot as it is. Then think about a hotspot, everyone
:07:24. > :07:29.wants to know what the average rent in London is. It is ?1521
:07:30. > :07:36.percalendar month. That is up 40% on FIA years ago.
:07:37. > :07:41.So it can be a shocking figure. When it was happening for you in London,
:07:42. > :07:45.do you remember rentses be ridiculous then? Yes, I mean I was
:07:46. > :07:50.living at home when the whole thing happened to me in 66, and I did help
:07:51. > :07:56.my mum and dad move into a nicer house, and I was telling you what I
:07:57. > :08:00.bought. But when I then got into London, when I was working a lot. I
:08:01. > :08:06.did rent, but you know only for a few month, but I had it probably
:08:07. > :08:10.because my dad bought, he bought in the '30s, his first house. I always
:08:11. > :08:15.had in my mind, you should own property. But some people can't,
:08:16. > :08:18.nowadays... I mean, my heart goes out to young people, because what do
:08:19. > :08:24.they do? We call them generation rent. The amount of under 35s buying
:08:25. > :08:30.properties has dropped off. Yes. So So what about if you are renting, is
:08:31. > :08:35.there anything done to protect these rising rent prices? The Scottish
:08:36. > :08:40.Government has brought in the private tenancy bill recently, it is
:08:41. > :08:45.billed as being a compromise between landlords and tenants. The tenants
:08:46. > :08:50.get a certain amount of stability and security, so local authorities
:08:51. > :08:54.can cap rents in hotspots, tenancy agreements are made more easy to
:08:55. > :08:58.understand and tenants can't just be ejected because it has come to an
:08:59. > :09:01.end. The landlord has to have a reason, such as the fact they are
:09:02. > :09:07.selling the property. Wales have brought in a similar bill, again,
:09:08. > :09:13.more easy to understand agreement, and sort of, different factors, you
:09:14. > :09:17.can't as a landlord do a revenge eviction, so if your ten mant
:09:18. > :09:21.complains they don't like the house you can't get rid of them. Northern
:09:22. > :09:29.Ireland is looks 59 some sort of measure. In England? There is not
:09:30. > :09:32.much appetite for that. It a big day for the Government's housing and
:09:33. > :09:36.planning bill which has gone into the report stage, so the final sort
:09:37. > :09:41.of set of procedures, now, there is lots of things within that. The
:09:42. > :09:45.Government says this is to turn generation rent into generation buy.
:09:46. > :09:51.So there is a whole... That is a big ask. Something needs to be done,
:09:52. > :09:55.there is a suite of reform, for example local authorities will have
:09:56. > :10:00.to but power to ban rogue landlords, private rogue landlords and the
:10:01. > :10:05.right to buy will be extended to housing association people as well.
:10:06. > :10:10.This bill should not expect an easy ride, there is already a lot of
:10:11. > :10:15.debate over it, so, watch this space. Thank you Lucy. Now, here we
:10:16. > :10:19.go with a true story, imagine that you have put on a show right, for a
:10:20. > :10:24.few friends in the village hall and a top theatre producer rocks up with
:10:25. > :10:32.an offer for the big time. It sounds amazing. Problem is... It caused a
:10:33. > :10:38.massive split when many of the cast were axed. I wasn't selected so I
:10:39. > :10:42.was disappointed about that. Some people were deeply hurt, that they
:10:43. > :10:46.hadn't been chosen. Each one of those women detested me.
:10:47. > :10:57.hadn't been chosen. Each one of tough, but we did it for everybody.
:10:58. > :11:02.I agree to abort my baby. 30 years ago in that Merseyside
:11:03. > :11:08.clinic. It doesn't matter if it's a golf ball, a tennis ball, a football
:11:09. > :11:13.or a rugby ball. You men will watch anything that has balls. He knew
:11:14. > :11:17.what to do and he made me feel like a brand-new women. Each of them come
:11:18. > :11:23.with life experiences which they share on stage. What I am trying to
:11:24. > :11:29.say is I think you should recast. My Stacy will be Annie.
:11:30. > :11:40.If If it kills me. I asked the request what he unites women and we
:11:41. > :11:45.are still here today discussing it. I fairly recently retired, nobody
:11:46. > :11:48.else was asking me to do anything. And it was fantastic. When I was
:11:49. > :11:53.five months pregnant I was going through a difficult time. My husband
:11:54. > :11:56.was critically ill, he has a brain tumour, it was a chance to step into
:11:57. > :12:01.a room and try and forget what was going on. It is like therapy coming
:12:02. > :12:06.to the group and chatting to even, and being part of a unit. We are
:12:07. > :12:11.coming out with, some people just wouldn't be able to talk about, or
:12:12. > :12:16.think about. We are bringing it to the front, yes, it is here, it is
:12:17. > :12:21.real. I think every woman out there
:12:22. > :12:26.relates to the stories we are not the ideal we are not size six, we
:12:27. > :12:29.are every day, imperfect but perfect women.
:12:30. > :12:38.Played here to an audience of 50 people, we sold out for four nights.
:12:39. > :12:43.To take it to the next step, I needed to use celebrity actresses,
:12:44. > :12:50.that meant eliminating nine of the original cast. Each one of those
:12:51. > :12:55.women detested me. When he did make the election, there was a lot of
:12:56. > :13:00.very disappointed women. After that, there was a great divide in the
:13:01. > :13:04.rehearsal studio. It was really really difficult, because we knew
:13:05. > :13:08.that everybody couldn't go, but, we were doing it for all of us, we were
:13:09. > :13:13.doing it for all the real women. We hadn't finished. Even though it took
:13:14. > :13:25.a slight lull, a lot of us really knew that there was more to come.
:13:26. > :13:29.Being back with the women again in a room, was so powerful, in that
:13:30. > :13:34.sisterhood, which they allow me into and I just thought this is something
:13:35. > :13:39.that we have to revisit. Dead exciting really. It is amazing to be
:13:40. > :13:43.going to the West End. They will stand on the stage that lots of
:13:44. > :13:47.stars have all over the world have stood and performed on. I am
:13:48. > :13:53.terrified, but hoping that I will get my lines out and do it. And do
:13:54. > :13:59.it well. Is the ultimate goal and we have managed to do it, on being real
:14:00. > :14:06.women. I think that is what has carried us there. It has style. He
:14:07. > :14:13.has got class. He has got lovely shirts.
:14:14. > :14:16.And he still has my heart. All of us together on the final leg
:14:17. > :14:19.of the journey, it is the icing on the cake.
:14:20. > :14:34.APPLAUSE. Listen, good luck. Listen good luck. Break a leg! You
:14:35. > :14:47.see them at the Playhouse Theatre in London from the 8th May. A great
:14:48. > :14:58.story. The people's story of pop tells the story of pop. Twiggy you
:14:59. > :15:05.met some of the fans from the 60s. Your grand-dad ran a recording
:15:06. > :15:10.studio. Phillip's recording services, the first studio in
:15:11. > :15:17.Liverpool. Did he live here? Yes, it was our home. George, Paul, George
:15:18. > :15:22.and mate came in through the front door and will have walked into the
:15:23. > :15:30.kitchen and been served jam sponge cake. Made by your? Grandmother. And
:15:31. > :15:40.she played the piano and made cake. That is a lovely angle. His granny
:15:41. > :15:45.made sponge cake and they would come and didn't have proper sound
:15:46. > :15:51.proofing, they had blankets at the windows. It was the first recording
:15:52. > :15:59.studio in Liverpool and he still has the log book where he wrote down who
:16:00. > :16:07.came in and what they paid, like one and six pence and they get a record.
:16:08. > :16:12.I said what did your grand-dad think of, I think it before they were
:16:13. > :16:17.called the Beatles. He said he said something like, it wasn't his music,
:16:18. > :16:23.it was a blooming racket. What is the one about the lady who ends up
:16:24. > :16:30.in the bikini? I didn't meet her. When I voiced it and everything, it
:16:31. > :16:38.was extraordinary. It was a ban and she put over her tummy the letters
:16:39. > :16:45.of the band's name. I think it was Mojo, sticking plaster and lay under
:16:46. > :16:52.a sun bed! You can see it there. Hysterical. There she is. Then the
:16:53. > :17:00.band came to meet her and she was in a bikini. She said look at my belly.
:17:01. > :17:05.The things people do is extraordinary. I met amazing people
:17:06. > :17:11.who have kept things and are still looking for memorabilia. If anyone
:17:12. > :17:17.has any great stories from that period, they're still doing more
:17:18. > :17:26.programmes. Go to the web-site. That decade is remembered as a
:17:27. > :17:30.significant one. For you. I was a mod at the time. With the scooter
:17:31. > :17:35.and the boyfriend. I didn't have a scooter. Why do you think it was so
:17:36. > :17:40.important? It was the beginning of music changing. It wasn't only
:17:41. > :17:45.music, it was fashion and hence what happened to me and music and art.
:17:46. > :17:50.That whole thing that happened to England or Great Britain in the mid
:17:51. > :17:56.60s. There was a revolution. A nice revolution. Music was a huge part of
:17:57. > :18:01.it. And it was the beginning, the end of the crooners and the guys
:18:02. > :18:09.singing on their own and music for us. Were you out there really
:18:10. > :18:14.enjoying yourself? Yes. Is that how you got kis dovred? -- discovered.
:18:15. > :18:23.No, but I was a mod and I was into my clothes and made my own clothes.
:18:24. > :18:27.You couldn't buy clothes for teenagers, I would make, I made by
:18:28. > :18:33.first bell bottoms, it was important to have the look. Nice to continue
:18:34. > :18:38.that. Yes I was doing that today for my M range. But it was amazing,
:18:39. > :18:42.the music was so important. I used to go as a mod on a, I was only
:18:43. > :18:49.allowed out Saturday night and I went with my friends to a place
:18:50. > :18:56.above a tailoring shop in harrow and I saw people like Eric Clapton, the
:18:57. > :19:02.Yard Birds. He wasn't famous. The Animals. I mean Georgie Fame. They
:19:03. > :19:08.all played there. They were the new young musicians. I saw them all live
:19:09. > :19:15.in a room as big as this. Listen, the people's history of pop starts
:19:16. > :19:23.this Friday on BBC 4. Now... I love this song. I love it. You have been
:19:24. > :19:27.dancing. Oh, that is me! There was a time when Twiggy was enjoying
:19:28. > :19:35.success with songs like this. What were you going to say. I say,
:19:36. > :19:45.because I thought, oh, I know that song. This, David Essex wrote that.
:19:46. > :19:50.You can tell. Can you? That was me on Top of the Pops. At the same time
:19:51. > :19:58.in Birmingham one man was preparing for a day of hard labour on a
:19:59. > :20:04.building site. But he glanced into the mirror and that look changed his
:20:05. > :20:10.world. The melting pot of Midlands in the 70s inspired a different kind
:20:11. > :20:23.of music. It became known as Two Tone, fusing punk, pop and reggae.
:20:24. > :20:30.Mirror in the Bathroom by the beat was one. What was life like here?
:20:31. > :20:34.Very mixed and very cultural and lots of immigrants came here. Did
:20:35. > :20:41.that influence the music of The Beat? I think it did a lot. The
:20:42. > :20:52.atmosphere in Birmingham allowed us to cross musical areas. We wanted to
:20:53. > :20:57.mix punk and reggae. I love that. The hit single Mirror in the
:20:58. > :21:01.Bathroom had been written while Dave was working on a building site. It
:21:02. > :21:05.started on a particular morning. I had a bit too much fun the night
:21:06. > :21:12.before and forgot to hang my clothes up to dry. Realised that at about
:21:13. > :21:17.6.30 and hung them up in the shower and thought hot and wet is better
:21:18. > :21:21.than cold and wet and I was having a shave and felt miserable, faced with
:21:22. > :21:26.the prospect of putting on wet clothes to go to work, I was like we
:21:27. > :21:33.don't have to do this, the door is looked, it us just you and me, we
:21:34. > :21:38.don't have to do this, and the words were going through my head. The door
:21:39. > :21:44.is locked just you and me. And it stuck with me. Mirror in the
:21:45. > :21:54.bathroom, please talk free, the door is locked... The lyrics are about
:21:55. > :22:00.how people get fixated on themselves and that tends to make you feel less
:22:01. > :22:07.connected to people. I saw that. In that time, there was a lot of
:22:08. > :22:10.stainless steel and shiny mirror architecture and you could go into
:22:11. > :22:16.restaurant and there was glass tables and lots of reflections in
:22:17. > :22:21.the shops and the more I looked, you would see people are pretending to
:22:22. > :22:26.look at the shoes, but they're looking at themselves. You start
:22:27. > :22:34.thinking about everything in terms of just yourself, what do they think
:22:35. > :22:41.about me? I just started to tease me. It had a nice scan to it. Apart
:22:42. > :22:48.from you can't have something called Mirror in the Bathroom. Did you not
:22:49. > :22:55.like the title? No it was stupid, I was too embarrassed to tell anyone
:22:56. > :23:05.in the group what it is called! David Steel bass player, genius had
:23:06. > :23:13.an odd tune going on, with a bass part and my poem fitted to it. Quite
:23:14. > :23:16.closely. So I worked on it a bit before I presented words. They
:23:17. > :23:23.thought it was fine being called Mirror in the Bathroom. It reached
:23:24. > :23:31.No 4 in the UK in 1980. Three years later they split up. Dave now lives
:23:32. > :23:40.in California performing as The English Beat. They recently came to
:23:41. > :23:48.England with the band. Big shoes to fill. I can't help but love the
:23:49. > :23:54.experience. Touring. The music here feels more like part of English
:23:55. > :23:57.heritage. We come here to do shows and everybody would sing the set
:23:58. > :24:04.more than we would. Still today, Mirror in the Bathroom is a huge
:24:05. > :24:08.crowd-pleaser. I enjoy playing it, but I enjoy the crowd's reaction and
:24:09. > :24:13.people tell you after, what that song meant to them. And that I think
:24:14. > :24:18.is the greatest honour you could hope for that people come and tell
:24:19. > :24:25.you that they use some of your threads for their tapestry. You
:24:26. > :24:30.can't get better than that really. Mirror in the Bathroom what were you
:24:31. > :24:39.saying. It doesn't steam up. You have to have one. Now some wildlife.
:24:40. > :24:47.When you're not designing clothes, hedgehogs are on your mind. I'm the
:24:48. > :24:53.patron of the Hedgehog Society and this is hedgehog awareness week. Be
:24:54. > :24:59.careful with your strimmers and lighting fires. We have lost 50% of
:25:00. > :25:05.them. You know. So it is look out for the hedgehogs. We can't have
:25:06. > :25:10.Britain without hedgehogs. And make holes in your fences. At this time
:25:11. > :25:17.of year there is nothing like waking up to the song of bird song. One of
:25:18. > :25:23.the joys of spring. Well... That is ideal... Unless it is the sound of
:25:24. > :25:26.the Great Grey Shrike and you're a lizard or a mouse, so you may want
:25:27. > :25:31.to stay in bed. Remote corners of our countryside
:25:32. > :25:35.are draped with macabre decorations. These are the calling cards
:25:36. > :25:39.of a rare visitor to our shores - The Great Grey Shrike has a grizzly
:25:40. > :25:45.reputation, which is earned it Less than a hundred
:25:46. > :25:53.visit Britain each year. They're song birds no bigger
:25:54. > :25:56.than a blackbird, but they're also sharp-eyed predators
:25:57. > :26:00.with the unusual habit of hanging their prey in bushes
:26:01. > :26:05.to create a gruesome larder. I have come to the Forest of Dean,
:26:06. > :26:08.where one of these rare This hawthorn I'm pretty sure
:26:09. > :26:13.is where this Great Grey You can see a whole
:26:14. > :26:19.bunch of feathers. It's obviously dismembered
:26:20. > :26:29.a small bird here. What the birds are doing
:26:30. > :26:32.is when they catch prey, they impale them on the thorns
:26:33. > :26:35.and then use their bill to help prise the food apart and hang on,
:26:36. > :26:37.just looking down here, A bit like owls, Shrikes
:26:38. > :26:45.produce pellets. So small bones, feathers,
:26:46. > :26:50.anything that is inedible will be swallowed down and then will come up
:26:51. > :26:54.as a pellet. I think this Shrike has
:26:55. > :26:57.been eating a blue tit. I'd love to get a glimpse
:26:58. > :27:03.of the Shrike hunting so I have teamed up
:27:04. > :27:05.with a wildlife cameraman. Now, you have been here for last
:27:06. > :27:07.couple of days trying to track down the Shrike,
:27:08. > :27:09.how has it been? It's been out and about perching
:27:10. > :27:13.on trees, it's got definite spots So it's off to the woods on the look
:27:14. > :27:18.out for an unlikely bird of prey. We have been here five minutes
:27:19. > :27:21.scanning around and Toby has just They have got beautiful flickering
:27:22. > :27:30.wings, it is like a bandit with that That what is they will do,
:27:31. > :27:37.they will perch up there, spot prey and be down
:27:38. > :27:39.quickly and on it. That is spectacular eye sight,
:27:40. > :28:01.that was probably a flight of 60, 70 metres, spotting
:28:02. > :28:04.something that size. Common lizards start
:28:05. > :28:09.to emerge from hibernation on sunny spring days,
:28:10. > :28:12.but in the cool temperatures Making them vulnerable
:28:13. > :28:17.to the Shrikes. Over the next few hours our Shrike
:28:18. > :28:27.makes several successful hunts. And in the undergrowth the butcher
:28:28. > :28:29.bird may well be storing The Great Grey Shrike really is one
:28:30. > :28:36.of our rarest visitors to these shores and not only have
:28:37. > :28:38.we caught up with it today, we have seen the most amazing
:28:39. > :28:41.behaviour of it catching lizards. What a fabulous
:28:42. > :28:55.pint-sized predator. Oh. Nice colours. Listen thanks for
:28:56. > :29:00.these photographs. Lots of people claiming to be Twiggy's boyfriend.
:29:01. > :29:07.She is denying all knowledge. The people's history of pop starts on
:29:08. > :29:10.Friday on BBC 4. Tomorrow we are here with Zoe Ball. See you then.
:29:11. > :29:12.Thanks.