:00:00. > :00:22.Hello and welcome to The One Show with Matt Baker and Angela Scanlon.
:00:23. > :00:24.And tonight, we are unashamedly celebrating
:00:25. > :00:28.It's all in honour of what's set to be one of the blockbusters
:00:29. > :00:32.A tale of heroics and grit starring the most-incredible cast.
:00:33. > :00:42.And tonight's guests, Jack Lowden and Sir Mark Rylance!
:00:43. > :01:04.Hello. Fans are in tonight and from all over the world, we know that. We
:01:05. > :01:09.have been talking to wonderful audience from Brazil. We are on BBC
:01:10. > :01:14.Two. Konta is through to the semi-finals. Are you a big tennis
:01:15. > :01:18.fan? In a big way. Have you been watching it downstairs? We have. I
:01:19. > :01:23.keep a close eye on Andy's games. It's good both are through. No, Andy
:01:24. > :01:27.has not played yet. He got through yesterday. Further along. Yeah. He
:01:28. > :01:32.is doing all right. He is still in. Fingers crossed.
:01:33. > :01:41.Fingers crossed indeed. Mark, the last time you were on the One Show
:01:42. > :01:47.you hadn't been knighted. That was the first time I was announced. How
:01:48. > :01:51.does it feel, is it sitting well with you? It hasn't gone to your
:01:52. > :01:55.head. You took the Tube here tonight? How does it go to one's
:01:56. > :02:01.head. Does it is appear on one's head. A giant helmet, I guess! You
:02:02. > :02:06.still travel by the Tube, do you get hassled at all? No, I don't get
:02:07. > :02:13.hassled on the Tube, no. Is it breezy? I wouldn't say the Tube is
:02:14. > :02:21.breezy, clas are phobic. I don't get hassled. Jack, what a career you
:02:22. > :02:27.have had. 27 years old now, won an Olivia award when you came out of
:02:28. > :02:31.drama school, Wolf Hall and War Peace. Was there a moment when you
:02:32. > :02:37.thought - this is it, it's happening, life will never be the
:02:38. > :02:43.same again? When I got the lead in a the production of the Boyfriend when
:02:44. > :02:50.I was 18. I was big in that scene, back then. OK. Sometimes it's the
:02:51. > :02:59.little roles where you think, someone is taking notice. That's
:03:00. > :03:04.where I grew up in the Boreders in these amateur companies. That is
:03:05. > :03:10.where I started with my brother, he's a ballet dancer.
:03:11. > :03:16.I followed him and was told I was useless at that. I became a narrator
:03:17. > :03:21.in the ballet shows. I'm not dancing as much as I should be! Mark, with a
:03:22. > :03:27.was the first moment when you thought - yes, this is what I want
:03:28. > :03:31.to do with the rest of my life? I don't know if I thought that at that
:03:32. > :03:35.moment. It was in school. When other kids in school came up to me and
:03:36. > :03:41.said, "you're the actor." I had little idea of who I was. I still
:03:42. > :03:45.don't have much idea. I did an improvisation of a gunfighter in a
:03:46. > :03:49.drama class at school. I remember some other kids saying, "you're the
:03:50. > :03:54.actor." I thought, "is that what I am?" I still remember that. Talking
:03:55. > :03:57.of those small beginnings. Anyone living in a small town Orvilleage
:03:58. > :04:02.will know how big an impact the closure of local services can have.
:04:03. > :04:06.Take pubs, for example. Over the next year, 500 high street banks are
:04:07. > :04:11.expected to shut up shop. The residents of Lymm in Cheshire are
:04:12. > :04:16.having none of it. They are using an age-old law to prevent another bank
:04:17. > :04:21.withdrawal. Here is Nick. The village of Lymm in North Cheshire
:04:22. > :04:28.has 12,000 people, 147 retailers, but only one bank. Today, this
:04:29. > :04:32.branch of Lloyds is closing down. It means for the first time in
:04:33. > :04:36.generations residents will no longer have a local bank to serve the needs
:04:37. > :04:41.of the community. Local people are very unhappy about it. It's part and
:04:42. > :04:46.parcel of our community having a bank. It's dreadful. It's desperate
:04:47. > :04:50.for the This was the village. Old NatWest. That went two years ago.
:04:51. > :04:54.This was the Barclays Bank. This used to be the TSB. To save the last
:04:55. > :05:01.branch on the high street the people of Lymm are taking the fight to one
:05:02. > :05:08.of Britain's biggest banks, leading the charge is parish Cllr, Graham.
:05:09. > :05:11.It's a momentous and sad day? We are a thriving community. It's our last
:05:12. > :05:16.bank. We are fighting to keep it open. We need Lloyds to engage with
:05:17. > :05:17.us. Three months since they announced the closure,
:05:18. > :05:22.five-and-a-half hours before the bank is due to close for good,
:05:23. > :05:27.Lloyds Management agreed to their first faces to face meeting with
:05:28. > :05:31.Graham and the parish council. It's Lymm's last chance to get Lloyds to
:05:32. > :05:35.reverse their decision. How will you play this? We will explain about
:05:36. > :05:39.what Lymm offers to a bank like Lloyds. We need them to understand
:05:40. > :05:42.the importance that they are to the village and what the village can
:05:43. > :05:45.give to them as a business. We want to do something that will help them
:05:46. > :05:49.change their minds we will give them promises and work with them to get
:05:50. > :05:53.more customers for them. Lloyds told us that for security reasons we
:05:54. > :05:58.couldn't film the meeting. They did say they are closing because the
:05:59. > :06:02.branches has 18 regular customers. They define a regular customer who
:06:03. > :06:07.makes one visit a week for 48 weeks of the year. There are unhads of
:06:08. > :06:12.local Lloyds account-holders who use the bank frequently, some of them
:06:13. > :06:16.even switched especially. How does it affect new It affects us
:06:17. > :06:21.personally, we were originally banking with NatWest across the
:06:22. > :06:25.road. They closed. They did. We went to Barclays Bank. They closed. We
:06:26. > :06:28.are with Lloyd, they are closing today. What will you do with your
:06:29. > :06:33.end of the week takings? I will have to get a member of staff or my
:06:34. > :06:37.husband to take it over to alring ham or Warrington because it's an
:06:38. > :06:40.hour-long I don't drive trip. . I wouldn't really risk getting on
:06:41. > :06:46.public transport with all the takings of the shop. I just wouldn't
:06:47. > :06:50.feel safe. For 94-year-old Betty James no bank on her doorstep means
:06:51. > :06:55.a 12 mile round trip to the next nearest branch. Like 40er % of us,
:06:56. > :07:02.she doesn't do online banking. How do you feel about the bank closing?
:07:03. > :07:08.-- 40%. Gutted, really. We've nowhere else. I can't go on buses
:07:09. > :07:16.and things now like I used to. I have to get my daughter to go to
:07:17. > :07:21.Warrington, to the nearest one. It's been 80 minutes since Graham and the
:07:22. > :07:26.parish councillors went for their meeting. Have they convinced Lloyds
:07:27. > :07:32.to keep the branch opening? No interest. Disgraceful. Why have us
:07:33. > :07:34.here on the last day. Why have an engagement process if you aren't
:07:35. > :07:39.going to take any notice of it. Lloyds say they have engaged with
:07:40. > :07:43.customers and local business leaders to explain their decision and
:07:44. > :07:48.offered advice on alternative ways to bank. At 3.30pm the bank closes
:07:49. > :07:52.its doors for the very last time, but this may not mean the end of
:07:53. > :07:56.banking in Lymm. A month ago, Graham managed to get the building
:07:57. > :07:59.officially recognised as an asset for the community, something more
:08:00. > :08:05.commonly associated with saving pubs. Unlike the other branches that
:08:06. > :08:09.have closed, you have put a special order on this Lloyds Bank branch.
:08:10. > :08:13.What have you done? You have some control over is something called an
:08:14. > :08:16.asset of community value. It's a special order that says the use of
:08:17. > :08:20.the building can't change without planning permission. It takes away
:08:21. > :08:24.permitted development rights. Rather than shutting it or turning it into
:08:25. > :08:27.a pub or restaurant, they have to think about issues as a bank. That
:08:28. > :08:32.is what we are aiming for. A lot of people who need a bank. If we can
:08:33. > :08:37.get one of the nationals, I'm sure we could get a groundswell of public
:08:38. > :08:42.opinion behind that and getting people to move to them. A shortage
:08:43. > :08:45.of customers this is something these residents say any new bank wouldn't
:08:46. > :08:49.needed to worry about. I would transfer and I know a lot of people
:08:50. > :08:53.would. Is if another bank came I would switch. I would encourage
:08:54. > :08:57.switch and clients to switch as well. It keeps it obviously in the
:08:58. > :09:00.village. We will carry on with this, definitely. We need someone to come
:09:01. > :09:08.and help us. Come on, any banks out there! Thank you Nick. As always.
:09:09. > :09:12.You are both on to talk about Dunkirk, this epic movie which opens
:09:13. > :09:19.on the 21st July. Mark, we were chatting there. You are the only one
:09:20. > :09:25.amongst us that hasn't seen it yet! It's remarkable, to be honest with
:09:26. > :09:30.you. Robert Mitcham used to say, "they don't pay me to watch the
:09:31. > :09:34.films." It's the premier? I prefer to see it with friends and a real
:09:35. > :09:38.audience. I saw Bridge of Spies on my own. They put a security guard
:09:39. > :09:43.next to you to make sure you don't film it or steal it. I felt a bit
:09:44. > :09:48.comfortable. I prefer to get my friends together and sit-in the
:09:49. > :09:53.crowd and watch it together. In the IMAXX cinema. I did it at 7.00am,
:09:54. > :09:58.quite a way to wake up, let me tell you. It's about an important part of
:09:59. > :10:04.our history. This will be a question to you then, Jack. It hasn't been
:10:05. > :10:08.given the Titanic treatment. How important for you is that it that it
:10:09. > :10:15.hasn't been romantised in anyway? Massively. I think when I saw it the
:10:16. > :10:23.thing I took away was how, sort of, suffocating it is in a way. It's
:10:24. > :10:28.more story about survival and not necessarily about that very
:10:29. > :10:32.anti-kwated Dunkirk spirit, rose tainted thing, it's a community
:10:33. > :10:36.spirit. The film very much starts straightaway in the action. It
:10:37. > :10:40.treats the audience with a bit of intelligence, you know. Presuming
:10:41. > :10:45.you guys will know what the situation was. They don't have to
:10:46. > :10:49.build it all up. It's about brilliant servicemen doing their
:10:50. > :10:56.job. You can kind of feel the fear and you see these are young, young
:10:57. > :11:02.men in a terrifying situation. Yeah. I mean, I play an RAF pilot, you
:11:03. > :11:06.know, amongst the research I did I found out the average age of a pilot
:11:07. > :11:13.was 20 years old, the youngest was 18. It did make you think - what
:11:14. > :11:18.were you doing at 18? For sure. Absolutely. Christopher Nolan
:11:19. > :11:23.directed and was determined it was hyper real. A lot of very young
:11:24. > :11:27.actors, a lot of unknown actors, shot on Dunkirk beach as well. Did
:11:28. > :11:32.that make it... Did it make it easier or more difficult to film
:11:33. > :11:36.like that? We weren't really ever on Dunkirk beach. I was there one day.
:11:37. > :11:40.We did the training on the boat. 300 feet off the beach. That was very
:11:41. > :11:45.extraordinary to be in the place. There's still a lot of sunk boats
:11:46. > :11:50.and sunk other things down beneath the ocean there. You just feel how
:11:51. > :11:54.close to home it is. Very much a film about being very near to home
:11:55. > :12:00.and yet not able to get home. So far away. Longing to be home you could
:12:01. > :12:02.well imagine these extraordinary soldiers who would queue up. They
:12:03. > :12:06.formed queues and then the bombers would come and they would hide. They
:12:07. > :12:09.would get back up inlet same position in the queue.
:12:10. > :12:14.Extraordinary. The very interesting thing about this film is the fact
:12:15. > :12:19.it's three different perspectives, somebody isn't it? A week for those
:12:20. > :12:23.on land. An hour for those up in the air and a day for those on the
:12:24. > :12:28.little ships. Mark, you are the skipper of one of the little ships
:12:29. > :12:31.that went over. We will look at the moment your character takes matters
:12:32. > :12:37.into his own hands and sets off for Dunkirk. Ready on the stern line,
:12:38. > :12:46.George. Aren't you waiting on the Navy.
:12:47. > :12:55.The captain and his son. Thanks for the help, George. Ha are you doing.
:12:56. > :13:03.You do know where we're going? France. Into war, George. I'll be
:13:04. > :13:11.useful, sir. APPLAUSE
:13:12. > :13:18.Wow. Is sends shivers down your spine. Something poignant about that
:13:19. > :13:21.young boy, 17, "I'll be useful" that naivete going in slightly blind
:13:22. > :13:24.never knowing whether he will be back. Talking about the cast, the
:13:25. > :13:28.age of the cast as well is so important and also the fact that
:13:29. > :13:31.they are British and Irish as well. It was... That was one of the things
:13:32. > :13:35.that Christopher Nolan, the problems he had, it wasn't a big American
:13:36. > :13:42.story with all this cast. It took a while to get going? He hasn't put
:13:43. > :13:48.blood and gore into it. Not that blood and gore doesn't happen in
:13:49. > :13:51.films. In some films you see exploding heads and all kinds of
:13:52. > :13:56.things that are hard to watch. He has given it, it's a PG13 rating in
:13:57. > :14:02.America the equivalent here. The young boys who hopefully won't have
:14:03. > :14:05.to fight in wars, in my generation, hasn't had to fight wars where you
:14:06. > :14:12.are forced into it, it's good for young byes to be able to see the
:14:13. > :14:16.chaos -- boys, and the horror of war. If the evacuation hadn't
:14:17. > :14:20.happened. The evacuation of so many of our
:14:21. > :14:23.troops from the beaches of Dunkirk was described as a "miracle"
:14:24. > :14:25.by Winston Churchill. In little over a week,
:14:26. > :14:27.what started as a catastrophic military defeat soon became a moral
:14:28. > :14:37.victory, thanks to a few hundred On the 26th of May 1940, the
:14:38. > :14:42.greatest ever military evacuation was attempted as around 400,000
:14:43. > :14:46.Allied troops were trapped by the advancing German army on the north
:14:47. > :14:53.coast of France around Dunkirk. They were the British expeditionary
:14:54. > :14:58.Force, the BEF, in France and Belgium to fight the Nazi advance.
:14:59. > :15:02.The BEF, Waterboys page they are writing in the annals of the Army.
:15:03. > :15:07.It was all rather marvellous, all part of the adventure. At last,
:15:08. > :15:12.action, something is going to happen and I'm a part of it. The BEF were
:15:13. > :15:16.soon forced to retreat by the power of the German military machine.
:15:17. > :15:21.Heading to Dunkirk, everyone said, that is where you are going, where
:15:22. > :15:27.that big column of smoke is so they were all heading that way. It all
:15:28. > :15:33.went to blazes from thereon. It was more or less, find your own way. We
:15:34. > :15:36.were in full retreat. There was no question of that. With the Allied
:15:37. > :15:42.troops were stranded, an emergency call went out. Every kind of small
:15:43. > :15:47.craft, destroyers, paddle steamers, motorboats... In all, 800 came to
:15:48. > :15:53.the rescue. There began a nine-day evacuation of the Allied troops who
:15:54. > :15:57.were under extreme fire. You've got to remember, your running across the
:15:58. > :16:01.beach and jumping over blokes, dodging and diving because they are
:16:02. > :16:05.coming and machine-gunning you and everything else. There were hundreds
:16:06. > :16:09.and hundreds of Scholl -- soldiers on the sand, ships coming in, trying
:16:10. > :16:14.to pick them up but there were so many commie thought you would never
:16:15. > :16:20.get those people. Over 338,000 soldiers were rescued and for some,
:16:21. > :16:24.that turned defeat into victory. I had no feeling of failure. We fought
:16:25. > :16:28.to the last, with the greatest effect we could bring to bear when
:16:29. > :16:32.you are on your own and that kind of thing. Despite the success of the
:16:33. > :16:38.evacuation and in record numbers rescued, just over 68,000 British
:16:39. > :16:42.troops were killed or captured. I would say it was England's saddest
:16:43. > :16:46.hour as opposed to its greatest. I think it's hard and the resolve of
:16:47. > :16:50.the British people. -- it hardened the resolve.
:16:51. > :16:55.Jack, you touched earlier on a bit of research you had done but how
:16:56. > :17:01.much did you know from personal perspective about what went on
:17:02. > :17:04.Dunkirk? I knew a fair bit. I was very, and still am, into history, at
:17:05. > :17:11.school. But I guess it depends on where you grew up. Where I grew up,
:17:12. > :17:16.we were taught a lot about scarf of low, Upper Orkney and the Navy up
:17:17. > :17:22.there. Was your great uncle in the RAF? He was, Jimmy Ross, he came
:17:23. > :17:29.from Musselburgh. We don't know much about him but he was a Flying
:17:30. > :17:32.Officer in the RAF. No one -- Christopher Nolan has famously not
:17:33. > :17:37.relied on CGI which is normally the go to in a film of this scale, 6000
:17:38. > :17:42.vectors on the beach, described as a military operation in itself but in
:17:43. > :17:48.terms of being up in the Spitfire... Yeah. How did it even work? They
:17:49. > :17:53.just got a pilot and they put him in the back in the fight and put the
:17:54. > :17:59.camera on the wing and we went up. -- and me in the front. We were over
:18:00. > :18:04.the Channel, where it happened. So, Mark, you were doing a similar thing
:18:05. > :18:07.but from a boating perspective. What was it like having all the planes
:18:08. > :18:13.and effectively the Luftwaffe and what have you flying overhead? It
:18:14. > :18:15.was terrifying but something I whizz imagined, I loved the Battle of
:18:16. > :18:18.Britain so much I would watch it every time it was on TV so having
:18:19. > :18:22.the action planes like the Messerschmitt and the Spitfire
:18:23. > :18:25.flying very low over you, it feels like they were not higher than the
:18:26. > :18:29.ceiling and you would see them coming in a long loop towards you,
:18:30. > :18:34.the sound of the old engines roaring over you is very exciting. You
:18:35. > :18:40.looked very comfortable on the little boat. Well, we were after
:18:41. > :18:44.awhile! The first time, we nearly jumped off. Quite vulnerable in
:18:45. > :18:47.terms of the scale of the rest of what was happening around you. But I
:18:48. > :18:50.bet you got very close to that little boat by the finish. I did,
:18:51. > :18:53.yeah. I can imagine. Every great blockbuster
:18:54. > :18:55.needs a great tag line. With Dunkirk, it's simply "the event
:18:56. > :18:57.that shaped our world". Right up there with Alien's "In
:18:58. > :19:01.space, no-one can hear you scream". And my personal favourite, Chicken
:19:02. > :19:06.Run - "Escape or die frying!" And we've got the perfect
:19:07. > :19:08.one for our next film, "the tree that launched
:19:09. > :19:20.a million pies". Apple pie is one of the nation's
:19:21. > :19:31.favourites and at the heart of every good apple pie is a very special
:19:32. > :19:38.Apple. This, the Bramley. When it is raw, it is sharp and bitter, but
:19:39. > :19:43.when cooked, it is sweet and golden. As a chef, I find the Bramley
:19:44. > :19:46.apple's unique cooking flavour unrivalled and it is this taste that
:19:47. > :19:52.has fuelled a multi-million pound industry. But the Bramley is
:19:53. > :19:58.potentially under threat. What most people don't realise is that every
:19:59. > :20:04.single Bramley apple tree comes from a cutting of just one tree. And that
:20:05. > :20:07.tree is starting to die. The parent of every Bramley apple ever eaten
:20:08. > :20:13.lives here in a garden in Nottinghamshire. Scientist Professor
:20:14. > :20:19.Ted Copping has been working to try to save it. This is the original
:20:20. > :20:26.that was planted here over 200 years ago by a small girl called Mary Ann
:20:27. > :20:32.Brailsford who took the pit of an apple, the seed, and planted it. In
:20:33. > :20:38.a genetic fluke, that seed produced a completely new type of Apple, the
:20:39. > :20:46.Bramley. How rare is it for someone to plant a seed and get a new
:20:47. > :20:50.variety? Very rare because this has risen by apple varieties crossing
:20:51. > :20:54.each other and producing a unique embryo which then goes on to grow
:20:55. > :21:00.into the tree. If you want to grow another Bramley tree, the apple's
:21:01. > :21:05.genetics mean you can't just plant a seed, you have to propagate it from
:21:06. > :21:07.a cutting. Sir John Starkey owns the largest Bramley Orchard in
:21:08. > :21:11.Nottinghamshire and is going to show me how it's done. Let's make this
:21:12. > :21:18.into a Bramley apple tree. I'm intrigued. You can make it three out
:21:19. > :21:24.of it. In order to grow, the cutting has to be inserted into the trunk of
:21:25. > :21:28.another variety, a crab apple. Sir John cuts into the grapple trunk and
:21:29. > :21:33.implants the Bramley stem which will grow into a Bramley tree as we know
:21:34. > :21:39.them. So our tree is bottom half crab top half Bramley. But there is
:21:40. > :21:44.one more job I have to do. And that is, I need to christen it The One
:21:45. > :21:49.Show tree. But propagating over generations has led to small genetic
:21:50. > :21:53.variations which affect the taste. The only way to grow an original
:21:54. > :21:59.Bramley is to take a cutting from that one special tree but that
:22:00. > :22:03.original tree is in trouble. It is dying from an incurable honey fungus
:22:04. > :22:10.disease. To save the unique Bramley apple taste, the professor has
:22:11. > :22:19.turned to cloning. How do you clone the tree? We take that into a
:22:20. > :22:22.suitable medium. That a gel? Yes. After 15 years of extensive
:22:23. > :22:26.research, the professor developed a special propagation gel which allows
:22:27. > :22:32.a small cuttings from the original tree to grow their own routes. This
:22:33. > :22:37.tree is, from the bottom of its routes to the tips of its leaves,
:22:38. > :22:42.100% pure bred Bramley and genetically identical to the
:22:43. > :22:47.original tree. Why can't we just use the trees that have been propagated
:22:48. > :22:50.before? They have been grafting for the last 200 years and slowly but
:22:51. > :22:56.surely, there have been subtle genetic changes so what you want to
:22:57. > :23:02.do is to, as it were, turn the clock back so you go back to the original,
:23:03. > :23:08.unblemished largely by any such genetic changes. So this clone we
:23:09. > :23:13.have here is the closest genetic twin to the original Bramley apple
:23:14. > :23:18.tree we saw earlier? Yes, very much so. With the help of cloning
:23:19. > :23:22.technology, the Bramley's future is safe and as chefs can relax, knowing
:23:23. > :23:26.we will have the sweet taste Bramley apples for the for years to come.
:23:27. > :23:28.Wright, gentlemen, the most important question today, cream or
:23:29. > :23:41.custard? Both. Both, please. Just eating the apple pie as well,
:23:42. > :23:47.Jack has polished is off already. Interestingly, no custard or cream
:23:48. > :23:52.on either. No. You said it is like putting ketchup on pizza? It should
:23:53. > :23:57.be a crime. We don't have much time but quickly, out of interest, Mark,
:23:58. > :24:01.you are renowned for being so realistic as far as your acting is
:24:02. > :24:03.concerned and we were talking a bit about learning lines and what have
:24:04. > :24:09.you earlier but from your perspective, do you learn the lines
:24:10. > :24:14.over and over and then go in with a fixed idea of your performance or do
:24:15. > :24:19.you learn them just before you do it and go from there? How does it work
:24:20. > :24:22.for you? I don't know, it depends. The task is really forgetting the
:24:23. > :24:26.lines because who knows what they are going to say next? If you learn
:24:27. > :24:29.them, you have to learn them in a very flexible way because I have to
:24:30. > :24:35.convince you it has never been written down, like now, I'm just
:24:36. > :24:38.making it up on the spot! As you go along. So you always have the
:24:39. > :24:43.feeling inside that you are reacting? I learn more what I need
:24:44. > :24:51.to do, now I need not to get up and walk out of here! And I'm really
:24:52. > :24:56.enjoying it... LAUGHTER Well, we've done everything we can!
:24:57. > :25:01.Are they really laughing? There we are. But thank you. Fascinating, you
:25:02. > :25:04.know where you're going, and you'll get there however. Exactly.
:25:05. > :25:06.London turned rainbow-coloured this weekend for the annual Gay Pride
:25:07. > :25:09.parade, one of many events held across the country to celebrate
:25:10. > :25:11.And this year's more significant than most.
:25:12. > :25:14.It's actually 50 years since homosexuality was partially
:25:15. > :25:21.And DJ Nick Grimshaw's using his mixing skills to chart how
:25:22. > :25:40.This is a story about two people. Ordinary people, going about their
:25:41. > :25:48.lives. Waiting for something to begin. You wait. You'll meet someone
:25:49. > :26:00.who will have your head spinning. And then one day, it did. Eyes met.
:26:01. > :26:07.Hands met. A moment of hesitation. Of uncertainty. Don't you ever worry
:26:08. > :26:15.that we might be doing something wrong? No. And then, they saw each
:26:16. > :26:40.other as they truly worth first time. -- were for the first time.
:26:41. > :26:54.But not everyone understood. What was that? Or approved. Of falling in
:26:55. > :27:03.love that wake of being of that persuasion, of playing for the wrong
:27:04. > :27:09.team. This is the way I want to be. Are you trying to tell me that you
:27:10. > :27:15.and Colin are... On the sexual is? Didn't you know? I certainly didn't,
:27:16. > :27:23.I thought you were just friends. But there were others who did
:27:24. > :27:27.understand, who spoke up. Now listen, you may be a puff butties
:27:28. > :27:32.out so you are going to leave him alone, understand? Back about show
:27:33. > :27:38.me in the Bible anywhere where Jesus Christ refused to sanctify love.
:27:39. > :27:46.Remember, you have to fight for what you want. Sometimes it was hard.
:27:47. > :27:54.I hate the way you make me feel! And sometimes, it felt like the most
:27:55. > :28:03.natural thing in the world. You've given me the strength and the
:28:04. > :28:09.courage to stop hiding. That will do to be going on with. But in the end,
:28:10. > :28:13.Love always wins. Because this is a story about two people, ordinary
:28:14. > :28:18.people in love. Keep an eye out for the BBC's
:28:19. > :28:24."Gay Britannia Season" Thanks to our guests
:28:25. > :28:29.Sir Mark Rylance and Jack Lowden. Dunkirk is in cinemas
:28:30. > :28:39.from the 21st July. On Friday, we're going to be joined
:28:40. > :28:43.by Owen Wilson talking about the new Cars movie so if you have some small
:28:44. > :28:47.in your house is a massive fan and has all of the merchandise, we want
:28:48. > :28:48.to know. E-mail at the usual address.
:28:49. > :28:51.Tomorrow me and Al are off to Perranporth on the glorious Cornish
:28:52. > :28:57.And Martin Clunes and The Kooks will be stopping by for a pasty.