:00:47. > :00:51.Hello and welcome to The One Show with Alex Jones and Matt Baker.
:00:51. > :00:54.Tonight's guest is the actress who caused a storm on Albert Square
:00:54. > :00:58.earlier this year with the controversial baby swap story line.
:00:58. > :01:08.Now she is swapping Walford four sons and sunshine in the South
:01:08. > :01:18.Pacific. It is Samantha Womack. Love lead to see you. -- lovely to
:01:18. > :01:24.
:01:24. > :01:30.see you. We are both wearing lace. Sorry about that. We are wearing
:01:30. > :01:35.lace underneath. The nobody got that! Things seem to have calmed
:01:35. > :01:40.down with the riots. But you had a taste of it. Like everybody that
:01:40. > :01:44.lives in London, I was passing through an area, Camden, which was
:01:44. > :01:48.starting to head towards trouble. I went down to Regent Street and
:01:48. > :01:53.Oxford Street, where there was heavy police presence. I am staying
:01:53. > :01:57.in a hotel in the City, so I was feeling nervous, like everybody.
:01:57. > :02:02.was definitely quite scary. Do you think we have seen the last of the
:02:03. > :02:07.riots? I don't know. I know that the police presence has been up to.
:02:07. > :02:11.Everybody that is available is now patrolling the streets. I hope that
:02:11. > :02:15.will be an end to it but you don't know. It is so erratic, which is
:02:16. > :02:19.what is so nerve-racking. There does not seem to be any pattern. It
:02:19. > :02:23.is springing up all over the place and the minute you think it has
:02:24. > :02:29.died down, it is back. We will talk to you about South Pacific a moment
:02:29. > :02:34.later. We have a surprise for you. Oh, God. It is always bad when
:02:34. > :02:39.people say that on television. Is it a bunny? It is a mystery guest
:02:39. > :02:45.but we will not get you guessing. You might actually guess he who it
:02:45. > :02:49.is! And Dom Littlewood will be opening up some case files.
:02:49. > :02:55.emergency recall of Parliament today, David Cameron admitted that
:02:55. > :03:02.far too few police were used during the riots at their tactics were not
:03:02. > :03:08.working. He has now said that baton rounds and water cannon can be used
:03:08. > :03:12.if the need arises. We look at the options that the police have and do
:03:12. > :03:15.some things that will never be used. Every bobby has been disgusted by
:03:15. > :03:19.the scenes on the streets of England this week. There was a
:03:19. > :03:24.feeling that the police could have used more force. People asked why
:03:24. > :03:27.they did not take measures such as water cannons against the rioters.
:03:27. > :03:31.Yesterday David Cameron said that if the police want to use water
:03:31. > :03:36.cannons, they can request them. But do we really want them on our
:03:36. > :03:40.streets? I think David Cameron is right to bring in water cannons as
:03:40. > :03:45.an option available to the police. Water cannons are most effective
:03:45. > :03:50.when used against a large crowds rioting against a particular target.
:03:50. > :03:54.We saw in Nottingham in the last few days attacks on police stations,
:03:54. > :04:00.which we have not seen elsewhere. In that situation, a water cannon
:04:00. > :04:04.could certainly help to drive away the crowd if they are intent on
:04:04. > :04:07.attacking a particular target. They are quite frightening. They can
:04:07. > :04:12.make you think you are drowning. They can knock you over and they
:04:12. > :04:18.can make you feel very wet and cold. They would work. Add in plastic
:04:18. > :04:22.bullets would be more useful. -- I think plastic bullets would be more
:04:22. > :04:25.useful and I have seen cases when they could have worked. Plastic
:04:25. > :04:29.bullets and water cannons can seem tame compared to what is on offer
:04:29. > :04:33.elsewhere in the world. In the Philippines, you might expect to
:04:33. > :04:40.get a face full of gas, which would leave you struggling to breathe and
:04:40. > :04:45.your eyes and throat burning. In America, and tasers might get you
:04:45. > :04:53.and sound deterrents as well. They Blast Lab 149 decibels and can
:04:53. > :04:57.clear the street faster than a rock concert. Not everyone believes that
:04:57. > :05:01.the police should have more gadgets. I don't think that militarisation
:05:01. > :05:05.is the solution that we are looking for. The water cannon is developed
:05:05. > :05:09.to control a crowd. With this new public disorder we are seeing the
:05:09. > :05:13.group dispersing, moving down side streets into small groups of
:05:13. > :05:16.individuals, which is not traditional crowd control. Another
:05:16. > :05:21.security challenge facing the police is just around the corner,
:05:21. > :05:28.the Olympics. As well as putting in an order for javelins and shop
:05:28. > :05:37.Purves, should we also be buying plastic bullets and water cannon? -
:05:37. > :05:41.- shot put. We have seen a lot of damage to our reputation as the
:05:41. > :05:44.police should do everything they can to knock this kind of situation
:05:44. > :05:49.on the head, particularly in the run-up to the Olympics. If it
:05:49. > :05:53.flares up, it should be dealt with more robustly. The public wants
:05:53. > :05:57.something done now, but the reality is that what we also want is these
:05:57. > :06:01.things prevented in the future. Debates around things like rubber
:06:01. > :06:06.bullets take us no closer to prevention in the future. Obviously
:06:06. > :06:10.in the future we all want to keep the streets safe. We hope that
:06:10. > :06:14.anti-riot measures such as plastic bullets and water cannon will not
:06:14. > :06:21.actually need to be deployed. Just the threat of them could be enough
:06:21. > :06:28.to keep the peace. Water cannon, have they been used before on the
:06:28. > :06:30.mainland? No. They have been used in Northern Ireland. In the
:06:30. > :06:35.Northern Ireland police service they have six, which they say can
:06:35. > :06:39.now be deployed at 24 hours' notice to the mainland, but that would be
:06:39. > :06:49.a new thing for us. David Cameron said that police tactics did not
:06:49. > :06:52.work. Yes. Any idea what they will do now? He said he had had a frank
:06:52. > :06:56.exchange of views with police chiefs. It seems to be about the
:06:56. > :07:01.emphasis. They were treating it as a public order situation, when they
:07:01. > :07:05.should have been treating it as a criminal situation. It is really
:07:05. > :07:09.about a change of emphasis. He also stressed that this is a new and
:07:09. > :07:13.unique challenge for the police, because of the focus on looting and
:07:13. > :07:18.the speed at which the rioters were travelling. And the way they were
:07:18. > :07:21.communicating. It is uncharted territory and it needs a change of
:07:21. > :07:26.and this is, so now they are looking at different things. They
:07:26. > :07:31.are talking about new powers to impose curfews. And also about
:07:31. > :07:35.removing face masks, which has been a big thing. This is incredible,
:07:35. > :07:39.isn't it? I found it extraordinary that the police did not have these
:07:39. > :07:44.powers until today. Previously they were only allowed to remove face
:07:44. > :07:47.masks from rioters if there were actually engaged in violent conduct.
:07:47. > :07:52.Was it to do with religious denomination and women having their
:07:52. > :07:56.faces covered? Yes, there is a lot of complexity. Now they have the
:07:56. > :08:00.authority to remove them if they suspect that person is about to
:08:00. > :08:06.engage in criminal conduct. There is a change of emphasis there.
:08:06. > :08:10.Thank you. There is also news of a man in intensive care who was
:08:10. > :08:14.attacked while heroically trying to put out fires in Ealing on Monday
:08:14. > :08:18.night. We have this picture here. He had their identification on him
:08:18. > :08:22.but he has been named as 68 year old Richard Mannington Bowes.
:08:22. > :08:25.Police are eager to trace his next of kin and anybody that knows him
:08:25. > :08:30.at all. They also want any information on his suspected
:08:30. > :08:35.attacker. He is described as black, of big build, wearing a white T-
:08:35. > :08:41.shirt with writing on, and a dark jumper over his shoulders. Anybody
:08:41. > :08:45.with any information should contact Crimestoppers. As we said, Dom
:08:45. > :08:52.Littlewood is also here, and he has been delving into his filing
:08:52. > :09:00.cabinet again. It gets fatter every week! I had a woman on my left and
:09:00. > :09:04.suddenly! First up, compensation for the damage that was caused by
:09:05. > :09:09.the riot. The Prime Minister has spoken about this in the Commons
:09:10. > :09:15.today. Yes. To put it into perspective, 48,000 businesses have
:09:15. > :09:18.been affected. The bill is running at �200,000. As far as compensation
:09:18. > :09:22.is concerned, if you are insured, try to put in a claim with your
:09:22. > :09:26.insurance company first, but you only have seven days and they will
:09:26. > :09:35.only be looking at the Department why it claims. A lot of these why
:09:35. > :09:43.it's happened in poorer areas of the country. -- riots. Some people
:09:43. > :09:47.might not have insurance. In 1986, claims were put in against police
:09:47. > :09:51.forces. Saying that they did not respond? Not saying they did
:09:51. > :09:57.anything wrong, there is just a fund there so that people can claim
:09:57. > :10:01.against that. So they are not left homeless or something. With some
:10:01. > :10:06.insurance, with car damage, if you have got your own insurance and it
:10:06. > :10:10.is third-party, fire and theft, you will only get it back if it is
:10:10. > :10:16.burnt out, not if the windows are smashed. You should go back to your
:10:16. > :10:21.own insurance company first but there is that all back there.
:10:21. > :10:31.have also got an interesting news on train tickets. Yes, David wrote
:10:31. > :10:33.
:10:33. > :10:38.in. He said that he had a complaint We decided to have a family get
:10:38. > :10:42.together in May this year. I bought train tickets for my mother in-law
:10:42. > :10:47.and sister in law. Neither of them have access to the internet. I
:10:47. > :10:50.printed the tickets myself, and I posted them to them. When David's
:10:50. > :10:53.relatives travelled, they were shocked when the inspector said the
:10:53. > :10:58.tickets were not valid as they could not produce the credit card
:10:58. > :11:02.they were bought with. They were asked to pay the standard walk-on
:11:02. > :11:07.fare of �154 each but they did not have the money and had to hand over
:11:07. > :11:11.their contact details. The women were upset and David was furious.
:11:11. > :11:15.We spoke to the station staff. They told us about the appeals process,
:11:15. > :11:18.which I followed up, but that appeal was rejected. David did not
:11:18. > :11:22.think this was fair because he could prove the tickets had been
:11:22. > :11:29.used honestly. While he tried to prove his case, more administration
:11:29. > :11:37.costs were added and the bill went up to �418. That is on top of the
:11:37. > :11:41.�87.50 he had already paid for the tickets online. Eventually, and as
:11:41. > :11:46.they got more strident and began to upset my mother, I decided to pay
:11:46. > :11:56.it myself. I am fighting to get the system changed because it really is
:11:56. > :11:57.
:11:57. > :12:01.not fair. That is a bit heart. have to give the train company they
:12:01. > :12:06.do. -- that is a bit harsh. It is not hidden in the small print, it
:12:06. > :12:10.is written on the tickets and on the website. But I take David's
:12:10. > :12:14.side. The company could make it much easier. In fairness to them,
:12:14. > :12:17.we have contacted them and they will get back their additional
:12:17. > :12:21.costs. With electronic tickets, remember they are not good if you
:12:21. > :12:25.are not travelling with the person that you are buying them for. If
:12:25. > :12:29.you want to get tickets for somebody else, go down to the
:12:29. > :12:36.station the old-fashioned way. Simple as that. You are harbouring
:12:36. > :12:40.train anger, Samantha? I am just fuming. It is entrapment. It has
:12:40. > :12:44.become so complicated. You have to buy a certain ticket at a certain
:12:44. > :12:54.time if you stand on one leg, shaking the guy's hand at a certain
:12:54. > :12:54.
:12:54. > :12:59.time, before 3 o'clock. They make it so complicated for you. And you
:12:59. > :13:07.buy a ticket, you pay your money, you then want to travel and you
:13:07. > :13:13.change your train time, God forbid, and all of a sudden you have to pay
:13:13. > :13:18.an extra �100 for the ticket. Surely I have still paid my money?
:13:18. > :13:22.You can get flights for less than that. For me it is all about
:13:22. > :13:27.revenue. It is all about entrapment. They set you up to fail because
:13:27. > :13:32.somebody is making a pretty penny on the other end. We should send
:13:32. > :13:40.you on a train journey! You want people to get in touch if they need
:13:40. > :13:44.your help. If people need any help, they should write to us. On Sunday,
:13:44. > :13:48.a memorial service will be held to remember the victims of a school
:13:48. > :13:52.trip to Scandinavia which ended in tragedy 50 years ago this week.
:13:52. > :14:01.Someone Samantha knows quite well, Larry Lamb, has the sad story of
:14:01. > :14:06.the Croydon schoolboys his Heads you win, tails you lose.
:14:06. > :14:11.Sometimes a life can turn on the flip of a penny. Two boys wanted
:14:11. > :14:17.the last seat on the plane and a coin was tossed for it. My brother
:14:17. > :14:20.called heads and won - but he didn't. He lost. All of a sudden
:14:20. > :14:25.eight good friends weren't there, weren't there to share whatever
:14:25. > :14:30.your life was going to be after that. All the boys came from here,
:14:30. > :14:35.the Lanfranc School. For many it was their first time on a plane,
:14:36. > :14:41.for many their first trip abroad, so the excitement must have been at
:14:42. > :14:51.fever pitch as they set off on an alternative trip to Stavanger in
:14:52. > :14:52.
:14:52. > :14:58.Norway. Quentin won the toss and grotto last seat. 1961. A good year
:14:58. > :15:04.to be young. Beatlemania was round the corner, Ricky Nelson would do
:15:04. > :15:14.meantime. Happy days. The Lanfranc school for boys was in Croydon. 34
:15:14. > :15:18.
:15:18. > :15:23.of them got on the plane. None of Rosalind Jones was Quentin's sister.
:15:23. > :15:27.She was 15 when he left on that summer day in the '60s. When he
:15:27. > :15:31.came to say goodbye to me that morning, for some crazy reason a
:15:31. > :15:36.voice came into my head which wanted me to say, look, I will
:15:36. > :15:42.never see you again, give me a kiss goodbye. I never couldn't believe
:15:42. > :15:48.it, so changed it to, "I may never see you again." He gav me a peck on
:15:48. > :15:52.the cheek and was gone. What was happening in Norway? The plane was
:15:52. > :15:56.flying to Sola airport. Everything was going to schedule. It was being
:15:56. > :16:01.talked down by traffic control. It should have turned round and come
:16:01. > :16:05.back on a normal approach, but it didn't. It flee eastwards instead
:16:05. > :16:09.into the mountains, where it crashed.
:16:09. > :16:15.The rest cue effort was led by the Norwegian Red Cross. It was them
:16:15. > :16:20.who set about the grim task of combing the scene. Back in Croydon,
:16:20. > :16:25.desperate families waited anxiously for news. When it came, their worst
:16:25. > :16:31.fears were confirmed - there were no survivors. Grieving families
:16:31. > :16:35.demanded answers, but none came. look to some parents like a
:16:35. > :16:40.whitewash. It wasn't a whitewash but they couldn't say what caused
:16:40. > :16:46.it. The official cause of the accident - deviation from the
:16:46. > :16:52.prescribed flight path for reasons unknown.
:16:52. > :16:56.The boys were brought back here a few days later. Dozens of coffins
:16:56. > :17:04.all made of Norwegian wood. They were laid out here, in the school
:17:04. > :17:08.Assembly hall. Even now half a century on, some of their
:17:08. > :17:12.classmates still live with the guilt of escaping events on that
:17:12. > :17:17.mountainside. You were the head boy, yes? I was head boy in that last
:17:17. > :17:20.year, yes, before the crash happened. How come, wouldn't it
:17:20. > :17:25.have been normal thaw would have gone on the trip? He been on the
:17:25. > :17:30.trip to Switzerland the year before. My parents really couldn't afford
:17:30. > :17:33.it. We did debate that, so I didn't go. I was pretty lucky, looking
:17:33. > :17:38.back. A mass grave was laid nowt the cemetery near the school, and
:17:38. > :17:44.in the weeks that followed, tens of thousands of people paid their
:17:44. > :17:50.respects. As for the aircraft, the Vickers Vikings' days were numbered.
:17:50. > :17:54.Within a few years they were history. 50 years later and two
:17:54. > :17:58.communities a on either side of the North Sea are united in their grief
:17:58. > :18:03.at what happened. At the time it was Norway's worst aviation
:18:03. > :18:08.disaster. Their memory became one of the drivers many nigh life. I've
:18:08. > :18:13.gone on to lead a very full life. I'm very lucky for that. Looking
:18:13. > :18:16.back, it is something that I had that the Lanfranc Boys didn't.
:18:16. > :18:19.On Sunday the official civic service of remembrance will be held
:18:19. > :18:26.in Croydon Minster at 3.00pm. And there's also an exhibition in the
:18:26. > :18:31.Museum of Croydon until 17th September. The story there
:18:31. > :18:35.beautifully told by Larry, who you have worked with for white a while.
:18:35. > :18:41.The lovely Larry Lamb. Do you miss him? He was such a wonderful person
:18:41. > :18:45.to work with. I know the scenes that we did weren't particularly
:18:45. > :18:50.joyful, but we had a very good time making them. She a wonderful,
:18:50. > :18:55.gorgeous man, and very attractive, dare I say? And your character,
:18:55. > :19:00.Ronnie, was right at the centre. Yes, he's not really my father, it
:19:00. > :19:05.is OK for me the like him! Your character was at the centre to
:19:05. > :19:11.which baby swap story line. 13,000 complaints were made to the BBC.
:19:11. > :19:15.Yes! How did people react to you on the street? People sometimes can't
:19:15. > :19:20.decipher between the argumentor and the character. The people's
:19:20. > :19:26.representation of that whole thing, as usual they whipped it up into a
:19:26. > :19:29.frenzy. They had pictures of me lives at 5 o'clock in the morning
:19:29. > :19:33.looking tired. There were complaints and they had to be
:19:33. > :19:37.addressed. Certainly the story in the way we told it, we tried to
:19:37. > :19:42.address it. I wanted to make sure that everything I did, me myself
:19:42. > :19:48.Sam playing that character, was based in truth, so I embarked on a
:19:48. > :19:53.fuet meetings with my producer, Brian Kirkwood, which was lovely,
:19:53. > :19:57.very open. Continued to work out a story line we felt was specific to
:19:57. > :20:02.that character. It certainly wasn't a situation that was representing a
:20:02. > :20:08.group of people. This is a soap character. A soap character has to
:20:08. > :20:12.sustain an incredible amount of tragedy, if you are a playing a
:20:12. > :20:17.tragic heroine. The genre is heightened, and viewing figures
:20:17. > :20:20.come into play. The figures go through the roof when you have
:20:20. > :20:25.tragic circumstances and harrowing story lines, so the BBC is trying
:20:25. > :20:30.to hit those targets. It is a bigger conversation. It must have
:20:30. > :20:34.been very hard for you as an actor having to do that. Now you are
:20:34. > :20:42.moving far from that with South Pacific. Is that a conscious
:20:42. > :20:48.decision? Yeah, and I regret ate little. Just because I have these
:20:48. > :20:54.ticks in my eyes. It looks nice.. I've just came offstage literally.
:20:54. > :20:58.We open in two or three days. On Monday. She is joyous and wonderful
:20:58. > :21:05.but it's a pretty tragic piece. It is about racial tension and foreign
:21:05. > :21:11.occupation. It was based on the Pulitzer-winning book, Tales of the
:21:11. > :21:15.South Pacific, a very harrowing tale. The beautiful music cut
:21:15. > :21:19.across this strange, beautiful, tale of people who were isolated
:21:19. > :21:26.and trying to deal with where they come from and their own prejudices.
:21:26. > :21:32.You are starting at the Barbican. On Monday. It is gorgeous. It is
:21:32. > :21:37.for seven weeks, and then we start the tour. You've put me on the spot
:21:37. > :21:44.now. I'm a mummy, I don't retain... It is everywhere, look at the
:21:44. > :21:48.website. And we've still got this lovely surprise for you. It is
:21:48. > :21:53.South Pacific-related. A palm tree? Wait and see.
:21:53. > :21:59.Now we go to great lengths to get incredible wildlife shots on One
:21:59. > :22:05.Show. Kate Bevan chucking herself off a hillside to soar alongside
:22:05. > :22:13.birds of prey shows real dedication. Over the hills and valleys of Wales,
:22:13. > :22:18.red kites once almost extinct in Britain are now a familiar sight.
:22:18. > :22:22.At our farm if Abergavenny I've often seen red kites soaring and
:22:22. > :22:27.circumstance until the skies above. They glide effortletsly at great
:22:27. > :22:37.height, seeming to defy the laws of gravity. And today I'm going to
:22:37. > :22:39.
:22:39. > :22:43.join them. Parawalking combines paragliding
:22:43. > :22:49.and falconry. Paragliders are always looking for ways to stay in
:22:49. > :22:55.the air longer, something red kites do naturally. Who better to learn
:22:55. > :22:59.from than the true masters of the sky? This is Mr Black. He's a six-
:22:59. > :23:07.year-old hand-reared red kite. Together, we are going to share a
:23:07. > :23:12.very special flying experience. Martin Kray is a paraHawker. He's
:23:12. > :23:17.been flying with trained red kites for ten years. So Mr Black is a red
:23:17. > :23:24.kite. What makes them so special? In the wild a red kite spends a lot
:23:24. > :23:30.of its time soaring. They don't flap hardly. They've got a big
:23:30. > :23:35.wingspan, they are very light. Its tail, a long, forked tail, which
:23:35. > :23:41.means he can stay completely flat. He uses his tail like a rudder. He
:23:41. > :23:48.is much more efficient in a thermal than I am. It is thermals that are
:23:48. > :23:53.key to paraglide and the red kite's aerial talent. A thermal is created
:23:53. > :23:59.as the sun heats the ground unevenly. Where the ground is
:23:59. > :24:03.hotter, columns of warm air rise, which act like an everything, lator
:24:03. > :24:06.for birds of pray, and hopefully for birds of pray, and hopefully
:24:06. > :24:10.for us too. Red kites have got it easy. We need
:24:10. > :24:15.a lot of equipment before we can get airborne. And over here is the
:24:15. > :24:25.hill we are about to jump off. I've never done this sort of thing
:24:25. > :24:26.
:24:26. > :24:36.before and I've got to say, I'm a little bit nervous.
:24:36. > :24:37.
:24:37. > :24:46.Oh, wow! The sheep look tiny. Once we are safely airborne Mr Black is
:24:46. > :24:53.released and will hopefully guide us to the thermals. There he is!
:24:53. > :25:01.However, it seems that Mr Black has other ideas. He's just sitting on
:25:01. > :25:06.the edge there. That's no good to us. I know. Mr Black! After taking
:25:06. > :25:14.in the view for a moment, it wasn't long before Mr Black was back in
:25:14. > :25:19.action. Whoa! Nice one. Hopping from thermal to thermal Mr Black is
:25:19. > :25:26.cushioned by parcels of warm air isn't can soar to a great height.
:25:26. > :25:31.And we are right on his tail. she blows! This may be a thrill-
:25:31. > :25:36.seeking ride for me, but for many birds of prey it serve as very
:25:36. > :25:40.useful purpose. They spend most of their time hunting from the air.
:25:40. > :25:47.Flapping their wings would burn a lot of energy. But hitching a ride
:25:47. > :25:50.on a thermal dramatically reduces their calorie consumption.
:25:50. > :25:57.Primarily scavengers, red kites feed on small mammals. They harness
:25:57. > :26:02.the power of this thermals to scour a vast area for food. Mr Black may
:26:02. > :26:08.be able to stay up here for hours on end, but with the wind picking
:26:08. > :26:11.up, we can't, so it is back to Earth for us, with a bump. That was
:26:12. > :26:16.amazing. You could really feel the thermals when you were going into
:26:16. > :26:21.them. And to share the flying space with that red kite, I feel very
:26:21. > :26:25.with that red kite, I feel very privileged.
:26:25. > :26:30.Good on you, Kate. Samantha, we were talking about
:26:30. > :26:36.your new role in south south. Did you know when the film was released
:26:36. > :26:40.in 1958, it was so popular that one cinema in London showed it
:26:40. > :26:46.constantly for four-and-a-half years. I don't know about
:26:46. > :26:49.constantly. I'm going to wash that man right out of my hair
:26:49. > :26:57.# I'm going to wash that man right out of my hair
:26:57. > :27:01.# And send him on his way # Wonderful. I've literally just been
:27:02. > :27:07.doing that number. Here is your surprise. Live from Hollywood, the
:27:07. > :27:17.lady who starred in the role that you are about to play, the fabulous
:27:17. > :27:18.
:27:18. > :27:23.Ms Mitzi Gaynor! Oh, my God! APPLAUSE You are there now? You're
:27:23. > :27:27.real. Wow! We just saw you play the scene that Samantha's been
:27:27. > :27:30.rehearsing all day, Wash That Man Right Out Of My Hair. Can you tell
:27:30. > :27:36.us what you remember about filming that scene for the film? Well,
:27:36. > :27:40.first of all hi, Samantha. Hello Mitzi. How gorgeous to see you.
:27:41. > :27:44.lovely to be with you. I'm so excited for you. You must be over
:27:44. > :27:48.the Moon. I'm absolutely thrilled. We've literally just come from
:27:48. > :27:53.rehearsing that number on stage, and just practising the shower,
:27:53. > :28:00.getting the shower working and getting up enough lather. Can I
:28:00. > :28:06.tell awe story? Yep. OK. We were out on location and we were
:28:06. > :28:10.rehearsing and everything was fine. Josh said, we are going to roll, so
:28:10. > :28:19.we were all ready and I'm in that little hut where I do my washing. I
:28:19. > :28:27.pull on the thing and the water starts... And the shampoo gets in
:28:27. > :28:34.my eye. LAUGHTER And so, my make-up man says, "Take
:28:34. > :28:41.off the lashes" Josh says, "What have you done?" I said (Inaudible)
:28:41. > :28:46.so on the way to the set there was a story on the island of Kaui.