:00:16. > :00:17.Hello, and welcome to The One Show with Alex Jones.
:00:18. > :00:21.Tonight's guests are two top comedians who've decided to join
:00:22. > :00:27.But as they are equally well-known, and equally funny, nobody really
:00:28. > :00:45.So, in no particular order, please welcome...
:00:46. > :00:56.APPLAUSE There we are!
:00:57. > :01:02.. Bounds or in the night, Jasper! It's great having you both with us
:01:03. > :01:05.-- the bounds team tonight. You have a brand-new tour. You didn't really
:01:06. > :01:13.know each other beforehand. What have you learned each other -- about
:01:14. > :01:19.each other? I've learnt a lot about comedy. One thing I had forgotten is
:01:20. > :01:24.what a good musician he is. He plays the guitar. We saw a clip earlier.
:01:25. > :01:31.He doesn't play my favourite song of his in our show, this was the B-side
:01:32. > :01:40.of his single. The last line, which you only heard, I have to fix it in
:01:41. > :01:45.the guarding, I still call the garden at the guarding! I was about
:01:46. > :01:50.was if you do an impression? I don't! We understand that you do an
:01:51. > :01:59.impression of Alistair doing an impression of you in fact. In fact,
:02:00. > :02:04.I'm doing it right now! It is like I was in the room with you! Hours of
:02:05. > :02:10.practice! Tomorrow we are joined by Tom Hanks. This might sound a bit
:02:11. > :02:19.strange, but, trust us, all will become clear.
:02:20. > :02:23.photos of lost items you've seen on the street.
:02:24. > :02:25.For example, gloves, shoes, socks, scarves, hats, toys...
:02:26. > :02:30.APPLAUSE Very good!
:02:31. > :02:35.Tell us who you are and where you found them, and,
:02:36. > :02:38.with Tom's help, we might feature them on tomorrow's show
:02:39. > :02:40.when we are also joined by Ron Howard and Felicity Jones.
:02:41. > :02:50.I suddenly feel a bit the list, don't you? It's a great line. ...
:02:51. > :02:53.Can they do an impression of Matt Baker? Probably not!
:02:54. > :02:55.If you are a friend of a property developer named
:02:56. > :02:58.Khalid Mahmood Choudhry, then pick up the phone and tell him
:02:59. > :03:07.Because, Mr Choudhry, this film is all about you...
:03:08. > :03:14.Behind all this scaffolding is one of Grimsby's most historic
:03:15. > :03:21.buildings. Built in 1889 and great two listed, the Victoria Mill
:03:22. > :03:25.supplies flour to the world. These were converted into flats around 15
:03:26. > :03:28.years ago, and the same thing was meant to happen to the main building
:03:29. > :03:32.in the middle, but it didn't and it was left to become something of an
:03:33. > :03:36.eyesore, and a dangerous one at that. Dave Needham owns one of the
:03:37. > :03:40.existing flats. But for four months earlier this year, home suddenly
:03:41. > :03:45.wasn't home. Which flat is yours? The third one, the second story
:03:46. > :03:49.down. The neighbouring silo had deteriorated so much that in
:03:50. > :03:53.February's storms, dangerous movement was detected and police had
:03:54. > :03:56.to clear the building fast. What was it like when you found out that you
:03:57. > :04:00.were going to have to get out of here and get out of here quick? We
:04:01. > :04:07.were shocked to the system. We were in the door while you got in and got
:04:08. > :04:12.dropped year out. You had no idea? We thought it would be one or two
:04:13. > :04:15.days, maybe a week at most. In the end, residents spent nearly four
:04:16. > :04:19.months in emergency accommodation. He paid for all of your
:04:20. > :04:22.out-of-pocket expenses while you are at the hotel? The council paid for
:04:23. > :04:26.all of the accommodation but we had to pay for the meals and staff. The
:04:27. > :04:32.council paid up, even though the mill is not theirs, it is private.
:04:33. > :04:35.But there is more. With the silo in a dangerous state and no response
:04:36. > :04:40.from the owner, the council also paid to make it safe, costing ?1
:04:41. > :04:44.million of public money. And the costs are still mounting, because
:04:45. > :04:47.every day the council has to go on site and inspected to see if it is
:04:48. > :04:52.still safe. Today's surveyor Andy Cole is going up the scaffolding to
:04:53. > :04:56.check for further damage. Meanwhile, we've been given exclusive access
:04:57. > :05:06.inside. Councillor David Watson is with me. Look at this place! It's
:05:07. > :05:09.huge, isn't it? It has got the scale of a cathedral. There is as much
:05:10. > :05:12.stuff on the inside as there is on the outside. The council is set to
:05:13. > :05:19.pay a further ?1.2 million to make it watertight. Can you afford to
:05:20. > :05:24.spend this money? Not really, the council is under severe pressure due
:05:25. > :05:28.to Government austerity measures. Why don't you present the bill to
:05:29. > :05:31.the owner and so, we have spent ?1 million, it is your responsibility,
:05:32. > :05:40.you cough up the cash? We have issued a order and the owner has
:05:41. > :05:44.ignored us. -- a quart order. The silo is one of ten properties
:05:45. > :05:48.featured in the Victoria Society's annual list of endangered buildings.
:05:49. > :05:52.Joe O'Donnell says they have noticed a growing problem of developers
:05:53. > :05:58.wiring listed buildings only to leave them to deteriorate. It does
:05:59. > :06:02.dominate Grimsby's skyline. It is important for the town and its
:06:03. > :06:07.future as well as the past. RUC and a lot of this kind of thing around
:06:08. > :06:10.the country? Sadly, yes. Owners by buildings like this and they don't
:06:11. > :06:14.realise the scale of work that needs to be done -- RUC and lots of this
:06:15. > :06:21.kind The owner of the mill has a few
:06:22. > :06:26.questions to answer. CPG Investments Limited owns this particular silo,
:06:27. > :06:30.with Khalid Mahmood Choudhry named as the director. There are two
:06:31. > :06:34.addresses in Leicester which are associated with it. We wrote to Mr
:06:35. > :06:38.Choudhry a few weeks ago but heard nothing. So we hit the road for
:06:39. > :06:43.Leicester. We find his listed address, but are told he no longer
:06:44. > :06:47.lives there. Contacting his accountant gives us a Manchester
:06:48. > :06:50.link. I was wondering if I could speak to Mr Khalid Mahmood Choudhry,
:06:51. > :06:57.please? It is with regards to Victoria Mill is, the place where
:06:58. > :07:03.CPG investment aimed up in Grimsby. The fellow was helpful, he says he
:07:04. > :07:08.know exactly where he is. But not a peep from this the Choudhry. The
:07:09. > :07:12.trail has gone cold. The owner is irresponsible. The council has had
:07:13. > :07:17.to step in and use its reserves that or under pressure to repair this
:07:18. > :07:20.building. Really, you know, we need to speak to the own and he needs to
:07:21. > :07:26.speak to us so that we can move on from here. What do you think of the
:07:27. > :07:29.person who owns the silo next door? Not too great! That company or
:07:30. > :07:33.himself should have kept on top of it. If they had done the dogs as
:07:34. > :07:39.they came along, we wouldn't have had this problem. -- done the job
:07:40. > :07:42.is. Thanks to the council, Victoria Mill is safe for now. But there are
:07:43. > :07:45.many people queueing up to put questions to its elusive owner, Mr
:07:46. > :07:47.Choudhry. You'd think North East
:07:48. > :07:57.Lincolnshire Council would be How can he just vanish? You'd think
:07:58. > :08:00.the one show would be able to vanish, but we ended up in the wrong
:08:01. > :08:04.city, which is embarrassing! Sometimes these things happen. The
:08:05. > :08:08.point we need to make from the start is that there likely to be plenty of
:08:09. > :08:13.Khalid Mahmood Choudhrys out there, and lots of companies with CPG in
:08:14. > :08:16.their initials. But if Mr Khalid Mahmood Choudhry is watching the
:08:17. > :08:19.programme tonight, he could save a lot of public expense by getting in
:08:20. > :08:25.contact with the council. Also put the minds of the residents live
:08:26. > :08:28.either side of his property to rest. Their lives were potentially put in
:08:29. > :08:33.danger by his failure to carry out his responsibility as the owner of
:08:34. > :08:36.the silo. What is going to happen in the interim? They have to make sure
:08:37. > :08:41.that the building is safe and secure? One way that the council
:08:42. > :08:45.could -- try to seize control of the property is to argue in court that
:08:46. > :08:49.they have invested so much in making the building safe but actually it
:08:50. > :08:53.overrides the value of the property. Now, if they do that, Mr Choudhry
:08:54. > :08:57.might suddenly break cover and have won two things to say about it. But
:08:58. > :09:00.what they have got to do is understand that making the building
:09:01. > :09:04.safe is very important. The problem is, when they get hold of it, what
:09:05. > :09:13.are they going to do with it? The ideal thing would be to try and sell
:09:14. > :09:16.it on to property developer who is going to turn it into flats and they
:09:17. > :09:19.could try and recoup some of their money. But there is a big question
:09:20. > :09:21.about the value of the property as a development itself. The buildings
:09:22. > :09:24.either side of it were developed before the financial crash in 2008.
:09:25. > :09:28.In the Daybell is not climate, is it valuable for a developer to going to
:09:29. > :09:34.listed building -- in today's climate, is it valuable to sell it?
:09:35. > :09:39.This has wider and locations. All of the buildings on the Victoria's
:09:40. > :09:43.society list are outside the south-east of England. Inside the
:09:44. > :09:45.south-east, you have a superheated property bubble, and property
:09:46. > :09:50.developers will maintain their properties and sell them on and make
:09:51. > :09:54.money. In the rest of the country it is a different story. There are
:09:55. > :09:58.wonderful Victorian buildings in Cardiff that have been neglected.
:09:59. > :10:03.People hope they will fall down so they can put something you up. It's
:10:04. > :10:06.awful. But come on, Mr Khalid Mahmood Choudhry, do the right thing
:10:07. > :10:15.and get in contact. It is quite frankly ridiculous. Contact George
:10:16. > :10:17.Clarkson. You could go and live in that and it would be absolutely
:10:18. > :10:20.amazing! That's a good one! You might think that
:10:21. > :10:22.if you bulldozed a forest and put a motorway on top,
:10:23. > :10:25.that would be the last But, as George has been finding out,
:10:26. > :10:29.nature, with a little bit of help, can bounce back
:10:30. > :10:42.in a truly surprising way. On January nine, 1996, a year after
:10:43. > :10:45.the controversial Newbury bypass order was signed, bulldozers fired
:10:46. > :10:50.up, beginning one of the largest mass popular protests Britain had
:10:51. > :10:56.ever seen. There is no excuse for destroying all of this wildlife and
:10:57. > :11:01.beauty. The bypass was to condemn 10,000 mature trees and almost 360
:11:02. > :11:04.acres of ancient woodland to be raised to the ground. Thousands
:11:05. > :11:14.descended on the common, the epicentre of the demonstrations.
:11:15. > :11:19.This is a mistake! Ultimately, the new brew protests failed, and this
:11:20. > :11:23.bypass was built. But two decades later, what remains of the forest
:11:24. > :11:30.isn't just archiving the protests, but the living descendants of those
:11:31. > :11:36.ancient trees. Bill Pritchard was one of the protesters. The impact of
:11:37. > :11:40.non-violent direct action against road-building during the 1990s,
:11:41. > :11:44.there were a lot of noisy defeats but a lot of quiet victories. We
:11:45. > :11:47.heard about what was happening here, came here at the request of local
:11:48. > :11:53.campaigners and supported them to set up camps and build tree houses.
:11:54. > :11:58.Most people thought that was the end of the protest, but later that year,
:11:59. > :12:01.people came back and set up little vegetable growing gardens along the
:12:02. > :12:05.route of the bypass. There was a lengthy period where the bare land
:12:06. > :12:10.that had been burnt and scoured by the bulldozers was left. The land
:12:11. > :12:15.responded by thousands of tiny dormant acorns and sweet chestnut
:12:16. > :12:19.seeds sprouting, and a little shin high forest grew. We became aware
:12:20. > :12:24.that if we left them there they were going to get tarmac and dug up. So
:12:25. > :12:28.we parted them and they went all around the country. Still planted
:12:29. > :12:33.some in his old allotment that he hasn't seen for five years. Three
:12:34. > :12:37.oaks and one silver birch. The last time I saw them they were a little
:12:38. > :12:43.bit taller than me, and now they are massive. 20 years of growth, that is
:12:44. > :12:48.a substantial tree. They are the descendants of the ones that were
:12:49. > :12:53.cut down. Apparently the last two years they have had acorns, that is
:12:54. > :12:58.something really special. I know you shouldn't really, but I just want to
:12:59. > :13:03.hug them! They are such gorgeous trees. But some of what Phil
:13:04. > :13:11.describes as his refugee trees went further afield. 200 miles away to
:13:12. > :13:16.Cornwall. That's amazing. I didn't realise it free could grow that much
:13:17. > :13:21.in 20 years. A little circle of oak trees around it -- a tree could grow
:13:22. > :13:28.that much. And then this big sweet chestnut, amazing. Pictures from the
:13:29. > :13:32.day we planted them where Russell and Fran helping us, he is throwing
:13:33. > :13:36.up his arms in jubilation. That is what I feel now, knowing that the
:13:37. > :13:46.tree was going to be destroyed but it is growing well. This man was 11
:13:47. > :13:50.when he and his parents took part in the bypass protests. I remember
:13:51. > :13:53.going a lot of walks in the forests and woodlands that were destined to
:13:54. > :13:58.be cut down to make way for the road. On one of those walks I picked
:13:59. > :14:02.up a pine cone and took it back home and grew the seeds from it. As you
:14:03. > :14:07.can see, they've grown a lot bigger and become mature pine trees. One of
:14:08. > :14:14.them we won't see used as our Christmas tree, it grew a bit too
:14:15. > :14:17.big and we planted it on. Remembering the scene of devastation
:14:18. > :14:19.that I'd seen at the bypass when they cut down all the trees, and
:14:20. > :14:24.seeing all the protest, I was inspired, really, to go on and do
:14:25. > :14:27.that myself later in life. 20 feet above the northbound carriageway
:14:28. > :14:31.stands a tree named Middle oak by people who lived up at four months.
:14:32. > :14:37.It was the only one of 10,000 mature trees to be spared. Well, there is
:14:38. > :14:42.no doubt that the tree climbers sway public opinion. And later, political
:14:43. > :14:47.policy changed, too. Virtual holding the construction of major new roads
:14:48. > :14:51.for a generation. As a tree lover, it's really great to see Middle are
:14:52. > :14:53.still here. But also to know that the descendants of the trees that
:14:54. > :15:03.were lost live on -- Middle oak. Incredible, given the chance to see
:15:04. > :15:07.how quickly those oaks can grow. We know that you two have been getting
:15:08. > :15:11.to know each other because of the tour. We thought we'd start with a
:15:12. > :15:14.couple of questions each. Alistair, you've got one of the Jasper,
:15:15. > :15:17.Jasper, you've got one for our stuff. Jasper, you start. This is
:15:18. > :15:32.options of three. I didn't bring my Specsavers... We
:15:33. > :15:39.can do this. Which of these statements is true about Jasper? I
:15:40. > :15:43.don't actually need specs, Matt! . I am a skilled dowser and can use a
:15:44. > :15:48.forked stick to find underground water. I was once voted in the top
:15:49. > :15:54.ten best looking Brummies, I would go with that. And I secretly support
:15:55. > :16:01.Aston Villa. It's definitely not the last one. OK, the dowser, I like
:16:02. > :16:07.that, it's nice and 70s, it was a big craze. I will go with your
:16:08. > :16:12.advice, Alex, the middle one. No, it's the dowsing. Are you properly
:16:13. > :16:15.into it then, do you use it for other things other than finding
:16:16. > :16:23.water? The experts can find anything. They can go on to a map
:16:24. > :16:29.and look for gold and stuff. I do general stuff like water pipes,
:16:30. > :16:34.electric things. Also there is another branch which is using
:16:35. > :16:38.muscles, muscle strength to test people for allergies and what is
:16:39. > :16:45.right or wrong and it's quite involved. I didn't expect that from
:16:46. > :16:50.Jasper, such detail there. Alistair. This is... I will do this as David
:16:51. > :16:54.Mitchell for the hell of it! Try and remember that. I was once doing an
:16:55. > :16:59.impression of Andy Murray when Andy Murray walked in. He wasn't pleased.
:17:00. > :17:04.I once appeared naked on the West End stage. I have a dog and a cat
:17:05. > :17:09.both named Alistair. LAUGHTER It's not the dog and the
:17:10. > :17:13.cat. Andy would have been thrilled to pieces that you were doing such a
:17:14. > :17:20.good impression of him. So I am going to go for the middle one, you
:17:21. > :17:27.appeared naked on stage. Actually, two of them are right. I was once
:17:28. > :17:34.doing an impression of Andy Murray and Andy walked in and, he kind of
:17:35. > :17:38.knew it was happening (as Andy Murray (the idea was he would go
:17:39. > :17:43.what are you doing and he did, but he actually really loved it. I have
:17:44. > :17:49.also appeared naked on the West End stage, which is what you said. He
:17:50. > :17:53.has appeared naked in our show. How did this start, your show? We were
:17:54. > :17:59.thrown together a couple of years ago at the Henley Festival in
:18:00. > :18:02.Berkshire. They had this 800 seater tent and didn't know what to do and
:18:03. > :18:05.asked me to do an hour and I wasn't ready to do an hour at that stage,
:18:06. > :18:11.because I hadn't worked for ages but coy do half an hour and he could. So
:18:12. > :18:16.you split it. We got on like a house on fire. Of course I have a bit of
:18:17. > :18:23.form with working with impressionists because I did nearly
:18:24. > :18:26.300 shows with Phil. It works. It's two different Stipes of humour
:18:27. > :18:31.because an impressionist is not that - you don't get the person on stage
:18:32. > :18:35.because they work behind characters for the majority of the time they're
:18:36. > :18:40.on stage. I work personally talking about stories and my views,
:18:41. > :18:44.whatever. So, that's why it works, because it's comedy, two hours of
:18:45. > :18:50.comedy but it's very different. Of course, he goes on first for half an
:18:51. > :18:57.hour and then I am back stage sweating, thinking please don't run
:18:58. > :19:02.them out. He has had a few coconuts into the back of his head. I go on
:19:03. > :19:07.and the second half is the same. You get an early bath. People know
:19:08. > :19:09.they're not going to have a real jarring morality or language thing,
:19:10. > :19:18.we both use the same language and same ideas. It's a nice balance.
:19:19. > :19:19.It's terrific. It starts this Saturday and runs until next March.
:19:20. > :19:24.On and off. If you've ever wondered what 60s
:19:25. > :19:26.music legends PJ Proby, The Searchers and Gary Puckett
:19:27. > :19:29.and The Union Gap are up to now... Every man knows that as he gets
:19:30. > :19:36.older, he might need to tone down Unless, of course, you're
:19:37. > :19:42.a veteran rock 'n' roll star Your audience will always
:19:43. > :19:48.have a picture of you in their minds in your 20s, usually with long,
:19:49. > :19:50.flowing locks, maybe Its stars are from the decade
:19:51. > :20:02.that changed the world. And they have the hair
:20:03. > :20:06.to go with it. The question is, do the icons
:20:07. > :20:09.of the '60s still have what it takes First up is one of the stars
:20:10. > :20:20.of the tour, Gary Puckett. When he had a monster
:20:21. > :20:23.hit with Young Girl, So, the '60s were always known
:20:24. > :20:30.as quite a wild time. The word "wild" always elicits drugs
:20:31. > :20:42.and, you know, orgies and things. And we weren't really a drug or orgy
:20:43. > :20:45.band, as such. And all these years later,
:20:46. > :20:48.he's still the sensible face The truth is, I love the people
:20:49. > :20:54.and I love the music. But I also get up in the morning
:20:55. > :20:57.knowing that I have a family to support and a daughter in medical
:20:58. > :21:02.school and things like that. Waiting backstage is John McNally,
:21:03. > :21:16.singer and guitarist in The Searchers, who topped the UK
:21:17. > :21:20.charts in 1963 and '64. In the '60s a lot of people
:21:21. > :21:25.were growing their hair But you guys never really
:21:26. > :21:29.went that way. We liked Cliff and The Shadows
:21:30. > :21:36.and they liked all And we thought, well,
:21:37. > :21:39.we should get suits. And that's been our
:21:40. > :21:42.image ever since. But surely they went
:21:43. > :21:45.a little bit wild? The first few days,
:21:46. > :21:48.until the novelty wore off. And then, once you started touring,
:21:49. > :21:51.overnight trips and buses All the lads getting
:21:52. > :21:57.half cut all the time. Ladies and gentlemen,
:21:58. > :22:04.will you please welcome Superb.
:22:05. > :22:12.Saves me a few bob. # Sweets for my sweet,
:22:13. > :22:19.sugar for my honey... Gary and John have survived the rock
:22:20. > :22:22.'n' roll years pretty unscathed. But not everyone
:22:23. > :22:23.was as level-headed. So my next call is with a man who
:22:24. > :22:27.drained the 1960s to its last drop. When PJ Proby arrived
:22:28. > :22:34.in the UK from Texas in 1964, People had never seen
:22:35. > :22:37.anything like him. Today, he is a bequiffed
:22:38. > :22:44.77-year-old who is still very When did you last have
:22:45. > :22:49.it cut? PJ had 11 hits in the UK
:22:50. > :23:01.but is perhaps best remembered for something that happened one
:23:02. > :23:03.night in Croydon in 1965. My pants split onstage
:23:04. > :23:06.and Mary Whitehouse, who had this thing called
:23:07. > :23:11.the Morals Committee, went to town on me and had me banned
:23:12. > :23:14.from all theatres. But now he's back, and so is his
:23:15. > :23:17.ponytail, which today comes That is about four or five months
:23:18. > :23:25.old. How long can you keep
:23:26. > :23:35.doing this for, I'll dance right into a big
:23:36. > :23:41.old hole in the ground! The three men I've met today
:23:42. > :23:47.have a combined age of 225 But I think the one thing
:23:48. > :23:51.they all have in common which keeps them looking so youthful
:23:52. > :24:07.is rock 'n' roll. That was like a trip down memory
:24:08. > :24:13.lane for you, Jasper. I am afraid so, yeah. We agree that ?3,000 for
:24:14. > :24:18.that ponytail seems a bit steep. I'd use it!
:24:19. > :24:22.We did have a look through the archives at lots of wonderful
:24:23. > :24:27.photos. And then we thought, you know what, instead of showing a
:24:28. > :24:33.picture shall we go back to 1978 and relive one of your early big shows,
:24:34. > :24:37.let's have a look. Oh, no! I have always been pretty good on the
:24:38. > :24:43.guitar. LAUGHTER
:24:44. > :24:48.I was a child prod... I was clever as a kid. We used to practise for
:24:49. > :24:53.hours and the neighbours used to keep throwing bricks through the
:24:54. > :25:00.windows so they could hear better. Lovely hair. Seems like yesterday!
:25:01. > :25:03.Where are you now with new material and how does that fit into your
:25:04. > :25:07.world of comedy now? Well, from previous times on the show, I mean,
:25:08. > :25:12.I have sort of rediscovered stand-up over the last couple of years. I
:25:13. > :25:15.have been writing new stuff and of course there's so many comedians out
:25:16. > :25:22.there it's difficult to get something for yourself. I talk about
:25:23. > :25:27.getting old. They can't do because they're all foetuses. I am
:25:28. > :25:31.concentrating on that. And of course what is interesting working with
:25:32. > :25:34.alist certificate that he brings a younger audience in so it's
:25:35. > :25:39.interesting that we appeal to each other's audience. Of course he
:25:40. > :25:46.works, they're all 25 and under and they don't watch you because they've
:25:47. > :25:52.all got iPhones and watching you live and, it's terrific to be back.
:25:53. > :25:56.So, I am working on - I used to do a popular u routine about car
:25:57. > :25:59.insurance claim form statements, I don't know if you remember, what
:26:00. > :26:04.people write on forms. I drove out of my drive straight into a bus at
:26:05. > :26:08.7.00am. The bus was five minutes early. I had been researching all
:26:09. > :26:13.the new ones, I won't do any because I am still collecting them. It's a
:26:14. > :26:18.fascinating journey of rewriting because I have always said, I always
:26:19. > :26:22.write about who I am, what I am and where I am so that always changes so
:26:23. > :26:26.the material changes. I have not enjoyed myself on stage this much
:26:27. > :26:31.ever. It's brilliant. Because you have this new tour and because
:26:32. > :26:35.Alistair you have a few new impressions which we might have time
:26:36. > :26:41.before we go. We are going to do a quick game. Lovely people
:26:42. > :26:45.volunteered a few impressions. Here is clip one. This time next year we
:26:46. > :26:50.will be millionaires, Rodney. Yes, we have the voice of one celebrity
:26:51. > :27:00.and a catchphrase of the other. I think it's Del Boy and Citizen Khan.
:27:01. > :27:05.Nearly. Arnold Schwarzenegger... Let's move on to the next one. Here
:27:06. > :27:11.we go. You are the weakest link, goodbye!
:27:12. > :27:18.Anne Robinson's catchphrase, but who was she doing? I don't know. Arnie.
:27:19. > :27:25.Arnie again? I reckon so. It is a male. Somebody from New York. Don't
:27:26. > :27:31.know who that was. Robert de Niro. The last one very quickly. I have a
:27:32. > :27:39.feeling we're not in Kansas any more!
:27:40. > :27:44.Michael Caine doing Judy Garland. Correct. We have got time for just a
:27:45. > :27:48.few of your brand new ones. Please do some of the cast from Gogglebox.
:27:49. > :27:55.I am working on them, they're not perfected yet. Sandy and Sandra, all
:27:56. > :28:02.I can do is... Love Sandra! What's that all about! That's all I can do
:28:03. > :28:05.so far? Gyles and Mary. Oh, Mary, I don't know what's going on there.
:28:06. > :28:09.Can I have another grape, Mary, please. Do you think I sound like
:28:10. > :28:14.Alan Bennett without a Yorkshire accent? I do. Steven and Chris in
:28:15. > :28:17.Brighton. Yeah, what's all this about then. I don't know. Do you
:28:18. > :28:22.know? No, I have never seen it. No, I haven't. I don't even know which
:28:23. > :28:33.of us is doing any more. Do you know? No, nor do I. Leon. I love The
:28:34. > :28:34.One Show, June. They did us, do you remember. That's all we have time
:28:35. > :28:39.for tonight. Their tour, An Evening Shared with
:28:40. > :28:43.Jasper Carrot and Alistair McGowan, starts this Saturday and runs
:28:44. > :28:45.until March next year. We'll be back tomorrow
:28:46. > :28:48.when we'll be talking to the stars of Inferno -
:28:49. > :28:50.Tom Hanks, Felicity Jones and And, Gregory Porter will
:28:51. > :28:57.be performing.