:01:19. > :01:22.Let's welcome Gary Barlow! How does it make you feel? Not nice.
:01:22. > :01:28.The problem is, you are in a big bubble and things are just
:01:28. > :01:32.happening in front of you. That is my only excuse. The pantomime is
:01:32. > :01:36.back, the biggest pantomime on television. Somebody has left, they
:01:36. > :01:40.have been replaced by somebody else, it was on the front page of the
:01:40. > :01:44.paper, you are part of the pantomime. How does it feel to be
:01:44. > :01:49.part of the whole thing? I have always been a big fan but being a
:01:49. > :01:53.part of it is pretty exciting. You do get caught up in it. No matter
:01:53. > :01:58.where you go, people want to give Liu Song choices, tell you what
:01:58. > :02:04.they think of the Act, it is constantly your life -- give you
:02:04. > :02:10.sans choices. Simon is constantly a villain, what have you cast
:02:10. > :02:14.yourself as? I don't know. I am trying to be honest, say what I see.
:02:14. > :02:23.Sometimes I get it right and sometimes, I get it a little bit
:02:23. > :02:31.wrong. It is compelling, as always. At 6am this morning, Matt Baker hop
:02:31. > :02:39.on his rickshaw to start his journey from Edinburgh to London.
:02:39. > :02:49.Day one is almost over. He is just about still going. We hope. There
:02:49. > :02:57.
:02:57. > :03:04.he is. Come on. Well done! A round of applause, everyone! I don't know
:03:04. > :03:09.if he can here house? Has today been -- if he can here ask? Has
:03:10. > :03:14.today been the hardest? I don't know if you are asking me questions
:03:14. > :03:19.but it has been incredible. This has been the story of the whole day.
:03:19. > :03:27.There were people out cheering us, all away, everyone has been coming
:03:27. > :03:32.out. -- all the way. We had a little collection as we went. I'm
:03:32. > :03:41.talking about coins. You'll never believe how much money we have
:03:41. > :03:47.raced in coins. �1,000 in coins. It is unbelievable. It has been a
:03:47. > :03:52.fantastic experience. It has been pretty tough. It is the wind, I did
:03:52. > :03:56.not expect the wind, I knew about the revolutions, going up the hills.
:03:56. > :04:03.When you hit the weather, it is like a wall. It has been superb.
:04:03. > :04:06.This is the story of what happened until lunchtime today.
:04:06. > :04:12.Despite the dark and chilly temperature, crowds turned up to
:04:12. > :04:21.wave him off at 6 o'clock am from outside Edinburgh Castle, with
:04:21. > :04:31.Pudsey in tow. Goodbye, Edinburgh, see you later! I feel like I am in
:04:31. > :04:32.
:04:32. > :04:36.the Tour de France. Just over a mile down, 483 to go. By mid-
:04:36. > :04:42.morning, Matt was out of the city and enjoying what he loves best,
:04:42. > :04:48.the countryside. Look at this, it is wonderful. And spurred on by the
:04:48. > :04:55.first of many offers for support. But only 30 miles in, his trainer
:04:56. > :04:59.was having serious concerns. Got a little bit of pain from right leg.
:04:59. > :05:06.Matt's determination did not desert him for long and after physio, he
:05:06. > :05:11.was soon back on track. The wind here, I am trying to make myself as
:05:11. > :05:16.aerodynamic as possible. We have hit a patch where we have dropped
:05:16. > :05:19.to about four miles an hour. By 11 o'clock, Pudsey took a breather to
:05:19. > :05:26.give Matt a chance to get up his first major hill, and it was a real
:05:26. > :05:33.challenge. This is relentless. The more you paddle, you actually don't
:05:33. > :05:38.go any faster. -- pedal. This is definitely the worst bits so far.
:05:38. > :05:48.It is just grim. Coming through this valley, the wind is blowing
:05:48. > :05:53.
:05:53. > :05:57.achoo. I am just... I don't know. Just turning my legs, really.
:05:58. > :06:05.when things got really desperate, but people had gathered to give
:06:05. > :06:15.Match Of The Day 2 the Scottish welcome he needed. -- to give Matt
:06:15. > :06:20.
:06:20. > :06:24.the Scottish rock and he needed. -- Scottish welcome. I have had a rest
:06:24. > :06:29.and a meat pie and now I have a piper in the back, things don't get
:06:29. > :06:37.much better. Hello, a brass band and everything! Yes, I love it!
:06:37. > :06:47.Well done, Matt, an amazing effort. We will let you catch your breath
:06:47. > :06:59.
:06:59. > :07:04.and talk to you more in a bit. You can donate without texting:
:07:04. > :07:09.send a cheque to the address on the bottom of the screen. Gary will not
:07:09. > :07:13.be donning a pair of cycling shorts. I have done that, that was a few
:07:13. > :07:20.years ago. You are doing your bit for Children In Need this year.
:07:20. > :07:24.Tell us about Children In Need rocks. Next Thursday, live on BBC
:07:25. > :07:29.One at 8 o'clock, it is the second time we have done this. We did it
:07:29. > :07:34.in 2009 at the Albert Hall, now we are taking it out of London, we are
:07:34. > :07:39.going up north to Manchester. We have an amazing bill. It will be
:07:39. > :07:48.two hours of pure music, entertainment, all kinds of acts.
:07:48. > :07:52.I did it last time as well. I think it is important that we rally
:07:52. > :07:55.around, the people in music rally around and talk to each other. As
:07:56. > :08:00.usual, people have been giving their time and their effort,
:08:00. > :08:05.everyone has been so lovely about it, we will have a lovely night.
:08:05. > :08:15.Did everyone say yes? Or do we need to shout at any one question
:08:15. > :08:20.
:08:20. > :08:26.Lady Gaga is on. We have got Coldplay. Jesse J, elbow, but
:08:26. > :08:30.chilly, Michael Buble. It is a pretty good line-up. You are
:08:30. > :08:36.performing as well. I am going to be snicking a song in there. You
:08:36. > :08:41.can't get rid of me! You are in charge of the Children In Need
:08:41. > :08:47.single. I have been involved in it. This is the collective, this track
:08:47. > :08:52.is called the teardrop and it is the official single. It is a great
:08:52. > :08:57.week and it makes you proud to be British. It has been going for 27
:08:57. > :09:04.years. Tulisa is one of the artists. She is the lead singer. We are very
:09:04. > :09:09.excited. Released on Sunday night. How about you and Twitter, you are
:09:09. > :09:13.on their now. I have had to be on there. At the beginning of X Factor,
:09:13. > :09:19.they said you have to join Twitter because the other judges have it
:09:19. > :09:23.and it will give them an unfair advantage. I can see what is coming.
:09:23. > :09:27.This is what you put on their, pictures of you having a cup of tea
:09:27. > :09:31.in various marques. People say the fans are interested in what you are
:09:31. > :09:37.doing so I usually start every morning with a cup of tea, and I
:09:37. > :09:45.have got a few mugs. You have one sales of its of things. One says,
:09:45. > :09:55.my life -- my wife is lucky. -- you have got them saying all sorts of
:09:55. > :09:56.
:09:56. > :10:00.things. This one is going to be perfect. We want this on the desk.
:10:00. > :10:04.You are doing very well on there. But my friend Jason is on there and
:10:04. > :10:14.I want him to win. You can't say that now, you are on the one show.
:10:14. > :10:17.
:10:17. > :10:26.I watch X Factor back on a Sunday morning and I also watch Strictly.
:10:26. > :10:32.Now that Leuluai has gone, I am This is quite important, how many
:10:32. > :10:39.people are in take that as we speak? Thank you for that one, I
:10:39. > :10:47.didn't see that on the script. We had an honest... We are looking for
:10:47. > :10:51.a number. I would say four. Which one is not there? Robbie is doing a
:10:51. > :10:56.solo album next year. He is in and out. There was a reason for that,
:10:56. > :11:02.not just to get that out of you. As far as one a little girl was
:11:02. > :11:12.concerned, her dad was the six member of Take That for a while. --
:11:12. > :11:15.
:11:15. > :11:20.A Million Love Songs was the 6th single to be released from Take
:11:20. > :11:23.That's debut album, Take That And Party in 1992. They had yet to
:11:23. > :11:31.become the chart-topping megastars they were said to be, but the
:11:31. > :11:36.single peaked at number seven and was their second top 10 hit.
:11:36. > :11:40.# Le Million Love songs later. But the song was destined to sign -
:11:40. > :11:50.- find a place in people's hearts, in no little part to the saxophone
:11:50. > :11:50.
:11:50. > :11:55.riffs that makes it so distinctive. In 1990, manager Nigel Martin-Smith
:11:55. > :12:00.decided to form a British group who could rival the success of New Kids
:12:00. > :12:07.On the Block. Gary Barlow's songwriting abilities quickly won
:12:07. > :12:11.him a place in the group and soon, four more members were found. Their
:12:11. > :12:15.music producer, Ian Levine, was looking for a romantic sound that
:12:15. > :12:21.would complement the sentimental song. He turned to jazz saxophonist
:12:21. > :12:26.Snake Davis. How did you get to work with Take That? I didn't
:12:26. > :12:30.realise I was getting involved with them, really. It was one take, a
:12:30. > :12:39.quick listen to the backing track, headphones on, playgroup and record
:12:39. > :12:44.and off you go. -- play and record. I'm pretty sure it was a one take
:12:44. > :12:48.thing. Just literally played it wants. I remember asking if I could
:12:48. > :12:54.perhaps go in again and replace a couple of things. There is one out
:12:54. > :13:04.of tune note in there, just before Gary comes in. Don't tell us where
:13:04. > :13:06.
:13:07. > :13:13.How did they present the song live? When I first saw it on TV, there
:13:14. > :13:19.was an impostor, a stand-in, minding my part. But then you got
:13:19. > :13:23.to play with the band? I got in touch, I said, it was my solo and
:13:23. > :13:33.if there is a chance, do you think I could come and do the TVs, and
:13:33. > :13:46.
:13:46. > :13:54.they said, yeah. So then I took That first album went double
:13:54. > :13:58.platinum, are you now minted? worked it out when it got so famous,
:13:58. > :14:05.a got a couple of hundred quid for the session, which works out about
:14:06. > :14:10.17 or 18 quid for a million love songs. How do you feel about the
:14:10. > :14:15.song? I am more proud than ever of my involvement, it is lovely that
:14:15. > :14:20.it has become so big and they have become so big. It is great when
:14:20. > :14:24.things get a second life. My daughter is 16, she sent me a text
:14:24. > :14:29.and said, it is so beautiful, what you played. I have listened to that
:14:30. > :14:39.20 times. I thought, that is it. That meant more than anything to me,
:14:40. > :14:40.
:14:40. > :14:45.really. In 2010, and Million Love songs was voted the greatest love
:14:45. > :14:50.song ever, and continues to play a key part in the band's live acts is
:14:50. > :14:55.they reformed in 2005. Snake has gone on to make his mark as a solo
:14:55. > :15:05.artist but the ref that sets the track a blaze will always be his,
:15:05. > :15:08.
:15:08. > :15:13.Is it right that you wrote that song when you were 15? Yes. I get
:15:13. > :15:23.loads of people have danced to that at their weddings. It was lovely to
:15:23. > :15:23.
:15:23. > :15:32.see that, great. You have a DVD out. Yes, Progress Live. Let's have a
:15:32. > :15:39.look. We are at the highest point we can be. It feels good, strong.
:15:39. > :15:43.It has ranged from brilliant, to religious, to life defining. That
:15:43. > :15:47.was Mark, saying we are at the highest point possible. So you get
:15:47. > :15:52.to the highest point and a new packet in for a couple of years.
:15:52. > :15:56.What is going on? We have not packed it in. You're not doing
:15:56. > :16:04.anything for a while will stop up the last five years have been
:16:04. > :16:07.insane, so we are having a year off. Has it been five years already for
:16:07. > :16:15.the? All of the girls at home will be wanting to know if you will be
:16:15. > :16:21.back. Another tour, another album? Hopefully both. You are writing for
:16:21. > :16:26.Robbie. How does that work? Does he pay? He says he is going to, but he
:16:26. > :16:32.does not. I have been doing it for fun. I do not know how the album
:16:32. > :16:37.will turn out, but we have fun writing together. Looking at the X
:16:37. > :16:44.Factor, Simon Cowell signs the cheques there. I have not had a
:16:44. > :16:49.boss for years! Does he ring you up and tell you what to say? No, he is
:16:49. > :16:55.a great motivator. He is a good driver for things to be better all
:16:56. > :17:01.the time, as am I. I love talking with him. How often do you get
:17:01. > :17:06.phone calls from him? Every couple of weeks, a text here or there.
:17:06. > :17:10.Give us a typical text. A couple of weeks ago I did something with
:17:10. > :17:17.Frankie when he walked in through the crowd and I got a text, job
:17:18. > :17:23.done, well done. Tell us about the other ones! Job not done? Never
:17:23. > :17:28.like that. Always stuff to make it better. When they offer you the job,
:17:28. > :17:31.how long did it take before you decided to do it? Was said to the
:17:31. > :17:36.producers when they offered me the job, listen, I would love to say
:17:36. > :17:41.yes but I have to ask the real head judge, my wife. So I went home and
:17:42. > :17:48.checked it with her. We asked the kids and they were cool, so we said
:17:48. > :17:52.yes. Did you discuss it with your mum? She is the biggest X Factor
:17:52. > :17:59.Pham. To her, it is the first thing I have ever done that has been good
:17:59. > :18:09.in my career. She comes to the show a lot. You have got your boys here
:18:09. > :18:10.
:18:10. > :18:14.tonight. A round of applause. awkward, Marcus and Craig.
:18:15. > :18:21.cannot ask me. That is not my job. The audience choose. If you could
:18:21. > :18:30.vote off one of the judges, who would it be? Let me think. Louis
:18:30. > :18:37.Walsh. The I am not playing to the cameras, I am being honest. Back in
:18:37. > :18:45.your cage, Lily. I swear, he is still not talking to me. Does that
:18:45. > :18:49.bother you? No. How much of it is for the cameras? When we were doing
:18:49. > :18:54.the auditions, the producers would ask for more disagreement, but at
:18:54. > :19:01.this point it is totally real. obviously enjoying it. Could you
:19:01. > :19:05.say whether you will do next year? I could not say, because we still
:19:05. > :19:10.have five weeks to go but at this present time, I think I would do it
:19:10. > :19:15.again. Good luck with your boys. Gary might be searching for the
:19:15. > :19:22.next pop star but we are looking for the next big thing in trifle.
:19:22. > :19:27.We are very excited. My favourite. If you have your recipes made it to
:19:27. > :19:33.boot camp and the final three reached Jay's house. We had to hire
:19:33. > :19:38.a kitchen because his house was a bit messy. Is there anything more
:19:38. > :19:42.British and comforting than a big, boozy, creamy trifle? We are on the
:19:42. > :19:46.hunt for the best One Show trifle. We have sifted the applications
:19:46. > :19:53.looking for skill and originality, and it is down to three finalists
:19:53. > :19:59.who reckon theirs is the best. Jean, Menna and Emily have got this far.
:19:59. > :20:04.Now they have to impress me and my fellow judge, chef Angela Gray.
:20:04. > :20:10.Angela, what are you looking for? Lots of layers of delicious sweet
:20:10. > :20:17.things. The right texture, not to gelatinous. Basically makes me want
:20:17. > :20:22.to go back for more. Julie in, or jelly out? I have a foot in both
:20:22. > :20:24.camps. I grew up with the jelly in the trifle and custard and
:20:25. > :20:31.everything and hundreds and thousands. It is really about what
:20:31. > :20:38.you like, and done really well. Come let's get down to it. First
:20:38. > :20:43.contestant, Emily, is following her grandmother's Traditional recipe.
:20:43. > :20:48.Not just one layer of jelly, but two. It stops the cake at the
:20:48. > :20:52.bottom floating into the fruit. It is in different sections. It is
:20:52. > :20:57.like building the pyramids. It is how it has always been done and we
:20:57. > :21:04.like the way it looks. Our second finalist, Menna, is the queen of
:21:04. > :21:11.home-made. Lovely. I am pleased with that. She is making it from
:21:11. > :21:19.scratch, a cherry trifle. You are making everything yourself. The
:21:19. > :21:26.sponge, the custard, what about the jam? Home-made jam. And do you make
:21:26. > :21:34.your own yoghurt? I used to. Who do you make the drive for four?
:21:34. > :21:38.children have left home so I feed the neighbours. Jean has been
:21:38. > :21:45.making her recipe for 30 years, a trifle of convenience, with shop-
:21:45. > :21:50.bought custard and jam. I did put sherry in, didn't I? You did.
:21:50. > :21:59.could put some more end. It is up to you. I think we will just leave
:21:59. > :22:05.it be. OK. This trifle does have a twist, biscuit and a crunchy almond
:22:05. > :22:11.topping. As well as the juice, bits of the fruit are going in as well.
:22:11. > :22:19.Yes, one of the five a day. It is healthy now. If only we could all
:22:19. > :22:24.of us get our five a day from trifle.
:22:24. > :22:28.They are ready, time for the judging. Starting with Emily's,
:22:28. > :22:35.that has a retro look. What is striking is that it is not over
:22:35. > :22:40.sweet. The texture is really nice, too. This bunch is a little bit
:22:40. > :22:45.loose for my liking, disappearing slightly. For this bunch. There are
:22:45. > :22:50.places where a tinned fruit salad is welcome, and this is one of them.
:22:50. > :22:54.This time, we are going for Jean's store cupboard trifle. I like the
:22:54. > :23:03.texture at the bottom which brings something. Enough fruit? It could
:23:03. > :23:07.have done with a bit more. Menna's sherry trifle. The booze kicks in.
:23:07. > :23:15.I love the cherries and the sweetness that comes from the white
:23:15. > :23:19.chocolate. Nothing is over done. You have made three amazing trifles.
:23:19. > :23:24.We both seriously enjoyed chomping through all three of them. Thank
:23:24. > :23:34.you for an enormous effort. The thing is, there has to be a winner.
:23:34. > :23:48.
:23:48. > :23:53.And there will areas... -- the Round of applause. The Menna, the
:23:53. > :23:56.One Show trifle champion. Good evening and welcome to the
:23:56. > :24:01.programme. There is another challenge, because you are going
:24:01. > :24:05.head-to-head with top chef Henry. Henry, there is a lot of snobbery
:24:05. > :24:12.regarding having trifle on the menu in restaurants. There should not be.
:24:12. > :24:17.It is a great pudding but should be done properly. Henry is from Racine
:24:17. > :24:22.restaurant in Knightsbridge. Do you have just one trifle on the menu?
:24:22. > :24:29.Soft fruit in the summer and in the winter we bring in prunes. What is
:24:29. > :24:36.your secret? You got the recipe from your mum. Yes, it is my mum's
:24:36. > :24:41.old recipe. I am keeping the secret to myself. Thanks very much! You
:24:41. > :24:43.took the base from your mum and you have brought it into the 21st
:24:43. > :24:52.century. You have already won your trophy, because you are the
:24:52. > :25:00.favourites. There is your trifle Champions Trophy. I should have got
:25:00. > :25:08.Gary to present it. You can hold it. Later we were asked the audience to
:25:08. > :25:18.compare your trifles. We are rooting for you. Can I root for him
:25:18. > :25:19.
:25:19. > :25:29.because he is on his own. All right. Audience, who preferred try for a.
:25:29. > :25:37.
:25:37. > :25:44.-- trifle. What about the second? I just love trifle, and there is
:25:44. > :25:54.beautiful things in both of these, but I am going for the second.
:25:54. > :25:59.
:25:59. > :26:08.I am quite jealous. Nobody knows which is which. It is really tough,
:26:08. > :26:18.but there is a definite winner for me. The second. Whose was that? And
:26:18. > :26:22.
:26:22. > :26:26.what else have we got for them to win? The winner is, Menna's. If you
:26:26. > :26:31.get to keep the prize. Henry, I am sure yours was very good. We have
:26:31. > :26:37.not been allowed to taste. The good news is that both recipes are on
:26:37. > :26:44.the website. After hours riding, Matt has had a chance for a rub-
:26:44. > :26:48.down and one or two people have turned up to welcome him.
:26:48. > :26:52.I am eating chips. This is what it is all about, eating what I like.
:26:52. > :26:58.To be honest, I have just been stretching and I am a bit light-
:26:58. > :27:04.headed. Please pardon my head gear, but it is proper cycling staff.
:27:04. > :27:10.This is a massive rugby town, and you are from the High School. What
:27:10. > :27:15.position do you play? Anything in the scrum, pretty much. I like the
:27:15. > :27:20.way you are wearing your cycling helmets. Thank you for your support.
:27:20. > :27:28.They are celebrating one had -- 100 years of opera here. This lady
:27:28. > :27:37.looks like she knows the secret to the good trifle. Lots of sherry.
:27:37. > :27:46.have more of the rugby boys here. And this is the saxophone or
:27:46. > :27:51.armband. Listen, do you recognise Very appropriate for a brass band.
:27:51. > :27:55.It is a bit like Children In Need, because I keep collecting cheques
:27:55. > :28:02.from a cycling club here. You live in a very hilly part of Britain.
:28:02. > :28:06.Why do you live here? Because it is lovely. Very hard roads. I have
:28:06. > :28:11.more to come tomorrow because I am heading over to the Scottish and
:28:11. > :28:18.English border, and then I am going down to Bellingham, about 42 miles,
:28:18. > :28:26.and then hopefully arriving at Hexham in time for the show. That
:28:26. > :28:30.is 59 miles. It is a hard route tomorrow for you. The first 15
:28:30. > :28:34.miles is mountainous. Brilliant! I am really looking forward to that!
:28:34. > :28:42.I might just get my head down. I don't know whether I will see the
:28:42. > :28:50.rest of the show. Goodbye. We will see him on Monday. Thank you for