:00:19. > :00:27.Hello and Welcome to your Wednesday One Show with Alex Jones... And Matt
:00:28. > :00:31.Baker. And on the day we celebrate 25 years of the World Wide Web
:00:32. > :00:40.please welcome, with 172,000 results on Google, Olympic skeleton
:00:41. > :00:49.champion, Amy Williams. With 551,000, the comedian from County,
:00:50. > :00:53.Down Patrick Kielty! And proving that "everyone loves a good old
:00:54. > :00:54.fashioned villain" with pushing 3.5 million hits, its Moriaty himself -
:00:55. > :01:34.Andrew Scott! a lot of search results. Do you
:01:35. > :01:39.Google yourself? The Sherlock fan base has a very active imagination,
:01:40. > :01:51.I try to avoid it. But everybody googles themselves. Do you Google
:01:52. > :01:57.yourself, Patrick? No, I don't. How have you marked 25 years of the
:01:58. > :02:08.World Wide Web? I have been working very hard today, it has been Homes
:02:09. > :02:16.Under The Hammer followed by Loose Women. Have you heard of
:02:17. > :02:23.bullet-proof Coffey? What? Bullet-proof Coffey, is what you are
:02:24. > :02:32.supposed to drink. Have you heard of this, Amy? I have never heard of it.
:02:33. > :02:41.It is what I am drinking now, it is performance coffee. Let's change the
:02:42. > :02:51.subject. Andrew's new film is called The Stag. It is about a stag do in
:02:52. > :02:55.Ireland. And to celebrate, we are throwing our very own one here? Yes,
:02:56. > :03:05.we have invited a stag party along to the programme. Toby, the groom,
:03:06. > :03:13.give us the way. Are you easily embarrassed? Yes. Enjoy yourself.
:03:14. > :03:19.What ever happens, it is going to be fun. Robbie is your best man. He
:03:20. > :03:27.will be looking out the you as we go. You have got a real stag do
:03:28. > :03:34.plans, but have you organised his outfits yet? No, not at all. Just as
:03:35. > :03:39.well. It is in the Brecon Beacons, it is an outdoor theme, which is
:03:40. > :03:49.amazing because it ties in with your film. Tonight, we have a series of
:03:50. > :03:58.challenges for you. If you do well you can go dressed like me to the
:03:59. > :04:05.Brecon Beacons. It is practical. Very stylish. But if he fails to
:04:06. > :04:15.impress, we will dress him up as me! What do you think of that one,
:04:16. > :04:21.Toby? I am going to win. We wouldn't want to do anything his future wife
:04:22. > :04:32.didn't approve of, so let's ask now because she watching along at home.
:04:33. > :04:38.Introduce your friend. This is Charlene, the best man's
:04:39. > :04:47.girlfriend. Which outfit do you want to see Toby in? Yours. We will catch
:04:48. > :04:56.up with you later. We want you to get in touch with your photos of
:04:57. > :04:59.your embarrassed looking stags. Send them to the usual address and we
:05:00. > :05:05.will look later at night. Jets from a US airbase in Suffolk have formed
:05:06. > :05:09.NATO's response to the crisis in the Ukraine. It's a reminder that
:05:10. > :05:12.American military have had a presence here since the Second World
:05:13. > :05:16.War. But with the US changing its foreign policy and making big cuts
:05:17. > :05:18.to its air force the future of its bases here is being questioned.
:05:19. > :05:25.Here's Anita. In a quiet corner of Suffolk, there
:05:26. > :05:38.is a place that is unexpectedly American. This is RAF Lakenheath. It
:05:39. > :05:44.is a US air force base in Suffolk which has been here for over 70
:05:45. > :05:49.years and I have been given a rare opportunity to hang out with the
:05:50. > :05:56.Americans. RAF Lakenheath is the largest of 12 U.S. Air Force bases
:05:57. > :06:01.in the UK, housing 4500 military personnel and 80 fighter jets and
:06:02. > :06:15.helicopters worth up to ?32 million each! American fighter planes based
:06:16. > :06:20.in England. In 1944, the Americans had 115 aerodromes in East Anglia.
:06:21. > :06:26.Their presence continued because after the end of World War II, we
:06:27. > :06:33.entered the Cold War. It was felt we needed the support of the US forces.
:06:34. > :06:38.As the U.S. Air Force is reducing its global staff by 25,000 members
:06:39. > :06:44.in the next five years, the future size of the base is up in the air.
:06:45. > :06:47.Air combat is what makes this base tick, but there is a different side,
:06:48. > :06:52.with American schools, dollars and traffic rules, it is like a slice of
:06:53. > :07:01.America in East Anglia. I am meeting the man in charge Colonel Kyle
:07:02. > :07:07.Robinson. I turned up this morning, jets flying around, why are they in
:07:08. > :07:13.the air? We need to make sure we are proficient that the missions we have
:07:14. > :07:16.to do. The training within the UK is a lot wetter than we get in the rest
:07:17. > :07:22.of Europe. Our ability to fly low at 500 feet to the ground in lots of
:07:23. > :07:29.different areas free of a lot of constraints, is an advantage. We can
:07:30. > :07:34.go supersonic and get a lot of high-end training. If you look at
:07:35. > :07:38.any of the operations that occur in the European theatre, Bosnia and
:07:39. > :07:45.Kosovo, we are very heavily involved because we are here. To get to the
:07:46. > :07:49.Middle East, we are a day closer so we can get there very quickly. The
:07:50. > :07:56.air base is well and truly part of the landscape, changing the lives of
:07:57. > :08:01.the locals. I came here when I was 19, very nervous about leaving home.
:08:02. > :08:06.I met Heidi at that time and fell in love. It has been magical ever
:08:07. > :08:11.since. Lots of the locals mix with the Americans off base and have
:08:12. > :08:17.become good friends. We are used to it, we see American trucks and cars
:08:18. > :08:23.driving around here and nobody thinks anything of it. It is normal.
:08:24. > :08:27.It has economic impact, we probably have $580 million in the local
:08:28. > :08:32.community, both direct the hand indirectly. We employ a lot of
:08:33. > :08:40.people, rent from the communities. What is the future? We don't know.
:08:41. > :08:44.The air force and the United States military is in transition right now.
:08:45. > :08:47.As we have left Iraq and currently Afghanistan, we will hopefully be
:08:48. > :08:54.out of their by the end of this year, we will look at our strategic
:08:55. > :09:01.priorities. When you go back to the US, what will you take back with
:09:02. > :09:09.you? We like a lot of the things around here. I have to say, your
:09:10. > :09:15.stag photos have crashed the system, so many coming in at the moment. We
:09:16. > :09:19.will talk about Sherlock later on, and I know lots of people will want
:09:20. > :09:25.to hear from you, but let's talk about your film, The Stag. It is
:09:26. > :09:37.about a reluctant groom? A group of friends which we would describe as
:09:38. > :09:40.modern, Irish men. Why would they spend their time in exclusively male
:09:41. > :09:47.company? They go on a walking holiday and their stag is
:09:48. > :09:57.infiltrated by a kind of mania. A man called The Machine. He takes it
:09:58. > :10:01.over. Hilarity ensues. This is the groom and you are the best man
:10:02. > :10:13.trying to avoid getting The Machine on The Stag do. This is the brother?
:10:14. > :10:21.Yes. No, no, no. We are doomed. We had to call it off. We can't, there
:10:22. > :10:27.is no exit strategy. The Machine. You have no idea what it is like to
:10:28. > :10:30.spend five minutes with this man on Christmas Eve, let alone up a
:10:31. > :10:36.mountain. He is insane and it is all your fault. Why is it your fault --
:10:37. > :10:47.my fault. You suggested it in the first place. I am at work, I am
:10:48. > :10:54.about to give a lecture. Wonderfully directed because you think it is so
:10:55. > :10:59.intimate. It is funny. People were clapping, we have the double
:11:00. > :11:05.premiere and people were clapping. You have a bit of a cry as well, it
:11:06. > :11:11.is a lovely film. Is Melissa's brother coming? Do you have The
:11:12. > :11:22.Machine on board? OK, we will leave it there. Who is The Machine of you
:11:23. > :11:27.lot? You must be inundated with film offers at the moment, why this one?
:11:28. > :11:36.I wanted to do something that had a lighter tone to it. I wanted to go
:11:37. > :11:43.back to Ireland, I have not worked in Ireland for a while, I am from
:11:44. > :11:47.Dublin. I get to sing a lot. It is a very witty script. Comedy is
:11:48. > :11:52.undervalued and to find something that is genuinely funny without
:11:53. > :11:55.being something that we have all seen before, it is difficult to find
:11:56. > :12:04.a good script like that. It is genuinely, there are characters in
:12:05. > :12:09.it we recognise. It is one men and women alike. It must have been
:12:10. > :12:17.freezing because they are naked through a lot of the film. This was
:12:18. > :12:25.shot in November. How did that go? It was beyond grim. We had a no
:12:26. > :12:35.moaning policy. Yes. We had a great wardrobe crew and we were given a
:12:36. > :12:40.onsie to get into after each scene because it was freezing. But then it
:12:41. > :12:51.became very difficult to put on, so we ended up cutting out holes in
:12:52. > :12:55.blankets. You ended up in Rome on a stag do by accident? I started a
:12:56. > :13:01.stag do in Belfast and number of years ago and we ended up winning
:13:02. > :13:12.7000 on a horse and we woke up in Rome! That sounds like The
:13:13. > :13:18.Handover? It seemed like a good idea at the time. We woke up in the hotel
:13:19. > :13:22.room and there is that awful moment when you are lying there and
:13:23. > :13:27.wondering where you are. And there were two suits hung up with a lack
:13:28. > :13:34.ties so we had definitely planned that we were going. Amy, you cannot
:13:35. > :13:41.top that, but you went on your sister's hen night? There wasn't
:13:42. > :13:47.that much alcohol, but for my sister we organised a cottage in the
:13:48. > :13:54.country in Devon and surprise llama walking. My sister was blindfolded
:13:55. > :13:58.in a car and there was alpaca 's and llamas and she had to guess what
:13:59. > :14:03.they were. So we took them for a walk around the hills and the
:14:04. > :14:08.countryside. They do that in the Brecon Beacons, lads. The Stag is
:14:09. > :14:15.out this Friday and it is a good watch. Andrew, you will be filming
:14:16. > :14:19.about the minor's strike? We have just finished filming it, it is out
:14:20. > :14:24.later in the year. It is a group of gay and lesbian people who formed an
:14:25. > :14:29.alliance with a small Welsh village. It is a true story. It is
:14:30. > :14:36.the power of community and how we help each other. What about the
:14:37. > :14:48.voices of those who grew up with the dispute?
:14:49. > :14:55.My name is Ryan. I was ten years old in 1984 when the strike broke out in
:14:56. > :14:59.March. I remember it quite vividly. One day my dad was going to work as
:15:00. > :15:04.normal, the next day he wasn't going to work. One of the most striking
:15:05. > :15:08.things I remember were the food parcels that came from the
:15:09. > :15:12.distribution centres. They came not only from this country but all
:15:13. > :15:16.around the world. I remember having these weird sausages from Russia. I
:15:17. > :15:21.don't know what they were, but they were nice at the time! When I was a
:15:22. > :15:26.child I used to play in the Street, I had friends in the street. There
:15:27. > :15:32.was one child in particular, we were friends before the strike. His
:15:33. > :15:35.father wasn't on strike so that affected our relationship. We
:15:36. > :15:39.weren't friends during the strike. His house got graffitied with the
:15:40. > :15:43.word scarp. That gives you some sort of strength of feeling at that time,
:15:44. > :15:54.even amongst the children in the community. My name is Louise and I
:15:55. > :16:01.was 11 in 1984. My dad went away to work on the Miners' Strikes with the
:16:02. > :16:09.police. We would miss him, but he would bring these goody bags backs
:16:10. > :16:14.of food that he was given. Mars bars and cans of Coke. We would save all
:16:15. > :16:17.of those up for me and my brother. We would just get excited because we
:16:18. > :16:22.would get all of those by the end of the week. The only time I worried
:16:23. > :16:25.was when I watched it on the TV and the news, because you just presume
:16:26. > :16:29.that your dad is going to be in amongst all the fighting. It was
:16:30. > :16:36.quite scary. Thinking back to it, my dad was just doing his job really.
:16:37. > :16:39.It is not something he'd necessarily want to go and do, but because he
:16:40. > :16:43.was getting paid to do it he just went to go and deal with the
:16:44. > :16:56.strikes. I'm quite proud of him, what he has done now, looking back
:16:57. > :17:03.at the situation. I was about eight during the miners' strike. My dad
:17:04. > :17:06.worked for the NUM, the National union of Mineworkers. Things changed
:17:07. > :17:11.a lot in my house, they got a lot more chaotic and busy. It was an
:17:12. > :17:15.exciting time, there were people arriving and leaving, men with gruff
:17:16. > :17:19.voices, very seriously organising the next activity that they were
:17:20. > :17:27.going to embark on. It seemed like a really exciting time as a child
:17:28. > :17:31.anyway. Leading up to Christmas, my mum had to explain to me that we
:17:32. > :17:34.probably wouldn't be able to have a great deal of presence because she
:17:35. > :17:44.didn't have much money. So I still had only one present on my Christmas
:17:45. > :17:47.list, which was a My Little Pony stable. When I opened it on
:17:48. > :17:51.Christmas Day I was really over the moon. It was the best Christmas
:17:52. > :17:55.ever, considering what was going on at the time. The only time I
:17:56. > :17:59.remember when things changed, it was more tense, was at the end of the
:18:00. > :18:05.strike where we went on the last March for the men to go back to
:18:06. > :18:11.work. It was a really disappointing atmosphere, a sense of failure and
:18:12. > :18:20.that things really changed them. -- then.
:18:21. > :18:27.We were having a chat about it earlier. A week on Friday is the big
:18:28. > :18:31.Sport Relief night. Things have changed up a little bit this year,
:18:32. > :18:36.it's happening down at the Olympic Park. You are a big part of it,
:18:37. > :18:43.Clash of the Titans. Explain to us what this is and who is taking part.
:18:44. > :18:49.Basically, two teams. My team has Seb Coe as the captain, then Greg
:18:50. > :18:54.James, Richard Bacon, Sally Phillips and me and Olly Murs. We have
:18:55. > :19:01.basically all been given different challenges. That's a good team!
:19:02. > :19:06.Different challenges from synchronised swimming, gymnastics,
:19:07. > :19:16.on the Velodrome cycling in the pursuit A what else are we doing?
:19:17. > :19:20.Swimming. Greg James looks like a young Louis Walsh in that picture.
:19:21. > :19:25.That is our team. John Bishop, Freddie Flintoff, Nicola Adams.
:19:26. > :19:33.Nicola is there just for the fight at the end. Nick Grimshaw, Helen
:19:34. > :19:39.Skelton and some slightly chubby man at the end. The idea is this is all
:19:40. > :19:44.happening on the night, the competitions will take place during
:19:45. > :19:51.the live broadcast. Guess. We will be doing the race live on Friday
:19:52. > :19:57.night at the velodrome. It's going to be the first time. This is
:19:58. > :20:06.evidence, this is what the Olympic venues were made for. Was this the
:20:07. > :20:10.first time round? Yes. It's scary, the wall just comes to hit you and
:20:11. > :20:14.you've think you are going to slide off. I was shaking, having to talk
:20:15. > :20:20.to myself going around the corners because I thought the bike was going
:20:21. > :20:25.to slide. I love the little bit Alex is giving us now. You can ride the
:20:26. > :20:36.track on a bike, loves. I'm climbing a mountain! I wouldn't fancy the
:20:37. > :20:44.velodrome. That used to be no brakes on them. I was used to ice. This is
:20:45. > :20:48.wood, you get splinters stuck in you. You've come down a mountain on
:20:49. > :20:58.a tea tray, what are you worried about? ! Where did you get this?
:20:59. > :21:02.I've seen Sally Phillips train, she is training really hard. I've seen
:21:03. > :21:09.Olly Murs train, he was having a lot of chafing. Is this warming up? This
:21:10. > :21:16.is my warm up for the synchronised swimming on land. You've got the
:21:17. > :21:21.five girls around me. When they dive in, they stay completely
:21:22. > :21:24.synchronised. The last scene of Titanic, you know where Leonardo
:21:25. > :21:32.DiCaprio slips off into the sea, that's me in the middle, just
:21:33. > :21:35.looking slightly pitiful! In all seriousness, how competitive are you
:21:36. > :21:41.going to be and how messing around are you going to be? My team will
:21:42. > :21:48.beat his team. We are rubbish, but we're better them. I don't know
:21:49. > :21:56.about that. Seb Coe is a crock. John Bishop is a man of iron. He is a
:21:57. > :22:03.past Sport Relief hero. Your team is pretty strong. Richard Bacon was
:22:04. > :22:10.practising yesterday and the times were pretty good. How are you, Amy?
:22:11. > :22:15.You packed in skeleton because of injury, so how are you finding this?
:22:16. > :22:22.My knees have been struggling to walk today. Yeah, I must say it was
:22:23. > :22:26.hard, cycling was hard on the body generally. Today I'm suffering. My
:22:27. > :22:34.poorer knees are, what are you doing to me? ! We've got another ten
:22:35. > :22:44.days, we could probably work this up into a shambles if we get a shot.
:22:45. > :22:48.You can see Patrick and Amy battle it out for Team Bishop and Team Coe
:22:49. > :22:51.next Friday night at the Queen Elizabeth Olympic Park, live on
:22:52. > :22:59.Sport Relief. It is Clash of the Titans! Let's go outside. Our
:23:00. > :23:11.Stargate is saddled up and Andrew is out there ready to start our very
:23:12. > :23:18.own cycling challenge. This is a high-speed bike race and the stakes
:23:19. > :23:24.are massively high. Toby, are you all right? If you impress as here,
:23:25. > :23:28.you will be one step closer to wearing this as opposed to this.
:23:29. > :23:53.Mind you, it would match the wig. He's standing up! He's not messing
:23:54. > :23:58.around at all. He's got the lead. Patrick is hot on his heels but this
:23:59. > :24:16.is a tight corner. He's blasting all the way! Kielty is down. Poor Emma!
:24:17. > :24:21.Come on, Amy. Congratulations. My word! Patrick! The power you put
:24:22. > :24:31.into those pedals. Melissa, you must be very proud of your man. She is
:24:32. > :24:36.lost for words. Have you done enough to avoid wearing this lovely pink
:24:37. > :24:42.dress? We will tell you later on. Still a few more challenges to go,
:24:43. > :24:45.Toby. Relax for now because we are going to change the subject
:24:46. > :24:47.slightly. Here is Ann Widdecombe visiting a women's centre in
:24:48. > :24:52.Gloucester where convicted criminals are free to come and go. The people
:24:53. > :24:56.who run the centre claim it's a better solution to locking women up
:24:57. > :25:04.in prison, but will Ann be convinced? There are almost 4000
:25:05. > :25:08.women in prison in Britain today. Prison Reform Trust say most of them
:25:09. > :25:13.haven't committed a violent offence and therefore they shouldn't be
:25:14. > :25:17.behind bars at all. Well, I'm a former Prisons Minister and that is
:25:18. > :25:24.not my view. But I'm here today to listen to the argument from the
:25:25. > :25:26.other side. This is the Isis women Centre in Gloucester, where women
:25:27. > :25:33.who have committed offences such as fraud or shoplifting can be sent to
:25:34. > :25:36.instead of to prison. It's called community sentencing. The Prison
:25:37. > :25:40.Reform Trust says this is the most effective and innovative crime
:25:41. > :25:44.cutting schemes in England and Wales. It certainly doesn't look
:25:45. > :25:49.like a penal institution, does it? The front door is unlocked. Tours.
:25:50. > :25:53.The reception has the air of an office, with comfortable seating and
:25:54. > :25:58.a friendly receptionist. Offenders don't even have to stay here. It is
:25:59. > :26:05.a day centre, so every night they go home and sleep in their own beds. It
:26:06. > :26:11.is not like a prison at all. Coming to defend it is Frances Crook, the
:26:12. > :26:15.chief executive of the Howard League for Penal Reform. She is also an old
:26:16. > :26:19.sparring partner of mine, and I think we're about to have another
:26:20. > :26:25.argument. So some lucky woman doesn't get sent to prison, she gets
:26:26. > :26:29.sent here instead. What will she do? It depends on her issues. They can
:26:30. > :26:33.get help to get off drugs, get a job, write a CV. Everything they
:26:34. > :26:39.need to make them responsible citizens and to not commit further
:26:40. > :26:44.crimes, which is what we all want. The statistics are impressive. More
:26:45. > :26:48.than half of women reoffend within a year of leaving prison, whereas only
:26:49. > :26:53.9% reoffend after leaving a place like this. And most of the women
:26:54. > :26:56.here today have finished serving their sentence and have chosen to
:26:57. > :27:02.come back and use the place as a day centre. But there are only 51 of
:27:03. > :27:07.these places across the country, so not every woman gets this as an
:27:08. > :27:11.option. It's a postcode lottery and it's not fair. Some areas have a
:27:12. > :27:18.women's centre, so the courts have that option, and some areas don't.
:27:19. > :27:23.Why just women? NEETs men as well, men do this as well. At the moment
:27:24. > :27:28.thereon. Women are imaginative and creative, we've set up the schemes,
:27:29. > :27:35.women have done it themselves. Don't destroy something that works. Who is
:27:36. > :27:43.proposing destroying it? Every scheme I ever saw worked much better
:27:44. > :27:47.because it was tailored to an individual. You've got 87,000 people
:27:48. > :27:52.in prison and you can't tailor schemes to every single individual.
:27:53. > :27:56.Given that that is so, you are going to have a proportion of people, most
:27:57. > :28:01.of them, going to prison rather than on schemes like this. I don't think
:28:02. > :28:08.you can extrapolate from that that it's the women uniquely who should
:28:09. > :28:12.be going to them. It is walking in and they are my friends, I've done
:28:13. > :28:16.really well and done a lot of courses. I was a mess coming out of
:28:17. > :28:23.prison, I didn't really get over it and was a complete and utter mess.
:28:24. > :28:27.Isis is run by a very uncompromising lady called Rose. Behind us today is
:28:28. > :28:36.an art class going on. What is the to these ladies? It's a self-esteem
:28:37. > :28:39.course. People are making car large as that are about what enhances
:28:40. > :28:42.their self-esteem and what diminishes their self-esteem. That
:28:43. > :28:46.sounds wonderful except I've been watching the art class and they've
:28:47. > :28:53.all just been having huge fun. If you are rape victim of crime, don't
:28:54. > :28:56.you think dash back if you are a victim of crime, don't you think you
:28:57. > :29:01.might want something a little bit more exemplary? Greene what victims
:29:02. > :29:07.want something done so it's not going to happen again, to them or to
:29:08. > :29:11.someone else. OK, so we've had to be debate, what is my conclusion? I've
:29:12. > :29:16.seen nothing to make me change my mind. I think men and women should
:29:17. > :29:22.be treated equally before the justice system, and that justice
:29:23. > :29:26.should be meted out blindfold. I think her stance is quite naive. It
:29:27. > :29:30.can cost up to ?56,000 per annum to keep a woman in prison. There is a
:29:31. > :29:36.robust community sentence such as ours can cost somewhere up to ?3000.
:29:37. > :29:39.I'm disappointed that I wasn't able to convince Ann that centres like
:29:40. > :29:42.this can really change lives and should be a real alternative to
:29:43. > :29:56.custody, so we don't send so many women to prison. 's we are joint by
:29:57. > :30:04.Ann and Vicky Pryce, who has had recent experience in jails, after
:30:05. > :30:09.taking her husband's Chris Huhne's speeding points. Vicky, you and your
:30:10. > :30:15.ex-husband both received the same sentence, but you feel women are
:30:16. > :30:19.treated more harshly, so what evidence do you have to support
:30:20. > :30:25.this? If you look at the film you have just seen, it is much more
:30:26. > :30:30.about whether alternative to prison work or not and maybe we should look
:30:31. > :30:40.at women differently in terms of what we do in sentencing them. What
:30:41. > :30:42.struck me looking that that is Ann's admission that it cuts
:30:43. > :30:48.offending rates substantially. If you just want to -- reduce
:30:49. > :30:57.reoffending, those things work very well. You did say over 50% reoffend,
:30:58. > :31:07.but going through that system, 9% reoffended? I did say I had seen
:31:08. > :31:12.numerous schemes like that during my time as prison minister. Any
:31:13. > :31:16.offender, given a tailored scheme, then it will work. We have 87,000
:31:17. > :31:23.plus prisoners, you cannot give them all tailored schemes, so why
:31:24. > :31:32.uniquely must it be the women? Is it worth having sentences like that for
:31:33. > :31:37.men? I would like to have tailored schemes for most of the individuals
:31:38. > :31:40.in prison. It is not feasible on that sort of scale. I have never
:31:41. > :31:47.denied individual, tailored schemes and will probably work in most
:31:48. > :31:53.cases, but why do we say uniquely it is women. We don't actually say
:31:54. > :32:02.that. There has been some funding for those centres because there was
:32:03. > :32:07.a report which said women go in for very trivial offences and when they
:32:08. > :32:11.come out they reoffend because nothing is done about the cause of
:32:12. > :32:17.their crime, if you like. Very often they were victims before they went
:32:18. > :32:23.to prison. They have a higher reoffending rate than men? They do
:32:24. > :32:31.after they have had a number of offences, then it is very high, it
:32:32. > :32:37.goes up to 90%. But the issue of women, they tend to have more drug
:32:38. > :32:41.problems than men. They tend to have been more sexually abused when they
:32:42. > :32:47.were children, suffered from domestic fire and is, they tend to
:32:48. > :32:53.be suffering from alcohol abuse and have poor parenting skills. The
:32:54. > :32:56.moment you send them to prison, instead of doing something about the
:32:57. > :33:04.issues, you separate them from their children, and putting them in prison
:33:05. > :33:11.costs so much more without any real input at the end than looking at
:33:12. > :33:14.alternatives. You see the special pleading, women have drug use,
:33:15. > :33:27.alcohol use. I was very quiet while you are speaking. This is special
:33:28. > :33:32.pleading. Men, overwhelmingly in prisons, men have come in with a
:33:33. > :33:35.drug act ground, a lot of them are in prison because they have done
:33:36. > :33:42.things under the influence of alcohol. It is not unique for women.
:33:43. > :33:46.You cannot do tailored schemes for everybody, you can do them for some,
:33:47. > :33:52.don't pick out a women and said they are especially deserving. Justice
:33:53. > :33:59.must be impartial. We saw the centre and the statistics say it works, but
:34:00. > :34:03.they were having an arts and crafts session, is there room to feel for
:34:04. > :34:11.the big aims of crime in this instance? I think victims want two
:34:12. > :34:16.things, they want to feel they will be safe in the future so the
:34:17. > :34:19.reoffending rates are important. But victims want to feel their plight
:34:20. > :34:25.has been taken seriously. I think some victims looking and that will
:34:26. > :34:32.think it is an insult. It is a difficult balance. It depends on the
:34:33. > :34:42.victims, we're talking about women who have committed trivial act, like
:34:43. > :34:46.shoplifting. The reality is, you can do it for loads of people but not
:34:47. > :34:49.everyone. I don't think the idea of taking everyone out of prison and
:34:50. > :34:57.putting them in centres like that is the answer. There is no such thing
:34:58. > :35:05.as a victimless crime, we all pay the shoplifting, including the very
:35:06. > :35:12.poor. Thank you, Ann. I know you do take some of Vicky's points. Does
:35:13. > :35:18.she take any of mine? There is a hidden list looking at how many
:35:19. > :35:23.home-grown businesses are faring. 5 million pairs of shared -- shoes and
:35:24. > :35:28.boots are made here and John Sargent has been to see how a brand has come
:35:29. > :35:33.back from the dead. This is Northamptonshire and they
:35:34. > :35:37.have been making shoes in this part of Middle England for centuries. But
:35:38. > :35:43.tradition does not guarantee success. I am visiting a factory
:35:44. > :35:45.that not so long ago was on the brink of closure, now thanks to the
:35:46. > :35:53.vision of one man, it is prospering again. This is in Wollaston and the
:35:54. > :36:00.company was founded in 1881 when five men formed a cooperative called
:36:01. > :36:05.the Northamptonshire and society. The company went from strength to
:36:06. > :36:09.strength and its success contributed to its joint ownership by local
:36:10. > :36:16.people. I started here when I was 16. The factory was in the village
:36:17. > :36:20.and I lived in the village making around 5000 pairs of shoes a week.
:36:21. > :36:26.But the good times did not last. China flooded the market with lower
:36:27. > :36:35.quality but cheaper for wear. And then bad luck. We had two major
:36:36. > :36:43.contracts and one went bust and one drop does. The company that drop
:36:44. > :36:48.them was Doc Martens. The sales slumped and the cooperative was
:36:49. > :36:52.plunged into crisis. Its business model in ruins and losing money hand
:36:53. > :36:58.over fist. The future looked hopeless. Over 100 years of
:36:59. > :37:01.industrial history was about to end. It was active that so many years and
:37:02. > :37:08.then thinking all of the work would be lost, it was awful. We just
:37:09. > :37:12.didn't think we would reworking in the industry again. The factory was
:37:13. > :37:16.about to be sold to a property developer, when at the 11th hour, a
:37:17. > :37:22.knight in armour arrived with a rescue plan. This man used to earn
:37:23. > :37:27.his living selling shoemakers, he had sold his business but wasn't
:37:28. > :37:32.ready to hang up his boots. I had heard they were in trouble and I
:37:33. > :37:41.thought it was a shame for it to go. 1881, a lot of skill here as
:37:42. > :37:44.well. He wrote to the staff offering to buy the business and gave a
:37:45. > :37:52.guarantee of a year's work and expressed confidence in the
:37:53. > :37:56.heritage. I said I won't pay you what a property developer will, but
:37:57. > :38:03.I will pay you a fair price. They said, in three weeks time you could
:38:04. > :38:07.say, in three weeks it isn't working and close it and then sell it to a
:38:08. > :38:13.property developer and make more money. I said, you have to believe
:38:14. > :38:20.me that I won't do that. His offer was accepted, helped by the fact he
:38:21. > :38:25.lived in Wollaston. We knew him from the village, knew what he was like.
:38:26. > :38:29.So we gave him a go. The company changed its business model, no more
:38:30. > :38:36.churning out thousands of the same pair of shoes or boots. Instead, an
:38:37. > :38:42.emphasis on templates which could be customised to suit individual
:38:43. > :38:47.retailers. It different colour, something as simple as the laces,
:38:48. > :38:52.the detail around here. There is a lot of leather types and colours
:38:53. > :38:57.that you can choose. We made 12 players to try the market and if it
:38:58. > :39:02.grows, you can scale up accordingly. The made in Britain is the biggest
:39:03. > :39:06.draw and combined with the flexibility and the minimum order
:39:07. > :39:11.quantity, it is a massive advantage. The people here never regretted
:39:12. > :39:16.allowing the man to take over the company and end over a century of
:39:17. > :39:21.being run as a cooperative. At the time we had a share of the profits,
:39:22. > :39:27.and we don't get that any more, but we would rather have a job. This
:39:28. > :39:33.company has thrived from mass production to the top end of the
:39:34. > :39:39.market. It shows it can survive in Britain again to optimism, hard work
:39:40. > :39:44.and a fair deal of luck. Loads of pictures of your stag parties have
:39:45. > :39:48.come in. We will show you a few now. This is
:39:49. > :39:56.James, he went on the Bristol zombie walk.
:39:57. > :40:01.This is William Taylor, snow white. He is trying to get the seven dwarfs
:40:02. > :40:06.through customs. Amy, look at that for an outfit.
:40:07. > :40:14.Fit for the skeleton. Dale Simons on his way to his stag party in Prague.
:40:15. > :40:21.Let's go onto Sherlock. With Moriarty, there is a picture of
:40:22. > :40:31.you with the suit on. Your fans could name where every piece of
:40:32. > :40:39.clothing came from. Shirt from Spencer Hart. Very good. People are
:40:40. > :40:48.obsessed. That is the shocking thing? Yes, they get involved. Have
:40:49. > :40:54.you been surprised at how impressive -- obsessive some of these fans are?
:40:55. > :41:02.I do avoid those, I don't go anywhere near that stuff because it
:41:03. > :41:07.is terrifying, some of it. There is a great ownership of the show.
:41:08. > :41:10.People have great affection for it from the beginning. It is unusual
:41:11. > :41:16.for a show to have, sometimes it takes a few seasons for it to get
:41:17. > :41:21.going, but people latched onto it very quickly. They know the Sherlock
:41:22. > :41:25.Holmes name anyway. You are the ultimate, modern villain, but
:41:26. > :41:33.sitting with you now, you are very amicable. He looks so nice. As
:41:34. > :41:42.mariachi, what are you channelling because it is so dark and deep? You
:41:43. > :41:48.are going to have to tell them you are an actor! It is a funny question
:41:49. > :41:56.because I did not want to look at any other billion -- villains. I
:41:57. > :42:05.tried to find what ever was dark in me. We all have a bit of a dark
:42:06. > :42:13.side. Let C Moriarty and Sherlock in a battle of wits. This is from the
:42:14. > :42:20.second series of Sherlock. It is going to start very soon, Sherlock.
:42:21. > :42:30.The fall. Don't be scared, falling is just like flying except there is
:42:31. > :42:50.a more permanent destination. Never liked riddles. Learn to, because I
:42:51. > :42:58.go you a fall, Sherlock. I owe you! Andrew, what do you feel and think
:42:59. > :43:04.when you watch that? You just ring, guard! I don't find it very easy to
:43:05. > :43:10.watch that. I don't think many actors do like doing that. There is
:43:11. > :43:14.talk about a complicated bring back of Moriarty, how would you like to
:43:15. > :43:23.see him being brought back Ashton Mark that was very well put! I had
:43:24. > :43:28.not thought about that. Yes you have, Andrew. There are endless
:43:29. > :43:35.possibilities how he can keep dropping in and out? He is not
:43:36. > :43:39.allowed to talk about it. If I were to reveal anything to people, they
:43:40. > :43:45.would be bitterly disappointed. People think they want to know, but
:43:46. > :43:52.they don't. Those who create it have thought long and hard? They have
:43:53. > :44:01.been thinking about it for years. Some plots, it is the very beginning
:44:02. > :44:06.of the show. OK. RU still enjoying yourself, mate? He looks petrified.
:44:07. > :44:17.This is the second challenge. Amy would like to ask you a question.
:44:18. > :44:20.OK, if you are going to take me out on a nice romantic meal, what would
:44:21. > :44:28.you bring with you, where words we go and what would you do with me?
:44:29. > :44:39.And that question to number one, please! Let's see how romantic you
:44:40. > :44:49.are. Landowners. Wednesday night snakebite, and watch some football.
:44:50. > :44:59.?1 50 a pint. I will come. I think we need clarification from Melissa.
:45:00. > :45:07.Is he a real softy at heart? No, he doesn't know what the word romantic
:45:08. > :45:11.is! Later, will he be wearing a Matt Baker inspired outfit to go on his
:45:12. > :45:19.walking stag do? Or will it be a dress similar to mine? The fabric, I
:45:20. > :45:23.can't imagine that on the Brecon Beacons! Here is a man who wasn't
:45:24. > :45:28.afraid of dressing up. It's Elton John, talking about the album and
:45:29. > :45:31.the costumes that made him famous. Elton John and Bernie Taupin have
:45:32. > :45:36.one of the most successful songwriting partnerships in the
:45:37. > :45:39.history of pop. Their seventh album, Goodbye Yellow Brick Road, is
:45:40. > :45:49.regarded as their best and has sold over 31 million copies worldwide. We
:45:50. > :45:52.could have taken so many singles off the Goodbye Yellow Brick Road
:45:53. > :45:58.album. The record company phoned up and said Benny and the Jets should
:45:59. > :46:05.be the single in America. I told them I wanted Candle in the Wind. I
:46:06. > :46:09.fought them so many times. For me, a white boy from Pinner who had grown
:46:10. > :46:14.up loving black B6, I'd played the blues and R all my life. I let
:46:15. > :46:15.them have their way. It shows you that as an artist sometimes you know
:46:16. > :46:29.nothing. The 17 songs on the double album
:46:30. > :46:35.were all written and recorded in May 1973, in just over two weeks. It is
:46:36. > :46:40.impressive for me to look back at it and think it was recorded and
:46:41. > :46:46.composed in such a short time. The band based themselves at a studio
:46:47. > :46:49.outside Paris. It literally was like a mini creative factory. I would
:46:50. > :46:54.write in the mornings. When the band were having breakfast, there was a
:46:55. > :47:00.piano in there, I would come down and grab a cup of coffee and give
:47:01. > :47:07.Elton a couple of lyrics I've been working on that morning. I would
:47:08. > :47:13.write at breakfast at the table, the band would join in and by the time
:47:14. > :47:16.breakfast was over we'd written and rehearsed two songs and gone into
:47:17. > :47:23.the studio and recorded them. We were young, we wanted to conquer the
:47:24. > :47:29.world. It was, like, wow! The man responsible for the album's sound
:47:30. > :47:35.was record producer Gus Dudgeon. He was the fifth member of the band.
:47:36. > :47:40.The sound of everything on the record was extraordinary. That was
:47:41. > :47:47.down to him. Like the Beatles had George Martin, we had him. When Gus
:47:48. > :47:53.Dudgeon was killed in a car accident in 2002, the songwriter 's lost a
:47:54. > :47:56.friend and great talent. The guy to this day is still one of the
:47:57. > :48:02.untapped geniuses of that particular era. I don't think he ever gets the
:48:03. > :48:06.credit he deserves. You just have to listen to those records. Sonically,
:48:07. > :48:11.there's nothing to touch them. Of all the tracks on the album, it is
:48:12. > :48:17.side one track two that is the most famous. When it was performed at
:48:18. > :48:27.Princess Diana's funeral, it became the soundtrack for a nation. I'm not
:48:28. > :48:33.sure if I've ever said this, but the song, about the gulags, it's a
:48:34. > :48:40.fantastic title. I had to come up with something that would work with
:48:41. > :48:47.that title. # It seems to me you live your life
:48:48. > :48:54.like a candle in the wind. It's an incredible marriage of
:48:55. > :48:58.melody and lyrics. In 1973 it was at the top of the album charts on both
:48:59. > :49:02.sides of the Atlantic. Elton became an international superstar, and his
:49:03. > :49:16.onstage flamboyance reached new heights. I was a piano player, and a
:49:17. > :49:21.piano is a nine foot plank that doesn't do very much. So I had to
:49:22. > :49:25.draw attention to myself by having fun with the costumes and doing
:49:26. > :49:37.whatever I could use the piano as prop. It was the album that really
:49:38. > :49:45.established me in the charts. It was an incredible time in my life. That
:49:46. > :49:56.makes me feel emotional because... Not sad, but incredibly happy. Thank
:49:57. > :49:59.you, Cerys. The 40th anniversary release of Elton's Goodbye Yellow
:50:00. > :50:07.Brick Road is out on the 25th of March. Haven't they done well so
:50:08. > :50:13.far? Are you ready for the final challenge? Yes! We know that you and
:50:14. > :50:17.a lot of the members of your stag party love a bit of American
:50:18. > :50:21.football, with the Bournemouth Bobcats. Tonight, we have got the
:50:22. > :50:26.ultimate American football team for you to have a go with. To show off
:50:27. > :50:33.your physical prowess. Let's see the game the face. This is it. Are you
:50:34. > :50:37.ready, Toby? Here we go. Meet the London cheerleaders.
:50:38. > :50:49.MUSIC: "Gonna Fly Now (Theme From Rocky)" by Bill Conti.
:50:50. > :50:57.Basically, Toby is going to join the squad. Quick tips but Toby for being
:50:58. > :51:04.a good cheerleader. He has to be really enthusiastic, really flexible
:51:05. > :51:12.and really athletic. He is going to couple with one of the girls,
:51:13. > :51:17.Daniela. They will run through it. Get into position and put some music
:51:18. > :51:24.on. Here we go. It starts with a little bit of a shimmy.
:51:25. > :51:33.The chest comes into it, three little head flicks, one... There is
:51:34. > :51:41.the second and finally... Bring in the hips. Walk around. Good, just
:51:42. > :51:47.enjoy yourself for a moment. Here comes the high cake. Focus on the
:51:48. > :51:48.high cake. And then you just get yourself into an end position to
:51:49. > :52:07.strike a pose. You are going to be great. Get into
:52:08. > :52:13.position. This is it. Remember, it's Matt's clothes or the dress. It
:52:14. > :52:16.rides on this. Melissa, can you believe that your husband to be is
:52:17. > :52:24.about to be a cheerleader live on the One Show?
:52:25. > :52:50.There is the head flicks. There's two, and a third. Yes! Oh, he's lost
:52:51. > :53:06.his antlers. Oh, yes! Get ready for picking. Here it comes.
:53:07. > :53:16.Girls, wonderful stuff. Toby, well done. How did that feel? Terrifying.
:53:17. > :53:21.I think you did a great job, but was it enough to get out of wearing a
:53:22. > :53:26.dress like mine? We are going inside to have a bit of a conflab. From
:53:27. > :53:32.bobcats to polecats and are very excited Miranda. For centuries, the
:53:33. > :53:36.polecat was public enemy number one, because of its taste for chickens,
:53:37. > :53:41.thousands were killed as gamekeepers and farmers hunted them to the point
:53:42. > :53:46.of extinction in England. By the 1950s, only 5000 were left in the
:53:47. > :53:51.UK, with the bulk of that population squeezed into remote parts of mid
:53:52. > :53:55.Wales. You might expect these timid and rather elusive creatures to be
:53:56. > :53:59.found in very rural settings, woodland, forest, maybe even wild
:54:00. > :54:05.meadows. But polecats are starting to make their homes in some rather
:54:06. > :54:10.unlikely places. Today there are approximately 55,000 polecats in
:54:11. > :54:14.Britain. But despite that, sightings of them are extremely rare. However,
:54:15. > :54:18.I've had a tip-off about a female polecat discovered rearing a litter
:54:19. > :54:22.of young. I've been sent some amateur footage of the polecats, and
:54:23. > :54:27.we want to see if we can capture this rare creature on camera
:54:28. > :54:32.ourselves, in what turns out to be a surprisingly urban location. We've
:54:33. > :54:37.already set up special night vision HD cameras, and now I'm hoping to
:54:38. > :54:41.see these urban polecats for myself. The owners of the house want to
:54:42. > :54:47.protect them and don't want to be filmed. But, as night descends, all
:54:48. > :54:54.the house lights are switched off. I've been joined by polecat exposed
:54:55. > :55:01.Henry Scofield, of the Vincent Wildlife Trust. These animals were
:55:02. > :55:05.born in late May, early June. They will have been with the mother in
:55:06. > :55:09.this garage since then, for the last two or three months. Usually during
:55:10. > :55:13.July and early August they will stop to come out with the mother on
:55:14. > :55:18.hunting trips. And when we view the amateur footage that has been shot,
:55:19. > :55:24.hunting of a very urban nature seems to be exactly what these polecats
:55:25. > :55:29.are up to. Quite frenetic activity. It is, it's lovely, though. It puts
:55:30. > :55:40.a smile on your face. It is so unique. I've never seen this sort of
:55:41. > :55:42.footage. It looks like a piece of chicken she has collected somewhere
:55:43. > :55:47.locally. She's really struggling. It will go! She can't even get it
:55:48. > :55:52.through the hole into the garage. Coming back and grabbing that. It's
:55:53. > :55:58.spectacular. Tell me why they are called polecats. It's from a French
:55:59. > :56:04.word. It means chicken cat. It's because they like chicken. But have
:56:05. > :56:05.we been lucky enough to catch the hungry polecats on the prowl with
:56:06. > :56:20.our own polecat camera station? This is probably the last of the
:56:21. > :56:25.kittens. The mother has gone and this is the last kitten that's left.
:56:26. > :56:30.They are so beautiful. When you catch sight of their face, they are
:56:31. > :56:34.so appealing. They are very inquisitive looking animals. If I
:56:35. > :56:39.had one of those in my garden I would be jumping for joy. This is a
:56:40. > :56:44.close-up. That little hole under the garage door. Isn't that
:56:45. > :56:50.spectacular? Look at those big claws as well. You can see how sinuous
:56:51. > :56:55.they are. It's just such an unusual place to see them. You keep
:56:56. > :57:00.reminding yourself this is right out there, it's incredible. So it took a
:57:01. > :57:07.long time but our suburban nature hide did allow us to capture some
:57:08. > :57:10.really magical footage of polecats. Reviewing that footage shot a few
:57:11. > :57:14.days ago of these charming creatures, that was truly magical.
:57:15. > :57:17.Creatures with such an extraordinarily survival instinct
:57:18. > :57:22.that they choose to live cheek by jowl with us, the oldest enemies.
:57:23. > :57:23.Anyway, it is very late now and I'm off to bed with a big smile on my
:57:24. > :57:34.face! Wouldn't it be nice to have a
:57:35. > :57:42.polecat on the show? Beautiful. This is brilliant. Dressed as wonder
:57:43. > :57:45.woman last weekend on his stag. -year-old Tristan spent his whole
:57:46. > :57:55.stag weekend in Paris dressed up as a giant fish. Go on, Patrick. That's
:57:56. > :58:03.a particularly ropey one. This is Robert Seymour, a little worse for
:58:04. > :58:10.wear. Is that Gavin, or is he dressed as they red, leather sofa?
:58:11. > :58:15.This is en route to Bratislava, where I'm sure he may have fitted in
:58:16. > :58:22.quite well. The moment has come to reveal Toby in his stag do outfit.
:58:23. > :58:26.Are we ready? Melissa, are you ready? Put your thumbs up if you are
:58:27. > :58:29.ready to see your husband. What is he wearing?
:58:30. > :58:41.MUSIC "Dude Looks Like Lady" by Aerosmith.
:58:42. > :58:53.Melissa, do you still want to marry him? Yeah. Thank you to all of our
:58:54. > :58:59.guests tonight. Patrick and Amy will be battling it out in Clash of the
:59:00. > :59:00.Titans next Friday night. We will be here tomorrow with Terry Gilliam.
:59:01. > :59:13.Goodbye! Hello, I'm Ellie Crisell with your
:59:14. > :59:19.90 second update. Drama at the Oscar Pistorius murder
:59:20. > :59:22.trial. An expert re-inacted how he smashed down a toilet door with a
:59:23. > :59:25.cricket bat after shooting his girlfriend. The witness contradicted
:59:26. > :59:26.the athlete's evidence that he was wearing his artificial legs at the
:59:27. > :59:28.time. Should we stay in, or pull out of
:59:29. > :59:30.the