:00:19. > :00:22.Hello and welcome to The One Show wth Matt Baker and Alex Jones.
:00:22. > :00:25.Tonight's guest is a comedian who's hilarious whether he's alone on
:00:25. > :00:28.stage with a microphone, appearing on panel shows or starring in
:00:28. > :00:35.sitcoms. Basically, he's cracked stand-up comedy, sit-down comedy,
:00:35. > :00:43.and walking around comedy. It's Lee Mack!
:00:44. > :00:48.APPLAUSE Goodness me, Lee! What an enthusiastic crew you have. It's
:00:48. > :00:54.not like you tell them to do that. Since we saw you last, you've had a
:00:54. > :00:59.little girl. I have, yes. Little Milly. I can just about remember
:00:59. > :01:04.her name, never mind household she is. Five-and-a-half months. Milly
:01:04. > :01:10.is a lovely name. It was Milly or Lily. We couldn't decide what to
:01:10. > :01:16.call her. On the deadline we went with Milly and only after that we
:01:16. > :01:21.realised, because we are not very bright, is that her middle name is
:01:21. > :01:26.Savage, so she would have been called Lily scarfage. We went right
:01:26. > :01:35.up to the deadline as well with our little boy. You've got three
:01:35. > :01:41.children - two boys and Lily. Savage, Danny la review, and I'm
:01:41. > :01:47.trying to think of another drag act. Your surname Mack runs in the
:01:47. > :01:54.family. It is not my real name. Your great grandfather was Billie
:01:54. > :02:01.Mack. And here is the next drag act. That is my great-granddad. Either
:02:01. > :02:07.that or my great-grandmother was ugly! Have you done any dag, Lee?
:02:07. > :02:13.I've not done that. There's still time. It doesn't really work with a
:02:13. > :02:18.northern accent. I think he was quite obviously a man dressed as a
:02:18. > :02:23.woman. You have to be able to do that. I haven't got the man boobs.
:02:23. > :02:29.We'll find out why he is taking over Friday night telly. And
:02:29. > :02:35.Christine Walkden will be admiring the beautiful blossom and looking
:02:35. > :02:41.at the amazing displace of magnolia. We want tow join in. If you have a
:02:41. > :02:45.fabulous example of blossom, send a photo of you in your garden and
:02:45. > :02:48.we'll show them later. To the great relief of her family,
:02:48. > :02:51.Judith Tebbutt was released last month by Somali pirates after being
:02:51. > :02:55.held for 192 days. In her case, a ransom was paid, but this has
:02:55. > :02:58.opened up a debate about the rights and wrongs of paying up to secure a
:02:58. > :03:02.release. It's a complex issue. 63% of people told a YouGov survey they
:03:02. > :03:12.would pay a ransom for a loved one. But in the same survey, 51% said
:03:12. > :03:15.paying ransoms to kidnappers was wrong. Here's Justin Rowlatt.
:03:15. > :03:20.shots fired out and then I realised that this was serious, by which
:03:20. > :03:26.time our attackers were upon us. It is hard to imagine an ordeal
:03:26. > :03:32.more terrifying than being held to rans nom a foreign land by a
:03:32. > :03:38.violent gang. They hand covered me behind my back, blindfolded me, put
:03:38. > :03:43.a gun to my head, pulled a trigger. There was a bang. I was thinking,
:03:43. > :03:50."I'm dead." The agony for friends and family watching the news and
:03:50. > :03:56.fearing the worse It hadn't entered our heads we would be kidnapped and
:03:56. > :04:01.held for a year and extortion was applied to our families. What would
:04:01. > :04:07.you do? Your instinct would be to pay up. But is that the right thing
:04:07. > :04:14.to do? If quid nappers are paid aren't -- kidnappers are paid,
:04:14. > :04:18.aren't they more likely to do the same to somebody else. Paul and
:04:18. > :04:24.Rachel Chandler were held for 258 days. At first the pirates were
:04:24. > :04:29.holding out for millions of pounds. They said, "You big money, $4
:04:29. > :04:32.million. British people big money, British Government pay big money no
:04:32. > :04:37.problem." Whenever we said this is ridiculous, our family will never
:04:37. > :04:41.raise that sort of money, they poo- pooed it. They were so confident.
:04:41. > :04:48.How hard was it to persuade them that they were never going to get
:04:48. > :04:53.that kind of money? For our family it was a matter of just refusing to
:04:53. > :05:02.negotiate large sums, because they didn't have them to do so.
:05:02. > :05:07.Eventually, they managed to negotiate �440 -- $440,000. Once
:05:07. > :05:11.the ransom was paid it still took five months before they were
:05:11. > :05:16.released. Peter Moore worked as an IT consultant in Iraqment until he
:05:16. > :05:20.was kidnapped and held for two-and- a-half years. It was horrendous.
:05:20. > :05:25.They would put me in a secret room with a bathroom. They would
:05:26. > :05:31.handcuff me behind my back and blindfold me. They would sit with a
:05:31. > :05:37.gun to my head. It was made clear if I spoke or they tried to rescue
:05:37. > :05:43.me, they would kill me straight away. In Peter's case the militants
:05:43. > :05:47.refused all offers of a ransom. Peter was eventually released in a
:05:47. > :05:51.prisoner exchange, four of his captured colleagues had already
:05:51. > :05:57.been killed. He believes paying up is still it's safest way of
:05:57. > :06:01.securing a release. Hostage taking works. In my case it works. In the
:06:02. > :06:06.case of Somalia you see it time and time again. They take hostages, a
:06:06. > :06:12.ransom is paid and it works every time. I might not agree with it but
:06:12. > :06:15.it's the payment of the ransom that gets them released. But most people
:06:15. > :06:20.want professional help. This man has negotiated the release of a
:06:20. > :06:26.number of hostages taken by Somali pirates. He understands better than
:06:26. > :06:32.anyone what it takes to get people freed. We've agreed to keep his
:06:32. > :06:36.identity hidden. In the majority of kidnappers are financially
:06:36. > :06:40.motivated criminals. If they are professionals, then eventually we
:06:40. > :06:45.can do a reasonable deal with them and it is run as a business. It is
:06:45. > :06:49.much more dangerous when it is politically motivated kidnappers or
:06:49. > :06:54.amateurs. How do you feel about giving ransoms to kidnappers? If
:06:54. > :07:01.you pay a ransom, you are going to encourage the kidnappers to do it
:07:01. > :07:04.again aren't you? To to suggest the payment of ransoms encourages host
:07:04. > :07:09.Taj taking is missing the points. There is no alternative. If you
:07:09. > :07:14.don't want to pay ransoms you have to tackle the problem at the core.
:07:14. > :07:20.And stop the hostage taking in the first place. The Government advice
:07:20. > :07:25.is don't pay ransoms because it encourages kidnappers. That has to
:07:25. > :07:29.be right doesn't it? If my daughter or son was kidnapped I would pay a
:07:29. > :07:34.ransom Jurisdiction where is the police are corrupt or non-existent
:07:35. > :07:38.it is still the lowest-risk method of getting the safe return of the
:07:38. > :07:42.hostage. Are you going to be the person who tells someone else they
:07:42. > :07:48.can't pay a ransom to get their loved one back? I don't think you
:07:48. > :07:54.are. That's a position nobody would like to find themselves in. Justin,
:07:54. > :07:58.surely people whose relatives are being held at ransom will do
:07:58. > :08:05.anything? That's what they do, do, but that's why the Government takes
:08:05. > :08:11.a tough stand. Because people pay ransoms is why the pirates kidnap
:08:11. > :08:14.in the first place. The Government say try not to do it, because it
:08:14. > :08:17.will encourage people. It increases the problem.
:08:17. > :08:20.Rachel Chandler says that to avoid ransoms you need to deal with
:08:20. > :08:26.piracy at its source. How widespread is the problem? What is
:08:26. > :08:28.being done to reduce it? There's a massive naval presence in the
:08:28. > :08:32.Indian Ocean. What's extraordinary is that it is like a world
:08:32. > :08:36.coalition getting together to try to tackle the problem of piercery.
:08:36. > :08:40.You've got the Americans out there, European nations have ships out
:08:40. > :08:45.there. India, Japan, China, Russia, all working together to try to
:08:45. > :08:51.solve the problem of piracy. It is beginning to work. We've got a live
:08:51. > :08:55.map here from the International Maritime Bureau. This shows just
:08:55. > :08:59.from 2012, look at all those incidents. The yellow are attempted
:08:59. > :09:03.and the red are successful. This is still a big international problem.
:09:03. > :09:07.Looking just at the Indian Ocean, off the coast of East Africa, where
:09:07. > :09:10.the Somali pirates operate. It's a vast area, the size of Western
:09:10. > :09:17.Europe. The number of attacks has gone up slightly but the number of
:09:17. > :09:22.successful attacks has gone down. From 48 in 2010 to 28 last year. It
:09:22. > :09:25.does seem to be beginning to work. Starting to work. What about the
:09:25. > :09:31.Chandlers? Surely they are not planning another sailing trip?
:09:31. > :09:35.theth that's what I thought. I said, what next to you, I thought they
:09:35. > :09:39.would say gardening. They say no, the Navy got the boat back. They
:09:39. > :09:46.are fixing it up. Will it be ready in June and they are going to sail
:09:46. > :09:51.in July to the Caribbean. They are saying it is a lot of our lives. We
:09:51. > :10:01.love sailing and we are not going to let a bunch of Somali pirates
:10:01. > :10:04.stop us. Safe styling the Chandlers. One of the most famous artworks in
:10:04. > :10:08.the world is being displayed in the UK today before being auctioned
:10:08. > :10:11.next month. Anita Rani has been to see why it strikes a chord with so
:10:11. > :10:18.many people. And if you don't know which painting we mean, here's a
:10:18. > :10:21.clue. It is powerful, disturbing and ubiquitous. You can see it
:10:21. > :10:31.hanging on the walls of students and in art galleries around the
:10:31. > :10:33.
:10:33. > :10:40.world. The Scream is waiting to be auctioned for an estimated �50
:10:40. > :10:46.million. The Scream is in fact a series of paintings and a
:10:46. > :10:52.lithograph by a nor weedge expressionist artist. He pruensed
:10:52. > :11:01.them over a 13-year period. They show a distraught and terrified
:11:01. > :11:06.figure set among a red sky. His inspiration: I was walking along a
:11:06. > :11:10.path with two friends. The sun was setting. I paused, feeling exhasted.
:11:10. > :11:19.I sensed an infinite scream passing through nature.
:11:19. > :11:26.The Scheme has made its mark in pop culture. And notoriously two
:11:26. > :11:31.versions were stolen ten years apart by audacious thieves. This
:11:31. > :11:36.art historian explains the background to the Scream.
:11:36. > :11:40.sister had been certified insane, put into the mad house. It was
:11:40. > :11:44.close to the slaughterhouse and apparently the stkpreems the mad
:11:44. > :11:48.people and from the animals were terrible to hear. Personal anguish
:11:48. > :11:54.and torture and the anguish and torture of his generation were lost.
:11:54. > :11:58.When we look at the Scream, what are we seeing? We are seeing a
:11:59. > :12:07.desperate, sexless everyman screaming against a sky of blood.
:12:07. > :12:13.Why did he produce four of them? said Cezanne painted lots of apples,
:12:13. > :12:17.Monet water lilies, it can't be finished in one painting. The value
:12:17. > :12:20.is clear. I don't think there's a single museum in the world that
:12:20. > :12:24.wouldn't want to have this picture in this collection. Whether they
:12:24. > :12:28.could afford it is another matter. Will it be a small number of
:12:28. > :12:32.potential buyers. Will it be competed for with great passion,
:12:32. > :12:42.I'm sure. Away from the auction houses, what do ordinary people
:12:42. > :12:45.
:12:45. > :12:54.really think of it? What's that? I couldn't, could I? I can and I am!
:12:54. > :13:01.Roll up, get your free ice cream. A famous painting, did you recognise
:13:01. > :13:06.it? Yes. What does it say to new Somebody who is desperate. He is in
:13:06. > :13:11.despair. This is the end. All I can do is scream and run. It is
:13:11. > :13:21.dramatic. The colour. It expresses how you feel at times. Do you think
:13:21. > :13:22.
:13:22. > :13:32.you could give me pain, despair and anguish?
:13:32. > :13:36.Give mow your Scream. Brilliant. The things you will do
:13:36. > :13:42.for an ice cream. He was the one who was most similar, that little
:13:42. > :13:51.boy. It is not a great look is it? I wonder what you would look like
:13:51. > :13:55.as the Scream. There we are. That is what you look like on a Saturday
:13:55. > :13:59.morning. That's a nice look. I might take that with me. You can
:13:59. > :14:07.have it. I don't really want it. I sieve what you've done and it is
:14:07. > :14:13.lovely. Friday night is all about Lee Mack. Not Going Out at 8.30P
:14:13. > :14:19.Not Going Out at 9.30pm, but you say you would look different.
:14:19. > :14:24.the sitcom at half 8 I had to do a couple of naked scenes, I wrote it!
:14:24. > :14:28.I had put on a bit of weight, so I lost about two stone in a few
:14:28. > :14:34.months. How did you do that? I did a certain diet that I won't
:14:34. > :14:38.recommend which involves lots of meat. Okay. I lost about two stone
:14:38. > :14:47.and put it all back on straight away. When it is on tomorrow I will
:14:48. > :14:57.be fat at half eight, half an hour off, it will look like during have
:14:57. > :15:02.have I've gone out and eaten First of all, Would I Lie To You?
:15:02. > :15:06.Is the game where celebrities play off the troops of their lives. In
:15:06. > :15:13.this club, you claim that your ex- girlfriend's names to the name
:15:13. > :15:22.Bermuda. Please give me the names, as quickly as possible.
:15:22. > :15:29.Brenda... Brenda. Superb. Still as popular a name as ever. And helping
:15:29. > :15:39.you, what is next? Is it Ethel? is not our fault. Have another
:15:39. > :15:41.
:15:41. > :15:46.guest. Elizabeth? Don't do a a a me what it was because if I don't know,
:15:46. > :15:53.it will show that I was telling a lie. But it could be a truth. It is
:15:53. > :16:02.not like it is on tomorrow night. Let us Test you're lying skills.
:16:02. > :16:06.Really quickly. Are you ready? Which team captain appeals more to
:16:06. > :16:12.female the rich, you or David? Definitely me. People like David
:16:12. > :16:18.Moore. I get a lot of women coming up to me and talking about David.
:16:18. > :16:25.Does winning matter to you? Winning does not matter at all. I like this
:16:25. > :16:29.game. Miranda Hart is -- used to be on your sitcom before going out.
:16:29. > :16:34.Who is funnier, harass or yours? Without a shadow of the doubt, hers
:16:34. > :16:38.is funnier than ours. There is Gardener's World, Come Dine With Me
:16:38. > :16:44.and William Roache's Life Story on at the same time as Would I Lie To
:16:44. > :16:50.You?, which should people watch? And glad we are against Peter --
:16:50. > :16:56.Piers Morgan. Bake am, small organ. I love what is on the other side.
:16:56. > :17:00.You get some exciting people. Ken Barlow's life story. Goal for
:17:00. > :17:06.Gardener's World. There is one on BBC Two about building a chip shop
:17:06. > :17:11.in a museum. It should be an interesting night. I would watch
:17:11. > :17:15.the million -- million pounds drop. Arthur Smith is also best -- a bit
:17:15. > :17:20.of a homebody. It is usually someone else's home he puts his
:17:20. > :17:27.body in. One of the 20th century's greatest
:17:27. > :17:33.British writers drowned herself in this reverse 71 years ago. On 20th
:17:33. > :17:38.March 1941, Virginia Woolf placed a large heavy stone in the pocket of
:17:38. > :17:42.her over- coat and walked into the water. She was 59. To find out more
:17:42. > :17:49.about her life and death, I have come to stay at her country home
:17:49. > :17:53.around the corner. Monk's House in East Sussex. When Virginia and her
:17:53. > :18:01.husband bought it in 1919, she said this would be their house for ever
:18:01. > :18:06.and ever. And for them, it was. She had been brought up in London in a
:18:06. > :18:09.large wealthy family. Many of her novels centre on the banalities and
:18:09. > :18:13.obsessions of the rich middle- classes and the role of women. She
:18:13. > :18:20.was particularly close to her sister, Vanessa. She was an artist
:18:20. > :18:24.who designed many of the furnishings in Monk's House. Life
:18:24. > :18:29.here has record in minute detail. Virginia wrote hundreds of letters
:18:29. > :18:38.and a diary. Leonard recorded more less everything, even noting every
:18:38. > :18:42.single record that they played. -- more or less everything. Life here
:18:42. > :18:47.was a familiar routine. Mornings were spent in the garden room,
:18:47. > :18:52.writing or correcting work. Lunch at 1pm and tea at 4:00pm, the cream
:18:52. > :18:56.of the day. Afternoons were for reading, writing letters, going for
:18:56. > :19:01.a walk. She was a bit Walker. Her sister lived a few miles away
:19:01. > :19:05.across the hill and she would record of a walkover and return
:19:05. > :19:09.just to see her sister. For Jenny and her sister were founding
:19:09. > :19:17.members of the Bloomsbury Group, and many would come here to visit.
:19:17. > :19:21.E M Forster, TS Eliot, Maynard Keynes. Probably the earlier 20 --
:19:21. > :19:28.earlier twentieth-century is greatest artistic and literary
:19:28. > :19:34.minds talking about the great matches of the day. And many play
:19:34. > :19:37.some balls before bedtime. -- maybe play. This was where Virginia Woolf
:19:37. > :19:43.slept, although it is not the original bed. It feels almost
:19:43. > :19:47.springy. She kept a pen and paper by the side of the bed in case she
:19:47. > :19:51.was struck by inspiration during the night. I have no doubt I will
:19:51. > :19:59.also be struck by inspiration so watch out for my long novel
:19:59. > :20:01.published tomorrow lunchtime. "The fat moon was luscious with
:20:01. > :20:09.promise as Arthur snored in the Sussex night.
:20:09. > :20:14." She was woken by the birds. "How they sang, attacking the dawn like
:20:14. > :20:19.so many choirboys attacking an iced cake." Virginia Woolf's words, not
:20:19. > :20:25.mine, but they describe perfectly my early morning wakening. Virginia
:20:25. > :20:30.Woolf, how could she right such beautiful prose? Living in such an
:20:30. > :20:36.exquisite place, beloved by friends and family, and yet she took her
:20:36. > :20:40.own life that early String morning. -- spring morning. Many years after
:20:40. > :20:43.her death, her has been talked about the depression she had had
:20:43. > :20:51.about the depression she had had since childhood. She was very
:20:51. > :21:00.excited, exhilarated. In a completely irrational way. Followed
:21:00. > :21:04.by depression. Her sort of genius by depression. Her sort of genius
:21:04. > :21:11.was connected with her sort of madness. The day she died, Virginia
:21:11. > :21:16.left suicide notes for Leonard. Marie Bartholomew's father was the
:21:16. > :21:20.gardener here. She remembers the day that bergenia died, vividly.
:21:21. > :21:27.Suddenly the front door opened and Leonard rush in. It was quite
:21:27. > :21:31.unusual for him. He was shouting, "Percy, come quickly!" Dads dropped
:21:31. > :21:38.his knife and fork and grabbed his jacket, and rushed out afterwards.
:21:38. > :21:43.It was only later that we found out that she had committed suicide.
:21:43. > :21:47.Leonard lived at Monk's House for another 20 years after Virginia's
:21:47. > :21:51.death and their ashes are scattered here where two elm trees once stood.
:21:51. > :21:57.The on trees have gone but the spirit of Virginia Woolf's much-
:21:57. > :22:02.loved home lives on. -- elm trees. You can visit Monk's House yourself.
:22:02. > :22:07.It is a National Trust property opened on afternoons between
:22:07. > :22:12.Wednesday and Friday. You write Not Going Out. Let's have
:22:12. > :22:16.a look. # It has never yet prevented me... You think you can
:22:16. > :22:26.win me over like a schoolgirl. Far too much for far too long...
:22:26. > :22:29.
:22:29. > :22:37.Bathetic. # Wasn't it could? # Also did. # Wasn't it find?
:22:37. > :22:42.# oh, so find it... Thanks for picking the clip that
:22:42. > :22:46.was the most nerve-racking. I hate singing. Tim Vine can sing, and
:22:46. > :22:52.that is the end of a week's work. You should have heard me on Monday.
:22:52. > :22:58.It was a good song choice. The thing is, do you save all the funny
:22:58. > :23:03.lines for yourself? I get help to with some of the episodes, I cannot
:23:03. > :23:06.take the complete credit. I do not write lines for myself. I prefer
:23:06. > :23:10.when other people say the lines because I can tell them how to say
:23:10. > :23:16.it. It is hard to be a control freak about yourself. If you see
:23:16. > :23:21.someone say the joke, you can tell them to say it in a different way.
:23:21. > :23:26.Do it my way, or you're sacked. at the moment, Britain's streets
:23:26. > :23:29.are carpeted with spring blossom. Before we see your photos,
:23:29. > :23:32.Christine walked through the promenade of petals and pointed out
:23:32. > :23:39.at her favourite front garden blooms.
:23:39. > :23:43.Spring, it happens every year. But it never loses its order for me.
:23:43. > :23:48.Suddenly, all of these plants, lying dormant for months, burst
:23:49. > :23:56.forth and it transforms the place. Some trees and shrubs in spring are
:23:56. > :24:04.so fantastic that they literally stop traffic. People travel miles
:24:04. > :24:11.to see them. They are what I call front garden stars. I n in Bristol
:24:11. > :24:18.and the suburbs are full of front garden stars. They are show-offs,
:24:18. > :24:25.practically on every turn. Just look at this! The flowering
:24:25. > :24:31.cherry, one of the absolute glories of spring. Voluptuous when it forms
:24:31. > :24:36.this fantastic cloud of colour and then goes -- those pedals that --
:24:36. > :24:40.those petals that dropped to the ground. Spectacular. Let's see if
:24:40. > :24:45.the owner is at home. These are such beautiful trees. How old are
:24:45. > :24:53.they? I moved in 12 years ago. They were babies. Do you look after
:24:53. > :24:58.them? Not really, no. They just grow. What a lovely sight to wake
:24:58. > :25:04.up to. It is wonderful. People command when they're walking past,
:25:04. > :25:11.look at the trees. It is spectacular.
:25:11. > :25:15.Hardly any of these lovely shrubs are native to Britain. We have
:25:15. > :25:21.brought them back from the Far East and the Americas. It is
:25:21. > :25:28.horticultural urban regeneration. This is one of my favourite
:25:28. > :25:32.magnolias. You do not have to have them in your garden -- ain't your
:25:32. > :25:37.back garden, this will do well in a front garden and it is spectacular
:25:37. > :25:41.in a container. Let's get the inside story. I wanted one so much
:25:41. > :25:46.because my neighbour had won and I had tried them in different parts
:25:46. > :25:50.of the garden. This is the only one that survived. What do you enjoy
:25:50. > :25:56.about it? It is not there for long but while it is there, it is
:25:56. > :26:03.gorgeous. Did you have any secrets, with the 4th try? Blind luck!
:26:03. > :26:08.big was it? It was that they. has grown quickly? For the first
:26:08. > :26:12.year or two, not much, but then off it went. They take time to settle
:26:12. > :26:17.but when they do, wow. With good weather in late March
:26:17. > :26:21.being brilliant for flowering, I would love to see a full grown
:26:21. > :26:26.Magnolia in all its glory. I have heard there is one around here, but
:26:26. > :26:32.you have to be quick, because they do not flower for long.
:26:32. > :26:40.That is a belter! Let's have a look. Andrew Morgan Lycia and has known
:26:40. > :26:44.this Magnolia tree since he was a lad. -- lives here. I had been
:26:44. > :26:50.looking down on it all my life. I remember it always been this size,
:26:50. > :26:54.actually. It can't have been! think it was always a large tree.
:26:54. > :26:59.Clearly it has grown a lot. Is it important to you? It is very
:26:59. > :27:04.important, particularly as we now live on the first floor. It is like
:27:04. > :27:09.having a beacon at this time of year. Suddenly, after the dark
:27:09. > :27:13.months, you have this white light, and the street light reflected in
:27:13. > :27:17.two you're house. It is an offer that -- it is an uplifting thing.
:27:17. > :27:27.I've no a to go was probably planted when they built a house. I
:27:27. > :27:28.
:27:28. > :27:33.think it is probably 1816 or 1880. What a lovely tree. What does that
:27:33. > :27:40.say? This is from Kate. It is a handwriting, not my inability to
:27:40. > :27:43.read! This is from Kate, of her beautiful daughter, Balsam with
:27:43. > :27:53.their blossoming tree. I did a similar technique with naming our
:27:53. > :27:55.son. I called them Stumpy. I'm wasting my time here! This is
:27:55. > :28:02.Morley and Theodore and their blossom tree.
:28:02. > :28:07.And this is Abigail and Charlotte with azaleas in Aberdeen.
:28:07. > :28:11.And this is a fear in Hemel Hempstead.
:28:11. > :28:15.-- Sofia. Are you going back to the laptop to keep writing? I'm going
:28:15. > :28:21.to go home and work all night through to the early hours. Will
:28:21. > :28:25.you get into your her pyjamas? Pardon? You said you write in your
:28:25. > :28:29.pyjamas. That is a virtual chat-up line for national television.
:28:30. > :28:34.Picture the scene, I will be in my underpants. Thank you for joining