:00:18. > :00:26.Welcome to the one sure with Matt Baker. And Alex Jones. Tonight we
:00:27. > :00:29.are all about the music. Later on we will be joining Mel Giedroyc from
:00:30. > :00:36.the Eurovision semifinals in Stockholm. I love her jacket.
:00:37. > :00:38.Tonight 's guest is one of the world's most highly regarded
:00:39. > :00:40.classical singers and tonight his career will be taking him to
:00:41. > :01:07.dizzying new heights. It's Jose Carreras. CHEERING
:01:08. > :01:14.Great to have you with us. Very nice. It is wonderful. You are here
:01:15. > :01:19.for a big performance at the Royal Albert Hall over the weekend but
:01:20. > :01:24.your team, Barcelona, this weekend could be winning the league and you
:01:25. > :01:30.won't be there. Unfortunately I will be rehearsing for the consort am I
:01:31. > :01:32.am going to miss the game, who knows, maybe that is better?
:01:33. > :01:42.LAUGHTER But we are confident that Barcelona
:01:43. > :01:50.wins the Champions ship. If they win or lose will it affect your
:01:51. > :02:00.performance? On a professional basis no, but if they win Rose I might
:02:01. > :02:04.have to get psychiatric treatment! More of a chance than Leicester did
:02:05. > :02:07.to start with but go on. The air will be more fresh up on the roof
:02:08. > :02:13.which is a good thing because the world health organisation released
:02:14. > :02:19.figures which showed that global air pollution has risen. No parent wants
:02:20. > :02:26.their child exposed to high levels of air pollution but as Angellica
:02:27. > :02:31.has been finding out it can be exhausting to keep them safe.
:02:32. > :02:37.Exhaust fumes. They originate close to the ground, could it make a
:02:38. > :02:43.difference to those at pushchair heights compared to adults? To find
:02:44. > :02:48.out we recruited some help, Sarah and her four-year-old daughter live
:02:49. > :02:51.in Streatham in south London. Today they are making the usual walk from
:02:52. > :02:58.their home to the nursery have a mile away. Meanwhile in south
:02:59. > :03:05.Manchester Matt is about to walk his two-year-old daughter to the shops.
:03:06. > :03:10.We have asked the teams to carry these, specially designed a
:03:11. > :03:14.monitoring boxes, so what ever the teams breathe in the boxes will as
:03:15. > :03:20.well. Each has a Tubes positioned next to the parent and children's
:03:21. > :03:26.mouth. The readings will show a difference if there is one. My main
:03:27. > :03:32.road to the nursery, at around 8am it is very busy and there is lots of
:03:33. > :03:36.cars and lots of children. If a big truck goes past blasting out
:03:37. > :03:42.emissions you do sometimes wonder what effect it is having. They get
:03:43. > :03:47.going and soon are both into their stride. The boxes and monitor levels
:03:48. > :03:54.of particulate matter, bust and city deposits in the air. The results
:03:55. > :04:00.will be analysed later. How's the journey been so far? The traffic 's
:04:01. > :04:05.been quite bad, a lot of Lloris. This area is known for being busy.
:04:06. > :04:11.Yes, lots of bosses and people going to work. 16 cities have been found
:04:12. > :04:17.to exceed pollution limits including Manchester and London. Five of them,
:04:18. > :04:22.Birmingham, Leeds, Nottingham, Derby and Southampton are now due to
:04:23. > :04:31.introduce clean air zones to limit heavy vehicles. But Greenpeace say
:04:32. > :04:33.it does not go far enough. Many cities are breaching standards,
:04:34. > :04:38.London is one of the worst affected in Europe. The government is
:04:39. > :04:43.introducing clean air zones, is that enough? They don't cover enough
:04:44. > :04:47.cities, they are not big enough and not covering all the different
:04:48. > :04:51.vehicles polluting the air. Our human guinea pigs have finished
:04:52. > :04:56.their journeys and monitors sent for analysis. This child respiratory
:04:57. > :05:02.expert has come to give us the results. This graph shows the
:05:03. > :05:08.monitors we had. The orange line is poor pollution and the parent level
:05:09. > :05:12.and blue for the pushchair. Looking at the numbers she is being exposed
:05:13. > :05:19.about 5% more on average over 30 seconds than you. What is the reason
:05:20. > :05:24.for that? We think it is most likely that when the cars go past she's
:05:25. > :05:27.closer to the exhaust. You assume that the particles will drift up and
:05:28. > :05:31.dissipate but you can see here they are going straight into the pavement
:05:32. > :05:36.and I would imagine straight into our mouths. It's getting into the
:05:37. > :05:41.lungs of those which are most at risk. In London as a prize is in
:05:42. > :05:44.store as there is no significant overall difference between the
:05:45. > :05:50.readings. But Abigail still has concerns. A number of spikes where
:05:51. > :05:55.the body is high and her lungs are still developing. Being exposed to
:05:56. > :06:00.higher levels at our younger age will do more damage. I think it's
:06:01. > :06:03.more likely if we had a day with higher pollution levels we would see
:06:04. > :06:09.that number grew more than that and if it was higher than that we could
:06:10. > :06:15.see up to 20%. That is huge. Is there anything I could change? The
:06:16. > :06:16.easiest thing to do is walk as far away from the side of the road as
:06:17. > :06:23.possible. Your lungs are still growing, if you
:06:24. > :06:30.are exposed to air pollution you have less of this growth. So it's
:06:31. > :06:34.quite serious? Yes. It increases your risk of asthma and lung disease
:06:35. > :06:38.when you get older, having heart attacks when you are an adult, so
:06:39. > :06:42.many different things have been shown to be affected by being
:06:43. > :06:45.exposed to this. Nobody expects traffic to disappear from the roads
:06:46. > :06:53.but when it comes to pollution most of us would like to see more action
:06:54. > :06:57.and a lot less hot air. That's the point, it makes you think. If you
:06:58. > :07:02.have a small child, perhaps picking them up so they are at your level so
:07:03. > :07:07.it would be so many levels. And those rain covers. That's a good
:07:08. > :07:12.idea but I suppose when it is hot. But there are apps to check
:07:13. > :07:15.pollution levels in your area. Anyway, Jose Carreras: A Life In
:07:16. > :07:19.Music is on at the Royal Hulbert hall on Sunday night, this is all
:07:20. > :07:26.about music which is defined career -- Royal Albert Hall. We understand
:07:27. > :07:36.it was this man who influenced your career right at the start. The great
:07:37. > :07:43.Mario Lanza, what was it about his voice? I was very young, six years
:07:44. > :07:51.old. I went to the cinema with my parents, where we were living in
:07:52. > :07:57.Barcelona. I coincidence the movie which was on was The Great Caruso
:07:58. > :08:02.featuring Mario Lanza. The charismatic personality of Mario
:08:03. > :08:11.Lanza, his voice, all about the glamour. That walk up in me some
:08:12. > :08:18.interest for music and singing. He was a great inspiration for me. As a
:08:19. > :08:23.six-year-old did you try to find a singing teacher are where your
:08:24. > :08:27.parents supportive? My parents were desperate but I was so much
:08:28. > :08:34.insisting that they thought this boy has a certain instinct for music so
:08:35. > :08:37.why don't we sent him to the conservatory and I started at the
:08:38. > :08:42.Barcelona conservatory to study music and piano but always with the
:08:43. > :08:47.idea to become a singer, not just an instrumentalist or musician. It must
:08:48. > :08:50.have been a surprise for your parents because your dad was a
:08:51. > :08:56.policeman and your mum was a hairdresser so there was not a
:08:57. > :09:03.musical background. Not really, they music but not at all, not involved
:09:04. > :09:09.in music -- they loved music but were not involved in music. To give
:09:10. > :09:13.everyone an idea of how naturally talented you were at that young age
:09:14. > :09:17.we have tracked down one of your first ever recordings. This is you
:09:18. > :09:42.age seven. APPLAUSE
:09:43. > :09:47.Brilliant. Beautiful. We heard that even though you were sometimes a bit
:09:48. > :09:50.naughty as a young boy, we heard your neighbours would open the
:09:51. > :09:53.windows because they knew when you are having singing lessons and with
:09:54. > :10:01.open them in anticipation because they used to hear you. That could be
:10:02. > :10:07.an arbour legend! LAUGHTER -- and urban legend. My schoolmates
:10:08. > :10:15.and the boys who played with me except maybe but I don't think that
:10:16. > :10:19.was an addition at all. How did you get on at that time in your life
:10:20. > :10:28.when your voice broke? Was that worrying? Of course, like every boy
:10:29. > :10:39.when you turn 13, 14, the voice changes. When you are a boy you have
:10:40. > :10:45.a soprano voice then you become a male voice. Baritone, Tenor,
:10:46. > :10:51.whatever. Luckily enough I had a Tenor voice. For many years my
:10:52. > :10:57.parents advised me not to sing, just to study music, to prepare myself,
:10:58. > :11:03.if one day I could be a singer but not to sing. I was singing again
:11:04. > :11:09.when I was 16, 17. I was starting my voice studies. We cannot have you on
:11:10. > :11:16.the programme without talking about The Fabulous The Three Tenors. We
:11:17. > :11:23.were reading about the night you were in the audience and Placido
:11:24. > :11:29.Domingo brought you up on stage. That was the beginning of The Three
:11:30. > :11:35.Tenors, that was when you talked about it. A few days before I was
:11:36. > :11:42.arriving from Seattle where I had an important part of my treatment, the
:11:43. > :11:48.second part. You had been incredibly ill with leukaemia. Unfortunately. I
:11:49. > :11:56.went to the opera house and by coincidence or cedar Domingo was
:11:57. > :12:02.singing Fedora and he realised I was in the audience and he asked me to
:12:03. > :12:07.come on stage that I receive the affection of the audience, the
:12:08. > :12:12.public. It was an extremely emotional moment. Let's remind
:12:13. > :12:20.ourselves of the power of The Three Tenors.
:12:21. > :12:35.Jose Carreras: A Life In Music takes place this Sunday at the Royal
:12:36. > :12:38.Albert Hall, it's sold out but he will be to ring around the UK and
:12:39. > :12:46.the rest of the world later this year. You will be singing for us
:12:47. > :12:53.tonight live on the roof of the BBC. I do so, yeah. We have got you a
:12:54. > :13:01.hard hat, if you want to start making your way up! Be careful, this
:13:02. > :13:04.building is very tall! If any of your relatives served in France
:13:05. > :13:09.during the First World War you will want to watch this next film very
:13:10. > :13:13.closely. I treasure trove on incredible wartime pictures has been
:13:14. > :13:14.uncovered but only a handful of the soldiers in them have been
:13:15. > :13:25.identified. So we need your help. On a cold winter 's morning in 2011
:13:26. > :13:30.a team of researchers entered a farmhouse in the French village of
:13:31. > :13:36.the new core. In the dusty attic they found a treasure trove from
:13:37. > :13:42.World War I. The team had tracked down a horde of about 4000
:13:43. > :13:47.photographic plates, forgotten portraits of Allied soldiers who
:13:48. > :13:51.fought in the First World War. Soldiers were posted to towns like
:13:52. > :13:55.this when they were on leave from the front line. They would spend
:13:56. > :13:59.their time relaxing, practising drills and writing letters home.
:14:00. > :14:06.They also indulged in a surprisingly modern hobby. Having their
:14:07. > :14:11.photographs taken. One enterprising couple were able to capitalise on
:14:12. > :14:15.this interest. They set up a photography studio in the courtyard
:14:16. > :14:18.of their farmhouse and invited soldiers in the town to have their
:14:19. > :14:24.photographs taken for a small fee. For the troops this was a rare
:14:25. > :14:28.chance to send home not just a letter but a photograph. A precious
:14:29. > :14:35.reminder of brothers and fathers, husbands and sons. These images made
:14:36. > :14:40.their way to families across the world. The printing techniques the
:14:41. > :14:45.couple used where crude so most of the photographs faded quickly. Very
:14:46. > :14:49.few, if any original prints survived. The glass plate negatives
:14:50. > :14:53.were a different matter. Rather than disposing of them the couple kept
:14:54. > :14:57.them in their attic, perhaps because they felt they were documenting our
:14:58. > :15:03.unique historic event. They were recently rediscovered by a team
:15:04. > :15:07.which was tipped off about their existence by a friend. Do you
:15:08. > :15:12.remember how you felt when you find out there were that many images? I
:15:13. > :15:19.was a bit in shock to be honest, a complete collection, 4000. It's
:15:20. > :15:23.incredible. It is unusual because they are informal, very natural and
:15:24. > :15:28.human. They are showing the war to the eyes of these people. War
:15:29. > :15:32.photography at the time was tightly controlled, many images staged for
:15:33. > :15:36.propaganda. These are all the more precious because they are so candid.
:15:37. > :15:43.We have samples of how different they are. This soldier is sending a
:15:44. > :15:47.message to the family, we will soon be home. It's fantastic. Very
:15:48. > :15:56.personal message to someone back home. Yes, you have Indians. Posing
:15:57. > :16:01.with a local boy? Yes, a local boy in the village. This could have been
:16:02. > :16:07.the last artefact which documented the life of some of these people.
:16:08. > :16:11.Some of these troops, especially the British, will be involved in the
:16:12. > :16:15.battle of the Somme on the 1st of July with terrible losses. A lot of
:16:16. > :16:21.these portraits are suddenly the last pictures of these men. The
:16:22. > :16:28.original glass is now stored in Museum in Australia. Few have been
:16:29. > :16:34.identified. One of the men whose family has been traced is captain
:16:35. > :16:40.Richard when cup, the author Jilly Cooper is his granddaughter.
:16:41. > :16:47.When did you become aware of these photographs? A sweet man wrote to me
:16:48. > :16:51.that he had some information on my grandfather. The photographs
:16:52. > :17:01.appeared. They are fabulous, aren't they. This is my grandfather, such a
:17:02. > :17:06.brave man. He was a vicar in Yorkshire, and he went to the front
:17:07. > :17:12.and served there for two years. How did they identify your grandfather
:17:13. > :17:16.from this photograph? I suppose because he was a padre. He was in
:17:17. > :17:21.the West Yorkshire Regiment. They must have gone back to that. The
:17:22. > :17:27.most heartbreaking thing in France is the graves saying, a soldier
:17:28. > :17:30.known only to God. Now, all these soldiers known only to God will be
:17:31. > :17:36.known to millions of people who find them, so it is wonderful. The work
:17:37. > :17:40.for researchers studying the images is ongoing but they need your help
:17:41. > :17:44.in naming these lost Tommies. There are some clues in the cap badges and
:17:45. > :17:50.other markings on the uniforms, but little else. The fact that the vast
:17:51. > :18:00.majority remain unidentified, their fate unknown, adds a haunting power
:18:01. > :18:05.to these extraordinary images. We heard you say that 1500 photos of
:18:06. > :18:12.British soldiers have been found. How many have been identified? Very
:18:13. > :18:16.few, just 56 British soldiers have been identified. When you think of
:18:17. > :18:21.the hundreds in the photos, that is a tiny fraction. Service records
:18:22. > :18:25.have been lost or destroyed. Of those identified, most are officers
:18:26. > :18:31.because they are more likely to be documented. Talk us through somebody
:18:32. > :18:37.have put a name to and how they were dented pride. First, we have Captain
:18:38. > :18:48.Hepper, sporting a rather fetching fur. He looks very happy. Soldiers
:18:49. > :18:53.would have hated those because when they got wet they stank, but he is
:18:54. > :18:57.proud of it here. He was identified because a brave souls sat in the
:18:58. > :19:01.British Library Reading room going through the regimental histories,
:19:02. > :19:05.looking for pictures. They found this slim volume called Captain
:19:06. > :19:09.Hepper's Great War diary. In that diary was that picture of him
:19:10. > :19:13.wearing that, so they could put a name to him. But that is extremely
:19:14. > :19:18.rare and shows the lengths you have to go to. Most have not been
:19:19. > :19:23.identified. We can look at one where we have what could be two brothers,
:19:24. > :19:28.two soldiers, certainly. There are a number of clues that I think we
:19:29. > :19:32.should talk through. If we look at the cap badge, you can see it as the
:19:33. > :19:37.Royal Berkshire Regiment. And if we look at the standing soldier, his
:19:38. > :19:42.upper right arm, the chevrons show that he is a corporal. If we go a
:19:43. > :19:47.little further down, you have to be good, but you can just see the edge
:19:48. > :19:51.of three overseas service chevrons, which dates this to no earlier than
:19:52. > :19:56.January 1918 when they started to appear on uniforms. On his left
:19:57. > :20:01.breast pocket, you can see a ribbon, so he is decorated. On his lower
:20:02. > :20:07.left sleeve you have four lines, which show he had been wounded four
:20:08. > :20:11.times. Lots of details. A lot of information if you know where to
:20:12. > :20:16.look. Possibly his brother, they look similar. We would love to find
:20:17. > :20:20.out who they were, because they had survived maybe three years serving
:20:21. > :20:28.overseas. What happened to them in the final months of the war? How can
:20:29. > :20:33.people help? It is very exciting. We will put all of the photos involving
:20:34. > :20:38.British soldiers on the One Show Facebook page. You can link to it
:20:39. > :20:41.from the One Show website. If you know anything about any of these
:20:42. > :20:47.photos, if you recognise a clue, if you might know someone, if it
:20:48. > :20:51.matches a backdrop in a family photograph at home, let us know by
:20:52. > :20:57.writing on the comments under the photograph. To build up a picture.
:20:58. > :21:01.We will follow and trace all of the comments, look into the leads, and
:21:02. > :21:05.hopefully we can put names to some of these lost Tommies. They did this
:21:06. > :21:16.illustrator and the response from the public was fantastic. -- we did
:21:17. > :21:21.this in Australia. Many of the photos have been put in a book
:21:22. > :21:25.called The Lost Tommies by Ross Coultart, out next Thursday. Jose is
:21:26. > :21:31.over 90 feet above us getting ready to sing from the rooftops. There he
:21:32. > :21:37.is. First, time for music of a very different kind. Eurovision Mel
:21:38. > :21:42.Giedroyc is in Stockholm ahead of this evening's second semifinal.
:21:43. > :21:47.Tonight, we will find out who the UK will be facing in Saturday's final.
:21:48. > :21:57.There is a lots to talk about so bring us up-to-date. Good evening.
:21:58. > :22:03.We are, of course, in Stockholm, gearing up for the second leg of two
:22:04. > :22:07.night's semifinal. The arena is literally half full in a moment. In
:22:08. > :22:13.one hour it will be rammed and buzzing. There is so much to take
:22:14. > :22:20.in. Break dancing astronauts, wearing a jacket similar to my own.
:22:21. > :22:24.A naked man singing to a wolf. Robes, cloaks, tassles, so many
:22:25. > :22:30.tassles. And it would not be Eurovision without a reveal. By a
:22:31. > :22:33.reveal, I mean when a singer or performer suddenly out of nowhere
:22:34. > :22:38.has a huge item of clothing ripped from them to reveal another outfit,
:22:39. > :22:45.probably more outrageous, underneath. This happened with great
:22:46. > :22:52.aplomb on Tuesday night, courtesy of Croatia. It was a marvellous moment.
:22:53. > :22:57.Tonight, of course, 18 countries will be whittled down to ten. It is
:22:58. > :23:02.all getting very tense. The big question in the UK is, Joe and Jake,
:23:03. > :23:06.can they do it, can they win? I don't know if they can win but I
:23:07. > :23:11.sincerely hope that they make it onto the left-hand side of the
:23:12. > :23:16.leaderboard. It has been a long time since we have been on the left side
:23:17. > :23:22.of the leaderboard, possibly even 2002 when Jessica Garlick came
:23:23. > :23:26.third. They have a very catchy Choon. They are effortlessly natural
:23:27. > :23:30.onstage. There is a lot of love for them in Stockholm. And they
:23:31. > :23:37.absolutely smashed it in the personal yesterday. I caught up with
:23:38. > :23:42.them this morning over breakfast in the hotel. I tried to get in over
:23:43. > :23:45.some scrambled aches. They weren't that interested and I suddenly
:23:46. > :23:51.realised I am literally three times their age. Of course they were not
:23:52. > :23:58.going to be interested. Sorry about that saliva, I don't know where that
:23:59. > :24:02.has come from. Always professional! Love and luck to Joe and Jake. I
:24:03. > :24:07.hope they can do something. I would like to welcome two special guests
:24:08. > :24:13.who are through to Saturday's final, Malta and Spain. Lovely to see you.
:24:14. > :24:18.You are through to Saturday, congratulations. I am very excited
:24:19. > :24:24.about it. They held us right to the end. I was having a nervous
:24:25. > :24:28.breakdown. You are singing for Spain, it must be amazing to be
:24:29. > :24:36.through to the final. Of course. I don't think it is fair. I would like
:24:37. > :24:41.to compete like the rest of the candidates, but how can I change my
:24:42. > :24:47.own country, you know? I would like to talk about your dancing. Take me
:24:48. > :24:57.through your dance manoeuvre. You know how to do it. Let's do it
:24:58. > :25:03.together. It's a bit like a school disco in the 1980s, but this is the
:25:04. > :25:08.move everyone is enjoying here. It is hard on the carpet. You are
:25:09. > :25:18.pregnant. Are you going to call the baby Eurovisiona? I don't think so.
:25:19. > :25:24.Back to you. You can watch the second semifinal
:25:25. > :25:29.tonight at 8pm. Don't miss the final on Saturday at 8pm. For the first
:25:30. > :25:35.time in Eurovision history, the final will be broadcast live to the
:25:36. > :25:40.US, so we expect random comments on social media from Americans over the
:25:41. > :25:48.weekend. Jose is up there on the roof, ready to perform. We will be
:25:49. > :25:53.back with Bradley Walsh tomorrow. And Adrian Lester will join us ahead
:25:54. > :25:57.of the last episode of the hit spy thriller Undercover. We wish Jose
:25:58. > :26:03.all the best on Sunday. Here he is, playing us out with Passione.