:00:15. > :00:30.Fantastic morning. I did wait ten hours to meet him five years ago.
:00:31. > :00:45.Hello and Welcome to the One Show with Alex Jones,
:00:46. > :00:47.And the ball I've always got my eye on...
:00:48. > :00:58.Obviously the crowd's not ALL for me, they're
:00:59. > :01:02.here for tonight's global exclusive performance from Mr Harry Styles!
:01:03. > :01:21.The crowd's ready, but where's Harry?
:01:22. > :01:44.Harry's performance isn't the only exclusive this evening,
:01:45. > :01:46.we've got access to previously unseen footage shot behind
:01:47. > :01:50.And there's a cherry on the top of tonight's show -
:01:51. > :01:53.Gregg Wallace is here with the three finalists ahead of this evening's
:01:54. > :02:13.What are you most excited about, the final or Harry Styles? The final.
:02:14. > :02:17.Has been absolutely brilliant this year. The standard is massive.
:02:18. > :02:21.I'm starting to feel a bit sorry for the couple in our first film.
:02:22. > :02:23.The One Show is really putting their relationship to the test.
:02:24. > :02:26.First we made them take on the highest climbing wall in Britain.
:02:27. > :02:37.They are arguing their way around London in their first do-it-yourself
:02:38. > :02:52.tour car. This is the type of tour you want to
:02:53. > :02:58.be taking. James, explained. This is London's first self drive tour. We
:02:59. > :03:02.have a screen with a root and as you are driving the route, you get
:03:03. > :03:07.sightseeing commentary. You feel you are exploring and feel free. We can
:03:08. > :03:25.get into the looks and crannies other tours can't. Let's go. Hello.
:03:26. > :03:31.Go, Kiara. I am afraid. It is cute, isn't it. Concentrate on the
:03:32. > :03:36.driving. This is the only American Embassy in the world the US is
:03:37. > :03:41.leasing, rather than owning our great. Mayfair boasts the highest
:03:42. > :03:47.concentration of 5-star hotels in London. I like it that you can be
:03:48. > :03:52.around this part of London and not in a tour bus feeling like a common.
:03:53. > :03:56.I am in my convertible car. Legend has it the second Duke of
:03:57. > :04:03.Westminster was lovestruck after meeting a mad Chanel and ordered all
:04:04. > :04:07.the lamp post on his land to be adorned with their initials next to
:04:08. > :04:13.his own. If you believe that, you will believe anything. You are so
:04:14. > :04:25.funny. This is a nice way to see London. Sorry about my driving. She
:04:26. > :04:30.has been driving for 20 years. We have gone wrong, but don't worry. At
:04:31. > :04:35.the junction, we should have gone straight ahead. Just go all around
:04:36. > :04:40.the square and try again. If you were paying attention, I wouldn't
:04:41. > :04:48.have gone wrong, you are the navigator. One afternoon in 1980,
:04:49. > :04:53.two Americans came into the store. A fat so critical to the image, he
:04:54. > :05:03.would lose his right arm to get it. They bought it for Indiana Jones. He
:05:04. > :05:15.has really nice titbits of information you wouldn't necessarily
:05:16. > :05:23.know. What are you doing? No you are not, John? No you are not. Tourists.
:05:24. > :05:32.Tourists. Try and be a little bit posh, please. The sad music. Hold
:05:33. > :05:34.back the tears and Leicester enjoy our last few moments together. That
:05:35. > :05:46.was fun. A big thank you to John and Kiara.
:05:47. > :05:52.They have been amazing. Do you think John would do all right in one of
:05:53. > :05:57.those cars? Yes, I think we would probably do a restaurant tour of
:05:58. > :06:05.London. Who be driving? I will drive. The night is a big night in
:06:06. > :06:09.the master chef calendar. Last year we watched Jayne Devonshire take
:06:10. > :06:15.home the crime, but who will it be this year? Welcome the master Chef
:06:16. > :06:21.finalist, Giovanna, Saliha and Steve. This is the moment from last
:06:22. > :06:29.night when these three found out they had won a place in the final.
:06:30. > :06:41.You three are the final three. Well done, everybody. You are joking.
:06:42. > :06:49.It is not surprising the emotion they feel, let alone winning, but
:06:50. > :06:53.being in the final can change your life? It does change lives, you must
:06:54. > :07:00.have realised that already, just going into the shop. Master chef has
:07:01. > :07:10.spawned over 20 restaurants. Do you get discount in everyone? Loyalty
:07:11. > :07:14.cards. You do get looked after. Never see you looking that emotional
:07:15. > :07:20.on master chef, but you were looking quite tearful. I don't know what it
:07:21. > :07:26.is about this year, but the talent is incredible. It is, I feel quite
:07:27. > :07:32.starstruck and I am never like that. They have worked so hard. You are
:07:33. > :07:37.judges and impartial, but you cannot help getting fond of people. What is
:07:38. > :07:42.hard about making that decision about who goes. It is hard to
:07:43. > :07:46.promote people and encourage them and watch them do really well and
:07:47. > :07:52.then to have to dismiss them from the competition. It is really hard.
:07:53. > :08:00.I don't know anything about cooking, but you do. But the standard seems
:08:01. > :08:06.to be really high. Saliha, I liked your fish and chips. It was
:08:07. > :08:11.something that you said, it is familiar, yet extraordinary, you
:08:12. > :08:18.said. What made you want to take part in master chef, because you are
:08:19. > :08:24.a doctor? Yes, the decision was my husband, not mine. He decided to
:08:25. > :08:28.fill out the form for me. It is when it got to the difficult questions he
:08:29. > :08:33.got too, and then he said this is the laptop, the last two questions,
:08:34. > :08:40.just do them. But I had always wanted to do it. He must have had
:08:41. > :08:46.every faith in you to do it? Yes come he did. How do you decide what
:08:47. > :08:54.you're going to cook for last meal? You look back and what you have done
:08:55. > :09:00.before, what worked, what did John and Greg say. They know where our
:09:01. > :09:03.strengths alive. Do you get any steering, do they say, maybe think
:09:04. > :09:10.about this or do you have to do it yourselves? They don't know what we
:09:11. > :09:15.are cooking until they get there. We will get a desert from each of them
:09:16. > :09:18.because they cook three courses in the final. I love the final, apart
:09:19. > :09:24.from the judging when you have to say one of them is a winner. You can
:09:25. > :09:28.get really fat on that final. You want to stick your head in the bowl
:09:29. > :09:33.because they are great and their final three dishes are amazing. What
:09:34. > :09:38.fascinates me, you develop and learn, but when you have two cup for
:09:39. > :09:45.the guests who come in, who is the most scary? I suppose doing the
:09:46. > :09:49.chef's table is daunting. All those guys at the top of their game,
:09:50. > :09:54.judging you. It is the first time we have been in that experience. You
:09:55. > :10:01.see the recipes for the first time. Having to get it done and feed them,
:10:02. > :10:07.it is... You have seemed really calm. Last night you were a bit
:10:08. > :10:12.rattled, a tiny bit. How do you control that sort of thing going
:10:13. > :10:16.into the final? You try and focus on the task, ignore what is going on
:10:17. > :10:20.around you. If something doesn't go right, you just have to get your
:10:21. > :10:26.head down and battled through it. I cannot wait for the night. We are
:10:27. > :10:29.going to rush home so quickly. Talking about beautifully prepared
:10:30. > :10:38.dishes, Harry Styles will be singing live for us. There were other
:10:39. > :10:44.musicians before Harry and some of them created just as much hysteria
:10:45. > :10:52.where ever they went. In 1965, there was only one show in time. Help was
:10:53. > :10:57.the Beagle's second feature film and a global sensation. The bizarre plot
:10:58. > :11:07.sees the Fab four chased around the world by a religious cults, intent
:11:08. > :11:11.on reclaiming a sacred ring. It is one of the biggest films in music
:11:12. > :11:14.history and has been credited with inventing the pop video. But if you
:11:15. > :11:20.thought you knew everything there is to know about this landmark of
:11:21. > :11:24.British cinema, think again. Previously unseen footage shot
:11:25. > :11:28.behind-the-scenes of Help was unearthed and The one Show has been
:11:29. > :11:35.given exclusive access to this important piece of cinema history.
:11:36. > :11:43.Abigail is the daughter of Leo, who played the Beatles arch nemesis. But
:11:44. > :11:49.he is better known as Rumpole Of The Bailey. After my father died I had
:11:50. > :11:53.to go through personal stuff. I came across this and it had snow scenes
:11:54. > :11:59.are written on it, I thought it is Austria, it has got to be Help.
:12:00. > :12:06.Austria was the setting for one of the key scenes and a chase across
:12:07. > :12:10.the snow. And the little number you may have heard before. I remember
:12:11. > :12:14.the day my father said he was going to do a film with the Beatles. Off
:12:15. > :12:20.we went on an aeroplane from Heathrow. It was an extremely happy
:12:21. > :12:25.time in my life. I don't think I have seen this since I was ten, so
:12:26. > :12:29.that is like 50 years ago. It is like a premier like no other and the
:12:30. > :12:35.British film Institute has agreed to host a special reunion for some of
:12:36. > :12:41.the original cast and crew. Peter was Paul McCartney's stunt double in
:12:42. > :12:46.the film. Dick Lester gave me the job and he said, can you wrestle
:12:47. > :12:52.with a tiger? I said no. He said, don't worry about that, you will be
:12:53. > :12:57.Paul McCartney's double. Eleanor played the sultry femme fatale. It
:12:58. > :13:04.was my first film, I was anxious not to flow. Completing the reunion is
:13:05. > :13:12.Betty, the hairstylist. George dandruff Harrison. Not spilling any
:13:13. > :13:19.means. This will be diverse team this behind-the-scenes footage has
:13:20. > :13:24.been shown anywhere in the world. There is the boys arriving. The
:13:25. > :13:33.remarkable film reveals unguarded moments of the Beatles in between
:13:34. > :13:42.takes. Playing in a brass band. And even George challenging John to a
:13:43. > :13:48.curling match. They all have the same kind of hairstyles? George had
:13:49. > :13:58.very Coursera, Ringo had very fine hair. He always had that white
:13:59. > :14:03.streak. When he washed it, he immediately put it forward, he never
:14:04. > :14:11.wanted to see it back. Look how glamorous you are. Dick had to tell
:14:12. > :14:16.me to stop blinking. As soon as he said, action, I started blinking out
:14:17. > :14:21.of fear. The home movie gives a red insight into how the film was made
:14:22. > :14:26.and revealing the secret behind one of its stunts. Peter, how would they
:14:27. > :14:32.have done that? The director would have asked, what have you had for
:14:33. > :14:35.breakfast? After that, lots of rehearsal, like an act that would
:14:36. > :14:40.learn the lines. The stuntman rehearses a great deal in his own
:14:41. > :14:51.mind he does it. Clever editing does the rest. Wait for me. What has it
:14:52. > :14:57.been like seeing the footage? It has brought back lots of memories. The
:14:58. > :15:03.Beatles were very real and I thought it was very, very nice. I loved
:15:04. > :15:08.seeing my dad, obviously and me looking so happy. I do remember it
:15:09. > :15:17.as a very, very exciting time of my life. I won't ever forget it.
:15:18. > :15:30.Those are the three films they did, but they weren't the only one pitch
:15:31. > :15:36.to the Beatles? There was a western, guess what they were going to be.
:15:37. > :15:43.Cowboys! Yes, they were going to be cowboys. Fresh from Liverpool, over
:15:44. > :15:47.the pond, so they could keep their accent. The film got made, but not
:15:48. > :15:52.with the Beatles. The three Musketeers what the next one, who do
:15:53. > :16:01.you think would have made a good. Onion? The one with the two earliest
:16:02. > :16:07.moustache, I should imagine. Oh, Ringo! Allegedly, that was who would
:16:08. > :16:14.have played him. Rigid border would have starred. Richard Lester could
:16:15. > :16:21.not get them to do it, but he made the film in 1974. Lord of the rings,
:16:22. > :16:32.directed by Stanley Kubrick. That is brilliant! Why would they not do it?
:16:33. > :16:42.That is why! That is exactly right. Allegedly John Wood have been
:16:43. > :16:53.Gollum. George would have been Gandalf. I can see him as Gandalf.
:16:54. > :17:00.He looks like a wizard. I suppose. Talking did not agree. They were not
:17:01. > :17:07.in the Jungle book, but whenever I have seen it, they were considered
:17:08. > :17:13.for it, the vultures... Look what is coming our way. What in
:17:14. > :17:17.the world is that? I love that. It is not the best
:17:18. > :17:24.Liverpudlian accent! It is not quite them. Last year, when they did the
:17:25. > :17:29.remake, the two remaining Beatles were approached, but it happened too
:17:30. > :17:32.late, so it did not happen. What a shame.
:17:33. > :17:35.One Liverpool resident that didn't end up quite as popular
:17:36. > :17:39.as The Beatles is the Metropolitan Cathedral
:17:40. > :17:41.Scousers have had a love-hate relationship with it
:17:42. > :17:58.But firmly fighting its corner is comedian Alexei Sayle,
:17:59. > :18:02.who's back on his home turf to find out why the building is still
:18:03. > :18:17.Liverpool is full of iconic structures. The life of building,
:18:18. > :18:21.the cavern club, Anfield stadium, but to my mind, one of the finest
:18:22. > :18:26.landmarks in this city is also one of the strangest looking. The
:18:27. > :18:31.Liverpool Metropolitan Cathedral. The building has gone at many
:18:32. > :18:36.nicknames over the years, Paddy's wigwam, the Mersey funnel, the
:18:37. > :18:42.Pope's launch pad, my favourite is mid-20th-century civic building in
:18:43. > :18:48.the modernist style. Believe it or not, it is quite an important
:18:49. > :18:55.building to me. I was 15 when it was built, I spent a lot of time in
:18:56. > :18:58.here. It was the most extraordinary, meditative space. I used to sit
:18:59. > :19:02.there all walk around and think about the things that were bothering
:19:03. > :19:06.me as a teenager, would I ever get a goal friend, where would my life go,
:19:07. > :19:14.what is this thing called hummus that everybody is talking about? The
:19:15. > :19:20.Opening Ceremony was held in 1967. I remember walking in and thinking, it
:19:21. > :19:27.is so big. To a child, you can imagine, I was a dwarf by it. I was
:19:28. > :19:31.on duty as a policeman, we were here for two days, not exactly to control
:19:32. > :19:39.the crowds, because they were nice... It was quite an event for
:19:40. > :19:43.the city. I think it is at its best when there is a service. The swell
:19:44. > :19:48.of the sound and the enthusiasm of the people lived it up. Designed by
:19:49. > :19:53.Frederick Hibberd, the layout flew in the face of tradition. After a
:19:54. > :19:57.catalogue of structural flaws, the Cathedral sued him for ?1.3 million.
:19:58. > :20:04.That was not the end of their problems. Given that it was such a
:20:05. > :20:07.revolutionary design, ... Who has not had trouble with their builders,
:20:08. > :20:14.but you have had trouble with your roof. ?8 million to do the repairs.
:20:15. > :20:21.The whole building cost 2 million in 1967. For the first 25 years the
:20:22. > :20:27.congregation had some water dropping on them, but now occasionally it
:20:28. > :20:33.drops on the priests, around the century. It is fair enough, really.
:20:34. > :20:37.Perhaps the most striking feature of the building is the glass lantern.
:20:38. > :20:42.It was designed by John Piper and Patrick rent Ian 's. But letting
:20:43. > :20:49.artists experiment in the 60s has not paid off. Today it is in a sorry
:20:50. > :20:55.state. Architectural restorer Rob Chambers is helping to conserve this
:20:56. > :20:59.modernist Marvel. This was highly innovative, the way the lighting was
:21:00. > :21:04.constructive. Absolutely, we are talking about one of the first
:21:05. > :21:08.examples of a technique which means slab of glass, it was craned into
:21:09. > :21:14.place. It was not exactly future proofed. Italy from day one, that is
:21:15. > :21:20.one of the key challenges. How high up is the lantern? 70 metres from
:21:21. > :21:24.here, but to get a sense of the scale, we need to get up there and
:21:25. > :21:28.have a look. There is no way you will catch me dangling on a string
:21:29. > :21:36.up there, so while Rob climbs onto the roof, I will literally take a
:21:37. > :21:39.cue and enjoy the view. It looks amazing. From the outside, it is
:21:40. > :21:46.possible to see the true extent of the damage. The slabs of glass, you
:21:47. > :21:49.can see how it has fractured. You get a sense of how the pieces were
:21:50. > :21:55.created, they have been checked by hand into shape. We have the cast
:21:56. > :21:59.edges, where we have most of the issues, where the resin is not
:22:00. > :22:03.adhering to the glass panels. I do not envy the lads, they have their
:22:04. > :22:07.work cut out, restoring that lot. But it will be worth it. This
:22:08. > :22:12.building seems even more distinctive and original than it did when it was
:22:13. > :22:18.being built. It was constructive at a time of incredible experimentation
:22:19. > :22:22.in architecture. Now you get these buildings with names like the shard
:22:23. > :22:28.or the walkie-talkie or the Satsuma, but in a way that is a banality
:22:29. > :22:32.about them. This building embodies a spirit at a time of revolution, and
:22:33. > :22:37.that is why it is loved and should be admired.
:22:38. > :22:46.Now it's time for our world exclusive from the man whose
:22:47. > :22:52.new album is intriguingly titled Harry Styles.
:22:53. > :23:05.Singing Sweet Creature, please welcome Harry Styles.
:23:06. > :23:14.# Had another talk about where it's going wrong
:23:15. > :23:56.# Wherever I go, you will bring me home
:23:57. > :24:14.# When I run out of road, you will bring me home
:24:15. > :24:22.# Running through the garden, oh, where nothing bothered us
:24:23. > :24:33.# I always think about you and how we don't speak enough
:24:34. > :25:05.# Wherever I go, you will bring me home
:25:06. > :25:21.# When I run out of road, you will bring me home
:25:22. > :26:08.# Wherever I go, you will bring me home
:26:09. > :26:32.# When I run out of road, you will bring me home.
:26:33. > :27:01.Fabulous. That was lovely. A global first. Everybody here already knows
:27:02. > :27:06.the words. I snuck it out. The album was released today. Looking at the
:27:07. > :27:17.download charts, you are number one in 84 countries. Pretty amazing. I
:27:18. > :27:23.have been very overwhelmed by the whole thing. I am very happy with
:27:24. > :27:30.it. Michael has a question, how come you called the album Harry Styles?
:27:31. > :27:33.My first album was called Michael Ball. I thought it would have been a
:27:34. > :27:41.good choice. We were going to call mine Michael Ball! Why did you hit
:27:42. > :27:47.on that? It is my first album, it was a piece of me that I do not feel
:27:48. > :27:53.like I had shed before. You have written most of the tracks? All of
:27:54. > :27:59.them. That is a lovely song. Before, there were four of you, now it is
:28:00. > :28:04.more exposing, are you enjoying the attention, or do you feel like,
:28:05. > :28:08.where are the others? It is different, but it has been really
:28:09. > :28:17.fun, it is an exciting time for us to explore different things. One
:28:18. > :28:22.thing we have to ask, there is an image change, where has the Hague
:28:23. > :28:30.on? I had a trim. You had more than a trim. I did a movie last year.
:28:31. > :28:39.Dunkirk, you have to have the army haircut. It looks great. So does
:28:40. > :28:43.yours! Who would have thought Harry Styles and Michael Ball have become
:28:44. > :28:51.like that! You recorded it in Jamaica, why? I wanted to be away
:28:52. > :28:58.from getting distracted. Very chilled. It worked. It has been
:28:59. > :29:04.fantastic to see him get a night, they are very pleased you came.
:29:05. > :29:07.Lovely. Thank you. A huge thank you to Harry. The new album is out
:29:08. > :29:19.today. Thank you to Gregg. The MasterChef final is straight
:29:20. > :29:21.after us on BBC One. I'll be back on Monday
:29:22. > :29:24.with Dreamgirls star Amber Riley, and star of the BBC's brand-new
:29:25. > :29:26.drama Broken, Anna Friel Three reasons we love Eurovision -
:29:27. > :29:43.the costumes. Ah, yes!
:29:44. > :29:46.Who could forget the milkmaids? The passion.
:29:47. > :29:49.We are unstoppable.